[GRUNTING]
[INDISTINCT CHATTERING ON TV]
[GRUNTING]
[THUNDER RUMBLING]
[GROANING]
RHEA:
You and me...
[MOANING]
RHEA:
...always forever.
MOM:
Thomas.
Thomas!
Thomas!
Thomas!
f*ck!
-MOM: Thomas!
-What?!
MOM:
Thomas!
THOMAS:
What, Mum?
-What are you up to?
-What?
Working, why?
John's coming.
Who is John?
Pest control.
Are you wearing makeup?
I just need you to take him
to the basement.
Well, I can't.
I'm busy, okay?
Would you just get down here?
I need a piss first.
Hurry up.
[DOORBELL RINGS]
JOHN:
No, no, no, no, no, no, no.
-JOHN: I prefer to leave it in.
-[DOOR CREAKS]
Tom, would you take John
to the basement?
And then please clean that room,
yeah?
That's why we got mice.
I can't, Mum.
I'm going out.
Going where?
You never go out.
Yes, I do.
Would you just take him
to the basement first, yeah?
[SWITCH CLICKS]
[FOOTFALLS]
[CLICKS TORCH]
Just you and your mum
living here then, eh?
Yep.
No dad?
No.
[MICE SQUEAKING IN DISTANCE]
[SIGHS]
Vermin.
[MIMICS MICE]
You give them warmth, food.
They never leave.
Yeah, it's just gonna take long
because I was somewhere to be.
Didn't your mum tell you
you had to clean your room?
Yeah.
I can do what I like, thanks.
I'm a fully grown man.
That you are.
[CLICKS]
That you are.
[RINGTONE DIALLING]
DANO: [OVER PHONE]
Yo.
Yo.
DANO: [OVER PHONE]
What you sayin'?
Yeah, yo man, no I can't.
DANO: [OVER PHONE]
See?
I can't hear you,
but what you up to?
DANO: [OVER PHONE]
Working, lad.
Why what you sayin'?
You coming down?
Yeah.
Yeah man, no, no,
I thought I'd come down
and say hi.
It's been a--
it's been a while.
[INDISTINCT LYRICS]
Yo, you actually came, my G.
I had to get up the house.
Mate, I've not seen you
in months.
Mum's doing my f*cking head in.
What?
Mum.
I think she's dating.
You need to get laid, bro.
[POURS]
Thank you.
DANO:
It's getting a bit pathetic.
[VOCALISING]
Hey, Tommo.
You good, my brah?
Going for a smoke.
[TAKES A DRAG]
[INDISTINCT LYRICS]
[INDISTINCT LYRICS]
I think you're beautiful.
What?
Come, dance with me.
What's your name?
Rhea.
What's yours?
Thomas.
I can feel your heart.
[INDISTINCT LYRICS]
[ALARM BLARING]
What the f*ck.
[PISS TRICKLING]
Using the toilet.
Hello, mate.
Sorry to bother you while you
almost got your hands full.
[PISS TRICKLING]
Anyway...
I just wanted to say that
um, what I'm trying
to say is,
I'm not just here for the shag.
I do like her.
We like each other.
[BELT BUCKLE RATTLES]
[FLUSHING]
All yours.
-[BANGING ON TV]
-[BANGING NOISE IN DISTANCE]
[MUNCHES]
-[BANGING ON TV]
-[BANGING NOISE IN DISTANCE]
[MOANING IN DISTANCE]
[INDISTINCT TV CHATTER]
[MOANING IN DISTANCE]
f*ck sake!
[VEHICLE WHOOSHING]
DANO:
Yeah, bro, been thinking.
Why don't you come work here?
Get out the house.
THOMAS:
You know I got my portfolio
to work on, man.
I'm busy.
[THUDS]
It's my house too, you know.
It's your mum's house, mate.
She smashes more than you do.
f*ck off.
Just saying, bro.
You seen that Rhea girl?
Who?
The one who asked me to dance.
Out your league, lad.
[MESSAGE RINGTONE]
I did ask around about her,
though,
and apparently
she doesn't even have a phone.
Why are you asking
about her phone number?
She'd have social media either.
So what?
She's different.
She's weird, mate.
I mean, who doesn't have
social media nowadays?
Don't like that.
I do.
I bet you do.
f*cking weirdo.
[FOOTFALLS APPROACHING]
All right?
[SOBS]
Did you slam the door earlier?
No.
Must have been the wind.
Making Spag' bol'.
Will John be eating
with us again?
Do you have a problem with that?
No.
[CRUNCHES]
Your life.
Yeah, it is, and--
and it's my home.
[THUDS]
I think he wants a word
with you later.
About what?
[UTENSILS CLANKING]
JOHN:
I'm moving in.
[LAUGHS]
What?
You can't be serious.
Are you serious?
That's a bit soon, innit?
Not at our age, no.
John has a lovely flat
in Hornsey.
So he can live there.
Well, we were thinking,
you could sublet it.
You kicking me out?
No, of course not.
Yes, she is.
How the f*ck am I even going
to pay for rent?
You could get a job
like the rest of the--
Oh what, like a rat catcher?
At least
he has a paying profession.
I told you, Mum, it takes time
to build a portfolio.
How long, Thomas?
How long are you going to
lock yourself away in your room?
Working on your bloody
portfolio.
I'm an artist, Mum.
-It takes--
-No, you're lazy!
I've made it too easy for you.
[THOMAS SCOFFS]
Now my house is filthy.
There's rotting food everywhere.
There's mice upstairs, Thomas.
That's my fault, is it?
Time to cut the apron string,
lad.
Who the f*ck even are you?
I don't even know who he is.
[UTENSILS CLANKING]
I'm pest control.
[NERVOUS CHUCKLE]
Are you--
Well.
I thought that went well.
[BIRDS CHIRPING]
[DOOR CLOSES]
This would be good for you.
I made you spag' bol'
for your dinner.
Thanks.
[BIRDS CHIRPING]
-Won't be long.
-[MOM CHUCKLES]
[DOOR CLOSES]
[ENGINE WHIRRS]
[THUDS]
Right then, that's the lot.
So, electric and gas,
200 pound a month
But you can blame Rich ball,
sad sack for that,
Or Vladimir poo stain.
There you go, and water rates,
council tax.
-[CHUCKLES]
-[PATS]
Welcome to the Horror Show,
kid.
[THUNDER RUMBLING]
[POWER SHUTS DOWN]
Oh, my f*cking life.
[LICKS AND MUNCHES]
And five pound on electric,
please.
Five pound?
Yeah.
Okay.
Five pound.
[LAUGHING]
Spare some change, brother.
Sorry, man, that's all I got.
They bleed us dry, huh?
[PHONE RINGING]
Yeah, hello?
DANO: [OVER PHONE]
Bro, where you at?
Uh...
I don't know, man.
DANO: [OVER PHONE]
I think you should
get down here.
No, no, I'm broke.
DANO: [OVER PHONE]
Bro, Rhea--
What?
DANO: [OVER PHONE]
Get down--
...is here.
No, I can't hear you,
you can't--
DANO: [OVER PHONE]
Rhea's here!
[VOCALISING]
[INDISTINCT CHATTER IN DISTANCE]
Yo, water.
[PANTING]
[INDISTINCT LYRICS]
f*ck, bro, you're thirsty.
Where is she?
Booth.
Don't overthink it,
just go over and talk to her.
Hi, Rhea.
Thomas?
You asked to dance
with me a couple of weeks ago.
You said I was beautiful.
[CHUCKLES]
All right, mate, do you mind?
Take care, beautiful.
[POURS]
What the f*ck
did you do that for?
I thought it was funny.
At least you took
your shot, lad.
Prick.
[VOCALISING]
RHEA:
Hi.
You didn't notice me on the bus?
So, are you gonna invite me in?
What about your date?
He didn't taste nice.
[KISSES]
Mm.
You taste better.
[DOOR OPENS]
Come on in.
Thank you.
[FOOTFALLS THUDDING]
[DOOR CLOSES]
THOMAS:
Oh, f*ck, electric.
No, just give me--
give me a minute.
Rhea.
Just, um, just gonna sort out
the electric.
Give me a minute.
[BREAKER CLICKS]
Hey.
[CHUCKLES]
Um...
Rhea?
Where'd she go?
Um.
How'd you find
the bedroom in the dark?
Mm.
I have night vision.
Can I-- can I get you anything?
Do you want, um, coffee?
No, thank you.
Uh, I'm gonna go crush
on the couch.
Okay.
You can sleep here if you want.
Really?
Just gonna-- just gonna go
brush my teeth, yeah.
Let's get laid.
Don't be afraid of me.
I'm not afraid.
What?
Why'd you come home with me?
Maybe you're the one.
Good night.
Night.
Ow, ow, ow.
[CHUCKLES]
Rhe-- Rhea?
Ow, ow, ow, ow, ow,
what are you doing?
No, stop it!
Let go, let go, please!
What the f*ck?
Thomas? Thomas?
You taste amazing.
No.
It's just a nightmare,
wake up, Thomas.
Wake up, wake up,
it's a nightmare.
Thomas?
Don't worry.
It will heal very fast.
Don't be afraid.
Do you want me to leave?
Okay.
Shall I leave
my home phone number?
Okay.
Okay.
Crazy.
-[GRUNTS]
-[WINDOW CREAKS]
[PANTS]
[COINS RATTLE]
2.70 please.
A bit of draining, I'll say.
[MACHINE BEEPING]
[DOOR CLOSES]
[PHONE RINGING]
WOMAN 1: [OVER PHONE]
Hello?
Um...
Uh, is-- is Rhea there?
WOMAN 1: [OVER PHONE]
She's not here.
Spare some change, brother?
I'm sorry, man.
I barely had enough for Lecky.
But...
Check this out.
[THUNDER RUMBLING]
She got you too.
You're hooked now, boy.
[SINISTER LAUGHTER]
-[BITES]
-[BLOOD SQUIRTS]
[SCREAMS]
[TAKING DEEP BREATHS]
Oh my God.
[SIGHS]
[TOILET SEAT THUDS]
[PISS TRICKLING]
[INTERCOM BUZZES]
[FLUSHES]
Hello?
RHEA: [OVER INTERCOM]
Hello.
Hi.
RHEA: [OVER INTERCOM]
It's Rhea.
You called for me?
Um, uh, yeah, yeah.
RHEA: [OVER INTERCOM]
Are you going to invite me in?
Yeah, you actually need
an invite.
RHEA: [OVER INTERCOM]
Of course.
Should I go home?
No, no, no. Um...
No, I'll come let you in.
[PHONE HANGS UP]
[DOOR CREAKING]
Hi.
So...
What do you want to talk about?
Are you a vampire?
[SIREN WAILING IN DISTANCE]
What do you think?
And are there more like you?
I suppose.
How come I haven't turned
into one yet?
You've seen too many movies.
Are you going to k*ll me?
Of course not.
But you do want
to suck my blood?
Didn't you like it?
So...
Can I come in?
[VOCALISING]
[SPITS]
Thomas?
I'm...
I'm hungry.
[INDISTINCT LYRICS]
[SIGHS]
[GRUNTS]
I feel proper light headed,
you know.
You need food.
I'll buy you breakfast.
Are you my sugar momma now
or something?
You what?
I says,...
[GRUNTS]
"Are you my sugar momma now
or something?"
[SCREAMS]
I'm sorry, I'm sorry, I'm sorry.
I'm sorry, I'm sorry, I'm sorry.
I'm sorry, I didn't mean to,
I didn't mean to.
[RHEA CRYING]
f*cking stupid.
[RHEA CRYING]
Rhea?
[RHEA CHUCKLING]
-You're laughing?
-[LAUGHING]
No, that's not fair.
You scared me.
[LAUGHING]
I thought you were burning.
[LAUGHING]
Come on, let's go.
[FOOTFALLS THUDDING]
[MUNCHING]
Now this,
this is real food, you know.
Bet blood don't taste this good,
does it?
Hmm?
It tastes like light.
[CHUCKLES]
Like light, yeah, sure.
RHEA:
From the right person.
[INDISTINCT LYRICS]
Bit weird feeling like
a meal ticket.
[MUNCHES]
Now you know how I feel
all my life.
[UTENSILS CLANKING
IN BACKGROUND]
So how did you actually,
you know, become a vampire?
You have to eat one's heart.
[CHUCKLES]
What?
[LAUGHS]
You--
[CLEARS THROAT]
You actually ate
a vampire's heart?
It was a long time ago.
So sunlight really
doesn't bother you?
I get some eczema.
Eczema?
In the movies
that burn to a crust.
It is crusty.
Look.
Hardly.
[CHUCKLES]
We moved to London because
it's nice and cloudy here.
Who's we?
Me and my old man.
Is he like you then?
No.
He's like you.
So normal.
I should probably
go and see if he's okay.
What, right now?
He's not well.
Okay.
Bye, Thomas.
Thank you for a nice time.
Bye.
I'll see you later, yeah?
f*cking "normal", you idiot.
So, er...
Thomas, tell me.
What have you been up to
the last five, six years?
[CLEARS THROAT]
Mostly working on my portfolio.
Right, so now that's
your work then?
[CLEARS THROAT]
Honing my craft was my priority.
Sure you can handle
a nine to five?
Yeah.
Of course.
Right, your work's good,
but it's not great.
You've got some skills,
but nothing special.
Yeah, being honest,
I've got interns
with a similar skill set.
What uni do you go to?
THOMAS:
The Northern School of Art.
I never heard of it.
Where's that?
Middlesbrough.
Right, okay.
Look, my advice
for what it's worth would be
to take an internship.
Start from scratch, yeah?
Perhaps like you should have
done five or six years ago.
How's that sound?
Yeah.
Thanks.
[PHONE DIALLING]
AUTOMATED VOICE: [OVER PHONE]
Sorry, you do not have
enough credit for this call.
f*ck!
WOMAN 1: [OVER PHONE]
Hello?
Is um, Rhea there?
WOMAN 1: [OVER PHONE]
She not here.
Um, cool.
Could you just um,
Could you just tell her that
Thomas called, please?
Hello?
Hello, are you there?
[PHONE RINGING]
Hello?
RHEA: [OVER PHONE]
It's Rhea.
Uh, hi.
Are you free?
RHEA: [OVER PHONE]
I'm with my boyfriend.
Sorry what?
You got a boyfriend?
RHEA: [OVER PHONE]
I told you I have a boyfriend.
No, no, I don't think you did.
RHEA: [OVER PHONE]
I said I live with my old man.
Yeah but--
I thought you meant your dad.
RHEA: [OVER PHONE]
Shall I come over?
Um...
I mean, yeah.
Yeah, sure...
[CLEARS THROAT]
...if you want to.
RHEA: [OVER PHONE]
Okay.
See you soon.
Yeah.
Yeah, okay, see you soon.
Bye.
[DOOR OPENS]
[CREAKS]
You got here quick.
You okay?
Can I come in?
[FOOTFALLS THUDDING]
The um...
The electric's gone again.
[CHUCKLES]
I like it like this.
I can't stop thinking about you.
You can have everything
you want.
How?
I need to feed.
When the full moon comes,
I won't be able to control it.
I don't want to hurt anyone.
You understand?
I have to be a priority.
RHEA:
Afternoon sleepy head.
[THOMAS GROANS]
THOMAS:
What time is it?
It's three.
THOMAS:
What three?
-Here take your vitamins.
-[THOMAS GROANING]
I have to go.
Where?
To the old man's house.
Why?
I have obligations to him.
You rest.
[FOOTFALLS THUDDING]
What um-- what obligations?
He lets me live there, no?
[GROANS]
[TAKING DEEP BREATHS]
Live here, hmm?
[TAKING DEEP BREATHS]
Thomas, I don't think
you can handle this.
I can.
[TAKING DEEP BREATHS]
You can't even pay electric.
I'll get a job.
With Dano.
Are you sure?
Don't leave.
All my things are there.
We can go and get them, hmm?
Together.
Okay.
Give me a key.
Invite me permanently.
Key?
Yeah, yeah.
What happens
if you don't get an invite?
I get a panic attack.
-Panic attack?
-Yeah, I can breathe.
It sucks.
sh*t.
Hi, Grace.
How is he doing?
Not so good today.
Come through.
Hi, Andreas.
Have you eaten today?
[GRUNTS]
I don't have any regrets.
Thank you for everything.
I would do it all again.
Get some rest.
I'm gonna go get my things,
okay?
Sure, do you want me
to come and help?
What's wrong with him?
He aged too fast.
How old is he?
Thirty-two.
[COUGHING]
[SOBS]
[DOOR UNLOCKS]
JOHN:
Well,
the prodigal son returns, eh?
Come on, get yourselves in.
Oh, how are you doing, mate?
Yeah?
Yeah, fine.
Oh my God.
How much weight have you lost?
Mum, this is...
This is Rhea.
[THUNDER RUMBLING]
Hi.
Hello.
[DOOR CLOSES]
Right, who's hungry?
[MUNCHES]
You're not hungry, Rhea?
I'm on a strict diet.
For my health.
Oh, I'm sorry, are you sick?
I have blood deficiency.
Oh.
This is, er, this is real nice.
So then, Rhea,
[CLEARS THROAT]
do you, er, do you still
live with your parents?
My mother died sixty years ago.
[THOMAS COUGHS]
You okay?
Yeah, yeah.
[GULPS]
Well, I'm er--
[CLEARS THROAT]
Very sorry to hear about that.
It's fine.
I live with Thomas now.
You--
[NERVOUS CHUCKLES]
You two live together?
Yes.
Yeah.
Is that a problem?
Well, I raise my glass to that.
[CLINK]
[JOHN CHUCKLES]
It's-- it's as long
as you're happy.
Yeah, I am.
-Thomas.
-Hmm?
Got a bit of a nosebleed
going on.
Oh, sh*t.
Elevate your head.
John, would...would you just...
Call an ambulance.
An Ambulance,
it's only a bloody nosebleed.
Just call a bloody Ambulance!
[SLURPS]
Rhea!
Thomas! Tell me the truth...
-Are you on drugs?
-What? No!
Tom!
-I need to go, okay?
-No, no, no, no. Wait.
-Thomas!
-Wait a minute!
Just be careful.
I do feel a bit weak, actually.
You okay?
Don't ever go against me again.
Wha-- what?
Especially
in front of your mother.
THOMAS:
I didn't--
I was just trying to...
Next time
I'll rip your f*cking head off.
sh*t.
Rhea?
[GROANS]
Rhea?
Rhea, are you okay?
[GROWLING]
[INHALES]
[THUDS]
THOMAS:
Rhea?
Rhea look at me. Look at me.
What's happened? Are you okay?
[WHIMPERS]
My old man died.
[VOCALISING]
He-- he could barely speak,
but I...
But...
He asked me to feel on him.
And then I...
I bit into him,
but I felt his heart stopped.
[SOBS]
I'm a k*ller.
No.
No you're not.
I am.
-I'm an animal.
-No.
No, look at me.
Look at me, look at me.
You did nothing wrong.
He was asking for it.
You don't know.
You have a heart.
You have a heart
and this isn't your fault.
Just let me look after you,
okay?
Just...
Let me look after you.
No.
No.
You're just a victim.
DANO:
You all right, lad?
Yeah, man.
Just, uh...
[CLEARS THROAT]
Just tired, you know?
DANO:
Oh, it's just one of those,
yeah?
Bet her p*ssy feels like silk,
though.
A woman like that.
Oh, sh*t.
Hey, you sure you can handle it,
yeah?
Just shut the f*ck up for once,
please.
Missed a spot, our kid.
RHEA:
Tom?
What are you doing?
[CLEARS THROAT]
I'm working.
I'm hungry.
Hey. I haven't eaten today.
Just have a steak
or something for once.
Are you serious right now?
Rhea, I am exhausted.
I have to feed.
Yeah, well, I'm not.
I'm just your personal
blood bank, all right?
Oh, you're a piece of sh*t.
What?
Hey, hey, I'm the one getting
the life sucked out of me.
Oh, but you have enough
energy for your stupid drawing.
Well, at least
that makes me happy.
Oh, please, you love having me
suck on you.
Yeah, it feels good.
It feels good like
f*cking heroin.
Feels good,
but you are sucking the life
out of me, Rhea.
I knew it.
I knew you were too weak.
[SCOFFS]
Yeah.
Weak like Andreas, hmm?
If I wanted to,
I wouldn't need to ask.
I'm gonna have dinner elsewhere.
f*cking mommy's boy.
[DOOR SHUTS]
Tomo!
Snap out of it, bro.
No slacking tonight, yeah?
Red wine and a bottle of lager,
beautiful.
All right.
Wanna be careful of that one.
What?
She'll bleed you dry.
Can't f*cking wait, mate.
What the f*ck?
Get your hands off her!
That's my f*cking girlfriend.
Is he?
I don't know
what he's talking about.
What?
Are you serious?
We're just friends, Thomas.
Friends who drink
my f*cking blood?
You should get back to work.
I thought you wanted more
than just blood.
No,
that's all you are to me.
Meat.
What the f*ck
are you doing this to me?
I'm warning you.
f*ck off!
[PUNCH THUDS]
Thomas, what the f*ck, man?
[CLAMOURING]
Are you good?
Bro, are you...
[VOCALISING]
What-- what's happened?
You're in hospital.
You're okay.
You fainted, mate.
The doctor says you have
anaemia and high blood pressure.
It's a bad combo, that.
I knew you weren't well.
Where's Rhea?
Where's Rhea?
Don't worry about her.
Nobody's seen her.
Thomas.
[TAKING DEEP BREATHS]
Something's not right
about that girl.
Hmm?
You're not going until you're
my chubby little boy again.
[CHUCKLES]
You are kidding, aren't you?
It's doctors orders, John.
[BIRDS CHIRPING]
[DOOR SHUTS]
[INDISTINCT TV CHATTER]
Enjoying that?
[RHEA GROANING]
[SCREAMS]
[GASPS]
[PANTS]
JOHN:
He's been here a week.
MOM:
He nearly died, John.
JOHN:
It will toughen him up.
MOM:
He's just a baby.
JOHN:
He's nearly 30.
MOM:
He's my baby.
JOHN:
Yeah, well,
you keep telling him that,
and he'll stay one.
You wrapped him in
cotton wool for too long.
And women like her, they prey on
weak young men like him.
He needs to toughen up
and stop being so afraid
of the bloody world
that he needs unhealthy
coping mechanisms.
[DOOR CREAKS]
It's all right. I'll sort it.
[SIGHS]
Kids.
Can't live with them...
can't beat the living sh*t
out of them.
What the hell are you doing?
Sorry.
[MUNCHING]
Did I wake you?
Yeah, you woke me.
It's three o'clock
in the bloody morning.
Just wanted a drink.
-JOHN: All right.
-[GULPS]
Come on, let's get to bed.
Don't f*cking tell me
what to do.
You're just a rat catcher.
[MIMICS RATS]
Easy, son.
[GULPS]
Or f*cking what?
What are you gonna do to...
To this weak young man?
All right, come on.
Give me the wine.
No.
Thomas, give me the wine.
Come and get it.
Thomas, give me the wine.
No.
-Give it to me.
-No, or what?
What you gonna do?
Chase me?
[INDISTINCT CHATTERING]
[GRUNTS]
[GROANS]
You know...
You know, after my dad died,
I looked after my mum.
Yeah.
All by myself and now...
and now she's just
throwing me away.
[GULPS]
[BOTTLE THUDS]
Well, boo, f*cking hoo.
Well here's your wake up call,
lad.
You see, that world out there,
nobody gives a sh*t.
So stop acting like a victim.
[SWALLOWS TONGUE]
Pull your socks up.
Get on with it.
[RETCHES]
f*cking sh*t.
MOM:
When are you coming back?
JOHN:
Just need a bit of time,
that's all.
Give everybody a bit of space.
[KEYS RATTLING]
I will call you, all right?
MOM:
Yeah, sure.
Hey, come on.
Don't be like this.
[BIRDS CHIRPING]
He needs you.
You need to get him back up
on his feet.
MOM:
Yeah.
Bye.
[DOOR SHUTS]
Where's he going?
Back to his flat for a bit.
But, I think Rhea's still there.
I don't give a sh*t, Thomas.
[PHONE RINGING]
[MUNCHING]
[INDISTINCT CHATTER IN DISTANCE]
Hello, get your rat out,
John speaking.
Yeah?
Yeah, horrible pests.
Once they're in, that's it.
Eat you out of house and home,
they will.
[CHUCKLES]
Well, lucky for you,
I've got a spare bit of time
on my hands.
I'll tell you what,
give us about an hour or so,
all right?
All right, my love.
Yep, don't you worry.
Take care.
Bye-bye now, bye.
[PHONE RINGING]
[DOOR OPENS]
[DOOR SHUTS]
Rhea?
-Rhea, it's me, John.
-[KEYS RATTLE]
Rhea?
[LIGHT BUZZES]
[WATER RUNNING]
Rhea?
[SQUEAK]
[GROWLS]
[JOHN SCREAMING]
[DOOR SHUTS]
[BOTTLE CAP OPENS]
[POURS]
Bit early, innit?
Even for you.
What's it to you?
I can't go hold of John.
I just-- I just want to see
if he's okay, you know?
Because I think
Rhea's still at the flat.
Mmm.
[SNIFFLES]
He's used to getting vermin out.
I'm really sorry, Mum.
[SNIFFLES]
Me too.
Me too.
Dinner ready at seven?
Yeah, I'll--
I'll see you for dinner.
[SOBS]
[RINGING TONE]
f*ck!
John?
John?
John?
John?
John, is that-- that you?
John, you...
Are you okay?
No, no, no, no, no.
f*ck!
We needed electric.
Sure.
So you saw him?
Um, I don't know
what you were talking about.
I was hungry.
I tried to stop,
but I couldn't.
I...
-I need to go.
-I can't control it.
-It's full moon and--
-I've got to go.
Sorry,
I've got to get my bus.
And I'm still hungry.
[WHIMPERS]
[SCREAMING]
-[GRUNTS]
-[SCREAMS]
[WHEEZING]
[COUGHS]
[THUD IN BACKGROUND]
Thomas?
THOMAS:
Yeah?
Pasta's in the pot.
THOMAS:
Okay.
[TAKING DEEP BREATHS]
[WHIMPERS]
[WINDOW THUDS]
Mum?
[LAUGHTER ON TV]
I saw John earlier.
[APPLAUDING ON TV]
I'm not taking him back.
Yeah, um...
I don't think he's coming back.
[GLASS SHATTERS]
[GASPS]
What? What just happened?
THOMAS:
It's-- it's Rhea.
Mum, look, we need to go.
Rhea? I'm not scared of Rhea.
She's a f*cking vampire, Mum!
Oh my God.
You are on drugs.
f*ck!
[GROWLS]
We need to go!
[GROWLS]
Mum, I need you to call
the police. Okay?
What's-- what's that?
It's Rhea.
She's not f*cking human.
I don't understand, Thomas.
-What's going on?
-[KNOCKING]
Jesus!
No, no, no.
[GROWLS]
Rhea, Rhea...
I need you to leave me alone!
We need the police. Please.
[RHEA GROWLING]
Now!
[GLASS SHATTERS]
Go, go, go, go!
[PANTS]
Three Hanover road.
Hurry, please!
[INHALES]
What is that?
[TAKES A DEEP BREATH]
Trust you to bring him
a bloody vampire.
[GLASS SHATTERING]
I'm not having this.
-I'm not having this.
-No, no, no!
Wait!
Hi, mum.
THOMAS:
Get away from the windows.
Stay away from my home.
Thomas, get the garlic
from the fridge.
What?
Get the garlic!
-[RHEA HISSING]
-[WHIMPERS]
You've seen too many movies,
Mum.
What the hell are you?
I am the moon.
I am the darkness.
-Ignore it!
-I can't.
I can't, she's in my head!
No, listen to me.
Listen to my--
I am...
God.
[GRUNTING]
Stay away from my son,
you crazy b*tch.
[GROWLS]
He's mine!
No, mum!
Mum!
[MOM SCREAMING]
[THUDS]
DETECTIVE 1:
Did you k*ll your mum,
Thomas?
No.
Why would you drain
her boyfriend's blood?
I just want to know.
Rhea.
The vampire girl.
[SCOFFS]
Mate,
if this is an insanity plea,
it's got to be the worst one
I've ever heard.
[CHUCKLES]
They're real.
[SIGHS]
[CHUCKLES]
[DOOR OPENS]
[GRUNTS]
Man with the bites.
-[ASYLUM SEEKER SCREAMING]
-[GASPS]
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many-- how many bites?
-How many--
-f*ck off!
Man with the bites.
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many--
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
How many bites?
[WHIMPERS]
[PANTS]
Man with the bites?
I have bites too.
I have bites too.
They're everywhere.
[SHUSHES]
[CHUCKLES]
[THOMAS GRUNTING]
-[GROANS]
-[INDISTINCT WHISPERS]
[BUZZER BUZZES]
[GASPING]
WOMAN 2: [OVER INTERCOM]
Hello, Thomas.
I'm dying.
I'm dying.
I'm dying.
Help.
WOMAN 2: [OVER INTERCOM]
We've been through
this all week,
you're not dying,
it's just anxiety.
[SOBS]
You don't understand...
I need drugs--
I need drugs, now.
WOMAN 2: [OVER INTERCOM]
You have to speak to
the psychiatrist about that.
[SOBS]
No.
No.
No, I need them now!
WOMAN 3:
How are you feeling today,
Thomas?
Not good.
Mm-hmm.
WOMAN 3:
You display all
the symptoms of withdrawal.
Have you had anything
before you came in here?
No.
No.
No.
It's not--
it's not drugs.
It's...
[WHIMPERS]
It's her!
-WOMAN 3: The vampire girl?
-Mm-hmm.
She's inside me.
She's a hold of my--
of my guts.
And she-- she's in my head
and she won't let me go.
She won't let me go.
[LAUGHS]
WOMAN 3:
Sounds like a trauma bond...
to a fantasy.
It's not a fantasy!
I'm sorry, my...
[SOBS]
I don't...
How do I stop it?
By severing the bond.
Three milligrams
of Risperidone
would be a good start.
Mm-hmm.
MAN 1:
Thomas?
The police are here to see you.
What do you think?
Well, I think he did it.
Hmm.
I'm not so sure.
Come on.
[KNOCKING]
[CLEARS THROAT]
How you feeling, Thomas?
Good.
So, turns out there's not
enough evidence
to tie you to the murders.
Teeth patterns don't match.
And your mum died from a fall.
She could have thrown herself
out of the window
for all we know.
Unlikely a window.
The impact indicates
it's from a much greater height.
Rhea.
So, you're free to go.
For now.
[MUMBLES]
Can't...
Can't-- can't stay?
You want to stay?
It's not a f*cking
holiday resort, mate.
[PHONE RINGING]
Excuse me.
Thomas.
You might want to stop talking
about all this vampire sh*t.
[HISSES]
[GASPS]
For your own good, yeah.
[CLICKS TONGUE]
[VOCALISING]
Thomas?
Thomas?
Your belongings.
[THUNDER RUMBLING]
[GROANING]
[TAKING DEEP BREATHS]
[COUGHS]
[UTENSILS CLATTER]
-f*ck off!
-[UTENSILS CLATTER]
[SOBS]
I want my mum.
Leave me alone.
Leave me alone. Leave me alone.
[WHIMPERS]
DETECTIVE 1:
Is that a knife?
DETECTIVE 2:
Yeah, it looks like it.
I'll call it.
254 to base, receiving over.
[WATER RUNNING]
Thomas.
Thomas.
[PANTS]
[GRUNTS]
RHEA:
Thomas.
[GASPS]
[WHIMPERS]
Was that your plan?
Tom, bro,
listen, it's not
what it looks like.
[THUDS]
Go ahead.
I deserve it.
I know what you want.
Take it.
[GRUNTS]
[SOBS]
Take it.
[SOBS]
Please.
I'm tired.
I'm so tired.
I don't want to k*ll anymore.
I don't want this anymore.
Save me.
[POWER SHUTS DOWN]
Passing time
Never sleeping
Shadows moved
The floors are creaking
Is that you?
Or am I seeing things
again?
Broken by
those final moments
How could I have
ever noticed
We were meant to be
until the end
You left behind a shattered
mess of love and happiness
And in this nightmare as
I try to make the pieces fit
Turn around.
Armed police, turn around now.
Turn around
or we will open fire.
Turn around!
[GROWLS]
[GLASS SHATTERS]
What the f*ck?
I think we lost him.
No sh*t.
There goes another one.
[LAUGHS]
THOMAS:
You and me.
Always forever.
[GRUNTS]
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Drained (2024)
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