100 Ghost Street: The Return of Richard Speck (2012)

[bunniefuu]

Yes, seems ready to start.

On April 2, 2012,
was a TV crew to Chicago ...

to film a documentary
the serial k*ller, Richard Speck.

Quality over Quantity Releases


Translation: r3p0
Control: Winchester Girl

What you're about to see ...

are the images that were found on site.

The TV crew was never seen again.

Yes, we're done.

These images are the property
the police of Illinois.

Department Homicide
Research: n ° G132 H7 05.04.2012

I do not even know what he looks like.
That's a lie.

I do not even know. "M

There is a smiling face.

She has r hair net to do
she is very happy with it.

I'm glad you all are willing,
tonight we get no jokes, right?

We have much work ahead.

Everyone wanted to come here
and now we go.

Yes.
- Yes, that's right.

Only for one night,
so the cameras must constantly record ...

constantly making sound recordings,
stay focused and alert.

Sure Mr. boss.

I think he was ... But you said pretty,
think he was aware that he was handsome.

Close your eyes and your mouth.

Mouths far.
- That's great though.

Someone I know who called Dave,
has awarded me this great work.

Least I could do. May I
applaud, for your clothing choice?

I did not say it was so,
I said that I liked it.

I'm serious.
I love it, it's beautiful.

What we ...
Glad it behind ...

Perfect, this place is great.

This is really scary.

I can not wait to get here
to spend the night.

Ready to make, dude? Some fun
- Yeah, and you know it.

Dude, I try to look here.



I can not see the lens.

Present at all like I told you, right?

Backwards?

Or so far?
- Just turn on the camera.

We are ready.
- Action.

Tonight, we are here
a neighborhood in Chicago, Illinois.

The address is 100 East ... 2390 ...

You say the real address,
Then you give them ...

the false address devised
was after the crimes.

For those who believe in the paranormal ...

the Ghost Street, No. 100.

It is here in this deserted
medical dormitory ...

where one of the most terrible
massacres took place.


seven murders in one night.

By a man.
Richard Franklin Speck.

Also known as the Birdman.

Why are you looking at me?

Finish it by looking at ...
- Okay.

No ... It's a little, not too scary.

Do not worry,
I'll be there tomorrow night.

Yes, I'll be there.
Yeah, me too.

Who was that?

My mother.

Your mother?
- We are committed, right?

I do not want you there frightened,
anyone can foist any ideas ...

about that.

Okay, I understand that.
- I'm serious.

I'm serious too.
- If you need anything, you come to me.

Well, thank you.

All cameras are pointing.
Some still on the roof.

Earl's here somewhere, do not know where.
I'm looking for him for a while. He'll go away.

Here are the keys.

The phones work in all.
Absolutely nothing.

In the whole building?
- No SMS, no calls ...

what you may have in mind ...

This key and I can not get enough
emphasize close the door from the inside.

Even if you're five minutes out,
here there are wanderers. This is the key ..

close.
- Roger that.

That bag looks heavy.

Nice.

I have to assume something?
- Yes, thank you.

Do you need help with something
- Yes.

Thanks for all your help.
- Absolutely.

Well, everything is ready.

We have about twelve detached
cameras turned on. All are on.

And everything is stored
on the hard drives there.

I'm another one reinforce the roof.
I'll get Earl and we are away.

And everything is automatically saved?
We should do nothing?

Everything is wireless and is
on the hard drive, so ...

As always, all right, so ...
Join Casper greetings.

You use this, you just need to press here
and keep it in the direction of the sound.

Well, gonna be okay.
- Thank you.

Five hours or so?
- Langer, I hope more than that.

I do not know.
- Yes, you will.

Jim, stop that.
- I'm sorry.

You are the next star. You can better
get used to stand in the spotlight.

Yes, I see now than good?
- You look fantastic.

Give me the camera.
- Stop it.

Come on, you're next.
I want to hear about Kim today.

About me?
- Yes.

I was born in 1963.

Wait, you're not ...

What?
- Come here.

There you are.

So Jim, tell us a story ...
You have a spider in your hair.

I'm sorry, now is your hair upside down.
- Oh, right.

It takes hours to get my hair
get. so disastrous

What the ...?

Jim, let me know when you're done?
- Yes.

Action.

Many people believe that Richard Speck's
mind here is returned.

The house of his infamy.
And he still haunts here.

Searching, longing,
to k*ll again.

Again, something fierce.
Understood?

We do the same record again.

On July 13, 1966, Richard Speck walked this
dormitory in hostage and eight nurses.

He them hostage in a bedroom.
Room 220.

Methodically, he dragged one woman
after another out here ...

to various places in this huge building.

Where he would r*pe them, strangle,
hang or his prey would cut.

While the girls wait their turn,
she cried and begged for mercy.

Was that all right?

I'm not as mad as ...

Rosa Martinez hid under the bed.

Richard Speck and heard a woman
drag this mattress.

That he r*ped and strangled.
The moment he came ...

He stabbed her in the heart.
While living Annie left ...

Rosa fled along this window.

But the fear never ended for Rosa,
because her whole life ...

she always return
Richard feared.

While we are in this room,
I want you to try ...

to communicate with that guy right?
He had difficulty with women.

Yes.
- We need you here now.

His energy is strong in this room,
I want you to call him.

Good.
- Threaten him if necessary.

Tell him that this is his chance, do something,
knock on a wall, move an object.

Something.
- Good.

He announces his presence.

We try to communicate
with the spirit of Richard Speck.

If you're here, give us a sign.

Show your presence.

Richard, if you're here,
Please give us a sign.

We try to communicate with you.

Take all try to miss anything.
- Yes.

Make your presence known,
if you are here, give us a sign.

Richard if you are here,
Make your presence known.

Tell me you recorded that.
- I think I just have it be the end.

Tell me what you see.

I see many pipes. And ...

bird feathers.

Why are there feathers?
- I do not know, they've been around here.

Well, just check to sounds.

I saw holes in the walls,
there they entered through.

Did you hear that?
- Yes, I heard.

What is it? Knocking, jogging, scratches, what?
-. I do not know

Seemed like a sound of a pipe.

It was like a voice.
There was heard a voice.

Could it be a voice?
- Could be.

I'm not as good as heard her.

Yes, I have it recorded.

What kind of voice?
- Yes, it was great.

That's good, fantastic.
- Yeah, that was great.

Hello?

Help.

Was that you, Sarah?

Is there anybody in there?

Please help me.
Someone help.

What is that?

Help.

First job, first job for the job.
- Your first day, are you serious?

Unbelievable.
- Paranormal investigation seriously.

You're gonna have to learn quickly that Adam
wants too much visual recordings.

It's really dark in here.
- Yes, really dark.

Continue to go straight ahead.
- All the way up it end?

Wait a minute.
Hold on.

That's scary in itself.

Yes, all or nothing.

It?
- This?

Where it smells bad.
- It really stinks here.

That reminded me of the university.

Good times.
- It's very scary here.

Yes?
- Can you shine with light here?

Do you have what?

Yes, I think ...

No, look down.

Is there blood?
That is so dirty.

No idea what that is.

I'm going to do the EVP session.

Yes, fire away.
'm Ready.

You can 't should first turn.
That one button, yes.

I've been through, I learn quickly.

I've quickly.
- I'm so proud.

If there are spirits
who want to communicate with us ...

Make your presence known.

If ...
- Please?

If Richard Speck, or one of its
victims here ...

Please give us a sign.

Is that normal?
- Try it again.

If Richard Speck or one of his victims
here give us a sign ...

of your presence.

Please give us a sign.

Richard Speck, if you're here ...

Give us a sign of your presence.

That's the other team, right?
Those things just move?

That's impossible.

We are on the top floor.

Come on.

What are you doing?

I think we should take this to Adam
and show what we have him.

Yes.
- I need the light.

Did you hear that?
- Yes.

I'm going to climb it.
- I do not think you should.

Really, that's really not safe.

Give the camera here.

I want to look up.

Just a second.

What's up there?

Nothing.

Oh, I swear ...
- Wait ... I'm sorry.

Come back.
- I should leave alone.

Can you take the camera?
I want to come down.

That was funny, come on.
- You scared me.

I'm sorry.

Okay, Jackie ... Action.

Richard Speck was a long
and unattractive man.

He had scars from acne and oily hair.

When he was imprisoned
was nicknamed "Birdman" assigned to him ...

because he kept some birds ...

Jackie, that's just old tiles
who were released, right? Just do.

Jackie, your heart beats like crazy into the microphone.
-. You just freaked out

That's really handsome, dude.
- I know.

You're too good for us.
- I have not prepared yourself, though.

You wanted the healthy food?

I'm sorry, there's no coffee.
- I want a banana.

Yes, I'm sorry, I'll get them.

Why do you eat?
- Dave, tell me what you have?

We have heard some voices above.

The nice thing was that it was above us
and we were on the top floor.

You should take a look for themselves,
I have a crawl space found.

But I heard something.
So there is definitely something up there.

And as I said, we were on the
top floor and you were down here.

So you have nothing.
- Well ...

You know, the real problem,
is Richard Speck.

How can you tell?

A feast m*rder of an amateur,
he k*lled eight people.

Actually seven.
- Worse, even less so.

The numbers are irrelevant.
- Oh yes, to talk about real numbers.

Dummer, 17. Double number, decent.
And when talking about the big ones have ...

Let it then about Gacy, 33.
Let's go to his house.

Gacy have already done so much.
- Richard Speck's a joke.

That's why I wanted one of you
recording at all times.

Guys, that was just a coincidence.
- You made him angry, you called him an amateur.

The same was us another time
had happened.

This large bookcase has fallen.

There really is no explanation why this ...
- Wait, did you hear that?

What?

Seemed like a scream.
- What?

Silence.

As if someone called, or so ..

Go with Jackie upwards,
we will do this floor.

Dave keep recording.

Jim, come on.

Where is she?

I do not know, there's so much echo,
have no idea where it came from.

Apparent here once light, Jim?
- Yes.

Look in all rooms, Jim.
Do your best.

I do not understand why they do not answer.

Hello?

Where did she go?
- Maybe she's okay?

She'll be okay.
She is afraid of her own shadow.

Jim?
- Yes.

Wait ...
Silent.

You might say something mechanical, yes.
- Just what stumbling.

Have you heard it?

I heard it too.
- Wait, it comes from here.

I can not enter.
- Let me try.

Sorry.

Look, it moves.

How can that move now?
- There is absolutely no electricity.

This is wrong.
- Maybe it's because of its own weight ...

if not on his brake state, I think.
- It is beyond the 1.

It goes to the basement.
- Come on.

Be careful.

Come on, Jim.

What was that?

Come on now.

Do you have it?
- Yes.

Careful.
- Good.

Look at this.

She is nowhere to be found.

Apparent here something light.
- What you got?

Jim, come here.

That is the elevator shaft, yes.
- I can not look inside.

See if you get it open.

There she certainly not resident.
- This has not been eventful years, look.

Look how dirty.

It's just water but.

How could that thing then move?
- Maybe it was just the needle ...

this has not changed obviously.
- That's weird.

There has been someone herein.

What was that?

A fish?

What is it?

Sarah, stop it.

Was she?
- That was a cry, definitely.

She's upstairs.

It's only me.
- I found ... in here.

Please, stop.

No.
- Honey, calm down.

What happened?
- Shut up.

It's all good.
- There's no one out there.

Tell us what happened.

She needs a doctor.
- What happened to her?

We gotta go, we gotta go now.
We gotta get outta here.

Sarah, what happened to you?
- He's here. He was here.

Who?
- Who is he?

Who did that to your arm?

We're going to look after.
Calm down.

Get her out of here.
- Let me go, please.

I have to leave.
Please.

Come on.
- I'll take her.

Sarah, I'm sorry.

Let me take care of you.

Sarah, can you tell us
what happened to you in that room?

We can first take care of her.

Do you see this?
- Yes.

It is not too deep.
Take care of it and attach it.

Keep your arm up as well.
Jim, really a oorstaafje?

Cameras keep it going.

Since we have nothing.
- Want a gauze bandage?

Yes, gauze is good.

Guys, hurry up.

Want to go home?
I gotta get her here, guys ...

they should go home and rest.
She's terrified.

Go to bed and sleep it.
- I'll take you home, okay?

They're not going home, Dave.
- Are you serious?

Yes, I mean it.
- Her first day and she is attacked.

It's my show and I decide what we do.
- Who's the big guy here now, huh?

Give her one of these.

Just put it under your tongue.
- What effect does this have?

Help her sleep.
I take them myself, they are harmless.

Here.
- I know you're upset.

So alone in the corner of a room.

And you're hurt.
Can you tell us something?

Well, Dave, if you do not bring her,
I'll do it. Decide what.

Do you ...

Come here.
We stand upright.

Come on, is okay.

Certainly, Jim
- Thank you, Sarah.

That's really not much sleep.

She's okay, just a little shocked.
It's her first day and so.

Why is it so hard to take
that happened to her? something paranormal

Firstly, I have not seen Mike or Earl ...
- It's not Mike or Earl.

They work all the time, good. We would know
whether they have in their past women attacked.

Not required or Mike Earl,
but I really think ...

I do not think it's something ...
- Whatever, does not matter.

I want you to go to the basement.
He responds to people who make a start.

Yes.
- Start there, see what you will get. Good?

You have some blood on your shirt Sarah.
Are you going to go change.

I'm going to get my camera,
I want some pictures of you ...

that explains what we found in the room.

Thank you, keep some distance, right?
- Good.

Sarah, I'm going to explain it.

Is it?

Give me your shoes.

I know it.

Jim, I can not see anything.
- Come after me, I'll follow you.

There you go.

Great.

What is that?
- I'm going back to the door.

What is there?

I'm sorry.

I scared me.

An electricity thing.

What is that?

Look, you see that?
- Yes.

The pipes in the walls.

Is that right below where we just now
were when we heard that sound.

Can best.
- No, I'm sure.

It is two floors below.

It's something like ...

sound that could best come here.

What is the dirt we walk?

We will try if we can register something?
- Yes.

What is that?
That's gross.

Did you hear that?

I do not know,
I have heard nothing here.

No, it did not sound like it was here.

Which is it?
- From somewhere out there, let's go.

You know what I read?
- What?

I have read that Speck
was molested as a child.

I think even by his father.

What is all this explained,
because you know, those poor children ...

who were abused as children ...
That's interesting.

Which always end up being confused adults.
- That's exactly what he did to those women.

That's what he did to them.
It's just a cycle.

What is that? There in the corner.

Do you think we should go in there?
- Yes.

I will put the camera in there.

These hinges,
an incinerator or so.

I do not climb into.
I'm claustrophobic.

That's crazy.
- No, that's not it.

When I was little, my mom
locked me in a closet.

I was totally scared, my heart
knocked so hard that I cried hours.

And since I can no longer lifts
or dense traffic ...

or MRI, I'm just crazy.
So is not gonna happen.

I'm telling you but just.
- Is good.

But you can go in there.
- If I could, I did so, though I do.

What cold.

Where do you think the leads go?
- No idea, it's a trip out, I think.

What?

- I saw something. I saw something there.
- What ... good.

You know what?
I put it to infrared.

I do not know.
I saw it.

I thought I saw something.
Let's see if I can dim him and see something.

No, do not.

It's good.
Just stay behind me.

Now you see nothing, right?
- No?

Good.
Let's see if we can find something.

I think we should go. Return to top
- We can not go upstairs.

We can not leave.

We just go around, right?

It's just along here.

Just continue to follow.
- Good.

Just stay behind me
if you are concerned.

Have you seen it in the dark?
-. I do not know

I saw it only from above,
I got it off here.

Let's go further.

I'm not going along.
I can not even see the end of it.

We have to, is the only place
where we have not been.

No, I do not.
- Come here, look at me.

Do not you think you can do that?
- I think I can do it ...

but I do not know.
I just do not want to go back.

Put that down and
take my camera.

Do you remember how to zoom?
- Yes.

Seems a taakje for Clyde.

The remote address.

Well, here we go.

What is that?
- What?

Wait a moment I drive back.

It is ... a baseball cap.

Careful.

I'm going straight.

What is that?

That is creepy.

It is a shoe.

Wait, I'm going along.
- No, Jim, there is someone.

I know, wait.
I'm around.

No.
- Okay, it's Earl, right?

Let's get out of here.
- Well, I pick up the material.

Stay right behind me, okay?
Stay close.

Come on.

I come.

Come on.
Quickly.

Welcome to amateur hour.

That girl is probably still sue me.

Just because she was a bit hysterical.

Could be better Kris calls and
inform him about that b*tch.

Hello?

Are you there?

Wherever I go,
it seems as if someone follows me.

The echo here is really a plague.

And then I have it here for 15 minutes
needs a shirt to change.

What the hell is that?

Hello?

Look at that.

What the hell?

Let me go.
No.

Let me go.

What is there blood?

Where is she?

What happened?
- I saw Adam be dragged into the hallway.

Wait ...
- Where?

Yes ... He was ...
I do not know, I did not see anyone.

He was dragged away ...
- What happened.

Jackie, is everything okay?
What just happened?

I just saw Adam there in the hallway
was dragged away.

What?
-. I do not know I do not know what I saw.

He was just dragged ...
- We gotta get outta here.

No, I'm not leaving here. I sit here.
- Did you say that Adam was dead?

No.
- We need to check.

We have to check.
- No, guys.

Jim and I were down
Earl and we have seen there, dead.

There is also Earl something happened, so
something or someone is here.

We do not know how long that is already dead,
but he is as dead as a pier.

I'm going to find another way out.
- I'm going to find Adam, we go down.

And we do that we're out here.
- I'm not ...

Jim, where is that blood, there?
- We do not know how much time we have ...

we need him. Good?
We have to find him now.

Jackie, no, come with us.
- I'm not going there.

I do not want ...
- You have to go. Jen, we should go.

I'm not.

We know he's been here. Along

That's his camera.

Take it.

It is in this direction.
Let's continue.

Did you hear?

Look at the wall.
Look.

Where does that go?

Jackie is all alone down there.
She's out there all alone.

Dude, we have to find Adam ...
- After seeing this, we can not leave her alone.

You're not leaving?
- You have two of them.

I'll be right back.
- Sarah there is still too.

She is just down the stairs.
I'll be right back.

What are you doing?
- I did not want to stay alone.

This is just very strange.
Look.

Guys, I want out of here, okay.
- Yes, we.

Then we put a camera right there in?
- Why should we place a camera?

That's where that damn thing.
- If he is still alive ...

we need to find him.
- Jim, come on.

Put it at the top of a camera.
- What, me?

f*ck, I'm not in it.

Forward.

Perhaps he himself comes down.
- Oh, yes.

It's not a good idea to go there.
- He can not go anywhere.

Jackie we need to hold you?

Begin to it.

What?

Wait, I'll get it.
Stay there.

I do not think you should go, Jim therein.

I do not think you should.
- I'm not going in there, it'll just make the camera.

Apparent even some light here.
- We need to find out.

He may be an as*h*le,
but I will not leave him here.

Be careful, okay?

Nobody likes him.
Why are we doing this?

Where does it go?
- Nowhere.

It just leads nowhere,
it just stops, I see nothing.

Wait ...
- I see nothing, nothing.

There is nothing to see.

What?

Forward.

Come on.

He's here.

Pack light.

We have to leave here.

We can not stay here,
we have to go.

We have to get out of here.

We have to leave.
- I'm sorry, she's right.

We have to leave here.

We would not be here if
what is inside comes out, right?

We must go.

I'm sorry, dude.

We must go.

Come on, Jackie, come on.

Stay close.
- Okay.

Where is the key?

What's his name again?

Wake up.
- Get the f*ck up once.

Open the door.

Come on.
- Can anyone hear us?

Somebody help us?

Let us find a window.

Here.

Try that again?

Come on.

We're trapped.

Beware.

Come on.
- There's nothing here.

We are caught, this is ...

Come here.
Shine light on this door.

But a dash is enough.

Shine light on that slot.

Try it here.

Wait.

Well, come on.

What is that?
- That's an incubator.

This looks like a main entrance for ...

Let's get out of here.

Look up.
For ventilation shafts.

Who does this all add up?

All these bird cages everywhere.

Windows.

There you can not recover.
- There are also iron rods.

There are iron bars.

We could not by others,
it goes with these also fail.

What's this?
- What?

This is still alive.

What?

Look at the ring.

This is Adam.
- How did Adam's finger in it?

Along here.
Follow the light.

Here we were just as well.
- Of course. We've been everywhere.

All times even 20.
- What should we do?

I do not know.

There must be a way out of this building.

We just have to figure out a different way.

There is no other way,
we are trapped.

There must be another way.
- We're trapped.

Do you ever seen any other way?
- We just try to think about it, Jackie.

Oh, come on.
- We've been in every room.

Come on.
- Not in every room.

Do not talk so loud.

Think about it for a moment? There must be a way
to come. through that gate

That's the closest we ...
We could at least look outside.

Was a key set there?
- No. - Yes, I was thinking just to.

No, there is no second set.

Adam had the keys.
- But we do not know where he is.

Yes, surely ... about.
- Keep your voices do something quieter.

We need to look at.
- We have to go look.

Is not gonna happen, you guys are idiots.
- Jackie, what do you do? Die here?

You are not really helpful.
- We need to get the keys.

You are dummies.
- Do not move.

I have terrible headaches.

Here it is the blood.

Careful.

Here it is.
- What do we do now?

Someone has it.

How do you know that is not there?

Go on up.
- What?

Stop being a p*ssy and go upstairs.
- Yes, is not gonna work.

No, you know what?
She's right, we do not know who it is.

Maybe no one should go there.
I will use Clyde.

And he can figure it out for us.
- No.

That will take too long.
- Where's my remote control?

That's better, really.
- He did not, no one should go into it.

Go get it now.
- What do when occupants who are not?

Jackie, hold.
- I make once anyone here side.

Here, I'll do it.
- Careful.

He's on?
- Yes.

Good.

We are halfway there.

Well done, thank you.
- Thanks to all to question.

Well, he drives.

We come back from the other side.

There is a shoe.
- The shoe of Adam.

There he is. He is there.

Wait, I'm going to drive around and see if ...

I see are the keys.

I'm going to vomit.

That's all right.
- I'm not going up there.

That's not good.
- For us though, he has the keys.

I'm not.
- Someone has to go.

You go.
- Shut up.

Dave, you should go.

What? No.
- I do not think one of us two to pass through.

There he says what ..

Jackie must go.

No, I'm not.
- Really? Should I say it?

Here's an idea.
You deserve double us.

Be a man and go myself.
- Jackie, it will not do it.

Yes, it does.
What is wrong with you?

Calm down a minute.
- Even and odd?

Shut up and be quiet.
We do Even and Odd.

Everyone does it.
- All right, listen.

Even clarify
so we should not twice ...

One, two, three ... ready.

Only one and a-two.
Not more one and two.

Then we go for it.

One, two, three ... ready.

Thank God.

Jackie, we'll be here.

We will light shine for you.
- Just quickly in and out again, right?

Fast.

You guys are unbelievable.
- Remain silent.

Careful.

How do you ... go?
- No ... Okay.

That's gross.

Give her a camera.
- Here.

That was rude.
- Here, look.

Use that there with the light.

It's okay.
Just use the light.

Go in there, get the keys.
And then we're out of here.

We do not know how her
from here can give a direction.

Hopefully she can just see it.

Clyde.

We will only see her when she is there.

There she is.

Did you see that?
- That was just a reflection.

No, I see it too.

Wait.

I do not think they can hear you.
Louder.

They are not here.

There is someone there.

I do not see anyone.

Behind you.
He's just there.

I see nothing.
There's no one here.

Yes, it does.
Your right.

I can not.
- They just look through him.

I do not see anyone.

He's just there.

What happened?
- We have to go.

She could not see m
and he was just there.

What is that?

What the hell is that?

What is it?
-. I do not know

Come on, let's go.

I will not stay here.

What there is,
is better than what was there.

There you can enter into on.

Come on.
Stay there.

Stop.

Go ahead.

Forward.
- No, no.

There's a guy who cut my throat.
- We gotta get outta here.

What are you talking about?
- Over there is someone ...

Mike, everyone is dead.
- We gotta get outta here.

We must go down.
- I can not see.

How do we know that you 'm're not?
- I do not know who 'm.

Why should I cut my own throat?

I just go jump off.
I'm really not inside.

We need to get the front windows
and the door. Who has the keys?

We have tried.
- There are no keys.

We do not know.
- They're gone.

The gate is locked.
You've done locked the gate itself ...

There is nothing ...
Jump off here, you're dead.

Well, we must go back.
- I have a bolt cutter.

A bolt cutter. Then I cut the lock.
- Is that above you?

Lying at my tools.
- Wait a minute.

Where is your bolt cutters?
- In my tool down.

In the basement?
- Yes, in the basement.

I do not know where is Earl.
I do not know where everyone is.

Are you sure you get the door open?
- That I just cut open, right?

Headed straight down, boys.

Go fast.

What?
- Stay closer.

Come on, we gotta get the bolt cutters.

You can not do it, dude.
- What do you say?

I thought you were right behind me.
- We need to figure out how we do this.

That's Speck.

That is not. Speck
- It's f*cking Speck. Who else?

Wait, she's right.
- The birds.

The birds. What was that about birds?
- Speck kept birds in his cell.

And we have seen those birds in that room.
- Adam's finger lying in the cage.

That does not look good.
- No, really?

Did you see that there, with the hole in the ceiling?
What was that sometimes?

The blood trail just walked up on the wall.
That's not normal, that's impossible.

What is that?

What is that?
- I know what that is.

Those are the lines. That can happen.
How do I get to the tool there?

Come on.

This really sucks.

This is the corridor there. Forward.
- Earl is there too.

Forward.
- Come on.

You go.

I do not know what you think.
But there he is.

I'm not.

What do you mean you're not.
- We will not.

You know how many people there are others
k*lled? They are flesh and blood ...

and in all prisons, more is not good?
- Shall I go with him?

No, no.

Come back soon, good.
- I can not see anything, to return soon.

Yeah, right.
Here, take this.

Be careful.
- I'll be right back.

Wait ...
- What?

Infrared.

You can see the infrared Speck.
- Oh, great. How exciting.

What?
- Betonschaar and get right back, okay?

Nothing else touch.

Look in the viewfinder.

I film it,
I can see nothing else.

Do you think it will succeed him?

No idea.

They send me here all alone back.
Come on.

You guys are unbelievable.

I can barely see it.

A camera.

I better use a lighter.

What is ...

Earl?

My buddy, Earl?

Hello?

What is that?

Come here.

What are you doing?

What is that?

We must go.

There lies the bolt cutters,
we need to get there, boys.

We can not go there.
- We need to get there.

Come on.

Forward.

Wait.

There ... here ...

Caution.

Pack light.
- What are you doing?

Barricade the door.

What do you do?
- The window.

Wait ...
Pushing.

Be careful.

Jim, do it lightly.
Turn on the light.

He is hot.

Wait.
He is hot.

Are you kidding me?

We have to let it cool.

It must be cool.
- Wait ... What is that?

What is that? That's not me.
- What?

Put the light on.
- Do the damn light.

Come on, keep moving.
Follow.

Dave, come on dude.

What?

Hold on.

You f*cking fagot, you show.

You b*stard.

Why do not you, you coward.

Look at me.

Look at me.

We have to leave here.

We can not go anywhere.
- We're out of here.

No, not yet.
- Yes, it does.

We are not going to die here, look at me.
- No one else is ...

No, Jim.
We go away together.

We get out of here.
- Where can we go?

There is a way out of here, I know,
I'm not going to die here.

Look at me.

We're out of here.
We now go away.

We're here now.
Come here.

Come on, please.
You're all I have left.

Please, do it for me.
You must stand up for me.

Please.
Arise.

Please help me.

I need you.

Come on, let's go.
- I'm sorry, buddy.

We walk in circles.
- I know you're tired.

We must continue.
- Again to the base camp, we have been there.

Dave would like to leave.
- Dave is suspended. We have to get Dave.

We have to take him.

No, Jim, do it for Dave.

We must continue.

What is that?
-. I do not know Grab the camera.

Stay here.

Where are you?

Show yourself, as*h*le.
Where are you?

No, Jim.

What is that? What is going on?
- I can not get it open.

Go away.
Go on, get out.

Come on, run.

I know how to get out of here.

Come on.

Just through here.
We're gonna get out of here.

Do not leave me alone.
- I will not leave you alone. We go here.

Back where we came along.
Remember when we were here?

Come here.
Baby, stay with me here.

It's good.

We go here.
We now go away.

Do you know this yet?

Now we are really here.

Climb through. Good?

Yes?
- How do you go through it?

I've tried, I can through.
- You tried?

Are you sure you can go there by?
- Yes.

You promise that you can pass through?
- Yes.

Do you promise?
- Yes, I promise.

I have no light. I need. 'T light
- Good.

Go out of the way. I will explain it.
And then you can climb into it.

Go.

I'll come.
- No.

Come here.

I can not get through.
- Yes, it does.

I just will not go through.
I've tried it.

Go now.
- No.

I'm staying here.
- No.

Everything will be fine.

Go now.

Jenny, there's no time to talk.
There is no more time ahead, go.

No, Jim.

I did it, Jim.