You're
going to have to move your horse
back to the others. Boy.
I want them here.
Well, I don't care what you want
to show me the horses on this.
Train or keep outside the wagons.
Not this one.
You know this trains run by rules.
You want to get along,
you better live up to them.
Come on.
I'll show you where to take you out.
That's my horse, Mr.
Novack.
First of that for a kid, aren't you?
No kidding.
Get away from my horse and help you.
Don't try it, boy.
Look there.
He's just a boy, Joe.
A baby sidewinder.
Just as poisonous as a big one.
You get a buster and behave yourself and
get this horse back to the picket line.
Next time,
don't. Be too fast for that g*n.
Because the next fella
might not be. As polite as I am.
And I don't help. Not.
What are you talking about?
Get out of here and leave me alone. For.
Listen,
maybe when you corral your horse,
you'll come
and eat some goulash with Joe Maharishi.
Mind you, mind your own business, Joe.
Whatever your name is. Get out of here.
No. On
you. No.
Well, make it some light.
Blue light again.
A smell all over the camp.
My wife, she was the one that made goulash
and a dumpling made of gloves.
My grandma, like Dobie.
Say hello, Mr. Murray.
Maharishi Mahesh.
If I wish to try that,
maybe get some idea what you put in it.
You're angry?
No, I have monument inside. Me too.
And I smell this.
And I come happen over here.
Do you know Mr.
was the maybe Wooster a Charles beat?
Oh, yeah.
Charles B was there.
Maybe tomorrow night There.
I think the young came and boy needs it.
The night that young bear cub.
Weighed sharp rocks and.
Cactus. Points, I hear him talk.
I had a boy his age.
That's all.
How come you're traveling alone?
He was k*lled
with his mother.
They k*lled them both. See?
I'm sorry.
Indians? No.
Okay, Mr.
Maharishi, I'll take you up
on that goulash tomorrow night.
Thank you.
But you are now.
You like goulash?
What's that?
Well, it's supposed to be beef,
but this is venison.
Looks like slop.
Well,
where's my body?
In the middle of you? Wouldn't think so.
Don't smell too bad, I guess.
I always tell Danton
as my son are better than Venus is.
Maybe all right for starving men.
But when you growing, you
try this pretty.
What do you want, mister? Huh?
I want you. Should it. Go?
Yeah.
I'd rather eat hardtack,
except it got kind of soggy in the rain.
I'll try some of that, I guess. It.
And too bad
it's pretty good.
Good.
Yeah.
You like that? See you.
Anybody you should have.
You could have tried my paulina's for.
His wife, huh?
Yeah.
I sent for her back to the old country.
At that time, before the w*r,
I worked in the factory in Philadelphia.
Oh, my. Pauline.
What happened to.
When the w*r was over?
I took my homestead in Nebraska
and then the 60 acres
and the Niobrara River.
I was always a farmer, Johnny
and my father, too.
But they didn't call us farmers
in the old country.
No, they called us.
Peasants marched.
Difference,
Jenny between peasants and farmers.
I don't make no difference.
I wouldn't be a player pusher for nothing.
Well, it is a hard life. Yes, maybe.
But it is a strong one.
And they leave you alone.
I mean.
I mean,
they're supposed to leave you alone
unless you put up fences
to keep the cattle out of the crops I run.
You know, they didn't run me off.
They got drunk, Jenny.
So they want to make some fun
with a funny old h*nky.
They burned me out with the fires, and.
And now they start sh**ting.
So my aunt tries to stop them, and Lena
runs up to him where I'm fighting
with the fire, too.
They k*lled. Bottom
line.
Surprise.
He figures
I k*ll my pal back in Arkansas.
Law done it.
No, no law.
Somebody's done it.
They k*lled him
all evening. This marriage.
Oh, good evening. What the hell?
Sit down.
Oh, thank you. Cup of coffee?
Yes, I would say
very well.
How you holding up?
Oh, I'm all right, thank you.
I thought you'd be
any man who was sad for a living
and had almost anything
you about.
Settle, Johnny.
Well, Hawk said
you gave him a little trouble today.
Yeah.
Liable to give him a lot more, too.
You ask to join us
Wagon train, young brother.
And you better understand
this wagon train is like a ship.
Everybody's an individual, but everybody
has to get along with everybody else.
If we're going to make it to the coast,
we're kind of a mess in here.
Everybody wanted to tie their horses
inside the wagon camp.
I take care of my horse, mister.
That's fine. I figure you did.
But just remember one thing.
We have reasons for the way we do things.
How far you figure on going with us.
Is far enough.
We're kind of tough without a wagon.
I worry about that.
Yes. Yes, I.
I was thinking the same thing.
Jenny.
I got a wagon here.
Way too big for one old man.
Maybe you will ride with me.
Yeah. Yeah.
You never mind about that, old man.
I got a horse.
I don't need anything else.
I don't need your wagon or any more.
Your grub. Understand?
Where we're having rain.
Then we'll be having rain.
Touchy.
You have a family, Mr. Hay,
One thing
you should know about a boy like that one.
They. They want to stand alone here.
He seems to be doing pretty good now.
I know inside he's nothing but damned.
Nobody can live on the outside.
Mr. Him, I have tried. Oh,
he must have something inside.
Well, whatever
it is, he'll have to get it himself.
Young fella like that can draw trouble
or make it.
Well, I think I'll hit the hay.
I'm taking orders for supplies
when we get into Cottonwood in a few days.
You need anything?
Oh, no, thank you.
No, I need nothing.
Nigel.
Night, Mr..
Hi. Hi.
I'll have a drink.
No, thanks.
My little drink can't hurt you.
Might hurt you.
Dig in that jug anymore?
Got too long. Dead tomorrow.
Our man caught us, leaned on liquor.
Hey, you've been targeted architecture.
And yet he's a case now. So.
But can't even speak English worth a dang.
And wearing a plow pusher does
ask me He ain't right smart. The head
and he'd
better stick out the hole cab
that chalky boils up.
Whoo hoo hoo hoo!
If I were you, I wouldn't criticize
until you've tasted it.
You won't leave him alone.
He's got enough on his mind.
I don't reckon
he's got a mind to have nothing on.
Never talks to
No one won't even take a drink.
You ever offer him All this morning.
Turn me flat down.
Well, talk about downright insulting.
Red and tears.
Come to think of it.
Give me that jug.
Plaintively.
The man turned on a friendly drink.
No, it short, ain't.
Hey. Oh, and he face.
Yeah.
Claudia tells me you turned down a drink
this morning.
That he done. I don't drink now.
I do.
Better start up again than here. Oh.
No, I don't think that's.
Well down home, Mr.
When a fella offers you a friendly drink.
Oh, you drink?
Sure.
Yeah, but we are not down home.
You mean you ain't going to take a drink?
Please, boys, please.
I don't want to trouble you.
You've been drinking poison.
And we're going to drink alone.
People do bad things when they drink.
Please go away now. Please.
Oh, Claude, It looks like
he ain't going to do it of his own free.
Well, you reckon we better make him
all right.
Can prove me wrong.
Don't bother me.
I'll share.
I'll get paid
after you take a drink with me alone.
Don't bother. I tell you, don't bother me.
I, I.
I don't think I'll miss Milwaukee back
there.
We'll go
from.
Why don't you do something?
He's doing all right.
I know.
It's k*lling. My brother.
You k*lling my brother?
Oh, he's going to be all right, Chris.
If you take any soup,
then for a day or two, though.
Getting back to his wagon.
Yeah. Come on, buster. You can't.
What got into you?
You almost k*lled that man.
You tore from the wrong man.
He'll
attempt to try to trim the hurt.
You're telling the truth. That's right.
I was trying to get him to drink
some of the rotten liquor.
Oh, Joe didn't feel like drinking.
He, like, strong. And you look old man.
I should get mad.
Come on, Joe.
You better come over to my wagon.
That was a pretty bad hit I gave you.
It had.
You could have stopped them.
Well, I was kind of having fun watching.
What is the matter with you?
What are you so mad at all the time?
What do you want to know for?
You're not supposed to answer a question
with another
question.
Betty,
get the bed.
You heard him.
You better get on away from it.
You don't want nothing bad
to rub off on you.
You didn't have to use that tone of voice.
He's a saddle tr*mp, a g*nman.
You heard what happened between him
and Bill Hawk today. Yes,
but that doesn't prove anything.
It proves you stay away from him.
Come on.
Bill. Now.
All right,
Well, Joe, there's got to be a reason.
I don't know. I was drinking.
Boys.
Made me a couple of drunks,
but they didn't actually try to hurt you.
You know, I wouldn't hold it against you
if you'd have bruised him up a little.
But you k*lled that man.
If I hadn't hit you because you're born
in this country, mister.
Here,
by where I was born,
a man had nothing to himself.
Nothing.
When the town said come or you should go,
you just had to do it.
You don't know what it means, Mr.
Hill, to have nothing where you couldn't
even close the door where I was born.
Because that door wasn't yours.
They weren't your fields where you worked.
You don't even had no life of your own
because there was always
fighting Napoleon and Zaire
and the little wars
I would always be fighting.
Joe, Some kind of fighting is all right.
Maybe. I don't know.
But not that guy. No.
So I run away from those people.
Those people who wouldn't let me alone.
But there's people who'll laugh
at the hunk who doesn't speak the English.
Good.
Somebody always got
somebody better push
and they push my Pauline and my aunt.
And out of this world,
nobody pushes.
Joe McCarty anymore.
Mr. Hill.
No, Nobody
gets mad.
No push. Yes. No,
that's good.
Push back.
But I think you've got to understand
this, Joe.
You're running away
from one kind of cruelty in Europe
and another kind in the East.
And that kind of k*lled
your family in Nebraska.
But they're not really different
kinds of the same thing.
You know,
the Good Book says Love thy Neighbor,
but it doesn't always work out that way.
I think you're
trying to run away from people.
You can't do that
if you try to k*ll everyone who pushes you
around in this life,
you won't have time for anything else.
Oh. Oh, Mr.
Taylor, I don't let nobody push me.
No, you got to learn to bounce.
You know,
I'll be very surprised
if the Durkin boys bother you any more.
Thank you, Mr.
Hill.
Goodnight.
Goodnight.
Thank you.
You all right?
Yeah. Huh?
Oh, sure, sure. Jenny.
But I was thinking,
when those two showed up here.
There was nothing.
JENNY Yeah, it was.
Especially
where they tried to wrap you up.
Maybe they'll come back.
No, Jenny, they don't come back.
Well, maybe they will
anyway.
Maybe you need somebody around here
to help you with the wagon.
Maybe
you want to come with me, Jenny?
Well, I think it'd be a sight
better than living under a saddle.
Oh, no.
Sure. You know. Wagon is a nice place.
Almost like a house.
And anyhow, I.
I need help.
You know, I get back some of that,
so I need somebody strong like you.
You need somebody strong?
Like I need to burst in here and be.
You don't know Jenny.
Very.
Very.
Where's
that young hoodlum of your whole journey?
You know, I mean.
No hoodlum with.
I know he's
fooling around with my daughter.
You know what I know?
Someplace
are going to do something for you.
Whatever that kid Mark Cook on.
You've seen him?
No, not tonight.
When he comes back, I'm
going to teach him.
What's getting attention.
But trash like him
don't take decent girls.
Not trash mister, with that girl
who's probably not the best boy. Joe.
How are you, Whittaker?
I'd talk to that. Daughter years
before I did. Anything rash.
I don't need any advice from you.
Maybe you ought to take some from me.
Whereas my daughter, you young here.
Now, just be careful what you call me.
I asked you a question.
So, Percy.
Oh, boy.
How can a girl like Betty
have a father like you?
Son? You're asking for it?
Yeah, I guess.
You reckon I picked on him up?
Put that g*n away, boy.
Maybe I ought to use my fist, huh?
He ain't got
but about £50 five inches on me.
Say, Mr.
Whittaker,
I ain't seen your daughter.
Not since we stopped moving.
You thought he pulled a g*n on me?
Yeah, I saw it.
I think maybe you asked for it.
Mr. Whittaker.
You're going to k*ll someone dangerous
to let him travel with us.
Somebody is dangerous.
It's good. And so I don't know who Father?
Oh, the.
What happened? Where have you been?
I told you I was helping Mrs. Olmstead.
So some baby clothes, please.
Mr. Hawkes, What happened?
Nothing serious, Betty.
Just a mistake.
Whittaker. You better
come on in. Mr. Hill. Take a look.
That head of yours is getting to.
Be an expert.
Did Johnny have something to do with this?
Why don't you ask him?
He's over there.
Miss Whittaker?
Yeah.
You know,
sometimes trouble is like sick color.
Some people just bring it with them,
You know?
They don't mean to, but it just happens.
So maybe.
Maybe Jenny is one of those people.
Johnny came in.
Oh, you.
Have to bite my head off
when it comes to you.
Ain't safe to talk to me.
Ask you, Paul.
My pa doesn't know everything,
Johnny.
Maybe if you give me those g*ns
all the time.
And wear these g*ns
all the time, I wouldn't be here.
Can't be that bad. Bad?
What's bad about it?
And then bad luck
being able to stand up to everybody.
Is it including your pa?
Yeah.
Yeah, I hit him and I'll hit him again
if he messes with me.
Johnny, he's not a bad man.
I love him.
Well, that's your business.
And some people think they can walk
all over everybody
and nobody walk on me.
Maybe you could tell him you're sorry.
I ain't sorry.
But even if he won't let me talk to you.
What do you want to talk to me
for, anyway?
In a way.
I ought to know better than to feel sorry
for anybody as not being peppered as you.
Well, I.
Don't want anybody to feel sorry for me.
How about that bar back here, PA?
Yeah, Yeah. Got me a diaphragm.
You've.
You didn't eat nothing tonight, John.
I ain't hungry. Joe.
Mr. Hale is sending a wagon into cotton.
What a night for supplies, Johnny.
I got something I need.
Maybe if you go with them and pick it up.
I thought you had everything you needed.
You want some salt, some bacon?
You got plenty. Well.
Maybe you should go anyhow.
Find a girl.
Have some fun, huh?
Oh, I could do that.
Good guess.
For food, if something's left over,
you just have fun.
I got my own money. You?
Yes. Yes, you.
You take this.
Anyhow, if you're going to have a good
time, it's going to cost you a fortune.
You strange. Good. You.
I was younger last like you and
Jenny didn't have much fun.
Maybe you are more lucky than you think.
I have a good time on that.
Well,
now, the actress
who's ever worn on that coffee, Mrs.
Snow, you know why you're in town.
You better buy Charlie some, too.
I think he's been using those ground
Opsahl bugs again.
I had yet. But I'm going to
if you keep. Talking like that.
Hey. Hey.
Where are you going, boy?
I ain't any of business.
Well, I'm.
I'm sorry.
I didn't mean to ruffle your fur that way.
Of course.
Way to town, Joe. Need some stuff?
We'll get it for him.
No, I'll get it myself.
I think I have a night in town
while I'm at it.
Cottonwoods are pretty rough place, so
why don't you wait till we get into
Charles ville in a week or two?
Because I don't feel like it.
I don't feel like nobody telling me
what to do either.
Now, what would you say town was?
We ain't said yet. Oh,
my. Two miles out road.
You know, Chris,
I don't know how we can walk around
carrying a chip that big on a shoulder.
Cotton woods? No place for that kid.
Don't you worry.
And boys and cotton
will take care of him as they
now are.
That's what I'm afraid of.
Going to wagon.
Jerry's thirsty work.
Yeah.
Especially the salt gets in the air
and right up your throat.
Yeah. All ten. Pound.
Oh, don't take much.
You wouldn't be anything at anything,
would you, Charlie?
Well, as long as you measures
room down the street,
got a few more things to load
you hard, Manitou.
We might drop in when we finish,
but at just when.
I think we.
Had a Samaritan young about after you.
You must
think all I care about is my own now.
Well, you know.
And I think
one day.
All righty.
We'll burn them.
Hey, barkeep.
Hey, bring us another bottle.
Kerosene carefully.
You're a funny boy.
Oh, yeah, I'm playing boy.
What do you wear on a black on your face?
Four.
But you haven't very good manners.
No, but I get good money now, don't it?
Yeah.
Yeah.
That we want to see Rita. Hey, Jonesy.
He's busy.
Hey, you little late. Jonesy,
the kid.
Oh, some loud mouth.
Well, he's paying cash money.
I'm going to see Rita.
So go see her
robbing the cradle.
Tonight, baby, Where you want.
The little boy is a good look here. Now,
this is man's work.
Oh. Oh,
you. Neither of us had a g*n.
I am going to see you swing for this boy.
Back off, Jonesy. I'll handle it.
I didn't mean to sh**t that girl, Sheriff.
Fellows coming at me with a jug board.
You better get her up to her room.
One of your boys go get the doc.
I didn't mean to sh**t you, lady boy.
All right, Fiske, lock him up.
What happened?
Johnny? What did you do?
You know this boy, Mr.
Traveling with my wagon train.
In traveling with you any longer?
He just shot a woman and another man.
All right.
I think.
Boy, you're going to be around
for a while.
I'm going to teach you
how we handle a woman shooters.
sh**ting that girl was an accident.
Oh. Oh, well, that's different than cause,
you know, accidents happen all the time.
It's like this
when you get over that accident,
we're going to have some more.
I'm sorry, Joe.
Nothing we can do about it.
The young friend is just too fast
for his g*n, that's all.
It was defending himself, you said?
Yes, but he shot a woman.
Yeah, well, it was an accident.
Accident or no accident?
It'll cost him 3 to 5 years.
You know,
we can go away and leave them there.
I got to go and talk to someone.
It won't do no good
the way that people are.
Feeling in town. That boy, I'll be lucky
if they don't hang up.
But I gave him the money.
I told him to your fault,
Joe was all it was.
Mr. Hill.
I see how unhappy he is, and I think
a few dollars will cheer him up.
I got to go and talk to somebody in town.
I got to make them understand.
I wouldn't try it.
It went down, stir up and people know.
Tell them what?
I don't know.
I got to go. I got to talk to them,
you know?
Go, Mr. Hill.
I feel responsible, Charlie.
Like a father to his son.
I heard it.
Mr. Hal.
You've got to do something.
You're let Mr. Hill alone.
Boy, had it coming.
That's pretty quick. Judgment.
Pretty good.
I'm sorry.
There's not much I can
do. Johnny. Been drinking.
But they'll send him to prison.
Yes, I suppose they will.
I don't
you understand what that'll do to you?
He already thinks the whole world
is against him.
What will happen
if they put him away somewhere?
Like some sort of an animal?
This is none of your business.
You ask me presents
where that young cup belongs.
Nobody asked you what you might do.
Well, to listen
more to this daughter of yours,
you might learn
something about being human.
Sorry.
You know.
Joe, we're moving out in the morning.
We have to.
You go ahead.
You go in there
and make any trouble about came
and you may not make it back in time.
Don't make no trouble
if nobody or don't get
married.
My name is Joe.
More courage.
More courage.
I know. I got to talk to somebody.
Mr. Courage, you go ahead and talk.
This is Jerry came in.
And what about. Him?
He don't belong in jail.
Thank.
I listen to you, Joe.
You shut your mouth. Jenny.
Joe, what happened to you.
Folks around here?
Don't take the people.
sh**ting women is lucky. Is able to walk.
That's enough. He's going to be punished.
Not enough.
Somebody ought to work him over every hour
on the hour until Rita's back at work.
I said, That's enough, Fiske.
Now, why don't you go see how it is?
They'll do the same thing to anybody
with a good word for him to on first.
Get out of here, will you?
People ain't going to be happy even here.
Somebody is talking up for him.
But you got to understand,
this is my fault. This all happened
because I gave Johnny the money
and I tell them to have some fun.
Or you and the boy probably
have different ideas on what fun is.
Mr. Marsh.
You see your boy there?
He likes to sh**t. No, no, you were wrong.
I got to tell you.
You all right? You go ahead.
I'll listen to you.
But I think you ought to save it for Joe
dr*fter in the morning.
I see. It's all up to him now.
You see, Sheriff,
it's like this with this boy.
Old son Buster.
His name's Merrick or something.
You know, they're right now
crying on Bill's shoulder.
How? Bill
just don't realize what an innocent kid
he's got locked up in there at my way.
And that innocent kid rope dance.
And I ain't saying one way or another,
but Ed was your friend.
Jonesy gets.
I'll get a couple of adult friends.
And have a talk with the old coot.
When he comes out.
Do more and talk to him.
If I was you, would I do it myself?
But that sure is kind of funny sometimes.
Some things ain't no business of the law,
Mr. Harris.
It ain't the end of the world in all.
Or I'll only spend
a couple of years behind bars.
It might teach him not to sh**t so quick
and come doing some good.
Will be the end of him. Well,
that's up to him now.
As for you, I suggest you get out of town
before some of his cronies
decide to take it out on
you. I see. The judge.
Will.
Well, yeah.
We're going to town.
What for?
I don't know.
I just got a feeling.
Hey, yo.
Back on your.
We're going to right out of town now.
I got to see something.
Seen all the people you're gonna see.
You know, you get Norm.
And you go away.
Stop by.
To see a kid. And.
Oh, oh, oh,
oh, no.
You get out of here alone.
Why did
dear you,
Jonesy just dying, man.
One man dead already.
Two others just hanging on a bit.
One of them might have been you.
You get back in there.
I've told you before,
nobody man
handles a prisoner in my jail room.
Guys.
Well, my had a lot of other friends, too.
You think they're going to stand by
and let this butcher no side, buster?
Little moaning.
You're talking lynching, Mr.
I'm talking about. I'm talking to hell.
No mob is ever taking a prisoner from me,
and no mob ever will.
Now, there's been enough k*lling
When Judge Brewster holds
trial in the morning,
that old man and is going to hang.
And we all know it
now, those people out on that street
knew that they'd go home
and there'd be no mob.
And I wouldn't
have to sh**t any of my friends.
That's what I'm going to tell them.
Well, it wasn't right in the head.
He didn't know what he was doing.
He was sane enough.
When I talked to him
just two or 3 minutes before it happened,
and I'd square with Mr.
Who one of those men was armed.
Sure.
Could have been self-defense. Sure.
Those men were unarmed.
And the man who had a g*n
never got a chance to get off a shot.
That spells m*rder. Mr..
A fair trial, Sheriff.
A fair trial? Mr.
Hay, you
your.
We're going to stay in town tonight.
We'll see that you were treated
fairly well.
They did.
I want to stop myself.
Can we bring you anything?
All right,
that's enough. Clear out.
I want to tell you something, mister.
You lay your hands on that boy once more,
and I'm liable to make those keys.
Your holding.
You come back here after they hang it.
We'll talk about it.
Let's talk about it right now.
No bail out of our hands for now.
I wish you wouldn't come later,
but you sure showed them.
Yeah, I sure showed them.
They hung here, too,
and we'll get them.
He ain't fit to live.
Fisk.
Hey, Fisk, I want to get you.
That'll do.
No hangings.
A Rockford. Thing, basically. This one.
This one's as bad as another.
Mr. Hell,
I've had to hang quite a few nice people
in my time good men.
I had one too many and gotten in a fight.
Hardworking people who never knew
how to hold on to their tempers.
You got to hang them the same as you do.
Want a g*n?
What are you hanging around here for?
You don't want to see this thing
through. I do.
I want my people on my train.
Whatever happens,
I guess I've got to know.
You look like
you could use a drink, Sheriff.
I know I could.
Yes, I sure could.
You boys got lucky, didn't you?
Both of you,
in that trial when you did?
Yeah, I
figured,
boy, to have you all stretched up by now.
You mean that's what you hoped?
Yeah, that's just what I hoped.
Is your own private.
Here I go, man.
There on the side of the hill.
Come along.
Nice to you.
You don't mind if I go give my hand,
do you?
Hey, Joe.
Joe, it's the keys.
Where did you get them? Jerry?
I know it.
Most men hail a horse.
They go
let you hang. We'll get out of here.
Joe told you I k*lled that man.
I told you they had it coming to them.
Men like them, like Fisk.
The same time
to k*ll your wife and kid and my pa.
No, no, don't.
I shouldn't have shut them.
You come here to help me now.
I'm gonna help you.
You're the only friend ever had Joe.
Lookie here.
He's trying to escape
you. Freeze, boy.
Sheriff, set eyes to be real gentle
with you,
long as you were locked up.
Now you ain't locked up no more.
Leave them alone. Sure.
Leave him alone.
Oh, hey,
I'm not going.
All in all right here.
Like not belong here.
You're not the way Joe got to be gone.
I'll not go up and back.
You can't do that.
He worked me over something fierce, Joe.
Not get away from where?
You got much time now, please, Johnny.
I want to let you know.
Don't sh**t me.
You, Elizabeth.
You know.
You shouldn't be a m*rder*r to Johnny.
I can't let you be like him.
Going back again.
You know? No.
To my friend.
Give me the g*n. You
two. Now, he got away, but
he tried to stop me. Joe.
So maybe there's a priest
on stage.
He'll be here pretty soon.
I should do.
Something to knowed
better than to trust anybody.
You mean Joe?
I could have been out of here by now,
son. He's dying to save your life.
He could let you k*ll first. Can you?
Both would have gotten away
before the sheriff could stop you
somewhere along the line,
someone would have caught up with you.
Some posse would have shot you down
like an animal
somewhere strung up on a tree.
You didn't want that to happen to you ago.
So now they're hanging him.
But you're going to live.
You some kind of creatures.
I know.
I'm what Joe Omaha is a friend of yours.
All I know is I'm going to jail.
And I could have been out of here free.
Now you leave me alone.
Stop preaching to me.
Matter of fact, get on out of here.
Hey, Sheriff, Let him out of here.
But, Joe,
it's time to go.
Oh, sure, sure.
It was time a long time ago,
Sheriff.
I got it. You
show me.
Go on.
You got to understand, boy,
there's always somebody with its agenda.
Nobody lives with angels on this earth.
You got to live with people and
you hate me.
That is getting Jim
more to sends you to prison,
Janet.
I send you to life in.
And maybe you remember old Joe
someday.
Think
Chris,
it's all right with you.
I'll stay here with the boy. Joe.
What do you want him.
To be mean to me? Can have no business.
He ought to be on your way to California.
I ran all the way to town.
Johnny,
what about you?
For my part, doesn't matter.
You do.
I got to go to prison, you know, to.
Make any difference.
I won't be for long, Johnny.
When you get out,
you can come to San Francisco.
I'm going to wait for you.
What are you talking about?
You come to me, John,
Because I'm going to wait until you do.
I'll be in 3 to 5 years.
Then I'll wait 3 to 5 or ten or 15.
I love you.
What?
I love you.
And I'm going to marry you.
You're saying that.
I don't like it.
I don't want it,
but I'm going to wait
for you.
Come on.
Say it again
on stage.
And Johnny.
No need to look up there.
Johnny, you're wrong.
That's the biggest need I got.
Hey, Joe.
Hey, Joe.
I remember.
You hear me, Joe? I remember.
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04x29 - The Joe Muharich Story
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The series chronicles the adventures of a wagon train from St. Joseph, Missouri, across the plains of the Midwestern United States and the Rocky Mountains to Sacramento, California.
The series chronicles the adventures of a wagon train from St. Joseph, Missouri, across the plains of the Midwestern United States and the Rocky Mountains to Sacramento, California.