22x12 - LA Police Station Invasion

[bunniefuu]

[cell phone ringing]

Hello.

Hey, guys, are you behind me?

[Aaron] Yeah, we're behind you.

We are heading to
the Los Angeles Police Museum.

[Aaron] Ooh!

[Zak] That building
contains the artifacts,

the clothing, the g*ns,

every single item
that you can think of

that was connected
to some of the most notorious

murders in Los Angeles history.

People there are terrified

of a very dark and evil presence

that is terrifying
every single person

that is working there.

Usually, when you're in trouble,

and you're in fear of your life,

you call the Los Angeles
Police Department.

But now, the Los Angeles
Police Department Museum

is calling us because
they need help.

It's gotta be something strong.

So, get ready.

[Zak] There are
things in this world,

- that we will never fully understand.
- [man] Understand.

[man speaking]

[Zak] We have worked
years to build our credibility,

our reputation.

Working alongside

the most renowned
professionals in the field.

Capturing groundbreaking
proof of the paranormal.

- It's working.
- [man] Whoa!

I can't give you an explanation.

[Zak] This is our evidence,

our Ghost Adventures.

[Zak] I want you guys to
seriously be ready for this.

You're going
here, this isn't just

billy clubs and... and police
uniforms and badge displays.

Like, what you are
about to see in here,

is going to take
your breath away.

- How're you doing?
- Good.

[Zak] Good, good.

Wow! This is our first steps

inside of the Los
Angeles Police Museum.

I didn't know the level of stuff

that you guys have
on display here.

Yeah, it's a lot.

[Zak] This building is home

to an incredible collection
of true crime artifacts.

Pipe bombs, m*rder weapons,

Charles Manson's
personal effects.

The actual r*fle
used by kidnap victim

turned bank
robber, Patty Hearst.

Although a museum today,

this structure once served
a very different purpose.

[Ryan] This was a
working police station

from 1925 until about 1980,

somewhere in the early '80s.

- That long?
- [Ryan] Yeah.

And so it was
never built initially

to be a museum, if you will, so,

a lot happened
during those years.

[Zak] Petty thieves,

rapists,

murderers.

While in operation, this
precinct saw everythin

from minor offenses to
the worst LA could offer

Is there an area in this museum

where...

I'm hearing some people
that are working here,

that are affiliated
with the museum,

that are telling us,

and experiencing
something they are describing

- as an evil presence?
- Yes.

In the North Hollywood
Shootout Exhibit Gallery.

Okay. Have you had those
similar types of experiences

or encounters
also in that exhibit?

I have.

[man speaking]

-[reporter] On February 28,


officers of the Los
Angeles Police Department

became involved
in a fierce g*n battle.

[man speaking]

[reporter] The suspects
came out through the bank's

northwest door and began firing.

[man speaking]

[Ryan] We're entering the North
Hollywood Shootout Exhibit Gallery.

[Zak] Oh, wow, this is it.

[g*nshots]

LA police engaged the men

in a very intense firefight

Officers were finally able
to disable Emil Matasareanu

by sh**ting his legs
from under their car.

He begged an approaching officer

to sh**t him in the head,

but instead he bled
out in the street.

The second burglar,
Larry Phillips,

[officer] Down, down.

[Zak] ...took his own life
after being wounded by police.

Holy cow!

As soon as I step
foot in this room,

I am overwhelmed by
an aggressive energy

that feels like it's
circling around me.

Those are the actual everything
that they were wearing?

[Ryan] Yeah, that's their
outfits that they were wearing

on the day of the sh**ting.

[Zak] Are these the actual g*ns?

- [Ryan] Yes.
- [Zak] Wow!

You can see there's
a difference between

what they had and what
LAPD was equipped with

and there was a huge difference.

This is an important crime, because it
kind of told the police department that...

They have to be well equipped.

Yeah, we need to
be better equipped

and carry some... some bigger...

[Ryan] You know,
higher power g*ns.

So, not only do
they have this exhibit,

- but on the property, they also have the car.
- [man speaking]

[Ryan] Correct.

[Zak] So, of
course, they're here.

You have their car,
you have their g*ns,

- you have their clothing.
- [Ryan] Right.

And all the other
different artifacts

are here in this room.

[man speaking]

[Zak] When You watch the
video, you're in absolute terror.

- And now to be standing within inches of them.
- Yeah

Just so you know, there's
times when I've left this room

and I have walked out
and I've turned around

and it's as if they're
still watching me.

Their eyes almost watching me.

And they... they hook you and,

and it's pretty unsettling.

- You've been in the room.
- Uh-huh.

[Zak] Okay.

Um, is there something in
that room that bothers you?

Have you had?

Yes, you can, definitely...

I've been in there for
our own investigations

and I've seen, like, the shadows

come out of the display case

from the mannequins
and surround us.

Whoa, whoa, whoa!

You have seen dark shadows
come out of the mannequins and...

- and get behind you.
- Mmm-hmm. Yes.

They... they let you
know that they're here,

in my opinion.

I've walked out of
this room being in here

with a splitting headache,
and I never get headaches.

It's just there's an energy
in this room that hits you.

And it's... it's heavy
is all I can say.

I am hot, but right now,
my legs are chilling up.

-I got some... -Right
behind you, Zak, right now.

- [Zak] Right here.
- [Aaron] There's something behind you.

[Billy] It's literally
pounding...

- [Aaron] On your head.
- [Billy] ...on your back like this.

- [Zak] Are you serious?
- Right now, yeah. Right now.

[Zak] This is incredible.

At the very same moment

my legs begin to feel ice cold,

this aggressive figure is
captured appearing to attack me.

Remember, Emil was the criminal

who was shot in the legs.

My legs are chilling up.

Then, just moments after
we finished this interview,

the museum security camera
captures this dark mass.

Notice, this dark mass
is in the same spot

as the figure that was
just appearing to attack me.

Could this be the spirit
of Emil Matasareanu

wanting me to feel his pain

The shadows come
out of the display case

from the mannequins
and surround us.

- [Zak] So, Cynthia, you work here.
- [Cynthia] Mm-hmm.

- [Zak] We are not filming you above the neck.
- [Cynthia] Right.

[Zak] Um, you wish
to remain anonymous.

Do you fear that they're
behind you and they're gonna

- push you off the stairs?
- [Cynthia] Yes.

Because as soon as I close...

I go down, and that's
when... If I close by myself,

so this area, it's
a creepy area.

[Zak] Do you fear that someday,

that you might get
pushed down these stairs?

[Cynthia] Yes.

My name is Lorrie, Lorrie Grado,

and I'm a volunteer
here at the museum.

[Zak] Lorrie has
also encountered

these aggressive spirits.

The museum was closed.

We had just closed.

So, I'm looking at my
monitor and all of a sudden,

out of this side,

I saw a dark shadow walk by.

And I asked Meesha,
I said, "Meesha,

we're closed, right? No
one's here in museum?"

She said, "No,
everyone's gone."

I said, "I swear I just
saw a man walking by."

[Zak] Right next to the
North Hollywood room

sits an exhibit with
another tragic story.

March 9th, 1963,

officers Ian Campbell
and Karl Hettinger,

stopped an automobile
containing robbery suspects

Gregory Powell and Jimmy Smith.

Officer Campbell's
g*n was taken,

leading to an
agonizing situation.

There's another exhibit here,

and that's the
Onion Field Exhibit.

Erica, I believe this was 1963,

it was a very tragic, uh,

very sad story about a couple...

- Correct.
- LAPD officers that were kidnapped,

they were abducted.

Please tell us what
happened here, okay?

- [Erica] Sure.
- And what you experience inside here?

[Erica] So, as you said,

the Onion Field
happened in the '60s,

where two officers
were kidnapped

and one of them subsequently
ex*cuted, execution style

in an Onion Field, and so,
we have the m*rder*r here,

Gregory Powell,

who was very intent
on k*lling somebody.

And you can see here
in these statements

that he was literally
saying, "If you release me

into the public, I
will k*ll somebody."

He was also a g*n smuggler.

We have some of his g*ns here.

Some of the things that we
were actually able to obtain.

-[Zak] These are actually
his... -[Erica] His g*ns.

-So, the devil in flesh
over here, -[Erica] Correct.

- That just wanted to k*ll and he did k*ll.
- [Erica] Mmm-hmm.

[Zak] This is how he
wanted to take human life.

You have it in a case
here at the museum.

This collage back here
is the actual evidence,

the scene itself.

And here in this, this is our
court, the courtroom exhibit,

that showed the
b*llet trajectories

and how, um, Ian
Campbell was m*rder*d.

Do you actually have the
m*rder weapon here on display?

Yes, it's actually
right over here.

So, we have... This is the case

of the actual m*rder weapons

and this is the jacket

that the m*rder suspect
was wearing at the time.

[Zak] Another room

that the m*rder*r's
clothes are on display.

When you come into these rooms,

and you're looking at the weapon

that k*lled this officer,

laying on top of the jacket
that the m*rder*r wore,

you get the visions
of the m*rder*r

- standing right next to you.
- [Erica] Oh, absolutely.

[Zak] Looking at me with
the worst expression ever.

And you said that all he
ever wanted to do was k*ll.

- Mmm-hmm.
- So, if his spirit was here,

where would it wanna be?

With his g*ns 'cause
that's the only thing

that he wanted, to keep k*lling?

But...

It's just so heavy here.

You really do,
you really do feel it.

[Erica] Truly.
Mmm-hmm. Absolutely.

[Zak] So here at the Los
Angeles Police Museum,

where we're hearing about
so many different hauntings,

uh, this building
has a lot of history.

It was a police station
all the way from the 1920s.

Right here,

in this jail cell,

is where a guy named Manny Pazo,

he took his belt
and he hung himself

in this jail cell.

Because he did not wanna
face the punishment for his crime.

In 1953, Manny, was arreste

for molesting a


What you are looking at
right now is Manny Pazo.

- [indistinct yelling]
- [alarm blaring]

Right here...

where my hand is touching
the same exact cement spot.

So, Cynthia,

did you have some kind
of experience back here?

I normally greet the visitors, book
the families for tours and so on.

So, one of the
occasion was when...

it was a Hispanic family.

When they were
coming into the jail cell,

the little boy just started
getting really upset.

He was panicking.

Once he got in
here, in this area?

[Cynthia] I kind of instantly
knew that something...

That something wasn't right

- And he just wouldn't come in.
- Wow.

[Cynthia] As soon as that
little boy passed the elevator,

he's just quiet. He
gets... he just got quiet.

So, you knew by witnessing this

that... that something
was different about this?

Yes, something was... 'Cause
I'm sitting there by myself,

and I was, I know something,

he has seen something,
but I couldn't explain it.

[Zak] And that's
not even the tip of it.

Because they have
items, and it's not,

I wanna get this clear.

These items are
not for the public eye.

They are not on display.

But they have items from

Robert F. Kennedy's
assassination here.

They have the m*rder weapon

from the Manson family murders.

They also have items from
Marilyn Monroe's death scene

Did you see anything
right there, Jay?

Did you see anything
right there at all?

- 'Cause I felt like I just got stung by a... a spider.
- [Jay] Yeah.

Honestly, it looks like
you have like a little red...

- [Zak] Where?
- [Jay] Right on your neck.

- [Zak] Are you serious?
- [Jay] Yeah.

It's weird you're feeling
stuff on your neck

in front of the guy
that hung himself.

[Zak] As I stand in front
of Manny Pazo's cell

telling his story,

I feel a sharp pain on my neck.

This cannot be a coincidence

First, I feel my legs go
col with a figure appearing

to attack me in the
North Hollywood Exhibit

My legs are chilling up.

[Aaron] There's
something behind you.

- [Billy] It's literally pounding...
- [Aaron] On your head.

[Billy] ...on your back.

[Zak] Then, I feel a sharp
sensation on my neck.

It is becoming clear
these spirits are aggressive

Is Manny angry
on telling the story

of how he took his own life

But this was not the only
suicide in this precinct.

Have you had experiences
in that old sh**ting range?

[Erica] I definitely
feel a sadness there.

A deep, deep sadness,
and part of my energy

may tell me that it
might be a female, so...

- A female?
- Yes.

Okay. We found, in
a newspaper article,

dated February 15th


how Highland
Park Police Station,

- there was a telephone operator...
- [line ringing]

Mrs. Margaret McClure.

She came down here,

took a .45 caliber
police revolver

out of the locker
room, in the station,

and took her own life.

And shot herself,
uh, in the head.

Wow!

So, I didn't know if
you guys knew that.

No, we didn't. Not at all.

That explains a lot.

Like I said, the energy
in that corner over there,

is just pure sadness.

[Zak] Meesha leads us
to the former sh**ting rang

where police officers

were able to train
with new weapons.

This space is now utilized
a a vault for storing evidence

[Meesha] There's
a lot of history here.

When you get to a certain point,

it just feels like a
heavy blanket over you.

This is when I'm like,

"I don't, like, wanna
go any further."

It's, like, here.

[Zak] Do you feel threatened?

[Meesha] Yeah, right
here it feels really bad.

[Zak] Who's down here?

If you're angry, move one
of these boxes off the shelf.

[Meesha] It's
getting really warm.

[Zak] The
temperature's changing?

[Meesha] Yeah,
like a lot warmer.

[Zak] Margaret McClure's
suicide is heartbreaking.

But, what we are about to
discover is truly devastating.

Right now, I am going
to be taken to a room

that could be really
contributing to much more

of the hauntings
than we were told.

Um, this room is not
open to the public.

But what we are about to go see

is about 60 boxes

of Charles Manson artifacts

from the Helter Skelter murders,

including the entire scene,

uh, with Sharon Tate, Jay
Sebring and all of her friends.

I just wanna go see these items,

I would like to feel
the energy in the room,

and I think that's a really
crucial part of this investigation.

So, right now, we have
to drop the cameras,

you can aim it to the floor.

We are having exclusive
access right now,

and I am absolutely blown away

about having this.

Are these them all?

[Erica] All right here,
and all back here.

[Zak] There's just
so many boxes.

[Erica] Okay, Tate and LaBianca.

[reporter] The scene was
described by one investigator

as reminiscent of a
weird religious right.

Five persons, including
actress Sharon Tate,

were found dead at
the home of Miss Tate

and her husband, screen
director Roman Polanski.

[Zak] Oh, my God.
Are you kidding me?

Is this even real right now?
What is this? Oh, my God.

[reporter] Miss
Tate, who starred

in Valley of the Dolls,
w as eight months pregnant.

And was found in a bikini
ty nightgown with a rope

around her neck attached
to the corpse of Jay Sebring

[Zak] I just read the tag
and this is the rope that

- they cut from Sharon Tate.
- [Erica] Correct.

Is your heart racing like mine?

[Zak] Yeah. I am...

[Zak sighs]

Erica, I cannot believe what...

what is in my hands right now.

[Erica] I know, it's pretty...

[Zak] I cannot believe
that I am holding this.

It's just sad, like, holy
[bleep] man, that is...

that is so sad.

Just feeling that, you know.

I'm just like frozen,
you know, like,

I can't describe to you
the heaviness on my chest.

There have been
some reports, you know,

that Sharon Tate was here.

- [Zak] Her spirit? Here?
- [Erica] Her spirit, absolutely. Hmm.

[Zak] As a
paranormal investigator,

at times, I find myself
forced to examine

very sensitive objects.

The staff here felt it
was important for me to s

these items in order
to truly evaluate

the source of the
hauntings here.

This is one of the most
intense experiences of my life.

Oh, let me go outside
for one second.

Here. Don't, don't.

[Zak] It is now time
to lock down inside

of the Los Angeles
Police Museum.

A building riddled
with countless items

directly connected to
executions, shootouts,

notorious cult murders
and other physical evidence

charged with
extremely dark energy.

Okay, so we're gonna
use the XLS camera.

I'm gonna lead out
with the thermal g*n.

- That's pretty fitting, right?
- [Jay chuckling] Yeah.

I got the thermal g*n.

We're gonna go try to
capture some criminals,

the spirits of them,

because the spirits
of criminals are exactly

what the people that work here

are seeing and are
absolutely terrified of.

We decide to start
our investigation

by making our way
to the second floor,

where the North Hollywood
Shootout exhibit is located

I will start by provoking
the spirits of the shooters

that this woman,
who we met earlier,

claims to feel the spirits

trying to push her
down these stairs.

[Cynthia] This is where I
feel that I'm gonna be pushed.

[Zak] We heard a lady tell us
that she could feel you behind her,

that you want to push
her down these stairs.

Do you wanna push me?

Is somebody up here?

So, we got money for you.

Right over here is the
North Hollywood exhibit.

This is where the two robbers

that were trying to sh**t
and k*ll the police officers,

this is where they are.

This is where their
clothing is, their g*ns,

their bags, everything.

One of them ended
up taking his own life.

Didn't want to be arrested.

The other one
succumbed to his injuries.

And this is where
everybody fears to go,

and say that the shadows of
the mannequins literally come out.

[Jay] So far nothing
on XLS here, guys.

[Zak] Are you guys here?

What you did was wrong.

People here are saying
that you're still here,

your spirits are here tied to
your clothes and your g*ns.

Let us see that.

Come out of that glass.
You did it yesterday.

You guys still here?

Here's your chance
to be seen on TV again.

You did a horrific
thing to get on TV.

[Jay] Lot of people
were injured.

[Zak] Lot of people saw it.

Here's your chance to
say sorry or anything.

- You in there?
- [knocks]

Let's go. Come
out of your clothes.

Come in here.

[all] What was that?

[Aaron] What was that?

[Aaron speaking]

[Zak] We have no idea
what causes this noise,

but we do capture the
audio, on this X camera

- What was that?
- [Jay] What was that, dude?

- [indistinct chatter]
- [Aaron] That was up here.

[Jay] I saw someone
move up here.

[man 1] Door
handle or something.

[man 2] Yeah, I
heard something move.

[Jay] Who's up here?

Nothing on the floor
or any doors open.

- [Zak] Nothing?
- Nothing.

[Zak] Do you have anything
to say for the crime you did?

For all the people you injured?

Some say that
your spirits are here.

Is that true?

Knock on this glass,
if you're in there.

Move.

[Zak] As I begin to review
the recording session,

everything seems calm

until this happens.

[Zak on recording] Do you ha
anything to say for the crime you did?

You guys got caught.

Some say that
your spirits are here.

Whoa! [bleep].

- Dude. Oh, my God.
- [Jay] What's happening?

[Zak] Somebody touched my neck.

- [Jay] No.
- [Billy] Are you serious?

[Zak] Somebody just touched my
neck, like, two fingers on my neck.

- Dude. Oh my God.
- [Jay] What's happening?

[Zak] Somebody touched my neck.

- [Jay] No.
- [Billy] Are you serious?

[Zak] Somebody just touched my
neck, like, two fingers on my neck.

I felt like this [bleep]
sensation of flesh.

Like two, like, you took
your two fingers on my neck.

I swear to God.

Not a bug, not anything else.

Like, two flesh
fingers literally going by

on my neck like this.

Oh, my God!

There was not a bug
or anything like that.

- You didn't see a moth, did you?
- [Jay] Oh, no.

- Did you see a moth?
- [Jay] No. Not at all.

[Jay] I was on you.
There was no moth.

[Zak] You guys,
I... I swear to God.

[Jay] Look, Zak, there
is a step right before, like,

someone stepped up behind you.

You wanna touch Zak?

Why don't you sit down
next to him? Show yourself.

- [Zak] Come on, you guys.
- [Jay] Go ahead.

This is your big shot
to be on TV again.

[Zak] During all of this tim

we still aren't
capturing any figures,

so I head back into the room

He keeps doing it, you guys.

[Jay] He's doing it
again. Ringing or...

[Zak] Feels like there's a
live microphone and you tap it.

- [Jay] Yeah.
- That's what it feels like in my right ear.

[Aaron] We saw what you did
yesterday to him with our devices.

This is your chance.

- It was over here.
- [Aaron] Yeah.

- [Zak] It's cold.
- [Aaron] Hold on.

So one of the mannequins,

they haven't mapped
in this entire time,

and now it's mapped in.

I realize it's the mannequin,
go and talk to him.

[Zak] Oh, it just got
really cold right here.

[Jay] Jump out of your
bod... Your mannequin.

- [Billy] Look, he's waving, Jay.
- [Jay] Get Zak, right now.

[Billy] Jay, he is
holding up his hand.

[Billy] That's so weird.

Oh, he's holding on to glass,

is he trying to escape?

[Jay] Looks like he's hitting
the glass. Look at that.

[Billy] He just hit the glass.

[Zak] Go ahead. Leave your body.

I command you
to leave your body.

Get over here
and get next to me.

[Billy] Oh! [bleep]. Now
they're both mapped.

[Jay] Keep talking to them
Zak, I think that you're...

[Zak] Go ahead.
Leave your bodies.

[Aaron] One is trying
to climb up the glass.

[Billy] Yeah, he's breaking
the mannequin pose,

and his hand is pounding
against the glass.

- [Aaron] The other one just reached out towards you, Zak.
- [Jay] Yeah.

[Zak] Grab my hand.

- You wanna sh**t me?
- [Billy] Whoa!

Both of his hands, look at him.

- [Jay] What the [bleep]?
- [Billy] Dude, that is so bizarre.

[Aaron] It's like they can't get
out of the glass, they're trying to.

[knocks]

[all] Oh! [bleep].

[Jay] Clear through the glass...

[Aaron] Oh, he's stepping out!

[Billy] Get out of here.
[Jay] Did you see that?

- Oh, my God!
- [Billy] He's getting out...

[Jay] Oh, he's gone.

[Billy] sh**t the screen!

[Zak] After I tell the spiri

to leave their
mannequin bodies...

Go ahead, leave your bodies.

It appears as though they do

As I put my hands on the
glass, so do the figures.

Did we just capture evidenc
of what an employee told us

she witness with her own eye

The shadows come
out of the display case

from the mannequins
and surround us.

- [Zak] Oh.
- [Billy] I'm chilly [bleep].

It's so cold? Feel that?

Guys, do you feel
how cold it is right now?

- [Zak] Yes. Yes.
- [Aaron] Oh. [bleep].

- They are out of the glass.
- They are out of the glass.

[bleep]

[Aaron] Guys, I
don't feel right.

They were literally penetrating
the glass and now [bleep].

Hey, nobody is mapped.

[overlapping conversation]

[Aaron] Freezing cold right now.

[Billy] Hey, Jay.

[indistinct chatter]

There it is, right
there. Oh [bleep].

Dude, it's so cold

and the feeling is so intense.

[overlapping conversation]

[Aaron] Seriously, it's on me.

- [Jay] Keep going.
- You're filming me?

[Jay] Yes.

[Zak] Aaron now
uses the polterpod

to see if the figures we
just captured will speak

And as he places
the device on the glass

for several minutes,
no voices come through.

He then gets extremely affected.

[static]

Oh, God!

Oh!

[Billy] What happened?

[Aaron] I zoned out.

I was just looking into
their eyes, I zoned out,

I mean, I felt what
you felt in the ears, Zak,

boo, boo, boo, boo, boom.

[Zak] You felt that?

[Aaron] It has tripped
me up pretty good.

[sighs]

[Zak] Why did you get
so emotional, though?

I don't know. I was just staring at
the mannequins through the camera,

and I feel like...

I feel like it's
somehow, someway,

there was a connection, like, you say
with the Swiss cheese, the holes line up.

And all of a sudden, I am just
staring in their soul or something.

It was so weird,
I just zoned out,

then I was, like,
get out of this spot.

As soon as I was
about to pull out of it,

that's when the
ear thing happened,

and just start,
uh... I'm fine now,

but there was a moment there, I
thought I was gonna break down.

It felt kinda like a...
their panic situation,

like they did something bad,

and, you know, the whole
moment of, like, oh, [bleep].

I feel that.

I think that's where
the emotion came from.

[Zak] If you are here,

I want you to make
a noise right now.

Do something to let
us know you are here.

If you have enough to do
that [bleep] to me and Zak,

you got enough to make a noise

loud enough in
this room [bleep].

[bleep]

Dude, I think it's this vest.

I think, they think I am a cop.

[Zak] Oh, may be, may
be. That's a tactical vest...

[Aaron] Dude, they must
think I'm a cop or something.

- [Zak] You have a tactical vest on.
- I have a tactical vest on.

- Oh, my God.
- [Zak] You are a cop, you're the enemy.

[Billy] Who did I just see?

What was that?

[indistinct conversation]

[Zak] Downstairs,
near the jail cell,

where Manny, the
molester, hanged himself

we capture this very loud bang.

Come down, Aaron, you and Jay.

[Zak] Aaron and Jay, immediately
head down there to investigate.

Okay. We were just
upstairs on the second floor,

we just heard, it sounded like

the door cages just
going goom, goom, goom.

We felt it and could
hear it from up there.

[Billy] Who would
you like to see?

Go ahead.

[Billy] Whoa, whoa, whoa.
Whoa! What the [bleep]!

Zak, something grabbed
onto my pants like this,

and was, and was jerking
my pants about that hard.

[Zak] As I turned
the polterpod back on,

we capture a spirit
telling us it's here.

[Billy] Who did that?

[spirit] It's here.

[Zak] It's here?

[Billy] Who did that?

[spirit speaking]

[Zak] It's here?

[Billy] Why were you
pulling on my pants?

What do you want to do to us?

- [spirit] Injure.
- [Zak] Injure?

[Billy] Injure?

[Zak] Listen, how
this spirit intelligentl

answers me and says
that it's going to injure us.

What do you want to do to us?

- [spirit] Injure.
- [Zak] Injure?

- [spirit] Injure.
- [Zak] Injure?

[Billy] Injure?

- [spirit] Lay down.
- [Zak] Lay down?

[Billy] Lay down?

[spirit speaking]

- [Zak] Lay down?
- [Billy] Lay down?

[Zak] Incredibly,
this spirit now

tells Billy to lay down,

and as he does, listen to
th incredible next response.

[Billy] Want him to lay
down. He's laying down.

- [spirit] Put in cuffs.
- Put in cuffs?

- Did you hear that?
- [Zak] Is that what he said?

Put in cuffs.

Want him to lay down.
He's laying down.

[spirit speaking]

Put in cuffs?

[Zak] What's your name?

[spirit] Woody.

[Zak] Woody?

[Zak] The same voice
that said "put in cuffs,"

now intelligently, tells me
that his name is Woody.

What's your name?

[Woody speaking]

[Woody speaking]

Woody?

Hey, we heard you.

We heard you. It sounds
like a residual sound

of jail cell shutting.

Are you in here?

Is anyone in here?

What's your name?

If you want out of here,
bang on the jail cell.

[light bang]

Oh! That was right over there.

[Zak] The guys now
head to the other jail cells

where they just
heard that sound,

which was also captured
on our X camera.

[light bang]

[light bang]

[Aaron] That was
right over there.

[Zak] This is also
the jail cell where

Manny, the molester,
k*lled himself

on March 4th, 1953.

Where are you? Who are you?

[Zak] Back upstairs, Billy and I

continue to make
communication to see

if the voice is disembodied

Can you talk to us without this?

Are you around us?

[Billy] Who keeps touching us?

-[continuous static] -What
did you do right here?

What happened down here?

- [spirit] Hung.
- Saying hung?

Do it say you're hung?

- [Jay] That's what I heard too?
- [Aaron] I heard hung. Hung.

Yeah, but why?

Why did you do that? Huh?

[loud bang]

[Jay] Whoa! Go... [bleep].

[Aaron] What the
[bleep]. Whoa! Whoa!

[bleep]

[loud bang]

[Jay] Whoa! Go... [bleep].

[Aaron] What the
[bleep]. Whoa! Whoa!

[Jay] Holy [bleep].

[both screaming]

Holy [bleep]!

Oh, my God! [bleep].

- [Aaron] Zak, Bill?
- [Zak] Yeah.

[Aaron] Hurry!

[Billy] Where are you guys?

Where are you at?

[Aaron] Jay's
really really hurt.

Like, bad.

- [Billy] What happened?
- [Zak] What happened, Jay?

[Aaron] Something
got thrown at us.

We were scrambled
in the middle there.

Next thing, I know
we come over here

and he's like basically, crying.

[Jay] I feel like my
back's ripped off.

You all right?

[Jay] I don't know. I
don't even wanna look.

It feels like it's
been ripped apart.

Where did you hit?

[Aaron] Oh, my God!

[Zak] Look here, they
even tore his shirt.

- [Aaron] Oh, my God.
- [Jay] [bleep] that hurts.

- [Zak] You okay, Jay?
- [Jay] I'm hurt right now.

- [Zak] What happened?
- [Jay] Oh, something got thrown at us,

like, something
banged, really bad.

- [Zak] Where did you hit?
- [Jay] I don't know,

we were in that
little jail cell hallway.

[Zak] Did he hit his back?

I don't know.

All I know is we both started,
he went this way, I went that way,

we got mixed up,

and I'm yelling for him to come
this way and he's, like, screaming.

[Zak] As we replay the footage,

it appears that
a spirit voice says

"hung" when Aaron asks
"What happened here?"

What happened down here?

[spirit speaking]

[spirit speaking]

Did he say hung?

[Zak] Then a loud bang
is heard from the cell

which causes panic.

Why did you do that? Huh?

[loud bang]

Whoa!

[loud bang]

Whoa! Whoa! [bleep].

[Zak] And during this
momen you can see Jay's back

get shoved into the
large meal tray ledge,

which causes him
to get badly injured.

Whoa! What the [bleep].

[both screaming]

Jay, are you hurt

- anywhere other than this?
- [Jay] Just... just right there.

[Zak] Nothing in your
vertebrate or anything?

- [Jay] No, not...
- [Zak] So you have a slash across there.

- And you have a hole here.
- [Billy] Oh, yeah.

They ripped your clothing
all the way through...

[Zak] They ripped his clothing.

I tell Jay and Aaron to
go chill out at nerve center

while Billy and I head
down to the basement.

Right now, Billy is armed
with a boom microphone.

It's a highly
sensitive microphone

that's directional and he
has it aimed like a g*n.

And he has some noise
canceling headphones on.

So, the only thing he hears
is where this is being aimed at.

So, we just wanna see

if we could capture
some disembodied voices.

We're gonna head
downstairs into the basement

down by the sh**ting
range, down by the lockers,

where the lady that used
to work here a long time ago

grabbed the .45 out there,

and unfortunately, she
shot herself in the head.

So, lot of energy down there.

It's very scary down there.

A lot of the people here can't
make it past a certain box.

We're going there now.

I'm gonna stay
pretty far behind Billy,

so I don't
contaminate his audio.

[footsteps]

- [Zak] Who was that?
- [Billy] I don't know.

[Zak] Did you just
hear footsteps?

[Billy] Yes. Loud footsteps.

Those guys are
back at nerve, right?

[Zak] Hey, where
are you guys at?

We're both at nerve

and we heard those footsteps
pretty loud from the TV.

They were loud, dude.

[Zak] Yeah, that
one's down there.

There is no explanation
for these very loud footstep

we just heard and captured.

- [Zak] Who was that?
- [Billy] I don't know.

[low growl]

- [Zak] Whoa! Billy!
- [Billy] What?

What the [bleep] was that?

[Zak] Did you hear
a growl sound?

[Billy] Yes, something just
came up on me right here.

[Zak] Billy captures this
creepy growl type soun

that we also hear
with our own ears.

[low growl]

- [Zak] Whoa! Billy?
- [Billy] What?

What the [bleep] was that?

[Zak] Did you hear
a growl sound?

[Billy] Yes, something just
came up on me right here.

[Billy] Hey, I just
heard a growl.

[Zak] Our investigation,

here at the Los
Angeles Police Museum

was not only extremely
uniqu but also serious.

To capture concrete evidenc
of what we were told about

by the staff here,

makes us realize that
spirit are still very attached

to the belongings they used
in horrific crimes.

As well as those that
took their very last breath

inside of this
historic building.

[spirit speaking]

Did he say hung?

Whoa! Go... [bleep].

[bleep]

- Whoa, whoa!
- Whoa! [bleep]