01x02 - Denial

[bunniefuu]

-(RUMBLING BACKGROUND NOISE)

-(CLOCK TICKS)

I like your hair.

This is much nicer

than the other room.

This is the better room.

I don't think he's, um,

going to come.

I think he just wants me

to have to tell you.

Well, I know I said we should wait.

But, perhaps, if this is

-(DOOR OPENS AND CLOSES)

-(FOOTSTEPS APPROACH)

-Hello, Cob.

-COB: Hey.

So sorry I'm late, Rose.

Um, child care issues.

(CLEARS THROAT) Well, I would say

it's nice to see you both again.

But I suppose I wouldn't be,

unless something's happened?

Suzie is not living at the house

anymore, Rose.

Oh?

Because

Um

OK, so, um, someone

somehow hashad access to my phone

or hacked my phone

and downloadeddownloaded photos.

And there was a photo of me on there

with someone else. Sexually.

Very clearly someone else.

-Right.

-COB: Mm-hm.

Gosh. That must be quite a shock.

I'll f*cking say.

Andand Cob assumes that that means

that I'm being unfaithful.

Yeah. Mmm.

Why would I (LAUGHS)

Why would I possibly

Oh! Of course.

I get it, because I'm insane.

Right, because seeing something

with your own eyes

has absolutely no meaning, right?

That's This is gaslighting.

Uh, what'swhat's happening

with Franky?

-(LAUGHS)

-Frank. Um

Sohe's, uhhe's fine.

You know, I mean, I am

..I am coming into the house

at, like, 6am to wake him up

and, umand then leaving

and then coming back

at the end of the day.

-I think he's fine.

-(COB SNIGGERS)

I think he's fine.

Um, I don't think he realises,

you know,

except this weekend when we're going

to the convention, but

COB: Whose c*ck is it?

Whose c*ck is it?

It's what we're here for.

Let's just

We're here now. We're there.

Whose c*ck is it?

Suzie, whose c*ck is it?

-Do you I mean

-Whose c*ck is it? Whose c*ck is it?

Whose c*ck is it? Whose c*ck is it?

Whose c*ck is it? Yeah.

-Do you want me to answer that?

-Whose c*ck is it?

-I don't

-Whose c*ck is it?

Whose f*cking c*ck is it?!

(JAZZY PIANO MUSIC)

(SCRAPING)

(YAWNS)

-WOMAN: I've got it.

-sh*t.

You don't have to keep giving me

your bed.

-I know I don't have to.

-It's so cold.

-How long have you been sat there?

-I've got a plan.

We go to the convention, as booked,

but our attitude is,

"f*ck you, fake news, you lose."

No, that justthat sounds horrific.

But not going makes it look like

it's you and you care.

It is me. And I do care.

Let's not dignify it with a response.

No comment from us

and it all goes away.

-SUZIE: Hmm.

-NAOMI: Mmm.

-I really need my phone.

-Yeah, the police still have it.

But you've got this one.

It has all your same contacts

and names in it.

It just can't go online,

which is good.

Why? What are they saying?

Yeah, you don't need to see that.

Why, is it bad?

-Uh

-Nay?

(GROANS)

But the whole convention is just

gonna be sat there, you know.

They're just gonna be sat there

and they're just gonna be

looking at my t*ts

and thinking about me sucking c*ck.

Yeah, but they always are, babe.

You get dressed.

(THEME MUSIC)

(GLASS SMASHES)

-NAOMI: Are you alright?

-Yeah.

Don't forget,

no photos or signing anything

until you're on

the official table.

We make no reference

to the hack at all.

-MAN: Hi, Suzie.

-NAOMI: Thanks very much.

-Also, I've cancelled the Q&A.

-SUZIE: Hi.

NAOMI: So don't answer any questions.

Look at all these people

that love you.

-Thanks.

-Hi!

Thanks very much.

-I love you.

-Hi.

OK, that's great. Thank you.

-MAN: Captain Bria!

-(SCI-FI SOUNDS EFFECTS PLAY)

We don't mention the real world

at all.

Nobody cares here.

-Nobody cares about the photos.

-Right.

-All they care about is Captain Bria.

-Yeah.

-There's not gonna be a Q&A.

-Right.

-Some water?

-Oh, thank you.

So just go out there

and be a smiley, charming bad-a*s

like a bad-a*s on bad-a*s patrol.

Or don't if you don't want to.

Just do what you want.

OK.

Also, can you talk about 'AfterDeath'

rather than the sci-fi you did

12 years ago?

-But nobody watches 'AfterDeath'.

-Yeah, they do.

Then why do I never meet them?

Because viewing figures

don't matter anymore.

Oh, right. It only matters

who clicks on it?

Yeah. And, well, that doesn't matter

either but

-So what does matter?

-Excuse me, they're ready for you.

-Shh. OK. Let's go.

-OK. Great. Yeah.

Thank you.

OK, let's welcome to the stage

the real Captain Bria, Suzie Pickles!

-Anything hanging out my nose?

-No, you're good.

-Are you sure?

-You're good.

(WILD CHEERING)

Thank you!

Shall I go this way or this way? Hi!

Here's your mic.

Thank you.

-Welcome along.

-Shall I just hold this like this?

-Yeah, however you like.

-Like, I think that's normal?

Yeah. (LAUGHS) That's fine.

Um, alright.

So, you all know our Suzie

from her varied career, of course.

From 'Quo Vadis'

(ALL CHEER)

..and more recent stuff as well,

uh, the soap stuff

-Yeah. But we don't mention that.

-Alright.

And, of course, 'AfterDeath',

which is on streaming now.

Yeah, that's right.

And who doesn't love n*zi zombies?

-Right.

-(LAUGHTER)

OK, so usually we do a Q&A format.

Uh, I think, today we're just gonna

have a conversation between us

(CROWD GRUMBLES) Aww

-Oh, no, the masses are revolting!

-(LAUGHS)

They've queued for hours

to talk to you, Captain Bria.

MAN: Come on, do it. You promised!

(AUDIENCE CLAPS AND CHANTS)

Do it! Do it! Do it!

Uh, no, no, no. I love Q&A.

No, I love Q&A

-(WHISTLING)

-I wanna, you know

-I wanna talk directly to them.

-Yeah?

-You know, II love you guys.

-(CHEERING)

-Alright, great!

-Whoo!

Uh, let's go to

some questions, then.

The mic's out there somewhere.

Uh, yeah, guy with the beard.

Uh, no. Uh, no.

Yeah, you. There you go. Yeah.

(FEEDBACK WHINES)

-Hi, Suzie.

-Hello! How are you?

-I love your top.

-Oh, thank you, Suzie.

(LAUGHS)

In 'Quo Vadis', your character dies

at the end of the series.

But if she did that,

Captain Bria couldn't go back

to where we found her

in the first episode on the ship.

Um

Uh, it would make sense

if it was in a different dimension.

Yeah, it would. And I've never

closed down that reading.

But, you know, if I'm, um

if I'm just really honest,

I was just thinking about getting

into that bloody catsuit every week.

-I mean jumpsuit.

-Jumpsuit. Yeah.

Um, well, it is funny you should

mention the jumpsuit, Suzie,

because we did a little research

mission of our own.

Yep.

And we found the jumpsuit

from 'Quo Vadis'.

-(WHOOPING AND CHEERING)

-Um, yeah, the real one.

-So let's bring it out.

-You're joking.

Here we go. There it is.

-Look at it.

-Is it actually the real one?

It's the real one

from the archives, yeah.

Oh. Do you need a moment?

-I just remember the smell!

-(AUDIENCE CALLS OUT)

Alright, well,

lots of other questions

whilst you reacquaint yourself

with the jumpsuit.

So, uh, yes, the lady on the side.

-Hi, Suzie.

-SUZIE: Hi.

Hi. I'm so sorry to hear about

those pictures.

It's such an invasion of privacy.

I can't even imagine.

But it's great to see you here today.

Thank you so much.

So how have you been coping?

Yeah, um

-RAPTOR: Yeah.

-Yeah

-III don't

-Can we move it along?

I don't really think

this is the venue. In fact, I

-Can I just take this

-Yeah.

..moment tobefore we get started?

-Yes, of course you can.

-OK. Um

(CLEARS THROAT) So, um

Look, I just wanted to say that

there are

..there were some photos

posted online last week,

umsupposedly of me,

stolen from me in some mass hack,

and I just wanna say that

even though I have no issue

with whatever it is that person's

supposed to be doing in the photo

(LAUGHS) Um, it's not me. No.

I mean, I wish I was that thin.

-WOMAN: It's not a fake.

-No, it's a fake.

You know 'Black Mirror'?

It's very 'Black Mirror-y'.

Whatever. We're all doomed.

Anyway, I justI just wanted

to put that to bed, you know.

And, um, I don't know, if there's

anything to take away from today,

um, don't wank to lies, kids.

-(SCATTERED CHEERING)

-RAPTOR: Yes. Uh, good advice.

(APPLAUSE AND CHEERING)

Yes, thank you for that.

Alright, uh

-Sorry, that was a bit blue.

-No, that's fine.

It's completely understandable

you would say it wasn't you,

but there are other details

in the pictures.

Uh, like the necklace

you were wearing, uh, for example.

(AUDIENCE MEMBERS BOO)

I mean, which you've worn it

on other occasions.

-Yeah, I don't think

-Can we move it along, please?

-I'm just giving you an opportunity.

-..to be talking about this.

This feels very

Because it is a p*nis of colour

in the pictures

-Jesus!

-You know what? I Oh, my God.

Yeah, OK. That's enough.

Is that the reason why

you're trying to distance yourself

Sorry, I was just

I was just wondering

if I could still fit into this.

-(CHEERING)

-Yes! Are we insured for that?

Well, I guess I'm doing it.

Alright, off she goes

to change into the jumpsuit.

-Very shortly she'll be back.

-I'll see you in a second.

-See you in a second.

-Maybe a minute. Who knows?

-What the f*ck?

-That's what you came for.

Do it! Do it! Do it! Do it!

They should just chuck her out.

Stand up.

-I said don't do questions.

-Theythey just sat there.

They just sat there waiting.

I can't wear this.

It'll make me panic.

-Get it off.

-We'll take it off.

Can you take this, please?

(CHEERING AND WHISTLING)

NAOMI: You're looking good, babe.

RAPTOR: Here she is!

Sorry, it's a bitit's a bit tight.

I actually can't breathe in this.

(LAUGHS)

I feel really self-conscious

that I've got camel toe.

(FUNKY MUSIC PLAYS)

(PHONE BUZZES AND PLAYS RINGTONE)

SONG: Ah, dance

Make your body move

Dance ♪

(SONG CONTINUES PLAYING)

-MAN: Excuse me.

-Sorry.

I'm so sorry.

Why? What have you done?

Are you here selling your soul too?

What on earth is that phone?

You're not a dealer, are you?

My other phone's in police custody.

Liquid sustenance, please!

You made a sex tape? What happened?

So, OK, soso one of the girls'

mums finds the tape

hidden in the bottom of the wardrobe,

she digs it out,

she, of course, goes

f*cking ballistic and spare,

and then the girls denied it

and said that I forced them to do it

and that they never wanted to do

a threesome

even though they were laughing

the whole way through.

And so the mother

then wrote to my agent.

I can't I don't even remember

hearing about that.

Yeah, this is way pre-internet.

I bought the family a conservatory.

A conservatory. f*ck.

But don't you

don't you worry about that now?

It coming out?

Yeah. Are you kidding? Absolutely.

Thank you.

And that's why I live my life

as a saint.

I'm a good boy.

Which is pretty brutal for me

actually because I'm freshly divorced

and I'm in this fantasy franchise,

so it's like

Yeah. I'm sorry.

You're very sweet.

-I'm really sorry.

-Cheers.

I'm with Suzie Pickles. Naomi Jones.

Do you mind if I, uh

Hello. Hi.

-Naomi Jones. This is Suzie Pickles.

-Let her in. She's with me.

Yeah, see?

Suz, we need to talk about

what happened at the Q&A.

-We should stay.

-Hmm?

We have to stay. It's so nice here.

Because it's filled with

people who've built shrines to you.

-It's like a big womb.

-No, I think we need to debrief, no?

Is that, um, Benjamin Detroit?

He plays that wizard guy

-Does Milo operate up here?

-Who reps him?

-Rude.

-Milo?

-Milo had a seizure in Barcelona.

-OK, there's always other Milos.

There's always alternative Milos.

Please, please, let's get f*cked.

-Please. Look at my life!

-Doesn't he have a coke problem?

-Yes, in that we don't have any coke.

-Ugh.

(RAIN PATTERS)

(EXHALES)

-MAN: How's this fella doing?

-(MAN LAUGHS)

SUZIE: I didn't realise

you already had coke.

I should ring Naomi

and tell her not to get any more.

Yeah, because thethe thing

aboutthe great thing about coke

!sis it's like

you never wanna do any more.

Right, thisthisthis is

very special local stuff.

Apparently you have to do it

in a certain way.

An old Mexican guy told me.

-A Mexican man?

-A Mexican man.

-A Mexican man in Birmingham?

-Yes.

-Indian.

-Yes.

Mexican-Indian man in Birmingham.

-So

-Yes.

-You are going to bend over

-Yeah.

..and, um, I'm going to lick

your a*s while you do it.

(SUZIE LAUGHS)

That's how it has to be.

That's the way to do it.

-Really?

-Yeah.

-That's it, is it?

-Yeah. I don't make the rules.

Well, it seems like you might.

-Ah!

-OK.

So youso then you

That's gotta be

-OK, right.

-Well, you have to take them.

Let me. I'll do it, though,

because I've got the tights.

-No hands.

-The tights.

I can handle tights if you need help.

-Just wait! (LAUGHS)

-I'm not touching you.

I won't touch you.

I'm not going to do any

-All I'm going to do is

-OK, I'm ready. I'm ready.

-You need to raise it up a bit.

-Ahh!

I need to see a bit more action.

Good. Ready?

You tell me when you're ready.

Tell me when you're ready.

Tell me when you're ready.

-Tell me when you're ready.

-I'm ready. I'm ready.

-I'm putting my

-Hang on! OK, ready.

-I have protective eyewear.

-I'm ready. I'm ready.

-Three, two, one. Go.

-Go! Go!

-(SNORTS)

-(SCREAMS)

I barely touched you.

(TYRES SCREECH)

SONG ON CAR STEREO: It's unnatural

You belong to me

I belong to you ♪

-Hiya.

-WOMAN: Hiya.

I'm here to meet you? I'm Naomi.

I thought I was picking up

from Tarek.

-(TYRES SCREECH)

-OK, you're driving away.

Yeah, yeah. What has to happen

is we have to drive round.

OK.

I can't park or nothing, what with

cameras. Better to drive round.

-OK, where are we actually

-(HORN HONKS)

-f*ck off! Hang on.

-OK.

Um, if there's anything

you want me to

Can Ican I do anything?

Maybe I could

-Yeah, count the money.

-I know how much I have.

Yeah, but count it in front of me.

Inin front of your face?

While you're driving?

If you count it next to me,

I'll know how much there is.

Right. 20, 40, 60, 100.

I've only got 20s. 120.

Uh, I don't suppose you do change?

I don't know where

he's f*cking put it. Ohh!

-Where's he put the f*cking gear?

-OK.

Can you just hold the wheel

for a minute, babe?

-Oh, my God, hold the

-(HORN HONKS)

Ohh! Can you see in the back

if there's, like, alike, a wallet?

Aa wallet. Uh, no.

He's not f*cking put it

where he said he would!

I'm gonna have to call

that lying f*ck now!

Making me look like a twat again!

Oh, wait.

Oh, it's in me bra.

-OK.

-It's in me bra! (LAUGHS)

-It's in your bra. Ah.

-I put it there before I came out.

-Oh, I'm a f*cking idiot, man!

-Ah.

-Here it is, babe.

-Yes.

-Swap ya.

-Thank you.

-Nice. Nice.

-NAOMI: f*ck me.

-(THUD!)

-(SIGHS)

So where do you want dropping?

Ahh

And it's just like, ahh!

And there's me just holding it.

-(BOTH LAUGH)

-SONG: To the left ♪

(KNOCK AT DOOR)

-To the right ♪

-OK, um

-Alright, f*ck.

-Wow.

-OK, f*ck!

-Wow.

Don't tell Naomi

we've already done cocaine.

-Hey!

-Hey.

BENJAMIN: Chop, chop.

-'Room 405'. There you go.

-Oh, yes!

-Whee!

-Hey. Benjamin Detroit.

-I'm Naomi with the drugs.

-Naomi with the drugs.

I can't believe you already had coke.

No, hey, no worries,

it's just like, you know,

it's the good stuff,

the best stuff, the greatest stuff.

And you start with the red wine, like

Jesus did, then you move onto the

Uh, can I have your phone

to go online?

-OK, youyou have a phone.

-No, I need it.

I want to show Ben the pictures.

I just want to show him the pictures.

-No, babe.

-(MOCKINGLY) "Oh, no, babe."

"No, babe. No, babe!"

You know, I'm 30-f*cking-5

and married with a kid.

Uh, you're 36. And not for long.

Oh, my God,

she let reality into the room.

We'vewe've gottawe've gotta

protect the room from this woman.

Yeah, the room is really important.

The room's like international waters,

that everything's in the room.

-Do you wanna maybe, you know

-No, we can't go. We're staying.

Right, well, I'm f*cking freezing

because I've been outside

for, like, an hour.

Yeah, good idea. Get into bed

You know, he used to be in, like,

all of these romantic comedies.

-She hates all this sh*t.

-Does she?

-NAOMI: No, I don't.

-Rom-coms, chick flicks

I hate that they're called that.

-Anyway, he gets letters from teens.

-They're a legitimate art form.

-Thank you very much.

-Uh, no.

They are male propaganda

trying to convince women

that romantic love

is their responsibility and desire,

when actually it's just straight men

trying to convince us

that we need them.

-So, wait

-There she is.

-I mean, can you believe it?

-Wait. Wait, wait, wait!

So, what, rom-coms are propaganda?

Or love is?

Both. Ask yourself,

as Marx did, who benefits?

I mean, sheshe hasn't even

had coke yet, so

Love is just a way of getting women

to put aside their own needs.

OK, well,

that's my career f*cked, then,

because romantic comedies don't even

employ white guys anymore anyway.

Oh, my God. OK.

Is this guy a bit of a d*ck?

-No. No, he's fine. I like him.

-What?!

Thank you. You know, hey, hey,

so Suz says that you're into girls.

-OK. Jesus, Suz.

-What? Oh, what?

So, we're not allowed facts anymore?

I just hate you, like, pimping my bi.

So, Naomi lives in this great way now

since shesince she broke up

with her ex.

-Can I call her your ex?

-Call her what you f*cking like.

So, she goes from, like,

Airbnb to Airbnb all over London

like she's on this permanent

f*cking holiday.

A permanent f*cking holiday where

I work for you all the time, babe.

-I love London. f*cking love it.

-I f*cking love London!

-It is proper. It is the real deal.

-I love it.

Thank you. Uh, so, what, you just

go everywhere, f*ck everyone?

No, being bi doesn't mean

you sleep with everyone.

It just means you can be choosy.

-I would f*ck you.

-Oh, no, you wouldn't, Suz.

That's not being bi,

that is being a straight woman

who's too eager to please.

-Cringe.

-Wow! Not the vibe.

Really not the vibe.

It's OK 'cause what Naomi neglects

to mention

is that this whole

crowdsourcing-a-home approach

is because she still pays

the mortgage, right?

Won't ask her ex to move out even

though she owns most of the house.

Of the two of us, who is staying

on whose f*cking floor? Huh?

Hey, guys, it's the womb room.

It's the womb room.

-It's like a womb. Look at the sofa.

-She's right.

-It's red, it's warm

-She's f*cking right.

I mean, what is gonna

-BENJAMIN: Come on, man.

-Seriously, what is gonna happen?

Suz, now is not the time.

Hey, there's nothing you can do

about this now.

-No, at home. With Cob.

-I know.

-We'll sort it.

-Yes. With Cob.

I can't leave, can I?

I can't leave because I've

No, Ben. Because I've got a

I've got a kid. I've got a kid.

-I've got a f*cking medicine cabinet.

-Sit down.

OK, listen. OK.

This isthis is the thing.

You cannot do anything about

any of this now.

This is very important. OK, old hand.

So whatever you do, you do not move

out of the family home.

f*cked me with my second wife.

And for custody.

Yeah, II agree.

I know I'm a hypocrite.

But you're the mother.

You bought the house.

-Cob has to leave.

-I did buy the house.

-You know what is really important?

-Yeah?

You wait. See, what is really

important is this Birmingham coke.

And thethe very specific way

that you must do it.

There is.

Which you, Naomi with the drugs

are unaware of.

-Way?

-Oh, look, she's gonna chill there.

Um, you Well, first of all,

you need to take your pants off.

(NAOMI AND BEN LAUGH)

(SLOWED-DOWN VERSION OF

'BYE-BYE BABY' BY MARILYN MONROE)

-SONG: I'll be in my room ♪

-I love you.

-NAOMI: Oh, it's burning.

(SNORTS)

SUZIE: Is this what you want?!

Is it?!

Well, have it! Have it all!

Huh! I met my

I met my exercise goal!

Goal!

Well, that's a big achievement

considering you haven't been

anywhere.

Listen, I've been thinking.

Let's look at the pictures

and everything else.

-No. Now is not the right time.

-Let it wash over me as part of life.

-No, no.

-No, it is. (GIGGLES)

-We're in prison.

-This is a fun time!

-Ahh!

-No, this is the best time.

I'm with people

that I feel safe with.

You know, like when you do LSD

-Benjamin, you totally understand

-Yes. Yes. I understand all of ya.

-And you.

-NAOMI: Yeah.

You've been friends with me

since we were in the womb.

We're now

we're now in the womb room.

NAOMI AND BEN: Ooh!

So, basically, I won this,

like, talent competition.

Yeah, when I was, like, 15.

Yeah. Andwhatever.

Like, my parents were just, you know,

were into their own

-(NAOMI LAUGHS)

-They're into their own thing.

And Naomi was doing her A-Levels

because she's f*cking smart.

NAOMI: Yes.

I'm not just a pretty face.

It used to be my dad managing me

and then Naomi was like,

"You can't be on some

f*cking stranger's books."

So, like, first it was my dad

and then

You're not listening.

In spite of my dad

('BYE-BYE BABY' BY MARILYN MONROE

CONTINUES)

Are you

Are you touching her?

-Yeah, could be.

-(GIGGLES)

No other ♪

-This is

-(BENJAMIN LAUGHS)

Guy ♪

-(BENJAMIN LAUGHS)

-NAOMI: Oh, my God.

Though I'll

Be gone

For a while

I know that

I'll be

Smiling ♪

(LIFT PINGS)

Suzie! Suzie!

Oh, I love you, Suzie.

-(SONG SPEEDS UP)

-My baby, by and by, and by

-With my baby, by and by ♪

-Whose c*ck is it, Suzie?

I'll be gloomy ♪

-Suzie! I love you, Suzie!

-But send that rainbow to me ♪

FAN: Suzie!

COB: Whose c*ck is it, Suzie?

Though you'll be gone

for a while ♪

FAN: I love you, Suzie!

(SILENCE)

(WATER RUNS)

(SLOW PIANO JAZZ)

(BOTTLE CLATTERS)

(MUSIC DISTORTS)

(WATER BUBBLES)

(CHEERING)

-MAN: Suzie!

-MAN 2: Suzie!

COB: Whose c*ck is it, Suzie?

(DREAMY, UNEASY MUSIC)

(WATER GLUGS)

(GROANS)

(BANGING AT DOOR)

-Arrgh.

-(BANGING AT DOOR)

Arrgh!

(BANGING CONTINUES)

-(INSISTENT BANGING AT DOOR)

-(GASPS)

(COUGHS)

(SNIFFS)

What, are you pissed off with me?

You took the only room key,

you didn't answer your phone again.

-Sorry. You gave him a blowjob.

-It's incredibly frustrating.

-For about six minutes.

-I didn't realise you could talk.

I'm sorry if you liked him.

If anything, that's a testament

to your terrible taste in men.

If I could go back and anti-f*ck him,

I would.

-You f*cked him?

-What was I supposed to do?

Talk sci-fi?

I couldn't give him another blowjob

'cause I couldn't breathe

through my nose

because you'd made me buy cocaine.

Oh, God. Sorry.

His crotch smelled like

he'd had sex with a bin.

(COUGHS)

Well, I took a bunch of

sleeping pills last night.

-What?

-I don't

-What do you mean, "a bunch"?

-I dunno, I

-Well, how many?

-To get rid Like, four.

-Maybe five.

-Four?

-Four.

-Four, OK. Wow.

That seems like a weird amount.

Well, I would've taken more,

wouldn't I, but I fell asleep.

Because they're sleeping pills.

f*cking hell.

What is wrong with you?

-Oh, that's nice.

-So you would have died

Really nice! I wouldn't have died.

..while I was miserably banging

Benjamin Detroit

so you wouldn't have to.

What have we said

about sleeping pills, hmm?

They're great.

Marilyn Monroe, Elvis Presley

-Oh, Elvis Presley.

-Heath Ledger!

Didn't he die on the toilet?

He didn't die from

being on the toilet, did he?

He didn't die 'from toilet'.

You know, I can't take you anymore.

I can't take this.

I feel like I'm having

a nervous f*cking breakdown.

I'm sorry. Sorry.

How could you not tell me

you were f*cking someone else?

-I wasn't!

-I just found out like everyone else!

-I'm your best f*cking friend!

-Because you'd be cross like this.

-(SNIFFS)

-I know who it is, Suz.

No, you don't know who it is.

Do you? Is it obvious?

God, it's obvious. Yeah.

You know what you have to do, right?

There's no way back from this.

You have to tell Cob it's over.

Get him out.

You have to move back into

the family home that you paid for

-Yeah.

-..with Frank.

-Yeah, I know.

-Really?

OK, good.

(FOOTSTEPS APPROACH)

These are yours.

So, um, I have something to say.

(SIGHS)

(SCOFFS) Ooh.

No, no, no.

I just think that, um

II have been thinking

about things

and I think you're right,

I think you deserve an explanation.

(SCOFFS) Mmm.

I did sleep with someone else.

And I have a photos of that

from a long time ago.

And it is over.

It was over.

But whatwhat I really want to say

is that I think me being out

and away from the house,

I don't think that's right.

I don't think that's right for Frank.

I don't think

it's right forfor me

and Iultimately,

I don't think it's right for you.

I think I need to be here.

I think that is what's right.

And so what I'm saying is that

I want to be at home

and I am not prepared

to accept a no on that.

And that is how I want to

move forward. 100%.

Uh, well.

I think that's what I needed

to hear.

It's going to be difficult,

you're right, you know,

but we owe it to Frank.

To each other.

SUZIE: Mm-hm.

Well, I mean, obviously,

you're going to have to, uh

..you're going to have to tell me

everything

and I will decide what it means.

But, um, in the meantime, yes,

I accept your offer

to come back to the house.

And what aboutwhat about you?

Well, I will, um

I will work towards

considering forgiving you.

-Here?

-Because I

Yeah, I'll admit that it can't have

been easy for you either.

And, uh, well, you're gonna need

my help to get through it, frankly.

Aren't you?

(SENTIMENTAL JAZZ MUSIC)

COB: OK.

I'm here.

(PHONE BUZZES AND RINGTONE PLAYS)

(PHONE BEEPS)

Hey. Yeah.

I don't know, I justI've been

trying to find the right time.

I'm so sorry about all this.

No-one knows it's you.

(SENTIMENTAL FOLK SONG)

SONG: Hey, my love

What you doing?

You come to watch

The flowers blooming

Satellite in the sky

My, oh, my

I never met someone like you

You turn my world