and do what y'all do best.
Charm and seduce the f*ck out these rich b*tches.
[Amp]Previously on All the Queen's Men.
This is your third strike, Trouble.
That's an automatic life sentence.
You know that? You wanna keep playing?
[Madam]So what was she doing in here
for f*cking minutes?
This b*tch thinks she's CSI.
Does he know that we slept together?
[Dime] I would appreciate if you didn't say anything
about us to him.
Hey, what the hell is this, man?
It's called doggy style.
Where's your witness?
[D.A Rodds] I don't know, Your Honor.
[Judge] Prosecution may call their next witness.
And I assume someone will actually show up today.
Prosecution calls Mr. Frank Wilmont to the stand.
[music]
[whispering] Who the f*ck is this muthafucka?
[indistinct]
[music]
[music]
[music]
Mr. Wilmont,
do you know why you're here today?
I've been subpoenaed.
[D.A Rodds] Well, that is one reason, yes.
What do you do for a living, Mr. Wilmont?
I'm a youth pastor
at the Last Offering Baptist Church in Decatur.
So you would consider yourself
an upstanding member of the community?
Yes.
I've been a part of the church for over five years,
helping young people through the power of the Lord.
[D.A Rodds] Commendable.
So, Mr. Wilmont,
how then do you know the defendant?
[music]
Uh, she...
She had me kidnapped and...
and sodomized.
[voice breaking] And she filmed the whole thing.
[Judge] Order. Order!
Order in the court!
Now, I told you I will not have any circus
in my courtroom.
[theme music]
♪ Yeah, yeah, yeah ♪
♪They know not to play with me, they know I get started ♪
♪Asked me will I take it easy, told them that it's harder ♪
♪Asked me will I quit, oh no, sir, I beg your pardon ♪
♪They're saying that it's light ♪
♪But I turn this b*tch to darkness ♪
♪(The sun) It go up, we don't play around ♪
♪I won't play 'bout my dinero ♪
♪Got some gangsters in the cut now(cut now) ♪
♪And they're doing what I say so ♪
[music]
[music]
So you said you were kidnapped from your bedroom?
Yes, that's correct.
And your abductors put a sack over your head
before dragging you out of the house?
Yes.
[Lovett] Huh.
You must have been horrified.
Did you evensee who abducted you?
I just told you.
They threw a sack over my head.
So, for the record, that would be a no.
Do you even know where your abductors took you
to be allegedly assaulted?
I'll take your silence as confirmation.
[music]
Is it possible
that you as a youth pastor of a church
have some predilections you're ashamed of?
-And concocted a story-- -Objection! Irrelevant.
This witness is not on trial here.
-Sustained. -Withdrawn.
Mr. Wilmont,
did yousee Marilyn Deville at any time
during this alleged as*ault slash r*pe?
Well,
no.
Thank you.
No further questions, Your Honor.
[Judge] Your witness, Counselor.
[music]
Mr. Wilmont,
during your unfortunate ordeal,
did youhear any voices?
[Frank] Yes, I did.
I heard her voice.
And I will never forget it.
[music]
[music]
[music]
[music]
[music]
[Tandy] You slept down here all night?
I wasn't sleeping on them nasty a*s sheets.
You still mad about that, 'Face.
[Babyface] Hell yeah, I'm still mad.
How you still gonna be f*cking
that n*gga in front of me like that?
And in our bed, too?
My bed?
Yeah, Tandy, but you know you crossed the line last night.
Excuse me, 'Face?
You don't have the right to draw lines.
Please don't forget that I let you live here
rent free.
And I bought you a car.
And don't forget
that you don't want for anything around here.
So if I want to f*ck the whole world onmy bed,
I will.
And you ain't gonna do sh*t about it.
You can at least show me some f*ck' respect.
'Face, come on, baby.
Is that what we're doing, really?
Come on.
Listen.
You know nobody has what you have, right?
Come on, baby.
So I'm your number one, right?
[Ms. Tandy] Of course, 'Face.
I know that very well.
So, why don't you show me
whyyou have the number one spot?
[music]
[music]
Wait. I can't find my shrimp fried rice.
-Do you know where it is? -Oh, I'm sorry, baby.
I ate it.
I got...[chuckles]. You know, I got a little hungry.
You ate it?
[stammers] Literally, you know that
I was waiting to eat that. Why would you...
You could have gotten some if you wanted your own!
God!
I'm sorry, baby.
I'll just get you some more in like minutes, okay?
It'll get here.
No, I could have heated it up in the microwave if I...
It would have taken seconds, Amp.
Why would you do that? You're f*cking selfish.
No, I just want...
Okay, I'll order you something else
-and it'll get here quicker. -[Dime] No, I ate...
I could have done that myself if I didn't wanna eat
the shrimp fried rice that Ipurposely left
in the fridge to eat today, duh!
Sorry f*ck.
[Amp] Okay, um... Hey, come sit down.
Don't, don't, don't...
Baby. I'm sorry.
Okay? I am sorry.
I did not mean to do anything too intensely hurt you.
Just tell me what you want to do and I'll do it right now.
[music]
You know what, Amp? I don't care.
I don't care what you do. I literally don't.
It's always just about you. You need to think about,
"How is this gonna make Dime feel?
How does Dime-- How does Dime feel?"
Amp, it was my food.
It was my food. And you just ate it.
And it's literally always about you.
No, no. I understand.
I understand. I understand.
Sit down, please.
Please.
Hey.
[music]
Look at me.
I am sorry.
Whatever you want me to do,
I will do.
Tell me how you want me to fix it.
All right?
I'm on your team. I'm on your side.
I got you.
But just help me understand what to do.
I'm sorry. I didn't mean to do it.
I mean, I don't really care what you do, but...
Um, but, um...
[music]
Look, I'm sorry, Amp, I don't...
I don't know why I just...
I'm sorry that I was mean to you, okay?
It's okay.
It's all right.
It is okay.
I'm just hungry. That's really...
I get it.
I get it. I'll get you whatever you want.
And I'm sorry.
-Okay. -All right.
You want to choose, I'll pay. I got it.
[chuckles] I'll pay for it.
Yeah.
All right. Okay.
[music]
[music]
[music]
Trouble!
I hope you finally decided to take my deal.
[Trouble] Look,
I told you I ain't no snitch,
but you ain't leaving me no choice
hanging this sh*t over my head, man.
I'm not hanging anything over your head.
You're the one that violated the law,
not one time,
not two times, but three times.
If anything, I'm giving you the chance of a lifetime.
The freedom from what's actually hanging over your head.
Who could say no to that?
So let me get this straight.
If I testify against Madam,
I get full immunity?
Yep. As long as you cooperate.
It's as simple as that.
[music]
And I get protection, too?
I'll put you on eyewitness protection immediately.
[music]
[music]
Okay, bet.
I'll testify.
[Davis] Smart girl.
-f*ck you. -[Davis] Hey!
I need you to go to your house and pack up some stuff,
but be back here within an hour,
'cause I'm about to add your name
into our court database.
And once your name goes on that witness list,
or your a*s will be in some serious trouble.
Bye.
[music]
[music]
[music]
I don't understand why we need to come do this sh*t, Lovett.
It's court mandated, Madam.
We need to comply in order to get you out of this.
I should be eating lunch right now.
I brought you a gourmet sandwich just in case, Madam.
Thank you, Tommy, but no thank you.
[Lovett] Madam, there's no way around this.
We need to submit this voice recording in order to nullify
what Frank Wilmont said on the stand.
k*ll this muthafucka?
Take this muthafucka to the area.
You messed with the... What the f*ck is that?
Apparently those are the things he remembers you saying.
Allegedly.
I don't even talk like that, Lovett.
[Lovett] Of course not.
That's why we'll submit these samples,
and move on from there.
I can assure you, Madam,
you have nothing to worry about.
They got the right f*cking one today, I'll tell you that.
[phone ringing]
I need to take this.
[music]
[music]
Madam once you complete these voice samples
you can take the rest of the break
to enjoy your lunch.
I already lost my appetite.
Tommy, go follow her.
[suspenseful music]
All right, come on. Let's get this sh*t done.
[suspenseful music]
[suspenseful music]
[suspenseful music]
Hi.
I can't really talk right now.
Let me call you back.
[suspenseful music]
[Tommy] Who was that?
None of your f*cking business, nosy.
[suspenseful music]
[leaves rustling]
[music]
[music]
Thanks for meeting me here on such short notice.
-Of course, anything you need. -Mm-hmm.
I just want to let you know
that Marilyn's recording her voice right now as we speak,
thanks to that awesome testimony by your husband today in court.
And Erin...
Trouble.
She's agreed to testify against her.
It's time we take her down once and for all.
Who are you telling? I can almost taste it.
We just need to get a search warrant
for Madam's basement.
Her house?
Oh, no, we already searched that.
No, at Club Eden.
I just came from there. I was doing some investigating,
and I know it's covered in blood--
Okay, wait, wait, wait, wait.
Whoa, did anybody see you enter or exit Club Eden's basement?
Not a soul. We need to move quickly.
With her being on trial,
who knows what she might do down there.
Okay.
I'll go ahead and get a warrant immediately.
You should have the forensics team analyze
for any physical evidence.
Oh, you know I'ma do that.
She's not gonna get away with this.
-Not this time. -Not this time.
-Great work, Lola. -Thank you.
All right.
[music]
Great work.
[leaves rustling]
[music]
This is all wrong.
[music]
I never meant for any of these to happen, Sandra.
[music]
I loved you.
[music]
I just...
[music]
just knew that I wasn't...
wasn't good enough for you. I didn't deserve you.
[music]
And I'm so sorry...
for every bit of pain
that you went through because of me.
[music]
[music]
And I promise you...
[music]
I will make everyone
who was involved...
pay for what they did.
[music]
[music]
We are ready to resume.
And before we do,
I just wanna say this to everybody in my courtroom,
if there's another outburst like that,
I will hold you all in contempt.
Now, Rodds, you may continue.
[music]
[music]
[D.A Rodds] Members of the jury,
I'd like to just refresh your memories for the record.
Now, before lunch,
our witness
shared some devastating information.
He bravely recounted the violation,
the trauma,
the inhumane treatment that he experienced
at the hands of the defendant.
Objection, Your Honor.
Calls for speculation.
Rodds, you're skating.
[D.A Rodds] Mr. Wilmont,
you mentioned that you would never forget
the voice that you heard
when you were brutally violated.
Is that correct?
Yes.
So then, if you were to hear some voice samples
of those same very threatening words,
would you recognize the voice
that you heard that fateful night?
I still hear it.
Loud and clear.
In my nightmares.
Understandable.
I'm gonna play three voice samples.
Now, to the ladies and gentlemen of the jury,
I apologize in advance
for the profanity that you're gonna hear.
Mr. Wilmont,
when you hear the voice that you heard that night,
I will ask you to identify it.
[dramatic music]
[Voice ] k*ll this m*therf*cker.
Mr. Wilmont, was that the voice that you heard?
No.
[music]
[D.A Rodds] Here's another one.
[Voice ]Take this m*therf*cker to the area.
Really?
Mr. Wilmont, was that the voice that you heard?
No.
Okay.
How about this one?
[Voice ] You messed with the wrong one.
That one.
That's her!
Objection, Your Honor.
The other voice in the lineup,
clearly nowhere close to Ms. Deville's.
Obviously, they were recorded by women
who are clearly not African American.
This is the prosecution's sick attempt
to railroad my client.
We move to strike the recordings from the record.
Counselor,
I refuse to waste the court's time debating
with you on what does
or does not constitute a Black woman's voice.
Now, your request to strike the recordings is denied.
[music]
[music]
[music]
[music]
What the f*ck you want?
[Lola] I need to talk to you.
Talk. I ain't got much time.
Or is there somewhere else that we could go
that's a little bit more private?
The whole club is private.
Say what you got to say.
Blue, I have some intel for you. This is serious, okay?
Listen, Trouble came to the precinct today.
She agreed to sell out Madam
in order to get rid of her third strike.
She's gonna testify.
Like your whack-a*s husband did today?
Listen, I can't control nothing that he does,
and nothing that he says.
But like I said,
I'm willing to do whatever it takes
to prove to Madam that I'm on her side.
Trouble ain't got sh*t on Madam.
Blue, the cops are on their way.
Mm-hmm.
I wonder why that is.
[Lola] I don't know.
Trouble must have told them something.
Oh sh*t, they're here.
[dramatic music]
[Blue] f*ck.
Don't you move...
[dramatic music]
[dramatic music]
[music]
Madam?
[Madam] Come in, Tommy.
What's up?
You remember you asked me to follow Blue?
I do.
What'd you find?
Well, actually, today in court.
She was on the phone and it got kind of weird.
She hung up as soon as she seen me coming.
[Madam] She was most likely on the phone
with one of her b*tches, Tommy
and did not want your nosy a*s in her business.
No, Madam.
This was different.
Different how?
This was sus' as f*ck.
I know that's your girl, madam,
but even I have never seen blue like this.
Sneaking around,
hanging up phones,
and she looked even meaner than normal
when I asked her about it.
I'm just scared of what she might be hiding.
[scoffs]
You scared the same way you scared of them little a*s dogs?
No, Madam.
This was worse than any Yorkies,
poodles, or pugs.
[Madam chuckles]
[Madam] All right, Tommy.
Let's keep an eye out on her.
-Yes, Madam. -Thank you.
[suspenseful music]
[suspenseful music]
[suspenseful music]
Maybe if you told me
what you were looking for, detective,
I could help.
We don't need your help, but thank you.
And you might wanna look for another job after this.
Says who?
Well, we're going to lock your boss up,
and by then you may find yourself
on the unemployment line,
if you're lucky.
Hit the lights.
[dramatic music]
[dramatic music]
[dramatic music]
Turn the lights back on.
Let's pack it up. There's nothing here.
[dramatic music]
[dramatic music]
Lola, Lola, Lola.
Yep.
Your days are numbered, b*tch.
[music]
[phone ringing]
[Amp] Damn man,
somebody's blowing up your phone.
[phone ringing]
Man, f*cking Renee.
That's that domination girl, right?
Yeah, man.
She wanna do that domination sh*t again.
I ain't trying to do that, though.
Why not? It went bad?
Yeah, imagine that.
Nah, the sh*t went too good.
Now she all clingy and sh*t. Won't stop calling my phone.
Bro, that's how you get them repeat customers, dog.
Hey, feel me?
How much she paying you for that second fantasy?
You ain't gonna believe this. She paying me double.
Hey, you better take that money and dominate that b*tch.
[Amp] Be careful, dog. All right?
-Fuego. -I don't know, man.
Y'all still on that sh*t?
r*pe isn't funny.
Nobody said it was funny, man.
It's actually a fantasy, man.
A lot of women like that sh*t.
Definitely them big boss chicks who want that money.
They want some d*ck domination. You feel what I'm saying?
And I ain't in no bad situation with this one, all right?
For real.
-The situation is f*cked up. -Well.
Hey.
You good?
-Are you okay? -No.
I'm not.
Y'all in here talking about this juvenile role-playing bullshit
like there aren't real r*pe victims out there, man.
-Hey, chill out. -Nah, get the...
What the f*ck is wrong with y'all, man?
He's so sensitive.
[Babyface] So you gonna beat the p*ssy up or not?
'Cause if you're not, I need that number.
[indistinct]
I'm gonna do this sh*t one more time.
After that, I'm through.
Yo. Yo, dude.
Be careful.
-I got you. -You hear me?
[music]
[Blue] How the rest of the court proceedings go?
Honestly, Blue,
ain't no sh*t
like this f*cking government bullshit.
What happened to you anyway?
Where'd you go?
Uh...
Take care of some things.
Dealing with the Lola stuff.
[tense music]
This trial is getting in my f*cking way.
I haven't been able to move money
the way I normally need to.
It's just...
It's just stupid.
f*cking audacity of these n*gg*s.
After lunch, Frank Wilmont said...
[message notification]
Oh, sh*t.
What?
[Madam] This should be interesting.
Looks like our old friend Erin Suede has just been added
to the prosecution's witness list.
Who's Erin Suede?
Trouble.
That b*tch would do anything to save her own a*s.
How many chances have I given her now?
[Blue] One too many.
We should have merked her a*s
when she stole from the Black Rock Boys.
Yeah,
but I decided to go easy on her,
considering the sh*t she did with Champ.
And to think the b*tch was just becoming a f*cking asset.
Now, herasset is writing checks that her neck can't cash.
Madam, we really can't have this.
No, we can't.
Blue, go find Trouble and bring her to me.
All right. Say less.
[door opens and closes]
Even the floors is heated.
I ain't never been in a house that nice before.
I could get used to some sh*t like that.
[Rayshon] See, man. I told you
a lot of these women here are generous.
Yeah, I think I hit the jackpot with this one.
Yeah, but you gotta be careful, too,
because a lot of these b*tches is evil.
I got this, man,
and Idefinitely got the right one.
I thought that, too.
sh*t, after I put it on her,
she gave me this as a thank you gift.
-Yo, that's a Rolex. -Hell, yeah.
That's what that young d*ck do.
I ain't dealing with this n*gga.
sh*t, I guess her last n*gga wasn't sh*t for real.
Hey, man, f*ck you.
Like I did your girl last night?
-Man, shut the f*ck up. -Get out of your a*s, man.
[Babyface screams in pain] Ah! sh*t!
[groaning in pain]
What you gonna do, old man?
Sue me for elder abuse?
[Babyface groaning in pain]
[groaning in pain] f*ck.
[groaning in pain] sh*t.
f*ck.
[Blue] What the f*ck is going on?
Don't you got that solo tonight?
My knee.
[Blue] So I guess you ain't gonna dance in the solo.
What happened?
-Quincy b*tch a*s-- -[Blue] I don't give a sh*t.
But you all gonna have to explain it to Madam.
f*ck.
b*tch think I forgot.
Thinking she don't come to f*cking work,
I ain't gonna get my money.
I don't care what she doing.
[music]
[music]
[sighs]
[music]
[Renee]Hello.
I, um,
I'll do that little domination thing for you again.
[Renee]Seriously? Yes, baby.
I cannot wait for you
to pin me down and ram that big--
Yo, yo, yo, yo.
[Renee]So when can we make this fantasy come true again?
-Tonight when I get off work. -[Renee]That works for me.
Because then I can get off.
I'll get a room.
Bet.
[Renee]Oh, and one other thing.
I'm listening.
[Renee]Last time was great,
but I really want you to go in this time.
What the f*ck you mean?
I was in your f*cking guts last time.
[Renee]No.
I mean the whole experience.
I don't want you to be afraid
to get a little, you know, rough.
I want you to call me out my name,
cuss me out, choke me out.
Hell, you can even spit on me.
-Damn, what got into you? -[Renee]You.
And I'm looking forward to you getting into me again tonight.
Bet. I'll see you later.
[Renee] It was so good last time.
I just want to take it up a notch.
-Nothing's off the table. -Nothing?
[Renee]Not a damn thing.
All right.
[music]
[music]
[music]
The f*ck you doing with your arm, Tommy?
If you must know,
I'm knitting Madam a security cloth to rub
when she gets anxious in court.
I've infused it with Roman chamomile
and wildflower lavender oil,
which should help soothe her.
You sure you don't like men just a...
just a little?
First off,
I stand with the LGBT community.
Second, I'm just a renaissance man
with many interests
and who's wholly devoted
to Madam's well-being, unlike some people.
Anyways, what do you want?
I want to talk to Madam.
Well, you should have led with that.
[music]
[door opens]
[Madam] I thought I heard you two.
[music]
So what's the word, Blue?
Got a lead on Trouble.
And?
Just a lead? The f*ck?
You usually have more than that.
She's going in witness protection today.
[dramatic music]
My connects won't have any eyes on her after that.
Okay. Wait.
Why the f*ck are you even telling me this?
I want to keep you updated.
You're updating me on information
that I cannot use.
What kind of sense does that make?
You know what, Blue? Whatever.
I will take care of this sh*t myself.
[mellow music]
[mellow music]
[door closes]
[Tommy] I told you, Madam.
Shut up, Tommy.
[mellow music]
[Big D] Hey, man.
You need to calm down.
You can't let them guys get the best of you, bro.
[El Fuego] This sh*t is not funny, D.
I know, man.
But it looked like you blowing up over nothing.
That was that girl's fantasy,
not an as*ault that they was talking about.
Nothing funny about r*pe.
And I said, I told Madam I was over this.
But I'm not.
Every time I close my eyes,
I think about what they did to Sandra.
What you want to do?
[dramatic music]
I need to make them pay.
Man, that don't even sound like you.
It's not an ordinary situation, D.
All right. All right.
I hear you.
Well, if you going after them, you ain't going alone.
I got your back.
No matter what it takes?
If I say I'mma do something, I mean it.
-That's a lot to ask, D. -You didn't ask me.
I offered.
Whenever you ready to ride, let's roll.
I got you, sir.
[music]
[music]
Babyface f*cked up his knee.
How?
Let him tell you.
Let him in.
[music]
The f*ck is wrong with you?
I hurt my knee.
[Madam] Well, n*gga, I can see that. How?
I got into a little back and forth.
[Madam] With who?
Quincy.
I told you him working here was going to be a problem.
'Face, I do not understand what the f*ck
Quincy working here has to do with you.
You know how I get down. You of all people,
you know I don't play about my money.
So why are you f*cking with me?
Well, that's because he been walking around here
like he the sh*t.
You going to snitch? That's what you're doing?
Did you not learn your lesson the first time?
I'm sorry, Madam.
Listen,
sorry is not gonna get your d*ck
on that f*cking stage and make dollars.
You hear me?
[tense music]
So what you want me to do?
I want you to stop f*cking around, n*gga.
Stop f*cking with my money. The f*ck?
[Blue] He was supposed to do his dance on that stage.
But I guess he won't be doing that tonight.
Obviously, he won't.
But it's fine.
Let Quincy do it.
Damn, Madam, for real?
n*gga, does it look like I'm playing?
You know exactly what you signed up for
when you worked here.
Next time, have your a*s on the stage
and not in a junior locker room.
Madam--
Get your gimpy a*s out of my f*cking office.
Get up!
[tense music]
f*cking with my money.
Acting like an amateur n*gga.
What the f*ck you think this is?
This ain't no playhouse.
[tense music]
[tense music]
[door opens]
[music] [women cheering]
[music]
♪You tell me that sex is overrated ♪
♪Yeah ♪
♪I tell you it's time to be upgraded ♪
♪Yeah ♪
♪Sorry that he wasn't that connected ♪
♪Sorry that he wasn't that invested in you ♪
♪But I'ma show you what the real ones do ♪
♪I'ma pace myself ♪
♪myself ♪
♪Take my time rocking your boat ♪
♪Go down low ♪
♪Until your body lose all control ♪
♪Sipping on your alkaline drip ♪
♪Kissing on your chocolate lips ♪
♪Got you feeling lifted, baby ♪
♪That's what you've been missing, babe ♪
♪You say you're sick of the same old feeling ♪
♪Uh ♪
♪Well, I'm here to give sexual healing ♪
♪Yeah ♪
♪I just want to jump off in the deep end ♪
♪God, I love when I'm sinking in you ♪
♪So let me show you how a real one do ♪
♪I'ma pace myself ♪
♪Take my time rocking your boat ♪
♪Go down low ♪
♪Until your body lose all control ♪
♪Sipping on your alkaline drip ♪
♪Kissing on your chocolate lips ♪
♪Got you feeling lifted, baby ♪
♪That's what you've been missing, baby ♪
♪Ooh, your body mighty fine ♪
♪Ooh, I love your waters got that alkaline ♪
♪pH on the hundred and . ♪
♪Drinking from your waters ♪
♪Drinking from your waters, yeah ♪
Somebody'll help you in just a minute, okay?
♪Ooh, I love your waters got that alkaline ♪
♪pH on the hundred and . ♪
♪Drinking from your waters ♪
[Madam chuckling]
Well, surprise, surprise.
Look who's slid by my little den of iniquity.
I came to support Amp.
Though I did have higher hopes for him than this.
He's still my son.
Toni, who the f*ck do you think you fooling?
You here for the d*ck,
like everybody else.
As for your son,
he's fine.
He's making quite a bit of money,
way more than you ever will,
as an ex-con.
Not everything is about money, Marilyn.
No?
Okay, can you please remind me,
why did you come to Atlanta again?
Hmm?
I came here tonight not because of my inheritance.
-Mm. -I came to support my son,
and my sister.
Listen,
I do want us to get along.
All right?
I know that the trial has started.
That has to be stressful for you.
b*tch, if you don't get your grubby f*cking hands
off of me.
You don't give a f*ck about your son.
If you did, you wouldn't have let his father draw a wedge
between the two of you,
and you definitely don't give a f*ck about me.
The only person or thing you've ever cared about is yourself.
You've always been that way.
[music]
Exactly.
Mm-hmm.
The d*ck, that's why you're here.
Go ahead,
get your little rocks off.
Say hello to your son,
and then get the f*ck out of my club.
[music]
Y'all good?
All right.
[music]
[music]
[women cheering]
[music]
♪Yeah ♪
♪Take it off ♪
♪Let me take control ♪
♪And you've been wanting, what you needing ♪
♪I'ma give it to you ♪
♪Before I dive inside ♪
♪Blow the whistle ♪
♪I start swimming in I'm drowning, oh ♪
♪Girl, don't make your bed up ♪
♪We gon' mess up them covers ♪
♪You better stay up ♪
♪I'm coming through to lay you down ♪
♪It's now or never, won't you let me know? ♪
♪Sit back, relax, and just enjoy the show ♪
♪I wanna drown in you baby ♪
♪Swimming in your ocean all night long ♪
♪You know I appreciate your patience ♪
♪So you gon' get it all night long ♪
[music]
[music]
[music]
♪Read the map ♪
♪So far I traveled from A to Z ♪
♪From sea to sea ♪
♪Ain't nobody does you like me ♪
♪Girl, when it's going down ♪
♪You go on another round ♪
♪Girl, don't make your bed up ♪
♪We gon' mess up them covers ♪
♪You better stay up ♪
♪I'm coming through to lay you down ♪
♪It's now or never, won't you let me know? ♪
♪Sit back, relax, and just enjoy the show ♪
♪I wanna drown in you, baby ♪
♪All night long ♪
♪You know I appreciate your patience ♪
♪So you gon' get it ♪
♪All night long ♪
♪Drown in it (Drown in it) ♪
♪Swim in it (Swim in it) ♪
♪Drown in it (Drown) ♪
♪Soaking in it ♪
♪Drown in it (Drown in it) ♪
♪Swim in it (Swim in it) ♪
♪Drown in it (Drown...) ♪
♪Drown in it (Drown) ♪
♪Swim in it (Swim) ♪
♪Drown in it (Drown) ♪
♪Drown in it ♪
♪Swim in it ♪
[music]
♪Girl, don't make your bed up ♪
♪We gon' mess up them covers ♪
♪You better stay up ♪
♪I'm coming through to lay you down ♪
♪It's now or never, won't you let me know? ♪
♪Sit back, relax and just enjoy the show ♪
♪Drown in it, baby ♪
♪Swimming in your ocean all night long ♪
♪You know I appreciate your patience ♪
♪So you gon' get it all night long ♪
You all right?
Yeah. Thanks for covering me.
You're going back and forth to the bathroom,
you eating mixed snacks.
You ain't throwing that sh*t up, are you?
No, Blue.
You know that ain't me.
My thighs' out here saving lives.
-Mm-hmm. -What?
You sure that's all it is?
Yeah.
[music]
[Dime] What?
How's it playing house with Amp?
There's something special
about waking up to him every morning.
[music]
Careful with that morning wood.
[music]
Here you go, Madam.
Damn, you had a good night, Night.
[Midnight] Always.
Hey, where are you going? You're in a rush?
Yeah, I got some business to handle.
-It's just not funny. -What'd you say?
Oh nothing, just some locker room bullshit.
Y'all need to cut out this locker room bullshit.
Do I need to remind you
that this is a place of business?
My business, making money.
Yes ma'am.
Get that other bullshit out of my establishment.
Yes, Madam.
Speaking of bullshit.
What'd I do?
Did you invite Toni here tonight?
-To see you dance? -My mama?
No! sh*t, I don't want her seeing me dance.
-Well, she was here. -For real?
-Mm-hmm -sh*t, Auntie, I don't know.
That sh*t is weird.
She specifically said she came to see you.
And the b*tch started talking sh*t about my club.
sh*t, Auntie. I ain't see her.
That's weird though.
Alright, it's probably for the best.
-You have a good night. -Mm-hmm.
[music]
[music]
Get your a*s outta here.
[music]
Now that's what the f*ck I'm talking about.
You must have gotten the memo.
That's how you make money around here.
Thank you very much, Quincy.
Anything for you, Madam.
Keep that sh*t up, you might end up in VIP.
You have a good night.
Who's your daddy now, b*tch?
[music]
[music]
[music]
♪But you ain't gonna do this ♪
♪You just gotta hold me down ♪
[Midnight] Don't make a f*cking sound.
Make a sound and I'll f*ck you up.
[Renee screams]
What the f*ck!?
No, don't do this please.
[Renee screaming]
[gasping for air]
[coughs]
[breathing heavily]
[screaming] No! No, no, no, no.
[Renee screaming] You're hurting me!
You're hurting me.
[music]
[chuckling] Oh, my God, that was amazing.
Oh, my God, you did everything and more.
Did you have to scratch up my nice-a*s arms, though?
I'm sorry. I got a little excited.
-It felt so real. -Yeah.
That's why I make the big bucks.
[Renee chuckles]
Speaking of...
Oh, my God.
[music]
[music]
Oh!
-Well, it's been real. -Oh, wait.
You want to stay a bit? Maybe we can cuddle?
[music]
I mean, yeah.
If you got a little more money, I mean, yeah, we can.
Well, when's the next time I can see you?
I don't really know, um,
I mean, I can check my calendar.
Okay. Okay. Okay.
-Okay. -Appreciate you.
See you soon.
Oh, yeah.
You can keep the shirt.
[unsettling music]
[tense music]
Hmm.
This is good workmanship.
The Earl Grey charcoal color match is undetected.
The drywall is smooth.
But...
[dramatic music]
Overall,
it's not bad for a temporary wall.
Personally,
I would have made it a little stronger,
and added some reliable studs
back in here.
You did a good job, Blue.
It's all right.
[music]
[Blue] Now that that's taken care of,
what are we gonna about Lola?
Well, she is set to testify tomorrow,
so we can't really get at her now.
-It's a little too dangerous. -Yeah.
Especially with all the eyes watching, you know?
Yeah.
[Tommy] You want me to take care of her?
You know you can count on me.
I know, but, nah.
I have something very, very special planned for her.
As soon as she gets off the stand,
her a*s is done.
[ominous music]
[music]
♪ Five o'clock, we goin' down the block ♪
♪ We gon' swing the GL*CK, then k*ll sh*t ♪
♪ Six o'clock, we goin' down the block ♪
♪ We goin' to restaurants, then grill sh*t ♪
♪ [indistinct] ♪
♪ I'm on that real sh*t ♪
♪ Talkin' big sh*t ♪
♪ Lil n*gga talk big sh*t ♪
♪ That kid's got a sick gist ♪
♪ That kid's got a sick wrist [indistinct] ♪
♪ Lil n*gga talk big sh*t Lil n*gga talk big sh*t ♪
♪ Lil n*gga talk big sh*t, talk big sh*t, talk big sh*t ♪
[music]