05x03 - Nowhere to Run

[bunniefuu]

[theme music]

[dramatic music]

Did you get everything you need?

All I could get was bologna and cheese.

Tried to get some wheat bread but all they have was white.

That's fine. I'll eat anything.

Uh, where are we going?

We're going to find a bigger town up ahead

and trade in this car.

But you can't. This car was a gift.

Yeah, and every cop in the state knows what to look for.

Come on, honey. We got to get moving.

[engine cranks]

Come on, baby. Trust me.

I know what I'm doing.

[instrumental music]

[sighs]

Oh, damn it!

-I'll get it. -Never mind.

Wait a minute. Karen, come on now.

We're doing everything we can, huh?

I've called in all the favors.

The police are putting on extra...

The police have hundreds of cases, Mack!

The police are putting in extra time on the case.

It's just that I... I feel so helpless.

[telephone ringing]



-Okay, Al. -Hello?

We're not ready, Mrs. MacKenzie.

[telephone ringing]

Hello?

[Sergeant Blake on phone] Mrs. McKenzie.

-Sergeant Blake. -What happened?

We've gotten word that Diana's used

her credit card for gas.

Where?

Yesterday, in a station

in Albuquerque, New Mexico.

It's on Interstate 40.

Was she alright? She hasn't hurt her?

No, they didn't seem to think she was.

Do you know if anyone's talked to the station attendants yet?

They're doing it now.

I thought you'd want to know right away.

We've gotten at least something on their direction.

Let me know as soon as anything happens, huh?

-I will, Mack. -Thank you.

[instrumental music]

-Gary! -Gary!

Hey, guys! How are ya?

[car horn blaring]

-Hi, mom. -Hey.

-Hi, honey. -Hi.

Hi, mom.

-Can I ride? -Sure, you can.

Oh, it's so pretty.

Hi, honey.

I looked for you earlier this morning.

I thought you might like... Whoa, whoa...

I thought you might like to take a ride over the ground.

You still haven't seen it all yet.

Oh, I know, but I had some things I had to take care of.

-Come on, honey. -Can I ride first?

-Yeah, alright. -Me first!

No, ladies first. Just a second here. Wait a minute.

Alright. Put your foot in the stirrup.

-Whoa. -That's a little high, isn't it?

Give me your arm. Okay. Up you go.

Up you go. There you go.

Alright.

I was in town looking for office space.

Office space?

What do we need office space for?

We got plenty of room out here.

Well, it's not a matter of room.

Gary Ewing Enterprises needs a high-profile image.

I don't know.

I kind of like the image this place has.

Will I get my own horse?

Sure you will.

Olivia, don't you think

you ought to learn to ride first?

-You might not like it. -I love it already.

Let's go.

Ron, I'll be back for you later, alright?

See you, honey.

Hang on there.

[instrumental music]

Diana, you're not having second thoughts, are you?

Because if you are, don't.

Everything's going to be just fine.

Better than ever.

You still love me, don't you?

Chip, you're acting as if nothing happened.

Because nothing did happen.

Nothing that I wanted to happen.

Nothing that makes any difference to us now.

Diana, I love you.

You do still love me, don't you?

Yes.

Well, then, that's all that matters.

You'll see.

Once we get to New York, this will all be behind us.

We'll never have to think about this again.

It'll be like it never happened.

At least they're making progress.

Yeah. The gas station in Albuquerque, New Mexico.

-24 hours ago. -Oh, come on.

It's a start.

They could be anywhere by now.

Could have gone off in any direction.

Could have turned off at any highway, stopped anywhere.

At least don't know anything

more now than they did 24 hours ago.

They know a lot more.

They know the car they're driving. They know--

Do you know how many cars there are on the highway?

Hey, hey, hey, hey, hey, hey.

Come on. Stop it. Go sit down.

I'm going to get you some of this chicken. Go on.

[instrumental music]

I just wish I could be there.

They're chasing after a license plate number,

an old photograph from a police bulletin.

They don't know Diana.

[music continues]

Okay.

Where would you go? Hm?

[sighs] I don't know.

Mm-hmm.

Oh, Val, I just...

I just want to, I want to help.

I want to do something.

But, Karen, you are doing something. You are.

And for you to blame yourself or let yourself eat away inside

because you're not doing more is just crazy.

-Val, I... -Wait a minute, wait a minute.

I know what you're going through.

But you can't give up hope.

And you can't fall apart waiting for Diana to come home.

Because when they do find her and she does come home,

that's when she's going to need you the most.

And you're going to have to be ready for her.

Come on.

You're just about the strongest person I know.

And you're just going to have to eat some chicken

and hold on a little longer.

[instrumental music]

Ever been in any accidents?

It's almost new.

Why do you want to sell it?

I'll be honest with you.

We need the money.

-You got the pink slip? -It's not stolen.

She's got ID.

She'll sign a duplicate bill of sale.

You can get a duplicate pink slip

from the California Department of Motor Vehicles.

Look, friend, it's almost new.

It runs great.

You can resell it in a day or two.

Do you want to make a deal on this or do we go up the street?

I'll give you $600.

$600?

-The car's practically new. -500.

Oh, come on. The thing's worth $8000.

-Four. -Wait, wait, wait.

We'll take the six.

Five.

Five with a trade-in, right?

Yeah. Okay.

[instrumental music]

-Hi, Laura. -Hi, sweetie.

Laura, watch this.

You be good.

Don't get up.

I don't want to interrupt those tans.

Won't you bring a suit? You're welcome to take a dip.

Uh, well, for us proletariats, it's the middle of a work day.

We're working. We're cooking up big deals here.

Abby just bought a shopping center.

That's right. It was a very good investment.

Well, I'm glad you're both feeling so expansive.

It won't hurt so much to sign these.

Final papers.

Sign them, and this ranch is yours.

I must say, this is the most fantastic place I've ever sold.

And the biggest commission I've ever made.

[laughing]

By the way, Abby's been looking for office space in town.

If you think of it, you might keep your eye open.

Well, that's alright. I've... I've already started looking.

Well, honey, Laura's an expert.

It won't hurt to have her on our side.

Oh, sure. If you run across anything, let me know.

Well, if you're really interested in investments,

I do know about something.

The government is selling off large parcels

of wilderness forest land in Siskiyou County.

Really?

At a good price?

Very good.

Gary, that's not a bad idea.

-Virgin timber can be... -No way.

I'm not gonna buy wilderness land. And then sell it off.

If I did anything, I'd buy and hold on to it

so nobody else could touch it.

Gary, that's crazy.

Yeah, and cannibalizing the land is the same.

Gary, an investment is something that's supposed--

Honey, I know what an investment is.

-Where do I sign? -Mmm.

Where else? On the bottom line.

Of course.

She sold the car?

Yeah, they traded it in and got 500 cash and an old clunker.

Where are they now?

Uh, somewhere around Oklahoma City.

Karen, don't even consider it.

Let the police do their job. We'll only get in their way.

Mack, it's the closest we've come.

As soon as they locate her, we'll go there.

I promise you, we'll find her.

Isn't there some way we can get a message to her,

make some kind of contact?

Karen, if we do anything right now,

we'll only jeopardize her further.

I know it's hard. We just have to sit tight.

Hey, I gotta go. I love you.

I love you too, Mack.

[instrumental music]

[instrumental music]

They won't chase us forever.

They'll give up.

We'll find a place where they've never heard of us.

Settle down.

I never dreamed it would end up like this.

You've got to believe me.

She left me no choice.

It never would have happened

if it weren't for the way I feel about you.

You're everything to me.

[music continues]

We were meant to be, Diana.

We love each other.

It's all that matters.

[sighs]

It's the kids that make it so hard.

I mean, Jason must ask me three times a day where Richard is.

If the police find him, it's going to make it even worse.

How am I going to explain that to him?

I guess it has to be done for Ciji.

What are you going to do now?

I don't know. Go on.

Work.

Why don't you come to work for me?

-What? -For Gary Ewing Enterprises.

You could be our permanent real estate broker.

-We could use you. -Oh, come on. You don't mean it.

I do. Abby's been talking about

getting into real estate investments.

Oh, well, Abby would just love having me around.

I want you.

Gary, I'd do it for you,

but I just don't think Abby and I would get along.

You could get along.

Laura, I want you to work for the company.

I need somebody on the inside, somebody I can trust.

Why do you stay with her?

I love her.

-Then why... -Hey.

I said I loved her. I didn't say I trusted her.

I don't get it.

Well, I don't know. I mean...

How do you explain why you love somebody?

Abby's exciting.

She's unpredictable.

Being with Abby is like...

[laughing]

It's like high-speed auto racing.

It's risky, but, man, what a kick.

Still, she does have a tendency to get a little carried away.

And with me looking over her shoulder, she resented.

Oh, so great. I'm supposed to do it for you.

Well, it's not such a bad deal for you, either.

I mean, there are all kinds of interesting projects

we can get involved in.

And you'd have a lot of freedom.

When do I start?

Oh.

[laughing] Great. That's terrific.

What are you doing home?

I couldn't keep my mind on school.

Well, where are you going?

Eric, you have to go back to school.

You're going to go look for Diana, aren't you, mom?

What do you think you can do that the police can't?

Bring Diana back home?

-Does Mack know about this? -Eric, I'm your mother.

I don't have to answer to you.

Why do you always try to cut me off?

I don't!

Maybe I do a little.

It's only to protect you.

Mom, Diana's my sister.

And I'm as worried about her as you are.

But you act like you're the only one who cares.

[instrumental music]

I'm sorry.

It's just that I want us all to be together again.

Well, so do I, mom.

Why don't you wait till Mack gets home?

[music continues]

[woman on radio] The Food and Drug Administration emphasizes

that the test results are only preliminary

and there are no immediate plans

to remove the product from stores at this time.

State police are on the lookout

for suspected m*rder*r, Tony Fenice,

also known as Chip Roberts,

wanted for questioning by California authorities.

The suspect is 26 years old,

dark hair, brown eyes, 6 feet 1 inches, 190 pounds.

He is believed to be traveling with a young woman

in a tan 1977 Dodge Aspen,

Oklahoma license plate GI-1354.

Anyone who sees this man or this car

is advised to call 555-7362.

Suspect is considered dangerous.

Locally, city workers...

Damn it!

They even know the license plate.

They must have talked to the guy in the car lot.

Well, how'd they find us? How'd they find out about the car?

I don't know.

Well, they must be following us.

They can't be. If they were following us,

they wouldn't need to announce it on the radio.

I need to think. Shut up.

-Chip, I'm just trying to... -I said shut up!

[birds chirping]

[doorbell rings]

I'm comin'!

What do you want?

I'd, uh, like to speak to Val, Mrs. Clements.

Well, she doesn't want to see you.

I'd just like to explain to her.

There's nothing to explain, Mr. Gibson! You lied to her.

It's as simple as that.

It's not as simple as that, ma'am.

I'm not going to argue with you about this.

Valene does not want to see you.

Thank you, ma'am, but I'd rather hear that from her.

She's not home.

[instrumental music]

Thank you.

[sighs]

We should never have stopped.

It's only for a little while, and we got to eat.

Yeah, yeah, yeah, yeah. This is okay.

Kind of like a regular picnic, huh?

Yeah.

Damn it!

Alright. You sit there and be quiet.

We're just having a picnic.

-Good afternoon, folks. -Afternoon, officer.

[dramatic music]

Alright. Come on. Let's get out of here.

I know he's coming back.

Where can we go?

That dirt road up there.

I know he's up ahead waiting for us.

Come on. Leave it.

-Diana. -Okay.

[instrumental music]

No, I don't know how to reach her.

I'm sorry.

Bye.

-Hi. -Hi, Lilimae.

-What are you doing here? -Trying to find you.

Where's Karen?

Karen!

Oklahoma.

-Oklahoma? -I couldn't stop her.

You know how she is.

[chuckles]

Oklahoma?

Yeah.

[instrumental music]

[engine sputtering]

Damn. Damn. Damn!

Not now.

Slide over.

Turn it over.

[engine cranks]

Do it again.

[engine cranks]

Come on, come on. Turn it over.

Chip?

Again.

Again.

Again.

[instrumental music]

[sobbing]

[car door shuts]

We've got to keep moving.

They'll catch us. We've got nowhere to go.

There's nowhere to run.

We'll go on foot.

We'll never make it on foot.

But we can't wait for them here.

We were meant to be, Chip.

Isn't that what you said to me?

We love each other, and that's all that matters.

Isn't that what you said to me?

Damn it, Chip. Give us a chance.

[music continues]

I'll tell you, folks, if you don't think

you can afford this car,

you shouldn't get in there and drive it.

Because if you do, you're going to fall in love with it

and you're going to have to have it.

I'm telling you, this car has got four brand-new tires...

Here. Keep the change.

[car salesman] Put them in there myself.

Let me step right up here and show you something.

This car has got a lot of room, as you can tell.

It's got an AM, FM radio,

and that pocket's big enough

to put your grandchild over there.

Now, this is a good car.

The economy's not too good,

and we are trying to move some cars.

So I'm prepared today

not only to offer you a deal,

but what I would call a new car.

[instrumental music]

You know, this lady, she came up over here in a cab.

I think she needs a new car.

So y'all look at this baby, and I'll be right back, okay?

Get the prize, hon.

I'll make you a deal.

I am not your hon.

I'm sorry, ma'am. No offense, ma'am.

You interested in this car?

My name is Karen Fairgate MacKenzie.

This was my daughter's car.

I already told the sheriff everything I know.

Including how you fleeced her out of this car

with $500 and an old clunker?

You come all the way out here accusing me of something,

and I'm the one that turned in the report?

Look, lady, if it wasn't for me,

you wouldn't have any idea where to look.

Oh, alright. Alright, I'm sorry. I didn't...

I didn't come here to badger you.

You're just the last person to see her and I...

I just want to know how she is.

She looked fine to me, ma'am.

Did they say anything about where they were going?

Look, like I told the sheriff

by the time I had drawn up the papers,

they were gone.

I'm sorry.

Last week, it was Diana. This week, it's mom.

Yeah, well, she wasn't thinking, I guess.

She just had to do something to try and help.

Yeah, but doesn't she care how we...

Of course she cares.

She's been under a lot of strain.

I can't really blame her.

Look at this. It's frozen.

Mom usually gives it a couple hours to defrost.

A couple hours. Hamburgers?

-Yeah. -Hamburgers.

I know you're worried. Hey, I am, too.

As soon as she gets to Oklahoma,

she'll find out that there's nothing she can do and...

-And she'll come back. -Yeah.

[telephone ringing]

-Hello? -Hello, uh, Mack.

Hi, uh, it's me.

Hi, how are you? Where are you?

Oh, I'm fine. I'm in a motel outside of Oklahoma City.

The Hideaway, Jake's Hideaway, something like that.

Uh, listen, Mack...

You understand I had to come.

Yeah, I know.

Good.

I talked to the guy who bought Diana's car,

and he doesn't know anything.

Okay, check in with the police.

Let them know you're there.

Oh, I will. Good, okay.

Good.

How are the boys?

The boys? Don't worry about the boys.

They're making hamburgers. They're fine.

That's good.

Well, um, I'll call again and...

Jake's Hideaway, right.

I love you all. Talk to you soon.

[sighs]

Great.

Why didn't you tell her to get on

the first plane and come back here?

Because I'm thinking about getting on the next plane

and getting out there. What do you think?

Go.

[crickets chirping]

Diana, we're going around in circles.

Just a little further. We'll find someplace.

Shh, shh, lights.

Where?

I thought I saw them.

There's nothing out there, Chip.

There's no use going on.

We can't give up now.

What's important is that we're together, right?

-Right? -Right.

[instrumental music]

Come on.

Bingo.

[music continues]

Well, they aren't going to get too far on foot.

Well, it's not exactly what I'd call home, huh?

I don't want to stay here.

We'd better keep moving.

Oh, it'll do for the night, Chip.

[groans]

Want to help me with this?

[instrumental music]

Oh, morning, sugar.

Morning, mama. Where you been?

I went over to Karen's.

See if there was any news.

-Yeah? -No news.

Well, no news is good news.

I just hate the idea of her going down there by herself,

being all alone like that.

She's not going to be alone anymore.

Mack flew out there to be with her.

-He did? -Mm-hmm.

Oh, good.

Oh, I sure hope

Chip had nothing to do with Ciji's death.

I'll never forgive him.

What he's done to everyone around here.

A real troublemaker.

Just like that Ben Gibson who's been hounding around.

Like what?

Oh, didn't I tell you?

No, you didn't tell me.

Well, he came here yesterday

with some story about how he had to explain.

Well, I guess we already know the truth about him.

Well, did he say anything else?

Well, I wouldn't let him in.

I'm not interested in anything he has to say.

Well, neither am I.

-Valene. -What?

He's a newsman who lied to you to try to get a story.

He's not the kind of man you want to be bothering with.

I know that, mama. You're absolutely right.

You want a cup of coffee?

I'll have a cup of coffee.

Come on.

[knock on door]

[knock on door]

[Mack] Karen? Mack.

[knock on door]

Karen?

Yeah?

[Mack] It's Mack.

See, you took a nonstop flight.

I took a direct flight, which I thought was a nonstop,

but it had a stopover in Denver

where I had to get off the plane and wait for them

to change everything,

and I sat in a hardback chair

and slept in a hardback chair, but I'm okay.

Are you okay?

Yeah, I'm okay.

Then what do you think you're doing?

Why didn't you listen to me?

Let the police do their job.

You have a family, you know.

How do you think we feel?

Mack, you can't take me back home.

She's here somewhere.

I'm not going to make you go back home.

I'm here to be with you.

[birds chirping]

Chip?

We're trapped.

Look, it's a beautiful day.

We've got no place to go, Diana.

Whatever happened to all that optimism you used to have?

Come on, let's have breakfast.

I think I've got an idea of how to get out.

What breakfast?

Well, I've still got some bologna and cheese.

[dramatic music]

Yeah, they're in there, alright.

Call in for some backup.

Make sure they come in the back way.

Right.

[instrumental music]

Wait until you see this place.

It's really incredible.

The rent must be incredible too.

Nothing but the best for Gary Ewing Enterprises.

i never knew Gary had such expensive tastes.

He doesn't.

I take it the ranch doesn't fill all your needs.

No.

Besides I like to, um,

I like to feel comfortable where I conduct my business.

Well then, this is a private venture.

Not exactly.

This over here is the, uh, conference room.

I like my associates to feel comfortable

where they work too.

-Do you want to see the rest? -Lead the way.

Jim, there are some investments

that I want to make, some new areas I'd like to venture into

and explore but, uh,

I'm going to need some advice from you.

Certainly.

For those late evenings when I just have to stay in town.

What advice can I offer?

Well, those investments that I want to make,

I want to make them quietly, without bothering Gary.

There's still more.

Uh-huh.

What do you think?

I think it has considerable possibilities.

I thought you'd think so.

Who's going to fund these investments of yours?

Gary Ewing Enterprises.

A loan, but no interest, no records.

Why the secrecy?

Gary has taken a sudden interest in the business.

I believe he's bent on wasting his fortune.

I want to prevent him from doing that for his own good.

You can set up a subsidiary company all your own,

fully independent.

Could you arrange that?

Between us?

There's nothing we can't arrange.

My instincts were right.

Leasing this office is going to be very rewarding.

Look how well my first meeting went.

[instrumental music]

They're still in there?

Right, chief. They ain't going nowhere.

Give me them glasses.

[dramatic music]

[music continues]

[dramatic music]

What's that?

I have it from the other day.

Okay. Look.

I, uh, think we're about here.

Right outside this town.

It's not my face on TV and they don't know me along.

Maybe I could walk there and try to rent a car.

We should have just flown to New York.

It's too late to think about that now.

We have to take this thing one step at a time.

Don't think about what might have been, okay?

Sheriff.

Good morning!

And it is a good morning.

This is Sheriff Pickett

welcoming you to Tulsa County, Oklahoma.

We have got you surrounded.

Make no mistake, there is no escape.

My men are armed, and they're a dangerous bunch.

So if I were you, Mr. Roberts,

I'd come out with both my hands on top of my head,

let Miss Fairgate go,

then we can all talk about all this and nobody will get hurt.

What's going on?

Hold it, here you go.

Mack MacKenzie, federal prosecutor.

Are they in there?

You're a little out of your jurisdiction, aren't you?

Yeah, well, this is my wife, and her daughter's down there.

It's over, Diana.

They're all over the place. I'm giving up.

No, you can't!

They'll k*ll us both, Diana.

Look, there's got to be a way out of this, okay?

Just let me think for a minute, alright?

We need something that looks like a g*n.

You got three minutes to think things over, Mr. Roberts,

then we're gonna come in and get you.

-Mack, they'll sh**t her, too. -Don't rush it, sheriff.

They need more time. They're just kids.

They're just scared. They'll come out.

I think I can handle this, Mr. MacKenzie.

Got it.

Sheriff? This is Chip Roberts.

I've got Diana. I've got a g*n.

Oh, my God.

She's my hostage, sheriff.

I want you to keep your men back.

Diana?

They're never gonna go for this. They're gonna k*ll us both.

We have to give up. I don't want to die.

Just do what I say, Chip, alright? And we'll get away.

Mack, he k*lled Ciji. He's got nothing to lose.

Okay. I'll open the door.

Keep it behind my head so they can't see what it is. Alright?

Bob, did we bring any tear gas?

Chip? Chip?

Listen to me.

This is Karen MacKenzie.

Nobody's gonna hurt you.

Please, just let Diana go.

Please, Chip.

I'm begging you.

-Your mom's out there. -I don't care.

Diana, they're never gonna believe this is a g*n.

From this distance in the shadows,

they won't know for sure.

And they won't take the chance.

You ready?

Mack, they're coming out.

I mean it, sheriff.

I want a car pulled out front here.

I want you all to back off.

I think they bought it.

It's okay.

That boy don't look so all-fired scared to me.

Bob, where's that tear gas?

Hey, you can't flush him out with tear gas, sheriff.

You trying to tell me how to do my job?

If he has a g*n, he'll k*ll her as soon as

that tear gas goes in there.

You got a better idea?

I'll get down there. He might talk to me.

That's all I need, for a US attorney to get himself k*lled.

I can talk to him, sheriff. I know him.

I can get to him.

No way, MacKenzie. I'm in charge here.

And we're going to do it the way I want to.

Bob, where's that tear gas?

Mack. Mack?

MacKenzie, get back here!

You just tell your men to hold their fire.

-Give me that radio. -Mack, be careful.

Hold your fire.

-Port, get down and cover him. -Right.

-Hard-headed, ain't he? -Let him try.

Did we miss any action?

Mrs. MacKenzie, I'd like to get a statement from you.

What kind of g*n is that?

.38.

-Is it automatic? -Uh-uh.

Can I see it?

g*ns are dangerous if you don't know

how to use them.

I'm not gonna touch it. I just want to see it.

I don't think that's a very good idea.

Have you ever used it?

No.

You've never used your g*n?

No, I've never been in a situation where I had to.

g*ns are only used as a last resort.

Would you be afraid to use it if you had to?

No, not afraid. Just cautious.

Come on, Mike. We're gonna be late for school.

Well, what if somebody held you up

or pulled a g*n on you or something?

Michael!

If you ask this many questions in school,

I'm sure that you are one smart fellow.

Michael, if you don't want me to drive you,

you can always take the bus, okay?

I'm coming.

Tense moments here in Tulsa County, Oklahoma,

where we're watching a real-life drama taking place

right before our very eyes.

Tony Fenice alias Chip Roberts,

wanted for m*rder charge in California,

has been holding a young woman hostage in a...

And cut.

I wonder if they'll have a shootout

in time for our deadline.

Chip! It's Mack MacKenzie.

I'm unarmed, Chip.

Yeah, I see you, Mack.

I just want to come in and talk to you, Chip.

You can't come in here, MacKenzie.

They know what I want. There's nothing more to talk about.

Let me see Diana. Is she okay? I just want to see her.

Is she okay?

What do we do?

It's alright. Just don't panic.

Hiya, sweetheart.

You okay?

Mack, do what he says and get us a car!

Come on, Chip. Let her go.

You tell the sheriff to get a car down here.

and you get all of those men out of here.

I'll tell him. I'll tell him. I'll take care of it.

That man's getting ready to go in, sheriff.

-Hold it! Hold it! -Get back!

[g*nsh*t]

[screaming]

Okay. Okay. Okay.

Mack.

Don't sh**t! Don't sh**t!

Diana!

-Okay. -Get down!

Okay.

Mack, no!

-That's enough! -No!

Don't hurt him. He didn't do anything.

It's alright. It's okay. Diana, it's okay.

-Up against the wall. -Get him. Spread him.

Roberts. Roberts, any truth to the allegation

that you k*lled a woman in the car?

Get him over to the car.

No.

No comment at this time, boys.

When my attorney's present, you'll get your story.

He didn't even have a g*n, chief.

Here's his g*n.

Diana!

Miss Fairgate, were you ever in any danger?

-Back off. -Diana!

Miss Fairgate, don't you have any comment at all?

It's not Miss Fairgate.

It's Mrs. Tony Fenice.

Come on. Miss Fairgate, please.

[engine cranks]

Now, hold it. Hold it till he's back.

-I love you. -I love you, too.

[instrumental music]

[theme music]