Flick (2008)

[bunniefuu]

[thunder rumbling]

[upbeat music playing]

Will you dance with me, Sal?

♪ [indistinct] ♪

♪ I need you right now ♪

♪ [indistinct] ♪

Will you dance with me, Sal?

[keys jingle]

[car door opens]

[car door closes]

[jazz music playing]

[indistinct chatter]

[singer] ♪ [indistinct] ♪

[panting]

Will you dance with me, Sal?

[singer] ♪ [indistinct] ♪

Roll up, roll up.

The freak show's back in town.

Two and six, please.

[man] I don't want no trouble

from you tonight, Taylor.

And if you try cutting in
on me girl's dances,

we will bang you
for good this time.

[stutters]
I'm just here

for the music.

[man] Oh, go on.

Get in there.

Well, you heard
what me old man said,

go on, move it.

[indistinct chatter]

[singer] ♪ Wella, wella,
wella, wella ♪

♪ Washed all the dishes
and I did a lot more ♪

♪ I even bought the dinner
at the grocery store ♪

♪ And now, mom, you'll find the key next door ♪

♪ Because this little girl
is gone rockin' ♪

♪ I baked some biscuits
for the pup ♪

♪ And I put fresh water
in his cup ♪

♪ And now I'm off,
I'm gonna live it up ♪

♪ Because this little girl's
gone rockin' ♪

♪ I'll be home by 12 tonight ♪

♪ And not a minute,
minute, minute later ♪

♪ Don't forget
the front door light ♪

[Johnny]
Would you dance with me, Sal?

[singer] ♪ You'll find each
thing that you wanted done ♪

♪ I'm off to meet
that special one ♪

♪ And boy oh boy
will we have fun ♪

♪ Because this little girl's
gone rockin' ♪

♪ Do be do be do do do ah ♪

♪ Do be do be do do do ah ♪

♪ Do be do be do do do ah ♪

♪ And this little girl's
gone rockin' ♪

Give us one
of your smokes, Rita.

Who am I all of a sudden,
the corner shop?

No more change passes through
your doors than theirs.

-I'll give you a four.
-[Young Sue] Come on,

let's got some drinks.
I'm a bit parched, aren't you?

-I'm okay at the moment.
-[Young Rita] Oh, listen to her.

[singer]
♪ I'll be home by 12 tonight ♪

♪ And not a minute,
minute, minute later ♪

-Hi, Sal.
-You frightened the life

-out of me.
-Sorry, I didn't mean to.

Oh, it's okay.

It's Johnny, right?

You know my name?

Yeah.

I've seen you dancing.

You're good.

Would you dance with me, Sal?

[Young Sue] Beat it, freak.
This one bothering you?

[Young Sally] Easy, Sue,
he was only asking me

-for a dance.
-You're not serious, are you?

Look at the state of him.

I'll dance with you, Johnny.

-You will?
-Yeah.

You must be bloody mad.

I wanna dance with you, Sal.

I'd die a happy man.

-[Young Rita] Oh leave it out.
-[man] There you are.

What's the matter with you, eh?

You're deaf as well as dumb?

I thought I told you,
the lady goes alone.

Oh, let me.

I just gonna have
a dance with him.

You got no chance, Sal.

Anyone who dances
with this little lady is me.

Come on.

Sorry, Johnny.

[man] You two,
put that drink down

and get your fat's a*s
on the dance floor.

[Young Rita]
Watch it you,

we aren't getting enough
of this...

[upbeat music playing]

[Young Sally grunts]
Leave it out.

I said leave it out.

Sal said she'd dance with me.

-You won't.
-Get off me.

Sal said she'd dance with me.

Proper dancing,
not dirty dancing.

She's not gonna dance with you

because you're a freak,
all right, piss off.

[Young Sally]
You wanna tell him...

[suspenseful music playing]

[Young Sally] I said get off me.

Sal said she'd dance with me.

Excuse me.

I'm just gonna put this fella

in the coffin, yeah.

-[screams]
-[man] Boys.

Now look here.

[crowd cheering]

Stop it.

[groans]

[crowd cheering]

What's the matter, Johnny?

Hurting,
you f-f-f-f*cking freak.

No.

[Johnny grunts] Stop.

Please stop.

So you don't wanna play no more?

I bet you wished you were
in bed now, didn't you?

♪ Give a little shot ♪

♪ Let's go ♪

[crowd cheering]

Get up.

[singer] ♪ [indistinct] ♪

♪ Just as been ♪

♪ Let me in ♪

♪ Just as been ♪

♪ Just as been ♪

♪ Let me in ♪

♪ Just as been ♪

♪ But it's not something... ♪

♪ Everything is
just fine... ♪

♪ Who I am... ♪

[people screaming]

[screams]

I'm sorry, Johnny.

Come on here, you b*stard.

[screaming]

[blood splatters]

[people screaming]

[dramatic music playing]

[Johnny howling]

[car engine revving]

[radio static]

[upbeat music playing]

[singer] ♪ Hey, baby ♪

♪ I need you close to me ♪

It's our song, Sal.

[singer] ♪ Can't get along ♪

♪ Without you ♪

♪ No, baby ♪

You look so beautiful,

where I always
dreamed you'd be.

One kiss from you, Sal,

I'll die a happy man.

[singer] ♪ Hey, baby ♪

♪ I need you close to me ♪

♪ Will I take her ♪

♪ With you all day
and night ♪

[screams]

Don't, Sal, forget it.

[tires screeching]

[upbeat music playing]

[screaming]

[singer]
♪ Turn my life like honey ♪

♪ To the bee ♪

♪ And for thanks to be
like we all could be ♪

♪ Hey, baby ♪

♪ I need you close to me ♪

♪ Hey, baby ♪

♪ Just right
from the start ♪

♪ You put your love
all around ♪

-♪ And around my heart ♪
-[man] Capt'n,

there's something snagged
in the nets.

[singer] ♪ But I'd be
dead for us ♪

♪ To be apart ♪

♪ Hey, baby ♪

♪ We came in
for parts ♪

♪ Hey, baby ♪

♪ We will ♪

-[birds chirping]
-[ship horn blows]

[man] Hobbs End docks
has been a witness

to many strange seafaring
sights over the years,

but none as strange as today.

When a 50-year-old
Hillman Minx became snagged

in the nets of the port
authority dredger.

Police have called
to the scene

when it was discovered
that inside the vehicle

were the remains of a driver,

still at the wheel.

[Dock Worker]
[indistinct]

Officer, over here.

[man laughs]

[man] They were unable
to identify the man,

as the car doors
are rusted shut.

The vehicle has now been moved

to the county morgue,

where a forensic team

will carry out
further examinations.

They left a--

[upbeat music playing]

[Bobby] Woo,
it's Bobby Blade here again,

straight from the vaults

of your very own
rockabilly radio.

From midnight until 2:00 AM,

I'll be serving up
k*ller cook

after k*ller cook.

I've just seen
on the local news,

a report that they've been
doing a bit

of fishing down the docks,

and made a very
interesting catch.

They've not only found
a vintage '50s ride,

but inside with his hand
still clutching the wheel

was a dead Teddy boy.

I've always said you can't
keep a good Ted down.

So I've decided I'm gonna
dedicate tonight's playlist

to this dead fella.

Whoever, wherever
you may be, mate,

it's good to have you
back with us.

[thunder rumbling]

[suspenseful music playing]

[metal clatters]

[radio static]

[Bobby] Rockabilly Radio,

providing the sounds
to set pulses pounding.

So pull on your creepers
and get stomping

on that living room dance floor.

[upbeat music playing]

[singer] ♪ Well, now,
it's just as again ♪

♪ Just us again ♪

♪ So let me hang
with [indistinct] ♪

♪ Just us again [indistinct] ♪

-♪ Just us again ♪
-[electricity crackles]

[singer] ♪ Just us again ♪

♪ She left me flying ♪

♪ Just us again ♪

♪ [indistinct] ♪

♪ Jilt up again ♪

♪ She met and went... ♪

♪ Built up again ♪

♪ [indistinct] ♪

[flesh tearing]

[singer] ♪ [indistinct] ♪

[grunts]

[singer] ♪ Jilt up again ♪

♪ Jilt up again ♪

♪ She met me [indistinct] ♪

♪ Jilt up again ♪

♪ Built up again ♪

♪ Built up again ♪

♪ She met me again ♪

[upbeat music playing]

[screams]

[upbeat music playing]

-Huh?
-[Bobby] I've just been

on the blog to my old man
who saw the news story

about the old Teddy in the car.

This reminded me of a song
a local band wrote up

to some dance hall m*ssacre

back in Hobbs End in the '60s.

And wouldn't you just know it,

it's resting here in Pandora,

my old record box,

criminally never played.

Well, let's put that right.

[upbeat music playing]

[car engine revving]

[singer] ♪ [indistinct] ♪

♪ Looking for you don't care
what anybody thinks ♪

♪ Putting it up now ♪

-♪ [indistinct] ♪
-[tires screech]

[singer] ♪ Parking all night,
sleeping all day ♪

♪ Don't take my rockabilly
radio away ♪

♪ [indistinct] ♪

♪ I do what I do,
I don't care for the law ♪

♪ I'm a juvenile [indistinct] ♪

♪ Even hell would please ♪

♪ Parking all night,
sleeping all day ♪

♪ Don't take
my rockabilly radio away ♪

[Bobby]
Now we go all the way back

to the national sound
of the song

written by the country
singer C. Clemens.

Here's Ralph Kaliope

and I'll Come Running
Home To You.

[country music playing]

[singer] ♪ One of these days ♪

♪ It's gonna get you ♪

♪ One of these days ♪

♪ Just wait and see ♪

♪ You play around ♪

♪ And then I'll bet you ♪

♪ You'll come running
home to me ♪

[engine revving]

[singer] ♪ One of these days ♪

♪ You'll be so lonely ♪

♪ Then I should be ♪

♪ Just misery ♪

♪ Don't come running
home to me ♪

♪ You always think of me ♪

♪ As just a standby ♪

♪ A pet that you can
treat just as you please ♪

♪ But the way of the past
is now deserted ♪

♪ And all you'll get
from me is sympathy ♪

Hello, man.

[dramatic music playing]

[door creaks open]

[singer] ♪ Huddle close ♪

♪ Beside me mother, dear ♪

♪ Night and day ♪

♪ You guide me mother, dear ♪

♪ Patiently you cared for me ♪

♪ That's all I ever knew ♪

♪ I can't forget the debt ♪

♪ I owe to you ♪

-♪ [indistinct] ♪
-[humming]

-[singer] ♪ I'll always be ♪
-[glass shatters]

[singer] ♪ Mother's boy ♪

Johnny.

Oh, Johnny,

my little Johnny.

You've come home.

You've come home, Johnny.

Oh, Johnny.

Oh, my little lad.

Oh,

I never believed those things

they said about you.

No, you didn't do that, John.

You're my little boy.

[chuckles]

Wherever have you been?

You're nothing
but skin and bone.

Oh, dear.

Your hands.

Oh,

your hands look like winter.

Oh.

Come sit by the fire.

Come on, get along.

Sit down, Johnny.

Oh.

Oh, I can't believe

I'm looking at you.

I can't believe this.

I'll make you a cup
of tea, Johnny love.

Oh.

Oh.

Johnny.

[suspenseful music playing]

[man] Johnny, you little
stuttery b*stard.

I'll give you what for.

Here, love.

This is a nice cup of tea.

Johnny?

Johnny, what is the matter?

[man]
You can run all you like,

but I am still gonna get you,

you little b*stard.

[groaning]

[electricity crackles]

[Bobby]
So that's it for tonight,

Rockabilly maniacs.

You be setting your transistor's
death dial same time,

same place tomorrow night.

Until then,
here's a little lullaby.

[singer] ♪ Oh [indistinct] ♪

[Johnny sobbing] No.

No.

[singer] ♪ ...of love
your little hands ♪

[Sally] It's Johnny, right?

[Johnny] You know my name?

[Sally]
Yeah, I've seen you dancing.

You're good.

Sal.

One dance with you, Sal,

I'll die a happy man.

-[singer] ♪ Won't you? ♪
-[door creaks open]

That's right, love.

Get some rest.

You look like death.

[Captain]
This is your captain speaking.

-Our arrival will be delayed--
-[McKenzie] Hey, Barbie.

-due to bad weather--
-What's it take to get

some service around here?

Your scotch on the rocks, ma'am.

-Eeww!
-[McKenzie] Oh, relax, Princess.

It's not contagious.

Lieutenant McKenzie?

I'm Detective Sergeant Miller.

[McKenzie] Jerk.

Aaarrghh!

[Miller]
She pushed my knuckles.

[man] We've put you in the old
custody sergeant's flat.

[man] I see your new partner
has arrived, Miller.

Has she shot anyone yet?

[man] Touring the town with,
this might be good

for the tourists,

but this cop-swap is a joke.

[McKenzie]
How about some more coffee?

Make it hot this time.

You should see my needlework.

Where'd you get that?

It was not from baking cookies.

Sergeant Miller?

-[sighs]
-Oh, come on, man.

Look lively.

First impressions, Lieutenant?

Well...

big feet.

I beg your pardon?

No, the k*ller had big feet,

or wore big shoes.

We get an ID on that stiff
in the car yet?

[Miller] No, we're still waiting
for the vehicle trace

to come back.

Why would anyone steal
a scrapped car

with a corpse in it?

Well, you need
a bloody tool took

-for starters.
-And not one run-in.

Anybody turn her over?

No, Lieutenant.

See those?

[tires screeching]

-[Miller] Tire marks.
-[McKenzie] No.

Scorch marks

from wheel spinning
the wheel treads.

That automobile would've
had to move out

at full throttle
from a standstill,

to leave that much
rubber behind.

I'll wait
for the forensic rep

to getting back before
I make my mind up on that.

I'd say.

The k*ller butchered that man,

and then drove right
on out of here

with the corpse riding shotgun

for company.

What is that smell?

[sniffs]

Death.

It happens, it's going
to become pretty familiar

because whoever did this,

I don't think we've seen
the last of it.

[rock music playing]

[Bobby] Hey, is there anybody
out there listening?

Then you'll know
I can't stand the police.

What with them perpetrating
crimes against music

by doing all they can
to get the show off the air.

The latest thing
they've dreamt up

to wasted hard-earned
taxpayers' money

is cop-swap.

There's a picture in the paper

of some Lieutenant McKenzie,

that they brought over from--

brace yourself.

Memphis.

The King return in his grave.

-God rest his soul.
-[singer] ♪ As I weave ♪

♪ My golden dreams ♪

♪ I'm a kid again it seems ♪

♪ Living in my days ♪

♪ That used to be ♪

[exhales deeply]

[singer]
♪ Gazing at a smiling face ♪

♪ Tell me
who can take my place ♪

-[groans]
-[singer] ♪ To the one ♪

♪ Who really cares ♪

♪ For me ♪

[door creaks open]

[singer] ♪ Silver hair ♪

♪ To behold ♪

-♪ [indistinct] ♪
-[humming]

[door opens]

Hmm?

What are you all dressed for?

You're not going outside.

Don't go out, love.

Do you know,
since you came back home,

you've done nothing but sleep.

You haven't had anything

to eat yet?

I got to go
and call in some old friends.

Friends?

I'm the only friend you need,

you know, I've told
you that before.

You know, I'm sick with fear

every time I see you go out

through that door,

huh?

It's not right.

A mother should love her
son this much,

I can't help it.

Love you, Ma.

Bless you.

[singer] ♪ Now that she
is growing old ♪

♪ My two arms that long ♪

♪ To hold ♪

♪ Feel my hands ♪

[door creaks]

[tires screech]

[brakes squeal]

[glass shatters]

[suspenseful music playing]

[upbeat music playing]

[singer] ♪ I've traveled far ♪

[object shatters]

[upbeat music playing]

[car horn honking]

[upbeat music playing]

[singer scatting]

[clock ticking]

Tony?

Tony, wake up.

[Tony] Oh, what is it, Rita?

Listen!

There's somebody in the shop.

[upbeat music playing]

Oh, for God's sake, Rita.

It's a record player.

It's gonna be
switched off properly.

Well, go and see to it!

[Tony] All right,
I'll do it.

Oh, told the stupid cow
to switch it off.

I heard that!

♪ And change
the way you dance ♪

♪ Tearing you ♪
-What the?

-Tony.
-[Tony] What's the matter,

Johnny?

Hurting?

Tony Ray.

Who are you?

Do I know you?

Got a short memory.

[Tony] You f*cking freak!

[Rita] What's going on?

Why haven't you turned
that music down yet?

Everything's all right,
just stay where you are.

It doesn't sound like
everything's all right to me.

We'll have that old cow
from next door

banging on the wall
in a minute.

[Tony]
Stay where you are, I said!

[Rita] Don't you shout
like that to me,

who the hell do you
think you are.

[upbeat music playing]

Still got your figure, Rita.

[upbeat music looping]

I hate it when that happens.

[upbeat music playing]

[police siren blaring]

[upbeat music playing]

Leaving us already, Lieutenant?

[McKenzie]
In your dreams, Miller.

[Miller]
Old custody sergeant's flat

not good enough for you?

Oh, you're not gonna
get rid of me that easy.

Hmm.
Let me take that.

Thanks.

Come on.
Open up the trunk.

What did you got in these,
nearly took my shoulder out?

Back up.

-[grunts]
-Okay.

Haha, we got some
nice little new toys

to play with.

Here you go.

[Miller] Where did you get this,
in another country?

-That's not even legal.
-[McKenzie] Here.

You might wanna stick
this on, huh?

-Here you go.
-What do you think I am,

Sir Lancelot?

Unless I am mistaken, Miller,

we are on route to the scene

of yet another grisly
knife m*rder,

but, hey, please yourself, hmm?

It's your a*s that gets
turned into a pin cushion.

[upbeat music playing]

This side.

The vehicle was registered

to a Johnny Taylor,

went into the water about
seven miles from here,

but washed down
by the currents.

Apparently, the locals used
to call him Flick,

because of the kind of
knife he carried.

-Flick?
-Yeah.

[laughs] Cute.

Sounds like one crazy
mixed up kid.

A loner with a serious stutter.

Lived with his mother.

Father was a sailor
from Grimsby.

Walked out on them
when he was a little lad.

-[McKenzie] Mother still alive?
-As far as I know, yeah.

Lives in a charladies flat in
the old Green Baize snooker hall

where she used
to be a cleaner

It's been closed for years,

due for demolition,
but she won't move out.

The locals say she went mad

when her son died.

Has she been informed

that you found

then lost her boy?

Oh.

Not yet, no.

Well, let's keep it that way

until we find out where he's at.

[Miller] Now here we go.
Another day, another death.

[camera shutter clicking]

They won't be giving
this lady an open casket.

[Dr. Nickel] What a picture.

Stick it in the family album.

Switch blade cut?

Oh, very good, Lieutenant.

What we call a flick knife
around these parts.

Same handiwork as the guy
who did the night watchman?

If I were a gambling man,

I'd say yes.

[Miller] Lieutenant,

turns out our victims
knew Taylor,

they were there when he lost
it on the dance floor.

Ain't that something.

Yeah. I reckon.

Strange thing to do,
don't you think?

-What?
-[laughs]

Pick a record, put it on,

and then commit a m*rder,

it's like creating a soundtrack

for death.

And the devil always knows

the best tunes.

I don't mean to be rude,
Lieutenant,

but you don't exactly strike me

as very rock and roll.

Miller. I'm from Memphis,

home of The King
of Rock 'n' Roll.

Well, you go to the same
barber shop, anyway.

I've spread bigger men than you

on my muffins for breakfast.

Now, don't go give me gas
on the job.

-Sarge.
-[Miller] Yeah?

We finished the door-to-doors.

Only one person heard anything.

[Miller] Good.

[old woman coughing]

[doves cooing]

[old woman] I record
all my favorite shows

off the wireless onto that,

you see?

I usually nod off

halfway through.

So I play the next morning.

I had the fright of my life

when I heard this.

Switch it on.

[recorder clicks]

[Rita] What's going on?

Why haven't you turn
that music down yet?

[Tony] Stay where you are,
I said!

[Rita] We'll have that
old cow from next door

banging on the wall in a minute.

[screams]

It's enough to wake the dead.

[coughs]

[rock music playing]

It's a radio show
playing in the car?

I'll get it sent over
to the lab, get it cleaned open,

try to get a match
for that engine sound.

Any rock and roll radio stations
around here?

There's a pirate radio station,

Rockabilly Radio.

The name of the guy,
couple of times,

has strained to our frequencies.

Let's chase it up.

[man howling]

What the hell is that?

Damned, if I know.

Doesn't sound of this world.

Let's get a list

of everyone who John Taylor

had a bone to pick with,

anyone who was dead

at ninety-turn-nasty.

What, so you think whoever
stored his body

in his car's copying him?

No sh*t, Sherlock.

We're talking serial m*rder

and one with
a very original MO.

And anyone that knew him

could be in danger,

especially this one here.

If she's still around.

[dramatic music playing]

[Sandra] I have no idea you kept
all this stuff, mum.

I was crazy about clothes

when I was kid.

And you're not now?

Oh, come on, you.

Let's find a Halloween outfit.

And then we can tidy up,
otherwise,

we'll have your father
performing

over the mess.

Menial b*stard.

Oh, watch your mouth,
young lady.

He's your father.

Counts for something
in this house.

God, you always stick up
for him, why?

You'll wed one day

and find out for yourself.

If you want a bed of roses,

then you have
to learn to sleep

with the thorns.

This is more like it.
Why have I never seen

this one before?

No.

I don't think that's suitable

for what you're looking for.

I think it's exactly
what I'm looking for.

For a Halloween party?

Totally. With a bit of work,

I can see myself as a bride
of Dracula in this.

Why don't you try

this combination?

With your hair that color

and you could get some
of those long fingernails,

and wear your high black boots,

and you're almost there.

Look, sexy vampire outfit.

It's quite new.

It is new.

No, it's never been worn.

How come?

Well, I guess a bought it

about the time I stopped
going dancing.

Then why did you stop?

Mum?

I guess it just stopped
being fun.

Oh, don't let
your father see you

going into the house in that,

he'll stop you going.

He better not, he promised.

I'm not his little girl anymore,

-I'm 19.
-Oh, stop it.

I'm sick of being bullied
by him,

he's such a monster.

Sally,

are you ready?

I'm just gonna get my coat.

Hello, sweetheart.

You girls been getting up
to mischief,

not talking about the old man,

were we?

No, of course not.

I wish you would take it easy
on the perfume.

I don't like you smelling
like a tart's nickers.

You want me to wash it off?

We'd be here all bloody night.

No, come on, let's go.

Don't be staying up late, angel.

I'll be calling in on the hour

to check if you're all right.

See you.

[Creeper] Come on.

Oh.

[woman chuckling]

Hello.

We're here for Creeper Martin.

[man] Well,
he's not looking for you.

So clear off,

and take the one arm bandit
with you.

You wanna sing soprano,
meathead?

Keep talking.

[Creeper]
You expect me to believe

some sick b*stard

is hell bent on knocking off

me and my girl,

thinking he's Johnny Taylor?

Start listening, bucko,

three people are already dead,

and Tony, and Rita Ray,

you both knew.

[Sally] Poor Rita.

[Miller] Didn't surprise me
your name

turned up in all this
Mr. Martin,

the rats left town
when you set up shop here.

You better watch what
you were saying, big man.

Nobody talks to me like that,

especially not in The Palace.

[McKenzie] Did Johnny Taylor
talk to you like that

the night there was
all that blood

in The Palace?

Don't try to be smart,

it might hurt your head.

Besides, I wasn't the one

that turned butcher
on the dance floor.

Any ideas why anyone

might wanna avenge his death?

The only person at his funeral

was his dear old mum.

So unless she's turned samurai

with her walking stick,

no.

Mrs. Martin,

is there any way you can help
to enlighten us?

Johnny was always a loner,

everyone was always
laughing at him,

driving around in that
funny little car of his

with the music playing,

the only time they never laughed

was when he was
on the dance floor.

He was a good dancer.

That night,
all he wanted from me

was just one dance,

one kiss on the cheek,

he said he'd die a happy man.

I really don't think
he wanted to hurt me,

I think he thought
he was rescuing me.

Look at the claret on my shirt,

my heart is bleeding.

-What heart?
-You've been reading too many

of them Mills and Booms.

Creeper, for goodness' sake,
don't let--

Shut it, or you'll get one for.

Should we get to the bottom
of this,

I think you folks
should leave town

-for a few days.
-This ain't the Wild West,

you know.

I don't want any more blood
on my patch, Martin,

even if it is yours.

And do the sensible thing
for a chance.

Forget it.

This club's been in my family

since Victoria
was on the throne,

and it'll take more
than your fairy stories

to keep me away.

You just make sure

you use the long arm
of the law--

-[Miller] Lieutenant.
-I've got to put this arm...

--to put this lunatic
behind bars

before he strikes again.

Sorry.

[rock music playing]

[Bobby] Some very sad news,
rock and rollers,

great friends of the rock
and roll community,

Tony and Rita Ray
have been brutally m*rder*d

in their shop,

not only does this mean
that we're deprived

of a place to browse
for rare vinyl,

but also that they were
so flat broke

that they don't have money
to cover

their own funeral expenses.

So I'm organizing
a went-round

fill in your pockets,

root around the back
of your sofas,

r*fle through your
grandmother's purse,

just don't let the council
bury the poor sobs

in cardboard coffins.

The funeral's Thursday noon
at Duke's Hill Cemetery.

See you at the tavern after
for a few shandies

and memories afterwards.

[Father Carmichael] Thy son
who is dead is alive again,

he was lost but now he is found,

oh, God has returned young again

to this house after 40 years

in the wilderness.

Amen.

Amen, amen, amen.

That he should come home

after all these years,

your prayers have been answered,

Mrs. Taylor.

Father, a mother's love

can do miracles.

Am I going to get to see

young Johnny tonight?

It's getting late.

Oh, Johnny?

Johnny? Where are you, Johnny?

Johnny, come on.

Father,

he's not being himself,
you know,

since he came back,

he's been very, very quiet,

he's not himself at all,

but I think--

I think our Lord

will bring him back to us.

♪ What a friend ♪

♪ We have in Jesus ♪

♪ All our grieves ♪

♪ And sins to bear ♪

♪ What a privilege ♪

♪ To carry ♪

Sounds of darkness are stronger

than the sounds of the light.

That's the devil's music,
Father,

that's his, but he won't
keep on playing it.

I shall speak to him about it.

[singer] ♪ [indistinct] ♪

[Ma] Johnny, why are you
wearing that?

I bought you
Sunday best suit out.

I'm sorry, Father,

I'm sorry.

Let me see you in, John.

Come closer, my son.

Come closer.

[singer] ♪ Well,
he's got little gal... ♪

[eerie music playing]

[singer] ♪ [indistinct] ♪

Yea, though I walk

through the valley

of the shadow of death,

I will fear no evil,

-for thou art with me--
-Father, Father,

where are you going?

Where are you going, Father?

Johnny will give a lift
in his mounted car.

[car engine revving]

[singer] ♪ [indistinct] ♪

I told you not to wear that,
didn't I?

I told you. I told you.

I told you not to wear that,
didn't I?

[echoing]

Johnny, Johnny,
where are you going?

Johnny?

Johnny? You're not going out,

are you?

I'd like to go out, Johnny.

Can we go out, can we go out

to the pictures?

I'd like to see
Cowboys and Indians.

Johnny?

Johnny?

[sobbing]
...Cowboys and Indians,

I like to go to the pictures.

I'd like to go pictures
and see Cowboys.

[sobbing]

[suspenseful music playing]

[Bobby] McKenzie,

baby doll.

If you're listening
in your police automobile,

why don't you just dig the sound

of this next number?

Ride along to the soundtrack

of your own death.

Courtesy of Rockabilly Radio.

[indistinct music]

[Archie laughs]

[woman] Oh, I'll tell you,
you're good.

Oh, hey.

Hey, is that yours?

I never thought I'd get over

losing my silver.

I'm like a teenager
in love again.

Oh, come here.

[screams]

What?

I'm being picked on

a pervert is right there.

Where? I'll f*cking k*ll him.

No, [shouting]
go around here!

There's no f*cking human.

I'm telling you,
there was someone in there,

I'm telling you there was.

It's the b*stard beer

that's talking through
your a*s off.

And a lovely little a*s

it is too.

[indistinct]

Geronimo.

Oh, watch it, my cramp.

Oh, what?

-I've got cramp.
-What?

[both screaming]

What the f*ck?

[both screaming]

[cat snarling]

[beeping]

[McKenzie] Teddy boy trouble
was commonplace

in English towns in the 1950s,

dressed in their
Edwardian attire

of drainpipe trousers,

fingertip-length jackets,

and boot-laced tights.

And often armed with knives
and razors,

they would raid
each other's territories

and challenge each other
to fights.

[sighs]

[knocks on door]

[McKenzie] Hello?

Lieutenant, it's me.

Well, it's 4:30 AM.

I'm not exactly decent in here.

Yeah, well,
you better get dressed.

I found Archie Mason dead.

Looks like our boy did it.

Oh, damn.

Give me a minute.

Okay.

Just a second now,

just a second.

His girlfriend escaped.

She gave a pretty
ghoulish description

of the k*ller.

We got a description?

-Yeah.
-Well, that's good.

Doc Nickel wants us
over at the lab.

All right. Come on in.

Something came back.

We know what he looks like.

Yes. Huh?

Well,

nice place you got here.

Yeah,

the Ritz was full.

Good to see Her Majesty's
constabulary

are looking after you.

Come on, wise-a*s, let's go.

-Move it.
-Are you

not forgetting something?

What?

Your arm.

[clock ticking]

[Dr. Nickel] Hmm,
it's remarkable.

Quite remarkable.

I've never seen anything like it

in all my years.

Well, hair particles
from the scene

of Archie Mason's m*rder

matching those
from the night watchman

and Tony Ray.

[Dr. Nickel] Yes.

What's all the fuss?

Do they belong to the m*rder*r?

No, I don't know.

They belong to a dead man.

What?

Those hairs are from a corpse.

And there's more.

Look here.

What do you see?

[McKenzie] Well, smudges,
indentations.

Only one thing could have
caused that.

A man's hand.

But those are not fingerprints.

You're right,

but you're wrong.

Let me introduce you to Hector.

Doc.

Where is he going with this?

I attended an accident

where the factory was.

Some poor fellow had fallen

into a vat of acid.

His whole body was stripped
to the bone in minutes,

but he was still alive.

When his hand,

all melted of flesh,

reached out and grabbed hold

of a danger sign

hanging from the safety rail,

he left

nearly identically
shaped prints.

[suspenseful music playing]

[dramatic music playing]

[Sally] Ooh,

you're ready for bed, love.

It's only just got 9:00.

Well, there's nothing else to do

since I can't go to the party.

I know, I know,

it's not much fun

but it won't last long,

just until they catch

whoever it is they're after.

I still say I could have gone.

All this has got nothing
to do with me.

There will be other nights.

Now, why don't we watch
an old movie?

I could make us some popcorn.

Thanks mom, but I'm a bit tired.

I'm just gonna get off to bed.

Good night, love.

Good night.

[dramatic music playing]

[Mark] Come on, get in, man,
we're late.

[Sandra] Oh, my God.

Where did you get this?

My uncle Bob's an undertaker.

[dramatic music playing]

[singer] ♪ Good night, mother ♪

♪ Peaceful dreams ♪

[mother singing]

♪ Hail Mary ♪

Oh, you're not going out
again tonight,

are you?

Oh, I made you
a nice fruit sponge

just the way you like it

with cherries
all around the top.

And I got a nice bit of
scrag-end on the boil

made you some barley stew.

I thought we might have
a night in,

just the two of us.

I can't, Ma.

It's Friday night,

dance night.

[man] Okay, next two.

[woman] Ow.

[man] Pardon me,
who gives you the right

-to push in?
-[snarls]

-[man] Okay, well, move.
-[singer] ♪ Back from... ♪

♪ I landed on a planet
and what would that be ♪

♪ A cool little green man ♪

-♪ Looking at me ♪
-[screams]

What's the problem?

Bloody hell,

that's some costume.

In you go, on the house.

[singer] ♪ Everybody
rocking rock it ♪

[man] Hey, mate, it's this way.

[singer]
♪ Everybody rolling roll it ♪

-Okay, next two.
-[singer] ♪ Everybody swinging ♪

♪ Swing it ♪

♪ [indistinct] ♪

-[man] Okay.
-[singer] ♪ We've been rocking ♪

♪ Rock it ♪

♪ Yeah, been rolling roll it ♪

That's...



It will take so far.

[singer]
♪ That's what cats call ♪

♪ Satellite twirl ♪

♪ Hey, everybody
rocking rock it ♪

♪ Everybody rolling roll it ♪

♪ Everybody swinging swing it ♪

♪ [indistinct] ♪

-What're you doing?
-Look, why don't you find

someone else to dance with?

-This music's sh*t anyway.
-Don't make a scene,

my dad might spot me.

Look, I'm gonna go get a drink.

[singer] ♪ [indistinct] oh ♪

[jazz music playing]

[singer] ♪ Hound dog boogie ♪

[singers] ♪ The hound dog
boogie ♪

[singer]
♪ Do the hound dog boogie ♪

Oh, leave it out.

You crafty bugger.

You love it.

♪ She got... ♪

♪ Do the hound dog boogie ♪

[singer] ♪ [indistinct] ♪

[Young Sally]
I'll dance with you.

I'll dance with you...

[echoing]

[Johnny] Dance with me, Sal.

[Young Sally]
I'll dance with you, Johnny.

[singer]
♪ Do the hound dog boogie ♪

[singers]
♪ The hound dog boogie ♪

♪ Yeah, the hound
dog boogie ♪

♪ The hound dog boogie ♪

[singer]
♪ Do the hound dog boogie ♪

[suspenseful music playing]

Will you dance with me, Sal?

Sandra, my name is Sandra.

Sandra.

Sandra.

Ooh, squeaky.

Come on, then.
Let's see your moves.

[upbeat music playing]

[upbeat music playing]

[singer] ♪ Never had such fun ♪

♪ Since the day I died ♪

♪ With the... ♪

[singer] ♪ Graveyard rock ♪

♪ Graveyard rock ♪

Hey, lover boy,

you might wanna see this.

[singer] ♪ Everybody digs
the graveyard rock ♪

[chuckling]

[upbeat music playing]

Come on,
look at these kids dancing.

I'm only interested in the money

they bring in

and that they don't
cause troubles.

Not watching
the little b*stards.

Come on, look,

they're really good.

That's my Sandra.

Nah, surely not.

That's my little girl.

There'll be bloody m*rder

to play over this.

[singer] ♪ Graveyard rock ♪

[singer] ♪ Everybody digs
the graveyard rock ♪

Sandra.

Sandra, wait till I

get my hands on you.

[woman] The party is over, boy,

so close those coffin--

Let's get out of here before
your old man makes it.

Let's get out of here.

Sorry, I have to go.

[upbeat music playing]

[Mark] That was close.

Your old man is crazy.

There's some nut on our tail.

Oh, he's gonna ram into us.

[Sandra screams]

[tires screeching]

[Mark] It's that bloke
you were dancing with.

[Sandra] We're gonna die.

We're gonna die.

Faster.

That heap of junk
can't outrun us.

[car engine revs]

[upbeat music playing]

Come here.

It's gonna be okay, all right?

Did you see his face?

-The way he was laughing?
-Yeah, well, that will teach you

for dancing with strangers,
innit?

The hearse.

sh*t.

Oh, f*ck.

This is booked
for a funeral tomorrow.

It's not your fault.

Yeah, try telling that
to my uncle.

What's he gonna do,
tie the coffin to the roof

of the car?

I feel I shouldn't
but I'm all scared out,

so what the hell.

What are you doing?

When you're in a bad mood,

there's only one thing
that puts a smile on your face,

Mark Jackson.

Oh, look, give me one second,

I'm gonna take a leak.

I'll be right back.

Talk about k*lling the moment.

[slow music playing]

About time, too.
I was starting to get

a bit jittery back here.

Oh, your hands are freezing.

Stop tickling me.

Stop it.

You're not my Sal.

[screams]

What the f*ck.

Mark.

[screaming]

[growls]

[howls]

[eerie music playing]

It's like looking at a dead man.

He called me Sal.

[McKenzie] Is that all?

He said, "Hi, Sal,

would you like to dance?"

It's Johnny.

Ma'am, that's impossible.

[Sally] He said exactly
the same thing to me

at the dance hall.

[Creeper]
Don't be ridiculous, woman.

[Sally] He said, "Hi, Sal.

Would you like to dance?"

[McKenzie] Was there
anyone else there that night,

someone who might've
had a grudge

against your family?

Pick a name from
the telephone directory.

[Miller] Look, I think
you should stay for the night.

I'll get them to turn a couple
of the bunks down.

[Sally] Well, at least
we would know

that we were safe.

[Creeper] We're not shacking up
in a pigsty,

we'll be staying at The Palace.

He found you there once already.

It's a fortress.

Nobody gets in there

without my say-so.

[McKenzie] But we shouldn't just
let them go like that.

What would you have done?

Slap the son-of-a-b*tch's ba*ls?

A carnage has taken over
the whole town

and it's railroading
right through this car.

Well, just don't go checking
your frustrations out on me.

Hey, that's what partners
are for.

Since when did you start
seeing me as anything

other than a pain in your a*s?

You're right.

Praise indeed.

Do you believe
in the supernatural, Miller?

I'm a police detective,
not a witch doctor.

Yeah, but,
you know, seeing that tape

back at the station,
it was--

it was as if Johnny
had come back to life

from the dead.

I'll leave you
to put that in the report, eh?

Pull over.

-What is it?
-No, no, no--pull over,

just pull over.

Thank you, ma'am.

Ain't this something, bucko?

'Tis the form.

Yeah, as near as.

Hey, that smile,

you should wear it more often.

Yeah. Well, it ain't that easy

with all this death and decay.

Bucko, you better watch that,

my mama could've boiled
your a*s into fudge.

You wanna try some,

it might sweeten you up
a little.

Maybe one day.

Go on, ask.

Everyone does.

Sorry.

No, no.

Did you get in the line
of duty?

Oh, no.

When I was a kid
I fell off a yard swing

and, you know...

arm swelled up right away

and then in a few days
it started to smell real bad,

so they sawed it off.

It could've been easy

growing up with...

that.

Well, a girl with a crippled arm

ain't gonna become prom queen.

But I can arm-wrestle

any darn guy in the world
and win.

So there's a Mr. McKenzie then?

A long time ago.

This g*n scares him off.

[Miller] Hmm.

What about you?

Well, yeah,
I've been married twice.

Yeah?

I always figured you
for a ladies' man.

Oh, hardly.

They're both
demolition derbies.

-What?
-Like, I...

never really had much luck
with women.

Well, I know what you mean.

Except there was this one time,

it's the night
of my high school prom

and I was the only girl
who didn't get invited,

who did not have a date.

And oh, I felt so low

and finally I lied to my mama,

told her--

told her
that Bobby Jackson,

the high school heartthrob

had invited me to go.

Well, daddy didn't buy
the Refrigidaire

and mama made me
this beautiful dress.

But come prom night,

I'm out sitting down
on the porch...

crying, you know, waiting...

for a man
who wasn't gonna come.

But then...

I heard this voice

in the darkness,

"Hey, little lady,

you all dressed up
with nowhere to go?"

Bobby Jackson?

No.

It was the King.

Elvis Presley?

Yes.

Elvis Presley?

[McKenzie] Yes.

I mean, I looked up and...

there he was,

just taking a stroll

and smoking.

Are you serious?

Oh, I told him I was

and he offered me his hand

and...


I walked into that school

with the most handsome man
in the world.

Did you dance with him?

Oh, you betcha.

Every kid in that school

who had kicked me and cussed me,

they knew about it, too.

Whew, I haven't thought of that
in years.

Not since Sally Martin

was talking about Johnny Taylor

wanting one dance

to die a happy man, huh?

You know how to dance, Miller?

No, I can't dance.

Anybody can dance.

[jazz music playing]

[McKenzie] Don't let the arm
fool you, Miller.

The rest of me is all woman.

[chuckles]

Oh.

Whew.

He stops.

He stops when the music stops.

What do you mean?

On the dance floor,
the k*ller stopped dancing

when the music stopped

and only started again

when the music kicked it
back in again.

And Archie Mason's girlfriend
said he stopped stabbing him

when the radio was switched off.

-So?
-So he needs music to k*ll.

He lives for rock and roll.

-Rock and roll?
-Yeah.

We need to talk
to the pirate radio guy.

When do they broadcast?

-Midnight to 2:00 AM.
-Well, let's get over there

-right now.
-Well, it's too late.

No, no, no, there's no time

like the present, Sarge,
especially when you're dealing

with the k*ller
reliving the past.

[whimsical music playing]

It's like being in prison.

Oh, shut up and listen

to Lieutenant McKenzie.

Shut up, the pair of you.

I'm not taking orders
off some invalid cop.

Creeper, where are you going?

To check if everything's
locked down.

You're not locking us in here,
are you?

Mom, he's locking us in.

[grunts]

Ow.

In the last 40 years

I've taken more crap from you

than the bowl
of a bus station toilet.

I've turned a blind eye
to your tarts.

I put on blusher

after the beatings.

Well, I just got on with it

but if you touch my daughter,

I swear to God,

I'll k*ll you myself.

[Sandra] All right.
I'm calling Sergeant Miller

and Lieutenant McKenzie
to come and get us.

[Creeper]
You both start doing...

as you're told.

Let us out, you b*stard.

I hate you, I hate you,

I hate you.

[man] Control to DS Miller,

there's maintenance works
at the junction

of Halls Road
and Howards Lane.

It means you're gonna have
to use the Ring Road

to get to HobbsEnd docks.

[Miller] We have to go
the long way around.

This place is a ghost town.

Yeah, they're knocking it
down to make a new road,

so everyone's gone.

Not everyone.

Up there, ain't that the place

that you said
Johnny's mother lives?

[Miller] Hmm.
I know what you're thinking.

Well, since we're here.

[Mrs. Taylor] Who is it?

Who is--who is it?

-[Miller] Mrs. Taylor?
-[Mrs. Taylor] What?

[Miller] It's Sgt. Miller.

I'm from the local police,

I'm here with my colleague
Lt. McKenzie.

[McKenzie]
Hey there, Mrs. Taylor.

Police at this time of night?

There's no trouble
under my roof.

[Miller]
No, nobody's in trouble,

we just need
to discuss something,

something important.

[McKenzie]
Oh, hey there ma'am.

Here, there you go.

Well, it's chilly out here,
you could--

we'd be much obliged
if we could just come inside

for a little minute?

Oh, uh...

[McKenzie] Yeah?

Let's go inside, then.

Appreciate it.

I don't want no noise,
you know,

because my son is asleep in bed

and he doesn't like his rest

-to be disturbed.
-[McKenzie] Okay, ma'am.

[Miller] We'll be as quiet
as church mice.

Oh.

I don't know what you want
because...

I was--I was just--

I was just making
my bedtime coco.

Mrs. Taylor, we're here

to talk about your son, Johnny.

I told you

the last time you lot come here,

Johnny didn't do it.

He didn't do it, I tell you.

He's a good boy is Johnny.

He's very thoughtful
to his mother, he is.

But--excuse me,
I'm afraid I don't follow.

Because he's got the same name
as his father,

they call him bad
but he's not.

He didn't do it.

Somebody else's boy did it.

Well, that's in mint condition.

-It's almost been what--
-Oh, don't touch that.

He hates it,
anybody touching his records

in case they scratch them.

-Sorry.
-Makes him mad, it does.

[McKenzie] Mrs. Taylor...

there's no easy way to say this,

so I'm just gonna
come right on that

and say it,
I'm--I regret to inform you

that we have recovered

the body of your son.

Johnny isn't dead,

Johnny's come home.

He's come home, he's home,

he's home.

Johnny's come home, well.

That's why I said be quiet

because I'm worried about him,
you see.

I don't think he's very well

because he doesn't look
very well.

I think what he needs

is a good rest.

Well, you know, it--

it's getting late
and we will make a move.

But I'd like to give you
my card.

Now, will you be sure

and call us tomorrow

because we have
experienced people

you can talk to, ma'am,

I mean, folks that'll help you

process your grief.

You know, and find closure.

Closure.

Ma'am, we just won't take up
any more of your time,

bye now.

Good night, Mrs. Taylor.

[bell dinging]

No, don't, don't, don't.

-Somebody in there?
-No, don't--

-Who's in there?
-Don't let her go in there.

-Who's in there, ma'am?
-Don't let her in.

-Do you have a problem?
-No--don't--you go out,

-no, don't go in there.
-No, no, we're just going

to look, it's fine,
don't worry.

-Don't go in there.
-No, it's fine, we're just

-gonna have a look.
-Miller.

Watch out.

Jesus.

[ominous music playing]

[laughter]

[gasp]

[panting]

[upbeat music playing]

[man] Even a man
whose heart is pure

and says his prayer tonight

can change to a wolf

when the wolfbane blooms

and the full moon
shining bright.

[rock music playing]

[Creeper] I thought I told you
to leave the girls alone.

[Sally] Oh, let him be,

I was just gonna have a dance
with him.

Creeper.

Johnny Taylor.

[Creeper] She's not gonna dance
with you

because you're a freak.

You always was an ugly b*stard.

[rock music playing]

[applause]

Bet you wish you were dead now,
didn't you?

[rock music playing]

[gasping]

Creeper?

Oh, my God.

Oh, my--

Sally.

Sal.

Johnny?

I come back for you, girl.

How can this be happening?

Get away.

It's all right,
it's all right.

I dreamed about you Sal,

dreamed about you all them

cold and lonely nights.

Kept hearing music,

Sal, far away music

and angels with bird wings
are singing.

Whenever I felt lost
in the dark,

and voices kept leading me
back to your arms.

You kept me warm.

You wouldn't let me die.

I've come back for you, Sal.

I've come back for that kiss.

I've gone to that place.

You and me,
listening to them angels,

side by side,

no more hurting.

[Sandra]
Leave my mom alone, you freak.

Shh, shh, let the--

it will be all right, Sandra.

It will be all right.

Come with me, Sal.

I got me car outside.

We can go down the docks.

Go to that quiet place

where all them love-dove couples
make for.

Nothing dirty, mate.

We'll just play some music,

maybe you'll dance.

[suspenseful music playing]

[McKenzie sighs]

Miller?

Miller?

No.

Why didn't you wear your vest?

You were a good cop.

Where is he?

Where's your son gone?

Went to see that girl,
I expect.

What girl?

[Mrs. Taylor]
He knows I don't like it.

The girl, what girl,
what are you talking about?

That wicked girl once that

he took her in his car.

It was her who led him astray.

It's the only way around.

Sally?

Sally Martin?

[Mrs. Taylor]
I won't have mention

of that tart's name in my house.

[kettle whistling]

Would you like a cup of tea?

[jazz music playing]

[engine revving]

[thunder rumbling]

[man] And right now
I must be bloody hallucinating,

because I thought I just saw
a Hillman Minx drive past.

The Devil plays tricks
with the man's eyes

this late at night.

But I swear this one
went by

with Lucifer himself
chasing after it.

I was never a fan
of the Hillman myself,

more of an Angley man.

Memories of holiday summer

just in sand
in me a*s.

Happy days.

Johnny, please don't hurt me.

Hurt you, Sal?

I'd never hurt you.

I've never wanted
to hurt anyone.

All I wanted was a dance,

a kiss,

and I'd have died
a happy man.

But everyone just laughed
at me.

I never laughed at you.

They're not laughing now.

[car horn honks]

I would have danced with you,
Johnny.

I wanted to dance with you.

[jazz music playing]

[operator]
Come in...

[McKenzie] Come in, Control,
officer down,

do you read me?

[operator]
Control to--

straight to the...

[tires screeching]

[McKenzie]
Freeze, scumbag.

[Sandra] He's gone.

He k*lled dad
and took mom with him.

-[McKenzie] Where?
-[Sandra] The docks.

Don't worry about me, just go.

[tries screeching]

[McKenzie]
It's just you and me now,

Elvis.

So do I k*ll the music first,

or the monster?

Control, this is McKenzie,
do you read me?

Over.

[jazz music playing]

[McKenzie]
Control, this is McKenzie,

do you read me?
Over.

[Bobby] Yeah, rock and rollers,

it's Bobby Blade here.

For the next two hours
I'm gonna be playing you

the tunes it would be a crime
for time to forget.

Radio Rockabilly,

the pirate station
that just wouldn't die.

Son of a b*tch.

Say it, Sal.

I don't feel like
dancing no more.

♪ I'm hopin' for a kiss
good night ♪

♪ A kiss goodbye ♪

♪ A kiss from my girl ♪

How's about my kiss, Sal?

I waited a long time for it.

[rock music playing]

[McKenzie] Bobby Blade,

you rock-and-roll-mouthing
son of a b*tch,

I'm coming straight at you.

[Bobby] You lot might get
some extra grease

on your cribs tonight,

there's a storm brewing
out there

and heading this way.

[rock music playing]

[Bobby] But we don't need
to get struck by lightning

to play electrifying music
here on Radio Rockabilly.

[rock music playing]

Who the f*ck are you?

Piss off,
I'll call the police.

I am the police.

Are you, bollocks?

What are you doing?
That's a '53 original,

-you just ruined that.
-[McKenzie] Your music

is k*lling people.

Well, you f*cking are.

[McKenzie]
I can explain.

He needs your music,

he lives for it.

[panting]

Johnny.

Sally, Sally,
get away from him now.

It's the music he needs,

the music,
get away from him now.

Sally, get away from him now,

-he--
-Get away my desk

or I swear
I'm gonna f*cking twat you.

You get out of my way.

I'll see you do 20 years

for aiding and embedding
a m*rder*r.

f*cking lunatic.

[thunder rumbling]

[McKenzie] Sally?

Sally, over here.

Sally, come on.

[Bobby] Sorry about
that interruption there,

I had a bit of a run-in
with some mad bird,

I reckon she was from
the cop-swap.

let's get the show
back on the road

with this classic number.

[singer] ♪ I'm driving home ♪

♪ While I'm driving
all day long ♪

♪ And when I saw... ♪

Keep running and go right.

[Sally] Oh, no, we're trapped.

[McKenzie] No, no, no,
just hold tight, ma'am.

This is our best shot.

[Bobby] Port master to
cargo workers,

a strange red mist
is spreading across the dock

[engine revving]

[jazz music playing]

[singer] ♪ [indistinct] ♪

Just take a few steps

in the back with me.

Come on, ma'am.

[Johnny]
You are my girl, Sal.

All of you.

[jazz music playing]

Come on, you son of a b*tch,

drop it.

If I can't have you,

no one will.

Johnny, no.

Johnny, no.

Ma'am.

Oh.

[singer] ♪ Well,
I always roamed around ♪

♪ ...the town ♪

♪ Never thought
I'd ever quit ♪

♪ Then you came along ♪

♪ I changed my song ♪

♪ Because baby
I know this is it ♪

♪ When I look
into those eyes of blue ♪

♪ I knew I made a big hit ♪

♪ I'm a puppet on a string
now by the way ♪

♪ Because baby
I know this is it ♪

♪ When I played the field ♪

♪ And I had the ball ♪

♪ I never thought a gal ♪

I'm sorry, Johnny.

[singer]
♪ But I really flipped ♪

♪ When I looked at you ♪

♪ You're a living doll ♪

♪ You're a dream come true ♪

♪ Why don't you call up
a game ♪

♪ You thrill the [indistinct] ♪

♪ I came at you ♪

You didn't k*ll anyone.

He was already dead.

[country music playing]

[singer] ♪ Well, now I'm jealous again ♪

♪ Jealous again ♪

♪ She left me
and went with him ♪

♪ So I'm just jealous again ♪

♪ And oh yeah,
I'm jealous again ♪

♪ Jealous again ♪

♪ She left me
and went with him ♪

♪ So I'm jealous again ♪

♪ When I snuck
somewhere around ♪

♪ I took her to the show ♪

♪ Everything was just fine
as wine ♪

♪ So we get up to go ♪

♪ But down the alley
and to the door ♪

♪ She saw this southern guy ♪

♪ She left me
and went with him ♪

♪ And didn't say goodbye ♪

♪ So now I'm jealous again ♪

♪ Jealous again ♪

♪ She left me
and went with him ♪

♪ So I'm jealous again ♪

♪ Oh yeah, I'm jealous again ♪

♪ Jealous again ♪

♪ She left me
and went with him ♪

♪ So I'm jealous again ♪

♪ Well, this time
I thought I had ♪

♪ Since that she was mine
for sure ♪

♪ But she could not
be just like ♪

♪ The girl I've had before ♪

♪ Just down the alley
and to the door ♪

♪ She saw this southern guy ♪

♪ She left me
and went with him ♪

♪ And left me there to cry ♪

♪ So now I'm jealous again ♪

♪ Jealous again ♪

♪ She left me
and went with him ♪

♪ So I'm jealous again ♪

♪ Oh yeah, I'm jealous again ♪

♪ Jealous again ♪

♪ She left me
and went with him ♪

♪ So I'm jealous again ♪

♪ Oh, yeah, I'm jealous again ♪

[singer] ♪ Get a life ♪

♪ Don't hang around forever ♪

♪ Get a life ♪

♪ Stop singing,
it's now or never ♪

♪ Get a life ♪

♪ Oh, please get out of mine ♪

♪ You were a fool ♪

♪ To have ever loved me ♪

♪ I should have known ♪

♪ From the start ♪

♪ That one day ♪

♪ You'd come back to haunt me ♪

♪ Your love
will tear us apart ♪

♪ Get a life ♪

♪ Oh, please ♪

♪ Get out of ♪

♪ Mine ♪