Are you coming, Elliott?
I'll be along.
[g*nsh*t]
[g*nsh*t]
[g*nsh*t]
[g*nsh*t]
I'm getting hungry.
Can we quit for a while?
Sure.
Take 10.
There's some, beer and
cheese back at the house.
You coming?
No, I want to work on
this background for a while.
[Scream]
Who are you?
Answer me or I'll scream.
That won't be
necessary, my dear.
So you are Elliott's latest.
Latest what?
Model, of course.
He made an excellent choice.
Oh, well thank you,
Mr. uh...
Benedict.
Adrian Benedict.
I'm Elliott's attorney.
Oh, well, I'm
Dolores Martello.
Pleased to meet you.
I'm delighted to
meet you, Miss Martello.
Well, where is the great
white hope of American Art?
You mean Elliott?
He's down in the garden.
I just came to
get some food, but...
But Max frightened you?
I'm sorry,
he's quite harmless,
I assure you.
But why didn't he answer me?
He can't, he's mute.
[Speaking in German]
Stay in the car Max.
Do you think he looked at me
through the window just now?
Through the window?
Max is many things, my dear,
but not so far as
I know of, voyeur.
A what?
A peeping Tom.
Oh, stop kidding me.
One thing I never do is kid.
You know, Dolores,
you're a very lucky girl.
Some day,
Elliott will be recognized
as the great
artist that he is.
Thousands of eyes
will be exploring you,
appreciating your beauty,
even long after you're dead.
Oh, you're kidding me.
You've given me goose bumps.
Alright, take up the pose.
And have the
poor child arrested
for indecent exposure?
What wild wind
brings you here, sport?
Is that anyway to welcome
your guide and mentor,
the guardian of your fortunes
and a distinguished
member of the bar?
How is Sardes these days?
Elliott, it's superb.
The best thing
you've ever done.
I would like to buy that.
The painting is not for sale.
That I understand.
I don't blame you.
But don't let me hear of
anyone else acquiring it.
I hate to see this
place so deserted.
The house empty, no furniture.
I know you young people don't
care too much about the past,
but I wish you
could have seen it
in the days
before the depression.
The parties.
On weekends,
the cars were parked
both sides of the driveway,
all the way down to the gate.
There was a pavilion,
tennis,
all the women
dressed in white.
Everyone was light-hearted,
relaxed,
happy in a way
you never see today.
Even your father.
What do you want
from me, Adrian?
I want you to
sign some papers,
since you never
read your mail,
I had to bring them in person.
And what is all that?
Amended tax returns,
a resolution
transferring funds
for your sisters education.
This last shows the sums
necessary for her tuition,
supplies, etc.
I'll mail them to you.
Sorry, I've got to
have them today.
Damn.
Why?
Because your sister,
as I trust you remember,
arrives tomorrow.
Really?
On the 2:20 from New York.
Take it easy, Elliott.
That pen was specially
designed for me by Cartier.
Elliott, why don't
you drive into town
and have lunch with me
next week at the club, hmm?
I don't think so.
Good bye, my dear.
Don't let Elliott
wear you out.
Goodbye, Sport.
So long, Champ.
I'm sorry to have
invaded your privacy.
I know how much
it means to you,
better than you think I do.
But you really can't shut the
world out entirely, you know.
Look, why don't you
hire some servants?
Servants are exactly
what I don't want.
I want to be left
alone, that's all.
Alright.
But try not to be so sensitive
about the things
that upset you,
like your father.
Bye, Adrian.
Good bye, Elliott.
Look, about that painting,
if you change your mind,
I want it.
I shall pester you.
I shall be a bore.
It's one of the
few privileges of age
and I'll shall take
full advantage of it.
So long, chum.
Listen, Dolores, can you,
uh, work late tonight?
Well, sure Elliott.
Anything for you,
you know that.
Great.
Let's go.
[Phone ringing]
Damn it.
[Phone ringing]
Hello?
Yes.
Alright, hold on a second.
Dolores.
For me?
Yeah.
But nobody knows I'm here.
Well, this guy does.
Make it snappy.
Hello?
Listen, I told you
never to call me here.
What's the matter baby.
Did I interrupt the
great artist at work,
or at play?
Why don't you stick your head
in one of your
washing machines
and clean up your mind.
You used to like my mind.
And the rest of me too
till that joker showed up.
Look, Charlie,
why did you call?
To remind you we got
a date tonight, remember?
Well, I'm not sure
I can make it tonight.
Now look, I'm telling you,
you be there tonight
or you're going to be
the sorriest broad in town.
Everything all right?
Um-hum.
How late do we have
to work tonight, Elliott?
Around, uh, 8:00 or so?
I don't know.
Why, you got
something planned?
Oh, it doesn't matter.
You come first.
I'm sorry, but I want to get
this finished for the showing.
Where do you want me?
Same pose.
Is this alright?
Fine.
You're a good model, Dolores.
Did you ever think
of going to New York?
A model,
is that all I am to you,
just a model?
It wasn't like that
in the beginning.
I'm sorry, but it
won't happen again.
I think you really
mean that, don't you?
I'm hungry.
There's a little
place down the road.
It has pretty good food.
It's called Rizola's.
It's Italian.
Fine.
Come on, Charlie Boy.
Drink up, there's more
where she come from.
Yeah, but they
all aren't so round,
so firm, so fully packed.
Hey Charlie, uh,
what's her best side?
For posing I mean.
Leave Charlie, you bums.
He is twice the man
than any of you are.
Don't worry about it, honey.
Silvia will take care of you.
So beat it.
So beat it.
She's the one you
should be calling names.
Dolores is nothing
but a little tr*mp.
She's...
Shut up,
shut up I said, all of ya.
Hi Joe.
Uh, two nice pizzas
and a couple of beers, huh.
Easy Charlie,
I don't want no trouble
Maria.
Bake two.
Two.
I didn't mean
what I said, Charlie.
This table's reserved.
Okay, we'll move.
Just you.
She stays.
I go where he goes.
Over my dead body.
Or his.
I think that's enough.
I'll give you five
seconds to blow this joint.
just five seconds.
You're hurting my arm.
Isn't that's enough...
Let's get out of here.
[Scream]
For a fella his size,
he's a pretty rough guy.
He would have k*lled him.
Come on, now,
take it easy fella.
Settle down.
Your hand.
He cut your hand.
This is all your
fault, Dolores.
You knew Charlie was here.
Why did you come?
He'll be alright.
Charlie.
I would have gone
through with it.
With what?
I was going to k*ll him.
Oh, you couldn't
do a thing like that.
Yes, I would.
Yes, I would.
Come on.
I'll help you to the car.
You okay, Charlie?
Yeah, I'm alright.
Look now,
you go home, Charlie.
You've been in enough trouble.
Just give me my knife.
Okay.
No more trouble, huh?
I'll come with you
if you want, Charlie.
I'm sorry.
I'm sorry I got you into this.
You knew he'd be
there, didn't you?
No.
Yes.
Boy, I'll bet Charlie
was sure surprised.
You came at him so quick.
Where'd you learn
to fight like that?
I bet you're anxious
for your sister to
arrive tomorrow, huh?
What she like?
I don't know.
You don't know what
your own sister's like?
She's my half sister
and I haven't seen
her in five years.
She's been living with my
stepmother up in Montreal.
But the old lady
died recently,
so Lynn's coming
down here to college.
Oh, I see.
There.
That should be alright.
Thanks for this, Dolores.
Oh, please stay just a minute.
It's been quite a night.
My heart's still
doing flip flops.
I've got some work
to do, so I better get...
Oh, please just,
just a few minutes.
Dolores...
I'll get a beer.
Alright,
but just for a minute.
This your boy from the bar?
Oh, that was last year.
You've been going together
for quite some time then, huh?
Off and on I guess.
You love him?
Love him?
You saw him.
Does he love you?
Huh.
That's a laugh.
He just wants to play around,
like you.
Cheers.
It's easy for
someone like you.
You can do
exactly as you please.
What if you did meet a girl?
Someone pretty
with a good figure
who could work for you
and who loved you?
I'd make her my mistress.
Oh, Elliott.
I'd make a good wife
for you, really I would.
I know it.
You know that
it wouldn't work.
Why wouldn't it work out?
Is it because I'm,
I'm not good enough
for you, is that it?
It has nothing
to do with that.
That night you
made love to me,
I was good enough
for you then, wasn't I?
I think I'd better be going.
Wasn't I?
We're friends, why do you
have to complicate things?
They already are.
How?
I'm pregnant.
Don't try that.
Don't you try that.
I'm sorry that
you're in trouble, but
that was six months ago.
Alright.
So it was six months ago.
But who's going to
know it isn't your kid?
Who's going to believe
we didn't sleep
together this afternoon?
There isn't a person in town
that isn't talking about us.
I think it would be better
if you didn't come
to pose for me anymore.
Not for a while anyway.
Here.
That ought to be right.
That's it.
Try to pay me off.
I might have known you'd
be just like your father.
What?
I said you're
just like your father.
Well, let me
tell you something.
Things have
changed since then.
It isn't going to be so
easy for you to get rid of me.
Shut up.
Shut up.
Oh, shut up, shut up.
Gives me money and
tries to pay me off.
Well, let me
tell you something.
I won't be shut up.
Why should I?
You have millions
and you'll never have
a kid to give them to.
That's why you're scared
of marriage, isn't it?
Cause you're scared of going
crazy like your old man.
And you're afraid your
kids will go crazy too.
[Scream]
[Screaming]
[Baby crying]
Dolores?
Dolores?
Elliott.
Hey, Lynn.
I didn't see you
get off the train.
I saw you.
I wanted to make myself look
pretty for my big brother.
Oh, Elliott, you don't know
how good it is to see you.
For me too.
Oh.
Oh, my.
Oh, I can't
believe I'm with you.
This is great.
How are you?
Perfect, thank you.
Well, haven't I developed
into an alluring
femme fatale in six years?
Oh, très chic, Mademoiselle,
you could have gotten
on that train from Paris.
What happened to your hand?
Nothing.
Is that the only bag you have?
I sent my trunk on ahead.
Good.
On the way to the school,
I'll show you how the
old home town has changed.
I'd love it.
Here's the case
report Sergeant,
file it please.
Come on.
You know,
times like this when I...
when I wish I went into
the hardware business.
Here.
She wasn't a pretty
sight, was she, huh?
Well, a k*ller like that
doesn't have a conscious.
Only hate.
You mean a psychotic?
With sexual overtones,
as I look at it.
You know,
a k*lling like this doesn't,
doesn't satisfy an appetite.
It only whets it.
Let's get going.
We got things to do.
Okay.
So the fight was
snapped back on top,
over in a minute.
Then what happened?
Then he leaves up Dolores.
Go on.
Where'd Charlie Perone go?
Come on, come on.
Did you ever hear of
deliberately
withholding information?
I'll lift your license from
here like it was a disease.
Go ahead.
Shut up, keep out of this.
They're troublemakers.
The whole bunch of
them are troublemakers.
He's got a room,
Thanks, Ma'am.
Stick around.
I may want to see you again.
I hate this business.
Did I ever tell you?
Find anything?
A man named Elliott Freeman
and a man named Charlie Perone
had a fight last night
over Dolores Martello.
According to the bartender,
Freeman won
on a split decision.
To bad for Freeman then.
This Charlie Perone
just a sore loser,
especially when he's drunk.
You know the man?
Perone works in
the local laundry.
He'll be easy to pick up.
What about Freeman?
His father was the
richest this town ever saw.
Practically built it himself.
Wow, what a time he gave us.
You see, at the end he,
he kind of went off his rocker
and no one dared put him away.
Finally, k*lled in
a hunting accident.
Oh, come on, let's go.
Hold it a second.
Freeman.
Elliott Freeman.
Was he in Korea?
Yeah, he had quite a w*r
record as I understand it.
Of course, Elliott Freeman.
It must be the same guy.
He was a one man army.
Really flipped his lid when
one of his buddies got it.
I wonder if it's the same guy.
Well, there's one
way of finding out.
Get in.
[Tires screeching]
Look Mister,
if you want to fly,
do it off the ground.
We got a speed limit here.
Or don't you read English?
And how fast were
you going, lady?
Look, it's not funny.
I could have been k*lled.
Now that would be a real
tragedy, wouldn't it?
Well, it's people like you
who make people
like me old maids.
Cute, isn't she?
[Music playing]
Hey, Gloria.
Where is everybody?
Probably outside.
Excuse me.
Hi.
I'm Janet Terhune.
Welcome to Disneyland.
I'm Lynn Freeman.
Hey I know him.
That's
Elliott Freeman, the artist.
Yeah, you know,
I heard somebody say
he lived around here.
I'll take you
to Mr. Melbourne,
the registrar.
Excuse me, girls.
I think I'll be
done with this hand.
You're a, uh,
psychology major.
That's fine.
We have an excellent
psychology department.
Well, your papers seem to be
quite in order, Ms. Freeman,
except, um,
there's no medical report.
It's missing.
Oh, I'm sure they
must have sent it.
It's not here.
I'd hate to be held up because
of a missing medical report.
Well,
alright.
Please come with me.
You're, uh, in room
Wish me luck.
I'll call you tonight.
Nice to have met you.
I'll show you the way,
out that is.
Thanks.
Gee, that's the nicest thing
anyone's said to me all day.
Mr. Melbourne.
Oh, isn't he here?
As if you didn't know.
Why, you must be
Elliott Freeman.
Yes.
Meet Little Red Riding Hood.
Alice St. Clair.
I'm an art major.
But there's still a lot
I have to learn about art.
And artists.
Who's your favorite painter?
Well, uh, actually, uh...
Max Factor.
Girls, uh,
nice meeting you,
Alice, Janet.
Lolita.
We call her Lolita.
Why is that?
Well, she's only
a child, you know, but...
Good day.
Too bad, but you
can't have them all.
Why you...
[Bell ringing]
Oh, sorry.
Oh.
Well.
This is becoming a habit.
You're Elliott Freeman,
aren't you?
Do, uh, we know each other?
We're old buddies.
Only you couldn't
possibly remember me.
I'm Carol Bishop.
Oh, sure.
You, uh, you live on
that farm down the road.
Listen, why
didn't I ever see you?
Don't you ever, visit?
Artist Freeman says,
and I quote,
people are fine to paint,
but otherwise
I can live without them.
Unquote.
Oh, yeah, that article.
I practically
knew it by heart.
Listen, I can quote paragraphs
about your w*r record,
your stay in the army hospital
and your first
art show in Tokyo.
And the part
about your father.
You know, I remember
him so clearly.
Look, I, uh, I got
to be running along.
It was nice seeing
you again, Carol.
Elliott Freeman?
Yes.
You want to come
with me, please.
Why?
Oh, we just want to
ask you a few questions.
About what?
About the m*rder
of Dolores Martello.
I'll follow you.
Arthur.
Out here, dear.
Guess what's happened?
There's been a m*rder.
Someone called Dolores.
Dolores Martello?
You know her?
Well, I, um...
You know her a name?
Well, I met her once
in town a long time ago.
How?
Where?
I can't remember.
Arthur.
You don't expect
me to believe that?
Please, dear.
I've got to make
another exposure.
Come on, baby.
Give Charlie a break.
What did you ever do for me?
What do you got a short
memory or something?
Charlie, don't
play with my ear ring.
Ah, Charlie you're hurting me.
Well, You saw
that fight last night.
You know how I was.
With my record, the cops are
going to question me for sure.
So where will I come in?.
Look, I've got
to have an alibi.
You mean me?
Look, just say you
were with me last night.
All night.
You mean here?
Yeah.
Except I wasn't.
Please, Silvia.
[Siren]
Stick 'em up, bang, bang.
What do you want?
Ok, sh**t 'em up bang, bang.
The cops.
Silvia, please.
You back with
me now, for good.
No more fooling
around with nobody else?
Yeah.
I swear it.
Come on, get
out of your shirt.
Mess up your bed.
Well, come on get
out of your shirt.
Who is it?
Police, open up.
Just a minute.
Yeah.
Mrs. Perone?
No, uh,
I'm a friend of his.
Oh,
well, I'd like to have
a word with Charlie Perone.
Tell him to come
to the door please.
Charlie, it's the law.
They want to see you honey.
Were you at the
Pine Tree Inn last night
between the hours
of eight and ten?
Yeah.
Where'd you go after that?
I was here, with her.
All night?
Well, uh,
yeah.
Well, I need a statement
from both of you.
Get dressed,
I'll wait out here.
You mean we got to go
to the station house now?
Look, lady,
you've been hold
up here 19 hours.
I mean, even turtles
have to come up for air.
Water looks good.
Aren't you going in?
It's still warm enough.
I guess so.
What's the matter, Lynn?
Come on, take off your robe.
You are among friends.
Oh, you look fine.
You have nothing
to be ashamed about.
You got a swell figure.
You're not just saying that.
Honest.
You'll make some
fella a swell wife.
To think they raided Minsky's
Alice, you're not going to
let yourself be seen in that.
Oh, Lynn, stop
being so provincial.
Oh, no.
So you admit the
knife was yours, huh?
Yes.
Let's get back to
Dolores' apartment.
What happened after
your brought her home?
She fixed my hand.
It had been cut in
the fight with Perone.
Dolores had been
posing for you, right?
She was my model.
I used her a lot.
She, uh, posed
in the nude, huh?
Did she, uh, ever tell
you that she was pregnant?
Yes.
Did she say the
child was yours?
Yes.
And was it?
No.
But it could have been?
No.
Was there ever anything
between you two?
When she first
came to pose for me.
Now we're getting someplace.
What makes you so sure
the child wasn't yours?
I met Dolores Martello
six months ago.
Oh.
Had she been seeing
anybody else besides Perone?
I don't know.
Mr. Freeman,
every witness to
the fight last night
said you would
have k*lled Perone
if they hadn't
dragged you off.
The report suggests that you
lost your temper so badly
that you didn't know
what you were doing.
Maybe.
Does that happen very often?
No.
Mr. Freeman,
in Korea,
did you learn
to enjoy k*lling?
Enjoy it?
Yes, enjoy it.
No, of course not.
Are you quite sure?
Yes, I'm quite sure.
Where in the
hell do you get off
asking me
a question like that?
Don't lose your
temper, Mr. Freeman.
Oh, no, no.
You musn't ever lose
your temper, right Freeman?
No, because when you do,
you k*ll, isn't that
right, Mr. Freeman?
I'm Adrian Benedict,
Mr. Freeman's attorney.
May I remind you
that my client
is not on trial
and that you are using the
power of suggestion unfairly
to make him implicate himself.
Your client is free to go.
We're just having
a friendly little chat.
May he go home?
We know where to get
him when we want him.
Come along, Elliott.
Oh, uh, Counselor.
I suggest your
client don't leave town.
I'm acquainted with
the usual process of law.
Why the devil
didn't you call me?
A thousand murderers.
Come on, get out of here.
Come on, get in the car.
Why?
We're gonna go somewhere.
Where?
Don't ask any questions,
just get in the car.
Come on.
And on your left is
the old Bishop homestead.
You know, we've been here
for one whole century?
Is that why you
wanted to drive?
You've been hijacked, like it?
Listen, seriously, Elliot.
I did think a change would do
you good after that funeral.
Or was it wrong
of me to drag you up?
No, no, no, I was
glad to get out of there.
I just wish that...
Listen, Elliott.
If it means anything to you,
I know that you didn't do it.
In fact, I know you couldn't.
Come on.
Let me show you the barn.
Look.
He's cute.
Isn't he darling.
Well, no troubles
for him anyway.
Come here kitty.
There.
Well, he's a lucky one.
Well, he's yours if you like.
Well, I can't
take care of him.
Then I will.
I'll come by everyday to see
if you two are doing
right by each other.
Is that a deal,
hmm?
He says he'd be delighted
to have you come by everyday.
Good.
Tell me something,
Mrs. Melbourne.
Why was your husband
at Dolores Martello's
funeral today?
Why,
oh why he had
met her, you know.
When?
Well, last spring.
Yes, it was last spring.
She was thinking of
applying for a scholarship.
I see.
Well, I guess
that's about all.
Thank you very much and
we'll contact Mr. Melbourne
if it's necessary.
Why should
Arthur be contacted?
Well like I said,
Mrs. Melbourne,
it's routine.
Strictly routine.
Good bye.
Good bye.
Well.
Hello.
Do you have my name?
What's the name?
Alice.
Alice St. Claire.
Show off.
What did you say?
You heard me.
I've seen muscles before.
I'm not impressed.
Having trouble
or can't you read?
If it's here, I'll find it.
I don't see it.
I better look in my truck.
Hey,
you smell
of tobacco
and beer.
An animal.
I better look in my truck.
Well,
here we are.
Tweedledum,
and Tweedledee.
What do we do now?
What do you think.
[Giggling]
Hey.
Ahhh.
Does this fascinating flower
attain almost instant puberty
only to have it's
full passion for
ripeness carried
beyond it's capacity
for growth and expansion.
It dies almost at the instant
when it first flowers.
Birth, maturity and death
all within the short span
of 15 hours.
There is then a lesson
here young ladies,
to be drawn for
all of us, I believe.
Do not let our lives
be carried by passion
beyond the bounds
of good taste.
Alice, what's happened to you?
Why nothing.
I was checking on my laundry.
Why weren't you were
in class this afternoon.
What were you doing
in there with him?
Answer me.
Too bad you
missed it professor.
It was just up your alley.
By the way,
down by the lake this morning,
is that the way
you look at a student?
One of these days, Alice,
you're going to go too far.
I'm warning you.
And one of these
days, Mr. Melbourne,
you're going to go too far.
I don't think I'll
be exhibiting this fall.
That would be a grave mistake.
I'm the best judge of that.
I'm not talking about
your career, Elliott.
I'm talking about you.
Don't retreat, especially now.
Elliott.
Yeah.
Hello Elliot.
Hi.
Miss Bishop,
this is Mr. Benedict.
How do you do?
How do you do?
Nice to meet you.
Lynn.
Hello Adrian.
Oh, Elliot.
That's just beautiful.
I'm speechless.
It's as if I know her.
I mean knew her.
How wonderful to be so gifted.
Hey, where's my kitten?
Out in the back.
Come on, I'll show you.
You coming Lynn?
Not right now, thanks.
Lynn, I want to
ask you something.
You love Elliott.
Very much.
Do you think,
do you think he could
have had anything to do
with her death?
How can you ask me that?
He's my brother.
Because I need
your help, my dear.
Now tell me,
from a clinical viewpoint.
He's tense and sensitive,
but I don't think there's
anything wrong with him.
Not seriously
deeply wrong I mean
but he thinks there is.
By now he's withdrawn so far,
most people can't reach him.
Well, I can, of course, but...
And so can Miss Bishop
from the looks of things.
Oh, such gentle hands.
They are not gentle.
Now what have I said?
Ah, you wouldn't understand.
You don't give me
a chance to understand.
It seems to me you wanna
make your life a tragedy.
It is.
My whole life is a fraud.
In the w*r my whole
Platoon was wiped out
all accept me.
Now why was that?
Why was the only one spared?
It was because
I was the best
one at k*lling.
But you're no more a k*ller
than all the rest of
them that had to fight.
You must...
Wait, now,
wait there's more.
I k*lled my own father.
Stop it.
What are you talking about?
When I came back from Korea,
there was a hunting trip.
We all were there.
Lynn and mother
and my father and I.
We just had
a big argument, see.
And later they said
it was an accident.
And Adrian got me acquitted.
But, the truth
is that I hated him
and I wanted him dead.
I k*lled my own father.
But what if...
what if Elliott's
worse than you think?
Are you suggesting that my
brother is capable of m*rder?
I thought you'd
be more loyal to him.
And I credited
you with more sense.
I will not stand by
while you implicate him
in Dolores Martello's death.
For the amount we pay you,
I expect unquestioned loyalty.
I am loyal to him.
The fact is that he
may be brought to trial
and if he is, I'm
responsible for his defense.
A psychological plea of
temporary insanity, I...
I might have to use it.
I don't believe you, Elliott.
Elliott,
I don't believe
what you just told me.
Elliott.
I love you.
[Footsteps]
Max is going
to drive us back.
Okay, we'll be right along.
♪ The summer is gone ♪
♪ and the leaves are brown. ♪
♪ The summer is gone ♪
♪ and the leaves turned brown. ♪
♪ Before the first snow ♪
♪ I'll be dead ♪
♪ in the ground. ♪
No thanks,
I don't like liquor.
Oh, come off it girl.
I mean, live.
Get sociable.
Put a little color
in your personality.
We who are about
to die salute you.
and all that jazz.
Hi Elliott.
Well, hello there sweetie.
Where have you been all day?
Been painting.
Really.
How's it going?
Well, fine thanks.
When can I see it?
As soon as it's finished.
Looks like this
thing is empty.
Yeah.
I've got another
pack in my car.
That girl.
I'm following you.
How about a cigarette?
Sure.
Want a drink?
No, thanks.
You coming with me?
Be there in a minute.
I have an idea.
How about a swim?
Some other time.
It's a little chilly tonight.
Well,
if it isn't the
Stanley Kowalski
of the laundry sect.
Yeah, I like you too.
Did you ever find my laundry?
Yeah.
Where do you
want it delivered?
Well.
Ooo.
Hey, that's unsanitary.
Anything you got
I want, baby.
What's so funny?
Oh, it's funny.
Oh, it really is.
Who you hear with?
Nobody.
How about a swim.
Where?
A place I know.
Wanna come?
I don't have no suit.
Who has?
Let's go.
Wait.
Let's take this.
This yours?
No, dear.
It belongs to
a long lost friend.
Come on.
♪ The gates of hell ♪
♪ are all open by. ♪
♪ The gates of hell ♪
♪ are all open by. ♪
♪ Upon my coffin... ♪
Give me a double rye.
Hey come on, Silvia.
What's the matter
with you tonight?
♪ ...come on my love, ♪
♪ and see me die. ♪
♪ Come on my love ♪
♪ and see me die. ♪
♪ Lift your innocent face, ♪
♪ see me hang ♪
♪ in the sky. ♪
Carol,
Carol.
What's wrong with Lynn?
I don't know,
I guess she's just
not used to whiskey.
Lynn?
I think I want to go home.
Alright come on.
I'll get Elliott
to take you home.
I just saw his
car drive away, Carol.
Uh-oh.
Then I'll use your car.
You better stop.
I'm gonna be sick.
The air feels good.
I'll be alright in a minute.
Sure you will.
It happens to
the best of us, Lynn.
That's Elliott's car.
It sure is.
And Alice is driving.
Come on, let's
get you home, Lynn.
Feeling a little better
or is your
head still spinning?
No, but the room is.
Wow.
Look, why don't
I go down in the kitchen
and make you a cup of coffee.
It'll make you
feel a lot better.
No, thanks.
I think I better sleep it off.
You coming to bed?
No, not just yet.
I think I'll go take
a walk for a while.
Carol,
I'm sorry about tonight.
I mean about everything.
That's okay, Lynn.
Good night.
Good night.
[Crying]
Where are we?
Where are we?
Shhh.
Shhh.
We've got to be quiet,
mice like.
Anything for you baby.
Anything.
This is it.
Ahh.
No.
First we swim, okay.
Come on, don't rush me.
I don't like being rushed.
Come on.
What's the matter?
You chicken?
I can't swim.
You can't swim?
Oh, no.
You do it.
Jump in.
I want to see you drown.
Ah.
[Laughing]
[Coughing]
Hey, let go of my leg.
You idiot.
Wake up.
Come on,
wake up.
What...
what, ohh...
No.
No!
No!
[Screaming]
[Screaming]
No!
Where have you been?
Mary.
I thought you were asleep.
What's the matter?
What is it, Arthur?
Don't ask me.
Please, don't ask me.
Arthur.
Charlie.
Charlie.
Charlie.
Come on, leave me alone.
That blonde college broad,
what did you do to her?
She bit me, so I whacked her.
I didn't hurt her.
She's dead.
They found her body
down by the lake.
They're all talking about it.
All I want to know is
did you, or didn't you
see your brother driving
Alice St. Clair in his car?
I already told you,
I'm not sure.
But you said you saw
him down by the dock.
It was dark.
It was his car.
That's all I can say.
What do you expect me to say
that I saw him in the car,
that I saw him k*lling Alice?
Well, I can't.
I can't.
Alright, Miss Freeman.
You may leave now.
Oh you're crazy?
You k*lled Dolores
too, didn't you?
No.
No, Silvia I didn't.
I swear it.
I didn't k*ll anybody.
You got to believe me.
I didn't k*ll anybody.
Yeah, sure.
I believe you baby.
Now why don't you,
why don't you go
back to sleep, huh?
Get a little rest, huh?
Yeah?
It'll go away.
[Phone ringing]
Yeah?
Lt. Thomas,
Silvia Finelli.
Look, you remember
I told you I was with him?
Yeah.
Well, I wasn't.
Well, where's Perone now?
Hello?
Hello?
What are you
gonna do Charlie?
I'm not going to hurt you,
much.
Ahhh.
Ahhh.
Ahhhh.
[Siren]
Car 12 to 81.
Following motorcycle
through Atlantic Avenue.
Heading towards
the beach area.
Help!
This is Grey.
You can come in now.
We got Charlie Perone.
Looks like he's the k*ller.
We'll pick up Freeman
later if we need him, over.
What are we going to do?
Maybe we just better split
up and start looking for him.
But first, I'm going to try
to phone him just once more.
Okay.
[Phone ringing]
Elliott?
Is that you?
What is it?
Somebody answered the
phone and then hung up.
Listen, there's something
wrong out there, Lynn.
I've got to go right now.
No, you can't, not alone.
It may be dangerous.
I'll come too.
No, you stay here.
Elliott might call.
If you don't hear from
me in about 15 minutes,
you call the police, alright?
Alright.
I wish you didn't have to go.
Be careful.
I'll get you for this.
I'll get you.
Where are you taking me?
To Boston.
Boston?
They have a fine
mental hospital there
with a wonderful
staff of doctors.
Believe me, Elliott.
It's all to the good.
There isn't
a jury in the world
unsympathetic to the plight
of a psychotic w*r veteran.
I'll get you for this.
There's Carol?
Carol can wait.
We can't.
We have to file
a doctor's report.
Look out, Max.
Max!
[Yelling in German]
Over there!
[Yelling in German]
Fast! Fast!
Elliott!
Elliott!
[Stairs squeaking]
Elliott?
[Footsteps]
Oh.
You startled me.
What's the matter?
What are you doing?
[Gasping]
No!
[Screaming]
[Screaming]
What are you doing?.
No, he's Melbourne, not him.
I saw her k*ll Alice.
Give me the knife.
Give me the knife, Lynn.
Why?
I wanted to be with you.
They were trying to
take you away from me.
They were bad.
That first one,
I saw here with you naked.
Just like one of fathers.
I wanted to surprise you.
When you met
me at the station,
you thought I just
got off the train.
Well, I didn't.
I came the day before.
I came through the woods.
I saw her.
I followed you,
I didn't want to be alone.
You went away with Alice.
You left me all by myself.
I had to get
rid of them for you.
Just like father.
What do you mean,
just like father?
You won't tell
anyone will you?
When we went hunting,
I shot father.
You hated him so much.
Now we can be
together, can't we?
You shouldn't worry, Elliott.
She's really being
very well taken care of.
But I keep thinking
there must have been
something I could have done.
If only I had been
a little more understanding,
more perceptive.
No one but a trained
professional
can really help
a deeply disturbed person.
Yes, but if she were
that deeply disturbed,
I still don't
understand how she could
be so clever
about the disguise,
the boots.
The instinct for survival.
She threw the suspicion away
from herself onto Melbourne.
What about him?
What's going to happen to him?
He'll have rough
time, I guess.
But he's a talented man.
He should be
alright eventually.
Well, I must shove off.
How about having
lunch with me in town
on Tuesday at the Club.
Great, I'd like to.
One o'clock?
Fine.
So long, chum.
Bye Sport.
Adrian,
if you still
want that painting,
it's yours.
I hate to admit it,
but you're right.
Her mother should have it.
But I want your next one.
Oh, Miss Bishop.
Hello, Mr. Benedict.
Why not make this lovely
young lady your model?
I brought you lunch.
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