[♪ lively music playing]
Can we light some candles
or something, you know?
Make it a little more romantic.
Since this is a double date?
-Ooh, that's a nice idea.
-[Susan] Thanks.
[Bret] I'd like to keep
the lights on.
And maybe we should, you know,
move the party inside.
[Thom] Why?
The home invasions. There was
another one last Sunday night.
And the houses were dark when
the home invasions happened?
I mean,
that's why people broke in?
I don't know, but I'm assuming
with the lights on, it's a deterrent.
A deterrent.
-A deterrent.
-Whoever is doing it
also steals people's pets,
their cats, their dogs.
Uses them ritualistically.
[stammers]
Do you remember, Susan,
the school mascot
on the first day of school?
-Cult.
-Another girl is missing, too.
-Who?
-Julie Selwyn from Marymount.
It's been almost eight weeks
since she disappeared.
Maybe she just ran away.
Okay, guys, let's stop trying
to creep ourselves out.
I wanna talk about the party.
-The party?
-Yes.
I'm going to throw a party
for Robert Mallory.
It's going to be at my house,
and I think we should all throw it
together, the four of us, to welcome him.
And we'll invite everyone
in our senior class.
-[Thom] Totally awesome.
-Cool. Fun. Love it. [sniffs]
Wait, why?
Why throw him a party?
I think we should
make him feel welcome.
I think he had some hard times,
and I think he needs to feel welcome.
Hard times?
What were the hard times?
[♪ tense music playing]
I was in Principal Croft's
office yesterday...
He spent some time in a
developmental center working on his...
[Susan] Dr. Croft asked me
to throw this party.
He said he was worried
about Robert
and that my responsibility
as student body president
was to make everyone feel
as welcome as possible.
I totally agree.
-It seems that...
-What?
Robert was institutionalized.
In an asylum?
You've got to be kidding me.
Croft said it was more
of a developmental center.
He was treated for depression
and some other issues.
Great. So the guy's been
locked away in a loony bin.
That's a little dramatic, Bret.
You always embellish everything.
-I'm a writer. It's my job.
-Look, no biggie.
The guy went through some sh*t,
his parents' divorce and
whatnot, his mother's death.
I feel sorry for him.
Robert Mallory needs a friend
and I intend to be one.
-Me too.
-Me three.
[Debbie] Wanna toot, Thommy?
[Thom] No thanks, Debs. I gotta
get up early tomorrow to practice.
-[Debbie] So that'll keep your body tight?
-I'm already tight.
-I'm keeping it tight.
-You know what? I feel like some red wine.
-Anyone for a nice cab?
-Please.
He's a liar, guys.
He lied about seeing me
at the movie theater
last summer during The Shining. I do
not trust him and neither should you.
Bret, it's just a party.
No, Susan, it's a validation.
Hey, guys, it's getting
a little tense in here.
-Maybe we should hot-tub it.
-[gasps] Let's hot-tub it. Come on.
-Let's go to the hot tub. Okay? Come on.
-[screams]
Come on. [chuckles]
[♪ playful music playing]
♪ Jesus ♪
♪ Another day goes by ♪
[Debbie screams]
[Debbie, Susan giggling]
[no audible dialogue]
[chuckles] Look,
we were in a mall. Remember?
-[twig snaps]
-[Susan] No.
[owl hooting]
Oh, no.
What's that? The k*ller?
[Debbie, Susan laugh]
[Thom laughs]
Bret, please become a wino.
You are so much more fun
when you drink. [chuckles]
Okay, so we'll do a Saturday.
My house. Robert's party.
-It's settled. Settled.
-It's settled.
-What?
-Scheduled. [chuckles]
Guys, just to state the facts.
He followed me to the mall.
That's funny because he told me
that you were the one following him.
-How do you know? Did you talk to him?
-[Susan chuckles]
[♪ "Don't You Want Me" playing]
-[Debbie gasps, chuckles]
-Oh, my God!
I love this song. [shrieking]
[laughs]
Turn it up!
Whoo. Go, Susan.
Are we getting a show? Whoo.
Yes! Susan.
Oh, Thom. You're in for it.
You're in for it.
-Prepare.
-She's right behind me?
[Debbie] Oh. [chuckles]
♪ Now five years later on
You've got the world At your feet ♪
♪ Success has been
So easy for you ♪
Come.
Come on, give us choreography.
[Susan giggling]
♪ Don't, don't you want me? ♪
♪ You know I can't believe it
When I hear that You won't see me ♪
♪ Don't, don't you want me? ♪
♪ You know I don't believe you
When you say that You don't need me ♪
♪ It's much too late to find You
think you've changed Your mind ♪
♪ You'd better change it back
Or we will both be sorry ♪
♪ Don't you want me, baby? ♪
♪ Don't you want me? Oh ♪
♪ Don't you want me, baby? ♪
♪ Don't you want me? Oh ♪
[gasps] Oh, Bret,
please get drunk every night.
[moaning]
[panting]
[both moaning]
[♪ song ends]
[birds chirping]
-[Debbie chuckling]
-[inhales sharply]
Hi, sexy.
You were amazing last night.
I was, wasn't I?
Matt called.
-Who?
-Matt.
From school?
What did he want?
Oh, you were so knocked out,
I didn't wanna wake you.
He said to stop calling.
[♪ tense music playing]
What's that supposed to mean?
No idea. [chuckles]
I'll see you tonight.
[Bret] One of the hallmarks
of the early 1980s
for a young person
in Los Angeles
was you had to survive things
to become an adult.
Real-life boogeymen known
as serial K*llers were a threat.
[siren wailing]
[Bret] And so were cults.
[bird squawks]
[Bret] The cult that terrorized
Los Angeles in 1981,
when I was a senior
in high school,
was bloodthirsty, terrifying and
had similar habits to The Trawler.
[glass shatters]
[Bret] In fact,
law enforcement would suspect that this
cult was involved in The Trawler murders
and that the vicious ritualist
killings plaguing the city
were done not by one member,
but by several.
[♪ eerie music playing]
[door creaks]
[Bret] The city
had never truly recuperated
from the Manson killings
a decade earlier.
And like Charlie
and the Manson girls,
the Riders of the Afterlife,
as they called themselves,
reigned from Ojai
to the San Fernando Valley.
[cult members murmuring,
screaming]
[Bret] This group of young,
barely-articulate hippies
formed out in the Mojave,
acolytes of a leader
only referred to as Bruce,
who turned out to be a high school
English teacher from Lancaster,
fired due to sexual improprieties
with female students.
[exhales]
[Bret] The cult did drugs,
acid, tranquilizers
and their activities
quickly accelerated that year
as Bruce became more addicted
and messianic.
[screaming continues]
Yeah.
Well, maybe I should ask for the
recipe so that I can make it for you.
Honey?
[♪ ominous music playing]
[partner 1] Oh, my God.
Is that blood?
[partner 2] Go inside
and call the police.
[Bret] Then came break-ins in
Hancock Park and Silver Lake.
They wanted to unify
through fear.
-And then things got worse.
-[grunting]
[Bret] The home invasions
escalated to violence.
The victims who survived
those early attacks
said the intruder wore a black ski
mask and matching jeans and turtleneck.
He was
a terrifying shape-shifter.
And then
the first m*rder occurred.
[gasps]
[news anchor 1] ...as authorities
continue to hunt for The Trawler,
the serial k*ller targeting young
people throughout Los Angeles.
Police fear The Trawler
will strike again.
Police are warning residents
throughout Los Angeles to remain vigilant.
A gruesome discovery in Brentwood tonight
after a home invasion turned deadly.
[Bret] Between nightly news
reports of The Trawler murders,
two other young people
were now missing,
and then reports of the Riders
of the Afterlife attacks.
The city was on edge
and so was I.
Every night, I kept thinking
I heard someone in the house.
I was at my desk working
on my novel,
and whenever I stopped typing
I would feel a presence
either lurking outside the house
or somewhere within it.
[doorbell ringing]
[doorbell continues ringing]
[♪ eerie music playing]
A number of times
I thought I heard the doorbell
or the chiming that announced
the garage doors opening.
For weeks I crept through
the house clutching a weapon.
But no one was there.
Not yet.
But I could tell
they were coming.
[♪ sinister music plays]
[sighs] g*dd*mn it, Liz.
[grunts] Mom!
[♪ "Déjà Vu" playing]
Mom!
♪ Long ago ♪
♪ How can it be? ♪
That's my Lancôme.
You're not allowed
to wear eye shadow at school.
I'm going out.
I'm almost done.
[Debbie breathes deeply]
I'm going to La Scala with
Joanie Carson and Jackie Collins.
Going out with Bret
tonight again? [huffs]
Yes, Mother, we're in love.
Being with each other whenever you can
is what being in love looks like. Remember?
You wanna look good
for your man. I get it.
[breathes deeply] Oh, honey.
Men. [scoffs]
All your meaningless flirtations
you think will get you somewhere
-and make you happy.
-Just give me the compact
and have another Chablis, Mom.
There's just so much
you don't know about them.
There's just so much
you don't know.
I know you're so cool
and so clever
and so naive about
so many things.
-You're so jealous.
-[scoffs] Jealous?
Jealous of the trainer
at the stables?
That dumb guy your father cast
in that absurd roller-disco movie?
And now Bret?
-What's wrong with Bret?
-He's very aloof.
And seemed more interested
in that book he's writing
than coming
to his girlfriend's party
and staying like a gentleman
through the movie.
Well, he came, didn't he?
We had sex before he left.
And how was that?
A change of pace?
Just focus on getting Dad
to wanna touch you again.
[scoffs]
[sighs] If you keep this up,
you're not going to be very happy.
-Because then I'll end up like you?
-[scoffs]
Look in the mirror.
You are me.
♪ I keep remembering you ♪
♪ Déjà Vu ♪
[♪ song ends]
[♪ "Video k*lled
the Radio Star" playing]
[Bret] How are we even getting
into this club?
It's opening night.
The VIP list must be enormous.
[Debbie] My dad
knows the owner. Duh.
-[Bret] I'm excited about this.
-[Debbie] Me too.
Music videos are gonna be,
like, the new great art form.
They tell a narrative device
in, like, under five minutes
and take you inside
the mind of the musician.
Make you understand in some
cases what the song is really about,
-subtextually.
-Oh, Bret.
You're so smart
about stuff like the arts.
You have an enthusiasm for it,
unlike my father
who just wants to be rich.
[Bret] Hmm.
♪ I met your children ♪
♪ Oh-wa, oh-ah ♪
♪ What did you tell them? ♪
♪ Video k*lled the radio star ♪
♪ Pictures came... ♪
Oh. I'm gonna get a drink.
-Do you want something?
-Uh, whatever you're having.
-On you.
-[both chuckle]
[Debbie]
Hi, two vodka sodas, please.
♪ And you remember
The jingles used to go ♪
♪ Oh-wa, oh-ah ♪
♪ You were the first one ♪
♪ Oh-wa, oh-ah ♪
♪ You were the last one ♪
♪ Video k*lled the radio star ♪
♪ In my mind and in my car ♪
♪ We can't rewind
We've gone too far ♪
♪ Oh, ah-ah-ah, oh ♪
-Come on, let's go.
-Go where?
To say hi to the owner, my
dad's friend, Mike something.
I-I wanna watch the video.
Just meet me back here in five.
This is all so cool, right?
Totally.
♪ We can't rewind
We've gone too far ♪
♪ Put the blame on VCR ♪
[♪ song ends]
[♪ "Tusk" playing]
♪ Why don't you ask him
If he's going to stay? ♪
♪ Why don't you ask him
If he's going away? ♪
Hey.
I bet you think
I followed you here, don't you?
-Did you?
-No, I didn't.
-I was invited.
-By who?
By Debbie.
You know, your girlfriend.
Thom's coming too.
I think the whole g*ng wants
to get to know me a little better
before the party
you're throwing in my honor.
Oh, okay, great.
Hey, I'm sorry to hear about what
happened with Matt. He told me.
-He told you what?
-He told me you guys had a falling out.
He told you that?
Yeah.
You talk to a lot of people,
don't you, Robert?
Everybody needs someone
to confide in.
[inhales deeply]
Well, you misunderstood,
about Matt and I.
We didn't have a falling out.
Now I just have a girlfriend, we
don't see each other as much anymore.
Maybe you were too clingy.
You turned him off or something.
Maybe you should
go f*ck yourself.
[chuckles] There he is.
That's my guy.
-Is Susan coming?
-No, she has to study or something.
But I wish she was coming.
Did you guys ever date?
No.
Why not?
Because we were always just
best friends since we were little.
You never wanted to f*ck her?
No.
I do.
I'd love to f*ck her.
Taste her sweet little p*ssy.
f*ck her in the a*s.
Make her scream,
make her beg for it.
[♪ song continues]
[Bret]
I remember thinking later
that I should've stayed
in the room with Robert
and talked him through all this
so I could have a better inkling
of what his plans for Susan
Reynolds actually were,
because I knew
he was gonna act on them.
I also knew she was gonna throw
a party for him I could not stop.
She had found him electrifying.
She was gonna let herself
get lost in his madness
and everything would get ruined.
♪ Tusk ♪
[♪ song ends]
]
[engine turns off]
[♪ "Rasta Roots Man" playing]
♪ They sing ♪
♪ Watch them making love ♪
♪ On a tiny... ♪
[♪ song fades]
Why do you keep calling me?
-What are you talking about?
-Why do you keep calling me?
I'm not calling you.
So you're telling me you're not
calling and breathing into the phone?
-Matt...
-You've been rather insistent, Bret.
That isn't me. Whoever the f*ck
is doing that isn't me.
Dude, it's been going
on all week. I know it's you.
I swear, I-I was with
Debbie when you called.
I only called to tell you
to knock it off,
and tell you that this isn't
funny, what you did here.
-What did I do?
-You came into my house when I was gone
and d-drained my fish tank
and put... and put this weird
sign on my Foreigner poster.
[♪ ominous music playing]
-I didn't do this.
-[chuckling] It was you, dude.
Did you ask your mother
or housekeeper?
Matt, what did Robert Mallory talk to
you about the other day in the parking lot?
He introduced himself to me.
He said my dad knew his aunt.
-What did you tell him about us?
-I didn't tell him anything.
You're drugged out all the time.
You're disoriented
about everything.
The fish. The phone calls.
You live in the guest house.
You never see your parents.
Does Robert Mallory
know something about us?
Because he asked a couple of
interesting questions about you.
Like what?
I didn't know the answers
to those questions.
I think you're
making this all up.
I think you drained the aquarium
because you got so stoned,
and you painted the pentagram.
And you said things
to Robert Mallory about me
that you can't even remember
because you're
always high as f*ck.
I think you need
to stay away from Robert.
I think there's something
very wrong with him.
Why won't you tell me
what he asked you about me?
About us.
Don't come over here anymore.
Don't.
Don't ever do that again.
-What?
-Try and kiss me.
[stutters] This was never
a serious thing.
-Why are you doing this right now?
-[sighs]
I'm upset.
And I didn't wanna be alone.
So I drove over here...
to see you, Matt.
You know... [scoffs]
I don't even know
why you keep calling.
Or keep showing up here.
What?
You think we're gonna be
boyfriends or something?
Huh?
Are you f*cking crazy?
Huh?
That's a legitimate question.
Get away from me.
Go.
Now!
[door opens, closes]
[♪ tense music playing]
[sniffles, breathing heavily]
[engine starts]
[tires screech]
[Bret] I drove home carefully
because I kept crying so hard.
Matt had never felt about me
the way I'd felt about him,
which would be a recurring
theme for the rest of my life.
[screams]
But of course,
I didn't know this
on that hot September night in 1981
when I was 18 and still navigated on hope.
[bird squawks]
-Thanks.
-Enjoy.
[♪ piano playing]
[Bret] The fake IDs that Debbie
got us always came in handy.
One vodka and grapefruit juice
coming up.
Hey, Bret.
Terry's over at Morton's
just finishing up a deal.
He loves a dreary biopic.
He should be here shortly.
Oh. Okay. Thanks, Steven.
You wore your school uniform
just like I told you.
Very nice.
Terry will be pleased with that.
Terry really appreciates this.
And how kind you were when his
wife threw her little alcoholic tirade
at Debbie's party
the other night.
That one's a mess.
Liz, not Debbie.
I understand.
Liz has a problem
and needs help.
I was just being nice to her,
that's all.
Okay.
Well, I'll leave you to it.
One more thing, though. [sighs]
I would be...
careful, Bret.
Pardon me?
Everyone has an agenda, and
sometimes these agendas don't connect
with what we actually want
or what we're gonna get.
[door opens]
And here he is.
Right on cue.
[♪ pensive music playing]
[Bret] I remember Terry
Schaffer was wearing custom silk
with a two-tone gold and silver
crocodile belt.
[Terry]
Hey, how you doing, Bret?
You look nice. But you're 18,
you always look nice at 18.
Our table's ready.
[Bret] He smelled like Rive Gauche
cologne by Yves Saint Laurent.
Every gesture was
efficient and immaculate.
He was a professional, an adult,
something to emulate and aspire toward.
He was someone I wanted to be.
Hey, Bruno. We'll have the
salmon tartare and two white wines.
Of course.
This restaurant is the only
place on the entire West Coast
which serves salmon tartare.
I thought you'd like to try it.
I would, yes. Sounds amazing.
[♪ amusing music playing]
So, have you seen
any movies you like lately?
Debbie tells me
you're a movie buff.
Um. Yeah, I loved Stripes.
Me too. Huge Bill Murray fan.
I'm meeting with him next week.
[chuckles]
-Allan.
-[chuckles] Terry.
I won't interrupt, I just want to
say hi, and I hate you for that tan.
Where'd you get it? [laughs] -
[chuckles] From the sun, Allan.
[chuckles] From the sun.
Bret, this is Allan Carr,
a dear, dear friend.
So nice to meet you, Mr. Carr.
-Hello.
-Allan produced Grease.
Uh, and Saturday Night Fever,
you b*tch. [chuckles]
And you're about
to start Grease 2,
-right?
-[Allan] Mm-hmm.
-Who's the lead?
-Lorna Luft.
Oh, God, Terry. I'm so...
[chuckles] ...I'm so excited.
So excited.
Anyways, you, uh, boys enjoy
your lunch, all right? [chuckles]
Jesus. He's as big as a house.
And he's into male hookers
and pink cocaine.
You stay away from him, Bret. He
will try and take advantage of you.
We'll have the lemon sorbet,
two spoons.
[Bruno] Of course.
So, tell me about this book.
Would it make a good movie?
Yes.
Yes, I think so.
It's about a group
of young people...
Does it have sex in it?
Because movies need
that nowadays to be popular.
Everything's about sex.
Everybody loves
a coming-of-age story.
Yes, it's that too.
Mmm. [smacks lips]
Autobiographical?
[stammers]
I don't know. It's complicated.
My story, it-it's kind of...
Well, it's inspired by the work
of Joan Didion in a way.
I've been reading
a lot of Joan Didion.
I know Joan and John very well.
When you're finished with this
book, I think I'd like to option it.
-Wait, really?
-Really.
So let me know
when I can read the galleys.
[chuckles] Wow. Sure.
Wow, great. Okay.
So, how are you
and Debbie, Bret?
Are you serious about her?
-Serious?
-Mmm.
-Yeah, I think we're pretty serious.
-I'm just curious.
There's no reason to be alarmed
or worried.
I just want to make sure
that she is happy.
I understand.
I want her to be happy too.
-Do you like guys as well?
-[coughs]
I'm sorry, what?
Well, I think you heard me.
Do you swing both ways?
Well, I'm not...
limited.
I mean, it depends.
What about Thom Wright?
You find him hot?
I mean, I'm jealous with the amount
of time you get to spend with him.
[sighs] He's pretty fetching.
Although, I'm sure his tastes
are more limited than yours.
What do you mean his tastes
are more limited than mine?
You can tell me.
Did you ever fool around
with Thom?
You know, get a little drunk,
get a little high,
sleep over, you get horny,
you need to...
No, that's never happened.
Not with Ryan or any of them?
I mean, you guys take
showers together. [chuckles]
-They're available, right?
-They're not available.
Okay. Whatever you say.
Terry, what does
your wife think about...
conversations like this?
You having lunch
with your daughter's boyfriend,
does Liz know?
[inhales deeply, exhales]
Well, you're smarter
than that, Bret. [scoffs]
I'm under the impression
that we have an understanding.
An arrangement.
What about Debbie?
Does she know about
your proclivities?
I think I should be going.
You barely ate.
Though I heard you had a
c*ck before I arrived at the bar.
So it probably dulled
your appetite.
Listen, please don't say
anything to Debbie
about anything
that we discussed here today.
Wouldn't that be a little weird?
Isn't everything?
Don't say anything.
I don't think you will.
Thanks for lunch, Mr. Schaffer.
I'll have Steven call
and set up a meeting
so we can talk about that
script I want you to write for me.
I want us to start
collaborating right away.
Okay.
Okay, I'd love that.
[♪ upbeat music playing]
[♪ rock music playing]
[Debbie] Did you guys hear
that Rena Kalina... [chuckles]
during dodgeball,
she fell on her face.
-Hey, Bret.
-Oh, hi.
You know, Bret, if you're on the
committee to throw me a welcoming party,
you should actually
make a little bit of an effort
to become my friend
and welcome me.
[Debbie chuckles]
-Or else what, Robert?
-Bret.
Bret, come on,
be cool. [chuckles]
Or else we're gonna have a very
long and unpleasant senior year.
I don't think anyone wants that.
[Debbie, Thom chuckle]
Are you okay?
Matt Kellner is missing.
[Thom] Who?
School stoner?
Wait, what do you mean missing?
Well, I was just
in Principal Croft's office,
and he told me
that later today at assembly,
I have to read this kind of plea to
the student body about Matt Kellner.
Aren't you friends
with him, Bret?
Friends?
No, he-he sold me pot
a few times, I think.
-W-Where did he go?
-[Susan] Don't know.
And neither do his parents.
He's officially been
missing for five days.
Apparently he lived
in the back pool house,
real posh setup, like a cool
bachelor pad kind of deal.
John and Sheila,
those are his parents,
told the police that Matt's
schedule was as routine that week
as it had always been since he
moved into the pool house in 10th grade,
which coincided with when
he got his driver's license.
He'd get up early,
swim some laps.
Sometimes they would hear reggae music
coming from the pool house
at that hour when he
was getting ready for school.
Wouldn't he go into the main house
for breakfast or anything, get some food?
I guess not.
He always ate at the McDonald's
in Sherman Oaks.
-Gross.
-[scoffs]
[Susan] Matt wasn't involved in
sports or any extracurricular activities,
so he was usually back at
his pool by 4:00 at the latest.
On some nights, Sheila Kellner would
glimpse the guest house from the window
of the second story bedroom,
and the only light would be
coming from the aquarium,
or the candles that Matt had
lined up on one side of the pool.
Apparently he liked to swim
right before bed.
This story... [chuckles] ...is the reason
they made those creepy TV commercials.
"Parents, it's 10:00 p.m. Do you
know where your children are?"
[Susan] Okay, you guys.
Yesterday, John Kellner took
Matt's 280Z in for a checkup.
And when he went to tell Matt,
Matt wasn't in the pool house
and there was no note.
So they called the school,
and Principal Croft told them Matt
hadn't been at school for three days.
They hadn't seen any lights on
in the pool house
or heard any reggae music
since the Friday before.
And oddly, clearly,
he left his car at home.
So, yeah, five days.
Isn't it so strange how his parents
spend so little time with him?
Is it?
I mean, I haven't seen my
father in, like, six months.
Oh.
Bret, aren't your parents
still in Europe?
Yes. Yes, they are.
What are you supposed
to say at assembly?
So, please, if any of you have
heard from Matt Kellner or seen him,
please tell me or Principal Croft or
any teacher about his whereabouts.
-Thank you.
-[student 1] Whoo-hoo.
Thank you, Susan, for
yet another outstanding job.
[Ryan whistles]
Hi.
Hi.
-How are you?
-Uh, freaked out. Matt's still missing.
Did you know him?
Bought weed from him.
I think...
You think what?
I think it's scary how young people
in this town keep just going missing.
You think the cult did this?
That's one theory.
I think it could be
something else.
What? Matt just said, "f*ck it,
I'm going to go to Big Sur
and open my weed business."
I think it could be The Trawler.
Who?
The serial k*ller?
The serial k*ller
that's hunting in our area.
[sighs] Doesn't he
only target girls?
So far, but who knows.
[stammers]
It's t-terrifying, just snatched
away in the dead of night. Tortured.
How did you know
he was tortured?
They haven't even found him yet.
I don't.
I'm talking about the girls.
The girls The Trawler butchered.
I'm glad we're talking.
I miss talking.
They found something. I just
heard from Principal Croft.
-His body?
-His backpack.
[sea gull squawking]
[Susan] A ranger found it in a
parking lot in Crystal Cove State Park.
There was blood all over it
and it had a name and address
tied to it on a small ID tag
that proved it belonged to Matt.
Does anyone know if Matt
was with someone?
Does this lip gloss
make me look fat?
[engine revs]
[brakes squeak]
[engine turns off]
[♪ eerie music playing]
[waves lapping]
[suspect] Eat it.
[Matt] Wh-What? [panting]
[suspect] Eat it.
[whimpering]
[Matt] But they're alive.
[suspect] Eat it!
[Matt whimpering] I'm afraid.
-[suspect] Eat one.
- [Matt sobbing]
[suspect] Eat!
Eat one.
[Matt] I can't.
[sobbing, gaging]
I'm-I'm sorry.
-[suspect] Eat it.
- [Matt gags]
[gagging, coughing]
-[suspect] You will eat them all.
- [Matt] Oh.
[♪ "Year of the Cat" playing]
-[Matt whimpering] Please.
- [suspect] Sing the song.
[Matt sobbing] Please.
[suspect] Did you like
sucking the c*ck?
[Matt sobbing] Please.
Please.
[breathing shakily, groans]
[yelps]
[grunts]
[coughs]
God.
Right.
[Bret breathes heavily]
[Matt sighs]
Right.
♪ You go strolling Through
the crowd Like Peter Lorre ♪
[Bret breathes heavily]
[suspect] Eat them all!
[Bret gags]
[gaging, coughing]
♪ She doesn't give you time
For questions ♪
♪ As she locks up
Your arm in hers ♪
♪ And you follow Till your
sense Of which direction ♪
♪ Completely disappears ♪
♪ By the blue tiled walls
Near the market stalls ♪
♪ There's a hidden door
She leads you to ♪
♪ These days, she says I feel my
life just like A river running through ♪
♪ The year of the cat ♪
♪ Well, she looks at you
So coolly ♪
♪ And her eyes shine
Like the moon in the sea ♪
♪ She comes in incense
And patchouli ♪
♪ So you take her
To find what's waiting inside ♪
♪ The year of the cat ♪
♪ In the year of the cat ♪
Guys, don't you think we should
cancel the party since one
of our classmates is missing?
Well, it's what I want,
and you're all coming.
Looking back, I realize
that's the gift of youth.
You think you'll live forever.
I shouldn't have to beg
my boyfriend to touch me.
If you were my
girlfriend, you wouldn't
have to beg me for anything.
Police suspect
this brutal k*lling
is the work of the Trawler.
The suspect you should
be looking at as a kid
named Robert Mallory.
You're a little bit obsessed
with me, aren't you, bro?
Well, you would love
that, wouldn't you?
And we're live in 4, 3, 2.
Hit it.
This feels wrong.
No, this feels right.
What kind of game
are you playing?
You know what they say
about fellas who are nosy.
They lose their noses.
[music playing]
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01x02 - Don't You Want Me
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The series is set in Los Angeles in 1981, the story follows a 17-year-old version of Ellis during his final year at the elite Buckley prep school.
The series is set in Los Angeles in 1981, the story follows a 17-year-old version of Ellis during his final year at the elite Buckley prep school.