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02x15 - Good Cop, Bad Deal

Episode transcripts for the TV show, "All the Queen's Men". Aired: September 9, 2021 – present.*
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Set in Atlanta, Marilyn "Madam" DeVille is a fierce businesswoman who rules all in the lucrative male exotic nightclub industry.

02x15 - Good Cop, Bad Deal

Post by bunniefuu »

Let him in.

Previously on
All the Queen's Men...

Madam, this is
my brother, Fernando.

He's new to my operation,

and he's also
your new point person.

You k*lled my brother.

You need to know
that we are not..

We was fighting, and
then I hit her off the balcony.

You k*lled Ms. Patty?

[Madam] I did not start
this sh*t.

Now, if you continue to send

these toothless rednecks
after me,

I promise you...

I will blow your...

[Officer] Drop your weapons.

- Why are you arresting me?
- [Officer] Oh, you'll find out.

You know, this is not
the way to the jail.

Hello?

Hey, you not going to
talk to me?

There will be plenty of time
for talking.

Okay, you the boss.

So who are you? Hm?

Oh, sorry, I forgot you're
not talking to me, got it.

You might want to just
enjoy the ride.

sh*t, I'm trying to,

but I don't know
where the f*ck we going, so...

You'll know when you get there.

[Madam] Who you work for?

Because you're a little
too polished to be police,

and this sh*t right here,
it's way too elaborate

for the f*cking rednecks.

No, this ain't the rednecks.

It's higher than that,
so who you work for?

I'm a cop.

b*tch, you not a f*cking cop.

I know a cop when I see a cop.

That's a stupid
f*cking badge.

It's a horrible replica.

So you gonna stop lying,
tell me who you work for?

Keep guessing.

[Madam] Okay. sh*t.

I will. Let's go.

Is your employer Colombian?

Hm?

And you just not gonna
say sh*t, huh?

Okay, it's fine.
I'll enjoy the ride.

Okay?

Maybe your employer is Mexican?

I am what you would call
your worst nightmare.

Well, guess what, b*tch?

I don't sleep, so I don't have
f*cking nightmares.

[theme music]

♪ Yeah, yeah, yeah

♪ They know not to play with me
They know I get it started ♪

♪ Ask me will I take it easy,
told them that it's harder ♪

♪ Ask me will I sleep,
oh no, sir, I beg your pardon ♪

♪ They're saying
that it's light ♪

♪ But I'll turn this b*tch
to darkness ♪

♪ It go up,
we don't play around ♪

♪ I won't play by my dinero

♪ Got some gangsters
in the cut now ♪

♪ And they're doing
what I say, so... ♪

♪♪

[moans, pants]

Oh, damn.

Ah, I'm so glad I stayed.

I'm glad you stayed too.

Here.

What's this?

It's a burner phone.

So if I need you,
I can call you.

Oh, okay. Thank you.

[Blue] Mm-hm.

- Thank you for that.
- You're welcome.

You need some clothes?

Yeah, I really wish

I freaking would've brought
some clothes,

but I can't even
go home right now.

Yeah, you can.

No, no, no, I can't.

I... If he finds me,

it's this...

Who is this n*gga?

He's the worst, okay?

Where'd you meet him?

I was working
at the bank as a teller,

and he was a high roller.

He's violent and dangerous.

All right, well, you safe here.

Thank you.

Okay.

Thank you for making me
feel safe.

I mean, why are you
so nice to me?

I'm nice, but I'm watching you.

- Yeah?
- Uh-huh.

I know you are.

You better believe that I am.

I know.

Like those scars on your back?

Yeah, you know,
I was trying to cover them up.

[Blue] He did that?

Yeah. He did.

I can't stand for no man
to beat on no woman.

I know. Me too.
I feel the same way.

And it's just that I...

Listen, I'm just so grateful

that you are actually
letting me stay here.

I appreciate it so much.

I'm letting you stay, Jenna...

because I want you.

I know that.

But at some point...

Hm?

At some point what?

There's only
so much I can do.

[Jenna] I know.

You think, um...

You think you can help me
get a job at the nightclub?

Slow your roll.

No, uh, you know what?
I'm sorry.

I'm just trying
to figure things out right now

because this all happened
so fast.

Yeah. Look, I understand,
all right?

[Jenna] Okay.

Let's just take our time.

- Okay. Yeah.
- Okay?

- You gonna let me take my time?
- Mm-hm.

- Let me do what I want to do?
- Yeah.

Where did I leave off?

You were all over the bed.

- Yeah? Okay.
- Yeah.

♪ You told me
to be still, be patient ♪

♪ Everything that's coming's
worth a little waiting ♪

♪ Broke me down to shreds,
it's such a shame ♪

♪ I've been trying
to find a version of myself ♪

♪ Worth saving

♪ Told me, do better,
so that's what I did ♪

♪ Head underwater, now
I guess I couldn't handle it ♪

[Tommy] sh*t.

No answer.

[Amp] No sh*t.

She doesn't have
a f*cking phone, Tommy.

Madam always has another phone.

She doesn't have one this time.
What the hell are we gonna do?

Don't worry about that.

I'll take care of this.

What the f*ck are you doing?

I'm going to get her.

How?

You can't be that stupid.

Your aunt ain't no fool.

She got trackers in her purse,

her phones, her shoes,
and all of that sh*t.

She's way ahead
of these m*therf*ckers.

Well, not this time. It doesn't
look like that now, does it?

[Tommy] Are you in or not?

- I don't know, man.
- I should've known.

- [Tommy] b*tch a*s.
- f*ck you.

[phone ringing]

[phone vibrating]

What is it?

- They got Madam.
- [Blue] Who?

I don't know who.

Where the f*ck you at?

[Tommy] I'm at the house,
picking up the tracker.

I got one over here.

Sit tight,
I'm coming to get you.

I need a n*gga by my side,
not these b*tches.

[Blue] I'll be here.
I'll be ready.

Are you coming or not?

I said I don't f*cking know.

n*gga, that's your f*cking aunt.

Yeah, and that was my aunt too

when y'all n*gg*s had me
in that f*cking basement, now,

wasn't it?

n*gga, she needed you.

I'm not going back to jail
for none of y'all n*gg*s,

- you hear me?
- f*ck you then, Amp.

f*ck you too.

Stop.

You so lucky, n*gga.

Let's go.

[Tommy] This sh*t
ain't for the weak.

I did nine years, n*gga.

[metallic banging]

[Tommy] What the f*ck is that?

n*gga, I don't know.

Come in.

Hi.

[Amp] Hi.

Is Madam here?

No, I'm afraid she's not.

Strange. She said she would be.

Well, again, she's not.

Been trying to reach her.

You must be Amp, the nephew.

Who are you?

The Concierge.

My name is Rafael.
I'm a friend of Madam's.

Rafael, again, Madam
is not here.

Oh, well, should I grab
a seat and wait?

I'm sure she wouldn't mind.

I'm sure you would be
wrong about that.

And I'm sure there is something
going on here.

There's a man hiding behind
this door with a r*fle.

You have a handgun.

If there's a problem,
maybe I can be of service.

We're fine. Thank you.

I'll tell Madam
that you came by.

Relax. It's a phone.

Make it quick.

Hey, come back and pick me up.
She's not here.

Thanks.

My driver.

Now, are you sure

there's nothing
I can help you gentlemen with?

We're fine.

You tell me.

You know, it's rude
to point that thing at people

and not use it?

I'm a k*ller.

Congratulations.

Amp, please tell your aunt
that I stopped by.

He will.

Now bounce, n*gga.

I'll call her later.

[Amp] What the f*ck
is your problem?

What the f*ck is your problem?

What the f*ck was that about?

What?

Did he pull a g*n on you?

Yes, and?

"And"? No, f*ck that.
Let's go back.

Listen, relax.

No. You don't pull
a f*cking g*n on my brother.

Nando, you're not in prison
anymore.

Things are handled
a little differently out here.

Okay.

I'm going home,
and I suggest you do the same.

No, f*ck that.

Go home.

I don't feel like arguing
with her a*s.

It's your wife, your decision.
You have to deal with it.

I'm not.

I'm taking you home
for your own good.

And I'm going to have
a conversation with my wife.

Stop at his house first, please.

sh*t.

I know you're not asleep.

Well, now I'm not.

What did you do?

I'm sorry?

[Concierge] What did you do
to her?

I don't know
what you're talking about.

Lotus, Madam is one
of only a few people

who can provide a service
that we need,

services your father needs,

so I'll ask you again,
what did you do to her?

Well, honey, what did
you do with her? Hm?

[Concierge] It's not
your business.

I see.

You are jeopardizing everything.

I'm not sure
what you mean with that.

Call it off.

Oh, Rafael,
I'm really tired, I just...

Call it off,
and call it off now.

Are you done?

- For the time being.
- [Lotus] Mm.

Going to take a shower,

give you enough time to call
whoever you need to call.

By the time I'm finished,

I better be able to talk to her.

I don't even know
who you think you are.

[Amp] Wait, wait.

[Tommy] f*ck.

- f*ck, man.
- [Tommy] Wait, wait.

What the f*ck?

No, no, no.

- Madam.
- No. No.

Auntie, Auntie.

Auntie, Auntie, come, come.

- [Madam] No.
- [Amp] Are you okay?

- [Amp] I got you. Come here.
- [Tommy] sh*t.

[Amp] Come on.

Hold on. Hold on.

- [Madam] Ah, sh*t!
- [Amp] Hold on.

[Madam] f*ck.

My shoe.

It's okay, I got it,
I got it, hold on.

Okay, give me your foot,
I'll put your shoe on.

There you go.
Are you okay?

I'm all right.

- Okay, you sure?
- Yes.

Take her to the hospital.

I'm not going
to the f*cking hospital.

Madam.

What the hell happened?

[Tommy] That light-skinned n*gga
came by the house tonight.

I knew I can't trust
that m*therf*cker.

Blue, look...

[Blue] That m*therf*cker
tried to k*ll you.

Look, this sh*t don't even
make sense.

It couldn't be him.

Let me see your phone.

Where's the f*cking key
for that?

[phone ringing]

Thank you.

[phone vibrating]

Hello.

[Madam] I have one question
for you.

It wasn't me, Madam.

That's not my question.

[Concierge] Are you okay?

Was this your wife?

Madam...

[Madam] That's the question.

Look, we need to discuss this.

[Madam] No, we don't.
You just gave me my answer.

Just hold on.

No, you hold on.

[Concierge] Madam,
do not go after Lotus.

Why is that?

I just need
to explain some things to you.

[Madam] Okay.

We've talked about your temper.

m*therf*cker, you ain't
seen sh*t yet.

[Concierge] Madam, just don't go
do anything...

Hang up. Hang up.

Hey, Blue.

Was it him?

It's fine.

You okay?

Did you get that sh*t
cleaned up at my club?

Like brand new.

All right, thank you.

[Tommy] Come on, Madam.
Let's go to the hospital.

I'm not going
to a f*cking hospital!

- I just told you that!
- [Tommy] Madam, you...

[Madam] Take that b*tch
to the f*cking hospital.

Hey, you could have some
internal bleeding or something.

- Please?
- No, take me the f*ck home.

Right now.

Get this sh*t off of me.

f*ck.

Thank you.

Thank you.

I'm good.

Madam.

Look, I'm not going to a doctor,
okay, I'm not.

[Blue] Okay.

I just need my pills. Tommy.

I'll get them.

- And run me a cold bath, please.
- Yes, Madam.

You good?

Yeah, I'm good.

Feel better.

Wait, Blue, give him
a ride home.

I'm cool.

- Really, n*gga?
- I said I'm good.

- Well, you talk to him.
- Blue.

f*ck him. I'm leaving.

Feel better.

- Thank you.
- Here you go, Madam.

- I'll run your bath.
- Thank you.

Um...

Yo, uh...

Real quick, before I go,
I just wanted to say

thank you for coming to get me.

Nothing would have kept me
from coming to get you, Amp.

Especially after
that sh*t I did.

- [Amp] Yeah.
- Look.

I am not the kind of person
that apologizes.

Okay?

I get it.

Good 'cause that's
all you gonna get.

No, dope.

All right, feel better.

Hey.

What happened to your money?

Hm?

It wasn't in the bag.

[Amp] Guess it ain't there,
right?

Did they take it?

I guess so.

Dime was wrong. She was.

But you have to understand
she was protecting me.

Okay? It's not about you.

Yo, Auntie, real talk
and all due respect...

Mm-hm?

You my blood.

It's different.

But Dime? Dime got me.

All right? And I love her.

But that sh*t she did, yo,

I can't forgive that.

Feel me?

Be that as it may, Amp,
you gonna need some money.

Come back to the club,
dance.

- [Amp] Auntie...
- Just give me some time

to figure out who has your money
and who has my money

Auntie, I'm not doing that, man.

That wasn't a request.

Thank you.

I'll see you tomorrow.

It's almost ready, Madam.

- Thanks, man.
- Thank you.

- [Tommy] You...
- Tommy.

Not another f*cking word
from you tonight.

You hear me?

That's her way of apologizing.

So take that sh*t
and be at work.

And lock the door
on your way out.

Shut the f*ck up.

[Madam] Tommy.

[Tommy] Yes, Madam?

[Madam] Concierge is on the way.
Let him up.

Yes, Madam.

Good evening, Madam.

What are you doing here?

I came to check on you.

[Madam] No, that's not
why you're here.

Then why am I here?

You came to tell me
about what your wife did.

And if that was the case,
then what?

Is that what we saying?

[Concierge] No, it's not.

Okay, then I ask you again,
why are you here?

We had a date.

Yes, we did.

And I was looking forward
to it, um,

but as you might know,

I got a little bruised up
on the ride.

What ride?

Your wife,

she had someone pose as a cop.

They picked me up.
They tried to take me somewhere.

And what did
this person look like?

f*ck if I know!
That she was polished.

Okay, well, regardless, um,
you need to let this go.

You obviously didn't hear
what I just said.

She tried to have me k*lled,

so that's okay,
I'll listen to this.

Why do I need to let this go?

Because I know you, and I know
you don't want this to go bad.

I want this to go however
the f*ck I want this to go.

Slide over, please.

Do you remember the trip we took
to the White House?

Yes, I do.

I mean, it wasn't really
that long ago.

How could I forget?

That room, clearly they know me.

It was also full of people
that Lotus knows,

and knows well.

She's not the...

sh**t-it-out-in-the-middle-
of-the-street type of person.

She's, she's calculated.

Calculated like putting people
in the back of police cars?

Like that?

Those weren't police.

That was an agency

the government
doesn't even talk about.

And apparently
you k*lled one of them.

No, she tried to k*ll me,
is what happened.

Okay, listen, Madam,

these people, this agency,
they're not some random...

Listen, cut the bullshit, okay?

Your wife tried
to have me k*lled.

And now you come in here
trying to run games.

So what the f*ck is going on?

I do not run games.

Oh, you don't?

Then what the f*ck is this?

'Cause that's what
it feels like.

Look, I can manage
all of the above.

But I need to advise you
not to go after Lotus.

Got it. Consider me advised.

Now, is that all you wanted?
I have a bath.

Now that you mentioned it,

I'll be waiting for you
on the bed.

Yeah, I just told you
I'm bruised.

I would say that I'll be gentle.

But that would be a lie,
and you wouldn't enjoy it.

True. Very true.

How long does this take
to fill up?

Not long.

Going to need you
to get a bigger tub,

one that both of us can fit in.

See you in a minute.

This m*therf*cker here.

♪ Enigma, mysterious

♪ Confucius, you're different

♪ Both sides, you're vicious

♪ Madam, whole mistress

♪ Enigma, mysterious

♪ Confucius, you're different

♪ Both sides, you're vicious

That was a close one last night.

Yeah.

Is he talking?

[Detective Davis] No.

Well, have you found out
anything?

I was about to ask you
the same thing.

I've been told
that they have your device.

It's true,
but they can't open it.

[Detective Davis] Are you sure?

Positive.

Because if they do,
this entire...

Hey, don't worry.

I got this.
I'm gonna get all of it.

I need them to go down for this.

Davis. I'll be in touch.

[Detective Davis] No.

All right, well, just know
that they're...

They're running info on you.

- Who?
- [Detective Davis] Her people.

I mean, it's small sh*t,
but, you know,

they haven't really
found anything much.

Okay, good.

We got it covered, okay?

[Casanova] Okay.

But you just be careful
because you don't...

Hey, I got it.

Okay.

All right. Talk soon?

Yeah.

All right.

[knocking on door]

sh*t.

Man, if you don't calm
your a*s down...

[Babyface] Is that the police?

Relax, n*gga.

- Hey, who is it?
- [Doc] It's Doc.

- [Midnight] What's up?
- Yo. What's up, man?

- Same old sh*t.
- Yo.

[Doc] What this n*gga doing
here?

[Midnight] You want to tell him?

- I don't want to hear it.
- Man, I...

- No, I think it's something...
- No, wait.

Bro, listen.

Yeah, so I came over here

to go over the routines
and dance rehearsal.

Yeah.

- [Midnight] Cool.
- Man, turn some music on, man.

Yeah, I got you, yeah.

[dance music plays]

All right, let's get it.

Yo, that b*tch detective?

Man, she trying
to set up me, man.

She put a wire
in my f*cking jacket.

- And you still wearing it?
- Yeah.

Madam told me to.

I, I don't like this sh*t.

Yeah, you?

sh*t, Madam tried to k*ll me
when she found out.

Man, I didn't even know, bro.

You ain't know?

Bruh, don't try to play me
like that, bruh.

I don't get down
like that, all right?

Hey, he ain't one of them, bro.

He telling the truth.

How the f*ck you know?

Because if this n*gga sing,
then we all goin' the f*ck down.

sh*t, n*gga, I got a body too.

Let's test him.

How? How the f*ck
we gonna do that?

Tell him you k*lled Ms. Patty.

What the f*ck, bro?

sh*t, what happened to her?

He slapped that b*tch
and she went over the balcony.

- Man.
- Angry a*s.

That's crazy.

It was an accident, man.

They ain't buying that sh*t
now, bro.

What am I supposed to do now?

Well, when did it happen?

Last night.

Anybody see it?

Nah.

b*tch jumped the balcony.

Same sh*t I said, bro.

Look, man...

[Babyface] What am I
gonna do now?

Get your a*s on that stage
and do what you been doing, bro.

- Yeah.
- Yeah, but y'all didn't see her.

Trust me,
we done been there before, man.

I saw mine.

You want a drink or something?

Hell, yeah.

sh*t.

[Casanova] Dime.

Hi.

Good news, I got some
new music for you.

Awesome, that's great.

But I have a problem.

[Dime] Yeah, well, what's that?

Tommy, he has my recorder.

And it has my music on there.

Can you get it online?

No, I looked, but maybe
you can ask him for me?

Mm...
Why did he take it from you?

Trouble and I were arguing
over it in the dressing room,

so stupid.

So, so, so stupid.

Well, it sounds like
you need to get it from him.

I mean, come on,
what, are we five?

You must be if you're
asking me to get it for you.

Tommy!?

[whispers]
Don't. Don't do that.

What?

I need to get my music back.

What do you mean?

I need the recorder.
Dime, she needs my music.

Now, what would Dime need
with my music?

- No, listen.
- Hey.

I'm done talking to you.
Get out my face.

You want to get
knocked the f*ck out?

What was that about?

[Tommy] This b*tch keep crying
about that damn recorder.

- A recorder?
- [Tommy] Yeah.

He said he listens
to his music on it or something.

Let me see it.

Did you get it to play music?

I tried, but I couldn't
get that b*tch to play.

That's different.

Yeah, it's like
some high-tech sh*t, huh?

You think you could
get it to play?

Nope.

But he can. Fuego, come here.

- Hey, Madam.
- Hey.

Can I talk to you?

Sure. My office.

Thanks.

I'll meet you there.

Figure this sh*t out.

Sit down.

Talk.

So I wanted to talk to you
about not dancing anymore.

- What?
- [El Fuego] Yeah.

I don't think it's for me.

Fuego...

[El Fuego]
Can I finish, please?

Go ahead.

I want to work the bar,
it's just...

What the f*ck
are you talking about?

Look, seeing my ex in here...

made me
want to get right with God.

God?

As soon as you n*gg*s
get some f*cking money,

then you want to go
and get right with God.

And then when you broke,

you ready to come in here
and rumble with the devil.

No, I just... That's not...

Does this have anything to do
with what the f*ck

that detective said to you?

No.

- You sure?
- [El Fuego] No, not at all.

Fuego, listen to me.

There is nothing going on here
at Eden

that will get you in trouble,
okay?

Yeah, I know.

But I'll just feel better
working at the bar.

You would? You'd feel better
that way?

- At the bar?
- [El Fuego] Yeah.

No. No going to the f*cking bar.

You know how much money
I invested into you, huh?

Understood.

I'm already down
a f*cking dancer.

No, I don't have time
to look for a replacement.

No, no, no. Not happening.

Okay. Um, understood.

Are you sure you understand it?

- Yes.
- [Madam] Good.

Now, here's something else
you're good at.

What is this?

I hear it's supposed to play
some kind of music or something,

but this sh*t is weird.

I haven't gotten it
to play anything.

I don't know what it is.

You want me to hack it?

- Can you?
- [El Fuego] Yeah.

I can take it home tonight.

- [Madam] Do that.
- Okay.

All right, but keep it on a low.
Don't tell anybody.

I got you.

Thank you.

Okay.

f*cking quit.

He must be out of
his f*cking mind.

He ain't a bartender.

[Dime] Hi.

Amp.

What?

Look, I'm... I just...

I just wanted to tell you
that I'm sorry.

I'm sorry that I was
in your apartment.

I'm sorry
for breaking all those things,

and I'm just, I'm really glad
that you're okay.

You done?

You really gonna be like this?

I said, are you done?

Yes.

But I need
to tell you something.

What, Dime?

I really do love you.

And I really am sorry.

Yo, whatever, man, all right?
You finished?

Yeah.

Thank you.

[El Fuego] Oh, sh*t.

Encrypted.

What do you think you are?

What's up, fellas?

- [unintelligible]
- Yo.

Oh, you dancing?

I'm here, ain't I?

Yo.

[Midnight] Hey, who the f*ck
this n*gga think he is?

What's good, what's good?

That's just some country boy
from the sip and paint.

Yo, look, that lady
named Ms. Blue...

Ms. Blue.

She just told me
to come in and get dressed,

and that's it, bro, that's it.

I know she ain't tell you
no sh*t like that.

Now go take your Tarzan-looking
a*s over to them amateurs.

Yo, I didn't mean
no type of disrespect.

Hey, n*gga, shut up.

Didn't you say Blue told you?
Blue told you, right?

- Right. She did.
- [Amp] All right, n*gga,

there's a locker room
back there.

It's back there.

There's a locker
in the cellar back there.

- I appreciate it.
- No doubt, man. Y'all chill.

- Give a f*ck about this.
- [Amp] Chill out, yo. Chill.

[Babyface] What the f*ck
does she think this is?

They're trying to find me
a replacement.

And why would we need
a replacement for you, Fuego?

I'm going to the bar, man.

Well, whatever it is,
I just hope

I make some money
out of this situation.

Ladies! What's up?

I said, what's up?

Hey! Hey! Hey!

Okay, I got
a real question for you.

Are any of you in a drought?

[audience cheering]

Are you?

[audience agreeing]

Do you need some of that d*ck?

[audience cheering]

Well, you came
to the right place tonight.

[audience cheering]

We're gonna get you hot
and bothered.

And if you feeling lucky,

we will get you off.

[audience cheering]

So without any
further bullshit...

I'm just like y'all.

I'm trying to see
the men of Eden.

Give it up for the men of Eden!

[audience cheering]

[ Juicyby Pretty Ricky
starts]

♪ See the lust in your eye,
I know you can't hide it ♪

♪ And your walk and your vibe
make me wanna try it ♪

♪ Like a 'lac spinning rims,
I love it when you ride it ♪

♪ You a stallion, baby,
you know you got body ♪

♪ You workin' that thang

♪ You twurkin' that thang

♪ I love them g-strings

♪ It's just a G'-thang

♪ I'm murkin' that thang

♪ I'm twurkin' that thang

♪ Still strokin' that thang

♪ It's just a G'-thang

♪ You can get sweaty for me

♪ And I can get sweaty for you

♪ Now, I'm a passionate lover

♪ That like passionate sex

♪ Butt-naked in the classroom

♪ On the teacher's school desk

♪ Triple X rated

♪ Call me Slick-Em hound

♪ I get that body wet

♪ And then I lick 'em down

♪ I'm on point

♪ And best believe
I ain't no teaser ♪

♪ I want to get deep
and a little bit of deep ♪

♪ And a little bit of deeper

♪ Sweeping you off your feet
like a rake ♪

♪ Talking 'bout Slick-Em wait

♪ Naw, I ain't stopping till
I feel the backboard break ♪

♪ Baby

♪ It's just a G'-thang

[audience cheering]

[pumped-up dance music
plays]

You a piece of sh*t,
you know that?

n*gga, don't talk to me.

No. You tried to get me
last night, right?

I'm still gonna get you.

Let me tell you this
right now...

- n*gga, don't tell me sh*t.
- I'm gonna tell you.

You better know
what you're doing.

Ain't nobody scared of you.

Oh, yeah?

You seemed real scared
last night.

- Yeah, right.
- Yeah, with all your puppies.

Get the f*ck out here
and go to work.

[Casanova] Silly a*s.

Better leave that n*gga alone.

Ain't nobody scared of him.

I don't know.
There's something about him.

sh*t, got me in here with y'all.

That's some bullshit.

Look at this wack-a*s
dressing room.

I don't belong in here.

n*gga, what you talking about?

You see this sh*t? I'm Trouble.

I should be in there with
the boys on the main hour.

If that's the case,
you be out there then.

Yeah, okay, get your a*s
back to work.

And get your b*tch a*s
out of my face.

All right. Bet.

Yeah, bet.

We have a newcomer tonight.

From Texas, y'all, from Texas.

[audience cheering]

And, ladies, now,
let me warn you.

I haven't seen him dance.

But, but, hold it,
I heard he's the sh*t.

[audience exclaiming]

So give it up for Big D.

[audience cheering]

Hey.

Give it up! Yes!

And if he has a big D,
he better bring it in this room.

♪ Can't see, can't walk,
f*ck everybody ♪

♪ Damn

♪ Ooh

♪ Ooh

[audience cheering]

[ Throwed Offby Treal Lee
and Prince Rick plays]

♪ Walkin' 'round the club,
f*ck everybody ♪

♪ Can't see, can't walk,
f*ck everybody ♪

♪ Don't give a f*ck,
f*ck everybody ♪

♪ Can't speak, can't talk,
f*ck everybody ♪

♪ I'm in my own zone
I'm in my own zone ♪

♪ I'm in my own zone
It got me throwed off ♪

♪ I'm in my own zone
I'm in my own zone ♪

♪ I'm in my own zone
It got me throwed off ♪

♪ Ay, better leave me alone

♪ I don't like these n*gg*s

♪ Put it on my mama

♪ I'll fight these n*gg*s

♪ You in VIP

♪ f*ck VIP

♪ Run up in yo sh*t

♪ Now ya D-I-E

♪ Ay, this liquor got me gone

♪ Now I'm in my zone

♪ You got me f*cked up

♪ You get slapped by
the end of this song ♪

♪ Tried to jump me last week

♪ Now I'm with my peeps

♪ Now I'm mobbin'
through this b*tch ♪

♪ I stay about 30 deep

♪ Walkin' 'round the club,
f*ck everybody ♪

♪ Can't see, can't walk,
f*ck everybody ♪

♪ Don't give a f*ck,
f*ck everybody ♪

♪ Can't speak, can't talk,
f*ck everybody ♪

♪ I'm in my own zone
It got me throwed off ♪

♪ I don't give a f*ck, n*gga,
f*ck, n*gga ♪

♪ f*ck everybody, ha

♪ You don't need that b*tch,
everybody ♪

♪ You a scary n*gga

Damn, that n*gga out there
k*lling that sh*t.

Get your a*s out of my face.

What, n*gga? I ain't Rayshon.

- What?
- You heard me.

Get your bald-headed a*s
out my face.

Yeah, whatever.

f*ck.

All right.

So I thought...
[knocking on door]

Come in.

- Hey, Madam.
- Hey.

- I got it. Yeah.
- [Madam] You did?

- That was fast.
- [El Fuego] Yeah.

Here you go.

- Thank you.
- [El Fuego] You welcome.

What's this?

We shall see.

[Madam] Thinks I'm running some
kind of criminal enterprise.

This b*tch
is f*cking stupid.

- [Doc] She's out of her mind.
- [Madam] Yes, she is.

Look, I need you
on the f*cking stage.

That is how
I make my money.

[Doc] Yes, Madam.

What the...

So this m*therf*cker's a cop!

Who?

The white boy.

These sons of b*tches.

Oh, this b*tch is working
overtime to f*ck with me.

Okay. Don't even worry about it.

I'm gonna use this sh*t.

I'm gonna use it.

[music]

♪ Hey, and I got fo' phones
ringing at the trap ♪

♪ One up in the front,
the other in the back ♪

♪ I got fo' phones
ringing at the trap ♪

♪ One up in my hand,
the other in my lap ♪

♪ I got fo' phones
ringing at the trap ♪

♪ The other three is jumpin',
I'mma have to call you back ♪

♪ And if that ain't removin'
any doubt ♪

♪ There ain't no free verses,
gotta pay me for a track ♪

♪ Hackers at this sh*t,
I say it's taboo ♪

[music]

[music]