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01x06 - Inside 'We Gotta Go Now'

Episode transcripts for the TV show, "Prime Rewind: Inside the Boys". Aired: August 28, 2020.*
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Creators and cast of Amazon's "The Boys" Season 2, including Karl Urban, Jack Quaid, Antony Starr, and others, discuss the series with host Aisha Tyler in this talk show.

01x06 - Inside 'We Gotta Go Now'

Post by bunniefuu »

- Kimiko gives new meaning

to the phrase "facial peel"

Homelander and Stormfront

join the mile-high club

without the airplane,

and Black Noir moves

to the 'burbs.

I'm Aisha Tyler and we're

going all in on the fifth

episode of "The Boys"

Season Two tonight

on "Prime Rewind:

Inside The Boys".

(music)

- All right, we're going to

laser right into the cleavage

of this Hollywood

blockbuster of an episode.

I hope you guys watched

it already, right? Okay.

You got to do your

homework first,

we don't want to spoil

anything, here comes the recap.

The Seven are making a movie

about the Vought CU,

the Boys have a showdown

with Black Noir,

and Homelander likes Stormfront.

Like, likes her likes her.

Like skyfuck likes her.

Joining me to help navigate this

suburban battleground

is the Boys woman on

the inside of the Seven,

Starlight, Erin Moriarty.

Hi, lady.

- Hello.

- Hey, welcome.

Welcome, back.

- Thank you.

- And the unstoppable

Black Noir, Nathan Mitchell.

Hello, sir.

- Hey.

- Out of disguise.

Welcome.

And the man fighting to stay

in the game, A-Train himself,

Jessie Usher.

Hey.

Oh, I love it.

I, yes, thank you.

- What's up, peeps?

- Uh, welcome

back, guys. Hi.

There's a lot to talk about

in this episode, for sure.

What were some of

your favorite moments?

Erin, why don't we

start with you.

- Okay, um, well,

I mean, honestly,

I'm gonna cut right

to the ending.

I really like

the t*ts lasering moment.

I love that Stormfront

is just standing there.

That's the moment he

kind of falls in love.

He's like, Oh my God,

I finally met my match.

I can laser someone's t*ts.

I love that.

I love the music it

was to, to Aerosmith.

The whole thing, so

- It was this metaphor for

emotional fragility, wasn't it?

Like, this thing, like

- Yes!

- I'm not a china doll,

you can't hurt me.

Like, let's do this.

Which I think, male and female,

when you've been in

a relationship

where you realize the person's

kind of like,

down, right?

Like, they're ride or die?

- Totally. Yeah.

- That was the moment for me

kind of metaphorically,

which was interesting.

- As f*cked up as it gets

of a coupling.

And I'm so into it.

- Yeah, it was

pretty spectacular.

Nathan, how about you?

What was your favorite moment?

- You know, I too,

like you said,

I'm a fan of the sky f*cking.

Um

But Erin just went into that.

Uh, I gotta say,

I gotta give it to Jessie

with his closing monologue.

- Yes.

- You know?

Uh, this may be Dawn of the

Seven, but sunset on A-Train.

Just like, they just

gave him the feels.

You know?

And, um, yeah.

It was just like heartfelt

and just like,

it just hits you.

It was deep.

It was deep.

- Yes, it had a lot of

emotional resonance.

What about you, what was your

favorite moment, Jessie?

- I think Homelander meeting

his match has got to be

top two if not my favorite

moment in that episode?

Because we've been waiting

for it for so long.

We finally get to see him,

like, almost have a moment

that we can kind of relate to,

somehow, you know what I mean?

- It is, it was like

for all intents and purposes,

like Supe porn.

'Cause it wasn't just

the sex thing.

It was like, what you think

Supes would do to each other

when they were alone in a room.

Like, I'm gonna laser you!

I'm gonna ice freeze you!

- Exactly.

- I'm gonna crush your head.

Everybody always talked about

that with Popclaw

and A-Train, too,

they were like,

what do you think that

love life was like?

Well, you get to see

Homelander and Stormfront.

It was probably

something like that.

- Exactly.

Although it kind of brings

new meaning to the, like,

oh you just scratched

me with your claws.

Which we've all had to say

to a lover at some point.

- Exactly.

- You need to trim those.

You know what I'm saying?

- Exactly.

(laughing)

- Yeah.

- Yeah.

- It's true, yeah.

- Nathan, Let's talk a

little bit about Black Noir.

Where does his loyalty

to Vought come from,

do you think, because we've

seen that he can be

a pretty emotional guy.

We've seen him crying

in the last episode.

But he beheads and

dispatches people

with terrifying efficiency.

Do you think this guy

is compartmentalizing?

Where do you think he's

coming from?

- So with Black Noir, um,

you know, I think his

loyalty to Vought comes from

the place of not being able

to fit in

in regular society the way

every other Supe can.

You know some people teach,

some people bake.

Black Noir kills.

And so for him,

its just a thing.

Like

- Some people bake

(laughing)

- Black Noir murders.

AISHA: Some people just

spread mayhem.

Jessie, what was it like to film

that scene with Aya Cash,

who plays Stormfront,

where Stormfront is being

just straight up r*cist

right to A-Train's face?

- There was like,

two sides of it,

because, as A-Train

in that scene,

it was a wake-up call for him.

You know, you can only

imagine since he's been

in the Seven, everyone has kind

of been, like, kissing his feet

and praising him and now

there is someone who's

challenging him in this way

that he hasn't

really had to deal with,

although I'm sure

it was in the back of his mind.

He's like the only

Well, we didn't know that

we don't know that

Black Noir is black.

A-Train is the only

You know, the ethnic face

of the Seven,

so for him it was kind

of like a thing.

For me as an actor

doing it with Aya,

because Aya,

every single take would be like,

"I'm so sorry, I just

I feel so bad about this."

So I'm like, naw,

you got to let loose.

You got to really give it to me.

- Right, right.

- So I can respond accordingly,

because in that scenario,

you're going to be vocal,

you're going to be upfront.

You know what I mean?

Even though she was

trying to be discreet

in some ways and then

eventually she kind of

just let go, I feel

like her intentions

needed to be right direct.

- Right.

- Like, in my eye,

and in my face about it.

And that kind of

that's really

what made the scene

feel real.

- Right.

- If the tension wasn't there,

if the air in the room

or the atmosphere

wasn't extremely thick,

I wouldn't have been motivated

past that point.

I don't want to get

into too much because,

you know, no spoilers,

but, um that's a motivation

moment for A-Train

and I needed to feel that.

- Right.

Right, absolutely.

In tonight's episode

after Homelander

kills an innocent bystander,

the public opinion

turns against him,

and, you know, people

are outraged, there's protests.

Someone makes an attack ad.

I just want you guys to

take a look at this attack ad.

- This is Homelander.

Vought would like you to

believe he's a hero

and a good guy.

But did you know,

since joining the Seven,

incidents of tit lasering

have gone up 57%?

- So fun.

- And when Homelander was

confronted about

his boss's missing

breast milk,

he said, quote,

"Sometimes these things happen."

What things, Homelander?

What are you hiding?

Is it breast milk?

- So fun.

- You wouldn't want to have

your t*ts lasered off

let alone by this

milk sex freak

clearly hiding a huge

juicy secret.

- Oh my God.

- (laughing)

- Yeah.

- That's amazing.

- It's amazing how quickly

these organizations respond

with these attack ads,

right?

They turn them on overnight.

(laughing)

- Weird with milk was

my favorite part.

- So good.

It's so good.

- Well, in the last episode,

Homelander outed Maeve

on national television.

Uh, which, by the way,

is an outrage.

People should come out

of their own volition,

on their own time.

And instantly the Vought

spin machine sprang into action.

Why do you guys think

that Homelander outed Maeve?

Uh, I mean, do you think

he was just being a d*ck?

Which, you know,

plays for his personality.

Or do you think he was trying

to exploit her sexuality

to help Vought's

corporate profile?

Or was he deflecting?

What do you think he was up to?

- I think he is an

ego-maniac

and when he found out that

his ex-girlfriend

who he's kind of been

lusting after

and his former love was secretly

carrying out a female affair,

I think his ego was

so bruised

and he needed to hurt her

in the deepest way possible.

And I truly think it's

his ego-mania flaring.

- He stole that thunder

from her,

he stole that moment

from her as well.

You know, the moment that

she gets to come out on her own.

Do you think it was

fair game for Vought

to have a take on

her personal life?

I mean, this is like pure

corporatization, right?

Like, nothing is yours.

You get nothing of your own.

- I mean, that's kind of Vought.

That's their M.O.

- Right.

- That's how they've

always been.

So for anyone to think

that that scenario

would be any different

is just foolish.

Because across the board,

Vought has a say in everything.

In what you wear,

who you hang out with,

where you go, you know.

What you do,

how you look.

If you want to change your

hair color.

So, like your

sexual orientation,

if you wanna do something that

they're not pre-approved of,

you have to do it

in the shadows.

If you want anything

to be in the forefront,

you almost have to

ask them first.

- And speaking of

corporatization,

in the last couple of years,

corporate culture,

American corporate culture

has really embraced

the LGBTQ community

or the issues around

the community,

especially around Pride and

you have a lot of companies

really presenting, like,

we support the community

and everything from

rainbow bottles of vodka

to rainbow cars.

I think you're seeing

the same thing

with Black Lives Matter, too.

You're seeing these corporations

who are rushing to

kind of show everybody

that they're on board,

and then I guess the question

becomes, like,

do they follow it up

with real action?

- Yeah.

- I think it's a good thing but

it's not that their hearts

are necessarily in

the right place.

Whatever decisions, whether

they are truly genuine people

who are using these

changes in the tide

to make a difference

and switch it up,

or everybody's just,

you know,

profiting on the moment

and being like

okay, this is what's

acceptable to the masses,

definitively now.

So now we're going

to embrace it.

It's like they have no

morality of their own,

it's just money.

Where does the money go?

- There's no real leadership.

- That's kind of what

it feels like.

Everything that's happening

feels so ingenuine

that, you know it's hard

to believe that a company

will support pride or a company

will support Black Lives Matter

because they want to.

But what it really feels

like is that, you know,

the masses are telling them

hey, if you're not going

to show support,

then like, we're just

going to cancel you.

You know what I mean?

That's kind of what

it feels like.

So it's hard to tell.

- And there's power

in that, you know?

- Yeah, it's been effective,

but I guess

the question becomes,

like, does it last?

Does it turn into fundamental

structural change over time?

Or is this just a moment?

- Right.

- I just think, unfortunately,

it's more on us individually

to vote, and hopefully

change policy,

um, then to rely on

these corporations

to impart any lasting change.

I don't think we can

rely on them to do that.

I think they're always going

to be financially driven.

- Yeah, you're right.

It's up to us to hold their

feet to the fire

and hold them accountable.

But we spend a lot of time

in tonight's episode

at the lovely suburban home

of Butcher's Aunt Judy.

From its stately living room

all the way down

to her decked out taffy parlor.

This lady is a bad a*s, so

we wanted to give Judy her due

and break down everything that

went into creating this scene.

So let's talk about

the taffy room.

I don't know if you guys

noticed this,

but did you see how stocked this

woman keeps her secret basement?

Take a look at this video.

I mean, this is a very exciting

table.

Slow that down so we can see

what's going on there.

- I mean,

Frenchie would love this.

- Frenchie it's like

a wonderland for Frenchie.

Let's look closer.

She's got, like

okay, polite Canadian aspirin.

A pot filled with pot.

Medical grade Cheetos dust.

Coachella flavored Ayahuasca

which is the best kind.

A Bible with

a g*n bookmark.

A donut box full of grenades

next to a grenade box

full of donuts.

Risky and perhaps

most damning of all,

she's got some bootleg

hydroxychloroquine in there.

We also got to see Judy's

place go

from retiree chic to full

blown-up wasteland.

Now, Nathan, you were

in this sequence.

Can you walk us through how

the day went

when we got

to blow up her house?

Poor Aunt Judy.

- Oh, man, there, yeah.

There was a lot

going on that day.

Um, yeah, just the fires,

you know, just like

lighting the fires

and like having

everything burning,

and then like having someone

behind the scenes

ready to extinguish it,

like, it was a lot, right?

And, like all the nails

all over my body.

You know, just walking

around with that,

and then like just

backhanding Butcher,

and, um, yeah.

Yeah.

Have to work out

some synchronization

with Karl on that.

- Oh, yes.

I love it.

Now, Black Noir is a

veritable chameleon, guys,

and when he's on a mission,

he kills his target

before they ever even

know he was there.

So we want to test you guys to

see if you can spot Black Noir

in a series of

suburban environments

like the roof that he's hiding

on in this episode.

So can you see him?

He's right there.

There he is.

That was an easy one, all right?

So let's see the next one.

See if we can pick up

Black Noir.

Can you see Black Noir?

- I'm gonna say top

I'm gonna say top middle.

That's my guess.

- Okay, all right.

Anybody else have a guess?

- That's tough.

Okay, let's point him

out right now.

- That's really hard.

- I don't think I see him.

- There he is.

- Whoa!

- Yeah! Okay, yeah.

- He's sinister,

he's sinister.

He's trying to get

a high five.

All right, there's one more.

I think we have more still here.

Let's see if we can

spot Black Noir in this.

Can you guys see

Black Noir in this image?

JESSIE: Wow.

ERIN: Oh my.

Truly impossible.

AISHA: There he is.

- Arrow doesn't help anything.

- He's like his

very own singularity.

No light can escape Black Noir.

He's sucking it in

from all around.

- Oh uh-oh.

- Oh.

- Whoa.

- All right, laser baby.

The laser baby has erupted,

and you know what that means.

It's time to bring in

our surprise guest

who's an actor who

plays a director

who has a lot of fun

directing other actors.

PJ Byrne, welcome.

- What's up, everybody?

- Yay, PJ!

- Let's get weird with milk

over here.

It's so weird with milk.

(laughing)

That was so disgusting.

Blagh!

- Getting weird with milk?

- Weird with milk.

- Homelander, like, drinks milk

and he does that licking?

- Oh my God.

- It's so off-putting.

It's so off-putting.

- Like, not erotic,

that's not the right word,

but, like strange

I don't know.

- Oh, 0.0, yes.

- Zero stars.

- What's up?

I love you guys, by the way.

Good to see you.

- Yeah, welcome.

JESSIE: What's up, PJ?

- Have you ever had to

ask for a rewrite

like A-Train does

in this episode

on a job that you were on?

- That's how I built

my entire career.

I've done my whole career

doing that, yes.

One time it was a crazy one

where I had to do it

on "The Wolf of Wall Street"

so I wanted to change the scene

because I was a finance guy

and I was just we can make

this more interesting

and now, and there were like,

"okay, go tell Marty."

And I'm like,

I'm not telling Marty.

Like, you go tell Marty,

I'm not doing that.

They're like, "Yeah, yeah,

he's in his trailer.

Go tell Marty."

I'm like, "Ah, all right."

But he's tired, we're exhausted.

Anyway, I knock on the door,

and I hear, "Hey, who's there?

It's not time yet."

And I'm like, "Hey, Marty?

Hey, what's up buddy? It's PJ."

"Oh, yeah, kid,

come on in."

Anyway, so I explain, I'm like,

hey, there's a scene,

I just wanna

And he's like,

"Oh, that's great."

And once he said that's great,

my mind just went blank,

because he made this amazing

quote about truth

is more interesting

than fiction,

but fiction trumps truth.

And, you know, he gave

a reference to these amazing

Japanese noir films,

and the best acting around

Marty is pretending

you know what

he's talking about

when he's like referencing film.

(laughing)

- I have to say, quite frankly,

I don't think I could

work up the stones

to go up to Martin Scorsese

and pitch a re-write.

I just think I would

just sweat ba*ls

- Oh, no, oh, yeah.

- Just sweat it out.

- I tinkled four times.

I tinkled four times

before I went there ,okay?

(laughing)

- Speaking of director, he was

gross, but he was so funny.

I feel like we all recognize,

like, some part of him

in someone that we've

worked with before.

You know what I mean?

JESSIE: 100 percent.

- The guy that makes you feel

so seen and loved,

he's just like, man,

I respect you so much.

Oh, gotta go,

production meeting?

- Yeah, totally.

- Like, in mid-sentence.

- Oh, they make you feel

like a god,

like you're going to catch

the big Super Bowl

winning touchdown,

like, you're the one,

you're going to do it.

All right, you dropped it,

get the f*ck out of here.

Let's go, next guy, yeah.

(laughing)

- Okay, guys, it's time for

a game of would you rather.

Here we go.

- Oh, geez.

Would you rather be

This feels like an

easy answer.

I'm going to start

with PJ.

- Uh, I'm gonna

I'm gonna go whale carcass.

'Cause, you know,

the dead whale carcass

isn't going to bring up

all my inadequacies,

so just like

no one can just make

me feel terrible.

Dead whale, dead whale.

- Completely appreciate

that answer.

What about you, Jessie?

- I agree, you know?

I feel like the dead whale

carcass serves

more purpose in my life

than The Deep would.

- Uh-huh.

- You know, they used to use

like whale oil for

candles and stuff.

What am I gonna do

with The Deep?

What am I gonna

do with The Deep?

He's not even in

the Seven anymore, you know?

With an ex-Seven number?

Nah.

- I feel you.

Oh my God, Nathan,

how about you?

- I'm gonna dive deep into

the innards of the whale carcass

and, um, just get

close to the heart.

And, um, I'm just going

to be close to Lucy.

- Lucy!

- His voice is real creepy.

- What about you, Erin?

- I mean like, I will it's

the whale carcass, obviously.

There's no world in which

I would marry The Deep.

I would literally marry

the carcass of a whale

or pretty much anything

over The Deep.

- Right, I feel like we all

agree that the whale carcass

added more value.

- Yeah, I just

he's the fish guy.

I think so, I think

the whale carcass

adds more value to

all of our lives

than the fish guy.

- Yeah.

- Okay, now, next one

For the rest of your life,

would you rather

have to refer to sex as

- Oh!

- I'll start at Erin this time

and go back the other way.

- You know what? I love

eating my paella.

Like, I'm not going to lie,

viscerally, initially,

I was like, that's gross, but

now when I think about it,

I might use that.

- I think you should.

- Right?

- I think it's classy.

- f*cking the f*ck is vulgar.

- It is vulgar.

- But I can see how

with enough alcohol,

I would use that as

a pickup line.

- I love it.

How about you, Nathan?

- I also just have to say

and throw out there, like,

the f*ck line, like, low-key,

like, MVP line of the episode.

Um

Just the way it's thrown out

there is so nice.

I'm gonna say

"eat my paella" too.

Just something like, classy,

like, slightly romantic

about cooking, its just evokes

this nice, like, oh,

it could be a nice dinner.

It could be some fun times.

- Absolutely,

100 percent paella.

Uh, you can use it pretty much

any time, any where,

and get your point across,

and no-one will know

what you're talking about

except for, like,

you and your person.

You know what I mean?

- It's like a code.

- You can ask me,

what are you gonna do tomorrow?

And I'm gonna be like, oh,

I'm going to the grocery store

and I'm gonna cook bla bla bla,

probably go home and

eat my paella,

and then, you know,

hit the gym afterword.

(laughing)

Like, you'll be like,

"Oh, okay. Yeah.

Paella. I like Paella, too."

But like my wife is

going to be like,

"Oh yeah? Paella?

Say less."

That's what you want.

That's what you need.

- Amazing.

- That's what you need.

A little secret code.

PJ, you get to bring

it on home

on the paella front.

- I mean, I guess

I'll be political but

as the director character

I think he's kind of interested

in Colby's character, so

eat Paella all day long,

paella eater.

Just paella, paella, paella.

Paella.

But as a paella.

Paella. Paella.

It's a full day.

It's a full day.

- It's nice to have so much

unanimity on this panel.

Um, and now I really want

paella, by the way.

Um like for dinner

and also the fun

- What kind? See? See? Exactly.

Now you see what I'm saying.

- Yes. Party paella is what

I'm looking for.

Now speaking of the f*ck,

we got to see Terror

in this episode,

and was it great to

finally see Butcher's doggie

who was the cutest

little thing ever?

- Yes, more so because

every time I meet, like,

a die hard fan of the show,

they always say,

"Where's Terror?

"How come you guys don't have

Terror in this show?

You guys are missing terror.

Terror was the"

I'm like, all right, just wait!

I'm tired of

telling people, hold up.

Terror's coming.

- Right, right, right.

Now they finally get that.

So I'm happy for them

to have that.

- By the way, apparently Terror

couldn't f*ck the f*ck.

Apparently that was a thing.

Apparently this dog was,

like, trained to hump

- He wouldn't do it.

- And the day of filming

he would not f*ck the f*ck.

- Oh my God.

- They needed a fluffer.

They needed a fluffer

to get him ready.

- They should have rubbed

some paella on it.

- A little bit of paella on

the f*ck

would really have

gone a long way, I agree.

- Quench that appetite.

JESSIE: Exactly.

- All right,

let's bring The Boys fandom

into the conversation right now.

David Mands writes

So this is a great question.

I don't ever remember

us really discussing

what the Supes get.

I mean, they must get

endorsements

and they must get money,

must get a salary.

They get to live in the tower

and be a part of the Seven.

So it's really Vought

that's getting all the money.

But I wonder if for the Supes,

the goal is just

with the exception

of Starlight

just staying famous, just

staying superheroes.

That's really their motivation,

not really to help people,

but just to stay Supes.

- I feel like you just

I feel like A-Train

and The Deep, all of Season Two

is totally reflective

of the fact

that it's mostly about just

staying in the Seven

and staying famous.

- Yeah, I can't even remember

the last time

A-Train actually

saved somebody.

His thing's all about status.

If you think about it,

from Season One 'til now,

you haven't actually seen

A-Train save anybody.

(laughing)

- He dragged a train, though.

We saw him pulling a locomotive,

that was exciting.

- Yeah, but it's not like

the train was

full of passengers

who were in danger.

He was training, he wanted

to look good with his shirt off.

It has nothing to do

with saving people.

- Yeah, exactly.

- With both A-Train

and The Deep,

you feel like it's

all about that.

- It reminds me of

politicians, right?

Like politicians aren't really

in office to help people.

They're just in office

to stay in office.

Right, so as soon as

they get elected,

they're trying to raise money

so they can

win the next election.

and that really perpetuating

their own power

is their primary goal, you know?

Which is why we got to keep

taking it to social media

and holding their feet

to the fire.

Heck no, we won't go.

I don't know why I turned

it into a rally.

- And vote, vote, vote,

vote, vote.

- Yeah.

- Stay informed and vote.

Very important.

So, guys, before we

take off today,

um I'd love for you guys

to take a second

in your character and send

some thoughts and prayers

to another character

on this show.

And, Jessie, if you're ready,

we can start with you.

- Uh, yeah.

Uh, I'd like to send

my sincerest

thoughts and

prayers to Robin.

Um, I'm really sorry

that I ran through you.

But I'm even more

sorry for what

your blood and guts

did to my suit

because it took the

cleaning people at Vought

days to get my suit back.

and ready for performance,

so thanks for that.

- That was so very A-Train.

That was pure A-Train

right there.

- So true.

- Nathan, go ahead,

what would you like to

What kind of thoughts

and prayers would you like

- I'm going to give my thoughts

and prayers to A-Train.

You know, I know you have

a heart condition,

but they didn't have to

do you like that.

Noir's gonna miss the hangout

sessions, you know.

You know, Noir was in

the club, too, like,

you never see him

'cause he's a ninja.

But yeah.

Noir's going to miss

A-Train, so

- I'll miss you, too, bro.

I'll miss you, too.

- That's nice.

Erin, how about you?

- My deepest thoughts

and prayers

go out to The Deep.

My thoughts are with you

and you're on my mind

with your rampant gill herpes,

I really feel for you, bud.

Okay?

And I'm just sending

you healing and love

for your gill herpes.

- This is has been really

It's really getting me today.

- It was sweet.

- PJ?

- Oh, that was

I'm moved by that.

I just really want to send my

sincerest thoughts and prayers

to all of the Russian mobsters

who love Broadway,

this is your moment to shine,

and get your face ripped off.

And your scrotum

Not your p*nis.

Just your scrotum.

I'm not a monster.

- I forgot that those

Russian mobsters

are obsessed with musicals.

- Oh, they love it.

- That was brilliant.

- Yes, Hamilton,

it's the little

- They loved Dear Evan Hansen.

Dear Evan Hansen!

It's so funny.

- I want to tell you,

this has probably been

the most loaded

of all of our shows.

We learned so much today.

- Oh, wow.

- We talked about pigfucking.

We all agree that we should

start eating more Paella,

um, and we found out that

The Deep has gill herpes.

So, I just feel like it was

a really big day for all of us,

and I was thrilled

to have you guys here.

Now we're not going to let

everybody go without

a first look at what

The Boys have coming up

on episode six, so,

here's our sneak preview.

Take a look.

- What's going on here?

- Vought is making more

Supe t*rrorists?

sh*t.

- Let's get out of here!

- Oh, yeah.

- Whoa.

- All right, guys, come back

after every episode

to break down all of the action,

hear exclusive insights

from the show's major players

and rip the face off

of every secret of your

favorite Supe show.

Fans have been dying to see

Terror get his chance

to shine on screen,

and tonight's episode

we got introduced to one of

his most exciting qualities:

having sex with

inanimate objects.

Exciting is a strong word.

I know for a fact that Terror

isn't the only pet out there

who has their own

personal f*ck,

so show us your doggy friend's

plush sexual partner

by tweeting @TheBoysTV

and using the hashtags

#InsideTheBoys and

#TerrorChallenge.

And go watch "The Boys"

on Prime video.

We don't want to spoil

one moment

of the utter mayhem

that's to come.

Thank you so much much Erin,

Nathan, Jessie and PJ

for joining me.

You guys, this was

so much fun.

Oh my God, mwah.

And thanks to all the fans at

home for taking a Prime Rewind

to go "Inside The Boys"

fist first,

but only with consent.

Good night, everybody.

See you next time.

- Aisha, you're so

good, Aisha.

- Thank you so much.

AISHA: Thank you.

I'll see you again

soon I'm sure.

- Bye, guys, love you all.

Have a great day. Mwa.

(music)