[dramatic music]
[tense orchestral music]
[tense orchestral
music continues]
[doors rattling]
[tense orchestral
music continues]
[tense orchestral
music continues]
[tense orchestral
music continues]
[dramatic music]
[vocalists singing
in foreign language]
[vocalists continue singing
in foreign language]
[vocalists continue singing
in foreign language]
[vocalists continue singing
in foreign language]
[vocalists continue singing
in foreign language]
[vocalists continue singing
in foreign language]
[solemn orchestral music]
[vocalists vocalizing]
[vocalists continue vocalizing]
[car engines rumbling]
[dramatic music]
[dramatic music continues]
[dramatic music continues]
[dramatic music continues]
[dramatic music continues]
[dramatic music continues]
[dramatic music continues]
[dramatic music continues]
[dramatic music continues]
[dramatic music continues]
[dramatic music continues]
[dramatic music continues]
[dramatic music ending]
[children chattering]
[birds chirping]
[people laughing]
[children chattering
and squealing]
[children continue
chattering and squealing]
[ball thumping]
[ball continues thumping]
Hey, hello!
-Hello.
-Where are you going?
To the kitchen.
What are you carrying there?
Nothing.
Don't worry about it.
Oh my God,
you're so annoying!
Where are you going?
To the kitchen!
Come here!
[Carmelita chuckles]
-[children chattering]
-[ba*ls thumping]
[door clicks]
Oh, look who decided to join us.
You're late.
You know lunch
doesn't make itself.
Let's wash the lettuce
and get to cooking.
Late?
What are you talking about?
English, Carmelita.
I got here early!
We're building skills.
Lita, pay her no mind.
You know Sister Espy gets
grumpy right around this time.
Oh, uh-huh.
Oh, [indistinct].
Laugh it up, you two.
You both know you'll
miss me when I'm gone.
Besides, imagine your cooking
without my delicate guidance.
Ugh.
No, no, no, no, no
flavor, either of you.
Now Carmelita, I want you
to assist Sister Anne Marie
with the prep because she
needs all the help she can get.
Very funny.
I'm gonna check in
with Father Phillip
on the afternoon lessons.
Enjoy your secret smoke break.
[gasps]Shameless!
The both of you.
She got you there.
So, uh,
Rick, right?
-And, uh...
-Yes.
Tiffany.
-Yes.
-Correct.
Well, I think it's
wonderful that, uh,
you both are giving
someone, a child,
an opportunity to
have a, a normal life.
We have a teenager and
her name is Carmelita.
-Ooh.
-She is wonderful.
She is, uh, a really
incredible child.
She, very smart.
She loves soccer.
Wow. What position?
Uh, I, I don't quite know
-much about-
-Rick loves midfield.
Attacking midfielder.
Midfield, that's right.
Well, you're gonna
have a lot of things
in common with Carmelita then.
[car engine rumbling]
[car door clicking]
Agent John Crawford?
Agent Brenda Huerta.
Ah. Call me John.
Welcome John ,
nice to meet you.
Thank you, nice to meet you.
Oh, you speak spanish?
[chuckles] I get by,
but we're, uh, we're probably
better off in English.
Okay.
Alright, let's hop on.
I'll take you to
the station, yeah?
Sounds good. Let's get it.
Show you around.
Sorry I was a little late.
[Brenda sighs]
[John] So tell me more
about Don Chucho Zaragoza.
[footsteps tapping]
Okay, I'm gonna braid
your hair, alright?
-Okay.
-[Carmelita chuckles]
[door latch clicks]
[Carmelita] You look so pretty.
[sighs] Hey girls,
I heard a secret.
Espy made treats, there
might be cookie dough bowls
that need cleaning.
First come, first
serve. [laughs]
None for you?
Nah, let her have it.
She loves it.
But you're helping me
when she's bouncing
off these walls later.
Yes, I will help you.
But this doesn't make any sense!
Look, I am as
surprised as you are,
but our goal is to
match our children
with the right families.
It's what we always hope for.
Who adopts a 15-year-old girl?
Doesn't this concern you?
Sister,
all of our applicants
go through the strictest
of interview protocols.
The couple was vetted
and deemed a good match.
I know you and
Carmelita are close,
but this is in
her best interest.
May I ask who the couple is
and why they would
want a teenage girl?
It's a gringo couple
from the States.
Very nice.
They lost a boy
about the same age
and don't wanna raise
another young child,
but they wanna create an
opportunity for someone in need.
I need to know for certain.
This is important to me.
Carmelita and I, we,
we're, we're close.
I don't know all the details
about what happened to you,
but Sister Esperanza is
very concerned about you.
We all are.
You can't keep projecting
your, your, your, your past
on your future.
It's not healthy.
In fact, makes me worried
about your ability
to perform your duties here.
This isn't that,
this is different.
This feels different.
Please let me see
their file for myself.
You that is against procedure.
Please.
You said it yourself, remember?
I'm a lifer.
Like, the little kid's, sure,
but I'm halfway
through high school.
This makes no sense.
See?
You know it too. [sighs]
You have so many things
to look forward to.
New school, new friends,
not to mention your own room.
You know what happens
to girls my age.
You warn us all the time.
This isn't that, I promise.
I checked the couple
out thoroughly.
We checked the couple
out thoroughly.
If you make me, I won't stay.
I won't, I swear to God.
It's already been done.
Neither you or I
can change that.
Mija,
I love you.
I always will.
We'll check in, I promise.
I'm not going anywhere.
-[Anne Marie sighs]
-Promise?
I promise.
[gentle music]
[Anne Marie sighs]
Hey, I have something for you.
[gentle music]
This was given to me
when I was a girl,
and I want you to have it.
[gentle music]
"OS"?
Original sin?
[scoffs] Silly girl.
It's always protected me and
it will protect you as well.
I'm not going anywhere,
I promise you.
I'll check in.
I'll always be
here for you, Lita.
Thank you, Annie.
I love you.
Thank you.
I love you too.
-[horn honking]
-[children chattering]
-[Child] Jose!
- He came.
Hello kids!
Hello, hello, hello.
Hello. [indistinct]
Hey, everybody grab something.
Everybody get something?
[children chattering]
What's up, brother?
[children continue chattering]
-Hey, Sister.
-[Anne speaks indistinctly]
I got something for you.
[children continue chattering]
How much have you missed me?
Ah, but you're the best.
You don't know how
much you needed this.
Why? What's up?
We just found out
Carmelita's getting adopted,
and I know the right
thing is to be happy...
But?
I, I don't know, maybe
I'm just overthinking it.
You? Never.
[chuckles] So what did
you bring me this time?
Your favorites.
Mostly action flicks,
a couple romantic comedies.
Oh, there's this one
in particular about
this beautiful nun
that falls in love with this
charming, handsome young man.
Seriously, Jose, you just don't
know when to quit, do you?
You know there's
only one man for me.
Some call Him Chuy, others
call Him the Messiah,
but I just call Him my Lord
and Savior, Jesus Christ.
Man, He's tough competition.
You sure?
Oh, I'm sure.
-Yeah?
-Yeah.
[sighs] Okay.
Well, I mean, you still haven't
said your final vows yet,
so, maybe there's
still a chance for us.
I don't think so, no.
That should be it.
Anything further at the moment?
No, I think we're all set.
Thank you again, Father.
Oh, of course.
As we discussed on
your last visit,
I'm always here should you
feel the need to check in.
And one of our associates
from the church
will follow up with you
in a couple of weeks
to see how it's, it's all going.
This is a dream for us, truly.
Carmelita, are you ready, honey?
It's such a sweet name,
it's like caramel.
Tiffany's got the room
all ready for you.
You got this. This
is a good day.
I know the unknown is hard,
but this is what
we always hope for.
-[melancholic music]
-[Carmelita sniffles]
And remember,
mid-morning prayer is at?
9:00 AM, I know.
9:00 AM.
And if we pray at the same time?
We'll always be together.
Right.
I love you so much.
I love you too, Annie.
[melancholic music]
Get out of here. Go.
[melancholic music]
[melancholic music continues]
[melancholic music ends]
[car doors thudding]
[car engine roaring]
[static crackling]
Unbroken
By and by, Lord
By and by
There's a better
home awaiting
In the sky, Lord
In the sky
[singers vocalizing]
There are loved
ones in the glory
Whose dear forms
you often miss
When you close
your earthly story
Will you join them
in their bliss
[singers vocalizing]
Will the circle be unbroken
-Unbroken
-By and by, Lord
By and by
In a better
-Better
-Home awaiting
Home awaiting
In the sky, Lord
In the sky
[John] Mm, mm, mm.
What'd I tell ya?
Mm, you weren't lying.
-Mm-hmm.
-Damn good tacos.
Tequila ain't bad either.
Siete Leguas, my
personal favorite.
You guys know your tequila,
I'll give you that much.
We know a few good
other things too.
We do good for ourselves,
even without Interpol.
-Yeah?
-Mm-hmm.
Is that why UN has you stuck
in trafficking tier two?
[chuckles] Look, I just
go where they tell me.
A few months ago it was
Montenegro, before that Brazil.
It's nothing personal.
It's only gonna be personal
if you don't take that shot.
To nothing personal?
[glasses clinking]
Cheers.
-Ah.
-Another round?
Bring it, [speaks
in Spanish], gringo.
Sir, two more please.
[both laughing]
Oh, it's training wheels I see.
Okay, Huerta.
That's how it's gonna be, huh?
Sack up, Crawford.
[laughing] Cheers.
[melancholic music]
[melancholic music continues]
[melancholic music continues]
[melancholic music continues]
[guitar strums]
[knuckles rapping]
Come on in.
[door creaking]
Hello, Father.
Yes?
The kids made a
card for Carmelita
and I was hoping to have an
address so I can send it to her.
As a matter of fact,
I'm going to see
Carmelita later this week
to see how she's
adjusting to her new home.
Okay.
Anything else?
That's it.
Oh, go ahead, leave
it right there.
[door latch clicks]
Sisters, it's been too long.
-Hello, dear one?
-Good to see you both.
How are you?
I am doing well.
And how are you, my friend?
Uh, my sciatica is
acting up today,
but I'm vertical and that's
better than the alternative.
You don't happen to have
any of those special mangoes
that I love so much, do you?
You know I can find anything,
even if it's not in season.
Sister Anne Marie,
I'm going to catch up
with Dulce for a while.
Okay, would you like
me to wait for you?
Oh, no, no, no, I'm fine.
I'll see you later this evening.
Okay.
Bye, Dulce.
Bye, Espy.
[birds chirping]
[vehicles rumbling]
Hello.
How's it going with your girl?
It's going.
She doesn't like my job.
But oh well.
[upbeat music]
Can you dance a little more?
[upbeat music continues]
[car engine turns and revs]
[cars whooshing]
[tires crunching]
[man speaks indistinctly]
[handbrake rasping]
Hey, I just think I saw
one of the little girls
from my orphanage in there.
-You gotta look-
-You are crazy.
There are no little
girls in here.
-She's in trouble.
-Look at this sign.
Do you even know
what this place is?
Please, you've gotta let me in.
I'm not gonna let a nun in here.
No.
No way.
Excuse me. Excuse me.
One of the little girls
from my orphanage,
she just walked in there.
You have to go help her.
-This is her.
-Calm down, calm down.
This is her, her name
is Carmelita, she's 15.
Please go now, she's in trouble.
Calm down.
Look, stay here.
We go check it out.
You have to go now.
Calm down, calm down.
Stay here.
My damn taco.
[cars whooshing]
Hey bro!
What's up?
How you doing?
Just chilling.
We're going to check the place.
Just to please the nun.
She says you have underage
-girls inside.
-She's crazy.
I know.
Come in.
-Come on in, no problem.
-You stay out here.
Sir.
-How are you doing?
-Very well.
-Chucho.
-Hm?
I've got two more girls,
[speaking in Spanish].
Yeah, but these three
don't even move.
Didn't I tell you to
bring a bikini?
Didn't I tell you to
bring a bikini?
What's up dudes.
What's up dudes, how are you?
Welcome.
How can I help you?
As you can see, I'm in
the middle of...
...an audition.
for new talent.
[upbeat music]
And how is it going Sir?
There is a nun outside
freaking out.
A what?
[upbeat music]
A nun outside, and
she's freaking out.
[upbeat music continues]
[Chucho scoffs]
And what the f*ck is a
nun doing outside?
She says that she saw an
underage girl
coming in through
the main entrance.
What do you mean she saw
an underage girl coming in?
She says she saw an
underage girl come in?
That is impossible!
-No underage girls come through
that door!
That's what I'm saying.
-What are you accusing me of?
-I'm not making things up!
-What are you accusing me of?
-I'm not making things up!
You're accusing me!
You're accusing me, damn it!
[Chucho] Hey!
[upbeat music]
You all know perfectly well how
we work here.
We do not hire
underage girls here.
We only work with old
b*tches here!
Without insulting
present company.
What is this about?
There are no
underage girls here!
Yes sir, we understand
that perfectly.
What do you want me to tell
the nun that is freaking
out outside?
Tell her the truth.
That the only girl that
works here...
is named Mirna.
She's my goddaughter.
and she does my books.
Period.
[upbeat music]
Tell her to f*ck off.
Douchebag.
[upbeat music]
[Chucho] Escobedo.
Bring Mirna.
Now!
-Thank you.
-Sure.
Good news Sister.
Everything is as it
should be up there.
[Anne Marie] Really?
I, I saw her go in!
There are no little girls
inside,
Look, maybe you got it wrong.
Maybe you got confused.
Look, the good thing is
everything checks out.
Don't worry.
That's why we're here
for, to help you guys.
Excuse me.
Excuse me, excuse me.
[cop 1 speaks in Spanish]
Hi, Sister.
Good afternoon, Sister.
I'm Mr. Zaragoza.
I own the establishment.
I understand there
is a confusion?
I, I thought one of the
girls from my orphanage
walked in here and she
might be in trouble.
In trouble? Here?
Ah, I don't think so.
I think you got confused
with my goddaughter, Mirna.
Right here.
My apologies.
[speaks in Spanish], madrecita.
-Excuse me.
-Thank you very much,
-officer.
- Let's go partner, let's go.
[dramatic music]
Sister,
would you like me to get you in?
No, that's, that's
not necessary.
Okay.
[tense music]
[tense music continues]
[Anne Marie] I
need to find Espy.
Hey, is she back yet?
I have no idea.
Wh-wh-what, calm down.
I just saw Carmelita
walk into a strip club.
I asked the two cops across
the street to help me.
-Okay, slow, slow-
-And they wouldn't let me in.
Slow down.
Slow down.
And please keep your voice down.
I don't want the
children to hear you.
I know what I saw.
Sister, do you
even hear yourself?
We were both here when
Carmelita got adopted.
Why in the world
would she be walking
into a place like that?
It doesn't make any sense.
I need to talk to Espy.
And I need you to
compose yourself.
Listen,
how about I get the
Livingstons' phone number
and you can call her, hm?
That, that actually would help.
How could you be so reckless?
I can't believe you
went to Father Phillip
without talking to me.
Father Phillip's
just trying to help.
We've been through this!
I saw her go in there!
Okay. Okay.
Yes, that's concerning.
But you could have
jeopardized everything.
Espy, I-
You're sure you saw Carmelita
or you're sure you saw the hand
signal from his goddaughter?
Which is it?
-Both, I-
-Which is it?
Both, I think.
I-I, it all happened so fast.
I knew you weren't
ready to continue.
I'm calling the sisterhood.
You're being pulled.
No, please, you can't.
I can do this, please.
Please.
[melancholic music]
[drawer whooshing]
[melancholic music continues]
[keypad beeping]
Nadia, can you let
Sister Anne Marie know
that I have the
Livingstons' phone number?
Thank you.
[melancholic music]
[Carmelita] Annie?
It's so good to hear your voice.
How are you? How is everyone?
I'm fine, we're all fine.
I've just been thinking about
you and I wanted to reach out
and see how everything's
going, Lita.
Good, good.
I mean, like, the
food is different,
but I get to sleep in
longer, so that's cool.
Hey, Annie, I gotta go.
Can I call you back later?
Tiffany is taking
me clothes shopping.
Of course, of course.
It's just so good
to hear your voice.
I'll be thinking about
you at morning prayer.
[Carmelita] Eight
o'clock, I know.
Oh, oh, oh.
Oh, right, sounds good.
Okay, Annie, gotta go.
I love you. Bye.
[Anne Marie] Okay, Lita.
Okay.
Okay,
I believe you.
We have to do something.
[upbeat disco music]
[Chucho sighs]
[upbeat disco music continues]
You do know that...
...all shipments should be
received through the back door,
right?
You know that, right?
No.
[upbeat disco music]
[Chucho scoffs]
[upbeat disco music continues]
I am gonna give
you some options.
One,
we flip a coin.
If it's heads, we cut your d*ck.
If it's tails,
we'll let you go.
Okay?
Did you get it?
Heads for head.
Zim, zim, zim, zim. [cackles]
Okay.
Two.
You choose which hand you are
gonna put on the pool table.
-[upbeat disco music]
-[club goers chattering]
What the?
That's what I thought.
Put your right hand
on the table now.
[upbeat disco music]
[doorman grunts]
[upbeat disco music]
-[club goers laughing]
-[upbeat disco music continues]
[upbeat disco music continues]
[Chucho grunting]
[doorman sobbing]
[doorman groans and sobs]
[melancholic music]
[melancholic music continues]
[door latch clicks]
[melancholic music continues]
[vocalist singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalist continues
singing in Spanish]
[door latch clicking]
-[door thuds]
-[door latch clicks]
Oh, my goodness.
It's been so long since
I've seen you like this.
You, you look...
Dios mio, you look beautiful.
Is it too much?
[chuckles] You're
really asking a nun
if red lipstick and a
skin-tight dress is too much?
I can't believe
I agreed to this.
In and out, as we discussed.
[car engine rumbling]
I, um...
I, I'm, I'm speechless.
You, you look stunning.
Thanks for meeting me.
Of, of course.
Um, are, are you allowed
to look like this?
Can you tell me what's going on?
I, I can't right now.
I'm sorry.
At least give me something.
One of our girls is in trouble
and I, I think she
might need our help.
I, I just need you to
trust me and be my friend.
Okay, yeah, no,
yeah, I, I trust you.
Thank you.
[cars whooshing]
[muffled seductive music]
[muffled seductive
music continues]
[muffled seductive
music continues]
[seductive music]
[seductive music continues]
[people chattering]
Hey bro!
[people continue chattering]
Your belly man!
Your belly!
What about it boss?
It distracts.
You should go on a diet,
go on the Atkins Diet.
You can eat hotdogs and
bacon, all that sh...
Hey mama, look who got there.
Chucho.
My future ex-wife.
[man speaking indistinctly]
None for you.
Hey there little lady.
I haven't seen you here before.
Okay, say bye-bye to the
bad guy, that's okay.
Are you sure you
wanna be in here?
Yeah, just go with it.
How are you?
What's up?
Just here, going crazy for you.
When are you going
to go out with me?
Ignore me if you want.
Doesn't matter.
Won't be the first time.
[Escobedo chuckles]
[seductive music]
Hey, y'all wanna dance?
Wanna have fun?
We'd love you to join us.
Um, you're beautiful,
but, uh, I was in the mood
for something younger.
[seductive music continues]
Y'all gotta get outta here.
I know nothing.
[Escobedo speaking in Spanish]
We gotta go.
Two coming out, pants
and a red dress.
[Brenda speaks in Spanish]
[camera clicks]
[muffled seductive music]
[camera clicking]
What is going on?
[camera clicking]
Okay, now you need to
tell me what's going on.
Wh-what'd you get yourself into?
I told you, I can't
explain it right now.
It's complicated.
Co-complicated?
That, that's what
you're going with.
Really?
It's like...
So you just used me, is that it?
[foreboding music]
-[g*nsh*t booming]
-[Anne Marie winces]
[Anne Marie panting]
[g*nsh*t booming]
[Anne Marie panting]
[g*nsh*t booming]
-[solemn music]
-[Anne Marie crying]
[g*nsh*t booming]
-[door latch clicks]
-[door creaking]
You need to stop this.
Stop punishing yourself.
You know we did everything
we could to save Alicia.
Did we?
This is exactly what I mean
when I say you're not ready.
You have to get ahold
of your emotions.
You can't continue this way.
It'll tear you apart.
[sobbing] I'm trying.
I...
-Hey.
-Hey, Brenda.
Whoa.
Mm, looks like you've
seen better days.
Truth.
A beer please.
Don't you think it's a
little early for that?
Give it a few years, you'll
be right there with me.
A michelada.
My head.
In this damn case,
I feel like we're on
a wild goose chase,
no answers in sight.
Wild goose chase?
What is that?
It's a saying.
It's a dumb saying.
Well, you're in luck.
The pictures and the
plates you asked me to run
might give you the answers
you're looking for.
First things first.
I didn't find anything on the
guy that I took pictures of,
but then I decided
to scan the woman.
We zoomed in, we took
pictures of her, scanned,
and I think we have a hit.
She's got quite the record.
Says here, prostitution,
grand theft auto.
She was investigated for m*rder
but wasn't charged.
And the list goes on.
Who's she suspected
of murdering?
Her adopted father.
Enjoy.
What is that?
[laughs] Try it.
Mm, there you go.
No more hangover.
Well, it says here, let's see,
her adopted father went missing
just after her 16th birthday.
His wife tried to
accuse your girl,
whose name is Olivia Sol.
There was no evidence
linked to his death
or missing person's report.
And after that, she just had
really like a rough time,
and she went off the grid.
There's no information
on our girl, Olivia Sol,
from 19 until, well, now.
Oh, and the plates,
they are registered
to an orphanage in town
called Casita de Piedad.
"Casita de Piedad"
(Little House of Mercy)
Hmm.
What are you thinking?
I'm thinking,
let's go adopt a kid.
Really?
[Phillip] Where are
you coming in from?
We own a home down here,
but our primary residence
is in Orange County.
Yes.
Well, we get a lot of
couples from the States
looking to adopt.
What kind of kid
are you looking for?
Um, one with low mileage.
Sorry, Father, you
just make it sound
like we're here to
purchase a used car.
I'm sorry.
Yeah, uh, let me introduce
you here.
Girls, come here.
Say hello.
-Hello.
-Hello.
Nice to meet you.
Go on, go on.
You have a lovely facility.
Oh, thank you.
We're extremely grateful to
have such generous donors.
Even with the church's
help, it's very difficult
to run an organization
of this type
with this amount of children.
-I can imagine.
-Let me introduce you
here to, uh...
-Sister Anne Marie.
-[Anne Marie laughing]
Hi, I, I'm Thomas.
This is my wife, Ursula.
-Hi.
-Call me Ursi.
Hi.
This is Sister, uh...
-Hello.
-Hi.
Welcome. Sister Esperanza.
-Pleasure to meet you.
-Nice to meet you both.
Uh, let me show you this way.
Nice to meet you.
What's the matter?
Uh, it's last night.
What?
Last night, I'll tell you later.
Sister Anne Marie seems a
little rough around the edges.
How long has she and Sister
Esperanza been at the orphanage?
Ah, not very long.
About, about a year.
Did they come here
together, at the same time?
Oh, please forgive me.
The church is very private
about those matters.
We understand completely.
Uh, would you care to
meet more children?
Absolutely, that would
be lovely, Father.
Thank you.
Alright, let me
show you this way.
[John chuckles]
Well, that was interesting.
Yeah.
Do you, uh, notice
the same thing I did?
The uncanny resemblance
between Sister Anne Marie
and the girl at the club?
Funny that, huh?
[Brenda] Mm-hmm.
Hey, check those plates.
[birds chirping]
[children chattering]
Same ones.
[Phillip sighs]
Ah.
Preparing for a trip.
[Phillip gasps]
Must you always
sneak up on me child.
El Senor Jesus
Zaragoza has asked me
to baptize one of
his associates'
children at his home.
He's been a tremendous
benefactor to us.
He's, uh,
given us the van you drive,
built the new soccer field,
donated all the new computers.
Do I know him?
Um, perhaps.
He's a very prominent
businessman in the area,
owns several businesses.
I would love to
show my appreciation
and join you tomorrow
for the baptism.
You know,
that would be lovely.
We'll leave tomorrow
late morning.
Ah.
[footsteps plodding]
Don't you think this might
be just a big waste of time?
And what exactly
are we waiting for?
Anything that might help
explain why our nun here
was at a strip club
the other night.
Sister, hurry up.
Don Chucho's
drivers are waiting.
[doors thudding]
[engine roaring]
Wait, wait, what's this?
Is that one of Chucho's fleet?
[engine turning and humming]
Let's find out.
[gravel crunching]
[bright music]
[bright music continues]
[bright music continues]
Now what, Crawford?
We wait?
[John] Unless you
got a better idea.
[bright music continues]
Is that a trick question?
[John] You hitting
on me again, Huerta?
Oh, shut up.
[John] All right.
[lively music]
Don Chucho.
Father.
Be welcome.
It is a pleasure and honor
to be here with you, Don Chucho.
Thank you.
You've met Sister Anne Marie.
Sister Anne Marie.
Nice to see you
again.
Father.
Tell me,
how are the boys doing?
Do they like the new
soccer field?
With much appreciation,
Don Chucho.
[Chucho chuckles]
Thanks to you there are
far fewer skinned knees
from, from the hard dirt.
-With the garden field.
-Yeah right,
with the stones there.
Hey Magdalena!
[lively music]
It's nice to see you, Father.
Yeah, okay.
Okay.
This is my sister,
Anna; my mother;
my sister, Marta;
my brother-in-law;
my sister-in-law;
and my nephew, Ruben.
Ruben, say hi.
Hello.
-Hi.
-Hey.
Come, come see here.
I hope it's okay with you.
[lively music]
Oh, beautiful.
-Beautiful, right?
-Mm-hmm.
[birds calling]
Look at the view.
Absolutely gorgeous.
Made of my mouth.
A constant sword.
And keeps me...
under your hand.
[baby cries]
In the name of the Father,
the Son...
and the Holy Spirit.
[lively music]
[crowd whoops and cheers]
[people chattering]
[waves crashing]
[people chattering softly]
Excuse me.
Hi, you have such
a beautiful home.
Thank you, we enjoy it.
Can I bother you to
use your restroom?
Of course, Sister.
It's upstairs towards the left.
-Okay.
-Would you like me
to show you?
I think I can find it
on my own, thank you.
Okay.
[people chattering]
[soft tense music]
-[door latch clicks]
-[door creaks]
[solemn music]
[solemn music continues]
[solemn music continues]
[solemn music continues]
[solemn music continues]
[solemn music continues]
[foreboding music]
Carmelita.
[foreboding music continues]
[solemn music]
[solemn music continues]
[solemn music continues]
[solemn music continues]
[solemn music ends]
[tense music]
[tense music continues]
[tense music continues]
[foreboding music]
No, no, no, no. [crying]
-[dramatic music]
-[fist thudding]
[no audio]
[no audio]
[fingers snapping]
Shh, shh, shh. Hey.
[Anne Marie panting]
Why
you snooping around
and causing me so many problems?
Since when nuns are detectives?
Chucho, she's not a f*cking nun.
Her name is not even Anne
Marie, it's, uh, Olivia Sol.
You saw her file.
The question is,
who are you
and where have you
been for a decade?
This is a serious
problem, Sister.
Really.
[Anne Marie panting]
You know, I'm a, I'm
a God-fearing man.
Swear to God.
What shall I do with you?
Chucho, she's not a nun.
I'm more a nun than she is.
Escobedo, shut up or
I'll cut your ba*ls off!
-Mr. Chucho, I only have one.
-Shut up as*h*le!
Okay. Okay.
This is a f*cking problem.
She is a problem.
How did this happen?
Well, she went downstairs.
Really?
And how the f*ck did
she get down there?
"Flaco"
Flaco was eating sh*t.
Everyone here is eating sh*t!
You're chief of security!
You're the one responsible!
Don't mess with me!
I'm sorry, I'll take care of it.
I'll take care of it.
Jesus, this is a problem.
What am I gonna do with you?
What shall I do with you?
Maybe I should ask for
some divine intervention.
You think so?
Huh?
Please, come here.
Father Phillip, what
should I do with her?
Oh, Sister.
What have you done?
[whimpering] What have I done?
What have you done?
All of this?
What?
For the sake of donations?
Children for cash, is that it?
It's not that simple.
You act without knowing
the true depths of this.
[Anne Marie crying]
Father, you have
a choice to make.
What shall I do with her, hm?
Tell me.
Sometimes we must
sacrifice the few
[Anne Marie sobbing]
to save the many.
The wrath of God
-is on you.
-Yes.
I'm sorry.
Weak man!
[Anne Marie sobbing]
Believe me, I don't like this.
But you don't give
me any choice.
You had a choice.
You made that a long
time ago. [crying]
Escobedo, take care of this.
Be clean.
No ties to the orphanage, okay?
I trust you.
Good luck.
[menacing music]
[tense music]
[car doors clicking]
[tense music continues]
[car doors thudding]
[car engine turns and revs]
Hey, hey.
Movement on our Escalade.
-All right.
-Yep, down.
[tense music]
[gravel crunching]
[engine humming]
Hey, you know the
story of a drunk guy
who walks into a bar and
says to the bartender,
"Are there any five
foot five penguins?"
And the bartender says,
"No, of course not, why?"
And he says, "f*ck,
call an ambulance.
I just ran over a nun." [laughs]
That was a dumb joke.
I bet your padrecito
thinks it's funny.
I hate nuns.
[car whooshing]
[car engine humming]
Have a good night Father.
Good night.
[car engine humming]
[car engine roaring]
Wait a minute, where's our nun?
I say we backtrack to Chucho's.
Sister's either in over
her head or she's in on it.
[car engine turning and revving]
[engine humming]
Do you think she's a Mary?
What's a Mary?
A virgin, you dumb f*ck.
A virgin, you...
Hey,
hey,
are you?
Huh?
Nah, nah, nah, nah, nah, wait,
wait, wait, don't tell us,
don't tell us, don't tell us.
Let me find out.
[chuckles] Now that
was funny right there.
[engine humming]
[Espy] Good evening,
Father Phillip.
[gasps] Oh, uh...
Good evening.
How was the ceremony?
Oh, it, it, it was lovely.
Oh.
The orphanage received a
very generous donation,
which will allow us to
complete the renovations
on the, on the east wing.
Well, how wonderful.
Yes.
Where's Sister?
Um, she, uh...
She went into town
-to pick something up.
-To town?
Yes, uh...
I, I, I'm sure she'll, uh,
she'll come later this evening.
Ah, well, yes.
Um, again, such great
news about the donation.
Um, yes, yes, yes, it's good.
Uh, good night, Father.
Yes, g, good, good night.
[keypad beeps]
[phone ringing]
Dulce?
Father Phillip just returned
and he's acting odd.
Sister Anne Marie
didn't return with him
from Don Chucho's
and, uh, something,
something's not right.
What do you mean she
didn't come home?
Why didn't you go with her?
No, I, I didn't know
she was going with him
until they were leaving.
It, it would've
appeared suspicious
if I tried to join them
at the last minute.
You were worried
about her mindset.
You let her go alone?
Dulce, ju-just don't.
There's not much I
can do on this end.
I just need you to find her.
I'll start the search
south of his place.
There's nothing out there.
I, I'll stay with
Father Phillip.
[intense music]
[intense music continues]
[intense music continues]
[intense music continues]
[tense music]
Hold my g*n.
[tense music continues]
If you allow me.
[Anne Marie grunts]
That's right, that's
right, that's right.
[dramatic music]
-[fist thuds]
-[Anne Marie grunts]
[dramatic music]
-[fist thudding]
-[Escobedo grunts]
[Anne Marie panting and sobbing]
Behave, behave!
[dramatic music]
Don't f*cking move.
Don't f*cking move
[Escobedo grunts]
[dramatic music]
[Escobedo grunting]
[Escobedo continues grunting]
[Anne Marie whimpers]
[Anne Marie panting]
[dramatic music]
[Escobedo speaking indistinctly]
[menacing music]
f*ck, go take her.
[menacing music]
-[kick thudding]
-[groans] sh*t!
[Escobedo cackles]
[g*nsh*t booms]
You get that, you get her?
[Escobedo panting]
f*ck, yes.
Forget about it.
The birds or coyotes
will eat her.
[Carlos] Oh, my God, it's wrong.
Come on, let's go.
-f*ck.
-f*ck, let's go.
-Close up the [indistinct].
-[Carlos groaning]
Close it!
[Carlos] You close it.
You f*cking lazy fat f*ck!
You fat f*ck!
[liftgate bangs]
[vultures screeching]
[vocalist singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalist continues
singing in Spanish]
[heartbeat pulsating]
-[melancholic music]
-[Anne Marie coughs]
[melancholic music continues]
[vocalist singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalist continues
singing in Spanish]
[Anne Marie sobbing]
[vocalists singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
There's nothing
more on Olivia Sol
you can tell me right now?
Well, how about you
get off your a*s
and do something for once, huh?
Yeah, a marsh,
south of La Mission.
Not much out here.
Yeah, I got one
more call to make,
I'll get back to you, thank you.
[phone beeps]
Incompetent son of a b*tch.
[keypad beeping]
Yeah?
Alright. Copy that.
Get back to me when
you know something.
Thank you.
-[phone beeps]
-What do we got so far?
Not much yet.
Time of death still
to be determined.
I'd say just a, a few hours ago.
Alright, let's find out
all we can about these two.
Prints and pics to the lab?
On it.
We should have it in
a couple of hours.
Those are tight double taps.
Somebody knows
what they're doing.
Damn.
-Let's go.
-All right.
Look.
Call for them to be
taken away now.
Thank you.
Thank you friends.
[Brenda] Let's go.
[somber music]
[horse hooves clopping]
[horse neighing]
[somber music]
Oh.
[somber music continues]
[somber music continues]
Oh, my love.
Oh, my love.
What have they done to you?
[somber music continues]
[horse hooves clopping]
[horse nickers]
[Dulce grunts]
-[birds chirping]
-[horse nickers]
[somber music continues]
-[birds chirping]
-[fire crackles]
[gentle music]
[Dulce sniffles]
sh*t.
Okay, come on, come on, come on.
[vocalist singing in Spanish]
I pray that you will comfort
me in my suffering. [sniffles]
Send blessings on the
hand of my healers
and bless the, the
means used for my care.
Put such confidence
in your grace, oh God,
that I may put my trust in
you through Christ our Lord.
Amen.
[vocalist singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalist continues
singing in Spanish]
[Espy] Olivia Sol,
you have always shined
brighter than the sun.
[vocalist singing in Spanish]
-[fire crackling]
-[somber music]
[somber music continues]
[somber music continues]
[somber music continues]
[somber music continues]
[water dripping]
[solemn music]
[solemn music continues]
[solemn music continues]
[solemn music continues]
[sheep bleating]
[ethereal music]
[ethereal music continues]
[Anne Marie whimpers]
[ethereal music continues]
-Shh, shh.
-[Anne Marie sobs]
It's okay.
[Dulce speaks in Spanish]
It's okay. It's okay.
It's okay. It's okay.
Shh, shh, it's okay.
It's okay.
-[ethereal music]
-[Anne Marie sobbing]
Shh, shh, shh.
Shh, shh, shh, shh.
It's okay.
[ethereal music]
It's okay. It's okay.
[water dripping]
[ethereal music]
[ethereal music continues]
[ethereal music continues]
[fire crackling]
Don Chucho is trafficking girls.
I know he has Carmelita.
I saw the room
where he keeps them.
Father Phillip,
he, he's in on it.
He knows everything
and did nothing.
I have to find her.
You have to get better.
You're not strong enough yet,
and I think you've
got an infection.
I have to find her.
I have to help the girls,
and I'll die trying
if that's what it takes.
[horse neighing]
[fire crackling]
All right.
Let's get you strong again.
[dramatic music]
[birds chirping]
How did you...
She stayed as long as she could.
She had to return.
Things aren't safe for
any of us right now.
[intense music]
[intense music continues]
[intense music continues]
[intense music continues]
[intense music continues]
[intense music continues]
I left a long time ago.
Was just like you,
couldn't stand by
and do nothing.
[dramatic music]
There are two good
books for a reason.
There is a time to k*ll
and a time to heal.
A time for w*r and
a time for peace.
Ecclesiastes 3:3 and 3:8.
I will help you.
Whatever you decide.
I don't think I can
stay with the church.
They turn their head to
so much evil. [sniffles]
That means Talitha Kum as well.
You know that.
[sniffles] Maybe I can serve
in a different, in
a different way.
[melancholic music]
[Espy] Little girl,
I say to you, arise.
Arise to the light of the Lord.
Olivia Sol,
you have always shined
brighter than the sun.
I love you dearly
and always will.
You have been a daughter to me
and I'm sorry I
couldn't protect you
from all the evils of the world.
I know what's in your mind,
what you think you must do.
But I ask you to
search your heart,
to ask God for guidance.
Do not go down the
road of vengeance.
For if you do, I can't
protect you any longer.
I will return for
you when it is safe.
Remember, if you choose the
flaming sword, you go alone.
The sisterhood cannot
condone such godless ways.
I love you forever.
Yours in Christ, Esperanza.
Hello, Sister.
-Oh.
-Sister Esperanza?
H-hello.
Yeah, you two again.
Yeah, we were hoping
to have a chat
with you and Sister Anne Marie.
Do you have a moment?
Oh, um, unfortunately
Sister Anne Marie
is no longer with us.
I don't think she was
ready to fully commit to the
life in servitude to God.
I can understand.
-Yes.
-It's, um,
I'm sure it's a really
hard decision to make.
Well, we were just wondering,
is there any way that
maybe you can show us
around the orphanage
a little more?
Your facilities were some
of our absolute favorite.
Well, of course,
the office can schedule an
appointment at your convenience.
Well, we're leaving to
the States in the morning
and we were just hoping that
maybe you can squeeze us in.
Ah, well, um, of course.
Well, it will have
to be quick, however.
Of course, of course.
You two go on ahead, I have
to take a quick phone call.
Okay, honey, I'll record it.
Right this way.
Thank you so much.
[children chattering]
[footsteps plodding]
[child laughing]
[footsteps plodding]
[children chattering faintly]
[tense ambient music]
-[door latch clicks]
-[door creaks]
[tense music]
[door latch clicks]
[tense ambient music]
[tense ambient music continues]
[tense ambient music continues]
[door latch clicks]
Guess who I found?
Little Romeo. [laughs]
What do you want me to do?
Okay, I can do that.
All right.
[cars whooshing]
Thank you brother.
[cars whooshing]
[phone ringing]
[engine revving]
[phone continues ringing]
[panting] Jose, it's me.
Please don't hang up.
I, I'm sorry I couldn't explain
before, but I was right.
Don, Don Chucho, he's, he's
trafficking little girls
out of the nightclub. [sobs]
Please be careful.
They hurt me. [sobbing]
I'm so sorry for
dragging you into this.
Olivia, or is this
Sister Anne Marie?
Which do you prefer?
This is Agent John
Crawford, Interpol.
You may remember me from the
orphanage, perhaps the club?
Look, I have bad news.
Jose is dead.
You're in serious trouble.
We need to talk.
[Anne Marie wailing]
Everything ties
back to that nun.
Everything.
Let's see.
Oh, man.
Same double tap.
[dramatic music]
[Dulce] There's a time to k*ll
[bird screeching]
and a time to heal.
[solemn music]
[cars whooshing]
f*cking nasty.
f*ck!
f*ck, man, are you
serious right now?
sh*t!
Can't f*cking believe it, man.
f*cking nasty stinks.
f*ck!
[door rattles]
[muffled upbeat music]
Hey, where are the girls?
What are you gonna do with that?
-sh*t.
-[g*nsh*t pops]
[intense music]
[intense music continues]
They're over there.
[intense music continues]
[soft intense music]
[g*nf*re popping]
-[Escobedo groans]
-[door creaks]
[Escobedo panting]
[intense music]
[waves crashing]
[waves continue crashing]
[waves continue crashing]
[waves continue crashing]
[waves continue crashing]
[soft foreboding music]
[soft foreboding
music continues]
[foreboding music]
[foreboding music continues]
[tense music]
[alcohol sloshing]
You claim to be a man of faith?
Start praying.
You're tougher than I thought.
I'll give you that.
[Chucho grunts]
Where are the girls?
You're always a step behind.
What are you gonna
do with that g*n?
Are you really gonna sh**t me?
You failed Alicia,
and you are failing Carmelita.
It seems like you're
not very good at this.
Protecting little girls.
Olivia.
Olivia.
We know you can k*ll,
but
are you really a k*ller?
Your stepfather was
your first one, right?
You were so young.
How was that like?
Hmm?
[chuckles] Oh, I bet I know.
I bet he was a bi-
[g*nsh*t booming]
[footsteps tapping]
I was one of them.
[drawer whooshing]
[Magdalena inhales shakily]
[Magdalena exhales shakily]
You'll find everything
you need in here.
His only records.
[footsteps tapping]
[no audio]
[phone buzzing]
Hello?
John, it's Olivia.
I have the coordinates
to a drop location.
Pretty certain the
girls will be there.
Don Chucho's contact
will be there as well.
Tomorrow, noon.
Watch yourself.
How did you get
this information?
[phone beeps]
Olivia, what the f*ck
you got yourself into?
[gravel crunching]
Get out of the truck with
your hands in the air.
Slowly!
Hands in the air!
What happened boss?
Nothing personal, John.
[g*nshots popping]
How's that for a wild
goose chase, m*therf*cker.
f*cking gringo!
Let's go!
[g*nf*re popping]
[Brenda gurgling]
-[heartfelt music]
-[Olivia panting]
[truck door whooshing]
[girls shrieking]
Get out!
Annie, Annie.
-Oh, my God.
-Annie.
Oh, my God. [sobbing]
[Carmelita crying]
[Carmelita] [indistinct]
don't ever let me go.
[heartfelt music]
[Carmelita crying]
[heartfelt music continues]
-[Carmelita continues crying]
-[heartfelt music continues]
[heartfelt music continues]
[heartfelt music continues]
[heartfelt music continues]
[heartfelt music continues]
-[church bells tolling]
-[menacing music]
-[bells continue tolling]
-[menacing music continues]
[gate clinking]
[menacing music continues]
[doors clanking]
[menacing music continues]
[menacing music ascending]
[dramatic music]
[somber music]
[no audio]
[solemn music]
[solemn music continues]
[solemn music continues]
[vocalist singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[lively music]
[lively music continues]
[vocalists singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[vocalists continues
singing in Spanish]
[lively music]
[lively music continues]
[vocalist singing in Spanish]
[vocalist continues
singing in Spanish]
[vocalist continues
singing in Spanish]
[somber music]
[somber music continues]
[somber music continues]
[somber music continues]
[somber music continues]
[somber music continues]
[somber music continues]
[somber music continues]
[somber music continues]
[no audio]
[no audio]
[no audio]
[no audio]
[no audio]
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Final Vow (2023)
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