Welcome to our World! Where we serve you cookies to ensure you get the best viewing experience on our site.

Did you know that you can remove censorship board-wide, use our advanced search functions, be notified when new content is posted, join our memberships, set episodes to show in any order you want & more if you are logged into your account?

Register or sign in here: ucp.php?mode=register

Wyatt Earp 2 (2026)

Westerns Movie Collection.
(Revisionist, Spagetti, Outlaw, Empire, Marshal)

Moderators: Maskath3, GabrielAlejo2341, sidolanters, Maskath3, GabrielAlejo2341, sidolanters

Watch Amazon   Western Merch   Collectables

Westerns Movie Collection.

Wyatt Earp 2 (2026)

Post by bunniefuu »

(dramatic music)

- Town has always had trouble.

What worries me is

when a stranger shows

up right before it.

- Well, you think Im

the kind that brings it?

Trouble?

(g*n clicks)

Adios, Harlan.

(g*n fires)

(dramatic music)

- Hes just like the stories.

- I never asked to be the law.

(g*n fires)

Take care of that.

- [Mary Lou] Will I

ever see you again?

- Imagine you might.

(dramatic music)

State your name.

- Jack Johnson.

- By the authority vested in me

by the laws of this territory,

I do hereby swear you

in as Deputy Marshal

of the United States.

Do you pledge to

uphold the constitution

and carry out your duties

with honor, without fear?

And will you see that

justice is served

in every corner of this land?

- I do.

(dramatic music)

- So long as you

wear this badge,

you carry not only

the power but the law.

You stand as the

trust of the people.

May you prove worthy of both.

- I will.

(dramatic music)

(Jack chuckles)

(dramatic music)

(pensive music)

- It is been six months

since Wyatt left.

(pensive music)

Six months of silence.

(pensive music)

(footsteps clopping)

Six months of prayers.

(pensive music)

(footsteps thudding)

(pensive music)

(dramatic music)

(door thuds)

(dramatic music)

(Wyatt clears throat)

- Ask and you shall receive.

- Wyatt.

- [Wyatt] In the flesh.

- What are you doing here?

- k*lled Old Man Clanton.

(tense music)

- Were chasing?

- I believe we are.

After you.

(dramatic music)

- Hey.

Thats far enough,

dont you think?

(hit thuds)

(dramatic music)

- Look what the cat dragged in.

- Your deputy hit me

in the g*dd*mn face.

- Oh.

- And wheres my p*stol?

- Oh, I think my

deputys got it.

Is that right?

Well, he should have shot you.

Consider yourself lucky.

- What do you want, Earp?

- Newman Clanton,

patriarch for the Clanton g*ng.

Ill be damned.

Outlaw leader, look

up, cattle rustler.

I hear youre a wanted man

in half the state of Arizona.

Is that right?

Youre gonna speak up?

Nows your turn to speak.

Plead your case perhaps?

Very well.

Guess well settle

the payment in full.

b*ll*ts worth of

illicit activity

sounds about right

if you ask me.

- You k*ll me and the

Cowboys will just take over

where I left off.

Curly Bill, Ringo, theyll

just take over my operation.

- No doubt escalating violence

in the region will happen.

But we will stop them

from moving cattle south.

- Youll try.

McLaury too.

- Oh, Frank and Tom.

Hear those two are riding

for Tombstone as we speak.

Well, Old Man Clanton,

way I see it, Deputy,

we can either drag this old

bag of bones sack of sh*t in

to see a judge and wait for

them to consider his fate,

or we can just go ahead

and settle this problem

right here, right now.

- You dont get it, do you?

k*lling me just brings

more trouble to Tombstone.

- Well, I guess as

the saying goes,

well cross that bridge

when we come to it.

(g*n fires)

(dramatic music)

Jack, ride to Tombstone.

Send word to Doc and Morgan

and tell them to find

Virgil and get ready.

- Ready for what?

- w*r, Deputy.

Tell them to get ready for w*r.

- You k*lled him?

- Didnt see much a

choice in the matter.

- Why didnt you

ride in to Tombstone?

Whyd you come here?

- Truthfully,

Im on the lam,

keeping a low profile.

- Youre on the run.

- You ever heard

of Cochise County?

Its in Arizona.

Well, theres a sheriff there,

crooked as a mountain pass.

Names John Behan.

Word of Old Man Clantons

death reached his office

and he took the

news rather hard.

- Well, what did you expect?

- Whatever it was

I was expecting,

a bounty on my head was not it.

- Hes after you?

But youre a law man, dont

you make those decisions?

- Law these days is able

to be bought and paid for.

And as he should know, an

unjust law is no law at all.

- All right.

Well, youre here, now what?

(lively music)

- Afternoon.

- You must be Johnson.

- I am.

You must be Frank McLaury.

Which is funny cause I

wouldve taken you for Thomas.

- Thomas?

- Yeah, you know, like

Tom but with an H.

- You got something

for me or what?

- Wyatt wants to speak with you.

- Tombstone?

- Dead River.

Small town, south of here.

Do you know it?

- More or less.

- Well, which is it?

Cause its hard to find

if you dont know what

youre looking for.

- I know where the hell it is.

I just need to know there

wont be any trouble

when I get there.

- Why would there be trouble?

- Theres always trouble.

And Wyatt knows who I ride with.

He knows all about Clanton,

my ties to the Cowboys.

- Wyatt Earp is a

man of his word.

If he gave it, you have it.

There wont be no trouble,

just conversation.

- Nobody knows

about this meeting?

- Not a soul.

Like I said, his word is bond.

This meeting will

be the secret type.

(lively music)

(footsteps thud)

- [Wyatt] Old familiar places.

- Havent had much time

to make any improvements.

No coin neither.

- Oh, well, I might be

able to help you with that.

Got a friend coming to join

and he might be able to help

with both of our situations.

- You are gonna bring trouble

back here, arent you on?

- I prefer to think

of it as excitement.

- [Mary Lou] I dont

need excitement.

- Then call it opportunity then.

- Damn it, Wyatt.

I like being left alone in my

own town and do as I please.

- Is it really that awful

seeing me, Mary Lou?

My business here will be

swift, you have my word.

You hear me?

Im not offering you

anything but some coin.

And I promise that after this,

after this, you wont

be seeing me again.

- Wheres Jack?

- Tombstone.

- Tombstone?

- With my brothers and Doc.

Hes safe.

What I need to do here is a

ruse and it must be done alone.

- I wanna help.

- Help?

- [Mary Lou] Mm-hmm.

- How?

- You tell me.

You want the use of my town,

you cut me in on the action.

- So thats what

this is, action?

What happened to you liking

all the silence and being alone

and all that nonsense?

- I lied.

Im quite lonely, if

I am being honest.

- Well, that is the best policy.

Hmm.

(suspenseful music)

Can you pretend to be an outlaw?

(suspenseful music)

- Is all this really necessary?

- Is what necessary?

- Me in this stupid cage.

- You said you wanted to help.

I asked if you could play

the part of an outlaw

and you said yes.

- And?

- And yes, being

in that stupid cage

is absolutely necessary.

- [Mary Lou] Well, can you

at least tell me what it is

I am doing?

- Well, youre pretending

to be my prisoner.

- Why?

- Because thats the game.

Now stop asking me

so many questions,

I wont answer them anyways.

- Is that right?

- Yes, thats right.

Mainly cause I know youll

despise the answers anyways.

So sit there, be quiet

till I say otherwise.

Yeah?

(dramatic music)

(footsteps thudding)

Frank McLaury?

- Wyatt Earp?

- Please.

(dramatic music)

- The hell is that in there?

- Her?

Shes no one.

- No one?

- Not no one, just no one to

worry about at the moment.

- Well?

- Well, I appreciate

you making the trip.

- Appreciate?

Word is you k*lled

Old Man Clanton.

- Rumors.

- Not according to Sheriff Bean.

- You didnt come

for a rumor, Frank.

You came cause the

clocks ticking,

you want to hear how loud.

- I came cause clocks

stop when men stop them.

Thought maybe youd like

to know the minute hand

before it cuts you.

- Informations got a price.

You looking to sell

or feel important?

- Both, if Im being honest.

Cowboys dont like loose ends.

They dont like your

brothers breathing.

- Names dont

interest me, plans do.

- Plans change, intent doesnt.

Ikes gone, Toms restless.

Virgil wearing that

badge like its ironclad.

They think youre gonna walk

them down, same as always.

- When?

- Soon enough if

tempers dont cool.

Late morning, sun

high, pride higher.

They want the streets narrow.

- They want theater, dont they?

- They want you to blink.

If you dont, they

make an example.

Virgil first, hes the law.

Break him, the rest scatters.

- Where?

- Near the back

lots, horses tied.

- If I buy all this,

whats your price?

- Whats her story?

- Names Betty.

Wanted for knocking

off a stage coach.

She took the lives of

an innocent family too.

- Is that right?

- Thats right.

- This sh**ting business,

youd advise me to avoid it?

- Id advise you to survive it.

- Well, I have a

proposal for you.

In exchange for your

generous information,

you get $1,000.

Call it a finders fee.

And on top of that,

youre not to be harmed in

the melee at the O.K. Corral.

Now, Virgil will want

Behan to be redistributed.

Your brother Thomas

wont be harmed either.

And in exchange for that,

you bring Behan here

for me to deal with

before me and my

friends face off

with the Cowboys in tombstone.

- Agreed.

- So lets recap

now I know what me and

my brothers can expect

at the expense of the Cowboys.

You and your brother are not

to be harmed in all that.

You get $1,000, cash in hand.

And you bring Behan

here for me here, say,

day after tomorrow.

Am I forgetting anything?

- I sure could use

a company of a lady.

(tense music)

Damn, youre

good-looking, arent you?

A little too pretty

to be an outlaw.

- Well, is that right?

- Hmm.

- Prettiest I ever seen.

(tense music)

- Hmm.

- Yeah, I had a wife once.

She died.

- [Mary Lou] Im

sorry to hear that.

How did she die?

- Caught it the same way most

things catch up with you.

Quietly.

Without warning, and no mercy.

(somber music)

But she was strong once.

Strong enough to haul

water before dawn,

to stitch a shirt by lamplight

after a full days work,

to smile at her husband

like the whirlwind trying to

grind us both in the dust.

Fever came in the spring,

riding in like a strangers

cough in the dust of the trail.

(somber music)

By the third night, she

couldnt keep water down.

And by the fifth,

she was talking to people

who werent even there.

When she died, the

house didnt change.

Wind still creaked the boards,

the stove still smoked.

(somber music)

Everything else was wrong.

Something was missing like

a song missing its melody.

(somber music)

I buried her up on the

hill behind the homestead,

she could see the

valley she loved.

I even put up a little wooden

cross with her name on it.

c*ck crooked of course

cause my hands wouldnt

stop shaking so bad.

- You loved her?

- Very much.

Very much indeed.

- Why do you wanna be with me?

- Even a widow gets

lonely from time to time.

(somber music)

Whyd you k*ll all them people?

- This stage coach came rattling

through the canyon at dusk,

dust hanging in

the air like smoke.

He stepped out first,

voice strong but

shaking underneath.

The driver froze.

(gentle music)

Inside the coach was a family,

a man, a woman, two children,

eyes wide, hands raised like

they had been practicing

that moment their entire lives.

The father moved too fast.

Maybe it was fear,

maybe it was pride,

maybe he didnt know

that the g*n was loaded.

He lunged, grasping

for the barrel

and the shot rang out so loud

that it echoed back wrong,

as if the land

itself disapproved.

(somber music)

When it was all over, the

canyon lay silent again,

it was too silent.

And the strong mouths,

they open coins

smelling under the dust.

Brian worthless.

- And then what happened?

- Well, I took off riding

before the sun fully set,

knowing that the law

would call it m*rder

and my own heart would

call it something worse.

Well, not justice, not survival,

but a moment that would

follow me my entire life

no matter how far I ran.

(bottle thuds)

Thank you, Lord.

(footsteps receding)

Wake up, Wyatt.

- Im not sleeping,

I was just resting

my face and whatnot.

What the hell are

you doing here?

Wheres Frank?

Dont tell me hes dead.

- Hes asleep, passed out drunk.

Im only pretending to

be a m*rder*r, remember?

- Of course.

- Gosh, I hope you

know what youre doing.

- I do.

Tell me, have I ever

steered you off?

Ever?

- What happens when the

sheriff gets to town?

- Behan?

Its simple, I k*ll him.

- k*ll him?

- Thats right.

Right out there in the street.

- You are a law man, right?

And yet you talk about

m*rder like its some novel

that you read by the fire,

like its some noble thing

that only the best man can do,

while in reality, anyone

can take another mans life.

- Well, like you said, you

not actually a criminal.

So you wouldnt

understand, would you?

Thats right.

What would you rather me do?

Kiss him to death?

- Jokes?

- Yeah.

You gotta understand

something, Mary Lou.

Jails are flimsy, courts

are slow, witnesses vanish.

k*lling a lawman could

remove the problem

instead of making it

worse for a criminal.

A marshal might face

an entire g*ng alone.

Posse help was never guaranteed.

Backup could be days away

if it even came at all.

The towns made up

from here to Tombstone

are controlled by ranchers,

railroads, and criminal outfits.

And a lawman who wouldnt

play along becomes a target.

So if you ask, why

take their lives?

Well, whats simple in my eyes.

My lifes more

important than theirs.

Wyatt Earp is a name,

a name, a badge, a g*n,

and a harrowing reputation.

- Youre saying

wearing that badge

doesnt keep you any safer?

(gentle music)

- It just tells them

they need to die first.

(gentle music)

- What do you want

me to do to help you?

(gentle music)

- Play nice with Frank.

Within reason and

good taste, of course.

(gentle music)

- [Frank] He let you out.

- Excuse me?

- Wyatt.

- He figured youd

be happier this way.

- And what way is that?

- In my company.

- You like her?

- Shes beautiful.

Whats her name?

- Honey.

- She looks like a Honey.

- Yeah.

My brother Thomas named her.

Shes got a twin

out there somewhere.

- Did you lose her?

- We were on a ride to Mexico

and rains came in heavy.

We had to cut the horses loose.

Three days later though,

thats when her she came back.

- And the other one?

(birds chirping)

(gentle music)

- Frank.

A word?

(gentle music)

Care to sit?

(Wyatt chuckles)

You fancy her, dont you?

Betty?

- The outlaw?

Yeah.

Yeah, she is mighty pretty.

- You know shes as testy as

a Texas rattler, dont you?

- And yet you let

her out of her cage.

- To keep you entertained.

But I dont want you getting

any ideas, you hear me?

When this is over, the outlaw,

she stays here with me.

- Will she hang?

- She most certainly will.

- Well, lets say

half my earnings,

that halfs left here with you.

- I dont follow.

- I wish to buy

her freedom, Wyatt.

- You what?

- I know what she did.

She told me last night.

Tell me, Wyatt, is she really

any different than you or me?

- Youre serious.

$500?

- Hell, all of it,

all 1,000 of it

if thats what it takes to

keep her from the noose.

- Fine.

500 will do.

But lemme tell you, Frank,

theres a time when I thought

I was fancied by a woman.

Id go down to Tombstone,

visit my brother Virgil.

Her name was Maddy.

Boy, wed have ourselves

a time, lemme tell you.

Wed go out on the town, play

some pool, get some drinks.

Until one day she

didnt get her way.

She went on and tried

to smear my name,

my reputation, divide my family.

No.

So Frank, I gotta

look back on that time

and I gotta ask myself,

was it worth it?

Hmm.

Around here, Frank,

theres some women

thatll bite you faster

than you can blink.

Im trying to keep you from

getting bit, thats all.

So till Behans dead,

that lady outlaw,

she spends the night

with me in a cell.

Do you understand me?

(tense music)

- You agreed to what?

- Keep your voice down.

Its not a deal

I intend to keep.

- What happens when your

business with Behan is finished?

Frank is going to expect

you to hand me over to him.

- An expectation

that wont be met.

Behan rides as we speak.

When this is over,

Ill do whatever it

takes to keep you safe.

Even if that means-

- Say it.

- Even if that means that

Frank has to die too.

- But you made a deal,

you gave him your word.

- Hes a criminal.

- He is a widow and

a very, very sad man.

He told me.

- Yeah, men say lots of

things they dont mean

in the presence

of a pretty woman.

- What did you say?

- Nothing.

- No, I heard you, you said

something under your breath.

(gentle music)

- Love is finding someone

that ruins your peace

and deciding you

dont want it back.

- Are you saying that

youre in love with me?

- No more than Frank is.

The only difference is

Im honest about it.

(gentle music)

(footsteps thud)

(floorboards creak)

Spend the day with him.

At dusk, I need you back here.

Am I clear?

Mary Lou, did you hear me?

- I heard you.

- [Wyatt] Very well.

(lively music)

- You see anything you like?

- I do now.

Careful.

Wyatt says youre trouble.

- Can I tell you a secret?

- Please.

- Ive never shot one

of those things before.

- [Frank] But the stage coach.

- I mean Ive shot one, I

just dunno how to sh**t.

- I see.

Well, is there a

particular reason

you would need to

know that skill?

- You never can tell.

I find myself in a pickle

having to choose one

thing or another,

or one person or another.

- Are you flirting

with me, Maam?

- Maybe.

- Well, darling, I think

maybe we could remedy

that little not knowing

how to sh**t situation.

(footsteps thudding)

Now what are we doing?

Go on, tell me,

what are we doing?

- sh**ting.

- We are passing on a habit

that keeps you breathing.

Every g*n is different.

The weight of it, the feel.

Feel it first,

this quiet stretch.

The wind, the dust, the time.

- All right.

- Two fingers like this.

High on the handle,

thumb resting easy.

No white knuckles.

White knuckles mean fear and

fear makes for bad sh**ting.

The g*n dont care

if youre nervous,

it only knows where

youre pointing it.

- Got it.

Like this.

- Mm-hmm, exactly.

All right, now stand open, not

squared off like a soldier.

This aint no b*ttlefield,

its survival.

Knees loose, dont lock up.

You lock up, that recoil

is gonna teach you a lesson

you aint never gonna forget.

- Okay.

- Front side, always the front.

Rear dont matter,

target dont matter.

You just look at that front side

like it owes you money, yeah?

(suspenseful music)

(g*n clicks)

Okay, easy now.

You breathe, it breathes.

You jerk, the g*n jerks.

Dont pull it, ask it.

(suspenseful music)

(g*n fires)

- Not bad, eh?

- Not bad.

Not bad at all.

But remember, anybody

can fire a p*stol.

Knowing when to and

knowing when not to,

that takes a little longer.

- The sun will be setting soon.

Wyatt wants me in

the cage tonight.

- What?

Why?

- Until this business between

the two of you is done.

- I wont let him hang you.

Youre no outlaw, I know it.

- No, Frank, you dont

know anything about me.

- Dont say that.

I told Wyatt I wish to buy

your freedom, he agreed.

- Sorry, Frank.

(gentle music)

(footsteps thudding)

(gentle music)

(door creaks)

(door slams)

- Something the matter?

See, Mary Lou, doing

the right thing is hard

not cause we dont

know what it is,

but because it

costs us something.

It asks us to give up

comfort, pride, applause,

sometimes people.

The wrong choice,

thats usually louder,

just waiting there with open

arms ready to accept you.

While the right one

is standing there

quiet in that corner over

there asking you to walk alone.

And you do it anyway not

cause it feels good,

but cause regardless of

how it feels in that moment,

you know that youll have

to live with yourself

when all the noise dies down.

I just wanted to give you

something to think about.

- Are you through yet?

(tense music)

(footsteps receding)

(tense music)

- Wyatt.

Behans here, he set up

just outside of town.

(tense music)

- That wasnt the arrangement.

- Well, he wont

ride in, is all.

Smells a trap.

- Well, then you go

get him into town

or we dont have a deal.

- And how the hell am

I supposed to do that?

- Go figure it out.

(tense music)

(lively music)

Well?

- Behans horse a

mile up that way.

Some old buildings

out there too.

You want me to pay him

a visit, flush him out?

- Take his temperature,

lose the badge though.

- A ruse, then?

- A ruse.

And you know what to do.

Keep him talking till I arrive.

(dramatic music)

(chickens clucking)

(pigs snorting)

(dramatic music)

(Frank clears throat)

- I didnt know anyone

was gonna be in here.

- I didnt mean to frighten you.

- Something happened

that I should know about?

- You know some men can ride

1,000 miles across deserts,

rivers, hell itself,

and still not outrun the past.

- Well, Ive seen men try.

- And I reckon

thats the problem.

Folks see me coming,

they dont see a man,

they see the name, the g*n,

the story someone told

about me over whiskey.

- Stories aint

always the truth.

- Sometimes.

Ive done things,

things that make it hard

for a woman to see anything

but an outlaw.

- And yet here you

are worrying about it.

(gentle music)

- I feel like Im standing

at the end of a long road

or at least to a grave

no one bothers visiting.

- No.

The end of the road is only

when a man stops asking

if he can be better.

- Do you think a man like me

can just ride into any town

and become somebody else?

- No.

You dont become somebody else,

you become the man you were

always meant to be all along

one day at a time.

- Folks just forgive everything?

- Some wont.

But you are not changing

for them, right?

- You make it sound so simple.

- Simple, no.

Brave, very.

So whats it gonna be?

- Hardest part, putting

this thing down.

- Well, you can always

start with that.

(gentle music)

(g*n clicks)

- Dont move an inch.

Turn around real slow like.

Hands where I can see them.

- [Jack] Easy now.

- I wont ask again.

Turn slow.

(tense music)

- I dont mean any harm, Im

out here by myself, no posse.

- What business

do you have here?

- No business.

Im just riding through, okay?

I just saw the horse.

- You aim to steal him?

Stealing from a sheriff,

thats an offense

punishable by the rope.

- Sheriff, I dont

aim nothing, okay?

Im just out here waiting.

- Waiting for what?

- For Wyatt Earp.

You know him, yeah?

- Everyone knows Wyatt Earp.

He out here?

- Im not sure, okay?

Im on the run, he

caught up with me.

- Why is Wyatt chasing you?

- Old Man Clanton.

- He out here?

- I ran with him

10 years in Mexico.

Past catch up to me.

- Why arent you riding

with the Cowboys,

seeing as youre one of

Clantons men and all?

- Cause I heard of

a secret meeting.

- Go on.

- Tombstone.

Your Cowboys, theyre in danger.

Wyatt and his brothers,

theyre gonna k*ll

all them boys there.

Doc Hollidays gonna get

in on that action too.

- You telling me that Wyatt,

that Earps and Doc Holliday

plan on ambushing the Cowboys?

- Thats right.

Right outside the O.K. Corral.

- Son of a b*tch, Frank.

You no-good rotten river

rat, two-face snake.

I ought to k*ll him myself.

Where is he?

- Well, well, well.

The coward himself.

That is some nickname you

come up with, Sheriff.

(Wyatt laughs)

- Wyatt.

- Deputy, would you be so

kind as to point a p*stol

at this man?

- My pleasure.

- Who put you up to this?

Frank?

He bring me out here

to meet my demise?

Whatd you offer him?

Whatd you offer him, Earp.

- Thats for me to know

and for you to never live

long enough to find out.

- k*lling a sheriff?

Thats a bit rich even for you.

- Marshals badge

offers many perks.

- A duel.

- Afraid not.

Its a younger mans game.

I think Ill just settle

for sh**ting your a*s dead

right here right now.

(tense music)

Frank.

What in the hell are you doing?

We had a deal.

- We did.

I want new terms.

- What new terms?

- Betty.

- Betty?

Who in the hell is Betty?

- Whos Betty?

- Shes no one.

- The hell she is.

You gonna set her free

and shes leaving with me.

- Damn it, Frank, you have

no clue what youre doing.

- Try me.

I will sh**t you dead.

- Heres whats gonna happen.

My deputy over here

is gonna sh**t Behan,

and Im gonna go

ahead and sh**t you.

That is unless you stand down

and take the deal, Frank.

- I told you, Wyatt, I

cant let you hang her.

- And what, youre willing

to just let your brother die

for that, for her?

You f*cking coward.

- Enough.

Im the g*dd*mn sheriff here

and Ill decide

whos gonna get shot,

and it sure as hell

aint gonna be me.

- [Mary Lou] Hes right.

- Mary Lou?

- Who in the hell is this?

- Its a long story,

my name is not Betty.

- Its not?

- Oh, hell.

Put the damn g*n down

before you hurt yourself.

- No chance, Wyatt.

Youve made enough deals.

Frank gets to sit this one out.

- What?

- Wyatts true

intention is to k*ll you

after he kills the sheriff.

- Mary Lou.

- No, Wyatt.

You dont get to go

around using people

in the name of the law anymore.

- Im really confused.

- Me too.

Wyatt, what in the

hell are we doing here?

(suspenseful music)

- You shouldnt have come here.

- Its too late for that.

(g*n clicks)

(suspenseful music)

(g*ns firing)

(dramatic music)

(g*n firing)

(tense music)

(g*n fires)

(g*n fires)

(dramatic music)

- Wyatt, what the

hell is going on?

Why is Mary Lou here?

And with Frank?

- Its a long story, Jack.

When this is all over,

Ill try and explain it.

(dramatic music)

- All right, Behan,

come out first

with your hands up.

- Go to hell, Earp.

- Yeah, I figured

youd say that, coward.

I can wait here as

long as you can.

But know this, the trails are

riddled with deputy marshals.

And even if you run,

you wont make it far.

Go that way quietly,

make sure there aint

no head on the nails.

(dramatic music)

Well, whats it

gonna be, Sheriff?

- Eat sh*t, Earp.

The day you tell me what to

do will be a cold day in hell.

Ill wait as long as I have

to for my men to come find me.

(g*ns firing)

(dramatic music)

(g*ns firing)

(dramatic music)

(Mary Lou screams)

- This way.

- Frank, this way.

(dramatic music)

(tense music)

(Frank groaning)

Youve been shot.

- [Frank] Im fine.

- No.

- Its just my leg,

its not that bad.

- [Mary Lou] No.

You need a doctor.

- Thats not gonna work.

- Wyatt.

Franks been shot,

he needs a doctor.

- And?

- Damn it, Wyatt, you

gave him your word.

- Oh, that ship has

sailed, darling.

Once Behan is dead,

its off to the afterlife

for him as well.

- What do we do?

(dramatic music)

(g*n clicks)

(dramatic music)

(Behan panting)

(g*ns clicks)

(dramatic music)

(g*n fires)

- Wyatt.

What do you say

we call it a draw?

We can finish this business

between us in Tombstone.

- Not a chance in hell, Sheriff.

You coward.

You got us into this mess,

Im sure youll get us out.

(dramatic music)

- Its worse.

You need a doctor.

If we dont get you

outta here soon,

you are not gonna

make it through this.

- I did this for you, Betty.

- Its Mary Lou.

- Mary Lou.

Right.

- Frank, theres a lot that

you dont know about me.

- Really, like what?

- When we make it outta

this mess, well talk, yeah?

- Yeah.

- Okay.

You stay here, dont move.

(both panting)

(gentle music)

(Mary Lou grunts)

(dramatic music)

(g*n firing)

- Mary Lou?

(g*n fires)

Mary Lou.

(tense music)

- Oh, Behan, why

all the running?

I just wanted to say hi.

(tense music)

(Wyatt laughs)

You in there?

You can run but you cant hide.

Call yourself the sheriff?

Well, Im the law.

(dramatic music)

(dramatic music)

(g*n fires)

(dramatic music)

(g*n fires)

(dramatic music)

(g*n fires)

(tense music)

(Mary Lou panting)

- All right, I reckon weve

been out here long enough.

Show yourselves,

lets finish it.

- You shouldnt

have stuck your nose

in this business, little lady.

(g*n fires)

(tense music)

- Wyatt.

(tense music)

- Nice shot.

Sheriffs dead.

Frank and I had a deal

and youre not part of it.

- Dont k*ll him, Wyatt.

- You might wanna

lower that side piece.

- Youll have to

m*rder me first.

- Or we can come up

with a new compromise,

seeing as Frank will

most definitely bleed

out come sundown.

- Im listening.

(dramatic music)

- I ride into Tombstone

in the morning,

bring the news of Behans death,

me and my brothers

deal with the Cowboys.

Frank, your kin is

not to be harmed,

you have my word on that.

- Your word?

- Thats right.

And I give you that

$500 we agreed upon

if you agree to one more thing.

- Whats that?

- Once Mary Lou patches you up,

you stay in Dead River so

you can look after her.

Jack will ride back,

make sure you see a

doctor at my expense.

How does that sound to you?

- Its a deal.

- All right then.

Farewell to you both.

(gentle music)

(lively music)

(Wyatt sighs)

Well, old friend,

its great to see you.

Here, let me help you up.

Oh, thats right, youre dead.

Huh, Ill be damned.

Well, Wyatt Earp

at your service.

(lively music)

- Morning.

- Morning.

- Wyatt sent this.

Makes us whole again.

- I suppose it does.

(dramatic music)

- Whoa.

(dramatic music)

- Jack.

I didnt think Id be seeing

you back here so fast.

- Rode straight

in from Tombstone.

- Wyatt?

- He took care of the Cowboys.

As soon as the Earps and Doc

Holliday showed themselves

in the street,

30 seconds later, it was over.

- Wheres Wyatt at now?

- Hes riding

after the Leavings.

- Long ride Im sure.

Will you be staying

long with us, Deputy?

- Long enough to have a drink.

- You remember the way?

- Of course.

(dramatic music)

- I think a drink

sounds pretty nice.

(dramatic music)

(footsteps receding)

(dramatic music)