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Kiss of the Spider Woman (2025)

Musicals/Concerts Movie Collection.

Moderators: Maskath3, sidolanters, GabrielAlejo2341

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Musicals/Concerts Movie Collection.

Kiss of the Spider Woman (2025)

Post by bunniefuu »

Come and find me

Hear my song

Let me hold you here

Where you belong

Lips awaiting

Pain will cease

Calm your anguish

I can bring you peace

Who is that?

None of your business.

I didn't know

I'd be moved here.

The warden didn't say anything

about the political section.

Shut the f*ck up.

Keep moving.

Hi.

My name is Luis Molina.

Serving an eight-year sentence.

Sexual offender.

Convicted of public indecency.

With a male.

In a bathroom, no less.

I don't care what you did.

And you are?

Valentn Arregui.

Political prisoner?

- That's what they tell me.

- Whatever.

I respect all ideas,

as long as they respect mine.

I led a hunger strike last year.

They think I'm a bad influence.

Uh-uh-uh. This morning,

I made a resolution

to only hear things

that cheer me up,

and hunger strikes

are not on the list.

- Do you mind if I cook?

- Do what you want.

Just keep quiet.

I need silence to study.

Well, right now,

there's nothing but tea and soup

because my mother's

been too sick

to bring groceries or magazines.

These I know by heart.

I'm fine with the prison food.

Okay, but if you're turning

down the soup because

- you have nothing to offer--

- Let-- Let me explain.

Sometimes

I might not be reading,

but you'll see

that I'm silent anyway.

That's because I'm thinking

and getting ready to make notes.

So no talking

when you're reading,

and no talking

when you're thinking.

Yeah.

Fine.

- Marquez.

- Camazon.

- Rodrguez.

- Zecchi.

- Molina.

- Hasul.

- Arregui.

- Dominguez.

Lopez.

I really should've done

this sooner.

It makes all the difference.

When I was dressing

the windows at Montoya's,

I couldn't rest

until each display was perfect.

One mannequin

wore a Chanel suit,

and I insisted

a Balenciaga silk scarf

be slipped inside her purse.

"Well, nobody cares what's

inside a mannequin's purse,"

my supervisor told me.

"I do," I said,

arching one eyebrow,

like Joan Crawford

in Mildred Pierce.

And, darling, guess what?

Balenciaga it was!

What are you reading?

A biography of Lenin.

Oh. Well, that sounds fun.

"The struggle is not over

until all men are free."

Who said it? Hmm?

I know. Cyd Charisse

in Silk Stockings.

"The struggle is not over

until all men are free."

Even ridiculous window dressers.

Stick to the script.

Lenin didn't say "ridiculous".

Lenin didn't spend three days

in a cell with you.

Oh, I heard how you radicals

like to take advantage

of a girl down on her luck.

Guards! Guards!

He's talking about unions!

He's making me forget

the joys of capitalism!

What do you want, Molina?

Nothing.

I was just fooling around.

I know what someone

like Molina wants.

Yeah, and you're not man enough

to give it to me.

What? What did you say,

you miserable little f*cking--

Nothing.

Nothing, I said nothing.

- You said something.

- I said I'm a piece of sh*t.

- Louder.

- I said I'm a piece of sh*t.

Finish it, maricn.

You're almost done.

I said I'm a f*gg*t

piece of sh*t,

and whenever you want me,

my hungry a*s is yours.

Maybe later, sweetheart.

Hear that, Arregui?

Anytime you want her.

If a man called me a woman,

I would k*ll him.

If a man called me a man,

I would faint.

You are a man.

You shouldn't let them

humiliate you like that.

Honey, there are privileges

in degradation.

How do you think

I got this beaded curtain?

Why do you make

yourself trivial?

Because I am trivial.

Only, I know it.

You and your movement

are trivial, only you don't.

Next to these gorgeous ladies,

we're all trivial.

Next to them,

we don't even exist.

f*ck off.

You're thinking, right?

About a girl?

I bet she's pretty.

What's her name?

That maricn

better come through.

I find you can learn

everything you need to know

about a person

by asking one simple question:

"What's your favorite movie?"

- I don't have one.

- Oh, come on.

Everyone has a favorite movie,

although they usually lie

about it.

Personally, I don't trust

anybody who says Raging Bull.

I mean, lighten up, Ramona.

It's been years

since I went to the movies.

Well, don't you like to dream?

At least a little?

I dream

with every breath I take,

but not in a way

you would understand.

People like you think

life is one big entertainment.

If I gave you the rest of

a very good milk chocolate bar,

do you think

you could stop saying,

"People like you?"

You're right. I'm sorry.

It's your last piece.

Eat it.

- No, thanks.

- I can't decide.

Are you highly principled

or just plain stubborn?

Maybe just highly stubborn.

Is that a glimmer

of a sense of humor?

And I left my sunglasses

in the Corniche.

I do have a woman, by the way.

I figured.

Just didn't want you

to get any ideas.

You're not my type.

I'm looking for someone

to settle down with,

not storm the barricades.

Well, unlike you,

I couldn't live without movies.

After my father died,

my mother had to work nights

as an usherette.

And since there was no one

to look after me,

she took me with her

and sat me in the front row.

I saw every movie over and over.

One of them, I'll never forget.

Kiss of the Spider Woman.

Never heard of it.

It's set in a mythical

South American country,

part Argentina, part Brazil,

and 100% Hollywood.

It starred

the great Ingrid Luna,

known to those who worship her

as simply La Luna.

Spider Woman was the first time

a vehicle was created

especially for her.

Now, understand, nobody claims

it was the greatest movie

ever made.

Too ambitious for its own good,

too many flavors in the stew,

but so much that's beautiful.

Would you like to see it?

How do you propose we do that?

The best way.

I'll tell it to you.

Unless you have

somewhere else to be.

Uh-uh-uh. Too much reading

will make you go blind.

You said so yourself.

Besides, it's lights out

any minute now.

What kind of movie is it?

A musical, of course.

And if I have to explain

the "of course,"

I might as well

just end it all right now.

I hate musicals.

And I pity you.

I'm sorry to break the news,

but nobody sings in real life.

Well, maybe they should.

Now shut up and listen.

There go the lights.

The curtain opens.

It's in glorious technicolor.

They drenched the screen

with extra reds

and golds for this one.

It almost hurts to look at it.

Her name is Aurora

And she is so beautiful

No man can resist her

And those

Who have kissed her

Are madly in love

Forever in love

Wait. You throw us right in.

We know nothing about the story

or the characters.

Well, it's a musical.

There's not a lot to know.

But you're right.

I got so excited, I skipped

over the opening crawl,

which establishes that Aurora

is the successful editor

of Charm,

South America's most famous

fashion magazine.

It's the way she sits

that kills me every time.

The perfect fullness

of her figure.

Tiny waist and rounded hips.

Her legs flushed and silky,

even without stockings.

Please. No erotic descriptions.

And now, wrapped in the simplest

sort of silk robe...

the goddess moves

into the bedroom.

Kendall, you're late.

I need you to help me

choose a dress for the gala.

Kendall Nesbit is Aurora's

executive assistant

and best friend.

His devotion to her is absolute.

He lives for her

and through her.

In other words,

Kendall Nesbit is a h*m*.

Of course,

they never come out and say it.

- So?

- Well, the actor who played him

was the biggest queen

this side of Danny Kaye.

But he lived with his mother

and was terrified that,

if he portrayed the role

as it was written,

she'd figure it out.

So he butched it up and k*lled

all the joy in the part.

Now if you don't mind,

I'll describe

the Kendall Nesbit of my dreams

instead of the

disappointing reality.

Kendall, you're late.

I need you to help me

choose a dress for the gala.

What shall I wear tonight?

Haven't a clue

Maybe the silk Chanel

Silvery blue?

You need to choose

more than a dress, my dear.

What do you mean?

"A woman cannot know

what to wear

until she knows for whom

she is wearing it."

Ugh. The things I say for money.

For ten years,

you've unveiled the winter cover

without a man by your side.

Your readers are starting

to wonder if something's wrong.

Who will your partner be?

Maybe Raul?

- Uh-uh.

- Maybe Manuel?

- God, no.

- Maybe Roberto?

So they want to know

Who is my beau

My readers don't want

to share me.

Besides, I have you.

Oh, I will dance alone

Until I dance

with the man of my dreams

I will dance alone

As absurd

as it probably seems

Until I dance

with the love of my life

The man who will call me

his own

Until I dance

with the love of my life

Don't offer me partners

A chorus of strangers

I'll dance alone

- So she's frigid.

- What?

She has a crippling fear

of physical intimacy.

Most likely, she acquired

a sense of shame

around sex in early childhood,

and trying to control

her prohibited desires

as an adult

has made her incapable

of enjoying a good f*ck.

Well, excuse you.

Aurora is particular,

that's all.

- Yeah.

- She has high standards.

- Okay.

- Impeccable taste.

Whatever.

If you're gonna make fun,

I won't go on.

This is a work of art.

It means a lot to me.

So, am I supposed

to just sit around and listen?

- I can't comment?

- Exactly.

Because that's what people do

when they watch a movie.

All right.

I'll be quiet.

Now, I will admit,

Aurora has been seeing

a psychiatrist.

And he suspects

that her inability

to commit to a man

is somehow connected

to a suppressed memory

and the mysterious musical theme

that haunts her dreams.

The doctor urges her

to be more open to her desires.

Aurora still isn't convinced,

until she visits

a tarot card reader

who gives her the same advice.

Last night,

I went to see the gypsy

- Over here.

- Thank you.

And, oh,

the things she had to say

She told me

I would meet a stranger

A lean, handsome hero

Who'd sweep in

and sweep me away

I sat there

trembling at her table

And smelled the incense

in the air

"Someday,

you'll hear a cry"

She told me

"A sharp, piercing sound

And when you look around

The love of your life

Will be there"

Hmm.

Aurora dances

with a dozen men,

but is interested in none.

Enter Armando,

the greatest photographer

in South America,

a true artist.

Aurora has hired him

to sh**t the winter issue,

but they haven't met

until this moment.

Let me guess.

This photographer

is not just a genius.

He's tall, dark, and handsome.

Of course.

- That's his real talent.

- Oh, no.

He sings and dances too.

Oh.

Ridiculous.

Hmm. If only you could see him

the way I do.

"I cannot tell you

how you'll meet him

Or when you'll meet

your love or where

But soon,

you'll hear that cry"

She told me

"And you'll look around"

You'll look around

"At that sharp, piercing"

Sharp piercing

Sharp piercing,

sharp piercing

Their fingers touch,

tingling with electricity.

Shh.

They're bringing someone

from interrogation.

Anything you want to tell

the professor, Arregui?

Well?

You know him, right?

Well, darling,

if I looked like that,

I'd want a bag over my head too.

Shut up! Shut the f*ck up!

Yes, I know him.

He's a brave man,

and you mocked him!

You and your scarves

and your beaded curtains!

You disgust me.

I shouldn't have done that.

I'm sorry.

I'm sorry too.

It was a bad joke.

So, Molina.

Do you have anything for me?

With respect, Warden,

I think you've cast

the wrong person.

I couldn't have less in common

with that man.

Honestly, I don't think

he'll ever confide in me.

Has he talked about anyone

he's working with?

No names?

Not even in his sleep?

Well, how would I know?

I'm asleep too.

Well, maybe you should sleep

less and listen more.

I'll keep trying. I promise.

Oh, I have some good news.

I convinced the parole board

to look at your case.

Well, that's wonderful.

Thank you.

It would make my mother so happy

to see me home again.

Yes. Your mother.

I'm afraid she's taken a turn

for the worse.

Another small heart attack.

Don't worry.

She's out of danger.

No, she has the danger inside.

Her heart is tired

from forgiving so much.

I'm a tolerant man, Molina.

I'm not disgusted

by degenerates like you.

Molina.

Yes?

You saw the warden this morning?

How did you know?

There's a thousand eyes

in this place.

Are you an informer?

Of course.

What else would I be doing here?

The warden didn't ask you

anything about me?

No. It's my mother,

she's been sick,

as I already told you.

Okay.

Thank God she has my Aunt Chicha

to take care of her.

That's right.

You're an only child.

Yes, it's always been

just the two of us.

- Are you from a big family?

- Huge.

Last time I went home,

my father asked,

"Who are you?"

My mother nearly k*lled him.

"I can't keep track, woman,"

he said.

Et voila, a sense of humor!

Marta thought it was funny too.

Who's Marta?

- Your girlfriend?

- No one.

Oh. Marta's no one? Hmm.

Hey, look at me.

You don't want to know

anything about me.

The only reason I'm still alive

is because I have information

they want,

and they won't stop

till they get it.

Do you understand?

You were in danger

the minute you met me.

Darling, I'm a window dresser.

When it comes to the violent

overthrow of the junta,

I don't think they expect

to see a bunch of sissies

leading the march.

I'm sorry.

I cringe every time

you make fun of yourself.

It'll be lights out soon.

Do you want me to go on

with the picture?

Yeah, man, whatever.

Aurora and Armando

spend every minute together.

They work by day

and play by night.

f*ck by night.

No, people don't do that

in musicals.

- Yeah. But they're romantic?

- Not yet.

As I told you, Aurora is working

through some commitment issues.

Yeah. She's built a wall

around herself,

so thick not even b*ll*ts

can get through it.

It turns out Armando comes

from the same village

where Aurora was born,

way up north,

at the edge of the jungle.

He convinces her to do

a photo sh**t up there,

among the people.

See, even though

he's a renowned artist,

Armando sees himself

as an everyday man.

For me, real beauty

has nothing to do with fashion.

Real beauty is this.

An everyday man

Wants an everyday life

Yes?

In an everyday house

Doing everyday things

- With an everyday wife

- I'm sorry.

- And every day

he hurries home

Hangs up his everyday hat

And finds his everyday dog

Running straight

to his arms

For his everyday pat

And the everyday thought

In his everyday head

Is of time to play house

With his everyday spouse

In their everyday bed

Yes, they're

an everyday pair

In every way

Except you don't find love

like theirs

Every day

- And their everyday kiss

- And their everyday kiss

- As they turn out the light

- As they turn on the light

Should assure you,

my friends

It is rapture that ends

Every everyday night

They're like the couple

next door

You'd have to say

Except you don't find love

like theirs

You don't find love

like theirs

You don't find love

like theirs

Every day

Every day

Every day

This is another reason

I hate musicals.

They're pure propaganda,

made by the ruling class

to put people's minds to sleep.

Oh, Lord, take me now.

Don't you see

how regressive this film is?

The photographer

feels threatened

by a powerful woman,

so he wants to turn her

into a doormat.

No! There was much more respect

for women in those days.

Their beauty gave them power!

I suppose you prefer

the movies they make now,

that dreary dust bowl

ruled over by Ms. Sissy Spacek,

Ms. Meryl Streep,

Ms. Glenn Close,

and Ms. Glenda Jackson,

the Four Horsewomen

of the Apocalypse!

At least they're real actors

playing real characters.

Not like

these silly fantasy figures

- you're so fond of.

- Fond?

I'm not fond of them,

I love them!

Aurora is divine.

- Oh, come on.

- She's the perfect woman,

and Armando is my idea

of a real man.

Really?

And what is that exactly?

I won't bore you

with my preferences.

Oh, no, please,

go ahead. I don't mind.

Because I don't wanna be bored

by your opinion of them.

No, no, no, I'm interested.

What do you think a real man is?

Someone who's strong,

who's not afraid to take charge.

Especially in his own home.

Oh, so,

you don't think men and women

should be equal partners

in the home?

A real woman

doesn't want equality.

There's no kick to it.

Kick? What kick?

The tingle you get when a man

puts his arm around you

- when you're a bit frightened.

- Oh, my God.

What a pile of crap!

Whatever. It's how I feel.

No, it's how

you were taught to feel.

This is getting us nowhere.

I wish you

a good night then, hmm?

- Molina.

- Hmm.

I'm wide awake.

Tell me a bit more of the film.

It'll put me out.

Just a little more.

Please.

Okay, but no more interrupting.

Armando takes Aurora

to the one hot spot in town.

Forget photography, Armando,

you should open

a dancing school.

Yes. A man of so many talents.

- Cheers.

- Cheers.

Welcome home, stranger.

Enter Paulina Paz.

Long nose, bushy brows,

and eyes as dull

as two wrapped caramels.

I get it.

You don't like her.

Everyone thinks

she's beautiful,

but she doesn't hold

a candle to Aurora.

Her only advantage is her youth,

which she wields like a machete.

It's obvious from the way

she greets Armando

that they were once an item

and that she still carries

a torch.

The plot thins.

Paulina makes a big show

of being gracious to Aurora.

I hope you're enjoying

your stay here.

I'm sure our little village

can't compare to the big city.

Oh, I was born in this village.

We moved away

when I was a little girl.

Oh, that was before my time.

Perhaps our families know

each other.

I doubt it.

We were simple people.

I adore this moment.

Aurora shows

that stupid, stuck-up girl

what real class looks like.

And then the room goes quiet.

All eyes turn.

Johnny Desiderio has arrived.

The villain, at last!

No, the supervillain!

A two-bit gangster

who's been bleeding the village

and its people dry for years.

Finally, some fun people.

How can she bear to be touched

by that c*ck?

This club is his playground,

and he treats everyone

like his toy.

The thing I love

about La Luna

is that no matter

how hard Hollywood tried

to make her seem all-American,

she never stopped being Latin.

- That was amazing.

- Thank you.

Just having a little fun.

Give me.

I think I'll turn in.

If you'll excuse me.

Of course, Armando.

I'll see you in the lobby

in the morning?

I'm sorry.

He still cares for her.

Kendall Nesbit

has been feeling ignored

since Armando entered

the picture.

Now, he has a purpose again.

Let's get you to bed.

And with that, I say ciao.

Good night, Valentn.

No, don't stop now.

It's a bunch of silly clichs,

but at least

these new characters inject

a bit of dramatic conflict.

Better to leave

the audience wanting more.

Sleep tight.

- Molina?

- Hmm.

This song Aurora keeps hearing,

her shrink thought

it might be related

- to some childhood trauma.

- Oh, God, let her be.

Do you ever think

you identify with her

because you suffered

something similar?

Do you have a theory

for everything?

You said it was only

ever you and your mother.

Where was your father?

He died when I was four.

So what?

Isn't it obvious?

That early dependence

on your mother

- is what made you a h*m*.

- Oh, really?

- Talk about clichs.

- No, no, hear me out.

Without a father,

the sensitive boy tries

to please his mother

by taking on

- her more nurturing qualities.

- Yeah.

Just like the macho boy tries

to please his father

- by becoming a revolutionary.

- No.

I'm not macho.

I hate macho

and all it stands for.

Oh, is that so?

Honestly, do you think

you're telling me something

that I haven't heard

a thousand times before?

Next you'll say

that the right woman

will convert me,

because there's nothing better

than a good woman.

To which I say, I agree!

And since there's nothing better

than a woman,

I wanna be one.

Why do you keep saying that?

Because it's true.

Why don't you believe me?

You know what I believe?

I believe

that people look at you

and they see a monster,

so you play the part.

But Molina,

you're not a monster.

You're a man.

The light from the candle's

keeping me up.

Do you mind?

She wears satin

Spanish lace

She feels

wild chinchilla brush

Across her face

She's lucky

She's a woman

She wears diamonds

Bright as stars

She has lovers open doors

to fancy cars

She's lucky

So lucky

She's a woman

A perfume by Lanvin

To dab across her wrist

A secret, ribboned diary

Of all the men she's kissed

So many men

She's kissed

Lilac waters

Bathe her skin

At the opera, ushers gasp

when she sweeps in

Gifts of chocolate

Roses too

Hand-delivered notes

confessing "I love you"

Milky lotions

Scented creams

She's the cl*max

of your technicolor dreams

How lucky can you be?

So lucky, you'll agree

And I wish

That she were me

That woman

This is your fault, maricn.

He has a girlfriend.

Her name is Marta.

- Marta who?

- I don't know.

- We need more.

- How can I get you more

if you take him away?

I'm getting close,

I just need more time.

Time is the one thing

I can't give you.

Things are coming to a head,

we need information.

Well, t*rture won't work

on him, that much I know.

- We don't t*rture people here.

- No,

but if you bring him back

from his interrogation,

I can get you her full name,

and much more.

- Please. I beg you.

- Oh, Molina.

Do you have a little crush

on that piece of sh*t?

Of course not.

I just want to see my mother.

The sooner Arregui talks,

the sooner you get out.

La Luna.

Help me, please.

I can't be alone.

I can't be here.

Save me, Luna.

Take me away.

Yes.

To a movie.

When you feel

you've gone to hell

In a handbasket

And the world

in which you dwell's

No paradise

I've some counsel

I can give

You need but ask it

I'm so very glad to share

This good advice

You've got to learn

how not to be where you are

The more you face reality,

the more you scar

So close your eyes

and you'll become

A movie star

Why must you stay

Where you are?

You've got to learn

how not to see

What you've seen

The slice of hell

you call your life

Is harsh and mean

So why not lie beside me

on a movie screen?

Why must you see

What you've seen?

And if you find

that you land in jail

A little fantasy

will not fail

It's just as simple as ABC

Come up here

Play with me

Play with me

Lights.

Camera.

And action!

You've got to learn

how not to do

What you've done

The p*stol shot can't k*ll

if you unload the g*n

So build a palace

where you're the shah

And we'll embrace

in that Shangri-La

If you run away

Some matinee

From where you are

- You've got to learn

how not to be where you are

- Where you are

- The more you face reality,

the more you scar

- The more you scar

So close your eyes

and you'll become

A movie star

Why must you stay

Must you stay

Where you are?

So why not lie beside me

on a movie screen?

Why must you see

What you've seen?

And if you find

that you land in jail

A little fantasy

will not fail

It's just as simple as ABC

Come up here

Play with me

Play with me

And if you find

that you land in jail

A little fantasy

will not fail

It's just as simple as ABC

- Come up here

- Come up here

- Play with me

- Play with me

Turn off the lights

and turn on your mind

And I can promise you

you will find

You will like my plan

My sweetest fan

My leading man

Anywhere

You are

Oh, God. Have you k*lled him?

You won't get away with this!

Get out of here!

Oh, sweet Jesus.

How much more of this

can you endure?

Why don't you just tell them

what they want?

Then all of this will be over.

When Johnny Desiderio realizes

that Paulina's still in love

with Armando,

he has his g*ons kidnap him

and beat him raw.

I always shut my eyes

during this part.

They dump Armando at the edge

of the jungle forest.

And then, all at once,

Aurora is there.

She doesn't flinch

at the sight of him.

She's so courageous.

I'm a wreck at this point.

The tears

are streaming down my cheeks.

You always get lost

in the emotion.

I just want to know

what happens.

Well, she sings, of course.

- Oh, no.

- No, no, no, no, no.

I swear to God,

it's not what you think.

It's the most

natural thing imaginable.

I do miracles

Though the lash of the whip

has caused your flesh to tear

I will place my lips

on you everywhere

And I'll do

Miracles

St-- Stop.

I'm sorry.

Don't get upset.

I-I can't keep my mind

on the story.

When you talk about Aurora,

I just see...

Marta.

I guess it has to come out

one way or another.

What?

Weakness.

Well, that's not weakness.

That's love.

It's funny how you can't help

getting attached to someone.

It's as if the mind

just oozes sentiment.

Is that what you believe?

Like a leaky faucet.

You can't stop the drips.

Right now, I would give anything

to be able to hold her.

Just thinking about her,

it's t*rture.

No, you should never push away

pleasant thoughts.

Lie down.

Trust me.

Close your eyes.

Now,

when I say "Aurora,"

you see Marta.

I do miracles

I do miracles

As I cradle you close

and caress each bruise

What I've come here to give

you must not refuse

There is love

In my touch

That is yours to use

And if you choose

Just breathe my name

And there I'll be

Doing miracles

I do miracles

There are miracles

In me

Voila, monsieur,

our specialty of the evening...

flamb de merde.

Beans and rice.

This is a lot for me.

- Have mine.

- No, thank you.

Yeah, I know. Eat, eat.

Come on.

This rice a la glue

- is not half bad tonight.

- Mm-hmm.

Do you always eat like that?

Take man bites.

I'm not an animal,

I take ladylike bites.

How does your Marta eat?

I don't know,

I've never noticed.

That's the last thing

a man notices about a woman.

Hmm. If I love someone,

I notice everything about them.

How they eat, how they sleep,

everything.

Do you have anyone?

- A fellow?

- I'm sorry. A fellow?

I immediately picture

Ronald Reagan.

You know what I meant.

His name's Gabriel.

He's a waiter

at an all-night restaurant,

the Trocadero.

Everything about him is perfect.

The way he walks,

his tender voice

with a slight lilt to it.

It sounds like

another one of your fantasies.

No, he's extremely real.

Do you miss him?

I do,

but not in the way you mean.

We never made love.

- You've never f*cked?

- No.

We never even touched.

I don't get it.

He's...

married.

Two children.

It took a year for us

just to become friends.

Well, he had to see

that I respected him.

I know.

It doesn't sound like much,

but he told me things

that he never told anyone else.

I did too.

Does he visit you?

No.

His family keeps him busy.

And he works hard,

double shifts sometimes.

Hmm.

I send him letters, but...

It's been three years.

Sometimes I wonder

if he even remembers me.

You know what?

I'm not gonna study tonight.

Why don't we go to the movies?

All right.

Um, where were we?

Armando's been beaten

by the gangsters.

Ah, yes, of course.

Some villagers carry him

deep into the forest

where Johnny Desiderio

won't find him.

They take him

to this strange house,

all in stone,

roof covered in straw,

the whole place

overgrown with jungle plants.

Clemencia lives there.

She's the village elder.

Almost blind,

but she sees everything.

After Armando falls asleep,

Clemencia tells Aurora

a terrible legend.

For centuries,

the wild beasts of the jungle

would go mad with hunger

in wintertime.

They would climb down

from the mountains

and into the village,

k*lling everyone.

The people sought help

from the Spider Woman.

A magical creature

born of a human mother

and an all-powerful

forest spirit.

She offered protection

asking for one thing in return.

That once every ten years,

a woman of the village

would offer up

the man she loves,

as a sacrifice.

You were born

on one of those nights.

Meaning one day

you would have to offer up

a sacrifice of your own.

This explains so much.

Why our family

left the village, why...

Why I can't love.

She has called you back.

Yes, with her song.

When she appears,

it means someone

is about to die.

Soon, I feel it

Soon somehow

I will have him

Any minute now

I was eight years old

when I first saw her.

You can imagine

how terrified I was.

I didn't sleep for a week!

By the way, did I mention that

Ingrid Luna played both parts?

Several times.

What a tour de force.

What is it?

The girl's f*cked!

- What girl?

- Me, stupid! It's my stomach.

- You going to throw up? Wait.

- No, it's lower down.

Cramps in my groin.

Breathe.

Hey.

- That food was poisoned.

- No, no, no.

Then we'd both be sick.

It's my nerves.

I've just been on edge all day.

- Breathe. Breathe.

- Get help.

- I can't handle this.

- Guards!

Guards! Guards!

Please.

Sleep.

Release the pain.

Come and find me

Hear my song

Good evening.

How have you been?

Go away.

You know how I've been.

I only want to talk.

Why are you afraid?

I've always been

afraid of you

But why?

I don't know

It will change

Someday you'll recognize me

as your friend

No, never my friend,

go away

But I am beautiful

Yes, you are

And I am warm

And kind and gentle

Why don't you like me?

I don't know

Someday you will understand

I am your friend

Someday you will kiss me

Never, never!

Go away, go away!

Someday you'll give in

Of course you will

Hmm.

All men do

Yes, all men kiss me

And you will too

You'll part my lips

And rest yours there

You'll run your fingers

through my hair

Your cries of pleasure

Will heat

the cool night air

When you kiss me

And you will kiss me

But not now

Not yet

Not now

How are you?

Still a little woozy.

Hey.

Look what else we brought you.

f*ck you.

I'm sorry.

They didn't feed me

for three days.

I don't give a f*ck

what they put in it.

I'm not gonna feel right

unless I tell you something.

You missed me. I know.

I went through your things

while you were gone.

I had to be sure

I could trust you.

And can you?

I've been a sh*t not telling

you anything about myself.

Now I feel

I owe you a confidence.

Inside here, everything's

gotta be 50-50, right?

Okay.

Marta's not in the movement.

Now, that's a surprise.

She dropped out after we met.

She was happy

just to be together.

What's she like?

She comes from a rich family.

Drives a little red Mercedes.

- No.

- 280 SL.

She even plays golf.

She sounds divine.

Does she have a brother?

She's everything

I'm supposed to hate.

I'm a hypocrite.

What?

- Oh, f*ck.

- What? What's wrong?

I was right.

They're poisoning us.

Oh, I-I'll get the guards.

No, no.

They'll give me morphine.

They get you hooked,

then you lose your resistance.

But, no, you won't be able

to stand the pain.

I can. Just help me sit down.

- Okay, okay, okay, okay.

- I'll be fine.

I'll be fine. I'll be fine.

Okay. You're all right.

Everything's going to be okay.

Hey, hey, hey. Come on.

Are you okay?

Promise you won't

let them take me.

- The doctor may be able

to help you.

- Promise. Promise me.

Okay. I promise.

Okay.

What?

Oh!

- Oh, no.

- What?

Oh, no.

- What is it?

- I'm sorry.

I'm so ashamed.

I...

I sh*t myself.

Okay. It's okay.

Everything's going to be okay.

- Yeah? Yeah, yeah, yeah.

- It's going to be okay. Yeah.

- It's okay, huh?

- Okay. Okay.

Don't, don't, don't.

Don't use the blanket.

You'll need it to keep you warm.

Yeah. You're right. Thank you.

Let me get something for you

to clean yourself.

- No, not your shirt.

- It's fine.

I'll wash it tomorrow.

- Please.

- Okay.

Yeah.

f*ck.

Valentn, let me do it.

Let me do it. Please.

Let me help.

- f*ck!

- Oh.

Oh. Okay.

Give me the other foot.

Give me the other foot.

- Did it go through? Eh?

- Um...

Your underpants

held most of it in.

Okay. Okay.

Gentle.

Okay, careful, careful, careful, careful.

All right, all right.

Oh, careful, careful.

Okay. Okay, okay, okay.

Oh, no.

This doesn't disgust you?

Well, I don't wanna make

a career of it.

- Is it clean?

- Yeah.

Arregui.

Help. Help.

What are you doing in there?

What do you think we're doing?

Do you mind?

You make me sick.

That was good.

Thank you.

Molina,

take my mind off the pain.

The movie...

Yes. Aurora.

She's hot. She's hot.

That's right.

- I wanna f*ck her.

- You wanna f*ck her,

and I wanna be her.

Yes, that's funny.

Now, once Armando has recovered,

he returns to the village

with Aurora.

Just in time for Carnival.

- But what they don't see...

- Stop.

Wait. I need to talk to you.

...is that somebody's

following them.

These are good people.

And they're ready to rise up

against the monster

who's destroying their lives.

I can't leave them now.

I want you to stay with me.

What happens in this village

is not my concern.

I know nothing of it.

And I care even less.

You're just like Aurora.

Hey, don't make fun.

I wasn't.

La Luna's so tremendous

in this scene.

"I'm a woman," she says.

"I live only for art

and love and beauty."

But here's the thing,

she's only pretending

not to care.

Ooh, mami.

She's trying

to make Armando hate her.

- The curse.

- Yes!

She wants to save him

from the Spider Woman.

Notice that the person

that's been following them

has spiked Armando's drink.

It's art imitating life.

Why do I get the feeling

you're making this up

as you go along?

I wouldn't put it past me.

Hey.

I'm... Perdn. I'm sorry.

Please. Here.

Look, have mine.

I'll get myself another one.

She starts to feel woozy.

The drug is taking effect.

Aurora opens her eyes.

We're inside her dream now.

She's still determined

to drive Armando away,

so she lures him

into the sleazy club.

But it's different.

Painted a deep scarlet,

the color of sex.

It's like being

inside Aurora's mind.

And, darling,

it's all the psychology I need.

If there's a w*r on,

don't bring me the news

Ask me to bullfights

and I must refuse

But if you want

to get my attention

Let's make love

Gimme love

Gimme kisses

Gimme love, gimme love

Gimme kisses, gimme love

If there's an earthquake,

I will not attend

Gimme kisses

Gimme love

If there's a plague,

don't invite me, my friend

Gimme kisses

Gimme love, love, love

But if you want to

Keep me looking

in your direction

Let's make love

Gimme love

Gimme kisses, gimme love

Gimme love, gimme kisses

Gimme love, love, love

Gimme love, gimme love

Gimme kisses, gimme love

Gimme love, gimme kisses

Gimme love

It's like giving

to the needy

And I don't mind

being greedy

Come on, chico,

please be speedy

And bring me

what I long for

If there's a fire,

don't bring me a hose

Gimme kisses

Gimme love

Call me a coward,

that's true I suppose

Gimme kisses

Gimme love, love, love

But all I want is beauty

- So gimme, gimme, gimme

- Hugs

- Gimme, gimme, gimme

- Squeezes

- Gimme, gimme, gimme

- Lips

- Gimme, gimme, gimme

- Kisses

So let's not make

more trouble

- Let's make...

- Gimme

Love

- Gimme love

- Come on, boys

Gimme kisses

- Here you go

- Gimme love

Gimme love

Yes!

Gimme love

Gimme kisses

Gimme love

Kisses

Once Armando is gone,

Aurora's dream

turns into a nightmare.

Oh!

I'm gonna stick my fingers

down your throat.

Don't bite. Do you hear me?

Don't bite.

They're coming back.

Are you sick, Arregui?

We can take you to the clinic.

I don't know

what you're talking about.

He's fine.

- I'm fine. I'm fine.

- Mm-hmm. Yeah.

This is f*cking bullshit.

Okay.

Did they take me?

No.

You're still with me.

I'm cold.

Where am I?

In a movie.

Huh...

You...

You have a vivid imagination.

Thank you.

Too vivid.

There's no such thing.

You're a kind man.

She's gone.

You're safe.

Thank God, you're safe.

Sources inside

the Congressional Palace

confirmed that there are cracks

within the coalition.

Peaceful demonstrations

have turned violent

in several areas,

leading the government

to announce

a nationwide curfew,

beginning at 6:00 p.m. tonight.

You had one job,

to get him to the infirmary,

and you couldn't even do that?

Is it my fault that the man

has an iron constitution?

Do you have any idea

what's going on out there?

I'm not political.

I don't know about these things.

Arregui's group is the link

between the traitors

inside the government

and the animals

marching on the streets.

If we don't expose them,

we could have a civil w*r

on our hands.

He's starting to open up.

I can feel it.

You know what, Molina?

I don't give a f*ck

about your feelings.

Get this f*gg*t out of here.

Uh, Valentn has eyes

everywhere.

He'll wonder

why I was talking to you.

Say your mother's better

and she came to visit.

Oh, no,

he'll never believe that.

He knows she always

brings me food.

Okay, we'll send out

for some groceries.

Tell us what she usually brings,

and be quick about it.

Well, I told him my mother's

an excellent cook, so...

two chickens from Veaugirard's

on the Avenida

and some of their famous

roast potatoes

soaked overnight in milk.

And guava paste.

Two boxes of tea, one breakfast,

the other chamomile.

- Oh, and condensed milk.

- Hold on.

I can speak much slower,

if you'd like.

A can of peaches,

two bars of soap,

suavisimo, bath-size.

Two cans of soup,

a jar of pickled herring,

a cherry Madeira, and...

ta-da. This month's Vogue.

- Your mother?

- Yes, she's better.

Oh, and look at what else

she brought us. Hm?

Oh, no, no.

- That's for you, my friend.

- Would you shut up?

There are two chickens here,

one for each of us.

No, I'm not cool with that.

Well, I'm not doing it for you.

I can't face another day

of that revolution

that's happening

in your stomach.

- All right.

- Good. That's settled.

- Molina?

- Hmm?

Do you mind if I have

a chicken leg right away?

Well, I had something

more formal in mind.

Mmm.

I'm not very good

at saying this,

- but thank you.

- Hmm.

Well, you're lucky you have

a housewife as a cellmate.

You could be living

with a h*m*.

Not just for the food.

Thank you for taking care of me,

seeing me through.

I think I would've died

if it wasn't for you.

How about the last potato, hmm?

Open wide.

Mmm.

Don't tell your mother, but...

I think I just came.

That's it for you. No more.

Mmm.

I'll take this.

Thank you.

You know what would make this

even better?

Let me guess.

- Aurora?

- No.

I don't feel like

escaping tonight.

I wanna stay here.

And do what?

Listen to you.

Oh, come on. I'm tired

of hearing my own voice.

I want you to talk.

About what?

Anything.

Okay.

Okay.

You have hundreds of movies.

I have one.

And it only has one scene.

You know the park

opposite city hall?

Mm-hmm.

Picture thousands

of people gathered

to hear Alberto Golizar speak.

I was only 15,

but already I knew

about the ill*gal arrests,

the death squads,

the thousands of people

who'd been disappeared.

Golizar asked people

to share their stories.

For some reason,

he pointed to my sister and me.

Maybe because

we looked so hungry.

"Tell us.

Tell us about the home

our country has given you."

"Our home?" I said.

Our home was made of mud,

pieces of tin and cardboard

boxes nailed together.

When I said that,

the park got very quiet.

Everyone wanted to hear

our story.

I'll never forget the look

on my sister's face.

A 14-year-old girl

who was being noticed

for the first time in her life.

When you feel like that,

you don't think the person

standing next to you

is hiding a machine g*n,

waiting for the order

to open fire.

When it was over,

47 people were dead.

Two of them were children.

One was my sister.

Good news, Arregui.

The professor didn't talk.

Bad news.

Oh, that poor man.

He won his place in heaven,

that's for sure.

Just let it be quick

when my time comes.

Don't say that.

Don't even think it.

The professor was a huge figure

in the movement.

- He had contacts

high up in the regime...

- Valentn, don't tell me.

- ...including one

of the generals.

- I don't wanna know!

You're right.

I'm sorry.

Do you mind

if I dictate a letter?

I tried to write it myself,

but...

the page kept swimming.

Yeah.

Here.

Dear Marta,

I'm writing because...

I'm afraid

it all might end here,

that my life will amount

to nothing.

Sometimes I tell myself

I took something of you with me

and that I haven't lost it.

But then I realize,

there's only me,

all alone in this cell.

And I can't wash

because I'm sick

and I'm afraid

the freezing water

will give me pneumonia.

Wait.

What?

You're right. The freezing water

could k*ll you.

But we can still get you clean.

I could use the hot water

from the tea and two towels,

one covered in soap

and the other just hot

and wet to wipe the soap off.

And that will stop the itching.

Of course.

In all the time

I was with Marta...

I never said,

"I love you."

Never.

What an awful word.

I don't wanna die, Molina.

I wanna be a fat old man

and have a dozen grandchildren.

Give me your hand.

Like I said...

a leaky faucet.

- Molina.

- Hmm?

Look at the shadows,

the candle is casting

on the wall.

You never noticed them?

Never.

I always watch them.

It helps pass the time.

Last chance, Molina.

Anything you want to tell me?

Prisoner 31452,

Santiago Ventura,

after due consideration,

this board is declining

the stay in your sentence.

Petition denied.

Luis Molina.

So you're really

not going to tell me

what happened at the hearing?

I said it was fine.

So it went well?

Actually, it was terrible.

They denied your parole.

No.

Not yet, at least.

They said that

when a decision is pending...

convicts are moved

to a different block.

I leave at the end of the week.

And I won't be back.

Armando comes

to Aurora's suite...

sees her bags are packed.

He gazes out the window.

Tonight is the night.

The Spider Woman wants her kiss.

Armando wants to tell Aurora

how he feels...

but he can't.

I couldn't let you leave

without saying goodbye.

Goodbye, Armando.

It's the most terrible thing.

Two people who can't admit

they're in love.

All ready?

Yes.

Armando.

Kendall.

Armando, you have

to get out of here.

Johnny and his men

are on their way.

Who told them where I was?

It doesn't matter.

They're going to k*ll you!

Let them come.

My life is over anyway.

Nonsense.

You have Paulina now.

Armando doesn't want me.

He loves you.

Don't you know that?

Is that true, Armando?

Others might deceive me,

but...

Never you

Lead me on, then leave me

But never you

Someone else

might take my trust

Break my trust in two

Things

you'd find impossible

To do

Other loves might tell

Some easy lie

Say forever

When they mean

Goodbye

But no, no

Never

Never you

Well, this doesn't

change a thing, Aurora.

You still have a magazine

to publish,

deadlines to meet.

We have to leave.

I can't, Kendall.

Please, try and understand.

It's not just because

I love Armando,

it's because he's made me

see things through his eyes.

These people need our help.

Remember, I'm one of them.

But...

Not another word, Kendall.

I know it was you

who betrayed us.

I'm sorry.

I couldn't lose you.

That's a surprise.

Rule number one,

never trust a closeted queen.

Aurora has nothing

but bad options now.

Go to Clemencia.

She will protect you.

No. No. Not the jungle.

Take my car.

Let's go. Come on.

Please, Armando.

We have to stop.

She's drawing us into her web.

Listen to me! She will k*ll you!

Aurora and Armando

are being followed,

but not by Desiderio.

What's the matter?

Hey.

Don't do that.

I'm so tired, Valentn.

I'm tired of suffering.

It hurts inside.

Where?

In my chest,

and in my throat.

Here?

Yeah.

What a relief.

What?

To care about someone again.

Could I...

Could I touch you too?

Yes.

Lie down.

Come on.

Get closer to the wall.

Okay.

Your skin...

...it's so soft.

- Do you like it?

- Yeah.

Yes.

You awake?

Yeah.

A strange thing

happened to me last night.

You could say that.

When you were with me...

it was like I wasn't me anymore.

I felt like I was you.

But later,

when you went back to your bed,

I wasn't you either.

And I still wasn't me.

I was somebody else.

Not a man or a woman.

I was nothing...

and everything.

It felt like being...

Out of danger.

Exactly.

How did you know?

I felt it too.

Marcuse writes about this.

Gender as a social construct.

Oh, please, Valentn,

no theories today.

Some things are too interesting

to put into words.

You're right, you're right.

I'm sorry.

Besides,

I feel good

and I don't want to spoil it.

You know the nicest thing

about being happy?

You think you'll never

be unhappy again.

Molina.

Your parole is approved,

on my recommendation.

All I have to do is sign it.

What should I do, Molina?

Thank you.

My mother will be so happy.

You're leaving this afternoon.

Three o'clock.

Today?

But there's still a chance

that he could talk.

Can you believe this f*gg*t?

He likes prison so much

he wants to stay.

Get your things ready.

And remember, Molina,

whatever you think you saw here,

nobody cares.

And no more hanky-panky

with the boys.

You sure about this?

Sooner or later,

he'll lead us to them.

After all,

he's a woman in love.

Don't be sad.

I'm not. I'm happy for you.

Now you can start a new life.

Join a political group.

Get out and march with

your g*y brothers and sisters.

I'm sorry, Valentn,

it's too late for me

to become a revolutionary.

But you survived in a place

that no one is supposed

to leave alive.

You can't tell me

that didn't change you.

It hurts me to leave you

all alone in this cell.

No one around

to take care of you.

I'm getting out of here.

I'm not going to die

like the professor,

without passing on

the information I have.

I'm not.

Valentn.

I want to ask you

for a going-away present.

Something we didn't do,

although we got up

to much worse.

A kiss.

It's true.

We never did.

Mm.

You want it now?

But... we don't have much time.

And we still have to finish

the movie.

Yes.

Come here.

Sooner or later

you're certain to meet

In the bedroom, the parlor

or even the street

There's no place on earth

you're likely to miss

Her kiss

Sooner or later

in sunlight or gloom

When the red candles

flicker

She'll walk in the room

And the curtains will shake

And the fire will hiss

Here comes her kiss

And the moon grows dimmer

At the tide's low ebb

And her black beads shimmer

And you're aching to move

but you're caught in the web

Of the Spider Woman

In her velvet cape

You can scream

But you cannot escape

Sooner or later

your love will arrive

And he touches your heart

You're alert and alive

And there's only one pin

that can puncture such bliss

Her kiss

Sooner or later,

you bathe in success

And your minions salute,

they say nothing but "yes"

But your power is empty,

it fades like the mist

Once you've been kissed

And the moon grows dimmer

At the tide's low ebb

And your breath

comes faster

And you're aching to move

but you're caught in the web

Of the Spider Woman

In her velvet cape

You can run, you can scream

You can hide

But you cannot

Escape

You?

I had to be sure you were safe.

Please, I have waited

to find love my entire life.

But now that I have,

you ask me to give it up.

If you take Armando,

you also k*ll me.

No!

I love you.

I love you too.

So the curse was broken.

No. It was fulfilled.

Aurora did love Kendall,

just in a different way.

That's quite a twist.

Not really.

h*m* always die

in Hollywood movies.

Most of the time,

they k*ll themselves.

No. He gave his life

for a cause.

Because of his sacrifice,

the village will continue

to be protected.

No.

He died for love.

Aurora recognizes

the Spider Woman

for who she truly is,

her greatest enemy,

and her greatest friend.

She's death and life.

She saved an entire village

and asked for so little

in return.

Just a kiss.

Through her tears,

Aurora begins to smile.

There's some kind of happiness

for each of us.

Life is good,

and that good is love.

Her name is Aurora

A true Hollywood ending.

I told you,

it's no Citizen Kane.

Call it kitsch, call it camp,

I don't care.

I love it.

When I was with the warden,

I got the feeling

that he was afraid.

Yeah.

Things are moving fast.

And if I pass on

your information,

would they move faster?

Maybe.

And one day you might be free.

Prisoner 57884,

Luis Molina, coming out.

I'll do whatever you tell me.

Time to go, Molina.

Thank you.

So you won't forget me.

There's no danger of that.

I'm gonna miss you, Molinita.

Red's your color.

It always was.

Mama.

Luis?

Uh-hmm.

Am I dreaming?

No, Mama.

It's me.

I'm home.

Hi.

Revolution...

it's nothing

but radicals and fairies.

A bunch of spoiled brats.

Take down the generals?

Forget it.

They'll be crushed.

Their blood will be flowing

in the streets.

You'll see.

A toast, if I may.

To dear Aunt Chicha,

and to the love and care

she's shown her beloved sister.

- To Chicha.

- To Chicha.

Call back tomorrow.

Two o'clock.

Gabriel.

- Hello.

- Hi.

I can't stay long.

It's our busiest time.

Oh. You look well.

How are you?

How's the family?

Fine. Fine.

- Did you get my letters?

- Yes.

Oh. I hope they weren't

too de trop.

As the French would say,

"too much."

No, no.

I enjoyed them very much.

Oh.

Well, you never wrote back.

I've been busy.

With the family, I imagine.

Double shifts at work.

Did you ever think about me?

I should probably get back.

Because I thought about you...

a lot.

How you would give me just

enough to keep me interested...

and not an inch more.

I'm sorry, Luis.

I'm just an ordinary man

and I don't understand--

Yes, you do.

You understand very well.

You let me adore you

and you enjoyed it.

But you never told me,

or thanked me.

Please, don't come here again.

I used to wave to you every day.

Yes?

The professor says hello.

I love you so much, Mama.

If I'm not home by the time

you're reading this,

it means I've been arrested.

Only, this time, for something

much more serious.

If I do go away,

I know Aunt Chicha

will always be there for you.

When I first went to prison,

I thought my life was over.

It was just beginning.

I learned about dignity

in that most undignified place.

I had always believed nothing

could ever change for me.

And it made me feel sorry

for myself.

One ticket, please.

But I can't live like that now.

Thank you.

Come on, come on.

Careful, careful! Stay back.

Hey, come on! Back up.

Would you back up, please?

Go through this-- Hey, Oliver!

- Yeah.

- - Bring the...

Yeah, that's fine.

Hey! Come on!

We have to go.

- What?

- Now!

- Hurry!

- Stop!

- Stop! Do you hear me?

- Stop, stop!

Stop!

Stop!

Freeze!

Don't move! Don't sh**t him.

We need him alive.

Come on! Come on!

- Hurry!

- Stop!

Hurry up!

Come on!

No!

Go, go, go, go!

Stay back.

Get back. Move back.

Get back.

Optimistic endings

Passionate romances

Beautifully beefy heroes

Taking

death-defying chances

Only in the movies

Decorous Madonnas

Totally compliant

Challenging the villain

bravely

Both high-busted

and defiant

Only in the movies

Only in the movies

But marble floors

to glide on

And loop the loops

to ride on

And sultry girls

beginning some beguine

I found, as I grew older

And life became much colder

Were, to my sorrow

Nowhere to be seen

And so I sprayed

a little perfume

Sprayed a little perfume

Dabbed a little powder

Dabbed a little powder

And suddenly

the muted strings

Began to play

a little louder

And though I knew

the difference

I kept on pretending

I was in the movies

But everything changed

when I met you

You've changed my life

somehow

Everything changed

when I met you

I find I walk in

Technicolor now

And as this princess

lay dying

She raised her lovely head

And as her lover

knelt beside her

This is what she said

Looking into those

tender brown eyes

Of his, she cried

"Viva la guerra"

"Viva la revolucin"

"Viva..."

Whatever it is

No!

Her name was Molina

Her name was Molina

Her name was Molina

The New York Times.

We made it, my love.

We made it.

Argentina! Argentina!