(tension music)
To control the b*mb,
it needs a code
and the method to use it.
[Francis]
A scientist's daughter has the code.
[Francis] I'm going to Czechoslovakia
to pick them up.
We get Luna back with these passports.
[Anne]
Don't go. Charles is manipulating you,
he works with the KGB.
- Have you ever been a mole?
- No.
[Anne] Alexei Berezin,
I heard that somewhere.
I have to call France.
Help me.
He has a phone at work.
(a phone rings)
Hello ?
[Lyudmila] Francis, it's me.
Where are you ?
[Lyudmila] In Prague.
It has to be you,
no one else.
Thank you.
Hello. Passport.
[Charles]
Ivo will accompany you, he is Czech.
[Charles]
You will take the separate flight.
[Charles]
You only join him at the exit.
Following.
Hello. Passport.
[in Czech] Where were you?
In Paris.
(suspense music)
There is a problem ?
Peter.
What's going on ?
Direct match.
It's yours.
Very well.
- Follow us.
- What's going on ?
Come !
Following.
Sir, come on.
Do not block the tail.
Hello. Passport.
(tension music)
Your suitcase.
Spread your arms.
For staff only
[Pierre] Boss,
there's a microphone in the phone.
[Charles] Anna,
I would like to apologize to you.
I knew recruiting Francis
would have an impact on you
but I did not imagine at this point.
Thanks, but I feel so stupid.
The CIA had decided to manipulate
you, there was nothing you could do about it.
Marie told me her story
with Alexei Berezin
because I pushed her.
It's not his fault.
Nothing. If there was any other eavesdropping,
either the CIA cleaned it up,
or she's listening
through cables in the basement.
I'll join you, thank you.
Madame.
Madame.
[Anne] I don't know what to ask.
Always say.
He's in Czechoslovakia?
(intriguing music)
- Sir, come.
- Passport !
This way.
Your bag.
(eerie music)
Stand here.
Spread your arms.
(exclamation of surprise)
What's this ?
Sorry, I don't speak Czech.
[in French] What is that?
[Francis]
It must be the depressurization of...
The shampoo, it's exploded.
Toothpaste...
[in Czech] Look.
Let him dig himself.
[in French]
You take your things out.
[in French] It's good.
(heavy music)
[Francis] Hotel Olympia.
(footstep sound)
Lenko?
We don't fix people.
(bell)
(bell)
(eerie music)
[policeman] Mrs. Kucerova?
It's me.
Hello.
I have some questions to ask you.
Do you go to St Nicolas Church?
I play the organ there sometimes.
[policeman] Have you been there
recently?
Yes, 3 days ago.
Have you seen...
this woman ?
Non.
Your home is very much alive!
I have two daughters.
(the acquiesce)
(threatening music)
[Ms. Kucerova] Girls!
Are you waiting for someone ?
My husband.
(the acquiesce)
- [policeman] Goodbye.
- Bye.
(panting breath)
(a door opens)
(air traffic)
Francis Mareuil was on the plane.
Where is he ?
Where is Mareuil?
I do not know.
He can resist for a long time.
(Yemeline sighs)
[Yemeline] Take it easy.
[Yemeline] Do it well.
(eerie music)
[Mr. Kucera]
We've waited long enough.
The police had to leave.
They will come back.
[Mr. Kucera] My family and I
have to leave Czechoslovakia.
Your French,
can he take us to the West?
[Lyudmila] I don't know.
[Mr. Kucera]
It's your fault, this whole thing.
(slow music)
(He blows)
[KGB agent] Professor.
Professor, wake up.
(suspense music)
What's going on ?
[KGB agent]
Someone came in.
The phone is off.
Hide in the corner.
Stay here.
Some gas !
Breathe through it.
I will open the window.
Ivo...
where is Mareuil?
At the factory.
At the factory ?
[Yemeline] Which one?
Which factory?
Which factory?
(scary music)
[Yemeline] Ivo...
this is the 3rd dose.
It could k*ll you.
[Yemeline] Think about your family.
Your wife, your son.
Nadja ...
Daniel...
[Ivo] Daniel.
[Yemeline] Nadja.
Daniel...
Nadja ...
What is the factory called?
What is the factory called?
Ivo...
Ivo...
Comment...
named...
factory ?
Knoflikarna.
[Yemeline] Where is it?
I am going to ask.
Ivo...
Who...
will he...
meet ?
(Ivo halète)
Who...
will he...
(intriguing music)
(conversations in Czech)
- [in Czech] Hello.
- Hello.
[in French] Do you speak French?
[receptionist] Excuse me?
- [in German] German?
- A little.
I am Vincent Van Laan.
I'm looking for the export office.
Who you ask ?
No matter.
I need a name.
[receptionist] Excuse me.
Hello can i help You ?
[receptionist] Of course.
[receptionist]
Your name, please?
(tension music)
[Francis] Export office?
Down the hall.
[Francis, in Czech]
Hello.
[Mr. Kucera] Hello.
[Francis, in French]
I am French.
[Mr. Kucera]
Ondrej, can you leave us?
I'll come see you in a moment.
- Je cherche Lyudmila.
- Lyudmila?
Yes.
Lyudmila is at my house.
Are you going to take us to France?
I don't understand...
Do you know where she is?
Where ?
Where ?
With us.
Are you going to take us?
(police sirens)
We must leave.
Take me to Lyudmila.
[Francis] Quick!
(suspense music)
[Anne] Here.
[Paul] Thank you.
What is it, darling?
I have a book that belongs
to the gentleman you mentioned.
- Which sir?
- Alexei Berezin.
What... what are you talking about?
[Paul] You see, it's there.
(Anne acquiesce)
[Paul] What is it?
I do not know.
KGB network within the SDECE.
- Marc, the dose is not enough.
- [Marc] I trust you.
I don't care about your trust!
- I need more.
- [Mark] No.
[Mark]
Impossible. Are you at least sleeping?
But no, I'm getting nowhere.
- [Marc] Tidy up, tidy up your apartment.
- What ? Store what?
Do you take yourself for my father?
[Marc] No, I want to help you.
Kiss my a*s !
(oppressive music)
(the phone is ringing)
What ?
Yes, it's Anne Mareuil.
[Anne] Virgil, are you there?
Yes, I am here.
- I do not know what to do.
- [Virgil] What is it?
I found a list of names
with addresses,
written by my stepfather.
[Anne] They are KGB agents.
Are these names Russian?
No, French people.
There's Charles in it.
[Anne] He was at my house yesterday
to remove the bugs from the CIA.
[Anne] Virgil, are you there?
Please don't talk anymore,
don't talk anymore.
(interference)
The microphones, they put them down.
They listen to us.
- [Virgile] Is Paul with you?
- Yes.
So take it,
keep the list and run away.
[Virgil] They're going up.
Flee, but where?
No matter ! Your lives depend on it.
[Virgile] Put the handset
down so I can listen
and run away, I'll find you, I promise.
[Anne] Paul, Paul!
Paul, come here.
Come here, put on your coat.
(breathless music)
[Anne] f*ck it!
[Anne] Run, run, run!
- [Paul] What is it?
- [Anne] Nothing.
(knocks on the door)
- Person. The kitchen !
- [Henri] The service staircase.
(music of tension, calm)
(tension music intensifies)
(panting breath)
[Anne] Come up!
[Ms Kucerova]
This is how it is done.
We cross the right over the left
and we continue.
[M. Kucera] Mirko!
Let's go, quickly!
Dress up the girls, we're leaving.
I'll get our passports.
(Lyudmila breathes nervously)
(heavy music)
[M. Kucera] Mirko, vite!
- [Francis] How are you?
- Yes.
The police are at the factory.
They will come, we must leave.
[Lyudmila] Francis.
They helped me,
they can't stay.
Lyudmila, are you okay?
We have to take them with us.
Let's go. Go quickly !
- [Lyudmila] On y va.
- Mirko!
- [Lyudmila] Quick.
- [Mr. Kucera] We're going to the airport.
[Ms. Kucerova] Hurry up!
[Mr. Kucera] Wait.
(intriguing music)
(police sirens)
Stop.
Save my family.
[Lyudmila] There is another exit.
(nervous breathing)
[Lyudmila] Come on, quick!
Quick, we're going home!
[policeman] Michal Kucera?
[policeman] Don't move!
And Michael?
He told me to take you.
- Or ?
- At the airport.
Michal has our passports.
We can't even take
an internal flight.
They don't have a passport.
At the French Embassy,
they will protect them.
Go to the French Embassy,
they will help you.
We have to go.
[Ms. Kucerova] Let's go.
Go quickly.
Quickly !
(dramatic music)
French Embassy.
Francis Mareuil. Francis Mareuil.
Francis Mareuil.
Go for it !
Go girls.
Go ahead, go ahead!
[Ms. Kucerova]
Come on, Lenko!
(nervous breathing)
[Francis] Come on.
[Francis] At the airport.
Virgil?
[Virgil] Here...
(Virgil sighs)
Jean Mareuil
hid the list in this book.
The blow of the dedication,
he learned it during the w*r.
Charles Contignet is on this list.
Now where is she?
With Anne Mareuil.
She fled with her son.
I can find her.
Reinstate me
and I'll bring you the list.
[Virgil] I am loyal.
I called you right away.
You cannot come back.
Go on...
Half your agents
are alcoholics.
My medication problem
is just an excuse.
You fired me
because I'm French.
I fired you because
Francis Mareuil saved your life.
Your addiction, I don't care.
[Larry]
The CIA needs people like you:
that can be sacrificed.
And you Virgil,
you are a romantic.
Francis has become your brother in arms.
Who are you loyal to today?
[Larry] Me? Or him?
My bond with him
is why
his wife called me.
And my bond with you
is the reason
you are here.
You've been using me for twenty years.
It would be bullshit
not to use me now.
You want this list,
I'm your best bet.
Find her and we'll talk about it.
(heavy music)
Don't worry, darling.
Everything will be alright.
I'm not worried.
Where are we going ?
At La Martiniere. Do you remember ?
And dad?
He will come for us.
(engaging music)
[Francis] Come on.
Hello, do you
have any tickets left for Paris?
Yes, the next flight to Paris
takes off in 20 minutes.
- Two seats, please.
- Very well.
(heavy music)
[Yemeline] Where did the others go?
His family, where did they go?
At the airport.
[man] An ambulance arrives.
(tension music)
[Francis] You are French.
Solene Hubert.
It's a photo of my mother.
It was the one
that most resembled you.
(soft piano notes)
[Francis] I'm Benoit Hubert.
Your husband.
If they arrest me, they arrest you,
and vice versa.
- [Francis] Hello.
- [Lyudmila] Hello.
(oppressive music)
[in French] The reason
for your stay?
I gave a course
at the Polytechnic University of Prague.
On what subject ?
Radio interference
and semiconductors
with active electrodes.
[in Czech] You can pass.
[Lyudmila] Merci.
[Lyudmila] Does it really exist?
Yeah.
[Josef] State Security.
Have you seen these people?
[announcement] Last call for the flight
to Paris.
Please go to gate 7.
[in French] This woman, this man.
Have you seen them ?
Did they take a ticket?
[hostess] Yes, the flight to Paris.
They will take off soon.
(scary music)
- [Yemeline] KGB.
- [Josef] STB.
Welcome aboard,
Mr. and Mrs. Hubert.
Follow me please.
Here are your seats.
(snippets of conversation)
(suspense music)
- Call the control tower!
- Is that the plane to Paris?
- [hostess] Yes.
- The door !
STB! Stop the Air France flight
to Paris immediately!
[operator] Flight AF245,
your departure authorization
is cancelled.
Please turn off the engines.
The police will come up. Received ?
What is happening ?
[in Czech] Understood.
This is your captain.
Please remain seated.
(knocks on the door)
[Yemeline] Open.
[Yemeline] Open this door!
[Yemeline] Open!
(Francis breathes nervously)
[in French] Push yourself.
(threatening music)
[in French] Who was there?
[hostess] No one.
(a plane is about to take off)
(poignant music)
[Yemeline]
They bought several tickets.
They took another flight.
We did it.
[Lyudmila rit.]
[hostess] Ladies and gentlemen,
welcome to flight LFT67
for Frankfurt.
The flight will last 1h30.
[hostess] We'll serve
refreshments.
We sell
cigarettes and perfume.
Thank you.
We wish you
a pleasant journey.
[hostess] Here are some forms
to fill out.
[Francis] Thank you.
[Lyudmila] Ah.
Frankfurt is an
American occupation zone.
American?
I don't think they have our identities.
We'll rent a car
and go to France.
It'll be OK.
(Lyudmila soupire)
(groan of pain)
(Boris coughs)
(a coughing fit)
Boris Alexievich Golubev...
Hello.
your heart hurts,
it will dissipate.
Drink.
Who are you ?
[CIA agent] CIA.
We'll take you west.
Your daughter will pass too.
With the orbital b*mb code
you recovered.
If you stay in the USSR,
sooner or later you will be judged.
And ex*cuted.
She's alive ?
[CIA agent] Yes.
(snap of the fingers)
If I provide you
with the orbital b*mb code
and the necessary equipment,
will you be able to control it?
(Boris is out of breath)
Is that why I'm here?
You want b*mb control.
Boris Alexievitch...
if the Soviets use the b*mb,
it will be considered an as*ault.
You know the consequences.
It is your navigation system
that equips the b*mb.
You have some responsibility.
They used it without my knowledge.
[CIA agent] You knew very well
what it would be used for.
Get dressed.
The road will be long.
[Anne] Hello, Hortense?
Excuse me, I need a favor.
- [Hortense] Yes?
- Francis is on a trip.
[Anne] We had to leave Paris,
I forgot to tell him where we are.
[Hortense] Tell me,
I'll leave him a note.
[Anne] No, it's better
if you talk to him directly.
He will call you.
[Hortense] As you prefer.
Tell him we're at...
We are like the summer of 63.
- Like in the summer of 63.
- [Anne] Yes.
If someone calls, don't say anything.
Very good madam.
Thank you, Hortense.
Come on, get on. Let's go.
Yes, he has glasses...
Short, dark hair.
Height: 1.80m.
Large size...
They flew to Paris?
They were on the list.
- Did the KGB find anyone?
- We do not know.
- And Ivo?
- No news.
Mon colonel, Larry Goldstein.
The CIA recovered Radagast,
they are heading for Finland.
He wants to talk to you about Contignet.
(tension music)
[Henri] Olga is coming in person?
(Charles acquiesce)
[Henri] Have you met him before?
(an airplane is approaching)
[Charles] Yes, yes.
[Charles] Hello, Dimitri.
You didn't tell me that Francis Mareuil
was in Czechoslovakia.
You wanted the code for yourself!
France can calm the game
between the Americans and you.
w*r must be avoided.
- Where are the numbers?
- With Francis, between Frankfurt and here.
He will contact the SDECE.
You go-y.
I can't go back,
I'm burned out.
Jean Mareuil had hidden
a list of addresses, dates...
Evidence that I'm providing you with information.
The CIA is also aware.
Have you seen this list?
No, Anne Mareuil found it.
She hides.
As soon as the SDECE has it,
the whole network will be stopped.
[in Russian] Endgame, Dimitri.
It's finish.
Come back to Moscow.
You will be considered a hero,
if you bring back the code.
What matters to me
is to preserve the peace.
But the Americans want w*r.
Find the numbers.
France, 15km
In France, what will happen?
[Francis]
SDECE will retrieve the numbers.
[Lyudmila] Et?
[Francis] And they will negotiate
with Moscow and Washington
to calm things down.
[Lyudmila] Et?
Your father will be part
of the negotiation.
And it will all be over.
[Lyudmila]
The numbers are in the watch.
The power of numbers
has always fascinated me.
16 numbers on a piece of paper...
and the world changes.
It's like the notes on a score.
People see black spots,
the musician sees the birth of other worlds.
A better world ?
[Francis] At peace?
Where your father is saved and...
where you are free.
And for you, what is there?
You.
I want you to be free
and happy.
And near me.
(soft music)
(panting breaths)
(tension music)
(the phone is ringing)
I have the numbers.
Don't say anything,
the line is not secure.
[Lyudmila] And my father?
Radagast's exfiltration is in progress.
[Charles] The list of French agents
must be destroyed.
Anne Mareuil, where is she?
I am looking for my wife.
[Hortense] They left Paris.
(epic music)
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01x07 - Episode 7
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In 1965, in the midst of the Cold w*r, a French rocket scientist is thrown in the field for a nearly impossible spy mission and falls for a Soviet woman secretly working for the KGB.
In 1965, in the midst of the Cold w*r, a French rocket scientist is thrown in the field for a nearly impossible spy mission and falls for a Soviet woman secretly working for the KGB.