Grandiose music
...
The doorbell rings and there's a knock on the door.
We knock.
The doorbell rings insistently.
We knock.
Intriguing music
...
The doorbell rings.
...
- Hi, there.
- Chouquettes?
- Here.
- Thank you.
- What's going on?
Captain Chapuis?
- Tell me you had nothing to do
with this thieving business.
- Did Gwen send you?
- How do you explain
that I found you on the barge
that a big-time drug dealer
I'm tracking?
- Nico gave me an appointment
on this barge. I can't help it
if it's the preferred rendezvous
for drug dealers.
- Are you serious about him?
- No.
- No, wait...
Listen, um...
this is...
It's a...
A phone rings.
...
Yeah, Ben?
OK, go ahead, I'll be right there.
See you.
Sorry, I have to go.
- Anything wrong?
- We have the video
of the thief dropping off
the painting under a cafeteria
near the docks.
So there,
we'll soon know who it is.
"Signed Cat's Eyes,
Anne Sila
...
- It's great.
- Yeah.
See you soon.
...
-Three lively panthers
Who in a flash
Can leap
Without a sound
Sisters in solidarity
On land or in the air
Meeting every challenge
Cat's Eyes
Signed signed
Cat's Eyes
Cat's Eyes
Signed signed
Cat's Eyes
Cat's Eyes
Signed Cat's Eyes
- What does it say?
...
- She's the one you're looking for.
...
Tac.
Hop.
Intriguing music
- Is that all you got?
You can't see its head.
- Yes.
- Go ahead, put it back.
- Yes.
...
- We can't see a thing.
- What's in the bag?
- Painting stolen from Versailles.
Witnesses saw
a woman slips it
under the cafeteria.
- Why do you leave it?
- To catch her in the act.
- Ah yes.
- Got anything else?
- I'm waiting for more pictures
of the cam voirie.
We need to make them
more legible.
We'll see his face there.
-OK.
...
-NEES TO ACT AND WIN
-Cat's Eyes
Signed signed
Cat's Eyes
Signed signed
Cat's Eyes
Signed signed
Cat's Eyes
...
Wind in your hair
Free and fighting
We're looking for adventure
The same blood
Beats beneath our temples
When we go
Full speed ahead
Belles incognito
Fabulous trio
Born to act and win
In a chopper
On land or in the water
In defiance of all dangers
Cat's Eyes
Signed signed
Cat's Eyes
Cat's Eyes
A motorcycle purrs.
...
We cut the engine.
- You were serious,
last night?
- Well, yes. Of course you do.
Why would you do that? Have you changed your mind?
- Well, no, but...
to tell my mother.
- Will you let me tell
my sisters?
- Am I going to take the test?
- You're going to regret saying yes.
They'll be all over you.
[-Oh, great!
I love the idea!]
- I don't like these jokes.
Abel laughs.
- You let me know
when you've told them?
- Yes.
- What the hell did you do?
- What did you do?
- Didn't you get my messages?
- No, I didn't get them.
- Quentin has images
of Tam.
- A surveillance camera
filmed me
hiding the painting.
The bastion called Quentin.
- Quentin was there
this morning?
- That's another story.
- I still have an hour
or two of freedom.
- You can't just peel it off,
videos.
Oh!
[-Oh, f*ck.
I'm dreaming.]
-Ah... Er...
We'll just...
Let's infiltrate
to Quentin's job
and erase the images.
- Do you think
we haven't thought of it?
-I don't know.
Sylia flushes.
- The bastion,
you don't just walk in.
There's an identity check,
a security lock.
They know who's
on which floor all the time.
- I GET IT. I get it. It can't be done.
- Okay.
- Everything we've done
so far has been unfeasible.
As long as it's not dead,
it's not dead.
- She's weird, isn't she?
- Yeah, she sure is.
Something must have happened with Abel.
Something big.
Light music
...
-Well, the problem is access.
- Yes, it is.
Take a look.
- Wait...
Here we are.
- There is an identity check,
security lock, badge, badge.
Badge, badge, badge.
Only badges.
...
-I remind you that a painting
waiting for us on the docks.
For the Cat's Eyes,
what do we do?
I went there this morning,
two cops were watching the place.
- Bastion priority.
If there were cops,
they don't have the SD card.
Logical or not?
- Logical.
...
- I think I have an idea.
...
- To enter delete images
and exit
without being spotted?
- A great idea.
I'm on fire,
today.
Classical music
...
He inhales.
...
- Approach with caution.
Look at the last one
little jewel
I tucked away.
...
- Is it to decorate the toilet?
- Oh...
Ignorant.
One of the last
Artus Grobar '67
that was still on the market.
- It will stand out with your collection.
You're so attached to nothing,
why didn't you sell them?
- Let's just say I'm a sentimentalist.
This is my secret garden.
- Ah yes.
How much did you pay,
for this masterpiece?
- A mouthful of bread.
And what about you?
Did you get Durrieux to talk?
-She says
that she knows nothing about theft.
Godard, it's been 10 years
since she last worked with him.
- Did you use
the magic words?
- You told me
to let her live, didn't you?
But I insisted.
Anyone would have said
everything they knew.
- It stinks all the way up here,
your thing.
What is it?
- It's kombucha.
You should try it,
it's good for transit.
It would be good for
for everyone.
Light music
...
-It's good.
I've got just the thing
for the badges.
- What the
this thing?
-A sniffer.
- A what?
- I'll show you.
It will suck...
...the badge data
you present,
rewrite them identically
on the new badge.
- Incredible.
- What have you been doing
for 5 years?
- You need
margaritas.
- I saw Quentin. I told him
we'd come to file a complaint.
At the sound of his voice,
he saw nothing.
For your statement, rely on
on the guys who assaulted
Lili on the bridge.
- OK.
-Okay, b*tches,
we recap.
Right from the start.
Alex?
- I'm giving my statement,
I give a lot of details
to make it last
as long as possible.
- Sam, hold on to Alex and Quentin.
Gwen suspects you.
We need to see you.
It'll give you an alibi
for stealing the images.
I slip away,
find the video room,
I attack the server.
- Are you sure you're going to make it?
-No, I'm not sure.
- Trust me.
I showed him a few things.
- 2-3 things.
- I'll end up in jail.
- No, they don't.
- Well, yes.
- No. Hey.
- Oh, f*ck.
- It's going to be okay. OKAY?
...
- Good afternoon.
-Good afternoon.
We're here
to file a complaint.
Sylia, Tamara and Alexia Chamade.
We have an appointment with Chapuis.
- It's good.
Give your identity card
to my colleague.
Put your things down gently,
ma'am, please.
Please go ahead. Thank you for your time.
Go ahead, ma'am.
The detector beeps.
- Ah.
Maybe my gourd?
- The gourd.
Pass again quietly. Here you are.
Take it easy.
...
Anything
about you?
- Uh... no. No.
- No. No, no, no, no.
Turn around a little.
Thank you very much.
The detector buzzes.
...
You're done.
Turn to the other side.
Thank you.
...
The detector beeps.
...
And in the pocket?
- Ah yes. I'm sorry, sir.
This is my audio guide.
I work in a museum.
- Really?
- Mh.
The camera beeps.
*-The sculpture
terracotta statue of the magician Vada
evokes the rites
of the time, including nights
when men and women
were copulating ardently.
- They're with me.
- Thank you for your time.
Can I take my bag?
- Please go ahead.
- Thank you for your time.
- You're welcome.
Beep
- You okay, Alex? Anything broken?
- Mm. I'm fine. I'm fine.
They kicked the sh*t out of me.
- We'll find them.
- Yeah.
- Thanks, Quentin.
- That's normal.
Did you hear about Hélène?
- Heard what?
- She was attacked in her home.
She came to bring
complaint.
- What complaint?
Gentle tension music
...
Thank you.
...
Hélène, are you all right?
What happened?
- Oh, my darlings.
I was attacked last night
at home.
- Why didn't you
didn't you call us?
- I just have a few broken ribs.
- Who did this to you?
- A freak. Quentin is going to help me
find her. Aren't you?
- Theo, finish Madame's
madame's statement.
After that, Alexia and her sisters.
- What happened to you?
- I got my a*s kicked
by two h*m*.
- Those b*stards.
We should cut off their ba*ls
and make them eat.
- You're quite right.
- Theo, I'll leave you in charge. I'm off.
- You're not staying with us?
-No, I have an emergency.
- Don't worry, I'm here.
-I'm in the video room.
Tension music
- Quentin...
I'd like to talk to you.
- No time.
I've got stuff to do.
[-Just a coffee.]
[Please.]
...
- Five minutes,
then.
...
- We'll wait outside.
- You can't do that.
You can't walk around.
Stay right here. You don't mind, do you?
- No, not at all.
- Okay, let's continue,
Madame Durrieux.
- How are you going to get moving?
We don't have much time.
- Would you
sit down?
...
into the building.
We rush in
behind you.
The music covers the words.
...
The coffee machine beeps.
-Here.
What's going on?
- I wanted to apologize
for this morning and...
- Don't worry,
don't worry.
- Is it nothing?
Are you serious?
- Well, yes...
- I'll take the plunge...
- That's not what I meant.
- At least it's clear.
- Sorry about that.
- That's what you said.
You think so.
- What's your game?
You leave
overnight,
you come back 5 years later
like a flower.
I see you with a guy
on a barge.
You jump on me...
- I screwed up. I know you did.
- Why did you leave?
- Dad's death.
People thought I was crazy.
I didn't want to put you through that.
- I didn't think you were
for a madwoman.
You should have told me.
I could have understood.
It's only natural,
with what's happened.
I would have been there for you.
It's a shame.
[-I'm sorry.]
-Captain!
-Yes?
- We'll repix the image.
In a few minutes,
we have his face.
- Great, Ben.
Be right there.
- OK, cool.
-Thanks, guys!
Tension music
-Wait a minute, wait a minute,
you're going too fast.
-Yes. You're not very sharp.
You're not very sharp.
Don't you want me
to type for you?
Okay, let me get this straight.
Around 11:30 pm,
I went home.
And a woman came upstairs with me.
- Can you describe her to me?
- She was very tall,
didn't look friendly.
- I'm going to need
more details,
if you don't mind.
- I don't mind.
She had very dark hair.
Uh... a little bobbed.
With dark glasses.
She was wearing a three-piece suit
three-piece suit,
bling-bling.
See what I mean?
-That's not a description.
Let's move on.
What's next?
- When I got out of the elevator,
she asked Hélène Durrieux.
I asked what she wanted.
She pushed me
and she beat me up.
- It's horrible. Why
didn't you call us?
- My darling, I was lost.
I didn't know what I wanted anymore.
- It's difficult,
what I'm asking of you,
but you're going to have to
be a little
more precise...
I need
more details of the as*ault,
now.
- You want me
to get naked
to see my bruises?
- No, it's not at all...
Knock.
Yes ?
Yes, Pablo?
- Isn't Quentin here?
I have an authorization to sign
for a deposit at the lab.
-A deposit of what?
-It's confidential.
I'll let you see it.
-Okay, give it to me.
I'll pass it on. Thank you, Pablo.
Thank you, Pablo.
- Excuse me, could you
point me to the restroom?
- I can't let
let you go
to the bathroom alone.
There are rules. I'm sorry about that.
What did she say?
-She wanted to know if I...
knew a man with whom
I was working.
- Who did?
-A certain Thomas Godard,
a crooked expert
art and antiques.
I no longer work
with this kind of creep
for years.
- Come with me,
but really, right now, I...
Girl stuff.
I wouldn't...
- Oh, right.
You're a friend
of Quentin's.
- Mm.
-That should do it.
turn right,
then left.
- Thank you.
- Please hurry.
- Yes.
- Please.
Thomas Godard...
*-Central for 1st and 6th grade.
Beep
-6th to central. Roger.
We're off to intervention.
We flush the toilet.
A man whistles.
...
Intriguing music
...
-Decidedly,
you don't understand a thing.
Godard was no friend of mine.
Godard has always dealt
with auctioneers.
We know this in the trade.
...
Indistinct audio communication
...
...
...
...
...
...
The player beeps.
The door opens.
...
The elevator rings.
- The honor is yours.
- Thank you.
...
The elevator beeps.
...
...
- You have to sign in.
Beep
Here we are.
First day?
- Mh.
- Where are you going?
- Video office.
- I'll come with you.
- OK.
- Come on.
- What do you want her
to do?
-Yeah, right.
As soon as I turn my back,
you're there.
- His sister was attacked.
- What is this bullshit?
-Did you bring your sister?
-Gwen.
- Well then,
are you coming?
-I'll take you home.
I'm going to see my colleague.
- Where's Sylia?
- She's with Theo.
You're not going to do it again.
They file a complaint.
Dynamic music
- Shall we?
-I ask you all
constant vigilance,
because there's a good chance
camouflaged, disguised.
She's always one step
ahead of us. Stay tuned.
We're going to have
a sketch.
Thanks to video surveillance,
we have a face.
There's no way she's getting away from us.
Is that clear?
- YES, CHEF!
- We've got the cards
to catch her.
I won't accept any mistakes.
- We'll get her.
-No thanks to you.
-On every street corner
in the perimeter
we're going to grid...
- This way.
Straight ahead.
How long have you been
since you've been home?
- Two years.
- Where were you assigned,
before?
His phone rings.
- I'm so sorry.
That's my guy.
I have to call him back.
It's for our wedding.
- Ah.
- So, I...
You told me it was... ?
In the back, right?
- Yeah, over there.
- OK. OK.
I won't keep you.
You know, this is going to take a while.
It's the orga.
- Thierry.
[Thierry.]
Hi.
- Hi.
Enigmatic music
...
- That's my understanding.
- So have I.
- Good afternoon.
...
Beep
Door unlocks.
...
Beep
...
Gentle tension music
...
Beeps
...
...
-Yes!
Yes! Ah!
I've got it! I've got it! I got it!
Oh, I've got it! Oh, I've got it!
Oh, that's good!
Oh, that's nice.
-Let me show you.
- The girl with the glasses.
We're looking for her.
-She's beautiful.
-She sure is.
-We enlarge the image a little.
It's Quentin
who will be happy.
Come on, I'll call her.
Oh, that's cool.
...
Ring
- Yeah, Ben?
*-This is it, Captain.
We've got it.
- OK, it works.
We'll be right there.
*-All right.
...
We're good,
we've got a face.
- Well, that's perfect.
You're coming with us.
...
An alarm sounds.
- I've...
- I beg your pardon.
It's not normal for it to ring.
I'll be back in a minute.
...
- Oh, come on.
...
Gentle tension music
...
...
-Hey, you.
- Yes?
- We can't stay here.
We have to evacuate.
It's the fire alarm.
- Of course it is.
-Quick, evacuate!
All right, then. Move it!
We're evacuating. Move it!
- Damn it.
-Come on! Faster, there!
- Everybody out.
Faster!
...
...
Please.
Madam!
Come on!
Come on, lady!
We're evacuating.
This is not a drill. Let's move!
Thank you very much.
...
...
- Come on, hurry up!
Move it! Let's go, let's go!
Straight ahead there!
-Come on, let's not dawdle,
please.
-Please,
evacuate the building!
Gentlemen and ladies,
we're in a hurry!
Hurry up!
Come on, it's this way!
Come on, please.
-Come on, please.
- Keep moving! Keep moving!
-Gentlemen and ladies,
we're in a hurry!
-Building evacuation.
This is the way out.
Hurry up.
- Evacuate. The exit is here.
- I have to check something.
- Don't you understand "evacuation"?
- It's for an investigation.
- I can't let you through.
Turn around.
- Come on, come on.
Don't worry about it.
Thank you for your time.
- Come on, please,
monsieur!
- Here we go.
- Come on, up!
Come on, sir!
-Please, we're evacuating.
Come on, a little faster than that.
Please,
we're evacuating.
Tension music
...
-Come on, come on, let's go.
Fire department siren
...
...
- This way, boys.
Come on, this way!
All set!
Let's go, let's go, let's go! Let's go, let's go, let's go!
Come on! Let's go, let's go, let's go!
Come on, guys!
Hurry up!
Come on, come on, come on!
Go upstairs
for recognition.
-OK, it works!
Tension music
...
- False alarm.
No fire.
We get
everyone in.
- OK. Thanks for your time.
It was a false alarm.
We can go back.
-What are you doing, Gwen?
Gwen? Hey!
- Where is she,
your little sister?
Huh?
Where is it?
- Well...
she left
for a cab with Hélène.
We'll be back
when things aren't so messy.
Thank you.
Beep
*-Back to BDR 23.
Roger.
- Why did you
did you let them go?
- Did you see the mess?
The old lady was mugged,
she couldn't take it anymore.
Should I take her into custody?
- What if the Chamades have something to do with this?
- They'll be back tomorrow.
- We're not waiting for tomorrow
if it's your ex's face
on the videos.
- I don't get it.
- Understand what?
-Ben...
There's nothing left.
- What do you mean?
Where are the videos?
- There are no more images
on the server,
as if the backup disk
was empty.
- What's up? Don't you have a backup
on the external server?
Look on the cloud.
- No. Report to CNIL.
- What's up?
- We can't post videos
on an external server,
let alone in the cloud.
- You're telling us
that you've got nothing left?
Ben?
Hello?
Where is he going?
Ben,
what's going on?
What the f*ck is he doing?
the f*ck?
Gentle tension music
...
Well, I'm talking to you, actually.
- Discs 1 and 7
have disappeared.
- And?
Beeps
- And just now,
when the fire alarm went off,
there was a woman here
tinkering.
- Why didn't you tell us?
- I thought she was a colleague.
- She looked like
like?
- Er...
She was... small,
blonde,
pretty. I mean...
a bit like Marilyn Monroe,
but with glasses and...
[-What an idiot!
[Oh, the jerk.]
- Ah, the b*tches.
Dynamic music
...
Soft dynamic music
...
- You have to sign in.
Beep
- We'll get her,
boys!
...
- All right, then.
Let's get this party started.
- We have a fire.
- Call the fire department, deactivate
badge access for evacuation.
...
A fire alarm goes off.
Dynamic music
...
...
-It's not
an exercise.
Evacuate.
...
-Go ahead, we're evacuating.
We're evacuating.
...
...
Soft music
...
...
- OK.
Where are you hiding,
Tam?
...
...
Where are you?
Discs 1 and 7.
Well, that's that.
I'm too strong.
The computer beeps.
...
The alarm continues.
...
...
- Go ahead.
Lively music
...
- What's the matter with you,
the three of you?
-Just in time for the Chamade
show up, the hard drive
we're interested in disappears.
Isn't it a bit big?
- I don't get it.
I haven't let go of Tam
and the other two are with Théo.
- No, she didn't. Sylia has gone
to the bathroom.
- They can't
walk around upstairs.
You need a badge
for each door.
Where are you going?
- What do you think? I'm not waiting for you.
You know the address.
- Wait, Gwen.
Gwen, wait!
Beep
Gentle tension music
...
h*! Gwen!
Hey!
What are you looking for?
- You know very well.
- Damn you!
...
-We're getting that painting back.
No more of this.
...
The doorbell rings.
A loud knock.
...
- Who is it?
-It's Quentin. Open the door. I'm with Gwen.
We have some questions.
[-Putain.]
- Coming!
Be right back.
...
What are you doing?
- I'm going to get the painting.
- It's dead.
- Do you want the memory card?
Maybe tomorrow,
she'll be gone.
...
Quentin knocks on the door.
-Come on, open up!
...
-Hi, there. What's up? What's going on?
-Where's your sister?
Where is it?
-She's up there.
-Take it easy, Gwen.
...
- How did you do it?
- Huh?
You stole the videos!
- Hey, calm down.
- All images
of the thief have disappeared.
- We haven't left your colleague.
You calm down.
- You were on the barge
at the same time as traffic
of stolen paintings?
- I'm meeting a guy.
- You don't let go of Quentin
to stay one step ahead.
- He's the one who never lets go.
Which answer do you prefer?
That I'm a thief
that you don't catch
or that your boyfriend has
feelings for me?
Mh!
- I want your schedule
for the last 3 weeks.
Where did you go,
who saw you?
I'm going to
triple checker:
your movements,
your past, everything!
We can't trust him,
you told me so yourself.
- We're in,
here we go.
I'm very sorry.
See you tomorrow
for Alex's complaint.
- Well done, sentiment
as a diversion.
Inflated,
but well done.
- Gwen! I swear, you're actually
a phase right now.
You're wrong about Tam.
- You underestimate her. She's worse.
Don't you understand
that you should be on my side?
You take his side every time.
It's hurtful.
You think I don't see
how you look at her?
- Nothing happened.
Nothing will ever happen again.
No more me and her.
- You make it last,
it's even worse.
- Nonsense...
I swear to you,
I did everything I could to avoid it
so she wouldn't think
it's possible. Anyway...
So she wouldn't say that...
- Can you believe it?
- Look, I'm sorry
that this is hurting you.
It hurts my heart
to see you like this, but...
there are some things
I can't erase.
- And why not?
Tam, she did it.
She did write you off
five years ago.
Swear to me
that you feel nothing
for Tam.
- You're the one I love.
You know that.
- OK. So,
to save our story,
are you ready to cut all ties
with the Chamade?
Soft music
I knew it.
- No, but it's...
- I've known it all along.
- You can't ask me that.
- You can't do it.
I know you can't
do it for me.
[I've had enough.]
...
- She still doesn't answer.
- It doesn't have to be
something shitty.
- We should never have
let her go alone.
If anything happens to her,
I...
...
A dog howls in the distance.
A dog barks in the distance.
...
...
- Car 3 to all.
Suspect on skateboard,
behind the store.
Stay alert.
Stay ready to intervene.
Intriguing music
...
Alexia coughs.
...
...
-Damn it!
What the f*ck are you doing?
...
Can't see a damn thing!
Confusing words
- There she is! Hey!
h*!
-h*!
Light music
Siren
- Oh, sh*t.
- Hey, you!
...
...
Dynamic music
...
Alexia moans.
...
- Get up!
Get up!
- Get up!
- There you go.
- Stand up!
- Hands up!
Show your hands.
Take it easy.
Show your hands.
There we are. Turn around.
Come on, turn around!
...
Hands on head.
Beep
Hey! Hey!
Hey! h*!
...
-Stop right there!
Stop it!
...
Stop right there!
- Stop the car!
- h*!
- Stop right there!
...
Soft music
...
-This is me.
The door slams shut.
Sylia sighs.
Alexia gasps.
- What happened?
- I hurt my ankle.
Who cares?
- Lean on me.
- I have the painting.
- We have to get you to the hospital.
- It's okay, I'm fine.
- No, that's no good.
You can't walk.
- I'm telling you, it's okay.
- Which one is it?
- It's fine. It's fine.
We don't care.
We don't care!
- No, we don't.
-Alex...
-Open up!
Intriguing music
...
- What is this sh*t?
-They put it back
to trap us.
Soft music
[-I don't believe it.]
...
- Damn it!
...
- Good,
we're not going to sulk
all evening.
Champagne.
I have good news.
- What's wrong?
What's the matter with you?
- I'm getting married.
- But no!
With Abel?
- No,
with Quentin.
- Oh!
I'm so happy!
Yes !
- Wow!
I got a hug from Tam!
Have you become sensitive or something?
- f*ck you.
Soft music
I'm so happy
for you.
- Really? You're not telling me to move
to the other side of the world?
- This is a very bad idea.
- Ah! Ah...
...
Alexia laughs.
- Oh, the b*tches!
- Ouch!
- Ah, sh*t.
- Ouch!
- Just a moment.
Hang on a sec.
Let's get her up.
...
- No! No! Stop!
What the hell are you doing?
No! No!
- Attention, 1, 2...
- Oh no! No !
They laugh.
Soft music
We whistle in the distance.
Brouhaha of amusement
We whistle in the distance.
- What have you done to yourself?
- Nothing, I was just
making a line
and I screwed up
on my salto.
Here.
I brought you the file
from the apartment. It's got everything.
- OK. So, deposit, RIB.
- Yes.
- Photo gallery.
Justificatif.
- I forgot the photos.
- Alex, did you forget the photos?
- Yes, sorry.
I skipped it.
- You want the apartment?
- Yes, serious.
- So make an effort.
- OK. How about yourself?
Have you told your parents?
- No, I haven't yet.
But I will.
- Yeah.
- They're not ready yet,
but I'll do it.
- It's time you said
that we're not just buddies.
Mh?
- Yes.
I'll do it.
Soft music
- Come on, I'm out of here.
I'm going to find Tam.
To all!
- Cheers!
...
- Good afternoon.
...
- Yeah.
OK.
There she is.
- OK.
Come on, let's go.
...
- Thank you.
...
The elevator rings.
...
- She hasn't calmed down,
your girl, it seems.
- She's not my girl anymore.
There was more
trust between us.
Without trust, no couple
that can function.
Well then?
You're not getting any better.
- Well... no.
- Come and explain.
I'll take your complaint.
Pablo, don't move.
Go ahead.
- Thank you.
- I signed the paper
for the Louvre. Did you get it?
-Everything is in the museum lab.
- Great. Who's our
our contact there?
-Madame Déchaux.
- Ask when they'll be finished.
-You want me
to get naked?
- No, it's not.
Knock.
Yes, Pablo?
- Isn't Quentin here?
I have an authorization
to sign for a deposit
at the Louvre laboratory.
I'll let you take a look.
[-Tam.]
[-What?]
Intriguing music
[-I know where it is,
the painting.]
...
- Sorry, guys,
it was speed today.
What the hell are we doing here?
- The painting is there.
...
Soft music
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01x05 - Gwen
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Set in Paris, follows the three Chamade sisters who are art thieves trying to collect all the works belonging to their missing father.
Set in Paris, follows the three Chamade sisters who are art thieves trying to collect all the works belonging to their missing father.