01x07 - Now You See Me

[bunniefuu]

Pete: I told you that

one of the side effects

of the meds that you're on

is hallucinations.

We're still trying

to piece together

the things

that you don't remember.

I keep hoping that we will reach

a point where we can grieve.

Theresa's not dead.

You don't have to

come by anymore.

It's not good for you

to be here.

I am one of the biggest boosters

of this team.

Please.

Don't come by.

It's over, John.

It is not over

until I saw that it is over!

John: You put me back

on a bad path,

you made me think

about bad things.

And now here we are.

I know something,

you know something.

We found a necklace

on the remains.

-It's our daughter's.

-Shh.

We're closed.

I hoped

I'd just catch you.

♪

That necklace belonged

to Theresa Barlow.

The missing girl,

the one whose mother

-has made it her life's work

-I know. I know.

I know who she is.

to prove that

you're as guilty as Parker.

-You still sure?

-Of what?

You never saw her.

You never crossed paths

with her?

The only thing that happened

in those woods, was--

was giving birth to Freya.

That's all I know.

I don't know anything

about a body.

Maybe you blocked it out.

Do you think that

I could forget seeing that?

Yeah, I do.

I think this is it.

I think this is the event that

triggered your memory blackouts.

That's it.

Yeah, well, that's--

that's great for you, Pete.

I'm happy. I'm happy that

you have some closure.

A body was found

in Minnesota

No, remains.

You said remains.

Pete: From the time you

and him were arrested.

It could be an animal.

It could be anything.

The skull was bashed in.

Most likely by a hammer.

Emma, it's him.

This was Parker, and I think

you were there,

and I think you saw all of this,

and I think

that you have blocked out

everything ever since.

So take a look.

I don't remember.

Well, you'd better try.

Because pretty soon,

the FBI is gonna ask me

what I think you know.

Again, please take a look.

Sometimes,

I get these flashes.

But I don't know

what they are, Pete.

I don't know

if they're nightmares or

[breathing heavily]

or memories.

Every time I close my eyes ♪

I can touch the colors

Around me ♪

Suddenly, I realize ♪

Everything ♪

You're not keeping

any of it?

Throwing photos away.

I should've done this

a long time ago.

I made frittata

it's in the fridge.

When?

Last night.

Didn't sleep.

I made chocolate chip cookies,

too your favorite.

Yeah, when I was eight.

We're gonna

get through this.

I'm fine, Mom.

Okay.

♪

[Sniffles]

-Ow!

-Oh, sh*t!

I'm so sorry.

Are you okay?

♪

Band-A*DS in the back.

[ Rustling ]

You're the girl from Seattle,

aren't you?

[ Growls ]

You seem troubled.

♪

When you're ready

to figure it out, come see me.

♪

Thank you so much.

Take care.

All right.

[ Door opens, bell jingles ]

[ Door closes, bell jingles ]

♪

♪

♪

-Hey.

-Hey.

You okay?

No.

I don't think I am.

So, uh, Caterina says you're

trouble and you believe her?

No, not that I'm trouble,

that I'm troubled.

It's a big difference.

Is there something

you're not telling me?

Isn't that

the craziest question

when you really

think about it?

There's so many things

that all of us aren't

telling each other

all of the time.

What is it?

This just isn't about

Caterina Keep, right?

Give me credit for that.

[ Sighs ]

What do you see

when you look at me?

You're a cop, you see a lot of

people in a lot of situations.

You must be pretty good

at reading them, so

♪

♪

I see that little freckle.

♪

I see you got

a little dimple.

♪

That's not what I mean.

I mean, like, really,

what do you see?

Like deeper

than the freckle?

Yeah, like deeper

than the freckle.

What do you see?

Someone I wanna be with.

♪

-Everything ♪

-[Hammer pounding]

Shines much brighter ♪

I want to fly

Into this beautiful life ♪

I think it'd nice with you ♪

I want to fly

Into this beautiful life ♪

I think it'd nice with you ♪

With you ♪

With you ♪

With you ♪

Set the night on fire

If we want to ♪

[Both panting]

♪

♪

Where have you gone?

♪

♪

[ Camera shutter clicks ]

♪

Fingertips, northern lights ♪

Tracing colors

Right through the sky ♪

-Underneath a lullaby ♪

-[ Sighs ]

-She loved this song.

-Yep.

I just want to keep

hearing it, you know?

Yep.

I got that.

And my heart sings

In a world so incredible ♪

It's a bench, for her.

Shines much brighter ♪

I want to fly

Into this beautiful life ♪

It's something I've been

thinking about for

a long time.

Looks good.

Listen, I know there's, uh,

gonna be a big memorial,

from the trust

I just

I don't know if I really want

the bench inside some church

that she was never

even in before.

I was thinking maybe we could

do something, the three of us.

Say some prayers,

lay some flowers.

I was thinking we could do it,

uh, out at Calaveras Lake.

Yeah, she loved it

out there.

Hanging out with the stars ♪

We were thinking

maybe late tomorrow.

I very well thank you ♪

Oh, uh, I don't know, Saul.

I have that conference.

Set the night on fire ♪

Doesn't have to be tomorrow.

We-- We want you there.

Hanging out with the stars

And the big moon ♪

[ Sighs ]

Listen, it's a great spot.

You're absolutely right

on where you want to put it.

You don't have to build it

around me.

I think it'd be

Nice with you ♪

With you ♪

[ Birds crying ]

[ Popping ]

[ Trunk slams ]

Everything okay

over here?

I'm fine. I'm cool.

Thank you.

I know what I'm doing.

Good luck.

[ Car approaches ]

I'm fine!

I'm fine!

Keep going.

Thank you.

Ha.

You kiss your mother

with that finger?

[ Birds singing ]

Oh, hi.

Car trouble?

Unfortunately so.

Huh.

I just read that one.

Oh.

You like it?

It's, uh, enough to make a guy

like me stop writing.

Oh.

I never met a writer before.

I've never met

a cop before.

-John.

-Tom.

So, uh, you got problems

under your hood.

Well, I assume you're talking

about the car.

That's how little

I know about

Yeah.

I know even less.

I'll have someone come out

to you.

-We'll get you moving.

-Oh.

Hey, would it

be presumptuous

if I caught a ride

with you into town?

I'm kind of on the way home,

so

I was just hoping to get

to the hotel.

Gonna meet my girl there.

-Thank you so much.

-Sure.

Thank you.

Okay.

Down.

[ Car door closes ]

Uh, would you mind putting

the lights on for me?

Please? So I could feel

like I'm in a movie?

[ Siren chirps ]

So, um, what brings

you out here?

Love.

Well, love will make you

do crazy things.

Tell me about it.

Are we a couple of, uh,

live-action,

role playing romantics, Tom?

I guess we are.

Then, uh,

what's the bar in town

that's really gonna

blow my girl away?

Thursday nights at The Fly Trap

are pretty fun.

I mean, it's nicer

than it sounds.

[ Laughs ]

Yeah, that doesn't seem hard.

Now you can buy me a drink

for insulting my bar.

Hey, you're on.

Let's do it.

I owe you.

Touch the colors around me ♪

Suddenly, I realize ♪

[ Cellphone buzzes ]

Everything I thought

Was impossible is here ♪

And my heart sings ♪

In a world so incredible ♪

[ Buzzing continues ]

John: Mary?

She's gone, John.

My daughter.

So now it's time for you

to just get on with your life.

That's what I'm doing.

That's what we're all doing.

It's over.

I didn't find her.

No, Mary, no.

This is not you talking.

This is not my Mary.

I'm not your Mary.

This is grief.

You're not thinking clearly.

No, I'm--

I'm finally thinking clearly.

Okay, John?

-Goodbye.

- Unh-unh.

I'm gonna call you tomorrow,

okay?

I'm not-- I'm not gonna

abandon you.

Not when you need me most.

♪

-[ Click ]

-Mary?

♪

[ Birds singing ]

[ Folder thuds ]

[ Sighs ]

♪

♪

♪

♪

[ Billy Idol's

"Dancing With Myself" plays ]

On the floors of Tokyo-o ♪

Or down in London town

To go, go ♪

A-with a record selection ♪

And the the mirror's

Reflection ♪

I'm a-dancing with myself ♪

Oh, when there's no-one else

In sight ♪

A-in the crowded

Lonely night ♪

Well, I wait so long

For my love vibration ♪

And I'm dancing with myself ♪

Oh, oh,

Dancing with myself ♪

Oh, oh,

Dancing with myself ♪

When there's nothing to lose ♪

and there's nothing to prove ♪

And I'm dancing with myself

Oh, oh, uh-oh ♪

Hey, you weren't lying,

this place is the b*mb.

Hey!

Car trouble.

-John.

-Pleasure.

No way.

Best haircut in town!

This is weird.

This is so weird.

This is good weird.

Do you mind?

-Yeah.

--Thanks.

Please, please.

I'm dancing with myself ♪

Oh, oh, I'm dancing

with myself ♪

♪

I am literally only

at your table for one drink.

I do not crash

someone else's date.

Oh, John, it's cool, okay?

Stay-- 'til your girlfriend

gets here.

It'd be--

be great to meet her.

She's a little shy.

But thank you.

Emma-- John's a writer.

Mm.

It's only my first book.

Of a three-book deal.

What do you write about,

John?

Um, it's a work in progress.

A woman gets away

with m*rder,

but her conscience

basically kills her.

The prison of her regret is

worse than the literal prison.

She never knows that,

'cause she never owns up to it.

You sure she did it?

Oh, yeah.

She did it.

Sounds intense.

[ Chuckles ]

I gotta pee.

♪

So, uh,

are you guys close by?

Yeah, I'm East bank and Emma's

on the other side of the water.

Yeah, I'm still getting

my bearings, that's north

We call it the Long Bank.

"The Long Bank."

Mm-hmm.

Hm.

Sounds beautiful.

Woman:

Our next speaker is a woman

I have great admiration for.

She has been an advocate for

missing and exploited children

not just in Texas, but

throughout the United States.

And she has shown

such strength of spirit

in being here with us today.

It is my pleasure

to welcome Mary Barlow.

[ Applause ]

Thank you.

Thank you so much.

Thank you.

[ Microphone feedback ]

When my daughter

Theresa disappeared--

one of the 90,000 people who go

missing every year in America.

I, like so many parents,

felt powerlessness

and uncertainty

in the absence that was left.

My Foundation is about

transcending powerlessness

and uncertainty.

I wanted to know

[ Scoffs ]

Um

I don't think I can do this.

The truth is

uncertainty is agony,

but at least it allows

for fantasy,

some-- some imaginary

happy ending.

I don't want to hear

that my daughter was buried

on the side of the road,

or left dead in the woods, or--

or sold to someone

who watched her die,

but that's what's coming.

All this was about certainty

and-- and now I know

and I would give that certainty,

that knowledge

back in a heartbeat.

♪

♪

♪

♪

♪

[ Sighs ]

Set the night on fire

If we want to ♪

Hanging out with the stars

And the big moon ♪

Put them down for a dance

With your lasso ♪

[ Record scratches,

music stops ]

I was listening to that.

Enough.

Enough with the song.

She loved that song.

You loved that song.

She pretended to love it,

for you.

Bullshit.

She's gone.

She's gone.

I'm sorry.

[ Sighs ]

I thought this

is what I wanted.

♪

♪

She's gone.

Our girl is gone.

It's okay.

[ Sobbing ]

It's okay.

It's okay.

♪

♪

[ Belt buckle clinks ]

[ Unzipping ]

♪

You were about to give birth,

so if you were running,

it was because you were afraid.

It had to be.

[ Sighs ]

Theresa: If you're my friend,

you'd believe me.

You'd just believe me.

-How long have you known him?

-Why are you asking me this?

Because there's something

about him.

There's something in his eyes,

in the way he looks at me.

There is nothing in the way

he looks at you.

He's got dark eyes is all.

You ever heard

that expression--

the eyes are the window

to the soul?

♪

What?

What did you just remember?

I remember a feeling.

What feeling?

What if I was running

because I-I did something?

Something so bad that

I couldn't remember it.

Something

worse than

everything else?

Emma, I know you.

You know what I tell you.

No, I know behavior,

I know people.

I know I'm not sitting next

to a m*rder*r right now.

What if you're in too deep

to know what you see?

[ Chuckles ]

Wh-What do you mean?

Transference.

So now you're

analyzing me?

Pete, you brought me

to live here at your place.

You're my only visitor.

You don't encourage me

to form any other

attachments.

You know almost everything

that I do.

"Almost"?

Maybe you know everything.

Do you know everything?

We've had these

conversations.

I thought we worked

through this.

No, we've worked on me.

We've never worked on you.

I think you have

feelings for me.

Well, I do.

I care about

all my patients.

More than that.

What, you think

I'm in love with you?

Yeah, I do.

And I think that it gets

in the way of what you do.

I don't think that

you see me clearly.

Okay.

Well, I think

you want easy answers.

I think you want me to confirm

that you're a bad person.

I think you want me

to justify your guilt.

You're not gonna get

easy answers from me.

And I'm not

in love with you.

[ Door opens ]

[ Door closes ]

I still love you.

♪

I'm not a good person.

Yes, you are.

♪

You're my good person.

[ Sighs ]

♪

♪

Karen: Don't show it.

That you're afraid.

It's dangerous to be afraid.

Was it you?

Was it you?

Saul: "Do not stand at my grave

and weep.

I am not there I do not sleep.

I am a thousand winds that blow.

I am the diamond glints on snow.

I am the sunlight

on unripened grain.

I am the gentle Autumn's rain.

When you awaken

in the morning's hush.

I am the swift uplifting rush.

Of quiet birds

in circled flight.

I am the soft stars

that shine at night.

Do not stand

at my grave and cry.

I am not there.

I did not die."

♪

[ Crickets chirping ]

[ Indistinct yelling ]

[ Car alarm blares in distance ]

Emma:

I came for a reading.

[ Lock clicks ]

Well, those don't look good.

All the cards are good

as all the cards are truth.

I see here that you're

leaving things behind.

I see a lot of change

and a lot of grief.

I see a city in the north

near the water.

"Seattle"?

The cards are not

a travel guide,

the cards are metaphorical.

I'm s-- Okay, I'm sorry.

I'm sorry.

I don't think that

you can help me.

How much do I owe you

for your time?

Do you smoke?

-What?

-Not cigarettes.

I don't mean cigarettes.

I mean harder stuff.

Uh, nothing that hard.

Why?

Do you have any allergies?

Uh, no.

Sit down, please.

[ Whimpers ]

[ Water pouring ]

I can't help you.

Maybe you can help yourself.

-What is that?

-Seer's tea.

Great.

What is, uh, "Seer's tea"?

This.

Drink it.

Then what happens?

Who knows.

Why, you got someplace to be?

[ Gulping ]

[ Coughs ]

God.

Now close your eyes.

[ Sighs ]

And think of what it is

you want to remember.

♪

♪

That's her necklace.

Isn't it?

I remember it.

She never took it off.

Jess: They'll hurt me.

They'll hurt me.

♪

♪

[ Coughing ]

[ Gagging and coughing ]

What's in--

What's in that stuff?

[ Sighs ]

[ Water running ]

So why do you have

her necklace?

What?

Sorry.

No water pressure.

[ Man speaking indistinctly ]

They're up to their games

next door.

They let the shower

run on and on

after they finish

their business.

Dirty girls.

So, why do you have

her necklace?

You know Jess?

Not by name,

they all blend into one.

They come and go

so much next door.

But I remember that.

It's a stone

with very special properties.

I asked her to trade once,

but she wouldn't.

What do you mean--

"they come and go so much"?

They come for the men,

of course.

Girls like that from a place

like that.

It's one road to ruin.

The apples fall not far

from the trees.

What-- What happens next door?

What happens?

No, wait, wait.

Don't get involved.

Please.

Please stop.

Caterina:

Do not do this, please.

No, no, no.

Hey.

No, no, let's stop that.

Please.

Hey, open up!

This is not your business.

Oh, please.

Don't make trouble for me.

-They pay my rent!

-Who?

Who?

Just please,

don't make trouble--

-Open up!

-Please.

Open up!

[ Grunting ]

[ Panting ]

Hello?

Hello?

Oh, God. Oh, God.

Hello?!

Hey. Hey.

Is she dead?

No, she's breathing.

Call 911.

Call 911!

All right!

All right, all right.

It's okay.

♪

Oh, Jesus.

♪

[ Groans ]

Hey. Hey.

Hey.

I can't stay.

I'm so sorry.

Help is coming.

It's coming.

♪

♪

[ Indistinct talking ]

Caterina: Please,

it's an emergency.

There's this girl.

I don't know what happened

to her.

Probably high

on crack cocaine,

but it's not for us to judge.

Just send the paramedics.

Please.

Yes, please hurry.

[ Door opens ]

[ Sighs ]

[ Door closes ]

How was the lodge?

What?

I thought you had

a lodge meeting tonight.

Oh, yes.

Fine.

I was good.

It was good.

I have some more work to do.

I'll be upstairs for awhile.

[ Insects chirping ]

[ Dog barks in distance ]

[ Lock clicks ]

♪

[ Sighs ]

♪

♪

♪

♪

[ Machine beeps ]

To record a personalized

greeting,

please press five.

When you have completed

your message,

press the pound key.

[ Button clicks ]

[ Answering machine beeps ]

Mary Barlow is no longer

accepting calls.

Please refer all inquiries

to Jake Barlow at extension 303.

Thank you.

[ Answering machine beeps ]

No, no.

I'm just--

I'm just passing through.

You know, this

all this, this-- this place,

it's all for nothing.

I found other people's

daughters, other people's sons.

But

my girl?

[ Voice breaking ]

My-- My daughter

My daughter is dead.

My daughter.

My daughter is dead.

Oh.

She had her head beaten in

by a man who m*rder*d

many, many women.

So

So I'm so sorry.

I don't think you need

to come here anymore

because this-- this place,

this-- this mausoleum is over.

It's all over.

[ Sobs ]

♪

♪

♪

Mary: "Do not stand at my grave

and weep.

I am not there I do not sleep.

I am a thousand winds that blow.

I am the diamond glints on snow.

I am the sunlight

on unripened grain.

I am the gentle Autumn's rain.

When you awaken

in the morning's hush.

I am the swift uplifting rush.

Of quiet birds

in circled flight.

I am the soft stars

that shine at night.

Do not stand

at my grave and cry.

I am not there.

I did not die."

♪

♪

♪

♪

[ Screams ]

♪

♪

[ Yells ]

♪

♪

♪

♪

Child:

Tell me a story.