OCR：Souyouzi
Sean, you don't have
to go to that place.
[thunder crashes]
There are things we humans
should not know about,
and if we know about it,
we shouldn't go near it.
[ static 1
NARRATOR: The structural plans
for the main building
were completed in 1876.
Known as
the Kirkbride Building,
its name comes from
Dr. Thomas Story Kirkbride,
who standardized construction
for mental healthcare hospitals
in the 19th century.
From 1876, when the building
was opened, until its closure,
this was the largest psychiatric hospital
in the United States.
I gasping 1
Many patients,
have been returned
to their homes and jobs,
who might still be here
if it were not for this powerful
form of treatment.
We gotta get into it.
We gotta get to the south side.
Okay, okay.
It's a f*cking bad idea, bro.
Forget you two.
Stay close. If you see devil worshippers,
do not talk to them.
They're looking to sacrifice.
Today's the 13th.
JOHN: Yeah, okay.
ALEX: Yo, John.
Yo, come here, John.
JOHN: Look at this.
I'm right behind you. Go.
ALEX: Dude, you never know.
It's a f*cking insane asylum.
JOHN: Alex, what the hell
are you doing?
Dude, get back here.
Ahh. Okay. [mutters]
ALEX: Dude, dude,
I get ifs down here, man.
Hey, guys, check--
Right there.
Hey, f*ck--
What do you--f*ck.
Oh, f*ck. f*ck. f*ck.
f*ck. f*ck.
[ gasps 1
[ screams ]
[man laughs]
WOMAN: My advice is
to leave the dead alone.
SEAN: What if the dead
don't leave us alone?
Then what do we do'?
Sean, don't go. Please.
[ overlapping conversations]
[silverware clinking]
ALEX: I don't know.
I don't want to scare you,
but, you know,
when people die,
there's energies left over.
Have you ever seen a shadow,
like, a shadow man?
Have you ever
been attacked--
WOMAN: Like a shadow, like,
on a wall, shadow?
SEAN: Like a figure.
You see all kinds of things,
you kind of think,
well, is that just my mind,
or is something there?
Look, he was
in bed with me,
sleeping like a rock,
Look, he was
in bed with me,
sleeping like a rock,
and all of a sudden,
all I could see was the outline
of a man's body
pulling my leg
out of the bed.
Sounds like John was
getting a little kinky.
No, no,
I woke up. |--|--
Would you give me
the camera?
You're recording everybody,
and you're the only one
at this table who's
never seen a ghost.
I must scare them away.
So, Sean, you don't have
any stories at all?
Honestly?
Mr. Analytical.
Look, I don't know
if this counts,
but, uh, I was 9 years old
when my parents divorced
and alone with my mom in the house
for the first time.
And my mom was reading
to me in bed one night.
And for some reason,
I decided to look outside,
and I draw back
the curtain, and I peek out,
and there was a man
standing out there,
just staring at the house.
So |-- I turned back and said,
“Mom, there's
someone out there,"
and she--You know,
she goes and looks,
and he was gone.
That is a shadow man, dude. See?
- [ laughter ]
- There you go.
It's all bullshit.
It could've been
just a shadow.
What do you mean
it's bullshit? Come on.
It's like a ghost.
I call it a shadow man,
but it's like a ghost.
Well, they're in your mind,
but I--I don't think
there are ghosts.
It reminds me of a story
I heard as a kid.
But when I was about 8, 9 years old,
I went to a camp,
and I heard the story
of Crazy Kate.
What happened was that there
was a group of campers
that went up in a school bus
around the lake to camp out,
and they heard
this wailing in the woods,
And it was that night,
the wind was so strong,
that no one
ever heard the screams,
but the next day,
they found the campers.
But they never
found their heads.
And that was the beginning
of the legend of Crazy Kate.
Come on.
This is a true story?
Well, frankly, uh,
I can't be sure.
I went--It was about
middle of the night
after he told--We went to bed
around 10:00, I guess,
after the stories, and I woke up,
and there was
a wind in the forest.
Whoa.
[ laughter]
Whoa.
The trees rustled.
The bushes moved.
I wanted to just pee and go back to sleep
as quickly as possible,
but I heard this...
something behind me,
and |-- I turned around,
and I looked,
and there in the bushes,
I swear I saw a woman.
The woman had gray hair,
had a lifeless face,
and she had green eyes.
I didn't-- I was just so scared.
You never-I mean,
it was like
as if Crazy Kate
was looking at me.
I turned, and I ran into the tent,
as if Crazy Kate
was looking at me.
I turned, and I ran into the tent,
and I woke the other kids.
I said, “There's
something out there.
I think it's Crazy Kate."
They're looking.
They all went down to the lake.
They looked around.
She was gone.
What is that?
What is that?
What is that?
It's an updated rendering.
- What did you do over there?
- She drew it.
The drawing of Crazy Kate
looks a lot like me.
[ laughter]
It's cool. I like that.
When I told
that story to Sean,
he got so scared.
He climbed into bed
with his mother and me,
and we couldn't get you out
of there for a few months,
Aw, you're
embarrassing him.
Aw, his cheeks are red.
So sweet.
Sean, we should go out there
and make a movie.
Crazy, scary,
creepy Kate.
Tell us.
What do you think?
- Come on, shadow.
- "Crazy Kate 2."
You don't believe in ghosts?
Maybe ghosts aren't trying to scare
people, per se.
I mean, if you think about it,
it could be energy.
That's an excuse, Sean.
I think you have fear in you.
Antonella.
Sean, you can't film in here,
You're gonna gel us kicked out.
Shh.
You're the one talking.
What are you doing?
I'm keeping a record
in case we don't make it back.
[chuckles ]
I'm sure you'll put that on YouTube
and show me
wetting my pants.
Look, I know we don't
know each other that well,
but I think you can
handle yourself in there.
Okay.
I'm glad you're coming.
Hey, you know how
to work a camera, right?
Are you gonna come'?
ANTONELLA:
Why do you want to go?
Why not?
What?
This is my idea
of dinner and a movie.
So you're gonna
try and take me
into a haunted house
and make out with me?
What, you never wanted to go
to a haunted house before?
I think I've been in one.
Really? Haunted.
You don't have to go
looking for ghosts
to find them, Sean.
Like the Lord said,
seek and ye shall find.
[laughs] Did He'?
Don't tell me it's Medusa.
Why not?
Turning men to stone, are we?
Well, that's
the male's perspective.
Destroyed by a woman.
Scary, huh?
And so what's
the woman's point of view?
They weren't ready to see her.
She was a beautiful woman
before the gods
turned her into a demon.
Shes gatekeeper
to the land of the dead.
Once you see her,
there's no going back.
Hmm.
Strange kind of lucky charm.
Well, I'm gonna need it, okay?
You know you're lucky
I like scary stuff.
Most girls wouldn't come with you.
You're not most girls, Antonella.
Glad you noticed.
SEAN: How far is
this place, Alex?
A couple hours.
We'll stop at my house,
get some gear
and go from there.
Are your parents gonna be wondering
where you're going?
ANTONELLA: I haven't
really spoken to them.
Why? Should I have?
I mean, we're going into--
We're going into the ghost realm,
according to Alex.
It's their space, right?
Why do you violate it?
I'm not actually, like, trying to go
into their space.
I'm going exploring.
Everything9 been
conquered, correct?
These few locations,
I guess, if you
want to call them,
few spots are
still not conquered,
and when you go in there,
you don't know
what the hell kind
of enemy you're fighting.
You don't know
what the f*ck's in there.
There are explorers
that go in there,
and there are kids that go in there
that don't come back.
And there are stories.
You can look them up.
ANTON ELLA: You are such a liar.
I looked it up online,
and there was nothing
about any kids going missing
or any explorers
or anything.
You probably--You probably
didn't find anything
on Billy Lasher either,
did you?
- No, I didn't.
- Well, there you go.
You see that?
There you f*cking go.
There you go.
What are you laughing at'?
Smile. That's Antonella.
She's smiling for the camera.
Ha ha ha.
- Now look at me.
- What was the point?
Now look at me.
f*cking look at me.
Watch the road. Please.
f*cking look right here.
Let me tell you two something.
- That smile is only gonna last so long
- [ laughs]
- because when you're in there,
I'm gonna f*cking rewind
this g*dd*mn video--
- Watch the car.
- And I'm gonna show you.
I'm gonna f*cking show your smile,
'cause you're not gonna be smiling anymore
when you're in there.
Oh, my God, you're out
of your f*cking mind.
Oh, shut up,
and tell me-No, no.
- Tell us about what?
- Nothing.
No, this is a perfect time
to stop talking.
He didn't say anything.
Guys, we all know how much
Alex loves to-
[ overlapping chatter]
Okay, fine. All right,
So John and I,
we're, uh, exploring.
We decide to go
to this place, Greystone.
It's an abandoned
mental institute.
We decide to go
to this place, Greystone.
It's an abandoned
mental institute.
Greystone started all
these crazy treatments,
lobotomies...
What's a lobotomy?
electroshock therapy,
hot and cold pressure baths,
bleedings.
Lobotomy's when they take an ice pick
and they shove it
in your eye and break
your frontal lobe.
Yeah, but they did it
to thousands of people,
like thousands of people.
They--They tortured these--
They lobotomized everybody,
and they just tenured everybody.
It was--|t was--
What do you mean, tortured?
They just destroyed
those people.
They wouldn't have
done that for no reason.
They thought they were
helping them, but they--
Clearly they were stabbing ice picks
through their brain.
They had
one main hospital, right?
There's a main hospital.
They did all these testing
of these people,
and they would wheel them
in these tunnels underground.
You would hear screams
and just, like, horrific, horrific things and--
So it's packed with spirits
and ghosts and--
Yeah, but so is every building.
It seems impossible that--
Yeah, I don't
think you guys--
- It's pretty bad.
- In what sense?
It's a bad place.
In what sense?
It's evil.
What do you think, John?
Was it spooky?
Listen, Alex had
a different experience
than I when he--
when we went.
I think he's full of sh*t.
JOHN: If you go there, you want
to get the hell out.
I think he's full of sh*t.
JOHN: If you go there, you want
to get the hell out.
But when you leave,
all you can think about
is going back.
" I Crash ]
- [ gasps 1
- Oh, my God.
- What was that?
Please tell me you have
a cat or something.
Oh, my God.
You guys have
all brought these--
these things into my house,
like, my life.
Why don't you go take a look'?
You'd find out if you believe
in ghosts.
I'm getting so freaked out.
Listen, we got--
We're gonna go tomorrow,
So you want to go'?
Well, I've seen
my share of ghosts.
I think Sean
likes horror films.
- Why don't you take him?
- Yeah?
I think Sean
likes horror films.
- Why don't you take him?
- Yeah?
Please don't encourage them.
You want to go
to Greystone, Sean?
We should make a movie
about this, dude.
- Yeah, Sean.
- Come on, Sean.
So what do you think, Sean?
Do ghosts exist?
Mr. Shadowman.
Only one way to find out.
SEAN: And this looks
like the opening
to every horror film
I've ever seen.
You ready?
What about John?
John's not coming.
He called me.
Wait. Wait. What do you mean,
he's not coming?
He's not coming.
It's no big deal.
He just said he was
sick or something.
It's no big deal.
Don't worry about it.
ANTON ELLA: Sean, let's just go and
just take a look around.
We don't have to go in.
ANTON ELLA: Sean, let's just go and
just take a look around.
We don't have to go in.
Have you ever seen
a horror movie before?
I mean, don't put yourself
in a position like this with three people.
ALEX: Listen, I beg to differ,
because every other
horror movie that I've seen,
no matter
how many people you have,
you always end up
with one survivor.
ANTON ELLA: You're not helping.
ALEX: If that, at most, Sean.
So...
[ laughs 1
One hour, okay?
We set a time limit.
ALEX: No, you said overnight.
No, you said in and out.
I said in and out overnight.
Are you out of your mind'?
No. What?
ANTONELLA:
Did you paint this?
ALEX: I see a lot
of those things in my dreams,
with the wings.
SEAN: This is Goya.
it just means something,
I think.
Hey, careful what you guys touch.
There's a lot
of sharp things in here.
Dude, don't sit on my bed.
SEAN:
You going to w*r, Alex?
Oh, man, always.
This is a 40-pound
real-life Spartan sword.
Uh-huh.
I can cut the head off
anything with this.
Including Medusa?
- Very funny.
- Oh, that reminds me.
I know you're a big guy, Sean,
but this is for you.
Billy Lasher.
So tell us the stow finally.
Who is--
Sure you want to hear the story
of Billy Lasher?
ANTONELLA: Yeah, say it.
Okay. Well,
basically, Billy Lasher
was born inside the asylum,
Now, these crazy doctors
took all his documentation,
all his records,
anything that would prove
that he existed,
and got rid of it.
This way, they can control him
his entire life.
They took this poor guy,
lobotomized him,
tortured him, did experiments,
some sick, sick stuff.
And he wears this gas mask
'cause of this fire.
ANTONELLAI What fire?
Well, the place was shut down
because of a fire,
and, um, supposedly,
Sean, if you're lucky,
he's still roaming free inside,
and the only way
you can hear him coming
is by the clanking of his chains.
[chains jangle]
SEAN: Sounds like
a good ghost story
to keep kids like you
from breaking in.
No, it really does sound
like a good ghost story,
but honestly, though,
you gotta be careful.
ANTONELLA:
So who is this kid?
SEAN: Who?
Our fearless leader?
He doesn't even know
how to get there.
What do you expect?
He's a friend of my father's,
What do you expect?
He's a friend of my father's,
but he seems pretty nuts.
Are you sure
you want to do this?
Huh? I kind of like this,
just going somewhere,
not sure what you're
gonna get out of it.
I'm glad you're taking me.
Oh, now you're glad.
Yeah, that way, someone
can watch out for you.
ALEX: All right, listen,
when we get there,
can you, uh-- can you drive?
SEAN: Now, w-why?
Can you dri-- 'Cause I technically
don't have a license,
and if we get pulled over, then the cops
are gonna screw us.
You could show 'em your license,
and you'd be clear.
SEAN: Wait. What--What's wrong
with your license, dude?
I just don't have a license, man.
ANTON ELLA:
You're joking.
Well, what do you mean you don't
have a license?
You're driving the car for an hour,
you don't have a license?
- I know.
- Is this a stolen car?
Because there's no cops here,
but there's cops over there.
- It's not a stolen car.
- Whose car is--
My mom's car.
It's not a stolen car.
I don't know how
to drive in Jersey, man.
I mean, I don't
even know where we are,
I--It's fine.
I can direct you.
[sighs] I mean,
Uh, Antonella, will you drive?
Sure. I can practice.
That's a great idea.
Antonella, you drive.
[horn honks]
G0, go, go, go, go, go.
- This is a red light.
- It's okay. Go.
Don't you guys know
ifs ill*gal to...
I can't reach the pedals.
lfs okay. It's okay. It's okay.
I can't reach the pedals.
What do you want me to do?
ALEX: Let's go. It's green.
You know, you--
Listen to what I say to you.
Very carefully,
you focus, okay?
Go straight.
lfs a green light.
I'm not gonna drive
without my seat belt.
[horns honking]
Is it?
Go on. Put the camera down.
Put the camera down.
The cops took
my camera last time.
Just chill out.
ANTONELLA: What's the speed limit here?
Don't worry about it.
You--You're doing fine,
You're doing fine, Antonella.
- sh*t.
- Make a right quick.
- Quick, quick, quick, quick.
- Right turn?
Yeah.
Okay.
Easy, easy, easy.
Good, good, good.
Oh, I just got the chills.
Just stay calm.
Pretend like you're
not breaking into
an abandoned insane asylum.
[laughs] Right.
Aw, man.
You see those trees?
Here's your knife
and your flashlight.
Watch out, Antonella, please.
[tires skid ]
No, watch out!
- Whoa.
- Oh, my God.
Whoa, whoa, whoa,
whoa, whoa, whoa.
What's wrong with you'?
I'm sorry. I missed it.
Okay, we're getting close.
You see that tower?
No, no, no.
You guys see that tower?
We're on the property
now, guys. We're close.
Okay, okay.
All right, keep going.
Keep going, Keep going.
Ah, this better be worth it, Alex.
This better be worth it.
Oh, trust me, dude.
It's worth it.
ALEX: Oh, I hate this place.
What the heck is that?
They're tombs.
Don't worry about it.
- What?
- Don't worry about it.
We park here?
Yeah. Stop, stop, stop.
Park the car.
Brake, brake, brake.
[ clunk ]
Ah, g*dd*mn it.
My mom's gonna f*cking k*ll me.
- Sorry.
- k*ll the lights.
[car doors open and close]
We have to get out together, okay?
Ready?
Shh, shh, shh. This way.
Why are the lights still on?
Because the generators work.
Let's go, Let's go.
Let's go, Let's go.
ANTONELLA:
Hey, Alex, Alex, hold on.
- What?
- What are we doing here?
This is the way in. What'?
We shouldn't be here.
Do you realize where we are?
Yeah, I know.
We're in a graveyard. What?
You knew that we were gonna
be walking through a graveyard.
This is the only way in.
- Are you kidding me?
- Wait. Shh. Guys.
- No, we shouldn't be here.
SEAN: Why?
We're disturbing the dead.
Look, if you guys
want to get arrested--
SEAN: It's okay.
It's okay, okay?
Antonella.
Do you want to get arrested?
Whatever. Let's go.
[ bird warbles ]
All right.
Sean, Sean, come here.
We gotta see--
Where are you going?
SEAN: No way.
What?
No way.
Dude, what are
you doing, man?
No, look at that.
ANTONELLA:
I really don't want to be here.
- Holy sh*t.
- What the f*ck?
That does not say, "Lasher," dude.
[ laughs 1
[ bush rustles ]
- Did you hear that?
- What was that?
Oh, my God.
[ gasps]
[Antonella gasps]
- What happened?
- I don't know.
Something was just like...
ALEX: Shh.
It could be a cop.
Shh. Get down.
Get down. Get down.
Get-Get down.
Yeah, there is something moving.
I don't know what the hell
it is, though.
All right, we gotta get the f*ck
out of here, guys.
There's something moving here.
That's what I said.
No, I'm not kidding.
There's something moving here.
Okay. Just--
- We're gonna go back or--
- Ready, ready?
- We gonna go back, or--
No, no, we gotta go.
Let's go, Let's go.
Let's go, Let's go.
Let's go, Let's go.
[ bird warbles ]
Ah, f*ck.
Okay. All right, listen.
There's a motion detector
I have to go turn off, okay.
I'm gonna flash the light at you guys,
and you run like hell.
Run at me.
All right?
Don't f*cking walk. Run.
'Cause if we get caught now,
we're done.
Okay.
Why'd you want to come'?
Honestly...
face the fear.
ANTON ELLA:
There he is.
[generator humming]
ALEX: Let's go.
Go, go, go.
Stay close to me.
Stay in my shadow.
Hold this.
ANTONELLA: Guys,
I think I just
saw someone in there.
What?
No, no one's in there.
f*ck, f*ck.
What are you doing?
I was-This was
open last time.
It's not open.
Oh, give me my light.
Give me my light.
This way, Sean.
This way.
God damn it. It's locked.
ANTONELLA: Is it open?
Come on, Antonella.
Got you.
[murmurs]
Get-Keep together.
Let's go.
There's a stick on the door.
That's a good sign.
[door creaks]
All right, let's go.
Do you get the feeling
like someone just let us in?
Shh, shh, shh.
You sure this place is abandoned?
Let's go this way.
This way.
This way, This way.
Antonella, stay close
to Sean, please. Okay.
Hey, look at this.
Santa Claus.
[ rattles ]
Merry Christmas, 1979.
sh*t.
SEAN: You like dolls, Alex?
[Antonella laughs]
[ banging 1
Scared yet, Sean'?
Whoa, look at this.
Oh, my God, look at this cross.
Church pews. These are sick.
Is this a mental hospital
or a church?
They-They have a chaplain.
Or is it a storage facility?
But they've got a chaplain.
This place is incredible.
[Cf ash]
Ohh!
Don't touch anything.
Okay.
[ clatter ]
Ohh.
Yeah, this way. This way.
[ $|am I
Dude, what are you doing?
Why'd you leave
your jacket here?
We're gonna come back
this way anyways.
The higher you go,
the creepier it gets.
Where's Billy?
Billy doesn't exist.
Billy!
There's something
wrong with you, man.
Billy!
Hey, what, did you eat...
Billy!
like, lead paint when you
were a child?
Goya.
SEAN:
That's not Goya.
Dude, what is that?
Did you hear that?
What was that?
Little scaredy-cat.
Let's go.
It wasn't Goya.
Whoa, look at this.
Holy sh*t. Look at the steam.
Look at the steam.
Oh, my God.
I thought you said this place
wasn't working.
it f*cking obviously is.
That thing's
not attached, by the way,
This place is f*cked up.
See, you folks are lucky,
because you're sitting at home
watching this, but we're here.
[ camera shutter clicks]
They used to freeze
people in this f*ck.
ANTONELLA:
That's messed up.
Hey, watch out for shadows.
Whatever you do,
don't look at them.
They can get in your head.
SEAN:
Check this out.
ANTON ELLA:
Oh, my God.
- Serpent's eye, man.
[ shutter clicks ]
- It's occult.
- I've seen that before.
What are you talking about,
you saw this before?
I don't know. Déjé vu.
[shutter clicks]
ALEX: Help him out.
ANTONELLAI What?
That's a sign, man.
ALEX: What?
You see that? That's a sign.
What's a sign?
That's» That's a sign.
What are you talking about?
What am I talking about'?
That's just a blackboard.
It says, "Death," across
the f*cking board.
It's a blackboard.
It's a blackboard.
You don't go--
You don't go that way.
- Sean.
- Let's go another way.
Who's standing next to me?
Antonella. She's a girl.
[ squeaking ]
sh*t.
[ laughs 1
Shh.
You see?
Look, the bats. The bats,
ANTONELLA:
What is all this?
What?
[ both scream ]
ANTONELLA: What?
Alex, Alex, what is it?
I thought I saw something.
It's okay.
What did you see?
lfs nothing, It's nothing.
Just keep going.
Alex.
[light buzzes]
SEAN: Yeah, hold up.
Let me take the camera.
[thump]
What the f*ck? What the f*ck?
What the f*ck?
What the f*ck? Somebody just--
Somebody just hit me.
- Hmm?
- What?
Huh? No, I'm serious.
Look at--Look at--
Give me some light.
What are you talking about?
Give me some light.
Give me some light. Over here.
- What are you talking about?
- What?
What hit you?
What is that?
What hit you?
What is that?
Weird.
Let me see that thing.
How did it hit you in the head?
Were you throwing it at him?
No, I didn't throw it at him.
Did you?
Alex, you--you threw it.
[ mocking ] I threw it.
Dude, you know what this is?
Psychic driving, dude.
Psychic driving.
This is what they put--
They put this under your pillow,
and they play it over
and over and over again
till it's melted
into your f*cking head.
What are you talking about?
Let's go.
Come look at this.
Oh, my God.
That is so creepy.
Antonella,
what are you looking at'?
Do you know who it is?
Medusa, dude.
That's weird.
I'm taking this sh*t.
What are you doing?
Don't take that.
They shouldn't have left it.
ANTON ELLA:
"Turn around."
[Cf ash]
Ohh!
Shh, shh, shh.
Hey, Sean, who am I?
Ooh.
I don't know, Alex.
Who are you?
[ clatter ]
ANTONELLA:
Can you be any louder?
Billy Lasher.
Is he okay?
I think he's leaving us
alone to make out.
[ laughs ] Very funny.
It's not gonna happen.
Why not?
[ crash ]
I grunts ]
[Antonella gasps]
Hey, man, don't do that. Christ.
- Sorry. Sorry, man.
- Why are you--
I found a really cool room.
Your--You dropped
your flashlight, Antonella.
What's wrong with you, man?
f*ck you.
ALEX: Check this out.
Dude, this is the witch's room.
Check it out.
SEAN: This place
doesn't feel right.
Just come on. Come on.
Antonella, dude, look at this doll.
Dude, somebody lives here.
No, nobody lives here.
Somebody did live here.
The light works.
I don't want to go in.
Why?
Can we go, please?
What's wrong with you'?
Look at this.
This is pretty cool.
Check this out, Check this out,
Antonella. You like this--
Alex, let's get out of this room.
Look at the legs up there.
I don't want to go in.
Can we go, please, now?
Why? What's wrong with you?
Can we please
get out of here? lfs not funny.
All right, she's right.
There's something
really creepy about
this room, all right'?
[ gasps 1
[ screaming,
static ]
It was a creak.
It was a creek, man.
It's a f*cking old building.
All right, all right.
f*ck it. f*ck it.
We'll just keep going.
Let's keep going. Go, go, go.
Slow down. Slow down.
Antonella, you okay?
You want to go back?
Are you nuts?
We're gonna keep exploring.
We haven't seen
anything cool yet, man.
- No, I'm fine.
- Come on, go.
Just keep going. Follow me.
That room just was
really f*cking creepy.
[ chain rattles ]
What the f*ck is that?
f*ck.
Jesus Christ, man.
Holy sh*t.
This is some sick sh*t.
Where did that come from?
[ laughter]
What the f*ck
is wrong with you?
- You're such a d*ck.
- What?
Did you-Do you think any
f*cking normal human being
would wear this on their wrist
or f*cking ankle?
This is, like, for an elephant.
Alex.
Let's keep going.
[whistles] Whoa.
Yo, check this sh*t out.
How high are we right now?
Uh, pretty high up.
I think this is
the top level, man.
Look at all these books.
This is crazy.
Not exactly NYU library.
No, it's not.
What happened was
Billy set a nurse on fire
when they were torturing him,
and before the place burned down,
he k*lled every nurse and doctor
in the place and disappeared,
Do you think it's true?
Do you think the camera
can see the ghosts we can't?
If they're there, we'll see them.
[ Fingtone ]
Alex, "Alex was here."
[laughs]
Shh.
- What?
- Listen.
[garbled sounds,
whispers, static playing ]
What is that?
I'd say--
Mm-hmm.
I don't know.
I didn't tell anyone I was coming.
Uh, yeah, sounds like your friends
are playing a prank.
No. I mean, you know,
like you weirdoes like you?
- NYU students.
- [ scoffs ]
Hey, I'm not weird.
Oh. That's what you think.
You think I'm weird?
Oh. That's what you think.
You think I'm weird?
Why? 'Cause I take you
to a haunted house?
Ooh, Ooh.
- [ laughs]
- I gasps]
Jesus Christ, dude.
f*ck.
You guys scared'?
No. [laughs]
Do--Do you get
a kick out of this?
Is this, like, what you
do on your holidays?
Let me see.
Hey, Sean.
[ laughter]
ANTON ELLA:
Oh, my God.
What are we doing?
Is this where they kept people?
I think so, man.
ALEX: Jackpot, man.
Oh, my God.
Look at this chair.
SEAN:
Look at this chair, dude.
Who was sitting in that chair?
This is like a slaughterhouse
in here.
ANTONELLA: What do
you think happened?
Remember the campers' heads
your dad was talking about?
The lost heads, the campers.
Someone got k*lled.
There's dolls, man.
You're stepping in blood.
lfs not blood. It's just paint.
ANTONELLA:
I can't stand it here.
- What?
- [ coughs ]
This is awesome.
ALEX: Oh, my God,
I just saw somebody.
SEAN: No.
Yeah, I swear to God.
I just saw somebody.
- You're lying.
- I'm not kidding.
- I don't believe you.
- What the f*ck?
- What the f*ck?
- What was that?
No, I saw somebody
with, like, gray hair.
- No, no, no.
- Yeah, yeah. I'm not kidding.
Hold on a second.
Just careful. Careful. Careful.
No, I seen them move.
ANTONELLA:
Do you see anything?
Shh. Stay here.
Stay here.
Sean, come with me.
I'm not gonna stay in--
[ clang I
I QESPS ]
f*ck me.
Ooh.
Shh, shh, shh.
I just saw-His head
was at the window.
Alex, slow down.
What the f*ck is that?
What are we doing up here?
Shh. Do you hear that?
[ soft clatter ]
ANTONELLAI What?
Listen, Listen.
Walk.
[ crackle ]
[both screaming]
ALEX: What the hell was--
[distant clatter]
SEAN: Alex.
Alex.
Alex.
ANTONELLAZ Alex.
Where is he?
Alex, why you running off, man?
Quit f*cking around, dude.
It's not funny.
[door creaks]
ANTON ELLA: Dude, what?
Alex, I'm not joking.
What the f*ck's wrong
with you?
Alex.
Alex. Alex.
Alex Wraith.
[breathes heavily]
[ chuckles ]
Dude, it's okay. It's okay.
Honestly, it's okay, Alex.
Alex, it's okay.
Listen to me.
Listen to me. It's okay, dude.
I don't know what you saw,
but ifs okay.
- Just gonna breathe.
[ chuckles ]
You know, you know,
breathe. Okay.
- Alex.
- Hey, hey, dude.
Look at--Look at me.
Look into the light.
[ clatter ]
What the f*ck?!
Get the f*ck off of me!
- Alex, calm down.
- Get off me.
Don't touch me.
Don't f*cking touch me.
Calm--Calm down.
Hey, hey, man.
Hey, man.
Alex, lefs go.
f*ck you.
What?
f*ck you!
Alex, that's enough.
Hey, hey, go f*cking
get out of my head.
Alex, this is way too much, man.
You didn't f*cking see her?
- Breathe, dude.
- What did you see?
You didn't f*cking see her?
Alex.
Alex, who? Who?
The lady. The lady. The lady.
What are you talking about?
What lady?
You honestly think I'm f*cking
making this up, Sean?
You're serious. You're serious?
You're f*cking serious?
I'm f*cking seri--
You didn't see her?
You didn't f*cking see her?
Both of you?
- What did you see?
- Who? Who?
I don't know, man. I think
it was f*cking Crazy Kate.
I swear to God.
I don't know.
I'm not--Why are you
looking at me like that?
It was a lady.
It was like a lady.
Like a-like a face,
a woman's face.
I saw dust. I looked.
I saw her, and she came out.
She was like, "Ahh."
And then she f*cking--
and then |-- I blinked.
She was like, "Ahh."
And then she f*cking--
and then |-- I blinked.
I had no idea, and then
she was right here
like a second,
like a second.
She had green eyes.
Right in my face.
[ retching ]
That's really disgusting.
It's okay. Just breathe.
just breathe.
I Crash ]
I think it was, like, Crazy Kate,
like your dad--
like your dad said.
What? Your dad was
saying Crazy Kate,
when he was peeing and the lady--
and the same f*cking thing.
She was f*cking crazy.
I don't know!
I don't f*cking know!
- Hey, calm down.
- I don't know.
Just, Alex,
breathe, man, breathe.
Calm down.
Ghosts can't hurt you, Alex.
Remember, ghosts
cannot hurt you.
- Yeah, I know.
- Can we go?
I really don't want to be here.
What are you looking for?
What are you doing?
Can we please just go?
What are you looking for, man?
Dude, let's just go.
Let's just walk out of here.
You know where the exit is?
This is the way out, right?
- Yeah.
- Is this the way out?
We have to go to the--
No, we have to go to the kitchen.
- Is it the way out?
- No, we have to go to the kitchen.
- What are you talk--
- lfs fine. It's fine.
Need to go to the kitchen.
What do you mean, the kitchen?
Why are we going to the kitchen?
- We have to go to the kitchen.
- Why?
'Cause that's where they eat.
Who? What the f*ck
are you talking about?
What--What do you mean,
that's where they eat?
Wh-What the f*ck?
ANTONELLA: I--
Nothing's there, Sean.
No one's separating.
Just follow me.
What the f*ck is he doing?
Is he playing games?
Why is he taking us
to the g*dd*mn kitchen?
Why? He just loves this place.
Holy f*cking sh*t.
That's creepy.
They're following us.
I'm telling you,
somebody lives here.
What?
- Somebody lives here.
- No, no, man.
What if all the explorers never
leave this place
and they get turned
into dolls like this?
- What the f*ck--
- The witch.
The witch turns them
into dolls.
That is messed up.
The witch, the witch--
What?
Watch out.
Watch out, Watch out.
Those lights just turned on.
Yeah, those lights
just turned on.
I guess emergency lights
or something?
Like, emergency lights?
- I don't know.
- Maybe ifs like--
Maybe it's--
Maybe it's security.
Maybe security
knows we're here.
f*cking security?
What security?
Maybe they're looking for us.
You said there were no alarms
inside, right?
Nobody comes in this building.
Nobody comes in this building.
Explore...
Here. Give me the camera,
Is that an owl?
You have the keys?
- The car.
No. Alex does.
How well do you know him?
Not that well.
He used to work with my dad,
but I just met him.
- Remember this?
- Huh?
- Remember this?
- No.
f*cking hit you in the head.
You should remember it.
Found a tape player.
So what? Let's just
take it home. Let's go.
No. I want to hear what the shadows
are gonna say about you.
[horn music and
hollow banging]
[ laughing 1
Why are you laughing?
Why don't you turn it off'?
Just turn it off.
Relax, relax.
Why are you laughing?
No, no, no, turn it off.
No, relax. Stop.
Why are you laughing?
Why are you laughing?
Why are you laughing?
Hey, hey, hey.
What's wrong with you'?
[ laughing 1
Turn it off, turn it off.
Stop, stop, stop. Shh.
[ creek ]
[ screams ]
[ recording stops]
What the f*ck? What the f*ck?
What the f*ck? What the--
[ slow footsteps ]
[ clatter ]
Okay, shh.
Let's just get out of here.
Okay, shh.
Let's just get out of here.
- Let's get out of here.
- This is--
Go, Go.
What--
I Creak ]
It's blood, man.
That's f*cking blood.
That's blood.
That's blood, dude.
- f*ck you.
- That's awesome.
Let's just go.
This is awesome.
That's awesome.
- Alex, give me the keys.
- That's so f*cking cool.
Alex, give me the keys.
Why?
Let's just-Listen,
just in case. Let's go.
- Just in case what?
- Just give me the keys.
I'm not giving you the keys, dude.
What, you want
to f*cking ditch me?
What's wrong with you'?
- Just give me the keys.
- No. We go together.
- I don't give you sh*t.
- Give me the keys.
You want to go with him,
you go with him.
You okay?
SEAN: You happy now, Alex?
It's a kitchen.
I could have stayed
in New York for this.
What is that?
What kind of sick mind does that'?
[Antonella coughs]
Probably yours.
Probably left this here last time
just to scare yourself.
Why would I do that?
It stinks in here.
Smells like something burned.
Nah, that's the smell of shadows.
I don't really feel too well.
All right, Alex,
we saw the kitchen, man.
Let's go.
[spits] How cool is
this place, guys'?
They used to bleed
the patients, man.
They called it
bleeding the devil out.
Billy Lasher.
[ cellphone vibrates,
plays ringtone ]
What is it?
"Jesus wept."
Mine says it, too.
Who's it from?
Unknown.
Believe in ghosts yet?
[ scrapes, crackles ]
Whatever.
What does that even mean?
Jesus wept?
Just keep sh**ting, dude.
Just keep sh**ting.
[ clatter ]
- Where's the exit?
- I don't know.
What do you mean
you don't know'?
I don't f*cking know.
This place is like
a labyrinth, okay?
lfs always changing.
The walls always change.
The doors always change.
You just--
If you stay in a labyrinth long enough,
you'll go mad.
What the f*ck is that?
ALEX: What?
- What the f*ck is that?
Oh, sh*t. It's a morgue.
What? They actually
held people in here?
That's your favorite. Why don't you
take it out and play with it?
I groans ]
[ crash ] [gasps 1
What was that?
ALEX: I don't know.
I don't know.
Alex, did you see something?
Shh.
- Whoa.
[Antonella screams ]
Run! Run! Run!
No, no. F-Follow behind.
Yeah. Yeah, guys.
Wait! Wait! Wait! Wait!
- You guys...
[ heavy breathing ]
Calm down. Just stay together.
It's fine.
- What are you doing?
- What now'?
We have to leave right now.
What--
Get the f*ck off me.
Why'd you bring us to
that f*cking kitchen, huh?
- Where's John?
- I don't know.
Where's John?
You playing a prank?
I'm not playing
a prank on anybody.
You're in on this, aren't you?
- What?
- You're in on this.
No, no. Hold--hold on.
Alex, enough.
Put the camera down.
Someone moved that door.
Who, Alex?
I don't know, Sean.
My head hurts, and I'm tired.
I don't know!
I gotta f*cking confess, okay,
and there was something in my head,
and you were talking to me,
and she was talking to me,
and I couldn't even f*cking hear.
She was flickering.
You're f*cking with our minds.
- You're not possessed.
[ groan ]
I never said I was
f*cking possessed.
You just said it.
ANTON ELLA: You guys need
to just calm down. You're--
...Billy Lasher.
He would be 150 years old.
...Billy Lasher.
He would be 150 years old.
You're afraid of demons,
and you're afraid of f*cking ghosts.
That's what you're
f*cking afraid of.
Just stop it, okay?
Sean, it's this place. Sean--
- It's this place.
- What?
We're all afraid of the dark,
They feed on all of our fears,
and it makes you think
that you're going crazy,
and you just need to focus.
We're here.
We're all together.
We're standing together,
and that's it.
You guys just» just chill out.
What?
...| don't f*cking know.
- It's Crazy Kate.
- Please stop.
[b0lh yelling]
Stop it!
Both of you need to f*cking
chill out right now!
You're out of your minds!
We're leaving here.
We're leaving, Alex.
ALEX: I've been
wanting to leave.
I can't wait to watch
this video and see--
You don't want to leave.
You want to take us
to the f*cking kitchen.
Because I didn't know what the hell
I was thinking, jackass.
I couldn't think straight.
You couldn't think straight?
Can you think straight now?
ALEX: Oh,
that's not the way.
What the f*ck?
Hold on.
[door clatters]
[ pounding ]
Open up.
It's--It's stuck.
Ghosts can't
do anything to you.
They can't touch you.
They can't do anything.
Th-That's what |'ve been trying to tell you.
They exist,
but like you said, they can't do
anything to you.
lfs locked.
This way, This way.
You know
where we are, right?
Yeah, of course I know
where we are, dude.
Why'? What's wrong?
You getting worried?
SEAN: So what do you
come here for, Alex?
A cheap thrill, try to prove
your manhood?
No. Why are you here?
Careful, guys.
Could be a lot
of shadows down here.
What are
these shadows, Alex?
Everyone has shadows.
You have a shadow, right,
and I have a shadow.
It's a reflection of the dark parts
of your soul.
So what happens is when
someone gets tortured
or shocked very violently,
just like the people
that are in here,
a part of their soul breaks off,
and that piece,
that shadow becomes a demon,
and that demon has to feed,
kind of like a vampire.
And the only way
they could feed
is by feeding
on the souls of humans.
It sounds to me like your shadows
are your own.
They're your own dark side.
Why don't you challenge them
and find out?
ANTON ELLA: Yeah, didn't they used
to talk about madness
like it was
demon possession?
What if the patients came here
with shadows haunting them?
Hey, wait, wait, wait.
Why are we going this way?
Because you can never go back
the same way you came.
SEAN: This is
the way out, right?
Yeah.
Hello?
[water dripping]
[breathes heavily]
That says, “Billy."
Dude, I have
a bad feeling right now.
Antonella, stay with me.
sh*t.
Sure you know
where you're going?
ANTONELLA: It's
really warm in here.
Antonella, ifs freezing.
[ high-pitched creaking ]
What the hell's that sound?
[creaking and tapping ]
Shh, shh, shh.
Shh, shh. Listen.
You hear that?
All right. Let's go.
All right. Let's go.
This door.
Use this door right here.
[ footsteps echoing ]
Alex.
[deep breath ]
Someone's upstairs.
[ clatter ]
Someone's above us.
That's what it is.
[water dripping]
[soft whisper]
Hey, wait, wait.
[groan]
[ both scream ]
What the f*ck is
going on with you two?
You all right?
Oh, I'm gonna throw up, dude.
Antonella.
Antonella, Antonella.
Antonella, Antonella.
[ sobbing ]
He'! -
[ crying I
Hey, hey, hey. hey,
hey, hey, hey. Hey. Hey.
Hey, hey, hey.
Dude, there's something
in here, man.
Did you see that?
What was it?
Hey. What do you mean?
There's nothing here.
It's just--
There's something
in here, man.
They're just shadows, right?
No, there's something
in here, dude.
There is.
What did you see?
Just, like, it was something that
just moved really fast
- from that room into here.
- Yeah.
- And it was completely black.
- Yeah.
This way, This way.
This is the way out.
This is the way out.
Antonella, just--
Can you make this?
Yeah.
Shh. [gasps]
Stay behind me.
ANTON ELLA: Okay.
This has got to be the way out.
I remember it last time, man.
Just stay together.
Come on. Stay with me.
stay with me.
Holy sh*t, dude.
What the f*ck?
Dude, is that a coffin?
Alex, this is a dead--
This is a dead end,
Alex. Get us out...
Alex, this is a dead--
This is a dead end,
Alex. Get us out...
It's not a dead end.
I know exactly where we are.
Stop being a f*cking girl.
Let's go.
It's not a dead end.
I know exactly where we are.
Stop being a f*cking girl.
Let's go.
f*ck! Get us out of here.
Holy sh*t, dude.
Look at this.
Look at this.
f*cking "Jesus wept," man.
I told you, man.
You wrote that.
I wrote it? I was
with you the whole time.
How did I write it?
This f*cking-This place
is haunted, man.
Just get us
out of here, okay?
Just admit it.
Just get us out of here.
Where's Antonell-
Shh. Wait.
Shut up.
Where is she?
Antonella?
Dude, this is
not f*cking funny.
Y-You're playing with me, right?
This is a f*cking--
This is a joke.
She's gone, man.
Antonella!
Alex, Alex, Alex, Alex.
Are you serious?
Antonella.
- Antonella!
- Antonella!
God damn it. Antonella!
Where the f*ck did she go?
Come on.
All these f*cking cobwebs everywhere.
Antonella!
You see what you're doing?
- What am I doing?
- You see?
What am I doing, Sean'?
Y-You're f*cking around.
You think it's a joke.
What the--What are
you talking about, dude?
The girl's gone.
lfs not my f*cking fault.
Okay, shut up!
You think she went outside?
No, I don't think she went outside,
you f*cking idiot.
What the f*ck
do you want from me, man?
She's gone.
She was right behind you.
Antonella!
Antonella!
We got to find her and get the hell
out of here.
[faint laughter echoing]
- Okay. Okay.
- Antonella.
[ laughter]
Antonella.
[ laughter]
Holy sh*t, dude.
[humming]
Okay, okay.
What the f*ck, man?
[ laughs 1
Antonella.
[ laughs 1
Hey, hey.
[humming]
What's wrong with her?
[ laughs 1
He'! -
Hey, stay with me. Stay--
Hey, hey, he]!-
- Hey.
- sh*t, dude.
You hear me?
What's wrong with you'?
Come on.
Let's get out of here.
Come on.
Where's your jacket?
Where's your jacket?
I don't know.
Serpenfs eye, man.
Hey, hey,
what happened to you?
I don't know.
You don't know?
I don't know.
You disappeared.
You know that?
Listen, I think
that girl's possessed.
Just stop talking about it,
Dude, listen to me.
I've dealt with possessed people,
and that girl is possessed.
She's not possessed.
She's just scared.
Let's go.
How many possessed people
have you dealt with?
I've seen documentaries and sh*t.
What'? You're weird.
I've seen documentaries and sh*t.
What'? You're weird.
- Weird. You're weird.
- What?
You wait till she
f*cking turns on you.
You think I'm crazy?
Okay, okay. You wait.
Where are we?
Look at that.
I think I know where this is.
This is where they
used to operate, man.
They used to bring people
down here and hide them,
That's sick.
Come on, Come on.
What the--
Whoa!
[ screams ]
- What the f*ck?
[ whoosh ]
[ clang I
What is that?
What is that?
Hold on, Hold on.
Hold on.
Dude.
[ banging 1
Sean, listen to me.
Dude, this place is
designed to keep people in.
You can't just break out.
You cannot break out
of this place.
Antonella, hold us.
Okay.
SEAN: What are you--
Jesus Christ. What are you do--
You almost cut me
with the knife.
- We're gonna get out of here.
- Sure, I will find a way out.
- You love this place.
- We'll find a way out.
You love this place.
That's why you keep coming back here.
Why are you freaking out'?
You don't want to leave, Alex.
You don't want to leave.
Antonella, come on.
Come on.
Sean, do you realize we just got
a shadow man on camera?
You two are in another reality
right now.
ANTON ELLA: What? Sean.
[ screaming ]
Oh, my God, Oh, my God.
You see the looks
on their faces?
Hey, everybody.
The pressure, this guy.
You f*cking as*h*le.
c*ck f*ck!
What's wrong with you'?
lfs not funny, John.
That's not f*cking funny, dude.
Calm yourself.
Hey, Alex, you want a diaper?
- Sean. Sean.
- I told you, Alex.
Sean, it was not my fault.
- I had nothing to with it.
- I told you.
I had nothing to do with it.
I had nothing to f*cking
do with it.
- Exactly.
- Alex.
I had nothing to f*cking
do with it.
- Exactly.
- Alex.
Dude, you f*cking
c*cksucker scum.
f*cking assholes.
Huh? Think you have
no f*cking respect.
Alex, relax!
You guys have no respect,
Respect? It's an old--
You have no respect for this place.
Calm the f*ck down.
You have no respect
for this place.
- Ohh.
- It's not funny.
That's great, great, fantastic.
Dude, you don't know
what goes on here.
You think ifs funny?
You have no idea
what the f*ck happened here.
How the hell did
you get in here?
The same door
we came in last time.
How did you get in here?
Same door we
came in last time.
Which door?
The one with the stick?
Did you put
the stick out there?
My God. You were
so easy to follow.
You know, maybe we should go
in the haunted house business.
Oh, you know what?
You're a f*cking b*tch.
Shh, shh.
[thumping]
Sean, what?
Someone-Shh.
He's right, He's right.
There's footsteps. Footsteps.
He's right.
How many are you?
How many are you?
How many are you?
Who'd you come--
[screaming]
- Go! Go! Go! Go! Go!
[all yelling]
John, where are--
Don't go that way!
What was that?
That's down to the morgue,
[ crash, static]
ANTONELLA: Gel me out of here.
This is f*cked up.
- Just calm down. Calm--
- No.
Alex and Sean are probably
playing a prank, okay.
They're laughing at us right now.
It's not gonna let us leave.
We will. We just gotta find
Alex and get out of here.
Stay here, okay.
Just stay here.
No. You cannot
leave me alone.
[sigh]
You're right.
It is hot in here.
Come back this way.
JOHN: Alex.
Alex.
He'll come this way.
Stay close.
[ gasps 1
Come on. Let's go.
I can't do this, Sean.
Stay with me.
[breathing heavily]
What--
What is this place?
John?
[ clatter ]
- I hear them.
I hear them.
Come on, Hurry up.
First of all, you two
look like burglars.
ls there a door?
ls there another door?
What the f*ck? You scared
the sh*t out of me. Dude.
She walked in, and he followed her
like a monkey,
and the door closed.
JOHN: f*ck you, man.
Dude, what closed the door?
The door closed by itself, Sean.
Watch out, Watch out.
That's gonna take all f*cking night.
You're crazy.
It's not opening.
Guys, hold on.
Hold on. We'll go up--
We're gonna go get
somebody, all right?
We're gonna go get help.
ANTON ELLA: We should
go get the police.
JOHN: Sean, don't leave.
There's no f*cking way they're gonna
arrest my a*s.
Let me do it.
We--We've gotta call the cops.
Sean, you're not
calling the cops.
They're trapped in there, Alex.
I'm not getting arrested
for some idiots.
Come on, man.
Get us out.
I'm not getting arrested for you.
I'm--I'm trying.
I'm try-- f*cking trying!
You g*dd*mn idiots.
[banging on the door]
JOHN: Try harder, as*h*le.
Alex, it's a metal door.
[both talking ]
- You happy?
I can't open it.
Listen. My friend works
for the fire department.
He'll come in here.
He has tools.
He'll pry this sh*t open.
[ echoing laughter]
Where did that come from?
What the hell was that?
What was that, dude?
JOHN: Hey, what was that?
- Something here?
- Hear that?
[ screams ]
- Sean, what are you doing?
- 0h, my God.
Open the f*cking door.
Aah!
- Hey, what--
- Oh, my God. Johnny!
- Hey!
- John!
Open the door!
I can't see.
I can't see.
- Can you see?
- No.
[all talking]
[ whoosh ]
There's something in there.
It's a f*cking demon, dude.
Damn it!
[ screams] f*ck!
Ah, John!
- Hey.
- John!
Open the door! Hey!
Get the f*ck--
Ow! My f*cking hand. Ohh!
Open the door! Hey!
Get the f*ck--
Ow! My f*cking hand. Ohh!
SEAN:
What the f*ck happened?
We dreaming?
Where'd they go?
- Are they playing--
- f*cking hallucinating?
What's go--
Dude, that wasn't real.
Was that real?
[ clatter ]
[all scream ]
[all gasping]
ALEX: Holy f*ck.
The door opened.
The door just opened.
ANTONELLAI What?
That door just opened.
[ clatter ]
SEAN: Give me the camera.
Give me the camera.
[Antonella gasping ]
That's not possible.
Where the f*ck are they?
[child laughs]
There's f*cking blood everywhere.
[flies buzzing]
Yo, Sean, there's nobody in here.
[child laughs]
Holy sh*t.
This is the same room.
I snarl ]
Sean?
I snarl ]
Sean?
ANTON ELLA: There's something in here.
And we've gotta be strong.
Just put it away.
There's something in there.
You believe in God?
There's something in there.
- I believe in God.
- They're still in there.
I believe in God.
I believe in God.
- Let's get out of here.
- They're still in there.
- Shut the f*ck up!
- They're still in--[ screams ]
There's nobody in here.
Antonella, please, please, please, please--
[ sobbing ]
Antonella, I know you're scared.
I gasping 1
Go back to the light, okay?
God--God's here. Sean.
[wail]
[ snarling ]
[woman sobbing]
[ banging ]
- Get it open! Open!
It lets you leave, Sean.
Alex, what the f*ck's
wrong with you, man?
ANTON ELLA: Stop yelling.
Please stop!
[all talking]
[man laughs]
[ whispers ]
Now.
Why don't you challenge them?
Sean. Sean Stone, wake up.
Wake up. Sean.
Don't you dare.
Get the f*ck off of me!
[maniacal laughter]
Come on. Go! Go!
Where are you going?
Not that way.
- Don't go that way!
- Slow down! Slow down!
MAN: Leave a pan of yourself.
[ clatter ]
[ echoing ]
He's trying to k*ll us, trying to k*ll us.
Alex. It's Alex f*cking Wraith
brought us to this.
Don't you see'?
You understand?
He planned this.
He led us to this.
You understand?
He planned this.
He led us to this.
[Antonella gasping ]
- It's Alex. Alex.
Don't you see? See'?
Didn't you see them?
Alex. Alex.
Did you see? See?
Alex. Alex.
Did you see?
Breathe. Breathe.
Breathe. Breathe.
SEAN:
What's wrong with you'?
What?
[ clatter ]
Come on.
Why is it different?
What are you talking about?
Everything is different.
Where's the boot, huh?
Where's the boot?
He's still playing with us.
He's still messing with our heads.
[ heavy breaths ]
We can just go back
the way we came.
Stop-stop touching that thing.
What's wrong with you'?
I've dreamt this before.
So what?
We can walk out this way.
We came this way.
We can leave this way.
Come on. Come here.
Come here.
Where's Alex?
f*ck Alex.
[shuffling]
f*ck Alex.
[shuffling]
Antonella.
What is it?
What are you doing here?
[ snarling ]
- What's--
[ banging 1
[ screaming ]
Where'd you go?
Where you going?
It's coming.
SEAN:
What are you doing?
It's coming.
I don't want him to see me.
f*ck. f*ck,
it's coming for me.
Antonella, be quiet.
- It's coming for me.
- Be quiet.
It wants me.
I don't want it, but it wants me.
I don't want it,
though. [laughs]
Antonella.
Antonella, Antonella.
Just be quiet.
You gotta be calm.
You gotta stay calm.
Okay.
Listen to me.
Be quiet. Be quiet.
[ screaming ]
Stop! Stop it!
Stop it!
[yelling]
[ roaring ]
lfs in your head!
Alex is dead!
You're dead!
I'm dead!
Antonella.
[ door slams ]
[ whoosh ]
What--
Hey, let me out of here.
I Pounds]
Hey, open the door.
I Pounds]
Open the f*cking door!
I Pounds]
Hey!
[ pounds]
- I'm sorry.
Hey!
I Pounds]
Hello?
Hello?
Hello?
I Creak ]
[Sean breathing heavily]
[sigh]
Antonella?
Antonella, what are you doing?
Hey, can you hear me?
You hear me?
Antonella.
[small object clatters]
Who's there?
[ whoosh ]
Hey, hello?
[sigh]
[child laughs]
[ clatter ]
[ gasps 1
I've seen that before.
[ scrapes I
Please, God, Please, God.
Please, God, Please, God.
Please, God.
Oh, my God, Oh, my God.
Oh, my God.
Oh, God, please.
Shadows, show yourselves.
[grunts]
[chain clinks]
[ screams ]
[grunts]
[chain clinks]
[overlapping voices,
chain clinking]
[ boom 1
[ laughter]
ANTON ELLA:
You're close.
Am I close to the darkness?
- You're too close to me.
- Heh.
You know what?
It's not even just a haunted house.
I like mental asylums.
- Uh...
- That's so weird.
Were you in one
in a past life, you think?
Maybe. Could be possible.
A lot of people don't know a lot
of things about me.
I think they're still there.
Who's there?
Just harder to see.
Or you just can't see them maybe,
but they're still there.
I'm sorry I brought you into this.
Do you hear that?
[ distorted voice ]
[ static 1
[ laughter]
ANTONELLA:
I want to get out.
[ footsteps ]
[grunting]
[ panting ]
Holy crap.
Sean.
[ scrape I
[sighs]
It's always, always,
always watching us before.
When I was--I saw things,
saw shadows.
I saw sh-flying things.
If you don't believe in ghosts and shadows
or anything like that,
anything, that's why
the camera's recording.
Ahh.
You need proof, you know.
The camera records.
You need proof.
What are you doing?
What?
What the f*ck?
What is wrong with you?
What are you doing?
Why's blood on you?
What?
There's blood on you.
There's blood on you.
Stay away.
What are you doing?
Dude, I just k*lled a shadow.
I just k*lled a ghost or--
It's your blood.
You're not in the right head
right now. Put the kni--
Blood.
Where's Antonella?
What did you do to her?
- She was with you.
- Whafd you do to her?
- She was with you, man.
- Wham you do to her'?
I didn't do anything.
Put the knife down.
Put the f*cking knife down.
What'd you do to her?
- Whafd you--
- Put the knife down.
I swear to God, Sean.
Put the knife down.
Put the f*cking knife down.
What'd you do to her?
I can't see out of my eye, dude.
I didn't do anything to her.
She was with you.
I swear to God.
- You're not real.
- Just relax, dude.
You're not real.
You're a wraith.
You're a ghost.
Oh, don't start this sh*t.
What are you talking about?
- You're not real.
- Where are you going?
- You're not real.
- Hey!
You're not real.
Where are you going?
Relax.
Not real. Stay away.
- Sean, Sean, Sean.
- Stay away from me.
Chill out, man.
Chill out.
How do I know you're real?
- Dude, dude--
- Everything in here is dead.
Everything here is dead.
How do I know you're alive?
Sean, we conquered this place.
Relax, Relax.
Dude, look, I'm not--
Look, I'm gonna
drop this, okay? Fine.
All right?
Let's go find everybody.
I really want to get
the hell out of here.
All right?
If you want to stab me,
you can stab me in the back.
I saw the shadows.
I lost her.
I gotta find her.
All right.
We conquered this place.
Let's get the f*ck out of here.
Where's--
There's the camera.
Give me that.
Mind yourself.
Sean, you saw what
happened to John when--
We gotta get out of here, man.
Where is Antonella?
Focus.
I don't know.
She was just gone.
Where did you see her last?
Shh, shh, shh, shh.
What?
You hear that?
[door creaks]
[ organ Playing ]
Oh, sh*t.
Ah, the camera.
The camera, The camera,
[high-pitched laugh]
Come on. Let's go.
[high-pitched laugh]
Come on. Let's go.
SEAN: What the fu--
You kidding me?
- Oh, my God.
- Go, go, go.
Alex, be careful.
Alex, be careful.
Shh.
Come back here.
[croaked murmuring]
What's she doing?
What's she doing, dude?
What is she doing?
This is not real, Alex.
This is not happening.
Why is she--
That's blood. It's creepy.
f*cking what's that black--
- How'd she get up there?
- How'd she get up there?
f*cking what's that black--
- How'd she get up there?
- How'd she get up there?
- I'm going home.
- We can't leave her here.
There's no way on Earth
I'm going up there.
She looks like a Japanese
f*cking horror movie.
I'm not going up there.
This isn't happening, Alex.
- Yes, it is.
- This is just a dream.
Look at my head.
I'm bleeding.
This is just a dream. Listen.
I want to go home.
I want to go home.
I'm not going up there.
I'm not going up there.
- I'm not going up there.
- I'm gonna get her.
I'm gonna get her.
I'm gonna go home.
Then you go get her.
Then you go get her.
Then you go get her.
Better pray.
Just-dust pray.
Say, "Hail Mary.“
Hail Mary, full of grace.
[Antonella screams ]
[ laughing 1
My neck.
What is this in my neck?
The b*tch is possessed,
and she--
You're dead, You're dead.
You're dead.
Just you're f*cking--
She's just a girl.
- We'll call the cops.
- Come on.
I'm not going up there.
f*ck it.
Come with me.
Come on.
[croaked murmuring]
Sean, let's forget this b*tch.
Let's get the f*ck out
of here and call the cops.
I'm not leaving without her.
What the f*ck is wrong with you?
I'm staying right here.
Antonella.
Antonella.
I'm not going up there.
Antonella.
I'm not going up there.
Antonella.
No, No.
God damn it.
Antonella, it's Sean.
[ laughs 1
You hear me?
Listen to my voice.
[ laughs 1
[humming]
We're gonna walk out of here.
I want to go home now, okay?
I want to go home.
[ bird warbles ]
Would you look at her
for a second?
Don't touch her.
Don't touch her.
Sean. Sean, look at me
for a second.
Kick her.
Kick her.
Hey, do you hear me?
- Jesus Christ.
[ hisses]
[ laughing 1
What the f*ck is that thing?
Go! Go! Go! Go! Go! Go!
Go, man, go!
[ muttering ]
Oh, my God. f*ck.
Oh, Jesus Christ.
I was seeing it.
I was seeing something.
Hold on a second.
What do you see?
What do you-What is it'?
There's nobody up there.
[ footsteps ]
I don't see anything.
I don't see...
[ screams ]
[woman growls]
What is this with bodies
disappearing and ghosts?
The place swallows them in?
They go straight to hell
or to heaven?
Legend has it
that anyone who goes
inside will go mad.
Well, they're in your mind,
but I--I don't think
there are ghosts.
I whispers ]
[music playing]
[woman singing
in foreign language]
[men's chorus singing
in foreign language]
[Alex yelling]
[ singing continues]
Oh, my God.
[ whispers ]
[thunder crashes]
- Whoa.
[ whispers ]
[thunder crashes]
- Whoa.
[ singing continues]
What the f*ck'?
[ghostly laughter]
[ music continues]
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Greystone Park (2012)
Moderators: Maskath3, GabrielAlejo2341, sidolanters, Maskath3, sidolanters, GabrielAlejo2341