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736 - April 20, 1969

Episode transcripts for the TV show, "Dark Shadows". Aired: June 27, 1966 – April 2, 1971.*
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The show depicted the lives, loves, trials, and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place.

736 - April 20, 1969

Post by bunniefuu »

[ mysterious music playing ]

MALE NARRATOR:Collinwood before the turn of the century.

A time of bizarre and frightening events.

The two Collins children, Nora and Jamison

have been sent away to school

against the wishes of their mother,

a strange mysterious woman

only recently returned to Collinwood.

Angered by the separation from her children,

she has vowed that they will not spend

another night in the school.

Only moments after her vow was made,

the school mysteriously...

- NORA: Help me! -...caught fire.

- NORA: Mommy! - LAURA: Darling, I've come

to take you and Jamison away.

But I... But I can't.

The flames!

LAURA: You must, darling, I can't reach you.

NORA: I can't!

LAURA: Don't be afraid, Nora.

You'll be all right.

Mommy!

Mommy!

Mommy!

Mommy come to me.

Mommy!

[ somber music playing ]

Mommy!

Mommy, help me!

Mommy!

Mommy!

Mommy, save me, Mommy!

LAURA: Help us get out of here, please, someone!

[ dramatic music playing ]

Jamison, what about Jamison?

No, he's all right. He's all right.

Miss Drummond and Reverend Trask got everyone out.

Oh, thank God.

[ mysterious music playing ]

Well, what did you find?

QUENTIN: The urn isn't there.

And now?

Well, we've got to find out where she keeps it.

But how?

If this mysterious urn is a... is a personal belonging,

why ain't it in her room, huh?

Maybe because it's too valuable to her.

Too valuable?

You did not tell me that before.

I am not talking about monetary value, Magda.

What other kind is there?

Listen, you've been close to her the past few days.

Where does she go when she leaves her room?

She's only left the room twice.

Once, for a walk in the garden,

and once to visit the children's school.

Well, have you noticed anything unusual about her behavior?

No, she seems to be the same as she was

- before she left Collinwood. - Well, she isn't.

She's not the same at all.

How is she different?

You wouldn't believe me if I told you.

It's too fantastic.

I am becoming more intrigued with this--this urn

you are looking for.

How do you know it exists?

Someone told me.

Who?

Magda, I'm not paying you to ask questions.

[ scoffs ] It is all so mysterious.

We are looking for an urn.

We do not know what it looks like

or what it contains or even why we are looking.

I know why.

- Then tell me. - After we find it.

May I ask you one question? Will you answer it?

What?

If it is not worth money, what is it worth?

Laura's life.

What do you mean?

You asked a question, you got an answer.

Answer frightens me.

If you are going to harm her, I will not help you.

All I want is that Egyptian urn.

After I get it, I give you my word, Magda,

I won't touch a hair on Laura's head.

Now, does that make you feel better?

Your word is not always very truthful.

[ clanging at the door ]

What happened?

There was a terrible fire at the school.

Mr. Shaw here, if it hadn't been for him,

Nora and I might have been burned alive.

Where's Jamison?

- Is he all right? - Oh, yes, he's all right.

All the other children were gotten out in time.

They're going to spend the night in Rockport.

NORA: Mr. Shaw wanted us to stay there, too,

but I insisted Nora be brought back here.

This is where she belongs. You're going to stay here, dear.

You know you'll be safe here, don't you?

Yes.

I'm so tired now.

Of course, you are.

She should go to bed right away.

Oh dear, I don't know if I can manage the stairs.

Oh, I can do that. Perhaps you'd better lie down and rest.

Thank you.

Come into the drawing room with me, Mrs. Collins.

- Let me take care of you. - Thank you, Magda.

Quentin, you'd better notify Edward of what's happened.

I will when he gets back.

He went to Collinswood about an hour ago.

[ Laura sighs ]

Are you sure you are all right?

Yes.

Would you be kind enough to get me some tea?

Of course.

Thank you.

[ mysterious music playing ]

Magda, would you close the doors, please?

I don't want you to let her out of your sight tonight,

because she's going to lead us to the urn.

How do you know that?

I told you, Magda, her life depends on it.

[ somber music playing ]

You weren't leaving, were you?

No.

What do you want?

Just to make sure you're all right.

Can I offer you a brandy?

No, thank you, but I appreciate the concern.

So, the little old schoolhouse burned down to the ground.

Yes, it was a terrifying sight.

And rather a bizarre way of getting the children

out of the school and back home again.

What do you mean by that?

What do you think I mean?

Surely you're not suggesting I had anything to do with it.

- Did you? - And risk the lives

of my children?

No, I suppose not.

I guess I was just fascinated by the way fire has played

such an important part in your life this past year.

Would you leave the room, Quentin, I'd like to be alone.

[ chuckles ]

Whatever you say, my dear.

[ somber music playing ]

MAGDA: Your tea, Mrs. Collins.

LAURA: Thank you, Magda.

[ teacups rattling ]

Is Mrs. Collins still in there?

Yes. Oh, before you go in,

I'd like to know more about that fire.

Well, I'm not sure there's much I can tell you.

Well, don't you know how it started?

Well, it was all very strange.

- It was as if-- - As if what?

Well, one minute everything was perfectly normal,

and the next, the entire building

was in flames.

- How strange. - Yes, we were very fortunate

to get everyone out alive.

Oh.

I'm beginning to feel a little better now, Magda.

But you still look very tired.

You should go up to your room and get into your bed.

No, no, I don't want to do that.

But you have had a terrible experience.

[ sighs ] Yes, but it's over now.

The children are safe. That's all that matters.

Oh dear, I feel the need of a little air.

You're going outside?

Just for a few minutes,

and then I'll retire for the evening.

Oh, Mr. Shaw, how's Nora?

Fine, she'd like to see you.

Well, I'll--I'll go up and say goodnight

when I go to my room.

If you're not feeling too ill,

could I speak to you for a moment, Mrs. Collins?

Do you mind?

Well, no, no, not at all.

Magda, would you excuse us?

Of course.

What did you wish to talk about, Mr. Shaw?

There's something that's been puzzling me

ever since the fire.

Oh, what is it?

How did you get into the room with Nora?

What an odd question. I walked in.

After the fire began?

Yes.

Well then, you knew she was in the room.

Yes, I was leaving the building when I smelled smoke.

I was terrified, so I went back down the corridor

to see if I could find out where it was coming from

when I heard Nora screaming in the schoolroom.

So, I rushed in.

I see.

Well, that's what's puzzling me.

You see, I was in the corridor as well,

and I didn't see you.

Mr. Shaw,

there was a great deal of excitement at that time.

Everyone was rushing about,

shouting, frightened.

Any number of things might have happened

that you didn't see.

Yes, I'm sure they might, but--

You know, I'm very glad we had this little talk,

'cause I intend to speak to Reverend Trask about you.

- Reverend Trask? - Yes.

- Why? - I think he should know

the courage you displayed this evening.

There's no need to tell him that.

Oh, nonsense!

Nora and I owe you our lives.

No, no. No, you don't.

Oh yes, and I feel you should be properly rewarded

for what you did.

Now, Mr. Shaw when you get back to Rockport,

I want you to tell Reverend Trask

to telephone me tomorrow.

Will you do that?

- Well, all right, but-- - Fine.

Good night, Mr. Shaw, and thank you again.

Good night, Mrs. Collins.

[ mysterious music playing ]

Mommy!

Mommy, where are you going?

Mommy!

Mommy!

[ mysterious music playing ]

QUENTIN: What are you doing out there?

Laura left the house a moment ago.

Well, why didn't you follow her?

I told you not to let her out of your sight.

Because unfortunately, the little girl came downstairs

and she followed her.

Which way'd she go? Maybe I can find her.

No, the best thing you can do is stay here and find out.

What are you talking about?

If Laura wants to be alone, as you seem to think she does,

then she will send the little girl back here.

- Correct? - Yes.

Well, all we have to do is wait here,

and find out from the little girl

where her mother went, yes?

Yes, of course.

[ mysterious music playing ]

Mommy.

LAURA: Nora.

You're supposed to be in bed.

But I waited for you to come and say goodnight to me,

and you didn't come.

But I would've in a little while, darling.

Why did you come out here all alone?

Well, I was... I was looking for something.

What?

Something I'd hidden here a long time ago.

Is that what's behind your back?

- Mm-hmm. - Can I see it?

Yes, but it won't mean anything to you.

Why it's just an urn.

Just an urn.

But why did you hide it out here?

Well, that's a little secret.

Can't you tell me? I like secrets.

I tell you what.

You go back to the house right now, and go to bed.

I'll come to your room later, and I'll tell you

a wonderful story about this urn.

Would you like that?

Yes, but can't you come back to the house with me now?

No, I can't, dear.

I must... I must stay here for a little while.

Why?

Well, I can't explain it, Nora.

You must do as I say, darling.

I promise I shall not disappoint you.

All right, Mommy. I'll be waiting for you.

Oh, hear me, master.

Bearer of warmth and fire.

Giver of life and destroyer, hear me.

Grant me through your flame,

the energy and the sustenance that I must have.

The little girl is returning.

- Is Laura with her? - No, she's alone.

You go into the drawing room, and let me handle her alone.

Nora, I was just coming out to look for you.

Your mother will be very upset when she finds out

that you left the house.

But I just saw my mother.

She wasn't upset.

Oh? Where did you see her?

She was in the garden.

In the garden? What was she going there?

I don't know, but she said she wanted to be left alone,

so, I came back here.

Good. It is very late.

Come, I take you to your room.

[ somber music playing ]

Well, what if she took the urn away?

No, no, she's hidden it here somewhere. I'm sure of it.

All we got to do is find it.

It is a big place. We could be here all night.

[ mysterious music playing ]

Where did the child say Laura was standing?

Hmm, over there.

What have you found?

I don't know yet.

MAGDA: Is that it?

Yes. [ chuckles ]

- Yes. - A worthless piece of junk.

No, no, no, not a worthless piece of junk.

Oh, it's a very valuable and precious thing

we have here, Magda.

For it contains a flame,

and not just an ordinary flame.

No, this flame is capable of giving life,

but if it were to be snuffed out,

a life could be snuffed out with it.

How will it happen, I wonder.

[ loud snap ]

Just like that?

Or will the energy just slowly be drained out of her.

We'll know soon enough.

[ sinister laughter ]

Goodbye, Laura.

[ gasping ]

No, no!

No!

[ evil laughter ]

[ dramatic music playing ]

[ mysterious music playing ]