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14x03 - Shut Up and Sew

Episode transcripts for the TV show, "Project Runway". Aired: December 1, 2004 – present.*
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Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.

14x03 - Shut Up and Sew

Post by bunniefuu »

Previously on

"Project Runway..."

These cards are not only

your inspiration, they are the

materials for your challenge.

This is an unconventional

materials challenge.

Edmond, you have an idea yet?

Uh, kinda sorta.

I'm still thinking

as I go along.

My strategy of attack,

if anyone asks, I don't know.

[techno music]

♪ ♪

I love this look.

Bravo, I think you did

a phenomenal job.

Edmond, congratulations.

Oh!

You are the winner of

this challenge.

Ashley, I have to say I saw

a lot of muslin on your look.

You are very lucky that you had

immunity for this week.

David, while we liked your

dress, we had a really hard time

actually finding

the unconventional materials.

I'm sorry, David, that means

you're out.

[rock music]

♪ ♪

[upbeat music]

♪ ♪

Oh, my God!

There is a very big ship

in front of us.

Holy hell.

This is so cool!

It's pretty impressive.

It's really like its own

mini city.

They have, like,

ten restaurants.

Everything you could ever want.

honestly, if I go

on a cruise, I'm taking theirs.

Yeah!

[laughs]

Good morning, designers!

Hey, Tim.

Good morning.

And welcome aboard

Celebrity Cruises'

magnificent cruise ship,

the "Celebrity Summit."

And I am delighted to introduce

you to the president and CEO

of Celebrity Cruises,

Lisa Lutoff-Perlo.

Hello, hello, designers.

all: Hello!

Welcome onboard "Celebrity."

Designers, Celebrity Cruises

is known as the epitome

of modern luxury vacation

experiences, and travels

to every destination

you can imagine

around the globe.

That's right, Tim.

Seven continents,

incredible places, from rugged

Alaska, to exotic Thailand.

So, designers, let's get

to the challenge.

You will notice that we have

seven suitcases, each of which

has a different exotic

location on it.

There's seven suitcases...

there are 14 of you.

[all chattering and laughing]

So, this is your first

team challenge.

Whoa!

You are going to be working

in teams of two.

Each team will be creating

one high-end day-to-night look.

This look will transition from

the exotic destination that

the travelers are experiencing

during the day, to coming back

onboard ship, and experiencing

fine dining and entertainment.

Now, let's pick your teams.

The first designer is...

Amanda.

And Amanda will be working

with...

Gabrielle.

[both laughing]

All right, we got this, girl!

Gabby is a little bit like me

in the sense that she knows

what she wants to do,

which I'm thinking, "Okay,

this is either gonna be

really [bleep] awesome,

or a total nightmare."

Amanda and Gabrielle,

you get to choose a suitcase.

The destination on that suitcase

will serve as the inspiration

for your look.

Either Greek Isles or

South of France, which--

Let's do South of France.

We pick...

both: South of France.

Okay.

Whoo!

Our next designer is...

Ashley, and Ashley, you will be

working with...

Candice.

Yay!

[laughs]

Sigh of relief,

like, thank God.

Ashley's aesthetic

and my aesthetic, I think,

could blend well.

Choose a suitcase.

Let's do Venice, yeah?

What is it?

both: Venice.

Venice!

Oh.

Got this.

And our next designer is...

Lindsey.

Lindsey, you will be working

with...

Jake.

Okay.

So Lindsey and Jake,

a suitcase with a destination.

Where do you want to go?

Lady's choice.

Let's go to Hong Kong.

All right.

Oh, great, Hong Kong!

I'm actually excited.

I've been to Hong Kong

a few different times.

It's where I actually trained.

Hopefully it gives us

maybe a leg up?

At least that's what

I'm thinking.

Our next designer is Laurie.

And Laurie, you will be

working with...

Swapnil.

[cheering and laughter]

India?

Oh, yeah.

What are you choosing?

Isn't it obvious?

India.

Are you?

Yep.

All right.

It means the expectations will

be even higher.

I'm not one of those

designers who's going to run

away from a strong challenge.

I say bring it on.

Our next designer is Kelly.

Whoo!

And Kelly, you will be

working with...

I'm just hoping I'm not

gonna get paired with Edmond.

Nothing personal, but he has

immunity, so I know that I'm

the one in trouble and not him.

Kelly, you will be working

with Blake.

Yay.

[laughter]

It's me.

Where do you want to go?

At this point, the people

left are myself, Edmond,

Hanmiao, and Merline,

and I'm praying, please God,

do not give me Merline.

Our next designer is Edmond.

Ooh. [laughs]

And Edmond will be

working with...

Hanmiao.

all: Ooh.

[bleep]!

The Caribbean.

Okay.

So Merline and Joe...

We're working together.

It's evident that you're

paired together, and your

inspiration is St. Petersburg.

"Jo-seeph," oui.

He's really good

at construction, so I'm,

like, super pumped up.

All right, designers,

you have your teams.

Inside each suitcase, you will

find fabric that corresponds

to the spirit of your

destination, and back

in the workroom, we have

additional fabrics for you,

all right?

Okay.

Lisa and I are sending you

off to sketch your design ideas.

And we hope you're hungry,

because we have

some nice treats for you

for lunch, as you sketch.

[all cheering]

All right, one other

important point:

you have one day

for this challenge.

Okay.

All right?

So, head off and sketch!

Good luck, designers!

all: Thank you!

Aren't you excited?

I am, yes.

It's about to get real!

Merline's already starting

to drive me crazy.

Oh, boy.

[upbeat music]

♪ ♪

Ooh.

Linens.

I feel like this would be more

of, like, a coat or a jacket.

Oh, my God.

[laughs]

I was thinking

the same thing.

Oh, this is so pretty.

Oh, yes.

Yay, thank you.

Now, this is inspiration

right here.

[both laughing]

[gasp] Look at the stripe!

Oh, my gosh.

This is freaking fabulous.

Okay, I think we need to

sketch something out.

I'm thinking maybe we should

combine our aesthetics

to do one piece.

Okay.

We're gonna do it, all right,

cool.

Our style is so different.

I'm more focused on, like,

a structure, like, you know...

like a sharp edge, kind of

oversize, you know, womenswear.

And Edmond, he focus on

something very feminine, pretty,

something draped.

So, how about we sketch

separate, and then--

That'll work, let's go.

Mmm.

We got a lot of the green

and gold.

I don't mind this, we could

always do, like, a kimono-esque

jacket, you know?

They're just not a kimono

culture.

Kimonos are more Japanese than

Hong Kong.

I know.

It just gives that nod.

So I was thinking more

like a drapey--

so this comes from the sari.

I like that.

As we see the fabric,

me and Laurie actually said

these things together.

"Pants, crop-top, jacket."

So we are trying to re-create

the sari into a more modern way.

I mean, what worries me most is

whether will be...too India.

That's not what we want here.

Designers, time is up.

Assemble all of your things

and come with me.

We good? Yes, okay.

[squeals]

Here we are, girlfriend.

♪ ♪

All right, designers.

You have the inspiration

for your challenge, you know

that you're creating a look

that will transition

from day to night.

You have all the solids

in our mini Mood.

You have eight hours...

[laughs]

For this challenge.

Stop.

There are two of you.

As far as I'm concerned,

that's 16 hours.

All right, I will see you later.

Have fun.

Thank you!

Thank you, Tim.

[techno music]

♪ ♪

Go ahead, darlin'.

If you want, we could do

a tea-length dress out of that.

The question is, do we really

have enough fabric?

Even just in brainstorming,

I said, "Hey, maybe we'll do

something kimono-esque, maybe

we could do a smoking jacket,

maybe we could do this."

I feel like Jake is

combating the ideas that I have

without bringing

any other ideas to the table.

Sneak by you, darlin'.

And by calling me things like

sweetheart, Jake seems to be...

half pacifying me

and half demeaning me.

Makes you want to puke.

Okay now, what--what are

you thinking?

Think out loud.

We're together on this.

So, as you're thinking, just,

even if it's right or wrong...

Mm-hmm.

Just talk to me.

[playful music]

♪ ♪

[sighs]

[sighs]

What are you thinking?

You gotta--we working together,

so you need to talk

out loud, talk with me--

Yeah, let me--let me think

of what we should do.

You're going back and forth--

I don't want to argue with--

make it work.

Okay, do the top, I'll do the

bottom, and then we'll kind of,

like, check on each other in a

second.

All right.

I need a cigarette!

[laughter]

I need a cigarette too.

For this challenge, we got to

go on a Celebrity cruise ship,

and it's pretty fabulous.

So now we are creating a look

based on different destinations

that "Celebrity" cruises.

The outfit also has to

transition from day to night,

and be a high-fashion look.

This length is good

for the crop-top, right?

Mm-hmm.

And then just the top.

Yeah.

When it comes to personal style,

I love Tracee Ellis Ross, okay?

I used to watch "Girlfriends."

I didn't care about

the storyline, I just wanted

to see what she was wearing.

And how are you doing

with that cape so far?

Uh, the neck is kind of,

like, making me nervous.

With this challenge, I feel

that I'm steering the ship.

I'm the captain.

I'm working on creating

this dress, and she's working

on the draping of the cape.

The biggest challenge working

with Merline is trying

to keep her focused.

Hi.

Hi, Tim.

How are the design teams?

[overlapping comments]

How's our Venetian team?

And how are you working

together?

Amazing.

Really good.

Good, so what are you doing?

This is the fabric

that we got in our suitcase,

and we want to use all three.

Yeah.

It's nice.

So it's gonna be a fitted

shirt in the front.

Okay.

Draped cowl neck in the back.

And then with the pants,

I wanted to do a box pleat.

Well, we know you can do

a box pleat.

Yeah, and we're gonna have

a third piece.

Okay.

We wanted to do that

as a cape.

So it's a capelet.

It's a capelet.

[Tim laughs]

So how is Team Caribbean?

It was a rocky start.

Yeah.

What was going on?

Uh...

Our style, mine is more like

non-feminine, and he's so,

like, feminine, you know,

show the body.

It's a collaboration.

Yeah, so the top part,

it still have my style.

And what's the skirt?

The skirt is actually

this material.

This breathable fabric,

it has a flow.

All right, how is this

day-to-evening?

Why wouldn't you either have her

come out in what's basically

a little sun outfit?

Well, that was my first

thought, doing a swimsuit under.

Well, can I tell you,

I'm in support of that.

I mean, for me, the solution

to this you've already

presented, and it should just

be done.

His aesthetic is very

the classic look, and then

mine is very architecture,

and so we're kind of merging

those two together.

So we're making a dress

and we're making a cape.

Okay.

Inspired by St. Petersburg,

so it's definitely opulence,

garishness.

Let's keep it to opulence

and remove--

[laughs]

And keep going.

Yeah, it's all being ex*cuted

in this fabric?

Yeah.

I have great respect

for you as designers.

both: Okay.

I think this is really going

down the mumsy, matronly route.

I think this is really going

down the mumsy, matronly route.

Got it, okay.

So we're gonna re-think

the bottom, and we're gonna

re-think the piece

that's gonna go over her.

Okay.

Can I also say, you are

uncharacteristically quiet.

He put me lock-down.

Oh--she's on lock-down.

[laughter]

Yeah.

All right, guys, thank you.

Great, thanks, Tim.

Carry on.

Back to the drawing board.

Not necessarily.

This is your territory,

Swapnil.

Yeah. So it's basically

an inspiration from the sari.

Uh-huh.

How it's been draped,

but more modern.

This fabric has a lot of

fluidity, the drape will fall--

We're not in love

with the paisley, though.

So, you're in favor,

and Laurie, you're dubious?

Yes.

What's that?

This is another option

that we had.

Wow.

It's much lighter.

Oh, my God.

This--you just found

the secret sauce.

I guess I did.

[laughs]

Swapnil and Laurie together

are super dangerous,

but me and Blake are gonna give

everyone a run for their money.

We're thinking of doing,

like, a modern twist

of a Greek goddess.

Oh.

So it's a jumpsuit

so the front will be

all white and clean,

and then when she walks,

she just has this, like--yeah.

Super wide leg.

It strikes me as being

a very appropriate look for the

Greek Isles for this challenge.

We want it to be sexy,

because the South of France

is sexy, you know?

Yeah, right.

The way we're making it

a little more evening is

in the back it's fitted, and

then it has a cutout right here.

Excellent.

Yeah!

We got the Tim Gunn stamp

of approval.

How are you two?

I'm okay.

Good.

That doesn't sound good.

What's going on?

I really like from Hong Kong

the idea of, like,

hard and soft.

Mm-hmm, I'm with you.

So we kind of wanted to throw

in a moderately structured vest.

I'm considering doing a vest

in this, even though it's a lot,

it's Hong Kong.

Just a suggestion, what if

the vest here is in the black,

but the shawl lapel is in this?

I like you, Jake, but I would

sooner die.

Lindsey needs approval,

and clearly, I am not someone

that she takes stock in.

Can we high-five?

It's okay for me to be

cautious every now and again.

No, you should challenge

each other.

Go for it.

Thank you, Tim.

Designers, I am very excited

about what you're doing.

Yay!

Yay!

So keep your eye on the clock.

You have until 12:30.

Thank you.

Good night, Tim, bye.

Yes!

That was an awesome critique.

Let's get this party started.

[overlapping greetings]

I think you should change

colors.

Hanmiao, Hanmiao, Hanmiao.

It's so frustrating when

minutes, hours, whatever later,

and we're still arguing about

colors and fabrics.

I mean, come on.

You gotta understand, it's one

look, it has to be cohesive.

This is what--I know, but--

He start pushing me

to follow his direction,

which I don't like.

Can you turn?

I'm tiny, but I...I still

have my opinion.

Oh, my God, I'm so excited.

They look awesome, Gabby.

How are you?

You know, whatever.

Uh-oh.

I'm--I'm fine.

I just was unaware that I was

gonna have to do the work

of 2 1/2 people alone, so...

I'm sorry.

It's fine, you know.

If we win, then I'll win.

Have you ever made a swimsuit

before?

No.

Okay, let me show you.

Just give me a minute.

This is what I'm speaking on.

You just--

Listen to me, then--

Don't I listen to you?

Look, you're not even

paying attention.

I said let me finish

the pattern first.

No, we don't have time

to do that.

I tell you what, just make

the whole thing, I'll make

the dress, and you defend it

on the runway.

How about that?

[exciting music]

♪ ♪

Because I'm in charge for

the swimming suit...it's very

hard, because the fabric I'm

gonna use is non-stretch cotton.

And the time is tick-tock.

♪ ♪

Hey, Joe?

Yeah?

I just gotta show you

something and then

cut the lining.

This whole cape process has

taken hours and hours and hours

to complete, and I feel my dress

is suffering tremendously.

[sighs]

I feel like I'm teaching

a class.

We have three different

groups battling it out,

and we're all wondering,

"What the hell is going on

in this room?"

It's ten minutes before

the end of the day,

and Jake's just now starting

to cut a skirt.

I--there's--I don't know how

we're gonna get this thing

together.

I'm gonna have to be Super Woman

tomorrow, is pretty much

what it comes down to.

We gotta get this done.

I have about 1,000 things to do

in two hours today.

Good morning, design teams.

You will have an hour to send

your models to the Mary Kay

color design studio and

to the Sally Beauty studio,

all right?

Use the JustFab accessories wall

very carefully, all right?

I'll see you a little later.

Thanks, Tim.

Thank you.

This fabric is not easy

to work with.

We can't do that pattern

or they're gonna say

it's old lady clothes.

Hi.

Hi, how are you?

I've just decided to do color

for some odd reason.

How is that?

It's a little tight.

A little tight?

Oh, my gosh, why does it

keep doing that?

No.

You little b*tch.

She's South of France,

so we kind of want to

accentuate her eyes.

I was thinking almost like

a nice bronze smoky eye.

So pretty.

We should keep the eyes bare,

with a nude lip,

something neutral.

Maybe, like, highlight

the cheek, please.

Like a bronze cheek?

Perfect.

So, Celebrity Cruise.

Uh-huh.

We're going to Hong Kong.

We should almost do,

like, a stain.

Keep it young, keep it youthful.

Yeah?

Keep it fresh.

You want to come over

in the mornings, and...

Anytime.

Make it happen?

♪ ♪

That's what happens

in the Sally Beauty studio.

We always make you beautiful.

Is this a day look, or--

It has to transition.

So we'll just bring these

little pieces back,

all this sleek, glam this up.

Yeah, make sure it's all

straight.

Yeah, I'm, like, streamlined,

clean, and he's more,

like, a little drama.

I would add some volume

to this, and then she comes back

here, and she's just hanging

sleek and straight.

That's perfect.

♪ ♪

At this point, Hanmiao and I

are not even speaking.

I don't know how far along

she is with the swimsuit.

I don't know if she's going to

be able to complete it.

We don't have time at all.

This is kind of weird.

Edmond did another whole

swimming suit.

What he's doing?

I feel so disrespected.

I feel...

disappointed.

You're done.

Designers and models, we're

going down to the runway.

Follow me, everyone, please.

This is horrible,

and I'm trying to figure out

how to make it look

a little more presentable.

Off we go.

Hanmiao, we've got to go.

We've got to go,

we've got to go.

Edmond, Hanna's got to get

onto that runway.

All right, we did it, finally.

Hello, everybody,

welcome to the runway.

As you know, in fashion, one day

you're in and the next day,

you're out.

There are 14 of you here, and

after tonight, there will be 13.

You went to the beautiful

Celebrity Summit cruise ship and

were inspired by some of their

luxurious travel destinations.

All right, let's say hello to

our judges.

First, we have Creative Director

of Brooks Brothers women,

fashion designer Zac Posen.

Hi, designers.

all: Hi.

Hi, Zac.

Creative Director for

"Marie Claire" magazine,

Nina Garcia.

Hi, everyone.

all: Hi.

And today's guest judge,

star of the hit show "Black-ish"

and the ever fashionable

Tracee Ellis Ross.

Welcome.

Hi, thank you so much.

Hi, everybody.

Laurie, you look a little

emotional, what's going on?

Tracee Ellis Ross is here.

[laughter]

Just don't understand

how much she influences

my design aesthetic.

It's so surreal.

I'm, like, on cloud nine

right now.

Tracee, we're so happy

to have you.

Now I'm gonna cry.

[laughter]

Also we have Tim Gunn here

for the runway show, but as you

know, he is your mentor and he

will not be judging your looks.

That said, he will have one

Tim Gunn save.

If at some point

during the competition

he disagrees with the judges,

he can bring that designer

back to the competition.

We also have an anonymous

runway show, which means we the

judges do not know which

designer created which look.

All right, let's start the show.

[electronic music]

♪ ♪

There's movement in the top.

There's a story in the cape.

There's life in the bell-bottom.

It just feels like Venice.

You know where this woman

is going.

I like it.

I do too.

I'm happy with it.

At the end of the day,

it just works out amazing, and

I'm so glad that me and Candice

got to collaborate on this look.

♪ ♪

The drape is going

beautifully.

One hand in the pocket,

and the hair, the makeup.

I think me and Laurie did

a really good job.

Cute, guys.

Which part of this look

would Tracee wear?

That's all I could think about.

She would wear the pants,

she'd wear the top,

and she'd wear the sash.

She'd wear everything.

[upbeat music]

♪ ♪

I don't love it.

I don't hate it.

It was Lindsey's look,

and for me, all I can see is

the failure in our teamwork,

and that sticks me pretty hard.

She looks really lovely,

but I'm so disappointed with how

the past 24 hours have gone,

I don't really feel like I can

enjoy it, sitting with Jake.

♪ ♪

I feel really good

and I think she looks beautiful.

I think she's a modern

interpretation of,

you know, my classic style,

and I'm really happy.

♪ ♪

This whole challenge is

really not being me.

I don't think there's a lot of

creativity that came out of me

for that garment, not like

something I'm gonna be proud of.

It's safe.

♪ ♪

It could've been an amazing

swimsuit, but once again,

the construction, detailing,

it just wasn't there.

It looks like, you know,

we pretty much rushed

and created something

and just pretty much threw it

on the runway.

I think it's just too much.

The straps, the floral,

the yellow, it's not my style.

It's good.

Really?

♪ ♪

I think this look does

represent Amanda and I

very well.

I think maybe it leans

a little bit towards my

point of view more so than hers,

but I think we did a good job.

The pants are so well made.

Thank you.

I was actually very confident

about our look.

Obviously, there were

slight issues.

In the amount of time we had,

there were gonna be issues.

♪ ♪

It is everything I imagined

times ten.

She looks like such a strong,

powerful, vacationing,

beautiful woman.

♪ ♪

I see a big smile

on Heidi's face, and that

just makes me, like, so happy.

All the stress, everything

just goes away.

♪ ♪

Okay, we have just learned

which teams created which looks.

Kelly and Blake,

please step forward.

Congratulations.

Your scores have qualified you

to move on to the next round.

You can leave the runway.

both: Thank you.

♪ ♪

The rest of you had the

highest and the lowest scores.

One of you will be named

the winner...

and one or more of you

will be out.

[dramatic music]

♪ ♪

Candice, Ashley...

Lindsey, Jake...

Laurie, Swapnil, your teams

have the highest scores.

[whispering] Yes.

Edmond, Hanmiao,

Amanda, Gabrielle,

Merline, Joseph,

your teams have

the lower scores.

We're going to talk to the teams

with the higher scores first,

so the team

with the lower scores,

you can leave the runway.

Thank you.

Candice, Ashley, tell us about

your look, your destination,

and who did what.

We decided to choose Venice.

I created the top.

Ashley did the pants.

I did the cape, but she

helped me with the ties.

Wow.

It took my breath away.

She looks eccentric,

but chic, always.

Every piece is special.

I can see Venice in here

because when I think of stripes,

I see the guys in the gondolier.

I love this look.

Mixing patterns takes

a lot of courage.

Thank you.

Belissima.

[laughs]

Thank you.

Thought it was risky,

and the risks paid off.

It has a weird

'70s kind of print on top,

and it really works for me,

and you guys rocked it.

And how did you two work

together?

Amazing.

Yeah, we just clicked.

Really, really well.

There was not one argument.

Fashion is all about

collaboration.

If this is the winning look,

who would win?

It was such a collaboration.

It's just so hard to pick

a winner, because we each

pulled our weight and we each

helped each other.

Thank you, Candice.

Thank you, Ashley.

Thank you.

Laurie, Swapnil, please tell

us about your look, your

destination, and who did what.

Our inspiration was India.

We created a crop top

with a high-waisted pant,

and then you want to talk about

more of the top,

which is what he created.

Yeah, I mean, the whole idea

was to get inspired by the sari.

Wanted to make it modern.

You kept the silhouette

of the sari, but in the choice

of fabric, there is something

very effortless.

I love the drape,

I love the little detail

on the shoulder.

The only problem that I had

was the fit of the pants.

Uh-oh. [laughs]

Will you take this top off

for me?

Because the crotch...

of these pants,

I don't know about that.

The pant--I'm gonna be crazy

here--it doesn't bother me.

[laughter]

The drop crotch-y thing

does not bother me, maybe

'cause I love a drop crotch.

I like it.

Thank you, thank you.

Yeah.

Beautiful.

You should be very proud.

If this is the winning look,

who should win?

Swapnil.

He ex*cuted the top in the piece

that's inspired by the sari

beautifully.

Who do you think, Swapnil?

For sure.

Swapnil.

[laughter]

You got good timing.

Thank you, Laurie.

Thank you.

Thank you, Swapnil.

Thank you.

Jake, Lindsey, tell us about

your look, your destination,

and who did what.

We wanted to create, like,

a 35-year-old lady

who wanted, like, the idea

of the fantasy Hong Kong.

I patterned the vest,

the skirt, shorts,

cut and sewed the vest,

the shorts, the top and bottom

of the dress together.

I sewed all the seams,

as far as, like,

the center front and hem,

and Jake sewed the halter

together and draped the halter.

Jake, do you have

anything to add?

If this is a top look, this

is definitely Lindsey's look.

I appreciate that.

We are not two people

who work well together.

I really took a back seat this

time around, because I feared

that if I didn't, we wouldn't

complete a look, that we would

actually end up fighting and not

sending a model down the runway.

There's a lot I like about it

and a lot I don't like about it.

The choice of fabrics

is very pretty.

I would not have put the split

up the front.

I actually would have just

made it a dress.

The shorts underneath is

a little confusing to me,

but overall, I just think

it's pretty.

Thank you.

When it came down the runway,

it had movement, it had color,

it had print.

You guys got good textiles,

so kudos.

I like the mix of the colors,

which I don't usually like

together.

The vest, which has the pockets,

I kind of like.

I like this look.

First, it did make me think

of Chinese Christmas.

[laughter]

But because there is so much

gold in both of the fabrics,

it does work in a strange way.

And it's made really well.

Yes.

Thank you.

Thank you.

Okay, we've heard what

you had to say.

Now we're going to talk to the

teams with the lower scores.

You can leave the runway.

Thank you.

Thank you.

Hanmiao, Edmond,

tell us about your look,

your destination,

and who did what.

Our destination was

the Caribbean.

I sketched the bottom portion.

The little detailing here

at the last minute was added.

Hanmiao created the top

and the bikini bottom.

And how did the two of you

work together?

Not so well.

We spent a lot of time

arguing.

More time than we put

in the garment, as you can see.

You are so lucky you have

immunity.

It's just not flattering.

The taste level is really off

for me.

The construction just reminds me

of, like, a gymnastic costume.

It's really quite frightening.

You guys are designers.

You have to be ahead

of the game.

You're not creating a trend

here.

The fabric is actually

beautiful, I love that print.

Why are you looking at me

like that, Nina?

The print is something.

No, I like that print.

I think that fabric is actually

really nice.

This is hideous.

When you think "Caribbean,"

why does it have to be

a bathing suit?

Why did it have to be

something so literal?

Why this yellow, horrific

jersey bottom?

It looks like a piña colada

meets Hawaiian Punch.

It's just...bad.

What's happening with this

bathing suit?

The fit of the bathing suit

is extraordinarily off,

and there's a lot going on

that is confusing.

That's crazy town.

Thank you, Hanmiao.

Thank you, Edmond.

Thank you.

Merline, Joseph, tell us

about your look, your

destination, and who did what.

We had St. Petersburg.

Joe is very...classic.

I'm just in love with

architecture and kind of playing

with shapes.

I don't know if you want to say

something else.

When Tim came around, he felt

like--that dreaded M-word,

"matronly."

He didn't want it to look

matronly or too mature.

However, that is my aesthetic.

That's who I sell to and that's

just who I am as a designer,

so we decided that

I would tackle the dress

and she would tackle the cape.

How did the two of you work

together?

I think we worked together

okay.

It was definitely a lot of time

that was spent going back and

forth with her about how to

draft the pattern, how to drape

it on the form, which was taking

a lot of time, and I ended up

putting it together

quite hastefully.

I think there's something

wonderful that you design

for an older customer...

Sure.

But if this is the direction,

I don't think this is taking

an older customer anywhere

further.

You have this cape

that is not really a cape.

It's almost like

a silly side bib.

Can we take off the bib please?

Uh-huh.

Then there's that asymmetry.

If this is the losing look

today...

[gasps]

Who should go home?

I'll be brutally

honest with you.

If one of us is gonna go home,

it has to be Merline,

and the reason why it would

have to be Merline is

my dress suffered because

I was helping her so much with--

Ooh, sound like fighting

words.

It's the truth.

Ooh.

Sorry. It took her 4 1/2

hours to drape this.

When it came to the skirt

portion of the dress,

I couldn't do it, so--

Uh, that's not the story.

Collaboration is

at the source of every art form.

I mean, that's truly sometimes

how the best stuff emerges.

Thank you, Merline.

Thank you, Joseph.

Mm-hmm.

Gabrielle, Amanda, tell us

about your look, your

destination, and who did what.

Our look is from

the South of France.

I did the pants and Amanda

did the top, but the design

was collaborative.

And the two of you

worked together fine?

Yeah, we did.

The bust having asymmetry

and then having this under piece

that creates actual

physical asymmetry is hard

for your design.

There's just too much

going on.

Like, if you have seven ideas,

get rid of half of 'em.

There are just so many design

elements all put into one look.

The high neck, then you see a

little skin on the side because

it is super short.

It is super long,

then there's a bell bottom,

and then it doesn't fit right.

We had a side bib,

and now we have a side mullet.

[laughter]

Not good.

Thank you, Gabrielle.

Thank you, Amanda.

Thank you.

Okay, we've heard what

you had to say.

We're going to take a closer

look at your designs,

and then I'm gonna call you back

in a little bit.

You can leave the runway.

Thank you.

Thank you.

[dramatic music]

♪ ♪

The winner "Project Runway"

will receive $100,000

to launch their line,

a Celebrity Cruises modern

luxury vacation for two

to almost anywhere in the world,

a year's supply of Sally Beauty

products, and the opportunity

to consult with Sally Beauty

to create a limited edition

Finger Paints nail color

collection, travel and hotel

accommodations to inspiring

destinations around the world

from Best Western International,

a 2015 Lexus RC350,

from Mary Kay, an entire year's

worth of beauty products

for their fashion shows,

and professional makeup artist

services for their debut show,

a complete sewing

and crafting studio from

Brother Sewing and Embroidery.

And the winning designer

and model will receive

a fashion spread

in "Marie Claire" magazine.

And there you are!

Hi, Heidi, Zac, Nina, Tracee.

Hi.

Hello.

Kristina is wearing

Ashley and Candice.

It's so fun.

It's totally kooky and it

totally works.

It drapes really beautifully.

Do you mind taking off

your capelet?

The pocket is beautifully

done.

It's very full.

They played on each other's

strengths.

They did.

Well, the jacket is

really nice.

The inside pocket here...

Yeah, it looks well made.

Is really, really nice.

Look at that, Heidi.

It fits okay, 'cause it does

hang nicely from the neck.

I genuinely don't understand

the shorts, though.

They're very confusing to me.

That is beautiful.

And this is beautifully

draped.

This is well made.

He draped and pressed it.

There's no stitching in this.

Sometimes that kind of

simplicity of gesture

and the technique that he knew

how to do worked.

It was effective.

You want to try it on?

Yeah.

The fact that it was this

unusual khaki kind of color

made it less obvious.

Oh! I'm totally in agreement.

Look at the beautiful darts

on there.

Exactly, I was just about to

say how nice that it's made.

Does this look good on me

too?

Actually, Tracee, it looks

quite stunning on you.

Yes.

Well, so it suits more than

just the model.

Yes.

Good to know.

[suspenseful music]

♪ ♪

Amanda and Gabrielle.

I gotta see what's going on

underneath.

This, to me, looks worse

close up.

Ah.

Now that you see it

close up...it's even worse.

I respect that there are

at least creative ideas here.

At least there's something.

There's something here.

♪ ♪

Oh, boy.

Oy yoi yoi.

The taste here is beyond.

There's just no rhyme

or reason here.

All this craziness, why?

Yeah.

I've never seen

a bathing suit bottom like that

in my life.

I makes me doubt Edmond's...

Taste level.

Aesthetic--yes, taste level.

I blame him for basically

making a shower curtain.

It's pretty bad.

♪ ♪

It's sparkly and atrocious.

You can't really imagine

the customer who would buy

this dress wearing that cape.

With that cape, no.

But there's nothing wrong

with this mature design.

No.

It brings with it

a lot of sophistication.

Thank you, Nina.

But then it's not.

The top of the dress is

not great.

No, it's really not

well ex*cuted for such a simple,

easy peasy little pink dress.

♪ ♪

Okay, so we've made

our decision?

All right, let's bring them

back out.

[tense music]

♪ ♪

Designers, your teams had the

highest and the lowest scores.

One of you will be named

the winner, and one of you

will be out.

It's clear that some of you

had a very hard time working

with your partners.

Candice and Ashley...

congratulations, you're both

winners of this challenge.

[applause]

We don't normally give

the win to two people, but we

just couldn't decide which one

should take the win here.

Neither did we.

Yeah.

So you both have immunity

for the next challenge

and cannot be eliminated.

Yes!

You can leave the runway.

Thank you.

Thank you.

My partner Candice was amazing.

To be able to work with her

and to get to know her more,

actually.

Here we go.

Did you win, Candice?

Did you win?

We both won.

Yay!

It's empowering.

It's everything and anything

that I've worked for,

right there.

Jake and Lindsey...

Laurie, Swapnil...

you're all in.

You can leave the runway.

Thank you.

Thank you.

♪ ♪

Gabrielle, Amanda...

you're both in.

You can leave the runway.

Thank you.

♪ ♪

Edmond, as you know, you have

immunity.

You're in--you can leave

the runway.

Thank you.

♪ ♪

Joseph, Merline,

Hanmiao,

one of you will be out.

Joseph...

you're in.

You can leave the runway.

Thank you.

♪ ♪

Hanmiao...

[suspenseful music]

♪ ♪

I'm sorry, you're out.

Merline, that means you're in.

You can leave the runway.

Auf wiedersehen.

I really lost myself.

You have to work as a team.

I know I failed.

Communication is the only way,

the best way to fix it.

We love you, Hanmiao.

Our little mushroom.

[overlapping chatter]

I'm fine, I'm fine.

Deep breath.

I'm strong.

And you might be little,

but you--

She can fight.

She pack a punch!

This sounds like a very

up room.

That's 'cause we love

Hanmiao.

Aw...well, we're certainly

going to notice that you're

gone.

all: Yes.

So Hanmiao, I have to send

you to the workroom to clean up

your space, okay?

all: Bye, Hanmiao.

Best wishes.

all: Bye!

We love you.

Several years ago I was

in China.

I watched "Project Runway"

season 4 in China.

I never think about I can be in

New York and I can be in

"Project Runway."

It's amazing.

Thank you, "Project Runway."

♪ ♪

Next time on

"Project Runway"...

It takes it from "Breakfast

at Tiffany's" to "Breakfast in

Las Vegas."

It's looking like [bleep].

This is gonna look like a child

project.

Does it look like it fits

right--I haven't seen the front

yet.

It's a little, uh, pulling.

Blake's dress is just held

together with chewing gum

and spit.

We are going down to

the runway!

Oh, my God...

I just literally have to pull a

dress out of nowhere.

Girl...

You did an excellent job.

And it's very dramatic.

I like it.

It's sort of like Miss Muffet

Meh.

Ooh.

She looks very mumsy.

This looks great from the

neck up.

That's awful.