01x04 - The Sound of Music

[bunniefuu]

[saxophone playing]

Welcome, welders.

Give it up for Stephanie.
Come on. That was beautiful.

-Very beautiful.
-Stephie G.

[chuckling]

[Jo Koy] For your next build,

you'll make sweet music by creating
an entirely new musical instrument.

By combining metal with these instruments.

[upbeat music playing]

[Jo Koy] The instrument we want you to
create has to be something

we've never seen before.

Then you have to create something
that looks awesome

and sounds okay-ish.

[Tom] I definitely feel disadvantaged
because my musical abilities

stand at singing in the shower.

And that's about as far as it goes.

Welders, before you face the music,

there's one other detail
that I haven't told you.

You're not performing as soloists.

You're gonna be performing
in teams of two.

That's right.
Lou, since you won the last challenge,

you get to pick your team.

One bar has Rae's name,

and one bar has Tom's.

Choose wisely, my friend.

It's time to find out
the Milli to your Vanilli.

[chuckling]

The Robin to your Batman.

[laughing]

Drum roll, please.

[drums rolling]

[laughing]

Cymbal!

[chuckling]

Let's see who it is, Lou. Go.

[drums playing]

[Jo Koy] It's Rae!

Oh! Dang!

Rae and Lou. That means Ivan and Tom.

This is gonna be great, man.

[Lou] So initially,
when I picked Rae's name,

I felt that we may clash a little bit

because I like all my computer,
you know, mathematical stuff,

and she's, like, the complete opposite.

She's, like, no straight lines,

just waves, free-spirited, don't measure.

All right, guys, you have ten hours,

and that starts now. Go.

[vibrant music playing]

[Rae] Instruments.

Do we need a cymbal, too? This one?

Sure. Sure, sure.

[Jo Koy] For this challenge,
we asked our welders

to create a unique musical machine.

They must incorporate
existing musical instruments.

Their creation must play a song
and make a sound,

and it has to be a new, original design.

And they will have ten hours
to complete this build.

Want me to toss it on my back
and carry it over?

I think the most difficult part of it
is gonna be

trying to come up with a new instrument,

trying to come up
with something different.

That part will be tricky.

Over here.
So we build kind of in the middle?

-Yeah, that's what I'm thinking.
-Wanna turn it around?

[Tom] I don't think we should've
grabbed the piano

because I don't know about music,
and I have no idea, any way to help him

or suggest anything.

So I'm gonna fall back in line

and just be the worker ant.

[clattering]

I definitely know
that this is way out of my wheelhouse.

I don't play any instruments,

but now I'm tasked to actually make one,

so I grabbed that drum
because it's one of the most

simple instruments over there.

Here's the magical question.
What is it about this build

that will really test these welders?

Well, for starters,
the fact that they have to be using

different types of instruments
made out of different types of material.

They've got brass, bronze, stainless,

regular mild steel that they're going
to be incorporating into these pieces.

It's gonna be really interesting
to see them

take all these different types
of shapes and materials

and use, you know, raw ingenuity

to make a rad, epic musical instrument.

I strongly believe that this is where
strange minds will excel.

And I feel that's going to be Lou and Rae.

For structural,

the mechanics, and it working,
I think Ivan and Tom.

[Stephanie] Yeah.

[upbeat music playing]

-You see that harp on the side of that?
-[Tom] Yeah.

I'm thinking we leave it standing,

and then I'm gonna use the hammer section.

I'm basically gonna detach it
from the wood

and attach it to the harp,
just by welding a brace over.

For this challenge, I want something
that I can make play a song,

kind of like a music box,
but using the piano.

We can tape
a drum rolling of pegs onto it.

As those pegs roll by,
they bump those hammers,

now you got that rolling along

and playing whatever song you've made
it play by where you placed the pegs.

[Tom] Do I wanna even know
how you know all that?

I like pianos. [chuckles]
I fix old pianos, sometimes.

-[Tom] That's all I need to know.
-All right. [chuckles]

I'm a little nervous
because I don't know what his vision is.

Okay, back to work.
[whispers] Back to work.

I'm thinking, I don't know, hip hop.

-Okay. Um...
-Um...

Okay. So here's, like,
a trippy idea, right?

I don't know if you're familiar
with the Voyager project back in the '70s,

when they sent that golden record.

Why don't we make a drum machine

that plays a hip hop beat?

That looks like...

-That looks like a satellite...
-Let's do it.

...that we send to aliens.

Yes! So that way
it's we're relaying a message.

-I love it. Okay, let's do it.
-Yeah, yeah.

Our design for this challenge

is off the wall,

just as off the wall as the challenge is.

I wanna do a satellite,

kinda like the one that was sent back
in the '70s that had the golden disc.

Rae's into drums. She likes the beat.

I'm down with it. We're gonna
take those two ideas, mix them together,

as crazy as it sounds, but I think

it's so out of the box
that it'll actually work.

We're gonna have to make a frame.

Have you ever seen
the front of a satellite?

Yeah, we can use the cymbals for that.
And it's that pretty color too.

So it gives that, like,
weird foil texture, right?

Yeah, that crazy, funny concept

is gonna set us apart from everyone else.

Maybe one day some alien finds it,
and he's like, "There's life out here."

Maybe he tracks it back to us
and harvests our whole planet. Who knows?

But we're gonna kinda base it off that.

[Ivan] This is gonna break
some people's hearts what I'm doing.

Watch out. This might come your way.

[clatters]

So I'm going to start
on tearing apart this piano.

There's a very beautiful
kind of Art Deco-looking harp in there.

[rattles]

[Ivan] Inside every piano is a harp.
When you push down on the keys,

it makes the hammers hit the strings,
and that's what gives you your sound.

Without the harp, you have no music.

That's a crucial piece
that has to be extracted intact.

[Tom] Ivan's concept is a rough idea

of a large-scale music box.

My job is to start building the drum.

The barrel that we're designing,
the fingers that Ivan's putting in place

will touch the hammer to activate
the string to make a certain tone.

[whirring]

[Tom] I have to roll
two pieces of sheet metal.

Doesn't look like much.

Two wonky-looking circles.

I'm gonna tack them together
and then smooth the welds out,

then put it back in the machine,
and I can get a full circle.

I have to make sure
it's still a cylindrical shape.

It looks more like... like an egg.

The last thing you need
is a cylinder spinning

that's kind of oscillating.
It needs to be pretty centered up.

[Jo Koy] I think Tom just built
a new bingo apparatus.

O-65. Anyone?

O-65.

This is Tom.

-That's totally him.
-B-17. Anyone?

-What is that called? A roller?
-[Stephanie] Yeah.

And that makes the steel into a circle?
Into a sphere?

-[Stephanie] He can roll it into a circle.
-Got it. I did not know that.

You know, and after you bend it,
you roll it around,

and then you join it together,

and you do that perfect weld.

You sand it down,
and you have a perfect tube.

The really crazy thing
that people might not realize

is those seam welds like he did,
they have to fit up perfectly

because if that seam
was racked in any which way,

that cylinder
would no longer be a perfect cylinder.

It would actually have
some type of distortion to it.

I want you to double-check to make sure
that's centered. I'm super dyslexic.

[Lou] Just get it on a fine line
and go like this.

Dude, I'm not kidding.

I'm learning so much
about f*cking kinetics from you guys.

So I'm, like, super pumped

to help you build this part.

[Lou] You're gonna see
how it's actually really simple.

It's usually one motion
repeated over and over and over.

[buzzing]

[Lou] Good.

I'm having Rae cut out the disc
that will drive our beatbox mechanism.

These discs will hold the bolts
that set the timing for the beat.

Now we know how wide this needs to be.

I chose the kick pedals because

that's a mechanism that's getting me
so far ahead of the game.

I pretty much just have to attach
a drum stick to a kick pedal,

and I'm gonna start to be able
to play this drum pretty quickly.

I'm having Rae help me make the assembly,

so that she knows exactly what's going on

with the mechanism,
and how everything's working.

-You see that?
-[Rae gasps] I get it now.

Dude, you're a f*cking kinetic
m*therf*cker, you know that?

So just because this is working

doesn't mean
that we're out of the weeds yet.

Um...

Since we kind of have...

an idea of what's going on here...

-[Rae] Now we can start cutting.
-[Lou] Yeah, let's cut our frame.

Looking over at Lou and Rae, I'm a little
concerned on what they've got going on.

It seems like they have
a great train of communication there,

but it just looks like

Lou is constantly explaining
everything to her.

And she's not...
They're not working separately, you know?

It's like there's a lot of hand-holding
going on, so to speak.

Then I see over here Ivan and Tom.

They're way separate from each other.

There's not a lot of communication.
They're not talking a whole bunch, Jo.

They are both in their own worlds,

and hopefully both of these worlds
will come together

to make an amazing work of art.

Hopefully, hopefully.

How am I supposed
to cut through this big frame

without even a handsaw?

Really what I need to do
is just get this harp out of the piano

to play the music.

I've gotta take this apart
without breaking anything delicate.

There's delicate components in here.

We don't have any woodworking tools,
so we gotta make do with what we've got.

I'm using a drill like a saw,
but it's only going so far.

I'm hammering things in
to try and break it off.

[buzzing]

I tried using the angle grinder
and just cutting through it.

-He's cutting the whole piano apart.
-Oh, man.

They're like 4 x 4 chunks of wood
he's trying to cut through.

I don't know what Ivan's planning.

-Let's hope it's not a mistake.
-[Jo Koy] Oh man.

[Ivan]
I've never taken one completely apart,

so I wasn't thinking about that connection
point between the soundboard and the harp.

I've got the pieces
that connect to the soundboard here,

and they're gonna be glued down
to the surface of the soundboard.

So, I was trying to

separate the, uh, the pieces that I wanted

from the pieces that I needed,

but I think instead
what I'm going to try to do

is just get as many screws out as I can

and just try to pry them apart.

Hopefully, those separate.
We don't just end up breaking strings.

It's kind of a shot in the dark,

but at this point, we've gotta
keep moving. Running out of time.

So, hopefully this works.
If it doesn't, then we're...

It could potentially screw us over.

Rae's working on the satellite aspect

of our... of our craft.

And it's gonna be made from a cymbal.

I've never played a musical instrument.

So the fact that we're making
a musical instrument... Pretty interesting.

-Do you think that'll stay, though?
-I don't know.

Here's a thing. Those...

You gotta bring all these together.
This one down a bit more.

Put a tack on that, right there.

[suspenseful music playing]

[buzzing]

g*dd*mn. I looked at the light.

[buzzing]

-You'll be all right.
-No biggie. Once.

[buzzing]

I love it too.
I love looking at that damn light.

[buzzing]

All I see are drumsticks and a cymbal.
That's it.

[Rae] The cymbals at the front
give that almost like reflective,

like that foil stuff
that's on spacecrafts.

So then we use TIG rod to make it look

as close to the spacecraft as possible.

And I'm hoping the judges
see that visual part

of the artistry I put into it.

[whirring]

[Lou] Doesn't have enough travel.

So originally,
we talked about making a beatbox

that was gonna play
this hip hop rhythm, um,

but I think it makes a terrible sound.

I don't know
how many of these I'm gonna need.

[sighs] I have to look
at the sound wave or something.

So it's not very appealing
to me at this point.

I'm starting to get worried.

[beatbox playing]

[imitates beatbox]

[drums playing]

[Lou] This is creating a problem.

I can't get these bolts in the right spots
to set the timing for the beat.

I'm gonna change this whole thing.
It's getting too hard.

I'm starting to notice
that the strokes aren't right.

We're gonna make a machine
that does a drum roll.

[imitates a drum roll]

Oh, I love it.

[Lou] I've decided to go
with a drum roll instead of hip hopbeep.

It'll sound less musical,
but at least it'll make a sound.

We need to create some type of noise,
or else we're going home for sure.

[Stephanie] Lou and Rae, they seem to be
working like a fantastic pair, right?

[David] They had a good design.
It's quirky.

It's... It's an oddity, right?

So, you see Ivan and Tom.

Ivan, I'm concerned about.

[Stephanie] Yeah.

[David] I've never seen him like this.
He's in deep.

It's stressing me out a bit.

He wasted an hour and a half
on this piano.

Maybe their vision isn't clear.

I mean, it could be so many things, Jo.

He seems to be wasting a lot of time.

Wanna give me a hand?
Get it up there, get it welded,

and then we can start figuring stuff out.

So, you wanna make that the base?

-Are you gonna spin it or spin that?
-We can just spin this.

-We have to pick it up anyways.
-How much does this weigh?

-About the same as that.
-Oh, yeah.

[chuckling]

[piano harps echoing]

[buzzing]

[Tom] It's funny-looking.

-[Ivan] Funny-looking? [chuckles]
-[Tom] Yeah, it's funny-looking.

I didn't know the full plan.
I knew he had a great idea,

but that doesn't mean I know the details.
I love a lot of information.

I'm putting a lot of faith in Ivan's idea,

and I just hope it works out.

[buzzing]

[upbeat music playing]

[buzzing]

[Rae] I'm building framing right now.

He's just working out the kinks

of the mechanism

to try to make it look as close
to the spacecraft as possible.

-That looks badass.
-It looks so f*cking dope. Did you see it?

-You did a great job.
-For math?

I'm, like, f*cking proud of myself.

Like, I actually used a tape measure,

which is kind of crazy.

Oh! Yes!

Dude, k*ll it!

-I'm doing something.
-You're k*lling it.

[Lou] I know in the past I'd said that

probably being teamed up with Rae

wouldn't be the best fit,

but what I'm starting to learn about Rae
is that she's up to any challenge.

Check out the mechanism.

[drums rolling]

It's so loud.

If they're going to be using cymbals,
that is made of brass,

um, in certain processes,
like MIG welding,

the heat disbursement can get out
of control and cause a lot of warpage.

If you're looking for certain sounds
and things to strike

as it's rotating or something,

you might wanna watch out for putting
too much heat into the material.

I'm thinking about using these cymbals
attached to the pieces

that would go to the soundboard
to make it louder.

Pick up the vibration of the strings.
What do you think?

There's no more soundboard on the piano,
so I'm using cymbals

for vibrations, speaker cones,
to make it loud and clear.

It is louder. If you listen to it,

-you can hear it coming right off of the...
-[strings playing]

It'd be better if it was a lot louder,
but still, it's louder than it was.

[Jo Koy] Tom and Ivan.

They always go big.
Especially Ivan. Ivan always goes big.

[David] I'm a little nervous
because it's big,

complicated,

and it has some fine details
that they're doing.

Let's just hope that it works.

[Jo Koy] You look over at Lou and Rae,
it just looks like a drum set.

I hope there's more that they're
gonna add. Their build is very, um...

I don't know, spacey. I don't know
if it's gonna have a lot of detail.

[David] I mean, it is...
It is very bizarre-looking,

but it could be genius.

But isn't that what you guys want?
Something bizarre-looking?

Well, we've all seen a drum before.

[chuckling]

-[Rae] Ready? One, two, three.
-[Lou] Yeah.

Our piece is really starting
to take shape,

so I start to build the rocket thruster

for the rear end of our satellite.

Out of the whole thing,

that was, like,
my most favorite part about the build.

[buzzing]

[shouts]

As I get the drum done,
he's got it set up,

and we've got the internal structure
of the piano locked in place, standing up.

It makes more sense now
to see it in this shape.

And it clicks. I see the drum in place.

I go, "This thing could actually work.
This could be really cool."

Now I'm actually feeling
really good about it.

We're gonna hit it where
it's just hitting that felt like that.

Lining this drum up to get it to
play this piano is really difficult.

Hitting on the end there. This should
be hitting about the same spot.

When those pegs come around, if they
strike the bottom of that key wrong,

there's a small wooden hinge
that holds those components together,

and they're very easy to break.

If we do that just a little wrong,
it's gonna snap it off,

there's no way to fix it in time.

Is that playing the piano? I can't tell.

So we need legs, logo for the box.

When people are in space,
what do they have?

They have patches
on their gear and on their uniforms.

So, I was like, "Lou, what if we made
our own mission patch?"

What do we wanna call this thing?

I was calling it
the Intergalactic Beatbox Machine,

but it's no longer a beatbox machine.

Something intergalactic?

It's an intergalactic...

Oh my God, I can't say that word.

In... Inter...

Intergel...

-Inter...
-[Lou] I don't know. What do you think?

-Space box.
-It's the RL Explorer.

RL1.

-RL1? Okay.
-Yeah.

With this patch,
I wanted it to be true to us,

but also true to the space, you know,
space people that are out there.

The way I made the patches
is edged freehand.

Human CNC at your service.

You don't need a computer.

Lou, what side?

[Lou] Uh, if you put it on this side,
it's gonna float.

-I'm going to TIG it on.
-[Rae] Go for it.

[Lou] Because it's fancy,
so we wanna do fancy.

[buzzing]

Welders, 30 minutes left.

-The clock is ticking. Hurry up.
-[Ivan] Oh my God, Tom.

[Tom] I'm thinking, "Do we need to spend
this much time on making it sound so good,

or should we make it
aesthetically pleasing to the eye?"

Keep motion forward.

[Ivan] Gotta go. We're behind schedule.

Looking over
at what Lou and Rae are doing,

their piece is going
to look like a satellite.

They have all this stuff going on

that makes it look like a thing.
Ours is just this random instrument.

There's not gonna be any cool stuff.

We're just gonna have
to add flair to it to make it cool.

Let's drill some holes in here
or make some mounts.

-Stick some horns.
-Hang the horns?

Even if they don't do anything.

Do you want to hang them?

Or do you want to...

-I think sticking up like a...
-[Tom] Okay.

So it's like very...

Yeah, very fun and weird-looking.

I'm trying to really figure out
a way to incorporate the brass

into Ivan's idea to make his... thing.

[Jo Koy] Wow!

-[David] That is crazy.
-Change of plans.

[Jo Koy] Wow!

-[Stephanie] Change of plans.
-[David] Whoa.

[Stephanie] Nice.

[Tom] To do something that would give it
a little flair, make it look bigger,

I made a rail and added
some trumpets to it on angles.

It's gonna get artsy.

[whirring]

[Jo Koy] Tom and Ivan,
they grabbed all the horns.

[David] Tom is gonna
have to really start hurrying up

because, I mean,
we're getting down to the deadline.

[Stephanie] The biggest problem is that
those are different types of material.

They require two different temperatures
to melt that base material.

They can probably MIG weld it.
It'll stick together.

It won't be structurally sound
if they do this.

They might fall apart or break, especially
if there's too much rattling going on.

I hope they pull this off.

[grunts] Come on.

Man, this thing is just...

Now what I need to do
is get the pegs on to play the song,

I have to figure out the ones I wanna hit
to play the song the way I want.

I'm a little worried.
We got a long way to go

to make this thing actually play a song.

[grunts]

Come on.

Look... Look at that.

-Holy moly.
-[Rae] It's like a freaking church horn.

The horns came out of nowhere.
We gotta make progress.

-These guys are k*lling it over there.
-They are.

We're running out of time, and Rae
and I notice that we have like a void.

You have the drum, but it's just
sitting there with nothing over it.

[Rae] What about solar panels?

We can weld a rod up, a rod up,
so that way they're offset.

[Lou] That's a great idea.

[Rae] Okay.

That looks so good.

[Jo Koy] Welders, one minute left.

Last minute's rolling around.
I'm trying to get this finished,

to get it to play the song right,
to work right.

I realize with less than a minute to go,
I've snipped one of those ends too short.

And with the clock ticking down,

I'm thinking if this key's dead,
it's not gonna work.

[Rae] The weld broke
on the rods I just hit.

-You got it?
-[Rae] Yeah. You ready?

[Jo Koy] Five,

four, three,

two, one.

Welders, tools down. Back up.

[Ivan] Damn, dude.

Two.

[Jo Koy] Welders, for the past ten hours,

you took musical instruments
and combined parts of them

to create an entirely new instrument.

We asked you to create something
that you could play, look awesome,

and sound better
than Stephanie on the sax.

Or better than Dave on the drums.

[laughing]

Lou, Rae, tell us about your instrument.

[Lou] I wanted to take this
off the planet.

I wanted to just go out there.

And she was into drums, and I was like,

"Let's do an intergalactic drum machine."

[Stephanie] So, the overall design?

[Lou] She was the drum,
so she was the heart of the machine,

And I was the satellite,
spacecraft, alien guy.

[Rae] It's all about details, of course.

And so I created our own mission patch

of Metal Shop Masters.

[Stephanie] That patch really almost
makes this piece a little bit.

It just adds
that extra little charm and detail.

This thing is rad.

Whose idea was it to do the snare drum?
The mechanics of it?

It was a mixture of both of us.

100% fifty-fifty.

-Can I try it?
-[Rae] Go for it.

[drums rolling]

-[David] That was satisfying.
-That thing is as good as you on the drum.

[laughing]

In fact, it's better than you, David.

Thank you so much for that.

Rae, Lou, we really love
the details of the satellite,

but the challenge
was to create a new instrument.

This is basically just a drum
inside of a beautiful case.

Up next, we have Ivan and Tom. Judges?

You have to tell me about this.
What am I looking at here?

Honestly, when you guys said
you need to make an instrument

out of a bunch of instruments,
that was kind of a bombshell.

I had an idea in my mind,
Ivan had his idea.

I thought my idea was a little weak,
and I was like,

"I don't think that's a winner."
So we kind of agreed, "Let's do Ivan's."

[Ivan] I didn't want it
to just be like a music box piano.

And so what we did was to make
a different instrument out of it.

We screwed cymbals to the boards

that connect to the soundboard.

Basically like speaker cones.

Get out. I thought those were decorative.

[Ivan] No, they're actually vibrating
through the strings,

and that's carrying the sound forward.
It's loudest at the back.

-[Stephanie] Can we hear it?
-Absolutely.

-How do I... Okay.
-Just this way.

[David] Don't use all your muscles, Steph.

[strings playing]

-[Stephanie] This thing is rad.
-[Ivan] Thank you.

You just blew my mind
because we honestly had no idea

what the hell the two of you were doing.

We were like, "They just spent
three hours smashing apart a piano."

That's all we knew you did.

You're on one side,
and then Tom is over here.

My only criticism of this piece is that

it's a crap load of wood,

and this is Metal Shop Masters,

not, I don't know, Woodshop Warriors.

[sighs] Now it comes down to the judges,

and they're going to decide
who struck the right chord,

and who hit the wrong notes.

Ivan and Tom, you guys chose

a ton of instruments,

and you were able to place those pieces

in the most aesthetic way possible.

The contrasting
of different types of metal,

the grinding, the rust.

[Stephanie] It had that Dr. Seuss feel,
very whimsical and fun,

but unfortunately,
there was things that it was lacking,

like, the frame structure looked sloppy.

But the one thing you guys did
that blew our minds

was that you took a piano,
and a drum, and some cymbals

to make this incredible sound.

And it sounded like a song,

and that shows pure skill.

Lou and Rae,
I saw both of you in this piece.

Every time I turn the corner on it,
I'm seeing something quirky and fun,

or some awesome way that you put
that hub assembly together

to have the drum actually function.

[David] Like Stephanie said,
I see both of you in this piece.

Just so eclectic, outer space, drums.

I mean, you're both such talented artists.

Although you both created
different types of instruments,

only one team will get

an encore.

[suspenseful music playing]

And the team I'm talking about is...

Ivan and Tom.

[Ivan] So we won,

and thank God for that
because I got worried for a minute

that they might actually
be sending Tom home on my idea.

I wasn't about to stand for that.
I couldn't have pulled it off without him.

[Lou] I felt that our effort was,
you know,

a little bit better than their effort.

So I'm kinda

in a state of disbelief
when they say that we didn't win,

and now I'm actually facing

the possibility of me going home.

So, complete surprise.

Lou and Rae, I can't express

how conflicted I am with this decision.

I thoroughly enjoyed this piece.

The instrument you made
really wasn't a new instrument.

[David] Even though you didn't perfectly
follow the criteria of the work order,

your piece is so amazing.

Who would have thought?
Outer space, drums?

I mean, just your minds work
differently than normal people.

The public will see that.

I mean, you're both such talented artists.

And I'm so happy to have met you.

Dude, I...

I have no idea
what's going on in my head right now.

I, like, literally did not...

David, [sighs] Stephanie,
have you decided?

[exhales]

Lou and Rae.

[suspenseful music playing]

You're both safe.

-What?
-[Jo Koy] What? [laughs]

Are you kidding me?

Are you serious?

[laughing]

What? That is crazy.

-Are you serious?
-[Stephanie] Legit.

We couldn't decide.

-[laughs]
-[Jo Koy] Wow!

-[Lou] Give me one.
-What?

We're not going home?

No?

You know, every week,
I think I'm going home.

I did not expect that.

Definitely didn't expect that.
That's for sure.

[vibrant music playing]

All right, Ivan, Tom, Lou, Rae.

Congratulations.
You all deserve to be here.

Right now, you are two builds away

from the title Metal Shop Master

and $50,000.

Believe me when I say,
beyond a shadow of a doubt,

it only gets tougher from here.

I know it's tough being kept in the dark,

so tomorrow, I'm going to shine a light

on what's in store for your next build.

No rest for the weary. Go!

[upbeat music playing]