Welcome to our World! Where we serve you cookies to ensure you get the best viewing experience on our site.

Did you know that you can remove censorship board-wide, use our advanced search functions, be notified when new content is posted, join our memberships, set episodes to show in any order you want & more if you are logged into your account?

Register or sign in here: ucp.php?mode=register

02x06 - Episode 6

Episode transcripts for the TV show, "William and Mary". Aired: 23 March 2003 – 22 May 2005.*
Watch/Buy Amazon


Its title refers to its two principal characters and is a cultural reference to the reign of the British monarchs William III and Mary II.

02x06 - Episode 6

Post by bunniefuu »

Where's this go, then, mate?

WILLIAM: Look on the label.

It's all on the label.

MOVER: Where do you want this stuff?

Oh, look. Look.

It's written on the label. Everything is labeled.

Where's the label on this? - What?

Them yellow Post-It things? - Yeah.

Them dropped off.

Oh.

Put it on the landing.

MAN: More of your books.

Study.

Great, you're here.

Oh, Doris is here for Mary.

Yeah, she knows.

Great slogan on the van.

WILLIAM: Yeah, it's a lie.

They were four hours late.

They should have gone by now.

MOVER: Kitchen? - Yeah.

Yeah, kitchen. - All right.

My labels have come off.

William, listen, mate.

You've got a day of it.

You sh**t off.

We know most of this stuff.

We'll see it in.

Thanks.

We've got to be somewhere at 4:00.

We're here till it's done, OK?

Come on, you.

We've got to be there by 4:00.

Have you seen my jacket and bag?

Yes.

Thanks.

What a day.

Yeah, what a couple of days.

I'll be fine.

I promise.

I'll see you later.

Don't forget your handbag.

Thanks.

[music playing]

Into your arms, oh, merciful Savior.

We commend little Jodie and Bernie Robert.

We acknowledge.

We humbly beseech you.

Thee sheep of your own flock, the lamb of your own flock,

receive them into the arms of your mercy,

into the blessed rest of everlasting peace,

into the glory of the saints in light.

Amen.

[music playing]

[crying]

[music playing]

[chatter]

[honking]

Aw, look at that car.

[honking]

Hey, you all right, Dad?

Hey.

Well, hop in, son.

And watch the lever.

Oh, this is nice.

Well, give us a hug, then.

All right.

So where have you been?

[speaking german] Son, I have done Germany.

Well, the band has.

Hey, and I'm going to take you there.

Because their motor vans, they don't have no speed limits.

So this monster is going to be like, [imitates rumbling]..

So where's Brendan?

He's got games.

He's got games.

Come on, you can give us a little.

WOMAN: Shame on you.

Shame on you.

Bloody social services.

You look after yourselves, don't you?

You didn't look after them.

He was supposed to be protected.

[crying]

[music playing]

Oh, this is wicked.

So how's things?

It's all right.

Yeah.

Your mom had her sprog yet?

No, but she's fixing to pop, like, any day.

Yeah?

Yeah.

Happy, though, yeah?

Yeah.

I mean, I don't mind.

I mean, I'm OK.

Not you, you fool.

Your mom.

Oh, yeah.

Yeah, she's well happy.

She's getting married tomorrow.

Yeah.

Where's that happening, then?

Um, I can't tell you because you're, like, not invited,

you know.

[bell ringing]

This time tomorrow, all will be well.

Yeah?

Right.

You'll be married to your Mary.

Seems a long way off, though.

I'm way too close.

To this, you mean?

Get it all over in one girl, I say.

[MUSIC - "DEAR FATHER AND LORD OF MANKIND"]

ALL [SINGING]: Breathe through the heats of our desire,

thy coolness and thy balm.

Let sense be dumb.

Let flesh retire.

Speak through the earthquake, wind, and fire.

O still, small voice of calm.

O still, small voice of calm.

Tracy, we failed you.

You did a terrible thing taking your children with you,

but you were all alone, and we failed you.

Even in your last wish, you asked that you

be buried with Jodie and Bobby.

And we tried, Tracy.

We did try.

But your family wouldn't allow it.

They insisted you be cremated.

So here we are.

But it's not the end of the story.

I hope you find the God that you hoped for.

And I hope He's kinder than us.

[music playing]

So what are you thinking about, then?

You're going to be rich?

What do you mean going to be?

I am rich.

We're moving on to Belgium next.

Oh, wow.

That's great.

Around here will do.

Yeah?

What's around here, then?

A mate's house.

All right.

You got my number.

Where it out, son.

I will, yeah.

[car door slamming]

See you, Dad. - Yeah.

See you around.

[music playing]

We said four, not half four.

Yeah. Sorry.

I missed the bus.

It's all right.

We've only just started.

And we're there.

There.

OK?

OK.

So when I say, who giveth this woman

to be married to this man, Brendan and Terence,

you take a step forward.

Very good.

And then, William does his vows.

And then, we do the little bit we're making up.

You wanted us to be late.

I couldn't.

How could I leave?

They were dumping stuff anywhere.

Well, you never liked the idea, anyway.

Spot on.

Absolutely spot on.

I've known Mary six years, and the nicest thing

she's ever said about her dad is that he's a drunken w*nk*r.

Well, he's on the wagon now.

Anyway, she'd be thrilled.

It's every girl's dream to want to be given away by her father.

Molly, Brendan and Terence are giving her away.

Oh, god.

The train's here.

Excuse me.

Sorry.

Did this train just get in from Portsmouth?

All the way, love. Yeah.

We missed him.

He could be anywhere.

Ally.

Ally.

Molly.

[laughter]

Ya big, fat tire!

Have you lost weight or something?

[music playing]

Now, you can be with your babies.

[music playing]

[sniffling]

Let's get married.

Let's.

[music playing]

It's all her clothes and stuff.

Right.

Well, let's just get it up on top of the house.

Come on.

What time are the caterers coming?



[beeping]

William, you all right?

Yeah, I'm getting there.

Oh, you look nice.

[laughter]

I thought I'd do it Japanese.

I thought I was at work for a minute.

Speaking of which, I've got my passport.

Have you got yours?

William, we're not going to Paris.

Of course we are.

We're not.

We're not. Honeymoon.

We take the Eurostar to the [speaking french]..

You're just going to be disappointed.

[FRENCH ACCENT] I don't think that I am.

[laughter]

[singing in french]

[snoring]

[train whistles]

[groaning]

Oh, geez.

Look at this.

Dear me.

I cannot wear this.

Molly.

Molly, I need your help.

Molly.

What exact wagon was he using?

Why didn't you stop me?

You should have said no to this.

I did.

He can't come to the wedding.

I'll go without him.

Molly, you've told him where the church is.

Hey, Rick, I get to get us a whole 'nother suit.

I cannot give my Mary away in this.

Take him to the pub and lose him.

It's 10 past 10:00.

Then, get him a drink and take him to the park.

But lose him.

ALLY: Rick, did you hear me?

Molly, tell him to give a loan of a suit, eh?

Lose him.

[coughing]

Lose him.

OK.

[music playing]

- Hello. - Hi.

It's William Shawcross again.

I'm sorry to bother you, but I just wondered,

what happens if for any reason the service overruns?

Mr. Shawcross, you call us when you get to the church.

We'll take off within 15 minutes for 2 and 1/2 hours.

When you look out, we'll be there.

Great.

Thanks very much.

Bye bye.

Good, lads?

[clapping]

[clattering]

Oh!

[yelling]

Mary.

Mary.

MARY: Yeah?

I found a pregnancy test.

I'm a little upset.

I thought we said we'd keep this.

Well, where did you find it?

One of those bin bags.

It was in an old rubbish bin, and it split.

I like the idea of keeping it.

This one's ours.

BRENDAN: Downstairs.

TERENCE: Why can't you go down and get another bag?

BRENDAN: I'm gonna get it in a minute.

Stop stressing me.

I'm nearly done.

And I'll clear out the bag.

You get ready.

[music playing]

[knocking on door]

Who is it?

WILLIAM: It's me.

Hang on.

Yeah, OK.

You like it?

Dad.

[music playing]

Oh.

TERENCE: William, the caterers are here.

Their van's just pulled out.

Mom, the caterers.

All right.

Can you just go let them in?

OK.

You're not saying anything.

If this is yours--

this is yours, isn't it?

Yeah.

So you're pregnant.

No.

No.

I was.

I was for a few weeks.

And then-- no, Dad.

No, nothing like that.

No.

I was.

And then, I wasn't.

I just obviously wasn't.

It happens, and to more women than know.

The doctor said maybe 60% of pregnancies go that way.

What doctor?

Ours.

Well, not ours.

One of them down at the health center.

And I'm OK.

I'm fine.

Like I say, it happens to more women than not.

But--

Dad, I was lucky because I don't know what I'd have done

if--

I mean, could you see me with a baby?

Me.

I am a baby.

And I was scared.

[crying]

Oh, Dad.

[crying]

Dad, I'm OK.

What sort of a dad am I?

What do you mean?

You go through all of that, and I don't even notice.

I just bluster on.

When did this happen?

Six weeks ago.

Dad, I couldn't come to you.

I don't know why. - I do.

No.

No, listen.

I'm growing up.

I'm making mistakes.

I might think I'm smart, but I'm stupid, too.

I nearly found out how stupid.

How are you now?

Well, I'm seeing someone.

Dad, a counselor, not a boyfriend.

Oh.

And she's good.

We're talking about lots of things.

And maybe I'm not feeling enough at the moment,

and maybe I'll feel more when Mary has the baby.

Can I ask who the boyfriend is?

No.

And it's over.

It's over.

Is it anyone I know?

Dad, it's not Brendan, OK?

And he has no idea about this, and I want to keep it that way.

Right.

Mary knows.

I thought this was ours, and I went to her with it.

It's OK.

Dad, this is not, not, not to spoil today, OK?

And I am looking forward to the baby

coming, and especially seeing how you are with it.

So am I. God.

What do you mean?

Well, I didn't do anything when you and Julia were babies.

Mummy did all of that.

I wasn't even there for the births for either of you.

You're kidding me.

That's exactly what Mary said.

And I'm not.

I'm terrified.

Probably excited, too.

But I'm terrified.

Absolutely terrified.

Oh, Dad.

You'll be great.

Hey, you're getting married.

Dressed like that?

Oh, sh*t.

God, I love you.

[music playing]

How does good come from bad?

- Oh, how is she? - She's not pregnant.

WOMAN: William, Mary, Come on.

You've got to get ready.

People are looking at me like some kind

of poofter in this outfit.

- Have a drink. - No.

No, no.

My daughter is getting married, and I am back on the wagon

again.

So what's this, uh, William like?

We'll have to give him a good talking to.

[music playing]

That's your car.

You've got to be there before us.

Just for you.

[music playing]

[car door slamming]

Just a wee one, eh?

Just to suss up.

[sighing]

Yeah.

Where are we, then?

Where's that cut from here?

The church. St. Jude's.

Oh, the church.

The church.

Not far.

Well, we'd better be going soon, eh?

Yeah. Yeah.

I'm just going to go to the loo, and then, we'll be off.

Eh, you don't want to go in there.

That's for poofters. Go and water the flowers.

I prefer it in the loo.

I prefer it in the loo?

You're not thinking of running away, I hope.

Because I'll be watching you.

Of course not.

Away you go, then.

Hurry up.

[MUSIC - GRATEFUL DEAD, "GOING DOWN THE ROAD FEELING BAD"]

Going down the road, feeling bad.

Billy, can you--

sorry, did you say you're already there?

No, that's great, but just stay out of sight

because we're nearly there.

OK? Thanks very much.

Yep.

That's the jazz band.

You excited?

What, marrying the woman of my dreams,

then bushing away to the George V in Paris?

Yes, mildly. Yes.

What if she--

what if she, you know, goes into labor?

She won't.

She's always two weeks late.

Always has been.

Sheila thought of that.

Hello?

It's William Shawcross.

Can you send her up?

Roger.

Have a great wedding. - Thank you.

Thank you very much, indeed.

Bye bye.

[MUSIC - GRATEFUL DEAD, "GOING DOWN THE ROAD FEELING BAD"]

I don't want to be treated this way.

DORIS: You look-- so nice, quiet wedding, then, eh?

Oh, there's not that many coming.

No.

But that posy, though.

You know, when you come out, I don't want any of this

close your eyes and just tuck it anywhere.

You throw it to me.

Yeah, right?

Because I'm going to be the next one.

Oh, yeah?

Got someone in mind?

Oh, yeah.

Well, I haven't actually met him yet.

And he probably doesn't even exist.

But, you know, I've got him in mind.

You will.

I'm telling you, you will.

All right, here.

Have a practice.

All right?

Ready?

Doris.

I'm getting ready.

OK.

You ready this time?

Right, yeah.

Yay.

[music playing]

RICK: Oy, where do you think you're going?

[choir singing]

[organ playing]

[choir singing]

[music playing]

[choir singing]

[music playing]

I'm delighted to welcome you all,

delighted to be marrying these two lovely people,

and I'm delighted that they've chosen

the 1552 marriage service.

Well, a version of it.

Dearly beloved, we are gathered here

in the face of this congregation to join

together this man and this woman in holy matrimony.

Duly considering the causes for which marriage was ordained,

first, it was ordained for the procreation of children.

Secondly, it was ordained--

[music playing]

[gasp]

Ally.

Ally, hold on.

--into which holy estate these two persons

present now come to be joined.

Therefore, if any man can show any just cause

or impediment why they may not be lawfully joined together--

Wait.

--let him now speak or else hereafter

forever hold his peace.

[moaning]

A stranger.

William, Mary, I require and charge you

both that if either of you know any impediment--

Outta my way, scraggy!

I'm sorry.

No, you're not going back in there.

Why not?

No.

[scuffling]

[applause]

Did the bride come in there?

Ow.

--and forsaking all others, keep thee only unto him,

so long as you both shall live.

I will.

Who giveth this woman to be married to this man?

[music playing]

I, William Shawcross, take thee, Mary Gilcrest,

to my wedded wife to have and to hold from this day

forward for better or for worse, for richer or for poorer,

in sickness and in health, to love and to cherish

till death do us part.

And thereto I plight thee my trough.

And who giveth this man to be married to this woman?

[music playing]

Oh, stop it.

I, Mary Gilcrest, take thee, William Shawcross,

to my wedded husband to have and to hold from this day forward--

Mary.

REUBEN: Hi, Mary.

[music playing]

What are you doing, Mary?

Excuse me.

Yeah. Listen, please.

I'm sorry, but I can't let this happen, you know.

I can't.

How can I?

Because she's married to me.

We married in Vegas 17 years ago.

It was before the boys were born.

We drove across the state, and we married in Vegas.

And we got this couple of the street to be our witnesses.

You can't abide me being happy, can you?

You just can't bear it.

Mary.

You believe him, don't you? You do.

You believe him. - Mary, I don't.

TERENCE: Mom. - Just get away from me.

William, you've got to ask yourself why I wasn't even

told you were getting married.

You've got to ask yourself that.

Mary.

Mary, please.

I have to ask you this.

Is it true?

No.

Molly, did we go to the States?

Answer me. Did we go to the States?

Did we go to Vegas? - Well, yes, but--

Thank you.

My Mary would never have got married without telling me.

She doesn't tell you anything.

Oh, sweet lord.

It's a vision of Molly, the Molly I knew.

Oh, my god.

I'm not here, Mary. I'm not here.

See, look. I'm not here.

I'm oustie.

Where's your marriage certificate?

She's got it.

Well, where were you married?

When?

Exactly where in Vegas were you married, Reuben?

Can I speak with you please?

Mary.

Dad.

William.

Don't ask.

[band playing]

Mary.

Mary.

I'm going for a walk.

Mary, stop, please.

Please come back.

I know he was lying.

Everybody knows he was lying.

Don't let him do this to us.

I just want to go for a walk.

Well, I'll come with you.

On my own.

[band playing]

I'll keep an eye on her.

[plane flying overhead]

[band playing]

Shut up.

Just let me--

I think we all need to calm down.

You see, this is why I prefer funerals to weddings.

Because with a funeral you know that nothing worse

is going to happen.

But with weddings-- - Dad.

Terrence. Terrence, lad, come here.

I know you want it to be true, what you say.

I know you want it to be Mom, you, Brendan, and me.

I love you, OK?

But if it's not true, what you say, and you

don't put it right right now--

Where do you think you're going?

I said, where do you think you're going?

William, leave it. Leave it.

I'm sure this can be sorted out.

You want to bet?

[music playing]

DORIS: Mary, wait.

Don't get in the-- oh.

Mary, wait for me.

[music playing]

Doris.

Doris.

Where's Mary?

She's gotten a cab.

[music playing]

Doris, tell William Rick's here.

WILLIAM: I'm coming. Here I am.

Where is she?

She's not at the flat, and she hasn't been there.

Terence and Julia are staying there,

and Brendan and Kate are back at your old house,

you know, just in case.

I'm going to go to my place.

She's somewhere.

I know she's somewhere.

Doris, this on top of Tracy and the kids.

Yeah.

I know.

But she'll be all right.

I've called a cab.

I'm going to troll the streets.

Well, you know.

No, no, no, no. Wait a minute.

Wait a minute.

What do we know? She got in a cab.

She came here.

No, we think she came here.

No, no.

The caterer saw her.

She came here.

She got her coat and her bag.

Didn't take her mobile. Got back in the car.

That's it?

And we checked all the cab firms?

- Yeah. - I'm going to check them again.

Oh, when did this happen?

Two hours.

Two hours plus.

All right.

WILLIAM: I know where she is. - Where?

Paris.

The George V. - How is she?

Whose is that car?

Because I'm going to take it.

William, how is she?

I haven't spoke to her.

I just know that that's where she is.

Call me.

Waterloo Station, please.

[music playing]

Yeah.

Thanks very much.

[music playing]

WOMAN [ON SPEAKER]: Please make your way to platform 24, where

your train is about to depart.

That's all remaining passengers for the Eurostar to Paris.

Please make your way to platform 24.

Your train is about to depart.

[music playing]

Try him again.

It's on ring-back.

[phone ringing]

Hello?

[phone ringing]

[ON PHONE] Hello?

William.

Yes. Hi.

Any news? - No.

Sorry, mate. Nothing our end.

Where are you?

Just come into France about 50 minutes ago.

Right.

William, we were wondering.

Maybe you should have, you know, rang to George V.

We would have done, but we don't speak the old, um, lingo.

I've done it already.

Oh, right.

And?

And there's nothing booked in my name,

and there's nothing booked in her name.

Ooh, blimey.

So--

WILLIAM [ON PHONE]: Yeah, but she wouldn't have done that

anyway because she knows I want to go,

and she knows I would have rung and checked.

And to be honest, a bloke ringing up

asking to be put through to every pregnant woman

in the hotel-- do you know what I mean?

Those things are best done face to face.

Yeah, but it might mean that she's not there.

Rick, she's there.

I know she's there.

And she wants me to go to her.

[music playing]

[knocking on door]

[music playing]

[sniffling]

MAN: Excuse me, Madam.

Sorry.

You've come for the tray.

Yes, yes.

I get the tray.

But I come back because--

forgive me, but honeymoon suite, and no husband.

You know, I'm a bit worried for you.

No, my-- my husband will be here soon.

All right.

But thank you for your concern.

I'm happy.

OK.

- Bon soir. - Thanks.

Bye.

[music playing]

[crying]

[WOMAN SPEAKING FRENCH OVER SPEAKER]

Taxi.

[music playing]

L'Hotel George V, s'il vous plait.

CAB DRIVER: Oui.

D'accord.

[music playing]

[groaning]

[music playing]

[panting]

[groaning]

Doris.

Doris.

It's me.

Mary.

Guess what?

[groaning]

[music playing]

[phone ringing]

Who's there?

William, we know where she is.

Oh, Doris.

Yeah, I know.

I'm right outside now.

Right outside where?

Outside the George V Hotel.

DORIS [ON PHONE]: William.

William, no.

Mary's at Blakes Hotel in Knightsbridge,

and she's gone into labor.

William?

William, I'm going to go and get her,

and I'm going to take her to the birthing center in West Ealing.

West Ealing.

DORIS [ON PHONE]: Can you call me back in half an hour?

And I'll be with her.

Right.

Doris, tell Mary to hang on.

Doris, tell her I love her.

DORIS [ON PHONE]: Bye. - Bye.

Gavin North.

[groaning]

Breathe.

MARY: Ow.

[groaning]

[music playing]

[cars honking]

[music playing]

Oh, monsieur, you know, [french]..

Can't you go another way?

[speaking french]

[speaking french]

Breathe.

Breathe.

Oh, sod off, Doris.

[groaning]

Oh!

That'd be William.

Can you get it?

I don't want to stop.

Doris, I can't even speak.

Ow.

[groaning]

Ow.

[music playing]

CAB DRIVER: [speaking french]

Aller.

[car honking]

CAB DRIVER: [speaking french]

[music playing]

[groaning]

[heavy breathing]

[phone ringing]

William, get your a*s back here.

Mom, get off the line.

[groaning]

[music playing]

sh*t.

I left my phone in the security tray.

I couldn't borrow your mobile phone, could I?

[speaking french]

[sigh]

[music playing]

[panting]

That's good.

Oh, that's better.

[panting]

I can't get him.

Excuse me.

Do you have a mobile phone I could borrow?

Do you have a mobile phone I could use?

I left my mobile phone in the security tray.

[speaking french]

[groaning]

You want to push now, don't you, Mary?

I know you do.

Yeah.

Well, I'm bloody well not going to.

Doris, he's never been at a birth before.

He wasn't at Kate or Julia's.

And he's bloody well coming to this one.

[groaning]

[panting]

William. William.

[music playing]

William.

There he is.

Mary.

Mary? MARY [ON PHONE]: William.

Have you had it?

MARY [ON PHONE]: William.

Oh, Mary.

Mary.

I love you, Mary.

MARY [ON PHONE]: Don't-- don't let Arnold drive.

He's too slow.

Oh, OK.

Arnold, I've got to drive.

[music playing]

Oh, no.

It's OK.

It's OK.

There's still time.

Not always.

[groaning]

- This is the main door. - All right.

[music playing]

You go ahead, William.

I'll catch up.

Good luck.

[groaning]

MARY: William.

WOMAN: This way.

Mary.

William.

Mary, I'm here!

[groaning]

[music playing]

I love you.

I love you.

[laughter]

Is it a boy or a girl?

Hello.

[music playing]