01x03 - La mortaja

[bunniefuu]

TEACHER: Everything you did
during summer

and everything
you do this year,

I want you to write it
in these red notebooks.

[door opens]

{\an8}- She's here, Sister Consuelo.
- Mm.

{\an8}Come on.
Mm-hmm.

Marta is your new classmate.
She comes from far away.

I want you to make her
feel at home.

What do we say now?

STUDENTS: Welcome, Marta!

Here.
Your classmates will help you.

Please, take a seat.

Look at her.
What's up with her?

[students laughing]

AURELIA: Hey, get up.
SISTER: Are you hurt, my dear?

She's okay, Sister.

SISTER: Take good care
of the notebooks,

as they are a gift from
the Marquis of Torresblancas,

who has always been
very kind to our school

and the house of the Lord.

AURELIA: I don't really care.

You can have it.

Let's begin with dictation.

Please, grab your notebooks.

[distant banging]

- What was that?
- Let's go and see.

SISTER: Girls.
GIRL: Let me see!

Aurelia!

Why aren't you
at your class?

Juan and me
snuck onto the roof,

and there was a big fat pigeon
on the ledge.

When I climbed it,
I almost fell down.

Are you crazy?
You could have died, you fool.

[wincing lightly]

GIRL: That's her brother, right?
It is her brother.

What, her brother?

Yes, that's her little
brother.

- That's him?
- Are you sure?

Yes, I'm sure.
Poor thing.

Oh, that's terrible.

♪♪♪

{\an8}[bells tolling]

{\an8}REPORTER ON TV: A secret tunnel
was discovered

{\an8}down through a freezer chest

{\an8}that leads directly
into the sea

{\an8}underneath the nightclub
Paraiso,

{\an8}which is the place where
the three Almanzora girls

{\an8}were last seen.

And the theory
that the girls ran away...

- Cowabunga!
- ...has now been discarded,

bringing back the theory
of a possible kidnapping.

A young police rookie
who's barely in her 30s

without any experience
is responsible for the discovery

that has been
a critical game-changer...

- It was Costa.
- ...in a case

that has the entire country

- holding their breath.
QUINO: Costa.

Costa! Costa!
Costa! Costa!

That old hag's a slippery one,
but I know where she is.

- Holy crap.
- Let's bounce.

- Come on!
- Let's go!

- [dish breaking]
- Oh! Darn it.

JAVI: Mortise?

What the hell are you
doing here?

I've told you
to leave me alone.

You have to help us.
We shouldn't be here.

Did somebody see you get in?

Where are the other ghosts,
ma'am?

How do we move stuff around?

QUINO: You are our guide, right?

ZETA: Are we staying
here forever?

QUINO: We don't understand
what's happening.

Quiet, you!
Enough!

Stop that.
There's nothing to understand.

Get to the freaking door.

You should get the hell out
before it is too late.

What?

What door?
What do you mean?

Haven't you heard the signal?

Uh, what signal?
God's signal?

[scoffs]
Your mother's freaking signal.

The claim from beyond.

I've never heard it,
but you all should have by now.

[door creaking]

Just a minute.

Wait for me right here.

[door opens]

[door closes]

I'm sorry, where's the restroom?

Uh... right.
Pardon me.

There's one outside.
Please use that one.

Thank you.

- Out that door to your right.
- Thanks.

Boys, look at me,

and listen real carefully
to what I'm telling you.

You need to find the door
and get out of here

before they k*ll you.

What?

k*ll us?
Who?

The revenants.

The revenants?

Shadow-born beings.

Creatures that are able to move
between the two worlds.

Tremendously strong.

Very intelligent.

Powerful.

Almost invincible.

Bloodthirsty assassins,
bearers of evil.

They hate the light
because they are darkness.

They see you,
they hear you.

They're out there
waiting for you,

waiting for the opportunity
to hunt you all down.

And no one's able
to recognize them.

Are you guys really buying
this sh*t?

Even if those weirdos
did exist, what would they do?

We're already dead.

If you think this is bad,
you have no idea.

- There's something even worse.
- Worse than being dead?

The Abysses.

That is where the revenants
send ghosts,

a place where you will be
nothing but remains...

trapped in a foul chasm
no one can escape from.

They say that the moment
they send you there

is so disturbing...

that you can't
but sh*t your pants.

QUINO: Is the Abyss like
the Phantom Zone in "Superman"?

What do you mean
by disturbing?

If no one's come back,
how do you know that?

Shut it, let her tell us
the full story.

No! I'm not telling you
any more than that.

But ma'am, you're our guide.

Oh my God, son, what,
are you an idiot?

Well, we're done, boys.
You're gonna get me k*lled.

Find the door,
and please, get lost.

Get out!

Leave me alone
once and for all.

Get out!

But...

Please go.

Just leave me alone.

[thunder rumbling]

Okay, fine.
We're gonna leave you alone.

But I'm not leaving
through any door.

[electrical zapping]

Not until I find my sister.

Javi.

Javi, wait, please.

I'll help you, but you have
to promise me something.

Promise no matter what,
you will never try

to communicate
with my granddaughter.

Promise you'll never
show yourself in front of her.

- Olivia, right?
- Yes, promise me.

I'll see you at the library.

History section
at 7:00, okay?

Come alone, I'll tell you
everything you wanna know.

[electrical zapping]

[door closes]

[thunder continues]

- You slammed on the brakes.
- I had the right of way.

What the f*ck?
You can't stop like that.

Cars are coming from everywhere.
From there...

Didn't you see
you had the red light?

That's nonsense.

I turned because I had
the right of way.

You're an idiot.
Call your insurance company.

- What?
- He's disappeared.

[men continue arguing]

- Excuse me?
- Yes.

I went to Macastre
to see that man, Gil Perez.

He's gone.
The house was empty.

No furniture, and no clothes
in the closets.

And that room, the one
full of papers, remember?

Nothing.

[men continue shouting]

Isn't that odd?

Going back was irresponsible.

That man pointed a g*n
at you, Mario.

That man was crazy,
you said it yourself.

I know.
What if I was wrong, hm?

What if he wasn't as crazy
as he seemed?

Look, you knocked off my fender.

I'm gonna do the same thing
to your car.

The hell?
I didn't knock anything off.

Hey, hey, hey!

[camera clicking]

I'm sorry.

- Hey, look.
- The spot in the corner.

I think you should take a shot
at this one over here.

Yeah.

Have you registered this area?

ZETA: Shadow-born beings?
Bloodthirsty assassins?

The revenants?

QUINO: But what kind
of revenants?

Like zombies, vampires,
or Ghost Riders?

- There's a difference?
- Of course, there is.

Sores, or fangs,
or flaming skulls, man.

In Almanzora?

And what about the door?

We should find it if we don't
wanna end up in that Abyss.

She turned old.

Remember the nurse
tried to k*ll me,

and with Alvaro
she succeeded.

Was she one of those things?

She talked to the doctors,
it was as if she was alive,

but she could touch me.

She grabbed my throat.

They're able to move
between the two worlds.

But the Mortise
said they hunted ghosts.

I mean, but she came for me,
and I was still alive.

So, you couldn't speak to Costa.

- Speak about what?
- The tunnel.

Only Alvaro could speak
to the authorities.

Right, and what does the tunnel
have to do with the zombies?

Are you thinking
they took your sister, Javi?

Your friend, you said
he's that woman's neighbor.

Yeah.

ALVARO: Didn't you hear
the Mortise?

Didn't you hear
the Abyss part?

[electrical zapping]

MAN ON TV: No! No!

AURELIA: I don't really care.
You can have it.

MARIO: This is Connor,
Almanzora station.

Charly, do you copy?

[radio static]

Charly, do you copy?

This is Connor,
Almanzora station.

This is Connor,
Almanzora station.

Charly, do you copy?

Gil Perez, it's-- it's Mario.
Mario Mireno.

I was at your house,
we talked about your son.

I need to talk to you again.

My daughter has been missing
for months in Almanzora.

The two cases
were similar, remember?

Please, answer me.

You were right
about everything.

[knocking]

Where did you argue with Javi?

The night he passed away,
you told me

you argued about Sandra's bike.

Where?

Javi found the tunnel, Mario.

He died looking
for his sister.

Come on.

JAVI: Come on, Alvaro.

[electrical zapping]

JAVI: Let's split up.

[water dripping]

[sighs]

ALVARO: Hey, guys!

What are we supposed
to be looking at?

ALVARO: That's a stereoscopic
picture.

ZETA: In English, smartass.

By taking two images
interlaced,

our brains can create
a single 3D image.

Can't you see
an image popping out?

Try to cross your eyes,
sometimes that works.

QUINO: [exhales sharply]
Wicked!

Come on.

MARIO: What are you thinking?

Do you remember
I took a criminology course

- in Valencia with Samuel?
- Mm-hmm.

They always say a detective
must think like criminals do,

do what criminals do.

That guy knew that
there was a tunnel there.

I'm sure he knew about
the freezer chest too.

There are tunnels like that
all over the coast.

Exactly.
He knew the coast well.

I'm sure he knew that was
the best option

to take the girls.

But the cliff at Paraiso
is filled

with rocks and boulders.

Even I've scraped up my boat
one of those nights

when you can see nothing.

Wasn't there a blue moon
that night?

Yes.
Actually, the party at Paraiso

had a full moon.
Why?

Because there's only two
of those nights each year.

- With lots of visibility.
- Right.

If you want to take
a small boat

into a place like that
and kidnap three girls,

that night was absolutely
perfect.

He's not just from town.

He's also a seaman.

He knew her.
He knew Sandra.

Yes, he knew all three.

Are you going to the library?

Yeah, I came to take
the jacket for Olivia.

Mm, it's right there.

- Isidro?
- Yes?

Did you prepare my mother?

Mm-hmm.

How did she die?

- They didn't tell you?
- I know it was an accident,

but my father resists
to talk about that topic.

There isn't much to say.

The accident was terrible.

What was she like?

Beautiful.
Very much.

You must have
seen photos, right?

- Mm-hmm.
- They both were.

Who were?

Javi Merino's mother.

I prepared them both.

You didn't know?

It was very sad.
Two young women.

Such good friends.

It's a coincidence
they died on the same day.

The day Javi was born.

Tell Olivia
not to stay out late.

[upbeat Latin music playing]

AURELIA: I'll do it.

Ah!
I'll do it, for Christ sakes!

Stop it, Nana,
you always do this.

- I'll do it.
- What were you doing?

Nothing, I was talking
to your dad.

I'm sorry, Los Manolos?
[laughing]

Wait, what is that?

- Red on your cheek.
- On my cheek?

I must have
hit something earlier.

But I didn't notice before.

Come on, I'll catch you later.

But you spent all day
rambling about going.

Yes, yes, but it's all right.

I need you to leave this book
on the tables in the back.

But why would I leave it?

Do you know which tables?

Where the history books are,
okay?

Get going, fly.

Come on, hurry, girls.

Hey!
[scoffs]

- Olivia?
- What?

Don't let anyone
see you get in.

- But why?
- Do as I told you.

- Fly, girls!
- Fine, but you're nuts.

- So are you.
- [scoffs]

[door opens]

[door closes]

[creaking]

[sighs]

[coughing]

OLIVIA: Let's go.

Why did your grandma
ask you to do this?

Don't try to decipher her.
Just forget it.

Thinking makes me hungry.

Let's go get
some churros.

[door closes]

This is what
we always wanted.

It is what you wanted.

Don't you wanna be with me?

[sighs]

I would give my life...

to be able to build
a family with you.

- We can't do it here.
- But we can move out.

It's a big world out there.

There's no place
for the ones

who are like me, Aurelia.

Your place is with me,
you know.

Doesn't matter where.

They defend and protect
each other.

They have power, so we could
finally have the life

we've hoped for.

At what price?

Hm?

I don't like this.

I do not like them.

[sobbing]

Sorry, but I do.

[high-pitch ringing]

ALVARO: So, how do you k*ll
a zombie then?

- With silver b*ll*ts?
QUINO: No.

That is for werewolves
and vampires.

With zombies, you have
to smash their brains out.

- Bats, kitanas, crossbows.
- [creaking]

Even one of your vinyls
would work.

But they don't cut.

[laughing]
Just listening to that stuff.

- [chuckles]
- Especially OBK's.

You know it too well
for hating it so much.

You got me there.
m*therf*cker.

[creaking]

Al?

Damn it!

MAN: [chuckles]
You serious, man?

MORTE: I already talked
to your dad about it.

Even to that Chinese cop
from Madrid.

PAULA: I know,
but this is personal.

MORTE: What do you wanna know?

You said no boat
went out that night, right?

MAN: Whole thing broke up,

and he's--
they're blaming it on him.

Is it possible
you missed something?

I don't know, someone you're
very used to seeing,

you didn't find it unordinary?

Like a local from town?

He knows this area.

Moreover, he knows
these waters.

Do you remember if any boat

was brought in afterwards
for repairs?

No, not that I recall.

Okay, I'm gonna take a look
at the ones at the pier.

There might still be marks
on the hull, okay?

- Thank you.
- Hey, could you hand me that--

that wrench over there, please?

This one?

RAMON: Honey, are you there?
Where are you, sweetie?

I'm at the port with Morte.
What's up, Dad?

Turns out the fair vendors
cleared out

after the storm,
and it's all muddy.

We have to set up a perimeter
for the civilians.

I'm on my way.
Later. Thank you.

[panicked breathing]

[light clanging]

[high-pitch ringing]

[light rattling]

[door banging]

[footsteps approaching]

I was totally sure
that they were sending you.

Ah!

[thudding]

[footsteps approaching]

Al!
What are you doing?

[gasps]

[high-pitch ringing]

The revenants!

[high-pitch ringing]

[whispering]
It was...

just a touch.

That is impossible.

It's... him.

Are you sure?

[wind whooshing]

[grunting]

[electricity buzzing]

Huh?

[motorcycle revving]

Come on, let's go!
Run!

MAN 1: Hey, you hear the latest?

MAN 2: About what?
MAN 1: Secretary of tourism.

MAN 2: No, no idea.

MAN 3: Yeah, tourism's a mess.

MAN 4: [scoffs]
Yeah, that's ridiculous, really.

MAN 2: And wait until the budget
for the next period is approved.

MAN 1: Don't even go there, man.
MAN 2: It'll be the same,

but on a much larger scale.

- What if that's it?
- Wait, what?

I noticed that that man
opened the bathroom door,

saw us, and did nothing.

It is logical.

The Mortise said they hated
the light.

And now that I remember when
I got attacked by the nurse,

the lights went out
in the basement.

Someone made
that happen, though.

Same happened
at the library earlier.

In the light,
they can't see us.

That's how they hunt ghosts,
man.

At night,
hidden in the dark.

QUINO: Just like Bilbo
when he puts the ring on

- in "The Hobbit."
ALVARO: Exactly.

Those ghost hunter
m*therf*ckers.

Javi, what else
did the Mortise tell you?

Did she mention
how to k*ll them?

Do they have weaknesses?

- She didn't come.
- What do you mean?

[phone ringing]

She sent Olivia
with a notebook.

I couldn't pick it up.

It's still there
at the library.

What do we do?
Maybe go back for it,

or maybe go to the Mortise's?

[ringing continues]

How long has that phone booth
been there?

I've never seen it.

JAVI: Is that the signal?

The one the Mortise mentioned?

- The passage to the beyond.
- You gotta be kidding me.

- [ringing continues]
ALVARO: sh*t.

What do we do?

Pick up.
What else, man?

But we can't touch anything.

f*ck this.
Let's get the hell outta here.

Javi.

[ringing continues]

ZETA: What are you doing,
morons?

This is our opportunity
to get out of here.

Are you all out of your minds?

You're getting
yourselves k*lled.

You morons!

You're dead, assholes!

[radio feedback]

MAN: Connor?
Do you copy? Over.

This is Ray.

I heard your call this morning

on the way to Alcoy.
Over.

This is Connor, I copy.
Over.

I'm a trucker.
I cover the route

from Madrid to Valencia,
and you asked

about Charly, right?
Over.

Yes, yes, Gil Perez.
Do you know him? Over.

We've talked through this line
and I see him from time to time

in the hostel I spend
the nights at in Macastre.

Nice guy, that Charly.

A bit crazy,
if you ask me.

I-- I went to his house
and it seemed like he had left.

He took all of his things.
Over.

Huh? So, he left?

Uh, I don't know
if you know this,

but his son disappeared
a while ago.

MARIO: Yes, yes, I knew that.
Over.

RAY: He told me once
he has a sister

living in the Algarve.

She insisted he went
to live with her.

I don't know.
Maybe he finally did.

Are you still there, Connor?

Yes, yes, I'm still here.

If you contact him,
tell him I'm looking for him.

Please, I need to talk to him.
Over.

Of course, yes.

If I contact him,
I'll tell him.

But man, I'd forget about it.

From the things
he told me...

the best thing he could do
was to leave.

Over and out.

Hail Mary, full of grace,
our Lord is with thee.

Blessed art though
amongst women,

and blessed is the fruit
of thy womb, Jesus.

[whimpering]

Hail Mary, mother of God,
our Lord is with thee.

Blessed art though
amongst women,

and blessed is the fruit
of thy womb, Jesus.

[sobbing]

Hail Mary, full of grace,
our Lord is with thee.

Blessed art though
amongst women,

and blessed is the fruit
of thy womb, Jesus.

Hail Mary, full of grace,
our Lord is with thee.

Blessed art though
amongst women,

and blessed is the fruit
of thy womb, Jesus.

♪♪♪