(logo whooshes)
(logo whooshes)
(logo rattling)
(logo whooshes)
(ominous robotic buzzing)
(footsteps tapping)
(ominous music)
(chair rattling)
(footsteps tapping)
- Hey, hey. Easy, easy.
(somber music)
Can I bother you
for a cigarette?
Why the f*ck did
you do that for?
- [Jefa] Fine. Stop.
- as*h*le.
- With all we have, we
can send you to Siberia
according to the law
or extradite to the USA and
have you fried in Texas.
Did you have to be so messy?
You just have to infiltrate
and make them fall,
not be part of them.
- Okay, there's clearly
been misunderstanding.
- You won't charm it with your
charisma if that's charisma.
Actually guys like you
make me want to become
a l*sbian, Soles.
'Cause that's your
name now, isn't it?
Get used to that name because
your file is non-existent,
it's gone.
Not only your file is gone,
your passport, your ID, hmm.
You are non-existent.
You are just this wretch,
this useless piece of sh*t
sitting right in front of me.
You have no rights anymore.
You just have obligations.
- I did everything you asked.
I got myself into deep sh*t.
- Cut the bullshit.
- I left my family for
the cause, for my country.
I should be treated like a hero.
You really think I like
being with them guys, huh?
I saw a lot of things.
Things I'll never forget.
You f*cked up my life.
- You f*cked it up
yourself, Soles.
And I told you to cut the crap.
Did you like changing sides?
You liked having a good time?
To be surrounded by chicks?
To get f*cking high?
There was no problem. You
could do that and more.
As long as you did
what you had to,
but you were useless.
What did you think that
you could change sides,
be part of the
band and disappear?
Did you think you
were a part of them?
Now you're not part of them,
but you're not
part of us either.
Who the f*ck are you?
- I am not a double agent.
- Of course, you're no double
agent 'cause you're nobody.
You are absolutely nothing.
You are a living dead.
And if you don't want
to be really dead,
now, you have no choice
but to do everything I say.
- What's happening? Huh?
f*ck sake.
I get it. I get it. I get it.
All right right enough.
From now on, you'll have
to do everything I tell you
exactly word by word, get it?
- I get it.
- You get it.
- Get it.
- All right, we're gonna
see if you really got it.
Repeat after me.
I am an inept, impotent person
who only serves as a snitch.
Shall I say it again?
- I'm an inept and potent-
- [Jefa] Mean it god damn it.
- I'm an inept, impotent person
that only serves as a
snitch, that a snitch.
- Now say thank you
for not k*lling me
because my life is worth sh*t.
- Thank you for not k*lling me
because my life is
worth sh*t. Thank you.
- Much better.
- Fine.
(footsteps tapping)
- Now you're gonna go
back to your friends
and don't you dare
mess it up again.
You are gonna find him and
you'll bring him to me.
But this time you're
gonna do it right
because you won't
have another chance.
Got it? Got it?
- Yeah, I did.
- Ah-huh.
- Now can I ask you
for a cigarette?
Pretty please. Come on.
(Soles exhales)
as*h*le.
(upbeat music)
- [Maria] Let's go.
Finally, one day free. Yeah!
The wind is
blowing in my face
The sky is gray
but I feel nice
Well I don't know
if I'm dreaming
In California
sunshine winter day
(upbeat music)
I can't feel my
toes right now
I really don't feel
anything at all
But this lovely sunbath
Of California
sunshine winter day
Someone told me
This better be the way
I'd rather choose
to run free
(car engine revving)
California dreaming,
California dreaming
(phone ringing)
- [Millie] Girls, how are you?
The client called to make sure
you'll be on time tomorrow.
- Don't worry, Millie.
I'll be sure that
she's there on time.
Nine o'clock.
- [Millie] The call
is at eight o'clock.
- [Ana] Oh, I'm
sorry. Eight o'clock.
- [Millie] Girls, you need to
start taking this seriously.
The contract asked to
be on time, on set.
Do you know how
these producers are?
- [Maria] Contract, on set.
When did you become
so boring, Millie?
- [Millie] When we start to
make real money with this.
- [Maria] Millie, don't
worry, just relax.
It's gonna be okay.
- [Ana] Yeah, Millie, just
relax. It's gonna be okay.
- [Millie] Don't be
such an assholes.
You know how these
people are, Ana.
And you know what
I'm talking about.
- Well, Millie, you
know what? Wait.
You just called me up
at seven in the morning
and I swear I'll
be there on time.
- [Millie] Yeah, that's
what you said last time.
- Well, I did not
swear it last time.
Bye, Millie.
- Bye-bye, Millie.
And you don't believe
the words I am saying
'Cause you know sometimes
(car crashes)
(ominous music)
- We are trying. I can't
assure you she will make it.
I know. It's f*cking important.
I know she's the perfect asset.
Don't forget who had
the idea about this.
f*ck.
- Pulse.
- This is getting out of hand.
We gonna need assistance.
- I told you to
step the f*ck back!
- What the f*ck? Do something!
(dramatic music)
- I am Millie, Maria's personal
manager for almost 10 years.
She is in coma right now.
The doctors are doing the
best they can to save her.
(dramatic music)
- This message is for all
of Maria's fans and friends.
As you already know her body
disappeared from the hospital.
(dramatic music)
Last time I saw
her, she was alive.
And I believe that she still is.
Something inside me
tells me that she's okay.
- All I ask you is to pray
for her and have faith.
(dramatic music)
- Baby, if you
are watching this,
please let me know you're okay.
(upbeat music)
- Wow.
- Oh, wow.
- Yes.
- Very nice.
- Okay.
- Here we go.
(wine gurgling)
- [Person] Watch it.
- Wow. Whoa.
- Just like that.
- Silly. All right. Happy
year together. I love you.
- To another year.
- To forever.
- Yeah.
- That's a lot.
- No, come on.
- [Person] Hey.
- Well, it's just a joke.
Till death do us part.
- Cheers.
(sea roaring)
(upbeat music)
(keyboard clattering)
(footsteps tapping)
(phone ringing)
(footsteps tapping)
(phone ringing)
- Hi.
- Ali, what's up?
- [Alina] What's up?
- [Dario] Fine, you.
- [Alina] What happened?
- [Dario] It's about work.
- Maybe you didn't know, I don't
work at the agency anymore.
- [Dario] Yeah, I know.
But Maggie had an inconvenience,
she bailed. I need you.
Ali, are you there?
- Yep.
- [Dario] It's good money,
people from abroad. Interested?
- Will Melina be there?
- [Dario] I don't know.
- You don't know?
Don't lie to me.
- [Dario] Maybe.
- Who is directing? You?
- [Dario] Yeah, but you know
it's not the same without you.
- I can imagine. How much
are we talking about?
- [Dario] $250 per day.
- Why that much?
- [Dario] Because of the
actress there's an agreement.
They'll take us all
together with them nowhere.
It won't matter if I
tell you who she is.
The girl is Maria Black.
- I thought she was dead, right?
- [Dario] No, I saw her.
She's as good as always.
There is more. Soemmers
is the assistant.
- Is that little sh*t
still working there?
- [Dario] Shall I tell them no?
- 350. Tell them 350
or I won't do it.
- [Dario] I'll tell
them to call you.
- Bye.
(equipment rattling)
(ominous music)
(footsteps tapping)
Hi.
- [Person 2] Hi. How are you?
- [Alina] All good.
- [Marco] Ali, how are you?
- [Alina] What's up?
- [Marco] Fine.
- [Alina] Hi.
- [Marco] What a surprise
seeing you here. I-
- [Alina] Why? It's
work. There's a crisis.
- [Marco] Of course.
Let me help you.
- I got it. I got it.
- [Marco] Okay.
You know I, I nearly
call you a couple times,
but because, you know-
- Richard.
- I don't know, I don't
know. I'm not wardrobe.
Talk to them.
How are you? How long, Marco?
- I'm ready, man.
- Ready?
- I'll be here.
- Miracle.
Whatever darling, whatever.
- [Alina] Okay.
- What are you doing?
What is this meeting?
What have I said?
- All right. I'm
coming, I'm coming.
- The bus is in five.
Come on, change clothes.
Go away. Take that sh*t off.
Or you will have
to hitch your ride.
Mel, do you copy?
- I copy, Soemmers.
- Are you ready or not?
- We're ready.
- [Ricky] Okay, I'm going.
- Okay.
(footsteps tapping)
Okay. Look in the mirror.
You're perfect. We're done.
- Thank you.
- And?
- I'm done.
- [Ricky] Let's go.
(footsteps tapping)
Earrings? Okay.
Tell Nacho to come.
(dramatic music)
(footsteps tapping)
(dramatic music)
(footsteps tapping)
- Maria.
- Nacho.
(Nacho chuckles)
(zipper hissing)
- Hi.
- How are you?
- Everything's good.
Ali, I, I wanted to-
- It's all good.
Really, believe me.
- Okay. I'll be over
there if you wanna talk.
- Fine. We'll talk later.
- You believe that I was
dead. It's okay. Everyone did.
It's just funny how people
always believe the worst
instead of accepting the
truth, that was simpler.
- And what happened?
- A group of Russian
anarchist, feminist saved me
and they transformed me to
cyborg with superhuman power.
(Nacho snorts)
- Team! We are sh**ting now.
So listen, please, I will
need you to be quiet, okay?
- Guys, are you ready? Nacho?
- Yeah.
- Okay. Dario, we
are ready here.
(dramatic music)
- [Dario] Marco?
- [Marco] What's up?
- What lens is it?
- It's a 35, our classic.
- Let's go with a 50.
- But don't you want
me to get closer?
We'll lose depth, man.
Let's go with a 50.
- I was in a coma for a while.
- Oh.
- And luckily my
girlfriend, Ana,
she survived and she
helped me rehabilitate.
And then, you know, I just
wanted to stay under the radar.
- Maria, Nacho to positions.
How are we, Soemmers?
- [Ricky] Everything's ready.
Just waiting for Marco.
- Almost there.
Do you wanna look at the frame?
- Nah, it's okay. Let's start.
- Okay, attention!
We are gonna start.
Sound.
- [Alina] Check. Recording.
- Camera
- [Marco] Rolling.
- 13, one, first.
(clapperboard clicks)
(ominous music)
(Maria panting)
(Nacho panting)
(Maria panting)
(dramatic music)
(Maria panting)
(Maria and Nacho panting)
(Maria panting)
(Maria moaning)
(Maria and Nacho panting)
(Maria gasping)
(Maria moaning)
(Maria panting)
(Maria gasping)
(dramatic music)
- Mary, Mary, Mary!
- Move out of the way.
- Is she breathing?
- No. No, there's no pulse.
There's no pulse.
Call an ambulance!
- What shall we do?
- What? Call an ambulance.
I'm telling you she's
not breathing. Look.
- Come down.
- [Alina] Move.
- What happened?
- She had a stroke.
We need an ambulance.
- What? What for?
- Marie isn't breathing.
No, no, I have no
signal. And you?
- Wait, hold on, I think I do.
- For f*ck sake.
(footsteps tapping)
Soemmers, what's the address?
- Hang up.
- Where are we?
What's the address?
- [Ricky] Hang up.
- Stop it. Stop it!
- We already call the doctor.
- We need to call an ambulance
not to call the doctor.
Give me that, give me.
- I will give the phone back
to you when you listen to me
and understand that
everything is under control.
(footsteps tapping)
(Alina panting)
- Don't do anything stupid.
(ominous music)
- [Dario] Talk to your girls.
- [Marco] They aren't my girls.
- Dude, talk to them.
It's really that hard?
- He'll be here in five, Ali.
- Who will be here?
Marco?
- Alina-
- Don't you realize
we're all on drugs here?
I did coke. He did coke. We
don't know what she consumed.
- What Dorio means is that
if an ambulance gets here,
we have drugs and we have
this girl here like this,
the cops will come.
And at that point, we
will be all screwed.
Marco, Dario, you,
me, all of us.
- Yeah, yeah, yeah.
If the cops get here,
we're all screwed, Ali.
- So what we did is
to call the Wark,
who is a person in which
we trust and he's the best.
He'll know what to do.
Everything will be fine.
- You don't see that she's
dead, right? She isn't dead.
- She's dead.
(footsteps tapping)
There's nothing I can do.
That one's broken.
Here, tell him to take
one every six hours.
Call me if you need anything.
- Okay. Thank you.
(footsteps tapping)
- Okay.
- What do we do now?
- I know some people who
will want her like that.
- But how much will it cost?
- No. It's free.
On the contrary,
they will pay you.
And what do they do?
- They'll make use of her
and well then they can
make her disappear.
Trustworthy.
- Horacio Varela.
- Tell him I sent you
and call me if you need.
And take care of him and
make sure he takes the pills.
- What the f*ck are they doing?
- They know some sh*t
to clean this up.
- [Dario] Ricky.
Come.
We'll get money even.
- How much?
- 100K.
- Dollars?
- Dollars, yeah.
- [Melina] Leave it.
It's better not to.
- I want to get the
out of here, Melina.
That m*therf*cker has my phone.
Give me yours. I really think
we should call the cops.
Come on, Mel. Melina, give me
your phone. I'm serious, okay?
Guys, what the is going on?
- We'll have to talk to Marco.
- Yeah, Marco will do us
as I say. I'll take care.
- You will have to
handle the girls.
- It's not that easy.
- Don't you see there's
a dead woman there?
We have to do something about-
- Well, shut the f*ck
up. We have to what?
Because none of us will
be able to revive her
and none of us will
pass a blood test.
Are you clean? Huh?
What we're doing here, filming
this sh*t is ill*gal, got it?
- Let go! Don't touch me!
- What I think we gotta do now
is we have to wait
for Dario's decision.
- You're such a p*ssy, Marco.
- Look, your personal
relation with me
has nothing to do with this.
- You were always a
p*ssy, it's not that.
And coming from you, I
wasn't expecting this at all.
- Ah, shut the up dude.
Will you stop acting like
you're above all this?
What the f*ck is up with
you? You are arrogant b*tch.
Do whatever the f*ck you
want. Just leave me out of it.
Of course I'll do
what the I want.
(footsteps tapping)
- Get off.
(ominous music)
- Are you insane? I'm leaving.
- [Marco] Mel. Mel, stop.
- What the f*ck?
- [Marco] Mel, stop. Mel.
- No.
- [Marco] Mel, listen up.
- No, Marco.
No. I'm leaving. Let's leave.
- Stop for a second.
It's a sh*t ton of money.
- f*cking sick. It's not right.
- I understand.
- It's not right.
- What is it?
- $10,000, Mel.
- [Alina] $10,000 for what?
- Don't meddle, Ali.
- I'm not talking
to you. Let go.
- [Marco] f*cking b*tch.
- What is it? $10,000 for what?
- Can we talk it? I
don't want to yell.
Come here and I'll explain.
- But let's talk here.
If it seems I'm the only
one here left to know.
- Ali, it's a lot of money.
- Money for what?
- Some guys will come.
They want to f*ck her.
They'll give us
$10,000 for each of us.
- What the f*ck? Are you joking?
- [Ricky] No.
- [Marco] Alina, listen.
- You're all so f*cked
up. Come on, Melina.
- No, Ali-
- Let's get the
f*ck out of here.
- Mel, Mel, Mel, Mel.
- Get off me! God!
(footsteps tapping)
(g*nsh*t cracks)
- Come here now. Right now.
(ominous music)
- No, no, no. It's too risky,
no. We can't trust them.
Things can go sour.
- What choice do we have?
- You saw how the girls were.
The state they we're in.
I don't know. I'm afraid
someone will talk later.
I don't know.
- There's nothing to say.
Look, if the girls
decide to talk,
they'll go, we all go to jail.
- Yes.
- Besides you need the money.
Let them talk to Soemmers.
Someones will chat them up,
soften them. Treat her well.
He knows. Trust me.
- I don't trust Soemmers,
man. I don't trust him.
- And do you trust me?
'Cause if you don't
call the cops.
Do it. Call them.
- Okay.
- Come on.
(Alina grunts)
- I know it's not comfortable,
but if not, you are
like soaky pigs.
You end up running away.
(footsteps tapping)
(door clicks)
I will give you your part.
(door thuds)
They will be fine, Marco.
We will give them
their money, yeah? Yes.
Once we get finished,
we'll give it to them.
We did it just for
them to stay calm.
- It's fine, but...
- But what?
- Nothing
- Have a drink. Take
it, it's on the house.
(footsteps tapping)
(dramatic music)
(door rattles)
(dramatic music)
- [Horacio] You called me?
- Yeah. Was your ride okay?
- [Horacio] Everything okay?
- [Soles] Everything okay.
(dramatic music)
- Count it.
- [Horacio] Wait, wait,
wait. First we wanna see her.
- Sure.
Over there.
Come.
(ominous music)
- [Horacio] It is her.
- [Soles] She's incredible.
- [Horacio] She's a babe.
- We want to film it.
You have masks.
We film it. We upload
it to the deep web.
We sell it. We go 50-50.
- We're talking about
doubling what you paid.
(footsteps tapping)
(Horacio exhales)
- [Horacio] This
isn't a game kid.
- Of course, I know.
We're all on the same page here.
We're all accomplices. Yeah?
- Okay? Let's make money.
- [Horacio] Do you
guys really think
we're here for the money?
- [Marco] Well,
everyone likes money.
- [Soles] Just think about it.
It could end up being a great
idea. A whole lot of bills.
- [Horacio] And we are exposed.
- [Person 5] We have masks.
- [Soles] We can edit the video
to erase any kind of
birthmark or anything else.
- [Person 5] Where
will you upload this?
Who is your contact?
- You know, I can't
tell you that.
(all laughing)
- [Person 5] It
must be the Russian.
- [Soles] Who cares if it is
or if it isn't the Russian.
What matters is that this
will sell immediately.
(ominous music)
(g*nsh*t cracks)
(ominous music)
(g*nsh*t cracks)
(ominous music)
- [Soles] Wait, wait, wait.
- [Person 5] What is it?
- No, it's just,
he's Nacho Vitale.
We can't k*ll him.
- You're with me?
Finish him now.
- Wait, wait, wait. Are
you crazy? He's a legend.
He can't end up
like this. Not him.
- Well.
Now for the time being take
these two to the bathroom
and this piece of
sh*t to the dressing.
If he goes and wakes up,
I'll sh**t the as*h*le then.
Okay?
- [Horacio] Come,
Nachito. There.
(lighter clicks)
(ominous music)
(Fiks panting)
(Fiks grunting)
(ominous music)
(Fiks grunting)
(footsteps tapping)
(Fiks panting)
(Nacho thuds)
- And this one?
Cut.
He is already dead.
- Are you sure?
- Must been overdose.
- Well, one less problem then.
(Fiks grunting)
(mechanical whirring)
(Fiks grunting)
- I can't get out.
- Really?
(mechanical whirring)
(Fiks screams)
(machine grinding)
(Fiks screaming)
- I'm here. I'm here.
(ominous music)
(Fiks screaming)
(ominous music)
(heart beating)
(ominous music)
(foot thuds)
(ominous music)
(metal thuds)
(door creaks)
(Soles panting)
- I don't know who you are
and I really don't care,
but be quiet.
'Cause outside they're
k*lling people, understand?
(Alina and Melina muffling)
If I take the gag
off, will you scream?
Okay.
(Alina grunts)
Who are you? What is
going on out there?
- You wouldn't believe me
if I told you. Keep quiet.
I'm begging you. If she hears
us, she will come and k*ll us.
- She?
- Maria.
- Maria? Maria is dead.
- She's not dead and
she's murdering everyone.
- And who the f*ck are you?
- I'm a police officer. I'm
asking you to keep calm.
Can you do that? Yeah?
- If you're a cop then free us.
(metal thuds)
Free us!
Hey!
Come on!
- f*ck me now. Okay. Okay, okay.
- [Alina] It hurts.
Careful.
(Alina panting)
(Melina panting)
(footsteps tapping)
- Did you come with them?
- I told you I'm a cop.
I'm gathering evidence
to lock them up.
- And Dario and Soemmers?
- The team is all dead.
- What do you mean? Where's
Marco? Is Marco all right?
- Who the f*ck is Marco?
- Marco is short, brunette,
white T-shirt. Where is he?
- I don't know.
- What happened to
Maria? What happened?
- She just got up and
started k*lling people.
- [Melina] Ali, we need to go.
Please, we need to go. Hurry-
- [Alina] Wait. No, no, no, no.
- [Soles] Shut up. Be
quite. Shut the f*ck-
- [Alina] Easy.
- [Soles] Damn it.
- Stop, stop, stop.
Easy, Melina. Stop, stop.
(ominous music)
(air hissing)
(footsteps thumping)
(machine whirring)
(ominous music)
(doorknob clicks)
(ominous music)
(g*nsh*t cracks)
(Melina screams)
(Melina sobbing)
(Ricky groans)
(Ricky panting)
- He is one of them.
- But he said he was a cop.
- He lied.
They, they attacked us.
They k*lled everyone.
- Is Marco dead? Look at me.
Hey!
- Yes, he's dead.
- Our phones. Where are
our phones? Where are them?
(Melina sobbing)
- Give me yours,
give me your phone.
- Here. Take it.
(footsteps tapping)
And?
- Nothing.
- Wait. No, no, no, no,
no. Don't make an effort.
Wait. Wait, wait.
Richard, wait.
Look at me, Richard.
Try to look at me.
Look at me. Look at
me. There you go.
You have to breathe
and be still.
(Ricky coughs)
Wait. Be quiet, quiet, quiet.
For f*ck sake.
(Alina panting)
Damn it.
- There's no signal.
f*cking hell!
- Not even 911?
- No.
- Melina, this guy is f*cked up.
- Wait, wait. Breath
though your nose.
(Alina panting)
(Maria knocks)
- Who's there?
Tell me or I'll sh**t right now!
Who's there?
- [Maria] It's me. It's
Maria. Please let me in.
Ali, Alina, please.
Ali.
(wind howling)
(doorknob rattles)
(door clicks)
(footsteps tapping)
(ominous music)
(robot whirring)
(Ricky groans)
(robot whirring)
(Alina thuds)
(tense dramatic music)
(robot whirring)
(tense dramatic music)
- [Melina] Are you okay?
Easy.
- How do we get out?
- [Melina] The only exit I
know is through the studio.
- She went that way.
- What is that woman? Have
you seen her strength?
- That woman is not-
- [Melina] She's not human.
- No.
(Horacio screams)
Come.
(Soles groans)
(medicine rattling)
(Soles groans)
(somber music)
(Soles groans)
(phone vibrates)
- Give me a f*cking break.
I told you not to call me.
- [Jefa] You didn't report.
- And you couldn't
figure out why?
You have no idea
what's going on here.
- [Jefa] We need you to report.
- Right now's not a very good
moment. I've just been shot.
- [Jefa] Status.
- Status of what? Come
on, aren't you listening?
I just told you I've been shot.
At least ask me if I'm okay.
- [Jefa] Are you okay?
- I'm alive.
- [Jefa] Well
actually, I don't care.
Not even your mother cares.
- Yeah, f*ck you too, man.
- [Jefa] Status.
- You won't believe
me when I tell you.
- The only reason you're alive
is because you have a mission.
And lemme tell you,
you are being useless.
Do you have the video of
Varela screwing the dead girl?
- I only got Fiks.
- Fiks is worthless.
We need Varela. Where is Varela?
- There's kind of an
issue, so to speak.
Maria Black isn't Maria Black.
- [Jefa] Explain yourself.
- She's a robot assassin.
She's not human.
Maybe she is human.
She's got robot parts
or like Robocop or what's
his face? Terminator.
Yeah, more like Robocop though.
- Isn't it the same?
You're speaking nonsense.
- Well, it's not the same
because Robocop is
human with robot parts
and Terminators just an Android
and it comes from the future.
Anyway, what I mean is that
she's more like Robocop,
you know?
I have to hang up.
- We need proof, Soles.
If you don't have them,
you better sh**t yourself.
Because what's gonna
happen to you here
is worse than death, get it?
- I've already been shot.
Stupid b*tch.
(Varela grunts)
(Varela grunts)
(robot whirring)
- Horacio Varela for
your crimes, you're
sentenced to death.
Your crimes, necrophilia, r*pe,
human trafficking, m*rder.
- Don't k*ll me please.
I'll give you my numbers
and names and contacts.
People much worse than
me. Don't k*ll me.
No one is worse than you.
(robot whirring)
- You give me the names
and addresses now.
- Can I trust that
you'll release me?
- I won't. You are
gonna die here tonight.
But I can make you suffer
a lot more. You choose.
A fast death right now or
a slow one? Really slow.
I can take all the
time in the world.
No one is gonna find us here.
Names.
You give me the
names. I process them.
And do not lie to me
'cause I will know.
(g*nsh*t cracks)
(dramatic music)
(g*nsh*t cracks)
(dramatic music)
(footsteps tapping)
- [Alina] And?
- [Melina] Still nothing.
- [Alina] I don't
get this place.
- [Melina] Yeah.
- [Alina] Why
isn't there a exit?
(elevator whirring)
- Alina.
(footsteps tapping)
- Do you know who put
the money for this?
- New people. Some foreigners,
I think. Why'd you ask?
- I don't know. There
is more to this.
They knew the
sickos were coming.
- Ali, if that's
true, then I'm right.
And Maria has nothing
against the two of us.
- I don't know,
but nonetheless, we're
both part of all this sh*t.
- We have to work out
who planned all of this.
That thing knew who I am. It
came for us. It was a trap.
They know about us. They
know about this place too.
- That's impossible.
- Impossible my ba*ls.
Look what happened here.
- So let's get the out of here.
- We're gonna take this thing,
we're gonna tear it apart
and see what the f*ck it is.
And then if we're lucky,
we'll find out who built it.
Out there, there are people
who want all of us dead,
not only me.
- Listen, the best way to hide
you want to k*ll
someone in particular
is to k*ll that guy
and everyone around him
at the same time.
- It's the Armenians, assholes.
It's f*cking Kardadian
and his scumbags.
- He's not the problem.
You are paranoid.
- f*cking paranoid. There's
f*cking cameras here.
- I think it probably
comes from Seranis side.
- What does that sh*t charlotte
have to do with
all of this then?
- I owe him a lot of money.
Casino, online casino. I have
a problem with that sh*t.
- [Horacio] Haven't you left
that ship behind already?
- I tried.
- [Horacio] What?
- I'm an addict, okay?
Besides I hooked up with this
Russian prost*tute, Irina.
You got no idea
amazing but expensive.
At first I controlled
myself with casino online,
but then it went wary and-
- Can be Serani. What the
hell's he got to do with this?
- His mind. He knows
I'm never paying.
- [Horacio] Shut the f*ck
up. You're such an as*h*le.
- [Soles] And Cali?
- The cartel?
- Maybe they found out we sold
their route to the rivals.
- [Horacio] Who told you that?
- There's a rumor.
It's been spreading.
Well, let's go
anyway now. Anywhere.
- Come on dickhead. We
can't leave the girls.
They're f*cking witnesses.
- Oh, come on, those girls?
They didn't see you. They saw
me and they think I'm dead.
- How do you know
they didn't leave?
Did you give them my name?
- But your name is not Varela.
- A fake name is a name.
And that name has a face.
And that face may
lead them to me.
You know that, right? Don't you?
You know what you have to do.
(ominous music)
(door clicks)
(footsteps tapping)
(door rattles)
- [Melina] The sh*t isn't
working. It's disconnected.
(door rattles)
(footsteps tapping)
- I will check in here.
- No. Wait, wait, wait, wait.
- [Alina] Yes, just let go.
- Wait, wait.
Take this.
Careful.
- [Alina] Yeah. You
keep watch, okay?
(ominous music)
(footsteps plodding)
(ominous music)
(footsteps plodding)
(ominous music)
(footsteps plodding)
(ominous music)
(footsteps plodding)
(ominous music)
- Ali?
Ali?
Ali?
(ominous music)
(footsteps tapping)
(ominous music)
(footsteps tapping)
(footsteps tapping)
- Take this.
(switches clicking)
- [Horacio] Those
g*dd*mn f*cking b*tches.
Little f*cking c**ts.
(footsteps tapping)
- Well, now, do we hide here?
- No. If we hide,
they'll find us.
- How? How do you
know they'll find us?
The will have tried, this
place is a labyrinth.
- Well Mel, I want to
leave this place. Come on.
Mel, let's go.
- Come here, Ali.
(footsteps tapping)
I am so sorry.
For everything, I'm sorry.
- Don't worry.
(both kissing)
Shall we?
(birds chirping)
(footsteps tapping)
(buttons clicks)
(footsteps tapping)
(footsteps tapping)
(ominous music)
(footsteps tapping)
(ominous music)
(footsteps tapping)
(ominous music)
(footsteps tapping)
(ominous music)
(phone vibrating)
- g*dd*mn m*therf*cker.
(phone vibrating)
What do you want?
- [Jefa] Status.
- I'm investigating.
- [Jefa] Your time
is running out.
- Yeah, yeah. Okay, okay.
- [Jefa] Status.
- Why do you talk like this?
This is a super
ill*gal operation.
Why do you use military
terms with me? Just relax.
- [Jefa] You won't tell me how
the f*ck I should talk, okay?
- Well, I need to continue
so I have to hang up.
- [Jefa] Don't you dare
end the communication.
- What is it?
- [Jefa] I have a
matryoshka here.
She wants to speak to
you. Sounds familiar?
- [Irina] Julian?
- Irina?
- [Irina] Do as they
say, I'm scared.
- Listen to me, okay? There's
nothing to worry about.
You know nothing,
you know nothing.
- [Jefa] Nothing about
what? You are late.
She said very
interesting things.
What is it? Don't you have
anything to say? Something cool?
- Listen to me, if you harm her-
- What?
If you harm her,
if you harm her.
Don't play the hero.
You are no hero.
You're a cardboard hero.
You must be rolling
your eyes now.
Relax, we didn't do anything
to her. It wasn't necessary.
We gave her some dollars
and she spilled everything.
Your hands are stained
with blood, Soles.
- Wait, wait, listen. I
need to talk to Irina.
- No. Forget Irina and
forget the mission.
Go sh**t yourself.
I don't give a sh*t.
You and Varela can
go f*ck yourself.
(ominous music)
(Soles breathing deeply)
(footsteps tapping)
(footsteps tapping)
(g*nsh*t cracks)
(ominous music)
(footsteps tapping)
(ominous music)
- Just keep quiet
and we'll be fine.
(ominous music)
(tool rattles)
(ominous music)
- [Horacio] Don't move b*tch.
- [Alina] Okay, okay.
- [Horacio] Don't look
at me. Listen good.
- [Alina] Easy, easy.
- [Horacio] Don't move.
- [Alina] Okay?
- Give me the g*n.
- [Alina] Okay.
- Don't turn around. Don't
move. Still. Stay still there.
Don't turn around.
On your knees.
(Horacio screams)
(ominous music)
(g*nsh*t cracks)
(Alina groans)
- [Horacio] Follow
her! Follow her.
(ominous music)
(g*nsh*t cracks)
- Stay still.
- Don't k*ll me.
Please don't k*ll me.
(tense menacing music)
(Horacio groans)
(g*nsh*t cracks)
(Alina panting)
(Horacio groans)
(tense menacing music)
(ominous music)
(tense menacing music)
(Horacio groans)
(tense menacing music)
(dramatic music)
(tense menacing music)
(Horacio gasps)
(tense menacing music)
- Hey.
- Leave him to us.
(dramatic music)
(tense menacing music)
(Alina and Melina panting)
(tense menacing music)
(serene music)
(robot whirring)
(serene music)
(Alina breathing deeply)
(serene music)
(tense dramatic music)
(robot whirring)
(tense dramatic music)
(upbeat music)
(song in foreign language)
(somber music)
(horn blaring)
(car crashes)
- This is getting out of hand.
(somber music)
- She is back.
- So, what's her status?
- To be honest,
I'm not sure she'd ever
make it back to normal.
- What do you mean by that?
- I mean she might
say like this.
- You mean catatonic? How long?
- Maybe days, months,
years, maybe forever.
- Oh f*ck me.
She's a zombie. They don't
know. Maybe months, years.
They say maybe for good.
Oh, I understand.
Yes, ma'am.
- So?
- We got a green light.
- The Metropolis Project.
- Yes.
You can start right away.
I'm transferring
the funds right now.
Oh, how long until you
get, you know, operational?
- Six months.
- A year.
- We'll be ready in six months.
- Fine.
- [Robot] Uploading
Directive one,
protects women's life.
Directive two, protect
women's civil rights.
Directive three,
gather information to
assure better future
for the feminine gender.
Directive four, classified.
- [Doctor] What the
f*ck is directive four?
And why can't we access it?
- You don't need to know.
- Yes I do.
It's my project and
I do need to know.
- First off, it's not
your project anymore.
And second, actually,
you don't wanna know.
- Why?
- Because if you do,
there is no turning back.
(machine hissing)
(tense dramatic music)
(machine hissing)
(saw whirring)
(robot whirring)
(tense dramatic music)
(robot whirring)
(tense dramatic music)
(robot whirring)
(tense dramatic music)
(upbeat music)
The wind is
blowing in my face
The sky is gray
but I feel nice
Well, I don't know
if I'm dreaming
In California
sunshine winter day
(upbeat music)
I can't feel my
toes right now
I really don't feel
anything at all
But this lovely sunbath
Of California
sunshine winter day
Someone told me
This better be the way
I'd rather choose
to run free
(upbeat music)
California dreaming,
California dreaming
You know I love
this yellow sand
I can see you
through my glass
I don't care if I'm dreaming
In California
sunshine winter day
Someone told me
This better be the way
I'd rather choose
to run free
Oh, yeah, oh, yeah, oh, yeah
California dreaming,
California dreaming
(upbeat music)
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Mar.ia (2023)
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