NARRATOR:
We live in a built world.
Engineering and technology,
built upon
innovations and inventions,
stretching back
thousands of years.
Some of our creations,
like machines,
boost our bodies' abilities.
Others help us reach
outside our comfort zones.
We have left an indelible mark
on the planet.
And now the time has come
to use our skills
to make a better world.
WORKER: two, three, lower.
NARRATOR: Like
inventing a new way to fly,
electrically.
Or a device that can smell...
ANN PERSON: I get very
excited when technology works.
NARRATOR: to save
food from going to waste.
THARINDU MADDUMA: Food
waste is enormous global problem.
NARRATOR: Creating a machine...
RESEARCHER: Rob, I'm going in.
NARRATOR: to
heal coral reefs.
ARAN MOONEY: How do
we fix the environment that's
sort of dying in front of us?
NARRATOR: Or even
combining a traditional work of art...
LEWIS STETSON ROWLES: We see
this amazing opportunity to use pottery.
NARRATOR: with
modern chemistry...
NAVID SALEH: Could you
actually make something like that?
Do you have something similar?
NARRATOR: to provide
clean drinking water.
I made a shape similar to that.
NARRATOR: "Building
Stuff: Change It!"
Right now, on "NOVA."
♪ ♪
NARRATOR: Human beings have been
changing our surroundings
for thousands of years.
The signs are written
on the land itself.
We're builders and makers.
And the evidence
is plain to see.
ADAM STELTZNER: Our
whole lives are constructed.
We live in the modern world
in a very altered environment.
And all of that alteration
starts and finishes
with engineering.
ANDREA ARMANI: Engineering
can transform a community by
bringing power, bringing
water, growing food.
DEB CHACHRA: Taking sewage
away, the power grid, telecommunications,
these are all
engineering systems
that are not about
making any one of us
smarter or stronger or faster,
but making us, collectively,
have more agency
and more capacity.
NARRATOR: But
building the modern world
has come with steep costs
and changes to more
than just the land,
like altering the chemical
composition of our atmosphere.
But now there's a new generation
that wants to engineer
a cleaner planet.
So, as an engineer,
when you see the world
as it is, you begin to think,
"How could we make it better?"
So that's our job, to
take the world as it is
and make it better.
Everyone's
engineering background,
it comes from that
purpose of saying,
"I want to solve a problem
that just changes the world."
NARRATOR: One daunting
challenge we face today
is to reduce the
carbon emissions
caused by burning fossil fuels.
Electrifying transportation
offers some hope.
On the ground,
cars, buses, trucks
and trains are gradually
making the switch.
But what about in the air?
Is there a way to
go green in flight?
At Joby Aviation in
Marina, California,
engineers think so.
They're testing a
new kind of aircraft.
WILSON: So, today,
uh, Joby's flight test team
is putting the aircraft
through its paces,
flying range and
endurance missions.
NARRATOR: The
aircraft is a hybrid...
like a helicopter, able
to take off vertically,
but also, like an airplane,
able to fly horizontally
at high speeds.
And it's completely electric.
ARMANI: The
challenge is, you know,
how do we make a
personal helicopter?
How do we make them sustainable?
Right, we don't want to bring
more jet fuel into the world.
WILSON: It is
routine for us to fly
three times a day, cruising
around at about 100 knots.
NARRATOR: Joby's ultimate dream
is to deploy the aircraft
in cities around the world
as flying taxis,
reducing congestion
on the ground.
Today they're in the
final testing stages
of their latest prototype.
But despite promising results,
they're not taking chances
with humans on this round.
WILSON: There's
actually nobody on board
the aircraft
while it's in flight.
The pilots are simply
sat on the ground
in the ground control station,
flying the aircraft remotely.
NARRATOR: Technically,
it's known as an EVTOL,
Electric Vertical
Take Off and Landing.
But it's also capable
of level, forward flight.
As we're going through
our airspeed expansion,
we are testing a,
a certain airspeed,
performing a bunch of tests
to make sure our
aircraft is stable,
and then expanding into
different airspeed regimes
all the way to fully
wing-borne flights.
NARRATOR: This day's
testing is winding down.
A sudden tilt on touchdown
is quickly corrected
by the remote pilot.
Something to tweak
for future flights.
WILSON: Our analysts
look at the data after the flight
to make sure that the
aircraft is performing
exactly as we expect it to.
NARRATOR: As Joby engineers
work to realize their dream,
significant engineering
challenges remain
before regular passenger
flights become a reality.
DARAIO: As you're trying to
develop transportation devices,
you really need to
understand the environment
in which these
systems need to operate
and iterate the
engineering design,
the components, the testing
specifically to those needs.
NARRATOR: Today, it's not
uncommon to see helicopters in city skies.
But they have drawbacks.
They're noisy, the learning
curve to fly them is steep,
they have limited forward
speed, and they burn fossil fuels.
Joby's design is an attempt to
address all of those problems.
VALERO-CUEVAS: You
have identified a problem.
Can you make an airplane
that uses propellers
like a helicopter
but doesn't have that noise?
Well, you've dreamt it up.
The question is,
how do you actually
bring it into existence?
WORKER: All right,
one, two, three, lower.
NARRATOR: One of
the biggest challenges
has been to invent a
new propulsion system.
The idea was to design a vehicle
for four passengers and a pilot
that can rise
straight off the ground
and then somehow
transition to fly like an airplane.
Joby's solution...
six electric motors
that can individually pivot,
propelling the vehicle
up to 200 miles per hour,
eliminating fossil fuels
and reducing noise,
a critical improvement
if they have any hope
of widespread adoption.
That's what gives the
aircraft its unusual profile.
Six smaller propellers
that are quieter than a
single helicopter blade.
But because they're small,
everything depended on
finding the right propeller shape,
a surprisingly
complicated problem,
part art and part science,
with much of the know-how
handed down since the early
pioneers of powered flight.
These propellers may
seem wholly modern.
But if we trace their evolution,
we can see clear
connections to the past.
Leonardo da Vinci's notebooks
contain one of the most
famous early conceptualizations
of a device resembling
the modern propeller.
Da Vinci, in turn, may
have been inspired by
the Greek philosopher Archimedes
and his screw-shaped water pump,
or even by nature.
Certain plants and seeds,
like the maple and sycamore,
have evolved similar shapes.
When they fall from
trees, they look and work
remarkably like
helicopter blades.
At Joby, the design team
is looking for the best shape
to balance power and noise.
We went through a
lot of experimentation
with actual propeller,
uh, prototypes.
We needed to put real work
in, in terms of experiments,
to really understand
this phenomenon.
NARRATOR: To reduce noise, it
helps to understand what causes it.
As each propeller blade
slices through the air,
it creates pressure vibrations.
The strength of those vibrations
depends in turn on
a propeller's shape,
how fast it spins
and the number of blades.
MIKIC: So we iterated
with a number of designs.
We took blades with
a lot of blade area
and then much thinner
blades and, uh, trying to see
how that results in
acoustic generation.
These propellers are
turning much slower
than traditional
helicopter blades.
We varied the shape,
a lot of experimentation.
I think this trial
and error system
is something that allows us
to ever more refine design,
produce and, uh, test,
which, in multiple iterations,
allows us to arrive to,
uh, to optimal solutions.
NARRATOR: The company
has tested several blade shapes,
hoping to find the
best combination
of efficiency,
lightness and durability.
To test each new
propeller design,
the company has built
a large circular track
in an old quarry
near Santa Cruz.
MIKIC: In quarry, we have
what we call "The Whirlybird,"
which is a track kind of
like a roller coaster track
that goes around in circles.
And we have to
test this propeller
not only in hover conditions,
but through all the conditions
that it experienced
through transition
as well as forward flight.
NARRATOR: On the track,
they test each
iteration of the propeller
for durability and blade design,
as well as for noise.
MIKIC: And then we adjust
the angle of the propeller,
the speed of the propeller,
the variable pitch on it
to see how it operates in
different regimes of flight
that the real airplane
would experience.
And we can do this
for hours on end,
days on end, uh, to see
how the system performs.
ARMANI: The
design of a propeller
is a very
theoretically heavy lift.
However, at the end of the
day, experimental results rule.
And their ability to
build that huge test ring
to really, you know, compare
their experimental results
with the, the
theoretical predictions
are really what
allowed them to advance
and push their
entire plane forward.
NARRATOR: Ultimately, they
discovered that their original design,
which was wider,
actually performed better than
subsequent slimmer designs.
The greater surface area
allowed them to slow down
the propeller's rotation speed,
reducing noise while
meeting power requirements.
MIKIC: When you
do the experiments,
you realize you're going down
the wrong path, then you
start to go back and see,
like, well, why is the
thing that I tried to do
that makes things
better actually worse?
So you challenge
your own assumptions.
DARAIO: Challenging
assumption is something that
is an essential
component in engineering.
Being able to harvest the
advances of divergent thinking
and creative thinking
is something that, in the end,
promotes innovation
and allows us
to advance
technology much faster.
NARRATOR: A change to
the shape of the propeller
helps with the
nature of turbulence
generated by the blade.
Exactly how they did it,
a Joby representative
said, is a trade secret.
But the result is a vehicle
that the company says
produces 100 times less
acoustic power than a helicopter.
Eventually, they're hoping
to expand their test program
to include passengers
and move toward
full certification
from the Federal
Aviation Administration.
DIDIER PAPADOPOULOS:
Safety is non-negotiable.
Look, I'm gonna put my
kids on these airplanes,
and so this is,
this is close to me,
just as it is close
to everybody else.
WILSON: Now being able to travel
routinely with an
aircraft like this,
and be able to do
it relatively low cost
and super available to
the masses, is so exciting.
NARRATOR: Today, air travel
accounts for an estimated 10%
of the carbon produced
by all transportation.
It's this kind of
experimentation
that could lead to bigger
changes in air travel.
Electrifying aviation
is one of the hardest
engineering challenges we face.
But not every problem
requires such a difficult solution.
When it comes to finding ways
to reduce carbon emissions,
there is some
lower-hanging fruit.
Over thousands of years,
we've gotten more
and more efficient
at growing food for an
ever-growing population.
But the road from farm to
table can be long and wasteful.
Globally, a third
of all crops go bad
before they reach the table.
And with food production
accounting for about 30%
of global greenhouse
gas emissions,
reducing food waste
could be one solution
to our climate problem.
At least, that's the idea behind
a Norwegian rot-sniffing robot.
The BAMA food
warehouse in Oslo, Norway.
NARRATOR: Anne Person is
the director of quality assurance.
We get about 2,000 pallets
in here every night.
NARRATOR: The produce
comes in from 80 countries.
They're being scanned here.
And then they go straight
to the quality control tower.
This is the first control
that is being done
when it comes to Norway.
NARRATOR: Inspectors
screen the produce
for spoilage, as best
they can, before sending it
to the supermarket.
The problem is we don't
have very much time
to inspect the pallets.
It's maximum 60 seconds.
And also, due to the
setup of the quality stations,
we are only able to control
the two upper layers, maximum.
NARRATOR: That means,
even with experience,
visual inspection
only goes so far.
Inevitably, some spoiled
produce goes undetected
and gets shipped along
with the rest of the produce
all over Norway to
local supermarkets.
PERSON: So our question was,
how can we check
the whole pallets?
So that's when we started
to look at the new technology.
The goal is increased freshness
and reduced food waste.
If you can detect spoilage
earlier in the value chain,
we are also able to do more
with the products
that we might reject.
We can sort them, we can
give them to food banks.
NARRATOR: BAMA connected with
Tunable, a small tech company in Oslo,
inventors of an artificial nose,
or machine olfaction device,
that is already
in use monitoring
the amount of greenhouse gasses
emitted by container ships.
Tharindu Madduma is Tunable's
business development manager.
MADDUMA: BAMA came to us.
They explained that
they had this problem
of determining the quality
of the fruits and vegetables,
being able to do
it at a large scale
and being accurate.
VALERO-CUEVAS:
There's a long history
of inventions
that allow us to
extend our senses.
So we've done that for sight.
We've done that for hearing.
MADDUMA: So, we have
microscopes, we have hearing aid,
but smell is still a sense
that we haven't digitalized.
And that's what we're doing.
NARRATOR: Kristian
Hovet is Tunable's C.E.O.
HOVET: When you take a breath,
you're doing a
multi-gas analysis.
You're pulling in molecules,
and those molecules
are detected by your nose,
and then it's
detected by your brain
to tell you what
you're smelling.
NARRATOR: The
challenge for Tunable
was to take their existing
analyzer for emission analysis
and increase its sensitivity
without making the device
too big and cumbersome
to be useful on a
warehouse floor.
So why use smell?
Our noses are
sensitive detectors,
able to identify a wide variety
of chemicals in the air,
even at low concentrations.
Airborne molecules can
also potentially reveal
what's hidden in the pallets.
These molecules
tell a chemical story
of fruits and
vegetables as they rot.
But the device would have
to be far more sensitive
than a human nose, and
able to detect spoilage
more reliably than a human eye.
Produce, like all living things,
decays after death
as microbes consume dead cells,
releasing volatile
organic compounds.
In theory, the team should
be able to tune their machine
to recognize those molecules.
We knew that we could
look at complex gasses.
We redesigned emission
analyzer, and then we started testing.
NARRATOR: Eivind Jülke Røer
is the lead engineer on
the Tunable e-nose project.
RØER: So now I'm going
to measure fresh grapes
and then some spoiled grapes.
See our e-nose can
smell the difference.
I'll start with collecting
a sample from the ambient air
as a baseline for
the measurement.
[machine whirring]
And the noise you can hear now
is actually the compressor pump
pulling air, uh,
into the analyzer.
So now I'm going to take a
sample from the fresh grapes
to see if there is
anything present there.
NARRATOR: The probe pulls in air
and then compresses it
by a factor of five,
which increases the
density of the sample
and makes molecules
easier to detect.
Next, infrared light
shines through the sample.
The light then
passes through a chip
that sorts different
types of molecules
based on the
specific wavelengths
of light they absorb,
which ultimately
allows the analyzer
and accompanying
software to reliably detect
the presence and concentration
of molecules that
signal spoilage
with extreme sensitivity.
RØER: The reading I got now
doesn't really show any
molecules present at all
compared to ambient air,
which is more or less what I
would expect from fresh fruit.
[machine whirring]
So now I'm going
to take a sample
for the, um, spoiled grapes.
We see a clear difference.
We see up to 12% absorption
at ethanol wavelength,
which is a good indication
that we actually smell
the rotten grapes.
So, uh, this looks
really promising.
HOVET: The fumes
we were able to collect,
we were able to see the,
the kind of the signatures.
NARRATOR: The
engineers then tested
different kinds of
fruits and vegetables
as they decayed, building up
a database of chemical profiles.
HOVET: We saw a tomato was
different, somewhat, from a banana.
Grapes were different
from avocado, for example.
And we thought, well,
this must be interesting.
[laughs]
[compressed air can sprays]
NARRATOR: Thor Bakke
is the founder and Chief
Technology Officer of Tunable.
He's been working with
microelectromechanical systems
for over 30 years.
BAKKE: Tunable is a component,
uh, inside our analyzers.
That's the Tunable filter.
It's used to change
the wavelength of light
so we can scan the
wavelength and do spectroscopy.
[radio playing static
between stations]
Spectroscopy is
very much like, uh,
tuning a radio to find
a particular station.
The gasses are separated
in the infrared spectrum,
just like radio stations.
And then you can basically
detect each one of them.
So that's where the
word Tunable comes from.
NARRATOR: After
extensive fine tuning in the lab,
it's time for the very first
field test in the warehouse.
STELTZNER:
Sometimes you can't learn
about all of the variables
that will be involved in
an engineered system
sitting on a desk
with a pen and paper
or at a computer screen.
You need to go
out into the field.
You need to put it in
the actual environment
and see how it interacts,
learn from that, make changes,
and move forward.
RØER: Now I'm
capturing; I'm in there.
Now I'm ready to do the
measurement on the grapes.
NARRATOR: Eivind
watches the screen,
waiting to see the
telltale grape waveform.
But the pump just whirrs away.
And eventually he gives up.
Uh, I don't really know
what happened here.
Uh...
For some reason, um, the
results wasn't as expected.
NARRATOR: The first time
definitely wasn't the charm.
Murphy's law.
Yeah.
HOVET: We know that it works
in a laboratory environment.
So the big thing now
is showing that
it actually works...
[chuckling]: in real life, and as you
see, there's been some challenges.
CHACHRA: We tend to think
of failure as a bad thing, right?
That something that is not
supposed to happen, happens.
But if you're doing
anything new,
failure is an integral
part of the process.
And the reason for
that is because we can't
perfectly predict or understand
how things are gonna work
in the real world
until we try them.
NARRATOR: Turns out
the warehouse temperature,
a chilly 41 degrees Fahrenheit,
affected the test result.
HOVET: The cold part.
We did know that it
was cold in that area,
but did we take it
on account enough?
No, we didn't.
We should, of course,
have thought about that.
But, uh, but that's the
kind of the learning,
that's the process.
NARRATOR: Back in the lab,
the Tunable team
recalibrated their chip
to account for the BAMA
warehouse temperature.
They also adjusted the design
to include the pumps
that compress the sample,
increasing the
density of the gas
to compensate for the
lower metabolic rate
of the food in the
refrigerated environment.
RØER: It will be
really interesting to see
if the alterations
we have, uh, made,
will actually do the
difference in the field.
NARRATOR: Eivind is back with
the latest iteration of the e-nose.
Further testing in the lab
showed that, even
with the changes,
the machine needs time
to adjust to the conditions
in the warehouse.
RØER: Now, I'll let the
instrument stay here for the night
to reach a steady temperature,
and then we'll do
measurements tomorrow.
♪ ♪
Well, after a long cold night,
the system should
be ready to go.
[machine whirring]
Now we see absorption of light
at more or less
which, um, indicate
ethanol being present.
This really shows that
our new chip is working
in this real environment.
NARRATOR: Eivind uses the e-nose
to sample the air
from various locations
on the entire pallet stack.
RØER: Actually, we see a spike at
the ethanol absorption wavelength,
so that might be something.
NARRATOR: They've
taken an important step.
A successful real-world test
of the newest version
of the Tunable e-nose.
I'm not the most
excited guy, but, um...
[giggles]
this is, uh, this is exciting.
[e-nose humming]
I expected it, although
you never know.
It's a big win.
I get very excited
when technology works.
NARRATOR: Still, there is work
ahead to make the technology viable
and, most importantly, scalable.
MADUMMA: We hope that we
can make them more efficient.
Food waste is
enormous global problem.
comes from food waste.
So if we can be a part
of the solution, it's huge.
NARRATOR: Reducing food
waste is one of many ways
engineers are trying
to slow climate change.
But the negative changes
we've made to our climate
are already damaging
some environments
like coral reefs.
MOONEY: Coral
reefs are in decline.
So one of the things
that I really think about
is how do we fix the environment
that's sort of
dying in front of us?
NARRATOR: Healthy coral
reefs can be stunningly beautiful
and play a critical role
in coastal ecosystems.
They harbor a tremendous
diversity of marine life
and contribute to
the overall health
of the world's oceans
and their coastlines.
A quarter of all marine species
depend on them for survival.
They're also
important to humans.
Often located in shallow water,
they can protect
coastal communities
from damaging storm surges.
And the reefs host a primary,
sustainable food source
for hundreds of millions
of people around the world.
But as the oceans warm,
corals are
struggling to survive.
Excessive heat drives
away the microscopic algae
the coral depend on.
That leads to a
dramatic loss of color,
known as coral bleaching...
a powerful visual indicator
of an unhealthy reef.
But bleaching isn't the only
indicator of a reef in peril...
MOONEY: Not only it looks brown
and is lacking these
beautiful, vibrant colors,
but it just sounds dead.
[underwater ambient noise]
NARRATOR: That's where sensory
biologist Aran Mooney comes in.
MOONEY: My background is
in hearing and in bioacoustics.
And I study how animals
perceive the world around them.
[wildlife chittering]
Coral reefs are kind
of rainforest of the sea,
and just like a
really rich forest
might have a lot
of birds calling,
and you might hear the
monkeys calling in the background,
coral reefs are really the same.
So basically a
healthy coral reef
has a really healthy
rich soundscape.
[crackling, snapping]
NARRATOR: Snapping
shrimp, lobster, and fish
create a symphony indicative
of a biodiverse community.
MOONEY: And a degraded coral
reef is just an impoverished soundscape.
It sounds quiet,
kind of desolate.
So, by listening
to the soundscape,
we can kind of
track that biodiversity
and understand when
that change is happening.
♪ ♪
NARRATOR: Off the coast
of St. John in the Caribbean,
a team from the Woods
Hole Oceanographic Institution
in Massachusetts
conducts bleaching surveys,
finding evidence
of degraded reefs.
[water splashing]
To your right, there's
some bleached coral.
You knew there's going
to be bleaching here, right?
But then it's freaking
everywhere, right?
YOGI GIRDHAR:
I've been coming here
five or six years now,
this was the first time
I have seen such bleaching.
NARRATOR: Yogi
Girdhar is a roboticist
and computer
scientist at Woods Hole.
GIRDHAR: I am working on
robots and A.I.
and machine
learning-based techniques
to understand complex
ecosystems in the ocean,
such as coral reefs.
NARRATOR: A question they pose:
is it possible to build a robot
that can seek out
and find healthy reefs
on its own? [electronic beeping]
If they succeed,
the robot could provide an
efficient and cost-effective way
to find healthy coral
reefs, map them,
and monitor their health.
[electronic crackling]
The soundscapes
recorded by the robot
could be a vital tool in
diagnosing reef health
and tracking decline
or improvement.
♪ ♪
MOONEY: Good job, team!
♪ ♪
NARRATOR: The team has
been collecting data on reefs
for over a decade.
You're going through this. Yeah.
I might be able to
thread it through here.
NARRATOR: They have
mountains of information;
including audio and video.
They've even created
for further study.
Helping them gather this data
is this third-generation robot.
GIRDHAR: We call it CUREE...
C-U-R-E-E.
It stands for Curious Underwater
Robot for Ecosystem Exploration.
NARRATOR: It's equipped with
sensors, microphones, and cameras
and is still very much
under development.
GIRDHAR: The design of a robot
is always evolving.
Our robot is never finished.
NARRATOR: It's an
engineering challenge
with a lot of moving parts.
So they've broken it down
into many small steps.
MARIA YANG: There
are many, many problems
that you can solve with
an engineering solution.
But I think you have to
really understand
what the problem is
and sort of pick
the two or three
that really you want to address.
Otherwise, you kind
of fall into this trap of
trying to solve all the
problems all at once
and you run out of resources.
♪ ♪
NARRATOR: This morning, the
team is prepping for its latest test
right off the dock.
MOONEY: All right, Dr. Girdhar.
Are you ready?
Always.
GIRDHAR: I'll manage
the tether. Got it?
NARRATOR: To start, they'll
place a speaker on the ocean floor,
playing a recording
of a healthy coral reef.
A sound file they captured
from a previous trip.
SETH McCAMMON: It should be on.
GIRDHAR: Yeah. All right.
We hear it.
[electronic crackling]
NARRATOR: They're
hoping the robot
will recognize the
sound through the water
and be able to record it.
In this outing,
the robot is not
moving autonomously.
Researcher Seth McCammon
is operating the robot remotely
to steer and
position it for the test.
I'm getting it in
line with the thing
so we can start
to look at the data.
GIRDHAR: If the robot
doesn't work with this sound,
it's probably not going to
work on the real coral reef,
so it's a good, good test.
NARRATOR: Experimenting
with sound underwater
is not a new idea.
In the 1800s,
a Swiss physicist and a
French mathematician,
armed with a bell and stopwatch,
measured the speed at which
sound traveled underwater.
On one side of Lake Geneva,
Charles François Sturm
rang a submerged bell,
[bell ringing] while
Jean-Daniel Colladon
used a long tube to listen
underwater across the lake...
[watch clicks]
pressing his stopwatch
to keep track of
how long it took
the sound to travel across.
Surprisingly, they
found that water
is a better conduit
for sound than air.
Sound travels through water
roughly five times faster.
Today, the Woods Hole team
will be using the speed
of sound underwater
as part of their calculations.
The robot is equipped
with four microphones
designed for underwater use
called hydrophones.
As the sound from the speaker
speeds through the water
in all directions,
it reaches the hydrophones
at slightly different times...
just milliseconds apart.
The researchers look
at a computer display
that shows the
signals recorded...
[electronic chirping]
on each hydrophone.
McCAMMON: And so it will hit
one hydrophone before the others
and by looking at the
relative time of arrival
at those different hydrophones,
we can figure out which
direction it came from first
and then steer the
robot in that direction.
♪ ♪
NARRATOR: The
robot correctly identifies
the direction of the sound...
an important first step
toward autonomous navigation.
♪ ♪
A small but important victory.
♪ ♪
McCAMMON: It's like
you're building out of LEGOS
and you're building up a house,
brick by brick by brick.
And it only works
when the house is fully done.
But you need to know
that each single brick in that
works on its own in isolation
before you're willing to
add it to the larger picture.
MABRY: And so, you
have this massive goal
that you're trying to achieve,
but there needs to be
attainable goals along the way
because ultimately,
you're dealing with a
system of components,
a system of elements
that need to work together
in order for this
to be successful.
NARRATOR: CUREE
is ready to step up
to a bigger challenge.
Locating an actual
healthy reef by sound...
something less predictable
than what the speaker provided.
One of the healthier
reefs in St. John
is in nearby Joel's Shoal.
GIRDHAR: I propose
we drop the robot
like 20 meters...
MOONEY: We're like ten meters
off the reef right now.
NARRATOR: They'll place CUREE
approximately 20
meters from the reef.
[electronic chirping]
To succeed,
it just needs to orient itself
toward the sound.
Robot going in.
All right, cast away!
[electronic melody]
McCAMMON: So the test today
is mostly just
trying to figure out
if the robot can
accurately determine
which direction
the reef sound is in.
NARRATOR: It's a
more complex test.
This time CUREE is untethered
and the boat is drifting
with the ocean current.
NARRATOR: If they lose contact,
they could easily
lose the robot entirely,
and all of the engineering
that went into it.
♪ ♪
MABRY: When they began to
design this autonomous robot
that would go underwater,
there is a need
to make sure that
this thing is able to behave
in an environment
where, if it doesn't,
we can retrieve it...
NARRATOR: CUREE locates
the direction of the healthy reef.
Which is encouraging.
NARRATOR: It's
another successful test.
[electronic crackling]
The next big hurdle,
can CUREE not only locate,
but then move towards a
healthy reef autonomously.
This will be a crucial
milestone in the mission,
which is to ultimately
build a fleet of robots
to map, monitor, and record
the health of corals
around the globe.
While reefs are under
serious threat all over,
there are some signs of hope,
and some surprising ideas
for ways to protect them;
including one that came
from this team's research.
♪ ♪
In their work, they discovered
that the sound of a healthy reef
might actually have
an indirect healing effect
on a stressed reef.
It has to do with the
coral animal's life cycle.
Newly born baby corals...
tiny larvae...
drift in the ocean,
searching for
somewhere to settle.
It turns out the sound
of a thriving coral reef
signals them to
settle into place.
Once they find a spot,
they can be very resilient
and grow for centuries.
So the more larvae
a reef can attract,
the healthier it will be.
And that gave the team an idea.
We know these reefs are degraded
and we want to rebuild them
by attracting the
larvae, the baby coral.
NARRATOR: In a past experiment,
the team found that larvae
could be drawn to
recordings of healthy reefs.
So by placing speakers
in strategic locations,
they could give a boost
where it's needed most.
MOONEY: And that system actually
leverages the healthy landscape
and plays it back
into the environment
and the idea is that
it induces coral larvae
to kind of choose that
environment and settle.
NARRATOR: The result?
Up to seven times
more larvae settlement
compared to a degraded reef
without the audio boost.
A very encouraging sign.
♪ ♪
But back to St. John and CUREE.
The team is ready for
the final test of the day.
McCAMMON: The robot
is going to use the direction
that it's finding
from its hydrophones
and then drive itself
to whatever the nearest
acoustic source is,
which we're hoping is
going to be Joel's Shoal Reef.
NARRATOR: This time,
since CUREE will pilot itself,
it's tethered for safety.
They put CUREE in the
water and give it the green light.
NATE FORMEL: Are we expecting it
to be moving or not?
McCAMMON: We are.
NARRATOR: It looks at
first as though it's orienting
toward the sound of the reef.
It thinks it's moving.
NARRATOR: But after
a few minutes it's clear
that CUREE isn't
making much headway.
It's just dumb stuff in
the way that I wrote.
NARRATOR: It seems there's
an issue with the software.
♪ ♪
All right, bring it back.
[ratcheting]
It's coming up.
FORMEL: I can now see it.
NARRATOR: They're
starting to lose the light.
It's getting dark.
[indistinct chatter]
NARRATOR: They weren't
able to check off everything
on the day's to-do list,
yet they remain upbeat.
GIRDHAR: Overall, I am
happy right now because...
McCAMMON: We ended
the day with as many robots
as we started the day with.
NARRATOR: It's
frustrating in the moment,
but they're making progress.
STELTZNER: The
creative act of engineering
has got disappointment,
has got failure,
and that's how we learn.
[chuckling]: So, it
is a big ball of, of...
two steps forward
and one step back.
When you have a
very massive "Why"
and a very massive purpose
for what you're trying to do,
such as save the coral reefs,
it allows you to experience
the disappointment
but not be defeated by it,
and continue to try the
process of moving it forward.
♪ ♪
If you're not failing you're
not trying hard enough.
[voiceover]: Yeah,
it's very frustrating
but when it works,
it's very satisfying.
NARRATOR: Engineering
solutions to the climate crisis
will require
creativity, innovation,
and a global commitment
to making smart choices.
But we face many
other challenges as well;
like restoring
balance to the land
after decades of
industrial pollution.
♪ ♪
On Navajo land in Arizona,
an Indigenous artist and
engineers are collaborating
on a unique, local approach
to purifying contaminated
drinking water.
[birds chirping] This
pristine-seeming landscape
conceals a serious problem.
in the Navajo Nation
lacks access to
clean drinking water.
Decades of uranium mining
has polluted the land.
The United States government
used the heavy metal
to develop the atomic b*mb
and power its nuclear
weapons program
after World w*r II.
CHACHRA: When
we think of engineering,
people are suspicious
of it because,
for a good part of
the 20th century,
one of the stories
of engineering
was engineers making
decisions about systems
that affected a
lot of other people.
And often those
effects were not positive.
NARRATOR: Byproducts
of uranium mining,
such as strontium,
can mimic calcium in the body,
causing it to be
absorbed by bones.
The E.P.A. has
awarded $3.8 million
to support three
drinking water projects
to benefit the Navajo Nation.
Some are proposing other, more
homegrown solutions, as well.
[stone grinding]
Deanna Tso is a third-generation
Navajo artist who works in clay.
TSO: People always ask me,
"When'd you learn
how to do pottery?"
I always say,
"I was born making it."
Both my parents, my
mother and my father,
both did Navajo pottery.
[car doors closing]
NARRATOR: She has been
collaborating with scientists
Navid Saleh and
Stetson Rowles...
[knocks on door]
Hey! Good morning.
Hey, Deanna.
NARRATOR: on a
project meant to address
the water contamination problem
on a very human scale.
SALEH [voiceover]: I believe
that engineering without people
is destined to fail.
Good. Good. Long drive.
SALEH [voiceover]: There
is this experiential knowledge,
knowledge that is housed
within people's lives,
yet to be unlocked.
NARRATOR: Not
all people here use
or have access
to municipal water,
so the goal is to call
upon local knowledge
to find a sustainable
way to purify water
closer to the home.
YANG: We often think
of engineering as only being
the latest and
greatest technology.
But, people have practices
that are very effective now
and, and have been for,
you know, decades,
centuries longer.
And so what can we learn
from those, existing approaches
that are already effective?
So Deanna, this
was something that...
NARRATOR: On this trip,
the scientists want to build
a new prototype clay filter
for use in household
water containers.
The hope is to integrate
locally sourced minerals
so that the finished filter will
remove uranium byproducts,
like strontium, from the water.
SALEH: Could you actually
make something like that?
Do you have something similar?
I have one that I make
with the cone shape.
NARRATOR: Navajo
potters like Deanna
use a local tree sap as a glaze.
Navid and his team wondered
if the sap could be used
as part of a
decontamination filter.
SALEH [voiceover]: What we
found was how much knowledge
the Navajos already
had about the sap.
They already knew
it has health benefits.
So this is a printout of the...
NARRATOR: Navid and his
team recently conducted tests
that translated
Indigenous knowledge
into the language
of biochemistry;
quantifying the extent of the
sap's antimicrobial properties.
Now, they hope to expand
the filter's capabilities
to radioactive contaminants.
YANG: They worked
together, collaboratively,
to make something new and better
that serves her community
in a really, powerful
and very collaborative way.
We can engineer
a shape or a design
that's going to work well,
not only to filter water,
but people will want to use.
[voiceover]: We see
this amazing opportunity
to be able to use pottery,
or ceramics, as filters,
because it's so a part
of people's everyday life.
Particularly in places
like the Navajo Nation
where traditional
practices are so important.
TSO: Okay.
ROWLES: Which way?
NARRATOR: Navid and Stetson want
to learn the process of making pottery
the way Deanna's
mother taught her...
because collaboration
is strongest
when it is truly
interdisciplinary.
TSO: Yes.
You see that gray spot?
NARRATOR: Deanna
starts from scratch,
harvesting clay from
a rocky outcropping
on Navajo land.
Okay, so this portion is what?
That portion is clay. Okay.
SALEH [voiceover]: We
often as scientists believe
that we know a lot.
But we forget,
science as a discipline
has only been
around for 500 years.
NARRATOR: There are many
ways of generating knowledge
besides the modern
scientific process.
CHACHA: These
are all different ways
in which we interact
with the physical world.
That diversity
gives you new ideas.
And thinking about
how to put together
old technologies
and new technologies
might lead to
entirely new paths.
It creates a symbiotic effect,
because the more
people feel included
in what is being
produced by something,
the more people see
themselves being a part of
the producing of that thing.
NARRATOR: Next... they
source sap from pinyon trees.
There's one right here,
let's check this one.
♪ ♪
[crunches] ROWLES: Whoo!
We hit the jackpot
with this tree.
TSO: We were
blessed for the day.
Come on in. [keys jangling]
I usually just take
this much out.
NARRATOR: Deanna
demonstrates how to grind minerals
into the fine grains
that make up her clay.
One of you want to go
ahead and give it a try?
ROWLES: I think
there's a lot of engineering
that goes into creating pottery.
The freedom that it
allows to make any shape.
[squeaking]
STELTZNER: The fusion
of art and engineering.
Or maybe even the boundaries
between art and engineering...
perhaps they don't exist.
Perhaps they're
really the same thing,
painted with a
different palette.
NARRATOR: Stetson and
Navid are working with Deanna
to prototype a shape
for the clay filter.
I don't know if you know Deanna,
but I've been making some
pottery since high school,
and I made this
shape to try and see
if maybe we can explore
making some shapes together.
I made a shape
similar to that...
and it looks like this.
And we do make these
traditional Navajo pipes.
Do you think you can
make some grooves
similar to something like this?
Kind of like an
accordion basically,
so it has the same surface
area but in a smaller size.
♪ ♪
NARRATOR: Adding grooves increases
the total surface area of the shape.
More surface area
will mean more contact
with the water inside.
TSO: I'm going to show you
an option we have
that we can try:
Coil. Yeah. Making a coil.
Making a coil.
♪ ♪
NARRATOR: Next,
the new prototypes
need to be fired.
SALEH: We have been
working with Deanna
for almost nine years now.
TSO: Make sure we have
it covered nice and good.
SALEH: Working
with her side-by-side
as an equal
partner intellectually,
only opens opportunities
that are more meaningful
than we scientists
would ever find
sitting at our desks.
NARRATOR: The last step:
heat and strain the pinyon sap,
creating the
microbe-resistant resin,
which acts as a glaze
to coat the pottery.
And now, a new
addition to the filter.
ROWLES: Can
you grab the zeolite?
NARRATOR: The scientists
are using powdered chabazite,
a type of naturally
occurring zeolite,
found abundantly on Navajo land.
♪ ♪
Chabazite is a porous crystal
made of sodium, calcium,
and aluminum silicates
that has the ability to trap
and absorb contaminants.
♪ ♪
Finally, Deanna
applies the resin.
TSO: The pottery
itself has to be hot.
The sap has to be hot.
NARRATOR: The team
hopes the chabazite
will add function to the resin,
removing uranium
byproducts, like strontium,
from any water that
comes into contact with it.
ROWLES: Wow, the
colors are beautiful.
♪ ♪
NARRATOR: Back at the
University of Texas at Austin,
it's time to test their water
filter prototypes in the lab.
We've got some of the clay.
NARRATOR: Using the materials
they sourced with Deanna,
the scientists create
small clay discs...
ROWLES: try
and just punch out,
a little disc like that...
NARRATOR: And coat them with
the same chabazite-enriched resin.
These are tiny lab
versions of Deanna's pottery.
To test the discs,
the researchers expose them
to strontium-contaminated water
to see if the resin will
successfully absorb
the uranium byproduct.
♪ ♪
If the filter works as expected,
the chabazite will capture
strontium from the water
through ion exchange as
the water passes through.
♪ ♪
ROWLES: Hey, Andrei. ANDREI
DOLOCAN: What's up, bud?
Here's the sample.
Yeah, thank you.
NARRATOR: Senior
research scientist
Andrei Dolocan
loads a sample into an
ion mass spectrometer.
It scans the sample
on the molecular level,
layer by layer,
over several hours.
When it's done,
the result is a map
of the elements
within the scanned
sample surface.
When the clay disc
is completely scanned,
it's time to check the results.
This is the strontium signal.
NARRATOR: The data show
that the strontium is found
in the same places as
chabazite in the resin...
DOLOCAN: We have the
zeolite, obviously sodium,
aluminum-silicon.
Uh-huh. DOLOCAN: Okay.
And now the, strontium
is increasing exactly like...
NARRATOR: It's
an encouraging sign
that the chabazite is
working as expected
when used with Deanna's
pottery technique.
SALEH: So I
guess it was a really,
successful run, Andrei.
Yeah. We can see association
of strontium with the zeolite.
DOLOCAN: I agree,
this is a good start.
ZILEVU: One thing
that I've learned
from the research
and design process
is that kind of doing
co-creation activities
with the end user,
it's really a way to kind
of bridge and create
new, innovative process,
because you're
bringing the people
who are using the technology
throughout the whole journey.
So this is the one
that Deanna made...
NARRATOR: Now a few
steps closer to their goal,
the researchers will work
to incorporate Deanna's spiral
and the chabazite's
filtering power
into their final design.
So moving forward,
I think the most difficult
engineering challenge
is yet to come.
And I think it's going to be
translating our results from,
you know, a lab scale experiment
to something that's
going to be usable
in households throughout
the Navajo Nation.
♪ ♪
[birds chirping]
MABRY: At the end of the day,
we want to unlock
human potential.
And in order to
unlock human potential,
we are not doing
ourselves a justice
if we continue to only
demand certain solutions
from a subset of
our populations,
the more we can get
more people included,
the more we can unlock
not just solutions to
problems that we now see,
but things that are yet to come.
♪ ♪
NARRATOR: As we change
our world through engineering,
it's up to us to make changes;
for all of us, by all of us.
ARMANI: I think
we're all engineers.
We all build things,
we all design things.
[chuckling]: We all break things
and then have to fix them
and put them back together.
NARRATOR: And we get to decide
what comes next.
What if we were to design this?
What if the world
was to look like this
in 50, 100 years? What
could that look like?
♪ ♪
ALI HAJIMIRI: The
engineer's work is never done...
If you're not failing, you're
not trying hard enough.
You can always
create something new.
♪ ♪
NARRATOR: Building stuff
to change the world.
♪ ♪
♪ ♪
♪ ♪
♪ ♪
♪ ♪
♪ ♪
Welcome to our World! Where we serve you cookies to ensure you get the best viewing experience on our site.
Did you know that you can remove censorship board-wide, use our advanced search functions, be notified when new content is posted, join our memberships, set episodes to show in any order you want & more if you are logged into your account?
Register or sign in here: ucp.php?mode=register
Did you know that you can remove censorship board-wide, use our advanced search functions, be notified when new content is posted, join our memberships, set episodes to show in any order you want & more if you are logged into your account?
Register or sign in here: ucp.php?mode=register
51x20 - Building Stuff: Change It!
Watch/Buy Amazon
Nova often includes interviews with scientists doing research in the subject areas covered and occasionally includes footage of a particular discovery.
Nova often includes interviews with scientists doing research in the subject areas covered and occasionally includes footage of a particular discovery.