01x05 - High Value Target

[bunniefuu]

[call to prayer in the distance]

[sigh]

I have no sign of threat.

There is a civilian presence:
two, three women, children,

a few vehicles, but nothing too bad.

Yeah, same.

For me, it's green.

That's wonderful.

Yeah, it really is beautiful.

Does it remind you of anything?

- Of what?
- Yeah

No.

Alasai, 2009.

- Yeah, it's true. Yeah.
- Oh, you see.

Yeah, f*ck.

Such a waste.

- How are you ?
- Yeah.

We will continue to progress, huh.
Same device.

- OK.
- Spit.

[sigh]

[birds chirping]

Are you giving me a point?

Yeah.

We are...
We are right on the right azimuth, there,



At the height of the village,
eight kilometers from the starting point,

so we can do
everything that was foreseen in the briefing.

- Bypass to the north.
- OK.

- THANKS.
- As we said.


Hey, everyone, are we taking off at 3 a.m.?

[all] Okay.

[birds chirping]

- [Martin] Not too much sugar.
- A little a little.

- Ready ?
- Yeah.

[Martin] Thank you, thank you.

Do you put me too?

Well, it was cool to see Olivier.

- [Paco] Yeah.
- Yeah.

He had a good head.

- [Martin] Despite everything.
- Yeah.

- [Martin] It's good to see his ganache.
- [Paco] Yeah.

- [Sab] Yeah, definitely.
- [Paco] He seemed to be fine.

[Martin] Yeah, a real badass.
wh*re.

[he sniffles]

You, did you already go to OP with him?

- Yeah, Tessalit, in 2014.
- [Martin] Ah.

[sigh]

Ah, it's missing, huh.

[heavy music]

Oh, Spit!

[Martin whistles]

He leaves without his weapon, him?

Spit?

What does he has ?

[silence]

- Can I sh**t?
- [Sab] Yeah.

THANKS.

I know I've been rough with you
at first.

I'm a bit old fashioned so...

When I saw you coming
it didn't make me very happy.

Yeah, I noticed.

You really are a great teammate.

And... I wanted to apologize again.

I'm glad you're with us.

[soft music]

I am really sorry.

It doesn't matter.

I will return. Try to get some sleep.

Yeah, I'm going.

[rock music]

[telephone ringing in the distance]

[in English] Hello.
I'm looking for Warrant Officer Revel.

- [in English] He's not here.
- Where is he ?

Check with reception.

OK.

[in English] No. No.

[she nods]

OK.

- Good morning.
- Warrant Officer Revel, please.

Pardon ?

R-E-V-E-L. A French soldier.

- R-E-V-E-L.
- Yes.

A moment...

I call a doctor.

I will be back.

- Everything's good ?
- [nurse] One moment.

[tension music]

Good morning. I am looking for a patient,
but I think he was transferred.

- [in English] Warrant Officer Revel?
- Yes.

- Are you his wife?
- His fiancee.

What is happening ?

[sigh]

Warrant Officer Revel made
septic shock this morning.

I'm sorry.

We couldn't do anything.

[light music]

I can see him ?

Yes of course.

[sad music]

[suspense music]

[Martin] She's stashed where,
this b*tch?

[silence]

- [beep]
- [Martin] The beacon has not moved.

You will take your position
on hill C?

- OK.
- We remain in support.

Give us a report
when you get there.

OK.

[sigh]

[suspense music]

[bird call]

- You saw it ?
- [Martin] Yeah.

[Paco] What was he having there?

[Martin] I don't know,
he gave her something.

- You have it ?
- [Martin] Yeah.

Eh ?

[Spit] Got it. He leaves the village.

- What are these round trips?
- I dunno.

[silence]

[bleating]

[suspense music]

[heavy breathing]

[silence]

Martin for Sab.

Sab for Mom's.

Yeah, I'm in position.

[suspense music]

[silence]

[suspense music]

[Sab] White pick-up approaching
north of the village.

You have it ?

Yeah.

[Martin] Two pax inside.

[Sab] A man at the wheel,
a woman on the passenger side.

[suspense music]

- In front of the house with the beacon.
- I saw.

Sab for Martin.
Do you have a clearer view of the woman?

[Sab] Not sure it's Salwa.

[Paco] What the hell are they doing
in there?

[suspense music]

[Martin] Good, the beacon
still hasn't moved.

I can't see his face
I cannot confirm.

[silence]

[light music]

[alarm]

[alarm]

- Hello ?
- [woman] Hello, Mr. Revel?

Hey, no. He is not there.

[woman] Ah, are you Mrs. Bruckner?

Hmm...

Yes it's me.

[woman] Perfect.

Good evening, Mrs. Bruckner.
Amandine Thévenin from the agency Tropical Go.

We received Mr. Revel's email
and we would like to confirm the trip.

Yes.

[woman] So, I'm rereading.

A stay in Trinidad for two people
from Saturday 25 February 2017

to the following Friday, March 3.

Flight from Roissy Charles de Gaulle, of course,
to Port of Spain.

[sad music]

Mrs. Bruckner?

Madam ?

Hello ?

Mrs. Bruckner?

[high-pitched whistle]

[the wind is blowing]

[Martin] There's movement
in the Bravo building.

Three pax in burkas.

Rimbaud, you take
the one heading south.

Well taken.

[Martin] Sab, you take the one with the bag.

Received.

[suspense music]

Paco, the one who goes up to the sheepfold.

[Paco] It's good.

[Martin] Okay.

[Sab] I lost her.

[Rimbaud] I too am going to lose her.

[Paco] Mine will come in
in the sheepfold.

[Martin] Sab, do you have anything?

[Sab] Negative. Person.

Mine comes out.
She left her bag in Charlie One.

[Sab] She goes up to the sheepfold.

[Martin] Do you think
could it be Salwa?

[Sab] I can't say.

[Paco] I have the visual.

[suspense music]

She joins the other.

What are they doing there?

[Martin] Do you have them, Sab?

Yeah, I confirm.

- [Sab] They're coming to you.
- [Martin] Okay.

It's good, I have.

[Rimbaud] They return to Bravo.

[Martin] What is she waiting for?

[Rimbaud] She joined the other two.

Sab, keep an eye on the Bravo building.

Yeah, received.

[suspense music]

[Martin] Eleven, here 45.
There is movement in the village.

Still no trace of Salwa.
We remain in observation.

- Ended.
- [soldier] Forty-five, well received.

We stay tuned. Ended.

[beeps]

[tension music]

[Sab] A pick-up is approaching.
At least two pax on board.

I confirm, there are only two.
One at the wheel, the other on the set.

I lose sight.

[Martin] They load gear
at the rear of the vehicle.

They climb into the vehicle.

[tension music]

[Martin] Beacon in motion.

Eleven for 45.

[Martin] OK, guys, it's moving.

It moves, it moves.

Sab, do you have a visual?

Yeah, I got a visual on the van.

[Martin] You cling to them.
You don't let them go.

OK, well taken, I'm the vehicle.

[beeps]

The vehicle parked in Papa Un.
Two pax nearby.

I remain under observation.

[tension music]

Sab for Martin.

We're going to start the descent, okay?

OK well received.

[Martin] Come on, it's good,
we left. Come on.

Come on, go, go, go!

[silence]

[tension music]

[Martin] Okay, Spit,
we resume progress.

OK, let's keep going.

OK, well taken.

[silence]

[engine roar]

Sab, we're 50 meters away
north of the fold.

Do you see any activity?

No activity on site.

[Sab] The van at the beacon
is still parked.

Two pax inside.

[suspense music]

Three armed pax come out.

[Sab] They take a stand
around the pickup.

OK, well taken.

Come on, yala.

[suspense music]

[bleating]

[Martin] Go.

[tension music]

[Sab] A vehicle is coming towards you.

[Paco] Sab, what do you see?

[Sab] A black pick-up approaching
in Dad One.

A pax inside.

[Martin] Well received.

[suspense music]

[heavy breathing]

Hush...

[silence]

[in Arabic] Come on, come on.

[Martin] OK, clear.

Get ready, it might move.

[tension music]

[Arabic comment in the distance]

Three children arrive on the square.

[Sab] They're talking to the pax.

[Paco] They're going to dump us.

I had no other choice, Paco.

[combatant, in Arabic] What is that?

[in Arabic] Music.

- [fighter] Where is your family?
- [boy] At home.

[combatant] It's late to be out.
Where do you live ?

[suspense music]

They go out.

[Sab] The Unidentified Pax
exits the vehicle.

It could be Fares.

OK. Can you confirm it's him?

No, I can... I can't confirm.

[Arabic comment in the distance]

He goes to A1, I lose him there.

And is there
do you have a visual or not, Sab?

[Sab] Got it.

He just returned to Alpha One.

There is a pax with him, she is a woman.

[Martin] Can you identify it?

[suspense music]

It could be Salwa.

Looks like they're about to leave.

Sab, is it clear or not?

- [bleating]
- [Martin] Sab, here we go.

Is that clear ?

I have an intruder.

Guys, stand-by, stand-by.

[bleating]

- [hissing]
- [heavy music]

[the music intensifies]

[the child shouts]

- [the child moans]
- [Sab] Hey!

[the child shouts]

[in Arabic] Calm down.

Sab for Martin. Sab?

[the child moans]

Stop it, damn it! Stopped !

wh*re...

[tension music]

[the child shouts]

Stopped !

[in English] Stop!

Hush...

[heavy breathing]

Sab?

Martin for Sab.

I had a visitor.
A shepherd ten years old,

but it's good, he's next door.

OK, well taken.

- [Martin] You take the one further north.
- Received.

[Martin] OK, guys, green, green, green!

[suspense music]

[Paco] We are in place.

[Martin] Okay, everyone, stand-by.

[Sab] She leaves.

[suspense music]

Pax comes out.

He goes into the next room.

Sab, do you have a visual?

[Sab] I don't see the man.

He goes out. I repeat, he leaves.

Sab, can you confirm it's Fares?

No, I have no vision.

There is movement in the house.

[word in Arabic]

sab,

can you confirm that it's him?

[suspense music]

I confirm, it's Fares.

[Sab] He's going home.

Spit and Paco, are you in position?

[Paco] In position.

- [Martin] OK, Sab, here we go.
- [man] Hassan!

[woman] Hasan!

[Hassan moans]

Hassan!

[heavy breathing]

[Hassan moans]

- [woman] Hassan!
- [man] Hassan!

Sab?

Sab, answer!

[Hassan moans]

[word in Arabic]

[Hassan moans]

Holy sh*t!

[in English] Go away.

[Hassan, in Arabic] Dad!

- [man] Hassan!
- [woman] Hassan!

[Hassan, in Arabic] Dad.

[woman, in Arabic] Honey!

[Hassan, in Arabic] Over there,
there is an armed woman.

[man, in Arabic] Where?

[suspense music]

Let's go. Let's go !

Quick quick !

Sab, f*ck, answer!

[man, in Arabic] Come on, quick!

Come on, faster!

[heavy breathing]

[man, in Arabic] Come on!

Come on, faster.

Help !

[barking in the distance]

[man, in Arabic] Help!

Run away ! Go away !

Sab, what the f*ck?

Martin, the parents took their son back.
They come to you.

[in Arabic] They are armed,
in the mountain !

Run away ! Go away !

They are there, in the mountains!

They are in the mountains!

You hear ?

[sh**ting]

sh*t...

[Martin] Sab, do you have a visual?

[Sab] Negative. He is inside.

Okay, Sab, here we go.

[tension music]

[Paco] Contact!

[action music]

[sh**ting]

- [he gasps]
- [barking in the distance]

[suspense music]

[Martin] Fares! Get out of there !

Fares!

Go outside !

[sh**ting]

[scream of pain]

[heavy breathing]

[word in Arabic]

- [silence]
- [heavy breathing]

Damn, she's touched. Rimbaud.

[suspense music]

[Martin] Damn.

[Rimbaud] It's going to be fine! OK...

[she moans]

[Rimbaud] Damn, wait...

OK, it went through.

[heavy breathing] Okay.

Eleven, here 45.

- [soldier] Eleven listening.
- Here 45, asks QRF. I repeat, QRF!

Eleven, received.

QRF delay...

Forty minutes.

- Forty minutes.
- wh*re.

Forty-five, done.

[Rimbaud] Go ahead, compress, compress!

[tension music]

Sab for Martin.

- [Rimbaud] It will be fine.
- Return to our position.

Received, received. I'm coming.

[suspense music]

[she gasps]

Hey, Paco, go check the door over there.

[Rimbaud] Come on.

So.

[she moans]

- [Rimbaud] Press hard.
- [Spit] Yeah, yeah.

[Rimbaud] That's it. It'll be OK.

OK ?

[suspense music]

[Rimbaud] Straighten it.

- [Spit] Come on.
- [Rimbaud] Come on.

So.

Press hard.

Contact !

- [sh**ting]
- Come on, quick, quick!

[heavy breathing]

[suspense music]

Sab, is that clear?

OK, that's clear.

[Paco gasps]

OK, guys, that's clear.

- [sighs of effort]
- [Rimbaud] Let's go.

Sab, we're leaving the house
towards the HPZ.

[Sab] Received. I pick up.

[fire]

- [tension music]
- [she gasps]

[music: "Knocking on Heavens Door"]

[Martin] Sab, answer.

Sab?

Sab, answer!

[cries in Arabic]

[heavy breathing]

Martin?

Martin?

Sab? Oh god, you lost touch.

Okay, okay, stop. Guys, guys.
Gently. Gently.

Sab?

She's losing too much blood there.

OK.

- Well, we'll meet at the recovery point.
- OK.

- OK. Paco, are you coming with me?
- Yeah.

[Martin] Okay, come on.

[Rimbaud] One, two, three.

- [sighs]
- [Rimbaud] Go go.

- [Spit] Come on.
- Go, Paco.

- [Spit] Cheers, guys.
- Yeah.

[music: "Knocking on Heavens Door"]

[she gasps]

Sab? Sab, can you hear me?

Paco.

[heavy breathing]

[low piano music]

[rock music]