Miss Potter (2006)

[bunniefuu]

There's something delicious about

writing the first words of a story.

You can never quite tell

where they'll take you.

Mine took me here.

Looking back, the city and I

never much liked each other.

An unmarried woman, after all,

was expected to behave in

very particular ways.

Which did not include traipsing

from publisher to publisher

with a gaggle of friends.

Now, listen to me,

you must not be afraid.

And don't talk too much.

Friends who, sadly, others were

not so keen to meet.

I've been selling my drawings

for greeting cards, place cards,

etcetera for seven years.

Bunnies in jackets

with brass buttons.

How ever do you imagine

such things?

I don't imagine them.

They're quite real.

They're my friends.

Are you based the animal

characters on your friends?

No, the animals are my friends.

Before Peter Rabbit there was

Benjamin Bunny,

and then Sir Isaac the Newt.

I have their drawings as well,

if you'd like to see them.

That won't be necessary.

Unfortunately, Miss Potter.

It is 'Miss' Potter, is it not?

Yes. Of course. Silly of me.

Unfortunately, the market for

children's books...

Yes, of course.

I completely understand.

It was silly of me,

with no experience of these...

F. Warne and Company would like to

publish your little book, Miss Potter.

But best not to get overly hopeful.

I know publishing your book will

not sell a great number of copies,

but I think we can turn

a small profit.

My dear Mr Warne, well,

I'm pleased. Very pleased indeed.

I shall do everything possible to

ensure that you've not made a mistake.

Miss Wiggin, I believe we can go.

Thank you very much indeed.

Messrs Warne, for your time.

Our pleasure. My brother always

knows what he's doing.

Oh, I'm quite particular about

book size and price,

and I'd like to avoid that

dreadful Gothic typeface

your children's books usually have.

I'm sure everything will be

to your satisfaction.

Miss Potter.

Your...

Of course.

My portfolio.

Come along, Peter.

- Sir Isaac, the newt!

- You can't be serious, Fruing.

- That book won't sell ten copies.

- Of course not!

- However, the thought did occur to me...

- Norman!

We promised our little brother

a project.

If he makes a muck of it,

what will it matter?

I think Miss Potter may turn out

to be a Godsend.

Home, Miss Potter?

No, Saunders.

Drive me through the park.

Through all the parks.

- I beg your pardon, Miss Potter?

- Drive!

Walk on.

We did it!

Did you hear my heart?

It was a kettle drum.

You see? We cannot stay

home all our lives.

We must present ourselves

to the world.

And we must look upon it

as an adventure.

Faster, Saunders!

- Faster, Saunders, if you please!

- No, Miss Beatrix. No!

- Fast as you can, old boy.

- Go on!

Oh, I say!

Saunders.

Beatrix, where have you been?

It's after four o'clock.

I'm not a child. I can do things

without my mother's permission.

I was hoping to use the carriage

myself this afternoon.

Where were you?

I took a drive.

With my friends.

You don't have any friends.

Yes, I do, Mother.

Every time I draw.

Some of your paintings are

quite pretty, Beatrix,

but I'm not going to deceive you

as your father does

and call them great art.

Well, my friend,

when I am a published author

then we shall see.

Beatrix, Bertram,

time for good nights.

- I haven't finished yet.

- Come on, hurry up.

- Bertram.

- There! I got him.

- Bertram, you're barbaric.

- Come on, you two.

Hurry up. Down you go.

Slowly!

Hurry, Rupert! It won't do t

be late to the 'Hydes'.

Doesn't Mama look beautiful,

Beatrix?

Being in a temper puts such

a rose into her cheeks.

When you grow up, Beatrix,

and have to run a household,

plan parties, keep a social calendar

and put up with a man

who's never been introduced to a clock,

your cheeks will glow too.

Look at this ribbon.

That's unsightly.

Change her into something decent.

And give this nightdress away.

Oh, this will never do.

I'm just all fingers and thumbs!

You're impossible, Rupert!

We are so late.

What have you drawn today, Beatrix?

Benjamin Bunny having a rest.

His ears are getting

better and better.

This shading here is very good,

Beatrix.

Say your good nights now, children.

- Good night, Mother.

- Good night, Beatrix.

- Good night, Father.

- Good night, Beatrix.

- Good night, Mother.

- Good night, Bertram.

Good night, Father.

Now, hurry upstairs.

- Come on, mustn't make Mama and Papa.

- later than they are.

- Oh, children.

- What now?

On my way home, I happened to

walke down Piccadilly.

And what do you think

jumped into my pockets?

Something very special for

the young entomologist.

And something very suitable for

the young lady

who's very soon to grow up

to run a fine home,

just like her mother.

- We'll open them upstairs. Come on.

- Thank you, Father.

- Thank you, Father.

- Come on.

- Late, late late!

- We are not late.

We will never be invited

to the Hydes' again.

Heaven's sake, Helen,

it's polite to be a little late.

Now get in the carriage.

This isn't polite late,

this is late, late.

Right, wee ones,

one story and then bed.

I want Beatrix to tell a story.

Hers are funny.

Indeed they are, and I know exactly

what it'll be about.

Tom Thumb and Hunker Munker.

Precisely. Tom, Hunker,

are you ready to play in a story?

Oh, yes. We're excellent actors.

Well, we shall see about that.

This will be your test.

Over there.

Once upon a time, those two excellent

housekeepers, Lucinda and Jane,

bought some shiny new porcelain

food which they set out

on their perfectly appointed

dining room table.

Then, they decided to go for a walk.

Suddenly, there came a scuffling

noise from the kitchen.

Tom Thumb and Hunker Munker crept out.

The two mice saw that

the dining table was set for dinner.

Tom Thumb leapt up and

took a big bite

from the first plate

and broke his tooth.

Who we expecting someone?

That's my publishers.

It's not a social call.

In fact, I'm rather dreading it.

I wish you wouldn't invite

trades people in to the house.

They carry dust.

Well, next time,

I shall go to their office.

Mr Norman Warne.

Miss Potter.

I hope you will forgive my intrusion

into your daily routine.

I was expecting one of the...

Ah, yes,

I am Harold and Fruing's brother.

I've recently joined the firm

and they have done me

the great honour of assigning

your book to me.

Thank you. It was most gracious

of you to invite me to...

- Tea.

- Yes, I would love some.

Yes, thank you.

Lemon.

Thank you.

Extraordinary!

Funny!

Delightful and magical and

so beautifully drawn.

I am utterly, utterly speechless.

Perhaps we should discuss

our business, Mr Warne.

I put your drawings aside with

the greatest reluctance.

Your brother's letter makes

two proposals

which I find quite unacceptable.

First, they'd like the drawings

to be in colour.

I'm adamant they be

in black and white.

But Peter Rabbit's blue jacket

and the red radishes,

Surely you would like your enchanting

drawings reproduced as they are?

Well, of course I would prefer colour,

but colour will make the book cost

far more than little rabbits

can afford. I'm adamant.

Which brings us to

your brother's second point.

They wish to reduce the number

of drawings by nearly a third.

Totally unacceptable.

Let me explain.

The idea of reducing the number

of drawings was not my brother's

but my own.

If we can reduce the number

to 31 precisely,

then the illustrations for

the entire book could be printed

on a single sheet of paper using

what we call the three-colour process,

that you desire, and at a relatively

low level of cost. Yes?

I've given your book a great deal

of attention, truly.

I would like it to look

colourful on the shelf

so that it stands out

from ordinary books.

You have given it some thought.

Which other books have you

supervised, Mr Warne?

Personally?

- Yes.

- This will be my first.

Miss Potter, I have recently

informed my brothers and my mother

that I am no longer content to

stay at home and play nursemaid

solely because I am the youngest son.

No. I would like a proper job,

working for my family's firm

and they have assigned me you.

Does that make things clearer?

In other words,

you have no experience whatsoever,

but because you've made

a nuisance of yourself,

demanding a chance,

they've fobbed you off on me.

Miss Potter, I know all too well

what my brothers intended,

giving me your, your 'bunny book',

as they call it,

but I find your book quite

enchanting, delightful,

and if they intended to fob me off,

as you say, then we shall show them.

We shall give them a bunny book

to conjure with,

In colours, mixed to your

satisfaction in front of

your very eyes at the printer.

At the printer?

Oh, I could never.

I will escort you there myself.

If you will allow me the the honour.

Why would I never?

Of course I'll go.

I'm a grown woman.

Miss Wiggin will be there.

I see absolutely no reason why

an artist shouldn't visit her printer.

Excellent, Miss Potter.

Jolly good. Thank you.

I shall make all the arrangements,

and I am, in every way,

my dear lady, at your service.

You and rabbits, extraordinary.

Excuse me.

Johnson, come and get

the charms, would you?

- Slowly, slowly. Put it there.

- I will be careful, ma'am.

One, two, three... ten.

When I was ten, my mother badgered

my father into spending the summer

in the Lake District,

as did other fashionable families.

Like an animal released from its cage,

I fell under its spell.

Mind your frocks now.

Come here!

The woods are full of fairies

and little folk that look for

children that get their

clothes dirty.

And when they find them,

they send the fairy beasts at night,

with sharp teeth and a ready

appetite for young flesh.

- I'm coming to get you, Bea!

- No

Yes!

Bertram. Bertram!

Don't! They're farmers' children.

Their hands. Germs. Come on.

Bertram! Bertram!

Catch him, Bea!

There he is!

Oh, yes!

Out of the way!

There!

There he is.

I don't think a thrashing

will be necessary.

I'll just leave the window

in the nursery unlatched tonight.

The fairy beasts will

take care of the rest.

No! I'll stay clean!

Bertram.

Really, Beatrix, What young man

is ever going to marry a girl

with a faceful of mud?

Well, I shan't marry,

so it doesn't matter.

Of course you shall marry.

All girls marry. I did.

Your grandmother did.

Even Fiona will one day.

- Well, I shan't. I shall draw.

- Oh, those silly drawings.

Then who will love you?

My art and my animals.

I won't need more love than that.

Perhaps not at 11, but let's see

if you still feel the same way at 18.

I drew Mama when we first met

and she married me.

And, Fiona, doesn't mud wash off?

Bertram, come along.

Die, you little devil!

Right. Prince Charming himself

couldn't resist

such a bonny, wee girl.

Not when he meets my brother,

Vlad the Impaler.

- Got you!

- Bedtime my young reprobates.

Now, shall I leave a window

open, or?

No! I don't like fairy beasts.

Well, it is a well-known fact that

fairy beasts never eat a child

when he's tucked up in his own bed.

The fairies have been

in the north country

for hundreds of years,

and have had many adventures.

I told you about you

a changingly child?

No.

Yes, several times.

I want to hear it.

Oh, go ahead, Fiona.

I'll tell myself a story.

Right.

Once upon a time,

there was a king and a queen.

Once upon a time,

there were four little rabbits.

Their names were...

Flopsy, Mopsy...

Cotton-tail and Peter.

'Now, my dears,

said old Mrs Rabbit one morning,

'you may go into the fields

or down the lane,

'but don't go into

Mr McGregor's garden.'

'Why not, Mother?'

'Because your father had

an accident there.

He was put in a pie

by Mrs McGregor.'

Peter, who was very naughty,

ran straightaway to

Mr McGregor's garden,

and squeezed under the gate.

I like it.

But round the end of

the cucumber frame,

whom should he meet,

but Mr McGregor!

Peter was out of breath and

trembling with fright,

and he had not the least idea

which way to go.

- It's muddy, actually.

- One more, Mr Mortimer.

Lighten it up.

Mr McGregor caught sight of him

at the corner,

but Peter did not care.

He slipped underneath the gate

and was safe at last

in the wood outside.

Not quite. See here?

It's still a bit...

When Peter came home

his mother put him to bed

with a tablespoonful of camomile tea.

But Flopsy, Mopsy and Cotton-tail

had bread and milk

and blackberries for supper.

This book, it's changed things

for me, Mr Warne.

How so?

For one thing, it's given me

the chance to prove to my mother

that an unmarried woman of 32 can

do more than attend tea parties

- and smile at dull conversations.

- Yes, indeed.

You know, my family never wanted me

to get into publishing either.

We do make rather a good team,

don't you think?

Provided, of course,

we prove them wrong.

Mother, this is Miss Potter.

At last, we poor forgotten folk

in Bedford Square get to share

some of Norman's excitement.

Mrs Warne, it's so kind of you

to invite me.

Nonsense. It was the desperate

act of a woman who was beginning

to forget what her son looked like.

Mother!

And this is my sister, Amelia.

Hello.

Norman allowed us a peek at

Peter Rabbit, Miss Potter.

We found it utterly charming.

So we wheedled, cajoled,

and absolutely insisted that

Norman bring you round for tea.

I have decided that you and I

are going to be friends.

Have you?

Well, Norman tells me that

you're unmarried, as am I,

and that you're not

unhappy about it.

And I can't tell you how much

that pleases me.

Why can't you talk about

the weather like other girls?

Well, all the other unmarried

daughters in our circle,

and, believe me, there are many

they sit around all day,

gossiping and unaccountably

bursting into tears.

But you have done something.

You've written a book.

I warn you, I am prepared to

like you very much.

Well, in that case, I shall have

to like you too, Miss Warne.

Call me Millie, and that's to be

the last of Miss Potter too,

I'm afraid.

Absolutely. Beatrix, by all means.

Thank goodness, the tea!

I'm beginning to feel quite ill

with all this bonhomie.

Oh, do let's have tea

in the garden, Mother.

It's too beautiful a day

in every way not to share it

with the flowers.

Well, I love to garden.

Mother disapproves,

but I can't help myself.

I love flowers shockingly.

That's why you have

the hands of a greengrocer.

I do not!

Thank heavens Norman sometimes

deigns to read to me.

If I had to rely on you

for companionship,

I should expire of loneliness.

My mother's taste in books,

Miss Potter, and, I'm afraid,

in life, runs to the er...

melodramatic.

Oh, nonsense.

I like good English biographies

and you know it.

I loathe silly romances, such as

the ones your brothers publish.

My brothers and I, Mother.

I am part of the firm now too,

you know.

A sweet-natured boy like you

does not need to work.

Your brothers provide quite well

for all of us,

and I need your smile here.

But then, no-one listens to

a crotchety old lady

in a wheelchair.

Indeed they don't, Mother.

My mother may be crotchety,

Miss Potter,

but she does have an eye

for beautiful things.

She was fascinated by your drawings.

Utterly unique.

Well, when I see something unusual,

I'm not content just to look at it.

I must capture it.

Last summer, in the farmyard,

I was drawing something

that was quite lovely in the sun,

and suddenly, I realised I was

drawing the pigs' swill bucket.

I had to laugh at myself.

I feel a bit of a chill, Norman.

Can you take me inside?

- Of course.

- Please excuse me.

It was delightful meeting you,

Miss Potter.

And you.

Do stay longer, and teach

Millie how to behave.

I think that means she likes you.

Did she say she likes to

draw swill buckets?

Indeed she did, Mother.

Indeed she did.

I think by Wednesday, you could

hang the lace curtains upstairs.

- Then at least it will look like summer,

even if it doesn't feel like it. -Yes, Madam

Oh, Beatrix. What is this stain

on your blouse?

Jane says it won't wash out,

and she's tried everything.

- Oh, it's ink.

- Ink?

I must have brushed against

something at the printers'.

Jane, I'm very sorry for causing

you extra work.

Jane, take the blouse away.

Give it to the poor.

This behaviour shows scant

regard for your father's money.

Well, one day, I shall make enough

money to buy my own clothes.

I'm far too old to be living off

the generosity of my father.

You're too old to be

spending so much time

in the company of a man

who takes you to printers!

Your father does not approve,

and neither do I.

Mr Warne is publishing my book.

Oh, that book! I can hardly wait

till it's finished and forgotten.

I don't understand you, Beatrix.

Your father and I have introduced

you to so many suitable young men

of your class, young men of fortune,

and impeccably good family.

Oh, certainly, like that charming

fellow, Lionel Stokely.

Lionel is a particular favourite

of his uncle, the earl,

whom we visit every summer

at Stokely Court.

Oh, and I do regret terribly that

I didn't accept Harry Haddon-Bell.

Harry's great-grandfather

went to Sandhurst.

Harry's grandfather

went to Sandhurst.

Harry's father

went to Sandhurst.

And so I went to Sandhurst.

Father and I and the gamekeeper often

go out riding in the morning...

Ashton's a crack shot.

But no, you're just

a pig-headed girl.

Mr Warne is asking for you

at the door, Miss.

Mr Warne? He's not expected.

Unannounced. Perfection!

Come on, here.

Two sold while we were

at the booksellers.

That amounts to 40 in a week.

- Which is 160 in a month.

- Good gracious!

I'm trying to remember

my twelve-times table.

1,920 in a year.

- I can't breathe.

- That's just in one shop.

My dear Miss Potter,

you are an author.

We have achieved

what we set out to do.

We have created a book.

Yes.

What's the matter?

A cloud just passed across your face.

You've been very generous

with your time, Mr Warne,

Shown me things that

I never would have seen.

Printing houses!

- I shall miss your company.

- Are you losing my company?

It just occurred to me

that the book is out

and our association is

coming to an end.

Miss Potter.

I had hoped that you might

have other stories.

Really?

Really?

Do you know, I recently remembered

one I thought I had forgotten it.

About a duck...

a very stupid duck.

Based on one of your friends?

It's based on myself, I think

It's a story I told a friend once.

My family summers in the Lake District,

and there was someone there,

the grounds man's son, who was

always interested in my stories.

Miss Beatrix. Are you skulking?

No such thing, Willie Heelis. No.

I was drying off my sketch book.

Not bad, Miss Beatrix.

Do you have any animal

stories for me today?

I don't. Sorry. Nothing new.

That's Jemima.

She doesn't have a story yet.

Not a proper one.

- Jemima Duck?

- Jemima Puddle-Duck.

And a stupider duck

the world has never seen.

She goes looking for a safe

place to lay her eggs

and meets a charming gentleman

with a long bushy tail

and very sharp teeth.

Precisely.

The gentlemen offers her his shed

and Jemima is surprised to find

that there are so many feathers in it.

But then, as I told you,

she is a very stupid duck.

I like it.

I'd love to paint every view

in this valley,

but I'm not very good at landscapes.

Wait too long and it won't be

here to paint, Miss Beatrix.

- Really, that's ridiculous.

- No, I'm serious.

The large farms are being broken up

into small plots and sold off.

Well, you can't stand

in the way of progress.

So they say.

But I say beauty's

worth preserving.

I know you do, Willie.

But nobody could disagree

with you about that.

Well, I'll see you soon, then.

Perhaps not, Miss Beatrix.

I'm leaving for Manchester next week.

To study the law?

Yes, indeed. I have to better

myself somehow.

- Good luck.

- Send me some drawings.

I will.

He encouraged me to take

my writing seriously.

We must get started on

the new story straight away.

Jemima Puddle-Duck.

I think the public should like that,

and Tom Thumb and Hunker Munker.

What do you think?

Well, if you, if you think.

Your book has been very

important in my life.

You have been very

important in my life.

And you in mine, Mr Warne.

- And we must do it again and again.

- And again!

I promise you,

I intend to be a nuisance.

When did you decide

you wouldn't marry?

Just before my 20th birthday.

Mother came to my room and

announced that Lionel Stokely

was to marry Gwendolyn Alcott and

they were to live at Stokely Court,

which Lionel had just

inherited from the earl.

And I knew right then that

she would bring me no more suitors

and that I would never marry.

And that shocked me.

But I felt relieved.

And that shocked me.

So I went into the garden and filled

an entire notebook with sketches.

Men are bores.

They're useful for only

two things in life

financial support and procreation.

Millie!

You say outrageous things!

- Ah, but the price.

- What price?

Domestic enslavement.

Childbirth. Terrifying.

No, unmarried women have

a better life.

I swear it's true.

No houses, no babies, no husbands

demanding things all the time.

As long as one's lucky enough

in life to have a good friend.

I'm so glad Norman found you, Beatrix.

I was missing something

I didn't even know.

Dear Miss Potter,

I enclose with great pleasure

the latest in what I hope

will be a long line of tales.

Yours affably, Norman Warne.

Mr Warne.

Would you and Millie like to

come to a Christmas party?

My parents hold one every year,

and I think it's high time

that I invited someone.

Yes, we'd be delighted to attend.

Thrilled, in fact.

Be still, little imps!

Peter, you naughty boy!

Look what an example you're setting.

That's better. Any more of that

and I'll paint you out.

Your father is home.

How was your day at the club, Father?

Interesting, as always.

Rupert, we seem to have a situation.

We need your resolution.

I want to invite Norman Warne and

his sister to our Christmas party.

With Lady Armitage?

With Sir Nigel and Sybil?

A tradesman, Rupert!

How will anyone have fun?

He's the gentleman

who publishes my books, Father.

- Rupert.

- I have something here, Beatrix.

I went into Hatchards bookshop and

I purchased this with good money.

Hugh Whitteford bearded me in

the club and rattled on for hours.

You know old Hugh, jowls all aflutter.

Wife's bought three of

your girls' books

for her granddaughter's nursery.

Sending more by ship

to chums in Bombay.

Very soon, the whole club was

telling me of some purchase

that they had made of

our daughter's creation.

So I thought it was time

that I bought one.

So I went straight into Hatchards,

put my shilling onto the counter.

I would have given you one.

But I wanted to buy one

like everyone else.

Now, I owe you an apology, Beatrix.

When you showed me your books,

all I saw was my little girl

bringing me clever drawings

for me to comment on.

You're not a little girl anymore.

You're an artist.

The genuine article.

I would have been proud to use

that word about myself,

and now, I'm proud of you, Beatrix.

Thank you, Father.

So I don't see any reason why

we cannot make a little social effort

to welcome the gentleman responsible

for this blessing into our home.

Thank you, Father.

Thank you.

I think it will be good

for all of us.

Merry Christmas, Rupert.

Glenys, don't serve Sir Nigel

the punch with brandy

- unless he demands it.

- Yes, madam.

And after dinner, he'll take port.

Come and give me a little signal

after he's had four glasses.

The house shimmers, my darling.

You've done it again.

- Good evening, sir.

- Good evening.

- Mr Warne, Millie,

- how wonderful!

Thank you, Jane.

Thank you. Thank you.

Mother, Father,

I would like you to meet

Miss Amelia and Mr Norman Warne.

How charming of you

to be so punctual!

Go on, one wouldn't hurt.

I think Wiggin is under strict

orders never to leave our side.

How festive!

Such scintillating conversation.

Oh, mine as well! The weather

in Amsterdam in July.

Could I interest you ladies

in an after dinner coffee?

Some of the gentlemen would like

to play a few hands of cards,

but they're short of a fourth.

I don't suppose you play whist,

Mr Warne?

I'm afraid I've never had

much aptitude for cards.

- Oh, that is a pity.

- I play.

This is to play with Sir Nigel,

Miss Warne.

Sir Nigel takes his whist

very seriously.

I play rather well, actually.

Do you, Millie?

Well, I'm sure you two have

plenty to talk about without me,

and if they can't play

without a fourth...

Come along, Miss Warne.

Carols in the music room, my dears.

Perhaps I could show you

your Christmas present.

Yes.

It's upstairs.

I will bring the coffee.

- Mrs Wiggin.

- Miss.

Miss Wiggin. I have taken

the liberty of adding

a splash of brandy to our coffees.

Well, it is Christmas.

Is this where you paint, Miss Potter?

Yes, and it's where we shall

find your Christmas present.

Oh, my!

I think, other than Bertram and Father,

you are the first man ever

to set foot in this room.

- Would you like me to leave?

- No, no, no. Wiggin is here.

And if this is the best I can do

for scandal at my age,

I'm hardly worthy of my reputation

for creativity.

Here.

My, but it's beautiful!

Is it the new story?

Miss Potter, is it the new story?

- Is it?

- I'm not going to tell you.

Come over here.

That's Jemima Puddle-Duck.

It's the first drawing I ever did

of Jemima. I was eight, I think.

Jemima, stop that!

Stop what?

Just some silliness.

- And what's this?

- Oh, it's a music box.

My father gave it to me

for my sixth birthday.

He did the painting himself.

So your father is an artist too?

No. He always wanted to be an artist,

but the family disapproved.

So, he took up law.

The joke is I've never once

heard him discuss a case.

He goes to his club every day,

and never his office.

So, I don't really know

what he does.

- Oh, dear.

- Wiggin is fallible.

I'm afraid, Miss Potter, your

reputation is now officially dented.

'Let me teach you how to dance'.

Do you dance, Miss Potter?

No. Well, not well.

I make a terrible hash of it too

when I try,

but the words are very sweet.

You know the words?

Will you sing the words?

Well, er...

#Let me teach you how to dance

#Let me lead you to the floor

#Simply place your hand in mine

#And then think of nothing more.

#Let the music cast its spell

#Give the atmosphere a chance.

#Simply follow where I lead

#Let me teach you how to dance.

Miss Potter.

I know you have decided not to marry.

All my life, I thought that

I would not marry either

but something has happened that

has caused me to change my mind.

No, please, let me go on,

for if I do not say

what I have to say it now,

I fear I never will.

Miss Potter,

I would like you to consider...

Mr Warne.

doing me the honour, and I do not

expect an immediate answer.

Beatrix?

I was just showing Mr Warne

his Christmas present.

I'm an impeccably genteel,

unmarried lady, Mother.

I haven't begun to invite

men to my room.

Mr Warne?

Wiggin!

What is the picture, Beatrix?

I've written and drawn

little children's books,

which have been published.

The man who published them is here.

Mr Norman Warne.

To thank him for his assistance

and generosity...

Well... I'm...

I'm writing him a Christmas story.

- Can we hear it?

- It isn't finished, so...

Oh, go on.

I suppose, before we part

for the evening,

I could share a glimpse of

the unfinished tale of

'The Rabbits' Christmas Party'.

One particularly snowy Christmas Eve,

a young rabbit and

his fearsome older brothers

and fiercely brave sister

set out on a journey they make

every year to celebrate

with their friends.

Now, rabbits are highly sociable

creatures, and legend has it that

wherever they find themselves

on Christmas Eve,

they get together and

throw a jolly party!

Now, I know such a legend exists

because I made it up.

The rabbits travel through

the woods to the well-appointed

burrow of their cousins where

a warm fire is waiting for them.

They take off their frosty coats

and the party begins!

Now, I know on this night

that they will eat and talk

and dance and laugh and

roast apples on the fire!

But I'm not certain

how the story ends,

because I haven't made

that part up yet.

But, in any case, Mr Warne will

have to read it first,

as he is my strict censor,

and, well, it is his present.

Merry Christmas, Mr Warne.

Thank you, Miss Potter.

It's so beautiful.

There'll be no problem with presents

for the grandchildren next year,

- I dare say.

- You must be very proud, Helen.

It's just a children's story.

Outstanding!

- Can I talk to you?

- Of course.

What is it?

Is there something wrong?

No. As my confidante.

You have something to confide?

How delicious!

Your brother has asked me

to marry him,

and I feel, quite irrationally,

that I may say, 'yes'.

I'd like your approval.

My approval?

Beatrix, don't be a fool.

Marry him.

Tomorrow. Don't waste a moment.

How could you hesitate?

You're not upset?

Well, why would I be upset?

Well, both Norman and I.

You'll be alone.

You have a chance for happiness,

and you're worrying about me?

I wouldn't worry about you if,

if someone came along

who loved me and whom I loved,

I would trample my mother.

- Do you love Norman?

- Yes.

Then marry him. Don't you dare

think about anyone else.

But what about all

the blessings of being alone?

Hogwash.

What else is a woman on her own

supposed to say?

You have a chance to be loved.

Take it.

And leave me happy,

knowing that the two people

that I love are happy.

That is the most thought

you should ever have for me.

There you are, Beatrix!

The guests.

Yes, Mother.

Millie...

Go.

What is going on tonight?

Why do I feel like a stranger

in my own home?

You have a clever daughter, Rupert.

You must be very proud.

- Of Beatrix? Yes, we are.

- To write and draw like that!

Beatrix should meet my niece, Anne.

She makes pots.

- Ceramics, Nigel.

- Look like pots to me.

As for you, madam,

I suggest you take up knitting.

Merry Christmas.

What was all that about?

Sir Nigel disapproves of the way

I play whist.

I'm afraid I won two guineas from him.

Mr Warne!

- Your painting.

- Oh, yes. My Christmas present.

Yes.

- Goodbye, Mr Warne.

- Goodbye, Mr Warne.

Sir?

I have an appointment to see

Mr Rupert Potter in the Eagleton Room.

- He's expecting you, sir.

- Thank you.

Come along, Norman,

it's only her father.

Come in.

Thank you very much, Mr Potter,

for taking the time

out of your very busy day.

Goodbye, Mr Warne.

If you will not accept our advice

in this decision,

then we will have to impose

that advice.

Respect our knowledge and

the worth of our opinions, Beatrix.

Oi! Get over there!

I said that I'll do it and I will.

Norman Warne is a tradesman, Beatrix.

No Potter can marry into trade,

- and that's final.

- And what are we?

Father's money comes from

Grandfather's printing works

in Lancashire.

A trade, Mother.

And if Grandfather hadn't

run for parliament,

we'd still be living

in the shadow of his factories.

Your legacy came from Grandfather

Leech's cotton trade.

When did we become

so high and mighty?

We're parvenus, Mother.

Social climbers.

Your father and I We will not

allow this marriage for your own good,

and there is no reason to

become insulting!

It's not an insult!

It's the truth!

Our lives are pretension and

social aspiration.

Sir this and Lady that!

Norman Warne is a gentleman

of comfortable means,

and not one bit beneath us,

and I intend to marry him.

Not if you expect to take

one penny of your inheritance!

You haven't disinherited Bertram

for running off

with a wine merchant's daughter.

Happily, I am a published author.

I have means of my own.

This discussion is over.

Come in, Father.

Why is it that after any difficult

situation, she always sends you?

Mama didn't send me.

I don't like tension in my home.

I want to resolve this matter.

Well, you can't.

I've made my decision.

Your mother wants what is

best for you, as do I, Beatrix.

An impulsive and inappropriate

marriage is something that

you would ultimately regret.

You can't allow me to

marry and leave.

With Bertram moved away,

who would take care of you?

You surely do not think

we would deny you happiness

just simply because we needed

a nursemaid?

That is a knife in my heart.

Well, then, what is it, Father,

because I cannot understand.

You cannot make us the villains,

Beatrix.

Your mother trotted out countless

suitors all of them acceptable.

- You rejected every one of them.

- I know that, Father.

I didn't want to be a silly woman

marrying a man simply

because he was acceptable,

or rich enough to take care of me.

But does that mean that

I'm never to be loved?

Father?

Wiggin, wait here, please.

I'd like to enquire about my

royalty earnings, Mr Copperthwaite.

And whether I might, at some stage,

afford a house of my own

in the country.

You have enough to buy an estate.

Several estates, and a house in town.

You're quite a wealthy woman,

Miss Potter.

Am I truly?

Yes, the income has become

quite regular.

If your fortune continues to grow,

you should have no financial worries

for the rest of your life.

Extraordinary.

Beatrix.

Beatrix, come and sit with us,

please.

- I'd rather not, Father.

- We have something to discuss.

A proposition.

And, for heaven's sake, Beatrix.

Let the servants carry your dishes.

- Tea?

- No, thank you.

Nonsense. You always take tea.

Contrary to what you think and

what you have so vehemently

expressed, your mama and I

want you to be happy.

We simply doubt that

this marriage will do the trick.

Helen, please.

Sit down, Beatrix.

What we don't want is for you

to rush into something

which you may later wish

to reconsider.

I won't want to reconsider.

- We are not convinced.

- Helen, please.

We are not convinced.

Yet, neither have we hearts of stone.

Therefore, this is what we propose.

You may accept Mr. Warne,

but it must remain a complete

secret even from his own family.

Now, this summer, yourself,

Mama and I will go,

as always, to the Lake District.

If, at the end of the summer,

you still wish to proceed,

then we will announce

your engagement

and you can marry with

our blessing and our love.

Why must no one know?

So there'll be no public

embarrassment when you change.

- If, If you change your mind.

- If.

Now, Beatrix, if you care for

this man as much as you say you do,

then in a few months the ardour

will still be there.

If your mother, and I, are correct,

and this emotion cools with time,

then we will have protected you

against humiliation and unhappiness.

- It will not cool.

- Beatrix, listen to me.

A woman at your age must

consider very carefully...

Mother, the only thing true

at my age is that at my age,

every day matters.

Very well, Mother, Father,

I accept your terms.

Norman and I may decide to

wait in any case.

But make plans.

There will be a wedding

in this house by October.

They're beautiful.

Which carriage, Rupert?

Saunders?

Four carriages down.

This way.

Well...

- This is the Potters' for Windermere.

- Right you are, sir.

Here and those two.

Beatrix!

Mr. Warne!

Oh, I do apologise.

- Miss Potter!

- Mr. Warne!

I was beginning to fear

you wouldn't come.

You're soaked.

It wasn't raining

when I left the office.

I brought you the proof of

the new book for your trip.

- Oh, you'll catch cold.

- I couldn't miss seeing you off.

You know nothing would stop me.

This is going to be the longest

summer I've ever spent.

- It's only the summer. That's all.

- Yes.

And this time is not for us.

It's for your parents.

How can they know what we're feeling?

They've never felt it.

We can afford them

this three months.

I suppose.

This is not how I wish

to say goodbye to you.

Goodbye, Miss Potter.

I look forward to your speedy return.

As do I, Mr. Warne.

Quickly. Here.

Goodbye, Miss Potter.

Goodbye, Mr. Warne.

Goodbye, Norman.

My dear, dear Norman,

this absurd forced separation

is surely a kind of madness,

most notably, that of my mother,

but you are here, my dear, for me.

The beauty of this place seems

magnified somehow,

with you in my mind.

In my occasional lonely moments,

I imagine conversations between us,

and yesterday startled a duck with

my declaration of love for you.

All of my thoughts are with you,

my darling.

I know that you find Harold

and Fruing terribly boring,

but, in fact, I'm having

what I could almost describe

as wild enjoyment working

with them.

You may wake up, one day,

to find yourself married

to a businessman.

Praise the day when I can wake up

to find you beside me.

I took one of the boats out

onto the lake at sunset

to watch the water hens feeding.

They made noises like kissing.

I closed my eyes and pictured you.

I find I love my heart more now,

because that is where I know

I can find you.

Amelia sends her fond love and

wishes for us all

to be together again,

as do I, multiplied a hundredfold.

Sir... Hill Top Farm.

May I ask,

is it a working farm?

Aye. Another great one falls,

but this one breaks your heart.

Really? Why?

Now, miss, a body would have to

be a poet, which I certainly am not.

Excuse me, but I'd swear you

were someone I once knew.

Good heavens, Willie Heelis!

Miss Beatrix! Miss Potter!

- Is that you?

- How good to see you!

Well, hello!

I see you've given up on the law.

Have you decided to make

an honest living?

Ah, yes, the law.

Well, not exactly. No, no.

A country solicitor needs to

be proficient in many skills.

And it suits me to be out of

the office now and again.

Now, I could show you Hill Top,

if you have the time.

Yes. Yes.

Time is exactly what I have.

Good.

- Not a bad outlook, Miss Potter.

- It's sublime.

By chance, I met an old friend

today who showed me

a beautiful farm that's for sale.

It would be a perfect country home,

and though I know we'll live

mainly in the city

I'm very keen to share

my favourite places with you.

The post has arrived and, once again,

no letter from your Mr. Warne.

Is it time for me to start getting

just a little hopeful?

He did mention he might take

a few days' holiday.

The post is no doubt slow

from wherever he's gone.

Indeed.

But there is something that

appears to be from

that interesting sister of his.

Millie? How delightful!

Excuse me.

Norman is ill.

- I'm Beatrix Potter.

- Please come in, miss.

- Ah, Miss Potter.

- Hello.

- Please, come in.

- Thank you.

- I came as soon as I heard.

- Yes. It's very kind of you.

Very, very kind indeed.

How is he?

Beatrix.

Millie?

Millie?

I'm too late.

He was so happy.

He sang songs.

He made me dance with him

in the parlour.

He laughed all the time,

everyone noticed the change in him.

Only I knew the reason.

But all summer, he had a cough,

and then the cough got worse,

and in one night, he was gone.

It was so sudden. I keep thinking

that it hasn't happened.

I keep expecting to see him

in the garden.

When's the funeral?

It was yesterday.

It was only the immediate family,

and I...

Well, I couldn't think of a reason

to ask them to delay it for you.

It was considerate of you to come

and pay your respects, Miss Potter.

Our mother is particularly moved,

and is sorry she isn't well enough

to come down to greet you.

I'll be taking over our late brother's

business affairs, Miss Potter.

Fine.

I want to assure you that F Warne

and company will do everything

in its power to ensure that

our tragic loss causes you

the least possible inconvenience.

Please accept the gratitude

of the entire family.

- They want me to go.

- I'm sorry.

Miss Beatrix!

What are you doing in London?

- Is something wrong?

- A friend died.

I'm sorry, miss.

Was she a close friend?

Miss Beatrix?

Miss Beatrix?

I'll leave your dinner outside

the door, then, miss.

Saunders is here, Miss Potter,

to take you to the station.

I shan't be going back to the Lakes.

Can I get you anything, then?

Nothing, Hilda.

Very well, Miss Potter.

Beatrix, it's Millie.

Look, I know I'm unannounced,

but they sent back all my messages.

Please, please, please, let me in.

We've got to get you out of here.

Come on. Come on.

Let's get you washed and dressed

and out of this room.

Go and find something to wear.

I can't.

Millie!

I can't!

I've been torturing myself.

I should never have encouraged

you with Norman.

I'd have saved you all

this terrible grief.

I loved him.

I loved him too.

But he's gone.

I must leave this house.

I will leave this house.

Congratulations, Miss Potter.

You are now the proud owner

of Hill Top Farm.

Thank you, George.

Well, I'm sure you'll be

very happy at Hill Top.

I spent some time there

as a child.

Is that so? I did have other

plans for it, but...

I'm sure that I will love it

in any case.

Yes. If you need any other

assistance or help...

Thank you very much, Mr Heelis.

Good day.

Good day, Miss Potter.

What I don't understand, Beatrix,

is how you're going to pay

for this farm.

I'm a writer, Mother.

People buy my work.

Our daughter is famous, Helen.

You are the only person

who doesn't know it.

What I don't understand is

why you find it necessary

to leave your home.

It is not a choice, Father.

Beatrix, if I could undo anything...

There's nothing to undo.

This has nothing to do

with you or Mother.

I must make my own way.

So you must.

So you must.

Everybody out.

You see?

I told you we could not know

where our journey would lead.

It has led us here.

This is your new home.

No tears!

Miss.

Millie!

It's wonderful to see you!

Oh, this place is perfect.

Millie!

What have you brought?

I thought it best not to

bring this, but then...

it jumped into my hand

as I walked out the door.

I'm sorry.

Thank you.

It's getting easier.

- It's getting etasier for me too.

- Good

I'm painting again.

My mind's going mad with the story.

I've got pigs running amuck up there.

Well, it's this place, isn't it?

Who'd want to be cooped up in London

when they could be up here?

- I'm so glad you came.

- Me too.

I've been so lucky with visitors.

First, my brother Bertram,

then my mother.

You think that's lucky?

Your mother is a monster!

No, its fine. My mother and I have

come to an understanding.

We've agreed to not

understand each other.

Look, if some city slicker wants to

offer me a half-decent price

for a derelict property and then

pay me and my lads good money

to knock the damn place down.

Let him build what he likes.

If we allow these city developers

to buy up our land,

there'll be no more farming.

and all you're left with is

a ruined landscape and no community.

Miss Potter!

Ah, Mr Heelis.

I see you've found me.

I played here so often as a child.

I know your farm very well.

I swam in the stream,

played hide and seek in the woods

with Cousin Charles.

I brought you the ex*cuted deed

for the farm.

At last.

Thank you very much, Mr Heelis.

- Busy.

- Yes.

Yes, I've asked Mr Canon to stay on

and run Hill Top as a working farm.

I'm learning a great deal.

I wish everyone who bought

land up here could be so...

enlightened.

You've bought a farm,

you've kept the workers on,

you're working the land and

you're preserving this place.

Yes. It makes me happy.

Mr Cannon says the two farms

adjoining mine are for sale.

I'd hate to see the developers

get hold of them.

Do you know anything about them?

- Morning, Mr Canon.

- Miss Potter.

My, they've grown!

- Handsome lot, wouldn't you say?

- Yes.

Have you named them?

We don't often give them names,

Miss Potter.

Makes it a bit hard,

come slaughtering time.

Hello, Miss Potter!

Hello yourself, Mr Heelis.

To what do I owe this pleasure?

I've come with a message.

Mr Hubbard is ill

and will be unable to show you

the neighbouring farms today.

- Oh, dear. It's not serious, I hope?

- Chronic illness, I'm afraid.

Recurs several times a month.

Usually after a night

at the Rose And Crown.

I see.

Mr Hubbard wondered if I might

show you the properties instead.

I'd be pleased to have

so knowledgeable a guide.

I'll just get my shawl.

Well, it's prime land.

There's a lot of profit

in building houses on it.

But more value as

a working farm, surely?

Spoken like a true

Lakes woman, Miss Potter.

Indeed, Mr Heelis.

You do realise I've never

been to an auction.

It's simple enough.

Don't bid too early and

stick to your limit.

I know my limit, Mr Heelis.

Craven's Mill Farm,

40 acres of splendour.

? 1,100 anywhere?

? 1,100 I'm bid.

? 1,150?

Come along, gentlemen.

Splendid little farm, this.

Lots of development potential.

? 1,150.

? 1,200 anywhere?

? 1,200.

? 1,300 anywhere?

Bidding, madam?

? 1,300.

Seated at ? 1,300.

? 1,400.

? 1,500.

? 1,600.

Seven hundred.

Eight hundred.

? 1,900.

At ? 1,900.

? 2,000 at the back. ? 2,000

Any more at ? 2,000.

? 2,300.

- Rich b*stard!

- Thank you, sir. ? 2,300.

At ? 2,300.

Any more, then, at ? 2,300?

? 2,500.

The lady at ? 2,500.

Against you, sir,

at ? 2,500. ? 2,800.

Miss Potter, you've bid more

than that farm is worth.

?3,000, at ?3,000 seated,

with the lady. Against you, sir.

Are we all done at ?3,000?

Going once,

Going twice,

Sold to the lady, ?3,000.

Sir, you should control your client.

She has allowed her emotions

to get the better of her.

Really?

She has squandered any possibility

of profit from that farm.

It was prime development land.

This place, this community

is an inspiration.

It should be conserved for

future generations,

and not destroyed.

It deserves protection.

Madam, your observations are

woefully inadequate...

Please, sir. I am no longer

in the habit of being lectured to,

and, thankfully, I do not require

your approval or anyone else's.

So, if you'll excuse us?

Mr Heelis?

I hope you're not going to make

a habit of this, Miss Potter.

Do you know, Mr Heelis,

I think I might.

Now, will you have time tomorrow

to show me those other farms?

- I certainly will.

- Excellent!

Come in.

Oh, my!

Goodness me!

I'll be just a moment.

Now then young man, how are you

taking to your new home?

I know it's not London,

but Hill Top might suit

a young rabbit better.

He seems to be taking

to the place.

As am I, Mr Heelis.

- Now, the road.

- Oh, yes.

Yes, of course, Miss Potter.

How would you feel about

calling me William

instead of this infernal Mr Heelis?

I sound like an undertaker.

Of course, William.

And I believe Beatrix might be

perfectly appropriate as well.

There's something delicious about

writing the first few words of a story.

You can never quite tell

where they're take you.

Mine took me here.

Where I belong.