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Salem Chronicles, The (2025)

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Salem Chronicles, The (2025)

Post by bunniefuu »

(soft tense music)

(logo flickering)

(logo whooshes)

(thunder crashes)

(dark eerie music)

(dark eerie music continues)

(water flowing)

(insects chirping)

(wind rustling)

(owl hoots)

(soft music)

(water pouring)

- Husband.

Supper's ready.

- Work is almost finished.

(soft tense music)

(twigs snapping)

Samuel Parris.

We were just about to

have supper together.

Martha has soup.

Martha, please, get

him a bowl so he can-

- No.

- What is the meaning of this

late visit, Samuel Parris?

- Joshua Gable.

Your wife is hereby charged

with the crime of witchery,

as confessed by

your sl*ve, Tituba.

- Oh, this is, this is not true.

In the Lord's good

name, you are mistaken.

All of you.

- He tells lies!

- Do not take the

Lord's name in vain.

- You all know my wife.

She's not a witch, as you say.

She's as much a witch,

sir, as you are a wizard.

- Joshua, what are they saying?

- Nothing, wife.

Calm yourself.

Samuel Parris.

- The afflicted children

deemed her to be a witch.

They claim they have seen her,

Martha Gable,

practicing sorcery.

- Sorcery?

- That's right.

- Ridiculous!

Those 10 children should

be schooled and punished

for the lies they spill

onto these streets of Salem.

- Joshua, I am a

representative of the court.

I have to do an investigation.

- Yes, investigate.

To charge a crime

on innocent blood?

It's nonsense.

- These are lies!

Lies of his jealous children!

- Samuel Parris, now

I will not tell you again.

Leave this property.

You are mistaken.

You are upsetting my wife,

and you're upsetting me.

- I wish I could

do that, Joshua.

(Martha screams)

- No!

- Unhand me!

- Let him go, let him go!

- Unhand me!

- Let him go!

- You.

(Martha gasping)

Martha Gable.

Wife of Joshua Gable

of Salem village.

You have been charged.

Take her out!

- (sobbing) No!

No!

No!

- Unhand her!

Remove your damn

scoundrel hands

off of my wife!

I will k*ll you!

(dark foreboding music)

k*ll.

I will deliver the

wrath of Hell upon you!

Your God will give

you blood to drink!

- That sounds like

witch talk to me!

(man grunts)

Martha Gable

and Joshua Gable

are convicted of high crimes,

and sundry acts of witchcraft

under high suspicions!

Take them both!

- [Joshua] No!

- The children were right.

(voices murmuring)

- Martha Gable.

(Martha sobbing)

Do you claim to be a witch?

- I am, I am not. (sobbing)

- So be it.

- No! No!

(Joshua sobbing)

(voices murmuring)

What did you do?

- Sorcery.

(solemn music)

- My wife was no witch!

This was a mistake!

- God sent us the

devil last night,

and we sent her

straight back to Hell.

- God!

All of you are doomed!

I will destroy each

and every one of you!

I will wreak havoc,

and employ the wrath

of Satan to you all

for what you have

done here tonight!

I curse your bloodline.

I curse Salem!

I will never forgive.

Nor will I forget.

Damn you!

Damn you all to Hell!

(tense foreboding music)

- Stone this witch.

(Joshua groaning)

(Joshua gasping)

Wait, wait.

(Joshua mumbles)

He's trying to say something.

Prepare to cut this witch loose.

Joshua Gable.

Do you claim to be a witch?

- More weight.

(Joshua laughing)

(stone thuds)

(Joshua grunts)

(Joshua laughing)

- Wait, wait.

(Samuel grunting)

(woman screams)

- Traitor!

- Another traitor!

- Another witch!

(villager gasping)

- [Villager 1] Possessed

by the witch as well!

- It was an accident, I swear!

- [Villager 1] Blasphemer!

- I'm not a traitor!

- Hang him!

- I'm not a traitor!

- He cursed us all!

- [Villager 3] Hang him! Hang

him from the Gable tree!

(dark tense music)

(wind rustling)

(soft eerie music)

(singer vocalizing)

(soft eerie music continues)

(chalk scraping)

(stone scraping)

(twigs creaking)

(metal clangs)

(pads thudding)

(blood dripping)

(match strikes)

(flames crackling)

(water dripping)

(record crackling)

(eerie foreboding music)

(eerie foreboding

music continues)

(record crackling)

(voices whispering)

(music intensifying)

(bells tinkling)

(rope creaking)

(dark solemn music)

(singer vocalizing)

(sirens wailing)

- [Hal] Can you go

over it one more time?

- [Man] Sure.

The alarm went off, that

brought me downstairs.

When I came downstairs, I

noticed a group of kids.

I ended up chasing

them out back.

I didn't get a good

description of them.

Didn't see them.

- [Hal] Right.

What were they wearing?

- It was a dark hoodie,

I believe it was.

- [Hal] All of them

were in the hoodies?

- Couldn't see that clearly.

- [Shane] Yeah, this

is Detective Parris.

- [Nelson] This is Mr.

Nelson calling again

regarding your late

mother's estate.

I have tried to reach

you a number of times,

but I haven't heard

anything back.

- Yeah, I've been

busy over here, sorry.

What do you need?

- [Nelson] Well, there

are still a few things

we need for resolution,

mainly paperwork.

- You all right?

You guys checked

down with the market?

The damn power went out again.

Everything okay?

- Yeah, sure.

Mr. Nelson, look.

Whatever debt my mother had

was her debt, all right?

It should die with her, not

passed off to her next of kin.

Sorry.

- [Nelson] I

absolutely understand, and I

am agreed, sir, but this isn't

the case.

On Monday-

- Then what's the

case there, pal?

- [Hal] Hey Shane.

You're never gonna believe this.

- Now Mr. Parris,

I can assure you

that your late

mother's financials

are completely in order.

In fact, the reason

I'm calling is because

on Monday, we are going

in to file an extension

on her estate so

that we can transfer

everything in her

estate to you, sir.

Mr. Parris?

Hello?

- [Shane] Mundy,

what'd you find out?

- Yes, Monday, Monday.

Yes, I said, on

Monday, we will be-

- [Shane] Not you, Mr. Nelson.

- I'm-I'm sorry.

I thought that you,

(laughing) sorry, sorry.

I'm sorry, I thought you

were asking me about Monday.

- I'm-I'm in the

middle of something.

- [Nelson] Mr.

Parris, are you there?

Can you hear me?

- Yeah, I can.

What-what do you mean,

you have to transfer

her entire estate over to me?

I don't need anything

from that woman.

- Look, I understand how you

feel, Mr. Parris, all right?

But in order for us to

release the estate to you,

we need your signature on

the documents, you see?

I've left you several

messages regarding this.

- Okay, donate her sh*t, then.

I mean, she was batshit crazy.

Never a real mother, anyways.

- Yes, well that is fine,

if that is your plan, sir.

But after you take possession,

you can do anything

that you want with

it, all right?

But in order to do that, we

still need your signature

on these documents, all right?

Then we can release our legal

obligation to the estate.

- I'm sorry, come again?

- Mr. Parris, your

late mother left you

all of her belongings.

- [Shane] What do you mean, all?

What could she have

left that I would want?

The damn woman lived like a

vagabond, a freakin' nomad.

- Now, sir. I don't know how

you've come to those

conclusions, sir.

You know, it's

quite the opposite.

Your-your mother

was a very wealthy

and respected author, and a

beloved member of her community.

- Just what does her

estate consist of?

- I'm sorry, but

I cannot disclose

all the details without

you being present

here, Mr. Parris, all right?

But I will tell you this much.

Her inheritance

is something that,

well, can change one's life.

- [Shane] Fine, I'll call you

on Monday when I'm in Salem.

- Yeah. (chuckles)

Fantastic, thank you.

- [Shane] We'll

set up a time then.

- Yeah.

(Nelson sighs)

(soft tense music)

He'll be here next week.

(door shuts)

- [Shane] This just

doesn't make sense to me.

- To you?

Not sure why dispatch

routed him to me.

- Nah, I've been dodging

that guy's calls for a while.

- Oh sh*t.

Sorry about that, I get it.

I'm dodging bill collectors

this time of the month myself.

- No, it's nothing like that.

He's, uh, he's with

my mother's estate.

- Oh, sh*t.

I didn't even know she passed.

- So.

What'd you get from him?

- That guy is Timmy Diesel,

the owner of this place.

He claims the alarm went off,

he came down to the store,

and chased some would-be

perps out the back.

And when he got

here, he found this.

(soft tense music)

Her name is Mary Warren.

Her ID was tossed in the sink.

- Warren?

That's odd.

That's my wife's maiden name.

- Relative?

- Eh, probably not.

I've met everyone.

And this one, I haven't seen.

Ah, brutal.

God.

He removed her heart.

- Savages.

- Yeah, savage is a good word.

Cut her open.

Cut the umbilical cord.

This seems more like a

ritual than a break-in.

What's your story, Mary Warren?

So.

12 chairs.

- Like a jury.

- So they sit in a circle.

Pass judgment, and then execute.

Yeah, the bruise.

That blow to the head's

probably what put him

on the ground in that position.

How many perps you say

he chased outta here?

- Yes.

Timmy said, um.

- I'll say 12, judging

by how it's staged.

It's a pretty safe assumption.

Devil's in the details.

- Seems as though the

devil came and paid

these poor b*stards

a brutal visit.

(envelope rustles)

What are you thinking, Shane?

- Remember that copycat

case of the Night Stalker

back in '04?

With the, uh, pentagrams

and the fingerprints?

- But this is

freakin' different.

This is straight up devil sh*t.

- Is that our John Doe from

the front of the store?

(soft eerie music)

- Yeah.

Seems our John Doe

has been dead before.

- What?

- Jonathan Good, stroke, 2007.

Adam Nurse, stabbed

to death, 2017.

And George Warren, cancer 2019.

- How's that possible?

- I don't know.

- Warren.

Related to Mary Warren?

- Where's the heart?

The fetus?

Maybe black market.

- Great.

Let's check the

dark web inquiries.

I feel like I've seen

this sh*t before.

- Like deja vu?

- [Whispered Voice]

Come home, Shane Parris.

- What'd you just say?

- I said like deja vu?

- No, no. The whisper.

- Whisper?

- Nah, just a familiar feeling.

Come home, Shane.

All right, well you know what?

Get forensics in here.

Have them run all the prints

against the full database.

There's no way, there's

no way these prints

came from three different guys.

Let me know what you find.

- This is Detective Mundy.

No, he just left.

Do you need him?

(rain falling)

(sirens wailing)

- Ooh.

Oh, God.

Barely made it.

(Shane sighs)

Wow, it's coming down hard.

(dark dramatic music)

(rain continues falling)

(dark foreboding music)

Can I help you with something?

- Can an old woman

trouble you for a

light, kind sir?

- Uh yeah, I should

have a lighter,

book of matches, or something.

- [Old Woman] I've seen them,

and they bear the

mark of the beast.

They want your soul.

- [Shane] Wish I had

an umbrella for you.

- Ah, sometimes they cling

and cling. (laughing)

There's nothing you can do.

They already own you.

They will come.

Oh yeah.

But we're already here.

They want your blood.

Blood for blood. (chuckles)

Do you like what I

left for you in there?

(dark dramatic music)

- Come home, Shane Parris.

- Gotta get it together, Shane.

(engine starts)

(soft tense music)

- Hi, Shane.

- Hey, babe.

Come on, let's get you to bed.

- I washed more clothes.

Did you see?

- Yeah.

I saw.

Come on.

Let's get to bed.

- What time is it?

- It's late.

- I put some mail for you

on the kitchen counter.

Some guy Nelson

called a few times.

- Yeah, I spoke to him.

He's with my mother's estate.

Needs me to sign some paperwork.

- Estate? Is that what they call

sleeping at the church?

- No.

I'll explain tomorrow.

I see you didn't get any

unpacking done today.

- When are you going to sign?

- I have to be in

Salem on Monday.

I was thinking maybe

we'd go together.

Would you like that?

- Yeah.

I'd love that.

A nice little drive.

- Yeah, it's a nice

40 minute drive.

I was thinking maybe we, uh,

stay a couple days, you know?

Show you the sites, look around.

(soft music)

Night, baby girl.

I love you so much.

(dark tense music)

- Oh, thanks sweetie.

What a lovely little street.

Kinda reminds me of

home a little bit.

- [Shane] Babe, this looks

nothing like Brooklyn.

- [Johnna] (laughing)

No, not Brooklyn.

No, our first home

together in Albany.

- Oh yeah, I could see that.

- Right?

It's like a, a little

version of our own city here.

(doorbell ringing)

(dark tense music)

Hi.

(dark tense music continues)

- [Nelson] Johnna, would

you like another cup of tea?

- Oh, no I'm still good.

Thank you.

- Mm. (laughing)

For some reason, tea

just tastes great

after a meal, doesn't it?

- (laughing) Yeah, especially

after Chinese food.

- That's right, babe. I remember

when we first moved

in together. All we ate was

Chinese food and ramen

noodles.

- (laughs) Oh, you're right.

- And this.

(laughing) It is funny.

I think that everyone

ate ramen noodles

three times a day in college.

(laughing) It's

so true, isn't it?

And here's the assets

on the bank account.

- I take it you practice Wicca?

(Nelson chuckles)

- And then this.

Uh, this one is for

the home account.

I'm sorry dear, what?

Oh, the books.

Books, yes.

Well those are Shane's mother's.

Quite the author.

- Shane, do you see this?

This is all your mother's work.

- Huh, I had no idea.

- Mm, no, you were

under the impression

that she was homeless?

- That's what I was told.

Father never really

spoke about her.

He left when I was-

- Yeah, when you were three.

When you were three, your

father left your mother,

and he walked into his new life.

But did he ever show you photos,

or explain to you

why they separated?

- Nope.

Not even up until she passed.

- I mean, whenever

he mentioned her,

it was always that

she was insane,

or living on the streets.

He said she tried to hurt me?

- Hurt you?

That's preposterous.

Shane, you were

her pride and joy.

- She, uh, really had a deep

interest in witches, huh?

- Well, don't we all?

(soft tense music)

Welcome to Salem.

- I guess you're right.

It's hard to imagine

that all happened here,

the, uh, burning at

the stakes, and all.

- Mm, mm, mm, mm.

All myth, you know?

Oh, they haven't burned

anyone at the stakes

since the 1400s.

- But didn't they do the, um-

- Sorry, no.

No, they actually,

they hung all of them

back in the 1600s.

- Gosh, it was such

a different time.

- Oh, very different time.

You know, the community

that your mother's estate

actually rests on once

was the land of, uh,

well, that's where

so many of our,

our bloodline lost their lives.

It was a tragic time.

Hmm.

- All right, I-I

guess that's it.

(tense eerie music)

- Yes, yes.

I think we've

covered everything.

(suspenseful music)

- [Martha] My healthy child.

(glass shatters)

(Johnna shrieks)

- [Johnna] Oh my God!

- Mother, mother.

Mother, mother, mother.

Please, now mother, look at me.

Look at me.

You know better than

to come into my office,

especially when we have guests.

- She is with.

- Mother, please.

- She is with!

- Please!

She suffers so.

- I mean, I don't mean-

- She is with!

- [Nelson] Mother, mother.

Mother, please!

Please, please.

- I'm-I'm sorry.

We, we're a little sensitive.

We just lost a baby

a few months ago.

- I'm so, so sorry to hear that.

- That was then.

You are special here.

- All right, mother.

Mother.

- In this house-

- All right, mother.

Mother, mother!

- You are her!

- Look at me, look at me.

Concentrate and look at me.

This is Abigail's son.

This is Shane, and

his wife Johnna.

Shane.

- Shane?

- You came back home.

You listened.

- Mother.

- You listened!

- No, no, no.

No, excuse me.

- You!

- Excuse me, I

will be right back.

- Listen!

- She usually enjoys

staying alone upstairs.

I don't know what happened.

- Listen!

- All right?

Mother!

- Listen!

- Mother, mother.

Come on, mother, mother.

Let's go upstairs, all right?

Let's go upstairs.

It's time for your nap, dear.

Time for your nap.

(soft tense music)

- You okay?

- Yeah.

Oh, just a little startled.

Well she kept

touching my stomach,

and then I-I broke this teacup.

- We'll buy him a whole other

set if he wants, all right?

- Okay.

I'll go clean this up.

(soft music)

(porcelain clinking)

- (chuckling) I'm sorry.

Well, mother's doctors

put her on new meds,

and I'm afraid she's adjusting,

but, well, she's harmless.

- I am so sorry

about my outburst.

- Now, now please.

And you shouldn't

have done that.

I can pick that up, Johnna.

Oh, I see you're

admiring that-that photo.

You and your mom.

Do you remember the man

that's in that photo?

- No, I mean, that seems

like a lifetime ago.

I vaguely remember him.

- Mm.

It's me.

(chuckles) I am your

mother's brother, Nelson.

I'm Nelson Gable.

- You?

- Mm-hmm. (chuckles)

Now, I didn't tell you

when we first chatted,

because, well, I was

representing your mother

as her attorney.

But yes, I am your Uncle Nelson.

And when you were a little boy,

you used to call me-

- Nel-Nel.

- Yes, good.

Yes.

Your Uncle Nel-Nel.

He had this slight lisp.

It was very difficult

for him to say

the S in Nelson.

- Had that damn thing all

the way through eighth grade.

Finally got rid of it through

junior high school, though.

- This is great.

I have never met anyone

from Shane's mother's

side of the family before.

- Well now, you see

that photograph?

Your grandmother

took that photo.

- The woman that was-

- Yes.

- You called her mother.

- My mother.

My mother, but she is

your Grandma Martha Gable.

- That's amazing.

- When you said she

took that photo?

- Yes, yes, yes, that's right.

- She looked blind.

Is she?

- Oh, very much so.

Yes.

In fact, she lost her vision

when I was in law

school. (chuckles)

The doctor says that

it was due to stress.

Well. How would you like

to see your new home?

- Yes, I, uh.

I think we're pretty

anxious to see

what my mother left.

(Nelson chuckles)

- Oh, I think we

should all go out

and have dinner tonight.

I mean, now that we're together.

- Um, tonight might be tough.

Uh, we have so much-

- No, no, no.

I'm sorry, it's my fault.

There I go, inviting

myself in on your journey.

No, it's fine.

It's just that, uh,

it's not everyday that

family comes home.

- I think that it'd be lovely.

Right, Shane?

Get us a chance to get

to know the family.

- Yeah.

I-I would like that.

- Oh great, great!

Well.

Well then.

Shall we?

Here we go, all right?

Come.

(Nelson chuckles)

What?

- Your office is in

my mother's house?

- Yup. (chuckling)

Your mother and

I are very close.

You know?

She said I could have my office,

do my work here, and that way,

we could both keep

an eye on Mom.

- I think that's pretty cool.

- Mm.

- Do you also live here?

- Oh, god, no.

No, just mother.

And now listen, you two.

If that is an issue, well

then, we will gladly move out.

- Well, um.

It's just that we-we

might sell the place,

you know, seeing as

how we already own one,

and, you know, we're

all pretty well

set up in Arlington.

- What he means to say is that

it is not an issue right now.

We're not sure what

we're doing yet,

and it's not everyday

that you inherit a house

and $247,000, so.

Plus, it gives us a chance to

spend some time with family.

- Johnna's right.

I have, uh, never

really had family.

- Hmm.

- Well, that just warms

my heart. (chuckles)

I've always said

that family is forever.

(Johnna giggles)

(soft tense music)

- Was there a sale on sheets?

- Well, after she passed,

we covered the furniture

at her request.

(door closes)

Now, she wanted you

to have everything.

- Oh, wow.

(Johnna chuckles)

It's beautiful.

- Yes.

My sister had pristine taste.

- She ever mention me?

- Oh, all the time.

In fact, you know,

she-she wrote you letters

on a regular basis,

which always came back.

Return to sender.

(tense music)

In fact, one time

she even asked me

to drive her there so

she could meet you again.

But, uh, well your father

abruptly stopped that.

- Why didn't she fight for me?

I mean, I'm a cop.

I see some weird sh*t.

Usually when the father

takes full custody

of the children-

- [Shane] Means the

mother's not healthy.

- Yes, usually. (chuckles)

Well.

Come, let's look more

at the house and see.

Ah.

(dark tense music)

Well, this used to be your room.

Do you remember it?

- A little.

I remember I used to sit

in front of that old chair

and talk to it.

- What?

- That's all I remember.

I-I don't know why.

- It's funny you would say that.

Because that old chair has been

in the Gable family

for generations.

- Oh.

I love antiques.

How many generations we talking?

- Well, help me do

the math, all right?

Um, typically, it's 25 years

for a generation, right?

Starting in the 1600s,

when we arrived here,

so, well that would

make it about 13th

or 14th generation.

So yes, that is a bonafide

antique, that chair.

Mm.

Now.

And now I have just two

more rooms to show you.

(soft tense music)

(dark foreboding music)

Oh, that reminds me.

Uh, we found a small leak,

and I called the plumber

a number of times.

He finally called

me back yesterday.

They're coming out first

thing tomorrow morning,

and they will fix it.

I already told them

where everything is,

and they know what to do.

- Is that the only issue?

- Oh, yes.

Yes, yes, yes.

Let me see, we, um,

we put on a new

roof last summer,

new boiler in the

winter, and new pipes

in the spring.

So she's old, but, well,

she's-she's still healthy.

- [Johnna] Sell it in a week.

- Yes, except for the damn leak.

(eerie suspenseful music)

Now.

This is Grandma Martha's room.

As you can see, she's

very self contained here.

Has her own bathroom and all.

Mm.

- This house is

really beautiful.

It has a-a warm feeling to it.

- Yes.

Yes, it is.

To some.

(Nelson chuckles)

- Her room is

really pretty, too.

It's pristine, as you said.

- Hmm.

Well I'm glad you both like it.

Well. Why don't you now

just feel free to, uh,

to make yourselves

comfortable, all right?

Get acquainted with the house.

- Thank you.

(Nelson chuckles)

- Now I must go sh**t

into town for a meeting,

but I will bring

back dinner tonight,

if you would like.

- Sure.

Uh, can I buy?

- No, don't you dare.

You know I won't

allow that. (chuckles)

Now, uh, before I go,

let me show you the

outside, all right?

(chair creaking)

(tense foreboding music)

- Yes, my dear.

Together is comforting.

- Let me show you the garage.

Now, this garage is

chock-full of, well,

pardon my French,

sh*t, you know?

I, ah.

Don't think I have the key.

You know, your mother,

she was quite a pack rat.

I called her a, uh,

(chuckling)

collector of le junk.

But not to worry, all right?

I just need a couple of weeks,

and then we will clear

this out entirely.

It'll all be yours.

- Is there anything of value?

- Oh God, no. Just old piping

crap, old house repair crap,

you know, things like that.

- Of course, you are welcome

to anything you want.

You can look through

it, see what you like.

It's yours, after all.

Well, technically yours.

Okay?

Look, anything you want.

Okay? Oh. I think I

really need to go, all right?

So I will, uh, I will

see you all later.

- Thank you.

- Goodbye.

- Hi, Grandma.

- Stop that.

- What?

- She's blind.

(birds chirping)

(doorbell ringing)

(door creaking)

Hi, can I help you?

- Hi.

I'm Betty Hawthorne.

I was Abigail Gable's nurse.

- Yes?

- I'm sorry, this must

look really weird.

I just, I heard from Mr.

Nelson that her son is here,

and I was just

hoping to meet him.

I've heard so much about him,

I feel like I know him.

- You've heard so

much about him, like?

Please, would you

like to come in?

- That would be great, yeah.

- Yeah.

Come on.

- Who is it, babe?

- We have a guest.

Hi.

Honey, we have a guest.

- Hi.

- Here, let me

take this from you.

- Oh, thank you.

- Awesome.

Wanna head into the parlor?

- She was real nice to me.

A bit odd, though.

- [Shane] What do you mean, odd?

- She was always working.

Seemed to be writing

all the time.

- Oh, well it seems like

she wrote a lot of books.

- [Betty] Yes.

- Did you ever read any of them?

- Oh, no.

I mean, I couldn't.

They didn't really interest me.

- Ah, makes sense. Everyone in

Salem is just

talking about witches, right?

- Yeah. I have a cousin that

lives in Hollywood, California,

and she said it's just

like that over there, too.

You know, with

movies and actors,

and all that.

- Oh, yeah.

I'm sure, I'm sure

everyone in DC

is always talking politics.

- And Detroit must

be all about cars.

- Oh no, no, honey.

- No?

Oh.

So, uh, what was my mother like?

I-I never really had a

relationship with her.

- I was with her all the

way up to her last day.

During her last few days,

she was really interested

about my family, our bloodline.

I told her I had no idea.

We never really cared, you know?

- Yeah sure, most people don't.

- All you Salem

folk are all alike.

(Betty chuckles)

I don't know, though.

I'd like to know my family tree.

I feel like it's important.

- That's how she felt.

I mean, she was really into it.

One night, she even

bought one of those kits.

- Oh, oh, one of those

gene checker things?

- Oh, I've always

wanted to do that.

Is, does it work?

- Why would you want one?

You know your family, right?

- Well, just on

my mother's side.

When they came off

the boat from Italy,

they went right to Kansas City,

and they became

bootleggers for the mob.

It's crazy. (laughing)

- I never knew that.

- Well if you did, would

it have made a difference?

- Babe.

I'm a cop.

(Johnna gasps)

(Betty laughing)

- You guys are silly.

You can really feel

the love between you.

- Oh! That's so sweet.

(Betty giggles)

- Father's side?

- No, I don't know.

I, uh, can't remember

if he came from,

uh, Massachusetts,

or New York, or,

um, he died when I was a baby.

- Oh.

I'm sorry.

- It's okay.

- So what did my

mother learn about you?

- No, Shane, maybe

it's personal.

It's okay, it's okay.

You don't have to say it.

- No, it's all right.

At the time, it was just

strange when she said it.

You know, we were baking,

and having a great time.

(soft music)

- I'm sorry. Yeah, no

Johnna's right. It's personal.

- She told me my

ancestors were responsible

for all the hangings

that occurred.

It was a bit creepy.

Then she told me I

wouldn't be needed anymore.

- Were those her

last words to you?

- She said, "Beware

the Puritan."

Does that mean anything to you?

- Betty, it's okay.

- I've been holding onto

that for a few years now.

- A few years?

- May I use your restroom?

- Oh yeah, of course.

Um, at the-

- I know where it is.

- A few years?

She just passed.

- Oh, babe.

Clearly she's just upset.

(Betty exhales)

(slow tense music)

(Betty coughs)

(Betty retching)

(water running)

(Betty exhales)

(Betty breathing deeply)

(water running)

(dark eerie music)

(Betty screams)

(ax thuds)

You don't have to always put

your detective hat on, okay?

(thumping)

- What the hell was that?

- Grandma?

- No.

(tense suspenseful music)

Hey Betty, you all right?

Oh my god, she must have fallen

and hit her head.

Oh.

Whoa, whoa, whoa.

Hey, hey, hey.

- Shane.

- Whoa, whoa, whoa.

Babe.

- [Operator] 911 operator.

What's your emergency?

- Yeah, I need an ambulance.

My wife just passed out.

Hey, come on.

- So listen, she lives

just down the street.

Maybe she can give Johnna

a little something, hmm?

- Sure, thank you.

- [Nelson] Well, you're family.

- What about Betty?

- Oh, such a shame.

I'll have to notify her parents.

They live in New Hampshire.

- Grateful for you.

It's, uh, been a rough few days.

I'll grab a room at a

motel somewhere downtown.

- No, no, no, nonsense.

I talked to my cleaning company,

and they said everything

will be cleaned

before you come back.

- What are their names?

- George and Weezy.

- Cute.

- Never seen birds in a

doctor's office before,

but to be fair,

the last few weeks

have been a little off for me.

- I know it can

seem very strange

to have the birds in the office,

but I find that it's

relaxing to the patient.

It kinda takes your mind off

of the problems you're having.

- I like that concept.

Haven't even thought

about the girl

that just died in our house.

- Hey, babe, it's okay.

- I love you.

- Ditto.

- Well, you guys are great.

Your love for each

other is so strong.

- Is that what the

birds tell you?

- No. The birds didn't

tell me anything.

I said that they

relax the patients.

Are you feeling better?

- Yeah.

You know, I-I think that

it was just the, um,

the combination of everything,

and the last few

weeks have been a lot,

and maybe I just didn't eat

something good for lunch,

and it didn't settle, and-

- Well, that can be normal

during your third trimester

to have those feelings.

(soft music)

- What?

No.

Uh.

We, we were pregnant.

- We lost our baby

a few months ago.

- What?

Says-says who?

According to her blood work,

you're roughly in

your 38th week.

Um, let's take a look.

- Are you certain?

- Yeah.

I mean, there are

cases where patients

still have a period

while they're pregnant.

It's very rare, and

sometimes that's mistaken

for a miscarriage, but ...

(heart beat thumping)

(Johnna gasping)

- But, but they, um,

but they-they didn't hear

the heartbeat, I mean-

- Well, it-it's okay.

Some people go in as far

as their first trimester

and not even know.

Again, it's rare, but,

did you not wanna

be pregnant, or?

- Well, yes I do!

(both laughing)

I just, I'm really surprised.

- Well, it's good, 'cause

there's your baby right there.

(Johnna sobbing)

- Babe.

We're gonna have a baby.

- I love you.

(Johnna sniffles)

- Congratulations,

family love. (laughing)

(Johnna laughs)

- You know, we don't

have to stay here

if you don't want to.

- I don't know what it is,

but I like it here.

I feel relaxed.

- It's funny.

Last week, we were

worrying about bills, and-

- God.

He sent us a miracle.

I always say just believe

and you'll receive.

(Shane chuckles)

I'm so happy for you, Shane.

Found out who your

mother truly was.

Gosh, I can't,

can't imagine how she

went her entire life

without seeing her baby.

- Yeah.

Well, that's all in the past.

- I mean, we thought

we lost our child,

and we were miserable.

Imagine it being taken away.

Like not seeing your

baby for nearly 30 years?

- You're saying my

father was wrong?

I mean, I'm sure

he had his reasons.

- No, I'm not-

- Why else would he-

- I'm not saying anything

against your father.

I loved your father.

I'm just,

I'm just saying as

a mother to be, I,

I wouldn't be able to live,

I mean, I couldn't move on.

I'd die of a broken heart.

- Yeah, I could see that.

You're that type of woman.

Separation would hurt you.

- It would hurt anybody.

- You're right.

- Can we stay here?

- We are.

- No, I mean like,

like, move here.

- Babe, come on.

We got our work,

we have our home.

- Well, it's only

a 45 minute drive.

We can commute.

- Where's this coming from?

- Well, just,

just seeing where

you're mind's at.

Is that wrong?

- My mind?

- Okay.

Okay, you don't

have to get upset.

I'm just asking you a

simple question, okay?

- Well, uh, let's see.

I just found out my mother

died of cancer, alone.

I just inherited a house and

a quarter of a million dollars

from a woman I never even knew,

a woman that my father

took me away from

for unknown reasons.

Uh, oh yeah, I just found

out that I have an uncle

I never knew I had,

a grandmother I

never knew I had.

Oh yeah, and a woman just

died in our bathroom.

Not to mention, my wife

didn't have a miscarriage,

and is actually eight

months pregnant,

so I'm sorry if I'm

not in the mindset

to talk about where

I wanna live next.

- Hey, it's okay.

It's okay.

I don't want to fight.

Just, we'll talk about

it some other time.

There's no rush.

Love you.

- I'm sorry.

- Mm.

- Yeah.

Sorry, I just, so much came

at me so fast, you know?

- Yeah.

It's okay.

- You know, um.

When we were in the

doctor's office,

and we were just waiting,

I was just preparing

myself for more bad news.

But I was so

relieved to find out

we were having a baby.

(Johnna sighs)

Love you, too.

- Love you.

- I love you, too.

(light clicks)

(dark dramatic music)

(slow tense music)

(knocking on door)

(doorbell rings)

- Plumber!

(birds chirping)

Hey, plumber here at 270.

Yes, I'm here.

Around back?

Oh, okay.

Around the back, okay.

It's unlocked?

Okay.

Thank you.

(plumber grunting)

Frickin' rich people.

Buy frickin' bulbs.

Come on.

Jeez.

(plumber exhales)

(dark tense music)

Come on, leaky pipe.

Where you at?

What kinda chew toys

you giving your dogs?

Jeez.

What the?

(eerie whispering)

What?

Who's down here?

That's not funny, man.

(eerie whispering)

(tense dramatic music)

eerie whispering)

Screw your leak.

I'm getting my a*s outta here.

(eerie whispering continues)

(plumber gasps)

(dark dramatic music)

Where'd you all come from?

What are you people?

(tense foreboding music)

(plumber yelps)

(ax thudding)

(plumber grunting)

(blood spurting)

(plumber choking)

(dark tense music)

- You didn't mention when I

was filling out paperwork,

you said they, uh,

this is the land where

they used to hang

all the witches?

- Yes.

In fact, right over there,

right over there, is a tree

where many, many, many

people were hanged.

Mm, and our blood among them.

- Wait, wait.

We have witches

in our blood line.

- Oh yeah.

Still.

But of course, those are the,

you know, the would-be

witches, right?

They'd just accuse people,

and then hang them.

(Nelson chuckles)

It's just really strange.

See, this is interesting.

Now, follow me if you can,

all right, my boy?

- All right.

- If someone just admitted

that they were a witch,

they'd just throw them in jail.

(Nelson laughing)

- Uh, so.

How many of these

so-called witches

admitted to being (belches

and groans) a witch?

- One.

Tituba.

- [Shane] Tituba?

What kind of a name is Tituba?

- Well, she was a sl*ve girl.

Yeah.

Mm, brave.

She was the only admitted

witch in all of Salem.

- And all the others?

- Just accused them, hung them.

That was it.

- That just seems stupid.

- Mm, it does, yeah.

And scary for our

heritage, you know?

The stupid part was that

they pursued the witch hunts.

Right?

I mean, where

someone's life or death

was just left in the

hands of the afflicted.

- What is the afflicted?

- Ah, they're just

a bunch of girls

who claimed that they,

they were possessed by

the power of the witch.

- Okay, so why didn't

these so-called witches

just lie and save their lives

and not go to jail?

- Mm, mm, mm.

No, no.

In those days, to

tell the truth,

that was more important.

(chuckles) Even if

you lost your life.

- You really believe that?

- Don't you?

- Uh.

- Ooh. (laughing)

Your mother.

She would, she would

fight you tooth and nail

(guffaws) for that statement.

- Really?

(Nelson chuckling)

Oh, she was all about cleansing

the bloodline, you know?

Once a Gable, always a Gable.

- I like that expression.

Once a Gable, always

a Gable. (laughing)

- You know that you are not

full bloodline, don't you?

- You just said Gable.

- No, your mother's

bloodline is Gable.

Right, right?

Your father's

bloodline was Parris.

And that's you.

The sworn enemy of the Gables.

Wow.

In fact, there was a man

by the name of Samuel Parris

who m*rder*d your

great-great-great-great,

gotta make sure I have the

right number of greats,

great-grandparents.

Mm-hmm.

(soft tense music)

- What?

- Yeah.

Mm, yeah.

And then your father

married a Gable,

and didn't even know,

that he, that he

married the enemy.

Did he?

- I-I have no idea.

(Nelson chuckling)

- Gotcha. (laughing)

I really had you

going, young man.

- Oh, okay-

- Didn't I?

- I admit, you did.

You did. (laughing)

- You didn't see it

coming. (laughing)

But it was funny,

don't you think?

- Mm.

- Okay, nephew.

I have to run.

- Oh, okay.

Um.

- No, no.

I'll see you tomorrow. Right?

- Right, okay.

Um, we have to go

back to, uh, Arlington

to get some stuff.

- Well, leave the missus here.

Let me get to know her better.

- Maybe.

- Maybe?

Hmm.

Oh, by the way,

this-

(taps foot)

this is the porch

where your blood took mine.

(dark tense music)

Just saying.

(Nelson chuckling)

- I thought you were joking.

Oh, let me, um, let me

call you a Rideshare.

- No, no stop it.

Stop it, kiddo.

I can drive.

And I never joke

about family, either.

What'd I say?

Family is forever.

(bottles clink)

- Yes, they are.

- Yes, they are.

(Nelson chuckles)

Ah.

I'm so glad you're here.

You know, your-your mother,

she would be very

happy right now.

(Nelson grunts)

Whew.

- Wish I could remember more.

(dark suspenseful music)

(tense eerie music)

(dark foreboding music)

- Was Nelson okay to drive?

- Uh, yeah.

Or, so he says.

I don't know.

- Ooh!

You smell like beer, baby.

- Mm, sexy, right?

Like a new cologne.

What you reading?

- Actually, one of

your mother's books.

- It's funny, I've never

read anything like this.

It's like a-a journal

and a cookbook.

Just strange.

- Is it any good?

- No.

- You don't like

my mother's art?

The art that got

you

all of this?

- Oh.

Yeah, you keep doing that.

You look a little

sexy doing that.

- Like that?

- Mm-hmm.

- That's my love

beast right there.

- What the hell is that?

- Make love to me.

- I, am I allowed?

- You're my f*cking husband.

Of course you're allowed.

- Well yeah-

(both laugh)

No, I know that,

but I mean, like,

won't I, won't I hurt the baby?

- No, look at me, look.

I don't even look pregnant.

I mean like, I look

a little chunky.

But it's like, it's

not even anything

I ever imagined.

It's kinda sad.

- Hey, hey.

You are beautiful.

And the point is that you

are pregnant, not chunky,

so who cares?

All right, you are so beautiful,

and so special to me.

- That's what counts.

- Exactly.

- Do you promise

to say these things

and look at me the

same way when we're 80?

- Oh, you can count on it

because even at 80,

you will still be my

special little booty call.

- Who even says that?

- I do.

I did.

I love you.

(soft tense music)

(tense foreboding music)

(music fades)

(birds chirping)

Babe?

- I'm in here!

- Morning, babe.

- Morning.

Sleep okay?

- Sure.

So, wanna go for

a drive with me,

pick up some clothes?

- Actually, Nelson called.

He wants to do some

bonding with me today,

show me tricks of

the house and all.

- Oh.

- Huh?

- Fun.

Well, do you wanna have

breakfast together?

- Not really hungry.

I started this project.

I wanna see how far I can

get before you get back.

- All right.

I'll see you later, then.

- Okay.

Hey, you hurry back,

because you don't have time

to go to the station,

or call Mundy, okay?

You're on vacation

with your wife.

- Yes I am.

All right, see you

in a few, babes.

(birds chirping)

(soft eerie music)

(tense foreboding music)

(Martha gasping)

(Grandma mumbling)

- Who are you talking to?

Hmm.

(Grandma mumbling)

(soft music)

- Okay.

Well, that was weird.

Are you hungry, little one?

Ow, okay, okay.

Not so hard.

You'll break right

through mommy's stomach.

(dark dramatic music)

(teacup rattling)

(Johnna gasps)

Oh.

Uh.

Grandma Martha, I wasn't,

uh, expecting you.

(dishes clinking)

- Tea for you.

- Thank you.

- Grandma is here.

- I didn't even hear you

come down the stairs.

Are you all right?

- Never better, my dear.

Let's get to know

each other,

Johnna.

- Yes.

I would like that very much.

(soft tense music continues)

Oh, that's so amazing.

(dark dramatic music)

(tense eerie music)

- Look at this.

There's a baby in

there, isn't there?

(Johnna laughs)

May I?

Oh.

(laughing) Oh.

It would just be,

just be amazing

to have another little

one around the house.

You know, it's been so long.

- Oh gosh, it's like it

popped out of nowhere.

- Yes, it is. (chuckles)

- (sighs) This

place is so special.

- Yes.

More than you know.

(crickets chirping)

(suitcase rustles)

- Uncle Petey.

You're a hard man to

get in touch with.

- Hey, my favorite nephew.

Sorry about that.

I've been up in the

Catskill Mountains,

and the reception's very spotty.

What's the urgency?

I noticed I had

numerous missed calls.

What's up, you guys okay?

- Oh yeah, no, we're good.

I mean, so much has happened

since the last

time I've seen you.

- Yeah, sorry.

It wasn't my intention.

You know, after we

buried your dad,

I-I just had to get away.

As you know, he and

I were very close

since we were kids, and

he was my only brother.

- Yeah, no, I know.

- Hey, when I get back up there,

let's get together.

- Yeah. No, I would love that.

And show you the new

house we just inherited.

- Inherited?

What?

- Yeah, um.

My mom died.

And she left me a

house, her stuff,

and, uh, some money.

(soft tense music)

We're up in Salem.

- Shane, your mom

died a few years ago.

- No, uh, no, actually,

she just passed.

Uh, she died of cancer.

I met my Uncle Nelson.

I have a copy of the

death certificate.

- Shane, your mother just

died a few years ago.

She hung herself in that house.

Where are you right now?

- No, are you sure?

No, 'cause Uncle

Nelson told me, um-

- Uncle Nelson?

You guys need to get out

of that house right now.

- Uh, no, I had to get

a couple of things.

I left Johnna at my mom's house.

- No, you need to grab her,

and get out of there now.

Seriously.

- But Uncle Petey,

what's going on?

- That family is bad.

They do ungodly

things there, Shane.

Please.

- I didn't hear about this.

- Your mother was gonna

sacrifice you as a baby.

She was gonna do this at

this sort of witch gathering.

- Witch gathering?

- Yeah. Kinda crazy.

They had your room set

up like a damn altar,

with flowers and sh*t.

Your dad crashed their party,

and grabbed you, and ran.

- So she, uh, really had a

deep interest in witches, huh?

- Welcome to Salem.

- My healthy child.

(Johnna gasping)

- Oh my god.

- Mother?

Mother, mother, mother.

- You listening to me, Shane?

You need to get out of there

and go get your wife.

- But, Uncle Petey,

who's with you?

- What?

No one.

I'm by myself, why?

- No, there's

someone behind you.

(dark tense music)

(Pete screams)

(dark dramatic music)

Uncle Petey!

Uncle Pete!

You there?

sh**t.

(phone beeping)

Come on.

(call dialing)

Come on!

- Oh hey, babe.

- Hey, you okay?

- Uh, yeah, I'm great.

Are you in the car?

You on your way home?

- No, I-I just spoke

with Uncle Pete.

- Oh, finally.

What has that

lunatic been up to?

- Wait, who-who are you with?

- Oh.

Oh, don't pretend

you don't know.

That was so sweet of you

to have your uncle

send over some family

so I wouldn't be alone.

- Babe, where are you right now?

- I'm just in the house.

It's all festive.

They have flowers and

lights and everything.

- Look, hey.

I-I need you to go to

another room, all right?

I need to talk to you.

It's very important.

- Okay.

(whispering) I'm in Grandma's

room now.

- Where's Grandma?

- Well she's just

sleeping, look.

- Hey look, something's

not right, okay?

I spoke to Uncle Petey,

and I learned some stuff

regarding my mother.

- Babe, I felt the

baby kick today.

- You did?

- Yeah.

- Wait, you said

there was people over?

- Oh yeah, just a group

that Nel-Nel brought over.

(laughing) I can't get

over that nickname.

You never told me

you had a lisp.

- Wait, how many?

- Like, 12?

- Okay.

Let's say 12.

Devil's in the details.

Babe, listen to me, all right?

You have to listen to

what I'm telling you.

It is very important.

- What's wrong?

- I didn't call Uncle Nelson.

All right? Or any of those

people.

I don't know who any

of those people are.

I need you to get

out of that house.

Now.

Go down to the corner market,

go inside, and stay put.

Do not talk to anybody.

All right?

I'm on my way.

- Okay Shane, you're really

starting to freak me out.

- I love you, okay?

Go.

Now!

(dark foreboding music)

- Grandma Martha?

(Johnna gasps)

(Johnna screaming)

- My precious!

An eye for an eye!

(eyes squelching)

(Martha laughing maniacally)

(crickets chirping)

- I'm home!

(dark tense music)

(dark tense music continues)

(music fading)

(door creaks)

(slow eerie music)

(call dialing)

(phone vibrating)

What?

- She wasn't at the market.

- [Shane] You sure?

Yes, the market isn't

very big, Shane.

What's the address?

I can come meet you.

- [Shane] 270 Hemrod Street.

End of the street.

- Gotcha.

Hey.

Do you have a middle

name, and what is it?

- [Shane] Yeah.

Thomas, why?

- Well, that's interesting.

I ran the prints

again on our John Doe.

Everything came back

with your information.

Are you sure you're

not the dead guy?

- What?

- The dead John

Doe from the store,

who's missing his hand,

came back with the

name Shane T. Parris

of Salem, Mass.

I found that odd.

- Have them run it again.

- You all right, partner?

You guys in trouble?

You didn't really tell me much.

- Just hurry over here.

- Will do.

- [Shane] Witch gathering.

- Now what?

Hey lady!

(tense suspenseful music)

Lady!

You should get outta the street!

You're liable to get run over.

Hey lady!

(dark dramatic music)

(engine revving)

(Hal screams)

(car crashes)

(dark tense music)

- A witch gathering.

(music fades)

Johnna?

Nelson?

Nelson?

(stairs creaking)

Johnna?

Nelson?

(stairs creaking)

Grandma?

(dark dramatic music)

Johnna, Nelson, you up here?

(slow tense music)

(slow tense music continues)

(music darkening)

(voice whispers in

foreign language)

(dark tense music continues)

(door creaking)

Johnna?

- [Whispered Voice]

Shane Parris.

(dark dramatic music)

(Shane panting)

- I am not amused by games!

I'm a cop, I'm armed,

and I will sh**t!

Who's under there?

(tense foreboding music)

(door creaking)

- [Whispered Voice] Shane!

Are you upstairs, child?

- Yes.

Yes I am.

- [Whispered Voice]

Come to me, child.

I wanna speak to you.

(door creaks)

(music fading)

- Grandma Martha.

(slow tense music)

Grandma-

(knocking at door)

Grandma.

Where's my wife?

Where's Johnna?

(knocking at door)

(dark suspenseful music)

(knocking at door)

(dark suspenseful

music continues)

(person panting)

(g*nsh*t fires)

(body slumps)

(slow suspenseful music)

(sheet rustles)

(dark foreboding music)

(ax thuds)

(Shane panting)

(voices muttering)

(Shane grunts)

(Shane panting)

(voices muttering)

What are you doing?

(voices muttering)

Johnna!

(dark dramatic music)

What did you do to her?

(voices muttering)

You made me sh**t my wife!

What have you done to us?

- Your family is

proud of you, Shane.

(dark foreboding music)

An eye for an eye.

A tooth for a tooth.

A hand for a hand.

With death

comes life.

(music intensifying)

The Gable bloodline

is once again pure.

(dark dramatic music)

(woman gasping)

(Shane screaming)

(woman hisses)

Family is forever.

(tense eerie music)

(tense eerie music continues)

(tense eerie music continues)

(tense atmospheric music)

(tense atmospheric

music continues)

(music fades)