01x05 - I Don't Believe What They Say

[bunniefuu]

[Verónica whispers] Slowly.

- Let's try to be quiet.

- [crickets chirp]

Shh

[lambs bleating]

- See?

- [Emi] It's so cute.

Precious.

[Emi] She looks just like her mother.

[Verónica] You wanna give her a name?

[Emi] Mm-hmm. Lunita.

Thanks.

[quiet music plays]

- [no audible dialogue]

- [woman singing]

[door opens]

["Ave Maria" plays]

Ave Maria ♪

In the name of the Father, and of the Son,

and the Holy Spirit

["Ave Maria" continues in German]

- [Braulio] Hey.

- Hey.

[Braulio] The expert's

forensic report is out.

[Pizarro] What's it say?

[Braulio sighs]

You're not gonna like this sh*t.

["Ave Maria" continues]

[Braulio] "Bearing in mind today's date,

August 14th, 2010,

having completed the autopsy on the body

of Verónica María Montes del Río,

you are informed of the following:

The curious fact, though not credible,

is the absence of suicides in the Bible."

"In the Old Testament,

it is mentioned that there are five,

and they are all men."

Come on, now. Are you serious?

Hey, I'm just reading

what's in this report.

Hey, wait, what's the name

of the genius who wrote this?

[Braulio] Hang on. There's more.

"We can conclude that the absence of love

can provoke the desperation

that would explain the need to hide

in the attic of the house."

[Nora sighs] Oh, wait.

[intriguing music plays]

What's all this got to do with the report?

- [Braulio] These are the conclusions.

- [Nora] Mm-hmm.

[Braulio] "Regarding the decease

of Verónica María Montes del Río,

it is logical to place her death

in the context of voluntary intoxication."

- [Nora] No. No. No.

- [Braulio] "No subjective" Listen to me.

"No subjective or fundamental

third-party elements were found."

So, it's a suicide now?

Huh?

[intriguing music continues]

And she locked herself up in the attic?

Is that it?

Horseshit.

[chuckles]

No.

[intriguing music continues]

And the video camera?

Just what happened to that now?

Did she just hide it somewhere

and jump into the attic alone?

I won't buy it that Verónica

wanted to k*ll herself. That's bullshit!

I won't buy that!

[woman sings hauntingly]

I don't believe them!

This is the report

from forensics on your sister.

[sighs] The conclusion they've arrived at

is that it was suicide.

[Ceci] You and I both know

it wasn't suicide.

Ma'am, I promise you,

we won't sleep

until we discover the truth.

We'll find a way to prove

the involvement of third parties.

We'll figure this out.

[reporter 1] A number of contradictions

have been brought up publicly,

but you say you believe

that your wife committed suicide.

[Mario] No, I don't say that.

That's what the reports

and the experts are saying.

Now, if you ask me

how I see what happened to my wife,

I'd prefer to believe that

she chose to end her life, and

and not that someone else

harmed her and

No, not that. That would be very painful.

[reporter 1] But at one point,

you stated that you believed

this is a vengeance scheme against you.

It could be related to that.

Maybe Vero was aware that someone

was gonna hurt me, or, uh

And this was a source of torment, and

and left her no other choice.

[Pizarro] We'll retrace Medina's steps

and compare the results to his declaration

which was full of incongruity.

- [beeps]

- Ready?

I'm good.

[mysterious music plays]

Well?

- [beeps]

- Five minutes, twenty-seven seconds.

- He said that he left the house late.

- [Braulio] Uh-huh.

[Pizarro] But he arrived 15 minutes early

to drop off the girls.

[Nora] He leaves them here at 7:48

and calls Verónica.

The whole year,

he never called her before eight o'clock.

- Never?

- [clicks tongue, inhales]

He had to make sure

that she was still in the house.

[school bell rings]

[engine revs]

[Nora] Did he always arrive so early?

No, never.

But that wasn't the weirdest thing.

The weirdest thing

was that his eyes were watery.

Like someone who's been crying.

Are you sure

that his eyes looked all watery?

Well, I've been looking at him

for five years,

and I'm sure he'd been crying.

[mysterious music continues]

[worker] I had some bad luck

and I got a flat tire on my pickup.

Since all our expenses are refunded,

I called Mr. Medina

to ask him what I should do.

[Braulio] Do you remember

what Mr. Medina said?

Well, he, um, he said

that he couldn't help me at the moment

because there was an emergency

in the family.

- He didn't have an emergency at that time.

- Not yet.

Look, sir, listen to me.

Would you be willing to say

that this is a lie?

Do you think they'll take the word

of a worker over an engineer?

[chuckles]

Come on, it's a case

of his word against mine.

[mysterious music continues]

[woman 1] I clearly heard

someone say, "Call me."

[Nora] What?

The person who was

on the other end of the line

was practically yelling.

Before hanging up, they said, "Call me."

You heard them say, "Call me"?

I had already told the police,

but several days later,

they came in to tell me that some man

said that I was lying,

that it was his word against mine.

The kidnapper said to him, "Call me."

[mysterious music continues]

[Pizarro] Medina knew the guy

who made the call.

[Nora] That's why

he didn't warn his daughter

when Verónica didn't pick her up.

[Kari] Mom?

[Nora] And let her walk back

to Altos del Lago alone.

Mom?

[Pizarro] He knew the person who

made the call wasn't at the house.

[Nora] The first statement

he gave the police was at 19:45.

[Pizarro] Which was entered

into Medina's computer,

giving him the opportunity

to combine the two versions.

[mysterious music continues]

[Braulio] But he's changed his statement

every time he's talked to a journalist.

I think something was unsettling her.

[Nora] Medina's statements

are full of inconsistencies.

That's not enough, and you know it.

We can't detain the dude

just because of inconsistencies.

I dunno.

To top things off,

the as*h*le tells the papers

that this is the best period of his life.

He didn't really say that crap.

He says that this tragedy has brought him

closer to his daughters

now more than ever.

In the light of all the evidence

that was lost by your ex-colleagues,

the only one who ever knew the truth

was Verónica.

Let's see if our Verónica leads us

to the clue we need to go on.

[foreboding music plays]

So, should we get us a Ouija board?

What we need is a new forensics report.

[Braulio] You mean exhume the body?

That'll take forever.

Until we discover the truth,

she'll just be considered a suicide.

[foreboding music continues]

[intriguing music plays]

Yeah, okay.

[reporter 2] The disappearance

of Verónica Montes

Here. Much obliged.

[reporter 2] is a case to be added

to the list of four unsolved

violent murders of women.

However, the family denies

that it was a suicide

EXHUMATION OF VERÓNICA MONTES' BODY

1 YEAR, 8 MONTHS

(622 DAYS)

[intriguing music continues]

LEGAL & FORENSIC MEDICINE DEPARTMEN

DO NOT CROSS

[D.A.] The exhumation

presented us with contradictions

with respect to the first report.

Third-party involvement

could not be excluded.

However,

the evidence is inconclusive.

And we have no leads

that point us with certainty

towards a a suspect.

Well, even though the results

of the report aren't conclusive,

they do rule out the official thesis.

- No one can say it was suicide anymore.

- [Pizarro] Of course not.

[sighs]

I understand you perfectly.

But

[inhales sharply] well, I must inform you

that Mr. Mario Medina, through his lawyer,

has presented a petition

to close the investigation of this case.

- [Ceci scoffs]

- [intriguing music plays]

How is it possible to close the case

if we know that someone k*lled my sister?

Please, Mr. District Attorney,

just one moment.

We must at least consider

the contradictions contained in the report

in not only one testimony,

but in various testimonies.

- I've also got the telephone log

- [D.A.] Counselor!

You know perfectly well

that this proves nothing.

These clues are solid.

[D.A.] We can't formally detain anyone

because of clues.

And you know this. Perfectly.

[intriguing music continues]

And without any fresh leads,

unfortunately, our hands are tied.

I'm very sorry, Señora Cecilia

[intriguing music continues]

but we are closing the case.

[Ceci] I've spent many months

searching for the truth

about what happened to Verónica.

And we've had to face many obstacles,

many difficulties.

But as a family,

we will continue forward

until we obtain justice.

Because the life of our sister

cannot be worth so little.

The precedents we have

are important enough

to continue the investigation.

This is one of those precedents.

On the morning of the 29th of June,

a threatening call was made

to the victim's husband.

This is a composite sketch

of the individual

who made that phone call.

Given the delay of the authorities,

we appeal to all those who empathize

with the suffering of the Montes family

and who could provide information

that might shed light on this case.

We believe that the truth

will be exposed.

Is Joaco here?

I'll be.

[chuckles] So, now

you remember his name, huh?

[Pizarro sighs, clears throat]

Yeah, Well, can you tell him

I'm here to see him?

[clears throat]

- [Pizarro] What's that guy's problem?

- Hey, hey, hey.

[sighs] I wanna talk to Joaco.

He hasn't been answering my calls.

What's goin' on?

He was enthusiastic.

Wanted to hang out with me.

Wanted us to travel.

Yep.

And then what happened?

You didn't show.

Listen, there was an emergency

on the case I was dealing with.

I was nailed to it.

You saw it on TV, right?

I had to take care of it. What could I do?

Listen, Víctor, I'm

perfectly aware that you've got

a million excuses

- Come on.

- Always.

But not with Joaco.

He looks up to you.

You've got to give him time.

[sighs]

Excuse me.

- [grunts] Here we go.

- Come on. Let's go.

Hey, what about Mom's car?

It'll be staying here. It's, um

Someone's coming to drive it away.

You sold it?

Yes, I already signed the papers.

Come on. Let's go.

[quiet piano music plays]

FOR REN

[Pizarro] Uh, Joaquín, it's me.

Look, I know you don't wanna talk to me,

but, um, I just wanna know

how you're doing.

I'd like to drop by

and see you if you want.

I'd like to apologize.

[quiet piano music continues]

Call me.

I'm okay.

Hope you're okay.

Love you.

[quiet piano music continues]

[music fades out]

[water running]

5 YEARS

(1887 DAYS)

- [Braulio] Hey, sunshine!

- Huh?

[Braulio] We have to pay

for the cooking gas!

It's already the 13th.

Hey, if you're short on cash,

just tell me.

I can shell out,

but you told me you were good.

No, no. I can pay.

- Okay.

- No worries.

- [sniffs, clears throat]

- Here.

- Thanks. Uh-huh.

- When you're done, put it back.

[clears throat]

[Braulio] Uh

You still have your clothes in your bag?

Yeah, well, it's only temporary.

Temporary? It's been a year now, dude.

You live here.

- Listen.

- Huh?

Stick your clothes in that closet.

Make yourself a space.

- Really? In your room?

- Yeah.

Ah!

Remember that later on this afternoon,

Nora's coming.

So that you're here.

- Fine.

- Okay.

And maybe Joaco will come.

- For real?

- Uh-huh.

So, you're talking again?

Well,

not much, but she said

he could stop by for a bit.

Maybe.

Cool.

Then you should go to the store,

pick up some snacks for him.

Yeah.

You got money?

Yeah. Mm-hmm.

- [Kari] Good morning!

- [Emi groans]

- Come on, wake up.

- [Emi] No!

[Kari] It's a mess in here, Emi.

Look. I brought you a nice breakfast.

[Emi] I wanna sleep some more.

- [Kari] Lazy bones. It's already late.

- [Emi groans]

Here.

[Kari sighs]

Huh? Nice, huh?

Mm-hmm.

Is your backpack ready?

- Yes.

- Yeah?

Okay, hurry up and eat 'cause we're late.

Dad left early.

So you and I'll go together.

May I go to my friend's later?

- After school?

- Mm-hmm.

What friend?

With Cata.

Okay. What you gonna do?

You're jealous.

Oh yeah?

- Of your friend?

- Mm-hm.

[bright music plays]

Hmm. Could be.

[giggles]

- [Ceci] Don Marcos.

- [Marcos] Yes?

[Ceci] This is Javiera.

She'll be working with us

on our next project.

[Marcos] My pleasure. Wonderful.

[Javiera] And you? How've you been?

[Ceci] Busy with tons of work.

Thankfully.

[Javiera] I saw your nieces the other day.

They're so lovely. The two have grown.

[chuckles]

[bright music continues]

When do you think

that we can start working

at the other hotel?

[Pizarro] Uh, yeah, gimme one.

Thanks.

[man 1] I don't have any, buddy.

Can you slice it for me?

[man 1] You're welcome.

Deputy, how are you?

- Well, it's been a while.

- How's it goin'?

[man 2] It's all good.

Thanks. See ya.

I heard that, um, they put you in charge.

Uh-huh. Yes they did. [chuckles]

Wow. No, you can relax.

I have no intention

of sticking my nose in your cases.

Okay.

Know what, Pizarro?

Huh?

When all of this started,

I thought you'd be

an obstacle to the investigation.

I never even imagined

that the main obstacle could be ourselves.

Huh.

- Mm, Toledo

- No.

Toledo was the public face of all this.

But more people were involved.

And where'd they send him?

Way up into the foothills.

[pop music plays in background]

[Nora] I've made up my mind.

I'm enrolling next year.

You're serious?

Yep.

And I've been wanting to study for years.

Okay, what do you wanna study?

Computer science.

- [Braulio laughs]

- Yeah.

- [Braulio] A hacker?

- [Pizarro] Nice.

- No.

- [Pizarro] Wow.

Who knows? I don't know.

More or less. Something like that.

It's just that I wanna acquire the ability

to become a better investigator.

To avoid depending on Stop.

To avoid depending

on the bullshit other people tell me.

- [Braulio] Damn right.

- [door buzzes]

[Pizarro] I'll go.

[pop music continues in background]

[door opens]

Nice. Good to see you again.

Sure. That's what people do

when they say they'll come.

Ah

[pop music continues in background]

Hi.

You've grown, dude.

We're out in the kitchen.

[Nora] Where are you living, Joaco?

Here.

We're renting an apartment

with some, uh, some buddies.

Mm-hmm?

We study the same stuff,

and we have a studio together.

And soon we'll be presenting some projects

to the city council.

Sounds great. Can I come around?

Sure.

- I'll let you know when we're good to go.

- Okay.

[Braulio] Good. Hey,

have you seen the house?

No, he hasn't. Not yet.

Huh.

Yeah, I'd really like to know where

this kid got all his talent for the arts,

for design, 'cause he sure

didn't get it from you, dude. Did he?

- No idea.

- No, didn't think so.

- Uh-huh.

- My old lady and Miguel

provided a lot of info,

and then we checked out the campus,

and it was sick.

- [Nora chuckles]

- [Braulio] Cool.

Yeah, it's a badass degree.

[Nora] Hmm?

Did I tell you that I bumped into Asenjo

just a while ago?

She told me that they sent Toledo off

to some precinct way up in the mountains.

- [Braulio] Punishment?

- [Pizarro] I dunno.

- That sucks, Víctor.

- [Braulio] sh*t.

- Damn right.

- Why does it suck?

I I'm telling him something important

that went down today.

Chill.

It's not about a case,

he doesn't give a damn.

You being defensive?

She's right.

It's not about you,

or things aren't done your way,

you don't give a damn about 'em.

- They don't exist.

- I care about the case, okay?

- Because the case is important.

- [Braulio] Lay off.

- Is that so difficult to understand now?

- And I'm not? I'm not important?

So, the case is to blame

for you not calling?

The case is to blame

for you leaving me alone?

Or for not paying my tuition?

Should I ask Mario Medina about this sh*t?

[Pizarro] You come to fight?

- Come on. Relax, Víctor.

- [Braulio] We don't need this.

- Take it easy. Chill out!

- I'm relaxed.

- I'm relaxed.

- I'm telling you to stop!

If I invited you here,

it's to try and have a good time,

to hang out together,

but no, you wanna fight. That's all.

- Can I tell you something?

- [Pizarro] I'm all ears. Let's hear it.

Do you know how many times

I could've used a hug?

Or when I'd realize that some damn case

was more almighty important than your son?

If I didn't study Law, it was honestly

because of what I saw in you.

You didn't have time for anything.

That doesn't justify you ditching.

That's just bad manners, dude.

You know why I didn't pay your tuition?

Because I want you

to study something serious.

A career that's serious, like mine.

Like mine. Because I'm protecting you.

Because my career is the only thing

that's protected me all my life.

And it shows.

[sad music plays]

Later, brother. I'm outta here.

[Nora] Joaco, I'll drive you.

- Víctor, you're a total as*h*le.

- [Pizarro sighs]

[sad music continues]

- [door closes]

- [Braulio] You got issues, man.

Yeah, yeah, I know.

I should've supported the kid, but

What the hell do you want?

My mind's been elsewhere.

Well, that's the problem now.

Your mind's been elsewhere forever!

You solved nothing in that case.

What do you mean?

We were this close

to solving the whole mystery.

You're still hangin' on

to the damn delusion

you're gonna find evidence

against that as*h*le, aren't you?

Huh? Well, it's not gonna happen.

They're not gonna carry you

on their shoulders through court.

They're not gonna applaud you

and give you your job back again.

Give you a banquet.

Get the hell over it, Víctor.

Show's over, dude.

If you don't change your attitude,

you're gonna wind up alone.

[sad music continues]

[Martín] I spend the whole day studying,

but it doesn't matter

'cause I flunk half the courses.

- [Kari] That's because you party all day.

- [Sofi laughs]

You'll do great.

[Martín] Yeah, it's true. I remember.

- You always got awesome grades.

- [Sofi] Mm-hmm.

[Martín] You already know

what you wanna study?

No, I'm not really sure yet.

But you

You promised we'd live together, remember?

Yes, of course I wanna live with you,

but I've got Emi to protect.

Max and three other friends

went to New York.

- [Kari] Oh yeah?

- They went by way of a school program.

- Good for them.

- Since when?

[Martín] Hell, I don't really know.

Tonight there's a party.

Could ask someone.

We'll have time to hang out. Come on.

I don't know.

- [Martín] Come on. Let's go.

- Kari, come on.

- [Kari] No, I don't think so.

- [Martín] You gotta come along.

I don't feel like being in a crowd.

Hey, you can't hide from the whole world.

You're not responsible

for what your dad did.

[quiet music plays]

Did you have to talk about that?

[quiet music continues]

[Ceci] Kari?

What happened?

Are you okay?

Honey. Can we talk for a second?

[quiet music continues]

[sighs]

You could go visit Grandma,

one of these days, if you can.

She's really been missing you, you know?

Dunno, with all the things

she's said about my dad,

could be awkward.

You can't blame her

or condemn her for wanting to find

those responsible for what happened.

Those responsible?

The only thing she does

is blame my dad, that's all.

That has nothing to do

with the love and concern

we have for you and for Emi.

What concern? I don't understand.

I mean it.

I don't understand what concern.

Because we've already lost our mother,

now you wanna take away our father.

Is that it? And now we lose our father?

- Is that concern?

- Everybody lost her!

Kari, everybody lost her.

And the only thing that everybody wants

is to know what really happened to her.

Just remember I also wanna know

what happened to Mother.

But until they can prove it,

nothing can make me believe

that my father is guilty.

[bright music plays]

[Pizarro] You know, everyone is telling me

that enough is enough.

To stop dwelling on it. That I seem crazy.

[Toledo] Hmm.

[Pizarro] But I can't.

[Toledo] You think I haven't thought

about it over and over again?

I've run it

through my mind a million times.

What would've happened?

What would've happened if we'd treated him

as a suspect from the very first minute?

What would've happened

if we'd followed him 24 hours a day?

If we hadn't fallen for the floor plans

of the house he gave us in the beginning?

[sighs]

If we'd only gone

through the attic more thoroughly?

Look, they could've sent me

much further away than where they did.

But the truth is out now.

They were all hoping that

that the press would get tired and leave,

that they'd all forget.

Did they forget?

No one gives a sh*t anymore.

The theory of suicide,

no proof to condemn a third party,

the DA ruled to go ahead

and shut the case down.

End of story.

Damage control by the higher-ups, Pizarro.

Try tellin' me what the worst sh*t

you and I were faced with was.

Was it the homicide or

the suicide?

They tailored the autopsy

to accommodate the case.

Using the country's best forensics man.

Mm-hmm.

I could put in a request

- for a new forensics inquiry.

- Ah

Toledo, with a new inquiry,

with a better autopsy,

we could find a new precedent

Drop it, Pizarro. Get outta there.

It's just a dead end. Admit it.

Get a life.

Chill out.

Just forget Verónica Montes forever.

[woman 2] Tea? Keep you warm.

[Toledo] Thanks, honey.

- [Pizarro] Thank you very much.

- [woman 2] If you'll excuse me.

- They have a lot.

- [Kari] Breaded cutlet with fries.

- [Emi] Same for me.

- What's this guy doing here?

[Kari] Why do you read the menu

if you always order the same thing?

- I might've ordered something different.

- [Kari] Oh yeah?

- Okay, so order something else.

- [Mario] What about

Good evening. Excuse me.

Could you spare me one minute?

- Yes, yes, of course.

- [host] Thank you.

Wanna have some dessert?

- Okay.

- [host] Well, it's just that, you know

- You can give me some.

- I have a lot of clients that, uh

[Kari] How about pancakes?

that kind of feel uncomfortable,

if you know what I mean?

[Mario] But why feel uncomfortable

Brownies with ice cream.

[Mario] if I'm just having dinner

with my daughters?

- Want juice with it?

- Yeah.

That's just the point.

I think the best thing would be that

[tense music plays]

you go dining somewhere else.

[Mario] Very well.

[tense music continues]

How about we go somewhere else

that's better?

[Emi] What happened? Papa?

So we can try something new. Hmm?

[tense music continues]

- [Emi] Huh?

- How about we just go back home?

[Mario] Fine. And we can watch a movie.

Come on. Let's go.

[Pizarro] I I get it.

You're scared to death.

But will you listen to me?

Will you listen?

Okay, I can help your son

as long as he listens to me.

He speaks to no one, and he listens to me.

That's the only way I can get him out.

Okay, I'll I'll call him.

I I will call him.

Okay, thank Thank you. Thanks.

Yeah, thanks.

[sighs]

Uh, Rosita, how are ya?

How's my regular client today?

Six smokes.

- Six smokes?

- Yeah.

- Same brand as always?

- Same crap as always. There you go.

Counselor, hi.

You once helped me.

- Um

- A while back you helped me with a case.

Ah!

- [woman 3 laughs]

- The taxi. The taxi.

- Yes.

- Yes.

- Do you need help?

- No.

It hasn't been long since I got out.

You know, so

- You're in these parts.

- I'm around.

Um

During the time I was inside,

I saw you on the news.

Ah.

About the case of the lady

in the gated community.

You still on the case?

No, no, no. I left the case. I'm off it.

Well, ma'am, it was nice seeing you.

Take care. Be well.

Please, just a second.

I have something important

to tell you about this.

I know who k*lled that Verónica woman.

[mysterious music plays]

We were watching the morning show.

And then you came on.

You were holding a sketch, am I right?

Mm-hmm.

So Tomatito, who was near me, she says,

"Ooh The weirdo in that picture

is the exact twin of my crazy ex."

"Get outta here," I tell her.

Then she says,

"When the guy'd been hitting the bottle,

then he'd say, 'I know what happened

to the lady from the community.'"

[mysterious music continues]

"Then back to the bottle

and he'd cry and he'd cry and he'd cry,

and cry and cry."

Is that strange or what?

[mysterious music continues]

[music fades out]

Why are you telling me all this, hmm?

If something were to happen to me,

I'd like the truth to have been said.

[phone line rings]

[tense music plays]

[line continues ringing]

[Pizarro] Hello, chief?

This is Víctor Pizarro.

You remember how I told you

I wouldn't hound you anymore

with the Montes case?

Well, I received information

about the perpetrator of the crime.

Jaime Nuñez Jara's face

matches the composite sketch.

Please gimme a call when you get this.

This is our chance to make things right.

[tense music continues]

He's getting close.

[tense music continues]

Now!

[sirens wailing]

[Asenjo] Perimeter.

[tense music continues]

- [music fades out]

- [Asenjo] Hmm. [clicks tongue]

There's a woman who told us

that you know

what happened to Verónica Montes.

I don't know why that woman

would say somethin' like that.

I don't know anything about her.

She was absolutely sure

about what she was telling us,

that you know everything that went on.

- No.

- [Asenjo] Hmm.

Huh-uh.

And that sometimes,

at parties, you would talk about it.

[Jaras] Well, ma'am, you know,

I've got problems with alcohol and, uh

When I've had too much,

I invent sh*t like that.

[Asenjo] Hmm.

And so, you

You weren't acquainted

with Verónica Montes?

- [Jaras] No.

- No.

Only what I saw on television.

Mm-hmm.

Stay here.

[Asenjo] Relax.

Is the man out there your father?

[tense music plays]

Do you mind?

[tense music crescendos]

Recognize it?

[cries]

[Asenjo] Whose is this?

[tense music continues]

[Jaras weeps]

It was Verónica's.

[tense music continues]

[Asenjo] Tell me what you did.

[tense music continues]

[breathes heavily]

Why did you k*ll her?

[tense music continues]

'Cause he paid me.

[Asenjo] Who did?

The husband.

[tense music continues]

[breathes heavily]

Mario.

[tense music continues]

[music fades out]

["Flor de Lavanda" by Niña Tormenta plays]

[woman singing in Spanish]