St. Louis Bank Robbery, The (1959)

[bunniefuu]

[music playing]

[MUSIC - BERNARDO SEGALL AND

PETER UDELL, "NIGHT TRAIN"]

Is that the one?

That's it.

Oh, my aching back.

How was the trip?

I never saw so many

terrible drivers.

It was all right.

I took 66 most of the way.

What's the name of this place?

This is Tower Grove Park.

We'll meet here in the morning.

Get us a room?

There's a place near

me looks all right.

You better see

for yourself here.

OK.

Yo, Fowler.

I'm John Egan.

This is Willie.

WILLIE: Hi.

You've driven before with Gino?

Well, not exactly.

GINO: He's all right, John.

When were you inside?

What?

Time.

How much time have you done?

Look, I saw he was all right.

Well, I've never

been to prison, sir.

What are you, some

kind of college boy?

No.

What's the letter?

It's just a letter.

What is this, anyway?

You've been on a job before?

No, sir.

Nice going.

Two days notice,

what do you want?

I don't like going out

with somebody I don't know.

I know him.

I know him since he was a kid.

He can drive OK, and

he's got the nerve.

You know what this

job means to me.

He's all right.

Let's get to what

we're here for.

This looks like a good one.

Never been touched,

no bank card.

Good location.

Fire streets come right

in here at this corner.

Two of them lead

directly to the highway.

We won't be on any one

of them after six blocks,

but they'll have to watch them.

All those streets,

they'll be lucky

if they get our direction.

Move over, will you?

Sorry.

Don't mean nothing.

Just bothers me.

What about the money?

Finger says Friday.

They do a big payroll business

and have to have cash.

How much do you think, John?

$100,000 or more.

In the till?

That's right.

We don't fool with the vaults.

What about the split?

Usual.

10% to the Finger.

The rest we cut down the middle.

At $20,000, my

lawyer's gonna love me.

What about fuzz?

It's a good location.

They haven't had a

bank job in 20 years.

Lots of fat cops and

lots of old ones.

Can you bank roll it?

I'll take care of Willie and me,

but you two will have too

get your own eating money.

When do we go?

I'm not sure.

Maybe a week from

Friday, maybe longer.

There's a lot to do.

That's cutting it close for me.

When's your trial?

Three weeks.

My lawyer wants it on the

line before he does anything.

He'll have plenty of time.

What do you want us to do, John?

Here's the schedule.

We case it two hours every

morning for the next five days.

You each have four

15-minute shifts.

I don't mind if you

overlap a little,

but I don't want you

hanging around too much.

And you know what to

look for... scout cars,

beat men, when the money trucks

in, traffic, anything unusual.

It's all down in the schedule.

Did you get those plates?

I didn't have time.

Well, that's all right.

We'll let George try it.

That's a good idea.

All right with you, Georgie boy?

Sure it is.

That all?

One thing more.

No women.

You have the brains

you were born with.

You ought to know it.

What about Willie?

You think you can stand it?

I mean it, Gino.

This is my last one.

I don't want it gummed up.

Don't worry.

I'll read a book or something.

What about our college boy?

Who?

I'm getting hungry.

Is that all?

Stick around, Fowler.

Listen, what's this

he wants me to do?

Nothing to worry about.

Look, Gino.

I told you before

I came down here.

I said I'd drive and that's all.

You told him that?

Relax.

OK, but that's all

I'm going to do.

I heard you.

You got any money?

No, I thought you said

you could take care of it.

I'm good enough.

Great.

I don't have any...

Just a couple of bucks.

You know, Ann lives here.

So what?

Suppose I go get the room.

After you get through with

Egan, why don't you go see her?

No.

Try and get $50. $100

if you can swing it.

I wouldn't ask her for anything.

Tell her it's for me.

Look, Georgie.

This ain't the university.

You gotta do some

things you don't like.

I don't want to see her, Gino.

I never blamed you for

what happened, did I?

I have a brother and

I never blamed you.

You know, you wouldn't look

so good preaching me a sermon.

OK.

I got family feelings

like anybody else.

Don't think I'd ask you

if I had any choice.

Thanks.

Look, you gotta

pull your own weight.

You don't wanna miss

a chance at $20,000

because we haven't

got a lousy $50.

I wouldn't know

what to say to her.

You ready, Fowler?

Yes, sir.

See you later.

EGAN: Let's go.

I want a Missouri license.

One that's kind of banged

up... not too easy to read.

Look, Mr. Egan.

I don't know what Gino

told you about me,

but I didn't come here

to be a petty thief.

I said I'd drive a

car and that's all.

Is that right?

Well, I know it sounds

funny, but I'm no thief.

Look, Fowler.

You're going to

be our wheel man.

Our neck depends on you.

Yes, sir.

I... I'll take care of my end.

I just don't see why I have

to do something that somebody

else could do better.

I want to see your work.

Now, do you get out, or

do we get another man?

[music playing]

[honking in distance]

[car starts]

[dog whining]

Thought you'd be

in Chicago by now.

You in a hurry?

OK, we wait.

You just let me know when.

You're OK, Georgie.

You're OK.

Let's go.

[phone ringing]

Can you hold on

a minute, please?

Hello?

Who?

Oh.

I... I don't know.

Just a minute.

Could you wait

just a minute, sir?

Yes.

Well, I don't know.

O... all right.

Mhm.

Bye.

[ragtime music playing]

Hi.

Hello, George.

I'm sorry I was late.

I got tied up with a sale.

You haven't changed much.

Neither have... neither have you.

Oh?

No, I mean you look the same.

You even look prettier.

I've changed a lot, George.

Yeah, I see you're

drinking martinis now.

BARTENDER: Pardon me.

What'll you have?

A beer, please.

See?

I haven't changed so much.

What do you want, George?

This is a nice place.

You come here often?

No, I don't.

They all kinda dress

the same, don't they?

Mostly our age and college kids.

They don't look like

anybody we used to know.

Now everybody's alike.

Is that right?

What do you want, George?

Gino asked me to see you.

I should've known you

wouldn't come on your own.

You made me promise.

Where is he?

Chicago.

He needs some money.

If he doesn't get it they

might put him away for good

this time.

If you're lying to me, I...

Look, Ann.

I don't blame you

for not trusting me.

I know as far as you and

I have been concerned, I...

I've been a flop.

But why take it out on Gino?

How much does he need?

$50 would help out a lot.

I can make this out

to Gino, can't I?

Sure.

It's his money, isn't it?

Thanks.

He said he'd give it back to

you in a week or so... maybe

a little more.

It's all right.

I don't really expect

to see it again.

I... I guess you'd rather be

with somebody else tonight?

I have a date, if

that's what you mean.

Well.

Well.

I'll see you again sometime.

[music playing]

What are you doing, John?

What do you care?

Wish we had our own bath.

I don't like going down

the hall all the time.

Don't wash so much.

John?

John?

Why can't I drive?

I did all right in South Bend.

Why does that punk get to?

You're inside, where

I can watch you.

I can do it.

You got pink ears, Willie.

What makes you think that

punk can do any better?

He's a good boy.

I bet he runs.

You're getting fat, Willie.

Lay off.

Remember when you came inside?

A good-looking kid then...

A regular mama's boy.

Shut up.

Yeah, I thought they were going

to k*ll you that first week,

till you found me.

I took good care of you, too.

You did five standing

on your head.

But you're getting old, Willie.

What about you?

You see that George?

Maybe we ought to take

him to Mexico with us.

Would you like that?

Leave me alone.

Go take a bath, Willie.

I don't want to.

I said go take a bath.

[music playing]

[knocking]

Gino?

GINO: George?

Yeah.

GINO: Hey, don't

keep me in suspense.

Did you see her?

Yeah, I saw her.

You get the dough?

Yes.

I got the dough.

Is this mine?

Yeah.

So how is she?

I bet she was surprised, huh?

She's all right.

You talk about old times?

I'm just kidding.

What do you say we

go to the movies?

Maybe a little later.

All right.

I'll finish my shave,

then we'll go, OK?

[buzzing]

[steady dripping]

[music playing]

Let me out.

Let me out!

Let me out!

What's the matter with you?

I thought I could beat it.

Beat what?

What are you... what

are you talking about?

I tell you one thing.

I'm never going back.

No matter what, I'm

never going back?

Let's go to that

movie, huh, Gino?

Good morning.

Good morning.

May I have two fives

and some ones, please?

All right. $5, $10...

It's not so busy

this morning, hm?

It's usually a little

slower until 11 o'clock.

It usually picks up.

Your $20.

Thank you.

Thank you very much.

Can I help you, sir?

Uh, no.

No, thank you very much.

I was just looking.

Would you like to look

at the new '58 model here?

Uh, no, no. Thank you.

It just came out.

I was just looking.

I'll let you know if

I decide on anything.

Here's my card.

You decide, you get

in touch with me.

[MUSIC - BERNARDO SEGALL AND

PETER UDELL, "NIGHT TRAIN"]

Coffee with cream.

Mind if I sit here?

Oh, yeah.

Just leaving, anyway.

Ann, what are you doing here?

I want to talk to you.

I just took a break.

Nobody seems to be

buying this morning.

I saw Gino.

What do you mean?

George, I'm not a fool.

I know what you're doing.

You must've made a mistake.

Gino's in Chicago.

No.

I saw Gino and you in that.

You're crazy.

A salesman.

I should've known.

Hey, shut up, will you?

I can't talk to you now.

I'll see you this

afternoon at the bar.

We'll talk about it now.

[breathes heavily]

I'll see you the same time.

All right, George, but

you better be there.

I'll be there.

Now get out of here, will you?

Get out of here.

EGAN: How about cops?

GINO: Well, there was

a scout car at 9:43.

That was the only

thing on the shift.

EGAN: What about 10:45 to 11:00?

Place was crawling with 'em.

There's a beat man 10:47

come in, had some coffee.

He look you over?

No.

Anyway, there was

a cruiser at 10:55

and then just before 11:00...

That's enough.

Are any of them all clear?

One shift... 10:00 to 10:15.

You know, I never seen

anything like that before.

That's the greatest.

Just some things ought to be

on there that aren't on there.

Like what?

Why don't you ask Georgie boy?

Hey, now that we got

this thing looked over,

why don't we hit it this Friday?

It's just one day.

We've got to check it

for at least four or five

before we can be sure.

What is this,

D-Day or something?

Now you're going to fool

around, fool around,

somebody's gonna get picked up.

Come on, Gino.

He knows what he's doing.

How would you know?

Shut up, Willie.

Now, all of you pay attention.

This is King's

Highway going south.

This is Southwest.

The number 3 car comes down

here, stops at this store.

Willie and I get out.

Gino, you go around

and get in here.

When you give the high

sign, we all go in.

I head for this desk

and get up on it.

Willie goes over to the counter

here, starts with this cage,

works all the way down.

GINO: What am I doing?

Two things.

The first thing you

do is to get the girl

away from the switchboard.

We got the switchboard tied

off, they can't call the cops.

Don't they have an alarm?

Sure.

We've got to figure they

hit it the moment we come

in... we still have two minutes.

We can get a lot of

money in two minutes.

Suppose he doesn't

finish the cages?

Anything we don't get

in two minutes we leave.

I don't like it.

Butterball will

never finish 'em off.

I still don't understand.

How come we have all that time?

Them cops get half

a dozen alarms a day,

and they're all phony...

Tellers kick 'em, cleaning

woman, million reasons.

Well, I got five minutes.

We're leaving at the end of two.

You want to stay,

you're welcome.

Now, look here.

As soon as you got

the telephone girl,

you get all the customers lined

up with their backs to us.

I'll pass these out in the car.

Masks, George.

I don't want these farmers

getting a good look at us.

At the end of two minutes we

all go out the front door.

Where is the car?

I'll show you.

We'll do a dry run.

Just one thing, John.

What?

Something I saw this morning.

I forgot to put it on the chart.

Well, what?

A girl.

The one Georgie was talking to.

I forgot to mention it.

You're crazy.

Don't tell me I'm crazy.

I saw you with her.

What about it, George?

Well, sure.

Some girl sat down at the table.

There weren't any other seats.

I didn't say anything to her.

I didn't remember

until just now.

Boy, you did some job

watching that bank, Willie.

You can't pull that.

He's lying, John.

That punk thinks he can

get away with anything.

I saw him, John.

I was standing...

What were you

looking at, Willie?

I just turned my

head for a moment.

I saw them!

Didn't I tell you

not to hang around?

But they were, I tell you!

What's the matter, Willie?

Nobody love you anymore?

But I tell you...

Now listen to me, all of you.

I don't care whether you

like each other or not.

You keep your personal

feelings out of this.

You understand, Willie?

GINO: You tell 'em, coach.

Leave your cars here.

We'll take the Buick.

Did you want me to drive?

What do you think?

Come on, Willie.

What's the matter?

I want to talk to you.

Later.

We'll stage the number 3 car

around here, off the street.

How about up here,

just around this corner?

Stop when you get there, George.

What do you think?

Look all right to me, John.

How about parking signs?

Anything like that?

Looks OK.

All right.

This is Magnolia, right?

That's about 10 blocks.

Looks OK. Let's try it.

You got the watch?

Yeah.

Turn off the engine.

Gino, when I tell him to turn

it on, you hit the watch.

George, you drive right out

of here, down two blocks,

turn to the right.

Watch the speed limit.

OK.

Ready?

Now.

[music playing]

How much?

2 minutes 30... no, 23 seconds.

You're sure?

See for yourself.

All right.

Now, you see that

traffic light down there?

It's a long green, a short red.

I timed the red this

morning... 21 seconds.

We've got to pull out of here so

you can let Willie and me out.

Hit the green.

Make the corner before

you let Gino out.

How long was the red?

21 seconds.

I think we ought

to leave about five

seconds after it turns red.

Let's try it.

It's red.

2, 3, 4, now.

[music playing]

Good.

Now pretend we're getting out.

Not yet.

OK, we're out.

Go ahead.

You started too soon.

I know.

Now you got it.

Go ahead.

Right here.

You get out here, Gino.

You'll be standing by that door.

When you get out, you

case all the streets.

If there's anything you don't

like... anything at all...

We don't go.

You just get back in

the car and go on.

Willie and I will meet you on

Southwest, where we stopped.

Is this OK?

You're a little too far.

We're coming out the front.

What happens if

this place is taken?

Double park and use the bus.

Why don't we use the side door?

It's locked.

I don't wanna fool with it.

Pull up a little ways, George.

We don't want to

hang around here.

George will have a radio

tuned to the police channel.

You listen for anything

about the Southwest Bank.

The moment there is,

you get out of the car

and tap on the window.

Gino, you watch for him.

OK.

One more thing.

If anything goes wrong...

I don't think it will,

but just in case, George,

you've got to cover us.

We're coming out

that front door.

If anybody gets in

the way, you get him.

You don't think anything like

that's gonna happen, do you?

One chance in a million.

How about the getaway?

We'll go over that now.

We just go down here

till we're out of sight,

cut back to the getaway car.

Georgie, how do you like

all the masterminding?

[laughing]

All right.

Are you gonna sit here all day?

[music playing]

Good evening.

Can I get you something?

No.

Would you like a cigarette?

Aw.

I'm sorry I was so

rude this morning.

I... well, I had a

real tough morning.

I think you got too

much imagination.

What do you sell, George?

What?

What do you sell?

Odd books, encyclopedias,

things like that.

How much are they?

What do you mean?

How much are they a set?

Um, about $10.

I thought you

were a better liar.

It's really none of your

business what I'm doing.

George, you made it my business.

I'll pay you back.

With what kind of money?

Take it easy now.

That's funny.

I don't think I know you at all.

I'm no different.

When we were expelled.

Is that when it started?

Come on.

Will you stop acting like

I'm a gangster or something?

I'm no different.

And Gino?

I'm not him.

All right, George.

What are you?

I'm driving a car.

That's all.

I'm just driving a car.

And I'm going back to

school, and that's the truth.

I know.

And I was gonna call you.

Not now, but later,

when I got some money.

Were you?

You don't think very

much of me, do you?

I think I'm sorry for you.

Look.

They come around and they

promise you everything.

They keep you in college because

you can do something well.

They make you feel like

you're god or something.

One mistake, and you find

out you're just hired help.

Do you believe that?

Well, it's the way it is.

Don't misunderstand me.

I'm not feeling

sorry for myself.

I got my chance

simply because I could

run harder than some other guy.

But if I want a chance

now, I've got the grab it.

What do you mean a chance?

A chance to do what?

I... see, now I... I don't want

to go through life, you know,

and never get back

to where I was.

What can I tell you?

I don't know all the answers.

I only know what happened to us.

And when you walked

out on me, it

hurt, but I can

see now that you're

the one who's really hurt.

And if you do this thing,

you'll run yourself rotten.

Another Gino... pretty soon

you won't remember you

were ever anything else.

What are you gonna do now, Ann?

I'm not any different.

George.

Don't do anything crazy now.

I don't know if I

can let you do this.

Don't talk like that.

I gotta go now.

Just don't do anything crazy.

Give it up.

Please.

[background chatter]

You tell her?

Yeah.

She gonna be sensible?

I think so.

What does that mean?

She won't do anything.

I hope not, Georgie.

Nothing she can do.

[MUSIC - BERNARDO SEGALL AND

PETER UDELL, "NIGHT TRAIN"]

He comes in, let me know.

I'll be sitting over there.

OK.

Always stay one ahead.

You never go thirsty.

That's planning.

What time is that guy

supposed to be here?

Little while.

Hey, John?

You must've met a lot of

guys... on jobs, I mean.

Well, that's possible.

Have you ever known a guy

who just did one and quit?

You know, made a lot

of money and bought

a business or something?

Sure.

That's what I'm gonna do.

How come you never

did it before?

I did.

Couple of times.

Once, I even had a farm.

And what happened?

Oh, things happened, that's all.

I don't know.

You get to feeling like a square

and the money isn't too good...

Hi.

May I have a drink order?

Oh.

Sorry.

Get out of here, tr*mp.

Hey!

Who do you think

you're talking to?

Stay away from 'em, George.

They're not all like that.

You know, when I was born?

1897.

I went to work when

I was 12 years old.

12 years old and 12 hours a day.

Do you know why?

Because my old lady

wanted beer money so bad

I figured she wouldn't

beat me, because I

wouldn't be able to work.

But she was so dumb she

didn't figure it out.

I made a mistake.

What time is it?

About 10:00.

So that's what I say, George.

You stay away from 'em.

What happened to her?

Your mother?

She got everything back.

Everything she handed out.

You know what?

She couldn't take it.

They used to wear those

skirts... hobble skirts,

they called them.

She went running

out into the hall.

I guess she's still

drunk, I don't know.

We lived on the second

floor... 33 steps.

I used to count 'em

when I came home.

33 steps.

And she lay there at

the bottom of the stairs

like a bundle of laundry.

A bundle of laundry.

PAT: What did you want

to come here for anyway?

ANN: I don't know.

PAT: Come on.

They're still at the Eagle.

Friends said they'd be there

till 10:00, so come on.

I'll tell you, sometimes you got

no consideration for anybody.

You make me run out on Fred...

I wanna see.

[horn blaring]

Hey, um, Georgie?

After the job's over, um, how

would you like to take a trip?

Go to Mexico?

Oh, I don't know.

I'd like to try to

get back to school.

Well, you... you've got

two months, haven't you?

I'd kinda hate to

spend the money, John.

Forget the money.

Forget it.

It's a bonus.

You ever been there?

I never been anywhere.

Just North Carolina in the Army.

Well, think it over.

John?

Are you the party?

What do you got?

How much do you want?

$25 apiece.

$40 for the both.

Let's go out to the car.

I wanna look 'em over.

Where's the car?

Relax.

Right in front of the door.

Come on, Georgie.

[laughing]

OK, satisfied?

Your $100 is all spent.

Now come on.

How do we know it is?

I bet it isn't.

Look, enough's enough.

I'll bet.

Wouldn't it be

funny if it wasn't?

Wouldn't it?

Listen.

We ought to tell 'em.

Look.

You wanna play a trick?

Like Halloween?

It'll be funny.

Hey, have you gone nuts?

Cut it out, will you?

Cut it out, will you?

But it's a joke!

Don't you see?

You know you could get

in trouble for this?

But it's funny.

- Isn't it funny?

- Look.

You want to go to jail,

that's up to you, but not me.

I'm going now.

I'm telling you, OK?

Will you come on?

But it's funny.

[sobbing]

[knocking]

[knocking]

[louder knocking]

[impatient knocking]

[angry knocking]

Wake up, both of you.

Get up. Get up!

What is it?

What's wrong?

As if you didn't know.

What are you guys doing here?

What time is it?

Shut up.

One of you two

shot off his mouth.

Are you bugs?

What's the matter with you guys?

Fowler, who was that girl?

Who was she?

There wasn't any girl.

Would somebody tell me

what's going on here?

Tell him, Willie.

You tell him and I'll watch.

WILLIE: When I went out for

coffee, I drove by the bank.

There's a sign in lipstick.

I nearly wrecked the car.

Quote, "warning, you will

be robbed," end of quote.

Are you kidding?

You can bet I'm not.

All right.

Who was it?

OK.

That's the way you want it?

GINO: Where are you going?

That's the end of this

job, Gino, right now.

Are you crazy?

Who's gonna believe

something like that?

They'll think it was a gag.

The sign don't bother me.

Who wrote it bothers me.

Come on, punk.

Who's the girl?

I told you once I don't know.

Look.

We gotta do this job.

How do you know it wasn't kids?

I don't, but I'm not going

to hang around to find out.

Wait a minute, Egan.

I got something to tell you.

Gino!

I told you to shut her up.

You don't know it was her.

Who was it, Gino?

My sister.

She used to go with him.

All right, Fowler!

Egan, I didn't

tell her anything.

I'll bet.

It wasn't my fault. She saw

Gino coming out of the bank.

- [laughing]

- Liar!

Hey! Cut it out!

You've already caused

us enough trouble.

John, you saw what he did.

Shut up.

How about it, Gino?

She a fink?

No.

Anyway I don't think so.

You're not sure.

Well, I... no, no.

She tell anybody?

How do I know?

I don't if she did it,

and neither do you.

You must think a

lot of her, Fowler.

You sure aren't

thinking about us.

What are you going to do?

You let me worry about that.

Yeah.

Yeah, we'll do that, George.

For what you did

in the old days...

You better worry about yourself.

I don't want her hurt.

You know what I mean?

It's not up to me now.

OK.

I got nothing to do with...

What is she to you, anyway?

- I thought you were through.

- OK.

I'm out, it's up to you, OK?

OK.

You're going to help us

find out a few things.

Get dressed.

[buzzing]

[knocking]

[knocking]

George.

Ann, did you do it?

George, it's 3

o'clock in the morning.

I don't care.

I've got to know, Ann.

Did you do it?

Do what?

Don't play games, Ann.

Did you do it?

I didn't tell the police,

if that's what you mean.

Answer me.

Did you do it?

Yes!

I don't know why I did it.

All I know is I can't let

you go through with this.

What are you doing?

Do you want to get me k*lled?

George.

George.

Please let me help you.

I have a good job, and

you can have your chance,

on... only do it my way.

Please.

All right, Fowler.

Gino.

Hi, sis.

Long time, no see.

Get out of here, Gino.

Gino, go get his things.

George?

Time to leave.

OK, Fowler.

Pack up your stuff.

We'll meet you in the park.

Take it easy, Egan.

She didn't tell anybody.

She didn't do anything.

All right, Fowler.

Which way do you go?

George?

It's all right, honey.

Now don't worry.

Everything's all right.

But I got no choice.

You do.

I'm asking you, Fowler,

for the last time.

George, you can't

run out on me again.

You can't.

Come on, George.

Don't worry, honey.

Everything's going

to be all right.

You just do what they say.

Nobody's going to hurt you.

Go on, George.

Never mind.

You're just like him.

You might as well.

You stay with him.

No rough stuff.

Oh, sure.

I mean that, Gino.

Sis, you know better

than what you did.

You've sent me back.

You should've known better.

Look.

I want you to go away

for a couple days.

Go to Chicago.

You're sorry for

want you did, right?

Will you keep your mouth shut?

Don't believe her.

You keep him off me, John.

I'll spill him all

over this room.

Willie.

It's too late.

Listen.

If anybody thinks it's

funny you're leaving,

you send 'em a note, see?

Go finish your packing.

Stay with her, Willie.

You know would you're doing?

She don't lie to me.

It's our necks.

I know it.

OK.

You go keep your eye on Fowler.

We'll see her off.

Why don't I wait?

I want you to watch George.

I don't trust him.

All right, John, but no

rough stuff, I'm telling you.

I got nothing against her.

OK.

I'll see you back there.

You keep your eye on Fowler.

[music playing]

You left her there?

I told you she'd be all right.

You left her there

with those apes?

What part did you do?

You were supposed to watch her.

Didn't I tell you

she'll be all right?

She's going to Chicago.

We'll see her there... tomorrow

night, if you want to.

You're cra... don't talk to me!

[music playing]

You ready?

Where's Gino?

He had to leave.

Is there a back way out of here?

There's a fire escape.

You get the car.

We'll meet you in the alley.

You'll tell George where I am?

He doesn't care where you are.

Would you tell him anyway?

Can't you hear me?

He doesn't care about you.

I think you're wrong.

You shut up.

He's coming with me.

He's what?

He's a real man.

He doesn't need you.

Why, you...

Shut up!

[smack]

Why do you talk so much?

Next thing you'll

be calling the cops.

I said I wouldn't.

You said a lot.

33 steps.

33 steps to the bottom.

Can we go now?

You can't take it, can you?

I'm going down.

Yeah.

Yeah, let me help you.

Let go of me!

Take it easy.

You're still [inaudible].

Are you still...

[screaming]

[thud]

FOWLER: Where is she?

I put her on the plane.

GINO: I told you.

You all right?

Sure, why not?

She say anything about me?

No.

I don't believe you.

Oh, come on, George.

Lay off.

You'll see her soon enough.

Let's talk about tomorrow.

I want the split

and the car, Egan.

That's not a good idea.

I don't care if it is or not.

I don't want to see

your face again.

You heard me.

You better tell him

about the car, John.

Tell him who's driving.

Willie's driving.

Oh, no he's not.

You heard me!

Yeah, I heard you, but

I'm not listening, old man.

That's all, Fowler.

You don't like it,

take off right now.

All right.

Then do what you're told

and keep your mouth shut.

Willie drives.

I do the cages, right?

George doesn't have experience.

Yeah.

I can trust you.

Gino does the cages.

All right with you, Fowler?

That fat tub of lard

is gonna run, Egan.

You said I could, John.

You better not change your mind.

You just better not.

Willie drives.

There won't be any trouble.

Ah, listen, you guys.

We're gonna be all right.

I mean, cheer up.

We'll laugh about

all this tomorrow.

You'll see.

Yeah, sure.

Hey, George, what do you

say we go get a drink?

Take your mind

off your troubles?

Hey.

Who does he think he is, anyway?

[music playing]

Now if you'll just sign

here beneath her signature.

That's right.

Now, you both understand

that, with a joint account,

either one of you may, at

any time, make withdrawals?

We understand.

Think I can trust you, honey?

Are you just married?

No.

No, we've been married

two months already.

It seems more like two years.

Oh, Eddie, honestly.

You're sure there won't be

any interruption in service?

Not at all.

The calls will go to the

switchboard downstairs.

[calculator clacking]

Where's the radio?

You didn't tell me

to bring the radio.

I... never mind.

We start the count

when we go in the door.

You didn't say

anything about a radio.

Shut up.

Two minutes, Gino.

I'll tell you when.

What about the people coming?

What do I do with 'em?

Let 'em in, shove

'em against the wall.

Slow down, Willie.

OK.

Get ready.

2, 3, 4... not yet.

7, 8, now.

[chatter]

EGAN: This is a holdup.

[gasp]

Why don't you get your

hands up, turn your backs.

I got you.

Against the walls.

Nobody at this thing.

Forget it.

Watch the door.

You tell us.

Put your hands behind your

heads and keep 'em there.

Don't move.

I'm not kidding.

All of you turn your backs!

Hurry up, you farmers.

You think I'm kidding?

Do what he says, honey.

Wanna get k*lled?

Do what he says.

Now.

I said now!

90 seconds.

[distress signal]

Police dispatcher.

Hey, Bob?

Yeah?

Make mine a ham on rye

and a coffee, black.

Southwest Bank?

Yes, sir.

[inaudible] crews at 29.

The whole upper

alarm is sounding

at the Southwest Bank, King's

Highway and Southwest, 10-11.

POLICE DISPATCHER (ON RADIO):

29, attention all cars.

Alarm is sounding at

the Southwest Bank,

King's Highway and Southwest.

Come on!

There's a stickup

at Southwest Bank!

POLICE DISPATCHER (ON

RADIO): Crews at 29,

and attention all cars.

Alarm is sounding at Southwest

Bank, King's Highway and...

50 seconds.

[woman whimpering]

Just hold on, honey.

It's almost over.

[sobbing]

Hold it.

Hold it.

Now easy-like, walk over there.

Hey, what's going on?

Walk over there!

All right, now

get your hands up.

Up! And drop that.

Drop it!

All right, now get over there.

10 seconds.

I got it!

Come on, I tell you!

Come on!

[siren wailing]

FOWLER: It's the cops!

Gino, there's a cop out there.

He's coming in.

Sir, don't go in there.

They're robbing the bank.

Get out of here, lady!

Now get him!

[g*nsh*t]

[screaming]

[screaming]

[g*nshots]

Can you walk?

Yeah, I think so.

Where's Willie?

Why don't he sh**t?

He'll get 'em.

He'll get 'em.

He's gone!

He's left us!

He's gone!

Where is he?

I told you.

They got us trapped!

POLICE OFFICER: [inaudible]

bring the [inaudible].

Why don't they let 'em out?

What did they have

to stop them for?

[sobbing]

It'll be over in a minute.

I told you he'd run, Egan.

Shut up.

OK, but I told you.

What do you want me to do?

Let him sh**t his

mouth off to Gino?

About what?

POLICE OFFICER (ON INTERCOM):

You cannot get out otherwise.

You are completely covered.

Your driver has been caught.

About what?

Huh?

POLICE OFFICER (ON

INTERCOM): Please let

us avoid needless bloodshed.

Give up now.

We need a hostage.

We'll go out the front

door, try and get a car.

We haven't got a chance.

You wanna stay here or

you wanna get sent back up?

All right.

One of you get up.

[crying]

You.

No.

No, please!

Not me.

They're sh**ting out there.

Now walk, or I'll

take your head off.

Oh, no.

Please.

Why don't you give yourself up?

POLICE OFFICER (ON

INTERCOM): Street.

Clear the street immediately.

Move.

POLICE OFFICER (ON

INTERCOM): Any interference

will not be tolerated.

You will be subject to arrest.

You coming?

What happened to her?

You tell me.

What do you think, punk?

POLICE OFFICER (ON INTERCOM): We

have everything under

control out here, everything

under control out here.

[whimpering]

All right, stay where you are.

I'll k*ll her.

Oh my god!

Get back!

POLICE OFFICER (ON

INTERCOM): All right,

he went inside our trap.

You men inside our trap.

We don't want anymore bloodshed.

You cannot get away.

POLICE OFFICER:

How many are there?

Go to hell.

Gino...

I'm not going back.

I'm not going back!

Gino, he k*lled her.

Leave me alone!

He k*lled her.

He k*lled her.

[tires squealing]

[music playing]

I'm not going back.

[g*nsh*t]

Gino?

Dispatcher, I got a

description on the getaway car.

It was a black Buick

bearing Illinois'

license plate, 866735.

866...

[g*nsh*t]

[glass shattering]

Is that your wife?

Do you love her?

Then get her up.

Eddie... Eddie, don't let him.

What's it going to be?

'Cause I'll k*ll you right now.

Honey, he means it.

He'll k*ll me.

Honey, I can't.

That's right, Eddie.

You can't.

Now get her up.

Now listen.

We're going to try

and get out of here,

if they don't get us first.

POLICE OFFICER (ON INTERCOM):

All right, do over.

Keep it moving.

Get them out of there...

[music playing]

Wha... what are you?

What kind of a man are you?

Shut up, will you?

What are you, an

animal or something?

Yeah.

What's your husband?

You better take me or something.

Do you want me to k*ll you?

I don't know.

I don't know t... you

just can't take her.

Eddie, don't!

It won't do any good.

He's just vicious!

I'm not.

I'm not.

I'm not.

I'm not one of them.

[sirens blaring]

[g*nshots]

Tell 'em I'm not

what they think.

And tell them to stop sh**ting.

I was scared.

Can't you understand?

I'm not what she said.

Here.

Take the g*n.

[screaming]

[g*nshots]

[yelling]

Ann?

Oh, god.

[whimpering]

Ann?

Ann.

[glass crashing]

[music playing]