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14x02 - It's All In The Cards

Episode transcripts for the TV show, "Project Runway". Aired: December 1, 2004 – present.*
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Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.

14x02 - It's All In The Cards

Post by bunniefuu »

Previously on

Project Runway...

Welcome to the season 14

of Project Runway.

[all cheering]

As you can see,

there are fabrics scattered

around the arena.

Go!

This fabric is the material

for your challenge.

The first challenge,

we're supposed to show

who we are as a person.

Got to make it work.

Got to make it work.

Last time, on season nine,

when I was here,

I got cut early.

I didn't even get to compete.

Amanda, you finally

made it to the runway.

Congratulations.

Thank you.

[electronic music]

♪ ♪

So, Blake, do you think

you are a high scorer

or a low scorer?

I'm always a high scorer.

Unfortunately, you are not.

Oh.

It's a little tortured.

It's just something

I would wear.

It's so well done.

It's different, and we

like different around here.

♪ Aah ♪

Ashley, congratulations.

You are the winner

of the first challenge.

Thank you.

Your dress was a sloppy mess.

It feels like a salmon toga.

Duncan, I'm sorry.

That means you're out.

[lively music]

♪ ♪

[upbeat electronic music]

♪ ♪

Ashley, amazing job again.

What?

I'm so happy for you.

I'm so proud.

You deserve it too.

I like our vibe in the room.

I'm glad you're in our room,

you know?

All this vibe--

We got to keep it.

All this energy's gonna

rub off of onto you guys.

You guys are [bleep]

winners, too.

I honestly don't know

who is my biggest competition,

because I honestly

thought it was Duncan.

What was it like, I mean,

being in the bottom three?

It was amazing.

Oh, stop it.

[laughter]

After being on the bottom

the first challenge,

I really would like to be more,

like, humble and,

like, sweet and innocent,

like I always am.

What do we have here?

What?

What is that?

I'll read it to you guys.

I don't know.

"Dear designers,

for your next challenge,

it's important

that you play your cards right."

"I'm sending you downtown to

meet Tim and a special guest."

"Have fun, and I'll see

you back on the runway."

"XOXO, Heidi."

Hmm, I wonder what that means.

[upbeat music]

♪ ♪

I'm extremely excited

to be in Hallmark store.

Wow.

I'm actually feeling

like Alice in Wonderland,

because it does look

like Wonderland.

There's just amazing cards

everywhere.

♪ ♪

Good morning, designers.

all: Morning.

Well, I want you to

join me in welcoming

Hallmark's Director of Branding

for Hallmark Signature,

Amy Merchant.

Hello, designers.

all: Hi.

We're thrilled to be here

with you, Amy, and I'd love

for you to tell the designers

why we are here.

Of course, I'd be happy to.

Like fashion designs,

our cards are pieces of art

with a story to tell,

and they are each created

and written to make

an impression on the recipient.

And, designers, you are going

to make an impression

on the judges

with this challenge,

because these cards

are not only your inspiration.

Don't say it.

They are the materials

for your challenge.

So as I'm sure

you've now deduced,

this is an unconventional

materials challenge.

I'm super excited

that this is the first

unconventional challenge.

It's not every day that you get

to work with crazy materials

or go into Hallmark

and get to go crazy and grab

all the beautiful cards.

And even though we're using

unconventional materials,

your looks need to look

like real, wearable clothes.

And you will have one day

for this challenge, all right?

Oh, my gosh.

So you will be making

a Hallmark Signature Collection

look in one day.

When Amy gives you

the signal,

you will have two minutes

to gather as many of the cards

as you possibly can.

Say hello

to Hallmark Signature.

That means go!

[all exclaiming]

Ooh.

Blake and I both ran directly

for these pink, sparkly cards

that say "fabulous" on them.

He went to them first

and grabbed them.

I just like sparkly things.

One minute, everyone.

Go, go, go, go!

Get those cards!

I just start shoveling cards

into my two bags

and hoping that I have enough

to cover her in.

Ten seconds!

Designers, time is up.

All right?

We'll taking all

of the Hallmark Signature Cards

back to the workroom, everyone.

all: Thank you.

Thank you so much.

Thank you, Amy.

Good luck.

[electronic music]

♪ ♪

This is so crazy.

Hey, everyone.

all: Hi.

So we had our very frenetic

Hallmark Signature card

collection visit.

It was fun, wasn't it?

all: Yeah.

One day for this challenge.

That means midnight tonight.

Have fun!

You should.

All right, thank you.

all: Bye.

All right, let's make

some stuff.

It's all gonna be

transitions--like, reds into

pinks into, like,

very, very pale.

I have this beautiful paper

that looks like lace.

So my plan is to make a dress

that has a tight bodice

and a big skirt on the bottom

that is--has a lot of volume.

Personally, I think

unconventional material

challenges are some of the most

difficult to get right,

because you don't know

the materials, and you don't

know what they'll do.

Ow!

And we have one day

for this challenge,

so it's very challenging

to make sure

that you're on the right path

and you're on it fast.

Wow!

Hi, Tim.

What a quiet room!

We're in the zone.

All right, I'm eager to see

what you're doing.

Ashley.

Hi, Tim.

Congratulations on winning

the first challenge.

Thank you, I appreciate it.

How's it make you feel?

Feeling that pressure.

Talk to me.

That's why I'm here.

So, I wanted to create

a poncho, and I thought that

this would be a great material,

because it has structure to it.

This should feel like fabric.

It should have that ease

of motion.

Are these pieces too big?

Think about a shoulder.

True. Okay.

I mean, the way it is here,

you're gonna have

the Tin Woodman.

Carry on.

Swapnil, how are you?

Okay.

So what are you doing?

I'm gonna do a shirt.

It'll be an ombre of polka dots.

All black and white?

All black and white

on the top, and the back,

I'm going to have pinstripes.

A chevron?

Yes.

Okay.

And then, the skirt--

I'm going to attach

all these flowers on it.

Wow.

So that the skirt's gonna

be all color, and the top's

gonna be just black and white.

I, as a designer, have a point

of view which is very out there.

For instance,

I take Alice in Wonderland

as my inspiration,

but it's Alice on acid.

That's a lot of work.

I'm just torn between

an umbrella skirt

or a basic tulip,

because an umbrella's

gonna take forever.

It might be a micro mini.

[laughs]

[electronic music]

♪ ♪

So what are you doing?

It's just a bodice up here.

Okay.

And then, I have

a high-low skirt.

Uh-huh.

And then, on the outside,

I was playing with putting

black glitter all over

the fabric, and then just

puzzle-piecing it together

with this, and just having

a sparkle moment on the runway.

Especially with the black,

I'm afraid it's going to look

like stained glass.

Think refined.

Think sophisticated.

Think wow moment.

That's not gonna give it to you.

To not be on the bottom,

I need to make a dress

that does not look tortured.

I definitely feel like

that first challenge

was a rough start.

I definitely do not want

to be in the bottom ever again.

[groans]

I love the--all the triangles

and the squares that make up

bigger squares,

so I developed a shape,

which I really love.

You're beautifully able

to think in terms of form.

Uh-huh.

But how is your model

getting in and out of that?

I was sure about this

at first, and now, I feel like

it's a little old lady-ish.

I like what's happening

in the back--like, I really love

all of these little things.

I can tell.

I just can't figure out

exactly how to place it.

Where you're going on

this path, I'm excited by.

Awesome.

I want to encourage you

to use these to break this up,

because this, to me, looks

like you're repairing a roof.

My inspiration was pretty

much these two wedding cards.

"Nothing fits better

in your hand than mine."

Yeah, the ones that go with,

like, a wedding gown effect,

and cut out the small,

black and white signature

to create a pattern.

These are envelopes?

Those are envelopes.

These are the back of the cards.

Uh-huh.

This is the insert

from the interior of the cards.

Oh, this is actually--

this is good.

Everything is bridal.

And I will say, it's

wonderful to be able to say,

"This was my inspiration,

and this is where it took me."

This panel right here--

that's peekaboo.

It's gonna be black

but textured.

I don't even know whether

you need the black.

Make her the strong,

powerful woman,

and if it's beautiful, then--

Yeah, Tim, I'm loving that.

Yeah, just own it.

I think she deserves the hug.

So I called my design,

"It's a moment,"

because I think it's

the moment you open it.

Okay.

So when model

walk on a runways,

she'd take one card out.

Well, it's very conceptual.

Hanmiao's dress

is interesting.

Up close, it looks crafty,

but when you have some distance,

it gives it the distinct

impression of leather.

I see the designers who work

in professional environments

struggle with, like, this paper.

My background

is mostly self-taught,

and I just really

like piecing things together,

and I think I can do

this with the paper.

I'm doing sort of,

like, a fringe effect.

Not "sort of like," it is.

I really like making,

like, my own textiles,

so I'm gonna cover the whole,

entire thing with all of this.

I'll say this.

There's a lot happening.

Yeah.

It's a point of view.

David, it's not easy

to navigate this workroom.

I know.

How are you?

I'm sorry.

Super nervous.

I never work with color, so I'm,

like, a little bit afraid.

The top looks like

a paper card project.

This is constipated.

Your design just looks...

stiff and stuck.

Reconceive.

Okay.

Okay, David.

Thank you.

And don't lose yourself.

Okay.

You can do it.

It's a make-it-work moment.

Thank you.

I think everybody's having

a make-it-work moment.

[all laugh]

So I collected all the red,

pink, and pale pink cards

that I could find,

and I'm just laying it

in strips.

Well, you look smashing.

Thank you.

I think that Gabby's design

is great.

Like, totally out of box.

I got these beer,

wine glasses off of a card,

and I thought that I would place

these in a particular design.

There's way too much muslin

and gold without

anything over it,

which isn't going to sit well

with the judges.

My idea was--

is to give this some structure,

I was gonna use some of

the popsicle sticks,

and then, I was gonna

do the polka dots,

playing with this at an angle.

It's very Kate Spade.

Yeah.

I like it.

Amanda.

I've changed my plan

about five times.

What happened?

Well, my first thing

were these,

and they were all white,

'cause I liked them

'cause they looked like lace.

So I painted them black

so it didn't come across as,

like, wedding dress.

Your textile treatment

is beautiful.

Making it black gives it

so much graphic punch.

Right.

The skirt was the one thing

that I was like,

"Oh, I like the shape."

But what are you

going to do to it?

I know, that's true.

You don't have any idea.

You have a big challenge

in that, and this is

still a lot of work.

Mm-hmm.

And the clock's ticking.

Yeah.

And your models are gonna

be coming in for a fitting.

Aah!

I don't know what to do.

Like, genuinely don't know

what to do, and like,

this has never happened

in my entire life,

where I just had no idea.

[dramatic music]

♪ ♪

[upbeat music]

♪ ♪

Hello?

Hey!

Bonsoir.

Hey, hey, so how are you?

Good, and you?

I'm good, I'm good.

How's it going?

I miss you a lot, sweetheart.

It's always been hard

for me to believe in myself.

I'm g*y, and my dad--

it was a pretty bad reaction.

I was put out of the home.

I'm not going anywhere.

I'm here.

I know.

I'm here,

just waiting for you.

Mm-hmm.

It was not easy for me,

but with my fashion, I started

to really grow my confidence.

And I'm very proud of you.

Okay?

Thank you.

Very proud of you.

I want to prove to him

that I can make it, and if

you believe in yourself,

you can do everything.

Je t'aime.

Me, too.

I need to sit and think.

My husband said

just to stay myself.

So I think let's

do the first idea

that I got when I was

at the store, a jacket.

I take the muslin.

I make the jacket really,

really fast.

Did you put glitter in it?

Yeah, because I don't want

full glitter, 'cause

I want to add that.

The first idea

was to use all those letters

and create, like, a print.

You see how they respect

my style, you know?

We see.

[upbeat electronic music]

Hi!

Let's go ahead and have you

step into this

and see how we're holding up.

Is that too tight?

Yeah, that's gonna be

wicked cute.

All right, I love you, but,

like, get out of this dress.

I got to finish this,

or you're not gonna have

anything to walk down in.

Thank you, sweetie.

I appreciate everything.

Thank you, we'll see you

tomorrow.

[upbeat music]

♪ ♪

I'm not quite sure

what Edmond's doing.

He's quiet in the workroom.

He's got his head

so screwed on tight in the game.

See, David? You had nothing

to be worried about.

It looks awesome.

It does look good.

I like it.

David is a very good

designer, but he designed

a hoodie out of muslin

and just put some letters on it.

All right, guys, it's time.

Let's go home.

I'm hoping

for something tomorrow.

Just not to be on the bottom.

I'm concerned about Blake

at this point.

I just don't really

know how much glitter and glue

you can get on a dress.

The answer is a lot,

a lot of glitter and glue.

[rock music]

♪ ♪

[upbeat electronic music]

♪ ♪

Last night,

I was getting a little worried.

But you know what?

This morning, I'm actually

feeling pretty good.

I have my pieces almost done.

I think it's a lot of fun.

I think it speaks to Hallmark,

because it's playful

and energetic.

I'm excited to get to work,

but I'm pressed for time.

I got to still put in a zipper.

I've got to complete the bottom.

Surviving off little

to no sleep.

I got to get it done.

Good morning, designers.

Morning, Tim.

Good morning.

You will have two hours

to send your models

to the Mary Kay

Color Design Studio,

and to the Sally Beauty Studio,

all right?

Use the JustFab accessories

wall very thoughtfully.

Just own

what you're doing, okay?

Are we gonna have

a great runway show?

all: Yeah.

Yes!

Thank you, Tim.

Okay, thank you.

I'll be back.

Thank you.

[upbeat electronic music]

♪ ♪

Hi.

Good morning, how are you?

So fantastic.

Oh, thank you.

It's gonna look so good on you.

Will you stand back for me?

Okay. I'm--yeah.

This is as happy as

I'm gonna get with it.

That's really cool.

Thank you.

I love the concept.

It looks amazing.

Thanks.

You are good.

I'm feeling like

I'm gonna win, and then I look

over at Edmond,

and I'm like, "Really?

You had to make, like,

a wedding gown out of paper?

Like, what the [bleep]?"

[upbeat music]

♪ ♪

I was thinking of doing more

of, like, a slicked-back hair,

maybe, in a ponytail?

Then, maybe we'd take some

pieces and cross over the pony.

Girl, we're gonna push

your hair.

Can I recommend a shinier,

wetter look to this?

Yeah.

We'll take the Bada Bing gel

and paint it on, like, an inch,

so there's a little shine.

Perfect.

I'm thinking, like,

a slicked-back, low bun

with a braid in it?

This Power Lift teasing spray

is, like, perfect

for even doing these

slicked back looks like this.

That's perfect.

Thank you so much.

Absolutely.

♪ ♪

The look that I'm going

for her is sort of

Alice in Wonderland.

We will just take some

Mary Kay gel eyeliner,

and with a cat eye like this--

Oh, I love it.

♪ ♪

What she's wearing is, like,

a modern-day wedding gown style.

A slight bit of a pink,

so she's, like, a sweet bride.

And you can be the groomsman.

Exactly.

[both laugh]

I want to do

really sparkly gloss,

like, a real high gloss.

We have a pink called

Glow With It.

It'll give it

just a beautiful sparkle.

Oh, my God, it's perfect.

And you look good too, Blake.

[laughs]

♪ ♪

Why did--

I'm a [bleep] idiot.

I cannot get this open.

Gabby is definitely

in a little trouble today.

She bit off

more than she could chew.

I should've glued it open.

Why am I such a [bleep] idiot?

Designers, in ten minutes,

you and your models and I

are going down to the runway.

All right?

Yep.

Ten minutes.

Stay away from water.

Can you turn for me in that,

please?

Designers and models,

we are going down

to the runway, everyone.

Follow me, please.

Runway time.

Off we go.

It's gonna be some show.

All right, that's it.

Hello, everybody.

all: Hi!

Welcome to the runway.

As you know, in fashion,

one day you're in,

and the next day, you're out.

There are 15 of you here,

and after tonight,

there will be 14.

Now, this is one of

my favorite challenges,

because I really think that it

pushes you to be super creative.

We sent you to the Hallmark

store to get your materials.

You were to create a design

using cards from the Hallmark

Signature Collection.

Your look was supposed

to be fashionable and wearable.

All right, let's say hello

to our judges.

First, we have creative director

of Brooks Brothers Women

and fashion designer, Zac Posen.

Hello, designers.

all: Hi.

Creative director

for Marie Claire magazine,

Nina Garcia.

Hi, everyone.

all: Hi.

And today's guest judge,

fashionable actress,

star of Clipped, and also

launching her new style site,

The Hot Mess, Ashley Tisdale.

Welcome.

Hi.

all: Hi.

Also we have Tim Gunn here

for the runway show.

As you know, he is your mentor,

and he will not be judging.

That said,

he will have one Tim Gunn save.

All right, let's start the show.

[electronic music]

♪ ♪

I'm literally seeing

butterflies fly in the air

from the skirt.

The movement is amazing.

The flowers have a life.

The top, it's fitting her

like a dream.

The stripes match

perfectly in the back.

It's a cute detail.

♪ ♪

I just know I've made a

poncho in the past, and I've

been able to execute it the

right way.

I don't think that it's right

for this challenge.

♪ ♪

I'm just glad that I

have immunity at this point.

♪ ♪

I think that it is kind

of funky and different.

I just wish that I would've

been able to use the cards

in a different manner

on the skirt.

My concern is that the skirt

is not gonna be innovative

enough for the judges.

♪ ♪

I'm really happy,

because we see the glitter

is really casual, urban, modern,

and sophisticated.

Good job, David.

It's really my look.

It's really my style.

It's really me.

♪ ♪

The fact that I've chosen

one specific material to work

with out of all of the cards--

I hope it plays in my favor.

I think that's the spirit

of what this challenge was.

Take the unconventional

material, and roll it

until the wheels fall off

if you can,

and that's what I've done.

♪ ♪

The whole, entire room

and all the lights

from the runway--

it's like the dress

is soaking it up,

and it looks fierce.

I'm so happy

that I owned that silver,

because it's rocking the runway.

It doesn't look like paper.

It looks like metal.

♪ ♪

I think my design is totally

different than other people.

It's like young, edgy,

you know, fun.

♪ ♪

Oh, my God, that looks great.

♪ ♪

I actually like the color,

how it looks, and how it reads

on the runway.

I think it's more powerful than

if I had done something white.

I did not want it to be

a very form-fitted dress.

I wanted to have a little bit

of a looser silhouette.

Overall, I like it.

♪ ♪

I love the proportions.

I love the shape.

I love the color.

The skirt is not too short.

It's a good length.

It all came together,

and I'm very proud of myself

for that.

♪ ♪

All the light is catching

all the glitter

that is on that dress.

I'm so happy with how it

is looking on the runway.

♪ ♪

She's not hanging by

the pool--she's at the bar.

♪ ♪

I really like the color

palette of this dress.

I think it's just very pleasant.

This looks super classy.

I love it.

I mean, it looks super

different than everybody else's,

and I don't think

that's a bad thing.

♪ ♪

I feel so good.

I love the way the skirt moves.

It is totally me.

I feel like my design

is very different

than from what a lot of people

did with the envelopes,

and I'm hoping

the judges see that.

♪ ♪

I do think it's fun.

It's playful, it's whimsical.

And that's really who I am

as a designer.

My bottom,

could it be a little better?

Yeah, it could've,

but I'm at least feeling

pretty solid that I'm gonna be

in the middle.

♪ ♪

I love my design.

I love that it's futuristic.

I like the silhouette

of the bottom, where

the front is longer

than the side.

I just hope the judges

kind of understand that I really

worked hard on it,

that my vision came across.

I think, for me,

that's more important right now.

♪ ♪

It turned out exactly

the way that I envisioned,

and that's the thing.

When you have a vision,

getting it out, creating it

so other people can see it,

and that's my superhero power.

I told you guys,

"Don't mess with Edmond."

Wow.

♪ ♪

First of all, I have to say

this was so great.

It really was.

All right, if I call your name,

please step forward.

Swapnil.

David.

Blake.

Amanda.

Kelly.

Edmond.

If I've not called your name,

congratulations.

Your scores have qualified you

to move on to the next round.

But before you leave,

Ashley,

you are very lucky that you

had immunity for this week.

You did not follow the rules,

and I have to say I saw a lot

of muslin on your look.

I understand.

Okay, you can all

leave the runway, thank you.

Designers, you represent the

highest and the lowest scores.

One of you will be named

the winner,

and one of you will be out.

For this challenge,

we actually have four high

scorers and two low scorers.

Blake, tell us about your look

and the materials that you used.

Yeah, I saw this purple,

shiny card that said "fabulous"

on it, so I went straight

for that and used it

as the lining in the skirt.

And then, there was another card

that said, "there's no such

thing as too much sparkle,"

and I used that for the middle

section, and then I painted

on the rest of it.

I like it.

I think it fits amazing,

and I like how you

kept everything else simple,

because it's so much glitter.

I like this dress.

I thought it had color.

It had presence.

I thought it was sexy.

Most of all, it actually

looks like it is fabric.

Thank you.

I loved it as well.

It's fun, it's sparkly.

You know, the ombre effect

from pink to fuchsia to purple--

Job well done.

Well, it's nice to see you

this week on the top.

Yeah.

It's sparkly.

It's colorful.

It's playful and fun.

It's like Easter.

Thank you, Blake.

Thank you, Heidi.

Kelly, tell us about

your look and the materials

that you used.

I wanted to use

the envelopes.

I feel like not a lot of people

were gonna use those.

So I used the envelopes

on the bottom,

and then I found this, like,

textured gold, and I really

liked the feel of it,

and I wanted to just build,

like, a pattern on the top

and just keep it fun.

I really liked it.

I feel like you used

interesting techniques.

You used, like, a tessellation

pattern on the top,

and it fits really, really well,

and you then created a different

texture on the bottom.

You played with dimension

of paper.

Thank you very much.

I love that it's a crop top,

'cause that is very now.

I can't even tell

that that is an envelope.

The texture on the skirt

is awesome.

My favorite part of this

is the top part of this.

The pattern that you created

is beautiful.

I just don't think the top

and the bottom--to me,

it's a little bit too much.

I agree with Heidi.

There's a lot going on.

You have fringe.

You have the crop top.

You have the hoodie.

You have the sparkles.

I just wish it were

a little more sophisticated.

Sure.

Thank you, Kelly.

Thank you.

Amanda, tell us about

your look and the materials

that you used.

I wanted to do something

that was fun and playful.

I used all cards.

This was all white.

Like, I thought it looked

like lace, so I pulled it

all off of the cards

and painted it,

and I wanted to create texture

so it wasn't so flat,

so I put a print underneath.

And then, I started making

a whole bunch of little

envelope fringe

to give her some fullness

to her skirt,

a little bit of volume so it

had that playfulness about it.

I think the word

you were looking for

for the skirt was "froufrou."

"Froufrou!" Yeah.

It's funny.

Now, I think you created

a really nice texture

and textile on top.

I love any kind of print

placed against a dark border.

You know, the skirt, for me--

it didn't complete or wow me.

I do feel like it looks

like you went

to a party supply store,

and you got the glitter

and the steamers,

and then, finally, the piñata,

and it's all there.

You got caught up

in that party supply store.

Not my favorite.

Okay.

It's just not working.

I think, once you are almost

halfway done or whatever,

you have to step back

and look at it as a whole.

It just didn't go with

each other, and then the slant--

I was just, like--didn't know

if it was unfinished,

or, like, what it was.

Thank you, Amanda.

Thank you.

Edmond, now it makes sense

why you're wearing

what you're wearing.

You're the groom!

So tell us about your look.

Tell us what you used.

My inspiration was

a bridal card.

So I built the bodice

of the dress

with the back of the card,

because I wanted it to be white,

but just not completely white.

The bouquet itself is made

out of the envelope

of some of the cards,

and the leafing

and also the jewelry.

I have to say, Edmond,

I love this look.

Thank you.

You played with volume,

which I love.

I love the proportions.

It fits her beautifully.

It is sexy at the same time.

Not every wedding dress

is sexy, too,

and I love that you did not use

any conventional material.

Awesome.

Hallmark is

all about special moments,

and you chose one

of the most special moments

in a woman's life.

It's celebrating.

It's right on the money.

I think it was

impeccable execution.

Bravo, I think you did

a phenomenal job.

Thanks.

I agree, I love it.

The shape of the bottom

is so big,

but it just works so well,

and I think it's very creative.

I love that you chose bridal

with the occasion.

I think you nailed this.

It's well ex*cuted.

This is exciting.

Thank you.

Thank you, Edmond. Good job.

Thanks.

Swapnil, tell us

about your look

and the materials that you used.

My inspiration

was Alice in Wonderland.

But for today it was

more like Alice on acid,

which is why the garden sort

of element here--

and I wanted it to be modern

but fun, yeah.

Swapnil, you have a lot

going on here.

Yeah.

But it really works.

Oh, thank you.

I love how the flowers

pop off the skirt,

kind of in a 3-D way.

I love all the different colors

on the bottom, and the top

is black and white.

I think you did a fantastic job.

Thank you.

This was my favorite.

I love the balance.

The skirt is super pretty

and feminine,

and I love the edginess

of the top.

It just works so well together.

I would wear it for sure,

'cause it's so cute.

I thought this was wonderful.

Thank you.

And I think you're

an amazing builder of textile

and of dimension.

It's whimsical and practical.

It's also wearable.

Can you turn around?

This is fantastic.

Mm-hmm.

When I saw it walk out,

it was so hard to identify

that this was not fabric.

Thank you, Swapnil.

Thank you so much.

David, tell us about

your look and the materials

that you used.

For this look,

I used one card,

because I really loved

the writing and the 3-D,

because I really want to see

all those words

flying all over her body.

David, I love this look,

but unfortunately, for me,

you missed the mark,

and it's because this is

the unconventional material

challenge.

For me, you bedazzled it

with it, but you didn't create

the entire look with it.

Well, it's clear to me

that I think you're probably one

of the more sophisticated,

fashion-savvy designers

in the competition,

but you didn't use the cards.

If the base of this jacket

had been cards, it probably

would've been in the top.

It's okay.

It's, like, an army jacket

with a hood.

Is it horrible and hideous?

No.

But is it creative?

No.

Okay.

I think it's cool.

I just--I don't know

if it's very flattering.

It's a very comfy kind of style.

It is cool,

but I guess wasn't my favorite.

Okay.

Thank you, David.

Thank you.

Okay, we've heard

what you had to say.

We're going to take a closer

look at your designs,

and then I'll call you back

onto the runway.

Thank you.

The winner of Project Runway

will receive $100,000

to launch their line,

a Celebrity Cruises

modern luxury vacation for two

to almost anywhere in the world,

a year's supply

of Sally Beauty products

and the opportunity

to consult with Sally Beauty

to create a limited edition

Finger Paints nail color

collection,

travel and hotel accommodations

to inspiring destinations

around the world from

Best Western International,

a 2015 Lexus RC350,

from Mary Kay,

an entire year's worth of beauty

products for their fashion shows

and professional makeup artist

services for their debut show,

a complete sewing

and crafting studio from

Brother Sewing and Embroidery,

and the winning designer

and model will receive a fashion

spread in Marie Claire magazin

Hi, Tim.

Hello, everyone.

What a fun challenge.

It was a fabulous challenge.

We loved it.

Hello.

Would you like to start

with Helen, wearing David?

Come on down, Helen.

Well, it's really too bad,

because I think it's--

It really is.

It's fun!

I think he knows what is hip,

and I think he makes

some great clothes.

It's sophisticated, it's fun.

I mean, I do think

this pops the letters,

but it isn't the main fabric.

He took the easy way out,

and it was very noticeable.

And we have Hannah,

wearing Amanda.

I'm just not a fan

of that outfit at all.

I still don't understand

the bottom of the skirt.

The top is well done,

but it just is so much for me.

This looks very--

Toilet plunger. It does.

Yeah, it does.

That look is terrible.

I think Amanda would be great

in a costume shop.

I just think Amanda

completely missed it.

And we have Kristina,

wearing Kelly.

What she created here

is stunning.

It is stunning.

It took her

a huge amount of time.

I can tell.

I mean, I think

it's really well ex*cuted.

It is very well ex*cuted.

I mean, it fits.

The back too.

I think this is really nice.

This ain't my taste.

That's for sure.

But it is yours and many other

women and girls' out there, so--

I think

what you're saying is right.

It's definitely who she is,

and there is an audience

for that somewhere.

Yes--it's pop star.

Yeah.

And we have the fabulous

Aube, wearing Blake.

That's fun.

That's really nicely done.

And he listened to all of you

about editing,

believe it or not.

This is fabric underneath.

Well, it's--but it's

from the card.

Cool.

Even up close,

now that I see,

it's so cool in the middle,

with the writing.

I like it.

It's a celebration dress.

Yes, it is a celebration.

It's a fun party dress.

And we have Zorana,

wearing Edmond's.

[hums Wedding March]

I love it.

It's risky, you know,

to do the bigger thing,

but he makes it all work.

This is the only one

that has a branded signature

all over the bustier that says,

"Hallmark Signature."

It's about celebration.

It's about special moments.

I mean, I think that this really

speaks to what Hallmark cards

are all about.

And we have Emoni

wearing Swapnil.

It's great.

And it's so cool.

He worked hard on this.

I mean, look at this, right?

Totally.

Yes.

Cards, cards, cards, cards.

I mean, he used a lot.

You know,

there's a playfulness,

but there's a hard

and a soft combination

that I really appreciate.

Thank you so much, judges.

Thank you, Tim.

Thank you.

Okay, so we've made

our decision.

All right, let's bring them

back out.

Designers,

you represent the highest

and the lowest scores.

One of you will be named

the winner,

and one of you will be out.

Designers, you represent the

highest and the lowest scores.

One of you will be named

the winner,

and one of you will be out.

Edmond, Swapnil, Kelly, Blake,

you were our favorites today.

Edmond...

Congratulations!

You are the winner

of this challenge.

Thank you, thank you.

We appreciated

that you took a risk,

and it worked.

Your dress looked different

from any other on the runway,

and it was simply beautiful.

You waited a long time for this.

So how does it feel?

Awesome. I'm excited.

You also have immunity

for the next challenge

and cannot be eliminated.

You can leave the runway.

Thank you. Thank you.

Hearing Heidi Klum tell me that,

"Edmond, you are the winner,"

is something that I wanted

so bad in my life.

Words just can't really express

the emotions and the feelings.

So?

Did you win?

Yes.

[all cheering and applauding]

Oh, wow.

Oh, you deserve it.

It's been a long time

that I've been trying to get

on here--on Project Runway,

and winning this challenge

was definitely worth the wait.

Swapnil, Kelly, Blake,

you're all in.

You can leave the runway.

Thank you.

Thank you so much.

Amanda, David,

one of you will be out.

David,

while we liked your dress,

we had a really hard time

actually finding

the unconventional materials.

You took the easy way out.

It did not pay off.

Amanda, your top was impressive.

Thank you.

But we wish that your entire

dress was designed that well.

The skirt was a mess,

and we aren't sure

who you are as a designer.

We are concerned that it may be

an issue of taste.

Amanda...

You're in.

Thank you.

Thank you so much, thank you.

I promise I will prove

that I deserve this spot.

Thank you.

Thank you, thank you, thank you.

You can leave the runway.

Thank you.

You're amazing.

You're gonna do amazing things.

I'm sorry, David.

That means you're out.

Auf wiedersehen.

Thank you so much.

Thank you.

I think I deserve to go.

I knew it.

I really, honestly--no surprise.

I knew it.

I was really lost.

I think, like,

the stress really k*lled me.

Aw!

David...

It's all right. I got it.

Seriously, I got it.

[exclaims]

But we all know how amazing

you are, and we believe

in you so much.

I'm out after two challenge,

so I'm really disappointed

because right now,

I feel that I don't show

who I am as a designer.

They don't see enough

to know me.

Though David, I almost

feel it's a self-fulfilled

prophecy on your part.

Yeah, I know.

Well, we're gonna miss you

terribly, and it's only been

two challenges,

and you've already made

quite an imprint here.

Yeah.

So I have to send you

to the workroom

to clean up your space.

Thanks so much, Tim.

Thank you.

all: Bye, David!

Bye, you guys.

See you.

Bye.

Bye.

I'm not feeling ashamed to be

out after two challenge,

because seriously,

Project Runway is so hard.

But I wish I'd go more far.

Next time

on Project Runway...

Welcome aboard

the Celebrity Summit.

This is your first

team challenge.

[mimics g*nsh*t]

Maybe--

No.

You don't get it.

No, no, no, no, no!

We do have to figure out how

just to work with each other.

Oh, my God.

Can you just shut up

for one minute?

That's my teammate, b*tch.

What the hell

is going on in this room?

You just found

the secret sauce.

Bellissima.

You guys rocked it.

I don't know about that.

That's Crazytown.

This is hideous!