[INDISTINCT HUBBUB]
Place it here.
(In Cilentano) Let's set the table...
- Give me a hand.
Rosa mia... you don't know what
I would give to see you again
But the fact that I don't
see you is a good sign.
It means that you
left without suffering
That you left in peace.
- Are you really leaving?
- I would always stay here
But you don't keep the
baron away from the work.
It's a miracle If
we stayed for weeks.
- He has also recovered. That's the good air.
- Heh.
That's my sentence.
I see the dead of violent death
And I hear their voices.
It is these voices that
constantly haunt me
at least until I
don't do them justice.
You finish, I'll go and see if
everything is ready in the kitchen.
- Where is the baron?
- I saw him go into the chapel.
Then we are just about to go again,
if he had the courage to go there.
Eh.
Thank you.
My mother was right.
I have to be alone
For this curse to end with me.
I can't have children,
Rosa, because it's not right
That... this thing is
passed on to them as well
As my mother passed it on to me.
Baron, lunch is ready!
Come with us.
Of course I'm going with you,
otherwise Nelide who will hear her?
Come on, let's go eat.
You don't get me.
- Good morning, baron. - Good morning.
- Sorry to be late. - Not at all.
Cheers!
(in Neapolitan) ♪ In the
shadows goes this heart
♪ Who can't sleep
♪ And sings and cries: "Love,
love, you make me die." ♪
[INDISTINCT CHATTER].
Let's go shopping.
♪ But if you still hear
this voice trembling
♪ no, don't believe me... ♪
Do you like it?
The truth?
- You don't need the truth, leave it alone. Thank you, goodbye.
- Goodbye.
Ah!
Finally.
A venue worthy of the name.
By the way, any news of
Commissioner Ricciardi?
He should return shortly.
Blessed is he who took the
time to take a vacation.
Sorry to contradict you.
The commissioner went to bury
someone very dear to his country.
Of course, who says otherwise? But
it has lasted long enough this...
- Burial.
- "Burial.
Fortunately, the
city is under control
And as you see, we have
received our just reward.
Beautiful, huh? Beautiful.
- Huh? Very nice.
- Mmm. - Very...
To work.
Salvatore, you help the young
lady carry up the luggage.
I switch to the police station.
- Don't you rest?
- I go and come back, I warn that I am back.
Already warned by phone. Do you need
to give him proof that you are back?
Pay attention to the
suitcases and hurry up.
"Water that doesn't
walk stinks."
[INDISTINCT HUBBUB]
Commissioner.
- I would like to see my new office, if possible.
- Follow me.
Thank you.
So how about it?
Great.
That is your own.
Unfortunately, I am sorry
for the "mamozzi," but...
[INDISTINCT HUBBUB]
(in Cilentano) Aunt Rosa mia, I
now how shall I do without you?
You have done me a
great disservice.
You left...
And you left me alone.
Now how do I, you tell me?
My Jesus, I'm going crazy.
I tell you that I miss you very much,
so much that I feel like I can see you.
I do not leave you alone. If you
think of me, I won't leave you alone.
I'm glad you're back.
- How did you hear...
- Garzo.
I asked him to notify
me as soon as possible.
I am very sorry for Rosa.
If there is anything
I can do for you...
Don't be alone in these moments.
If you want, I am there.
- Let's go eat something together.
- They are waiting for me at home.
I will accompany you.
If you don't mind, I'd
like to take a walk.
- See you soon.
- See you soon.
[INDISTINCT HUBBUB]
Commissioner.
[BELL]
Good evening. Good evening.
Have a seat. Thank you.
- Raphael. - Commissioner.
- Did something happen? - No.
I wanted to know if you need anything,
if I can be of any help to you.
Here, you tell him That
he has to eat something.
Commissioner, Nelide is right.
Ah! Look at that,
look at that show.
Let's do this. If you want, I will stop
and have something to eat with you.
Hmm? How about it?
"From a bad thorn a
good rose can be born."
- "A bad plug?
- She is pleased if you stay.
- I don't understand it.
- Sit down.
- Give me the jacket. - Thank you.
- I got it. - No, I got it.
No, if Lucia finds out that I have been
drinking, then I have to call you as a witness.
- And I testify.
- All right.
[BELL]
Good evening. Good evening.
- It's Bruno!
- You're welcome. - Hey!
I came to say hello, but
I thought you were alone.
- How did you hear that I came back?
- How did I hear? Eh...
I get it, another leak.
[BRUNO'S LAUGHTER].
- How are you?
- Good. Come on, have a seat.
- Nelide, you hold back Dr. Modo as well.
- Coming.
- Doctor, Nelide has outdone herself.
- Yes? Let's see. - It's good.
Mmm...
Mmm... Very good. A little
heavy, but very good.
- You have a delicate stomach.
- Don't.
Tomorrow Lucia is making meat sauce, and
her her sister with her brother-in-law.
Those placed themselves
at our house every Sunday.
Why don't you come along? Maybe
you can get some distraction.
Thank you. Please thank Lucia
as well, you are very dear.
That's good, so you
get some distraction.
However, I am just back
from a long vacation.
- I'll be at the police station tomorrow.
- It's useless.
You know, what
distracts me is working.
But how you have grown!
Big. [INDISTINCT VOCALS].
♪ I sing for another.
♪ No, I don't want to see you
♪ As it used to be.
♪ You are nothing to me
♪ nothing for me. ♪
Two potatoes and two peppers.
♪ I don't know what your
name is anymore, Mary. ♪
Hello.
Sorry to bother you, I
was looking for Ms. Rosa.
I haven't seen her for so long, the
windows have been closed for weeks.
Do you guys know
whether it has left?
Rosa is no longer there.
What do you mean, sorry?
What happened, was she fired?
I'm sorry, miss.
Aunt Rosa died.
The earth made her
And the earth eats it.
I did not understand, sorry...
We did not have time
to put up the posters.
Immediately we set out to
make her stay in the country.
- Did you guys know her well?
- Yes, I loved her very well.
Sorry, condolences.
I heard about Rosa.
I understood Why the
house has been empty.
I wanted to tell you
that I am very sorry.
I really loved her very much.
I know how much it meant to you.
Thank you very much.
Have a good day.
Forgive me.
You are very different with me.
- I did something that...
- No.
No, no, miss.
You have nothing to
reproach yourselves.
Forgive me again.
[KNOCK ON DOOR]. Come in.
Commissioner, sorry.
A call came in.
There is a dead man k*lled in
the alley of the Speranzella
Above in Montecalvario.
So they said and so I report.
Who is on duty this morning?
Sunday, just Piscitelli
and Cesarano... and me.
Whatever, let's do that then.
Piscitelli we leave
him here to preside.
Cesarano goes with me...
And so are you.
- Aye-aye.
[KNOCK ON DOOR]
Open!
Please, it is Sunday,
you know better than me.
- No numbers today, tomorrow.
- What's is going on? There has been a death!
- What are you doing here? Weren't you resting?
- Go.
It's my area and Lucia is preparing
ragu again, needing another hour.
And then my brother-in-law comes,
the later I come the better.
- Let's go to see who the victim is.
- He is Gaspare Rummolo, an assisted.
- How do you know?
- He is the assisted most famous in Naples. - Meaning?
- Let me introduce you to a person. Let it pass.
- Let them pass.
- Vincenzo Caruso, the postman of the bancolotto.
- We go to Gaspare
But leave a guard to
keep people at bay.
- When these things happen, they are numbers.
- You guys stay here.
- We will follow.
- All right. - Make way!
Gentlemen, please!
Come on!
There is nothing to look
at. It's Sunday, go home.
Gaetano, my employee. He
lives on Gaspare's landing.
- Maria, my sister, who also works at the counter.
- It's an honor.
- Who found the body?
- Me, commissioner.
I was bringing him
some warmed milk.
The door was open.
I went in and found it.
- Shall we go and see?
- Sure.
[INDISTINCT HUBBUB]
I carved out the room above
the counter for Gaspar.
- Are there other dwellings on this floor?
- Gaetano's.
My sister and I stay
downstairs, downstairs.
The commissioner enters
alone, we wait here.
Was it already dark
like this before?
Gaspar did not need
light, he was blind.
(Twenty-one, nine)
(And nineteen.)
Twenty-one, nine and nineteen.
Twenty-one, nine and nineteen.
Twenty-one, nine and nineteen.
(Twenty-one, nine and nineteen.)
(Twenty-one, nine and nineteen.)
[RICCIARDI SIGHS]
I had the photographer
call and Dr. Modo.
- They are on their way.
- Good.
The only way into to the
room is the front door.
The window is narrow and stands high,
It gives directly onto a street.
No one would climb on it,
it would be too conspicuous.
Do you confirm that
Rummolo lived here alone?
Yes, he was blind, so he would
not go down or went up the stairs
if unaccompanied.
He was also very suspicious.
He never opened the door,
except to people he knew.
As an assisted had his clients
But he welcomed them on
Sundays and Saturday evenings.
So. if the thing
happened yesterday.
Here no one has been through it.
As you know, they do the drawing Saturday
at four o'clock in the afternoon.
I didn't know anything about
it, you are explaining it to me.
Speaking of which, exactly
what does "assisted" mean?
Sorry, I forget that you
are not really from Naples.
The assisted is the one
Who speaks to the dead.
Only souls in purgatory can go to the
living in their sleep, it is known.
- "It is known.
- It's a popular belief.
It seems that the souls most
likely to give the numbers are
Those ex*cuted to death and repented
Or those who died in a violent way.
Who knows, maybe because they
have more things to tell.
Whatever, I understand that
Rummolo was fundamental
to interpret the numbers to play.
- Most essential.
- He was known all over Naples.
- Oh!
I have to thank you,
as usual, by tradition!
Sunday does not exist when one
is a friend of this commissioner.
What did you call me to
do? The case is solved.
The poor man must have died
because he saw Maione's vest.
- You are always the same!
- Close better. Where is Gaspare?
- Did you know him?
- f*ck!
All of Naples knows him, indeed,
all of Naples except one person.
However, it is true,
I did not know him.
Until this morning I didn't even
know what they were-assistants.
I believe it! You are an unbeliever,
in some things you don't believe.
To you a dead person is just a corpse
on the ground and a puzzle to solve.
The dead speak, they speak to
me that I am a medical genius
And because of what it tells me
their body I am able to go back up
To the time and cause of death.
And then they talk to someone
like him, who is blind
And has a stronger
sensitivity than others.
You are envious, with
you they are silent.
Envy is the last thing I
can feel for this poor man.
He was locked in here, he
couldn't get out. A prisoner.
Some things condemn
you to loneliness.
They are not gifts,
they are curses.
Come on, see what
you can tell me.
(Twenty-one, nine and nineteen.
Twenty-one, nine and nineteen.)
Twenty-one, nine and nineteen.
Meanwhile, I can tell you right
away that poor Gaspar is dead
Because they stuck a
blade into his left eye
or otherwise a sharp
object and sharp.
- This is instant death.
- What about all that blood?
Behind the eyeball we have a
very dense network of capillaries
That serves to irrigate the eye.
Right through a blind
eye Has passed death.
Time of death?
It must have been between midnight
and 3 a.m, four o'clock last night
But to be precise,
it has to wait.
Commissioner, if you want, we can
come down and ask some questions.
I'm going to take off, go and
enjoy some well-deserved free time
as well because... for today I've seen
a little too many atrocious things
especially this vest.
Why, you don't like it at all?
- It's a gift from my brother-in-law, he knows about it.
- Thank goodness!
- This vest is at the very latest.
- Yes, of terror.
- Go back home!
- If I have understood correctly
Basically Gaspare Rummolo
was an employee of yours.
No, I used to give them
lodging, some food.
If I paid him, people
wouldn't believe it anymore.
Of course, there was the
convenience of the box office below.
People would take the numbers from
him and played them right away.
On occasions like the one
last night what was going on?
- With the ticket office closed, were customers coming up to him?
- No.
When we were closed, only
Gaetano and I would go to see
If he needed anything.
At this point I need to know.
The three of you where you
were last night after midnight.
- Do you?
- I was in a trattoria nearby, Da Tonino.
- Then I went back home.
- I stayed in the room.
I brought myself the
numbers of the matrices
to check the receipts of
the day, as I always do.
Then I put everything in
place and went to sleep.
- No one has been looking for
me. (sotto voce) I believe you.
I also stayed
here, I didn't move
However...
- "But?"
- Shortly after eleven o'clock last night someone came.
Count Palmieri.
He had to talk to Gaspar.
That one plays a lot, I didn't
feel felt like sending him away.
What time did he leave?
I don't know, however, after half
an hour his wife also arrived
Countess Bianca.
This surprised me, because
she never comes here.
She is too beautiful a woman, perhaps
the most beautiful in all of Naples.
It is beautiful...
[MARY SIGHS].
But she has a sad
face, poor thing.
Beauty lies in the heart Of the one
who has it, not of the beholder.
If you are sad, what
good is beauty to you?
- Look at me, for example.
- Better not. - Raphael.
I wanted to say. That's
enough, we get it.
- Keep yourself available.
- As you order.
- Camarda?
- Tell me, brigadier.
- Feel good. - Yes.
- Make a list of customers
Who have been at the counter
over the past few days.
- Caruso?
- Commissioner.
- A curiosity.
- Say.
I would like to better understand the
fact Of the interpretation of the numbers.
For example, what
does the nine mean?
Commissioner, let's say that nine
is the "litter," the delivery.
What about twenty-one
or nineteen?
Nineteen is laughter, joy.
Desire as well,
depends on the dream.
Instead, the twenty-one
is. The naked woman.
Even the beautiful
woman makes twenty-one.
[BRUSI'O]
If you have a claim
against my husband
I don't know how you will
be able to collect it
nor do we have any furniture
or valuables of any kind.
All sequestered, so I
would beg you to leave...
No credit, countess.
I would have been announced, but the
housekeeper didn't ask for anything.
Ricciardi here, commissioner
of public safety.
Did something happen to
my husband? Is he okay?
He is the one I would like to
talk to, as well as to you.
- It is not at home.
- Where can I find it?
It will be to scrape together
money to play with, as usual.
But, could I know what
this is all about?
Did you and your husband last
night visited Gaspare Rummolo?
Yes. Romualdo had
gone to visit Rummolo.
I went there to take him away.
- When you came away, how was he?
- As usual.
- I don't understand these questions.
- Rummolo is dead.
He was m*rder*d tonight.
Oh.
I almost feel ashamed.
I do not feel any sorrow.
It is his fault that Romualdo got
caught up in the fever of the game
A fever that never goes away.
I give you good
reasons to suspect me.
Unfortunately, suspecting
is my business.
You and your husband come to the
police station as soon as possible
no later than this afternoon
or I will be forced to
officially summon you.
Please forgive the
trouble. Have a good day.
To you.
You look good in this
vest, it wears you out.
- Really?
- Put it on more often, it looks like it was made especially for you. No?
It is perfect.
- Mmm! Lucia, the meat sauce is delicious.
- Do you like it?
- Very.
- Very good. - Thank you.
Next time. Put in an
extra pinch of salt
so it becomes perfect the
way your sister cooks it.
[MARIANO LAUGHTER]
Giovanni, are you being shy?
Say a few things, speak up!
- What should I say?
- Tell what you want to be when you grow up. - Say.
- I want to be a policeman like dad.
- Ah.
It's not even talked about, we
have already talked about it.
Your mother is right.
It is a sacrificed life.
Police officers do not earn well
either. Just listen to Uncle.
Get a job that enriches you
and gives you the good life
so you make mom and dad happy.
Did I say right, Choo-choo?
Quite right.
It is good.
[INDISTINCT HUBBUB]
- Yes, why not?
- Please.
Mother Clara.
Dear doctor, Sunday
is my favorite day
Because I know that you come to us to visit.
- Too kind.
- There is a new girl, I am sure you will like her.
- Yes?
Lina?
- Good morning, Lina.
- Good morning.
- Commissioner, Palmieri
accounts. > Camarda!
Thank you for
being here, please.
- Ricciardi.
- Pardon.
- Camarda, I forgot the invitations to the theater.
- I'm sorry.
- Get them on my desk.
- I'll get them for you now.
But those...
are Count Palmieri and consort?
What are they doing here?
I'm here about the
Rummolo m*rder.
I don't know
anything about this.
- It's fresh from the day.
- Ah.
And this Rummolo...
is the attendant of Vicolo della Speranzella?
- Yes, did you know him?
Hearing. Are the Palmieri
accounts suspects?
Great, Rummolo is
from the populous
And the Palmieri counts
are noble, but fallen.
It will be undeniable that we do
not look in anybody's face. Bravo.
What to say? The case
seems to me to be closed.
- Camarda. - Here.
- Thank you. - You're welcome.
Armchair.
Commissioner, in Gaspar I
loved, he was my friend.
I could never have
done him harm him.
Why just last night did
you stop by to see him?
There had already been the extraction,
what did you have to say to each other?
We would often see each
other on Saturday evenings.
I used to meet him to
comment on the draws
To figure out how to
set up the next play.
I was late last night
Because... I was looking
around for money.
He didn't feel like chatting And
he told me he was very tired.
Then my wife got worried,
she came looking for me
And we came home together.
Yes, that's what happened.
I hope he didn't make it in
time to indulge one last time...
my husband's fixation.
Bianca, please!
Gaspar has nothing to do with it, I'm
the one who insists, I'm the one who...
In fact it is you
who ruined our home
Your name, my life...
by dint of chasing
the ghost of a triad.
When you came away
Was there anyone with him?
Or did it give you the impression
that you were expecting visitors?
No, commissioner.
He was in his robe, but he
was still dressed underneath.
When I came out, he told me
that I could close the door
so I guess he wasn't
expecting anyone else.
A curiosity, as a matter of habit do
you always carry your cane with you?
This?
Yes, always.
Lina, Lina, Lina... What
is your real name instead?
(in Neapolitan) Lina. I never
wanted a false name like the others.
- I always want to be me.
- Brava.
Bravo, you do well.
You look beautiful, Lina.
But go! If I was beautiful, I would
be an actress or some other job.
Oh, yeah? Did you
want to be an actress?
Are you sure you don't act
several times a day here?
I know what you
are referring to.
Here we have to do all
the opposite Of acting.
We need to break the barrier.
- "The barrier"? What is it?
- The barrier.
We all put it on every day to
not be recognized by others.
The fake face.
How about you? Do you have it?
- What?
- The fake face.
Me?
Not just one, I have several, but
my problem you know what it is?
- No.
- That I don't know how to use them.
Oh, no?
Then you have to be careful.
The world is ugly
outside here...
And even in here.
- Good evening, Nelide.
- Good evening.
- I cooked light tonight.
- Good.
- Have a seat.
- Thank you.
- Manfred.
- Enrica.
Thank you, Nelide.
Lightweight, lightweight.
[SPEAKING IN GERMAN].
Gaspare's death occurred between
Saturday midnight and 2 a.m.
Always at night, of course.
In addition to that,
I can tell you.
There were no
signs of a struggle
So the poor man did not defend
himself, he was suddenly k*lled.
Maybe from someone he knew.
This, however, the necropsy
examination cannot detect it.
Look, Bruno.
Gaspar was... an attendant.
- That's what it's called, right?
- Mmm.
One of those who stay in
contact with the dead.
To your knowledge,
these faculties...
can they be inherited?
Can they be passed
on to children?
Ricciardi, if you talk
to me about genetics
I can tell you what I know
about dominant genes, recessive
alleles and company.
If there are two
parents with blue eyes
the children will
have blue eyes.
If this rule applies
as well to floppy ears
I don't know, I would
have to go and check.
If you want to know about the
inheritance Of a supernatural gift
science has not yet
spoken, let alone me.
- Why, did Rummolo have a son?
- Never mind.
- Take mine, too.
- You don't want it? - No. - It's good.
- Commissioner, here I am.
- Raphael. - Exalted doctor.
Sorry, two sfogliatelle were
there and two I'm eating.
I have already had breakfast.
- Then we are busy.
- We go back To the bancolotto neighborhood.
- Let's see if anyone has noticed anything.
- Do you exclude accounts?
Not quite
However, there is something that
tells me... that it can be trusted
especially of the countess.
- Some women are too beautiful
To be liars.
- How?
- You guys are a beauty today, brigadier.
- It's the uniform. - Yes.
- You have taken off that abomination Of vest.
- Raphael.
- Be well.
- Burn it.
- Have a good day, Bruno.
- Bye.
- Thank you, have a good day.
- To you.
- Ah, the mail.
- Here it is. - Thank you.
[LOCK CLICK]
- Then?
- "So" what?
The postcard. I saw
it, who wrote it?
A friend of mine sent it to
me from Ischia, don't worry.
- Approach.
- My husband is capricious.
My escarole is fresher Than
the one that has to sprout.
- Give me two bundles.
- All right.
Feel free to touch, don't worry.
Miss beautiful, good morning. Just a
moment's patience and I'll serve you.
- "He who makes small talk in front the oven loses his bread."
- No!
Why do you say that? No!
There is also sunshine.
When there is sunshine,
there is more desire to work.
These sunshine has taken too
much, the escaroles are mushy.
Goodbye.
Escaroles.
The six on the wheel of Naples.
[INDISTINCT HUBBUB]
- Listen, did you notice by chance anything yesterday?
- No.
They are all lined up to
play Gaspar's death numbers.
Did he have any friends? Was
he hanging out with anyone?
Maybe there could have been someone
who had a grudge against him.
No one, Gaspar never left of the
house. What was he supposed to see?
On Sunday mornings he would go
to have coffee with my brother
time to set up the room.
Only when Gaspar was not there.
We are a respectable family.
After coffee we would go home.
People would stop him all the time.
They never left him alone.
- I go back to his room for a few minutes.
- Please.
Everything all right?
Twenty-one, nine
19.
(Twenty-one, nine and nineteen.)
(Twenty-one, nine and nineteen.)
(Twenty-one, nine and nineteen.)
Twenty-one, nine and nineteen.
(Twenty-one, nine and nineteen.)
(Twenty-one, nine and nineteen.)
(Twenty-one, nine and nineteen.)
(Twenty-one, nine and
nineteen. Twenty-one, nine...)
What were you doing
with a mirror?
Twenty-one, nine and nineteen.
I don't know anything
About this mirror.
I didn't even know he had it.
You, madam?
- Perhaps a memory of his mother.
- Gaspar never confided.
He had difficulty talking even
with me who was his friend.
Put it back among his things.
No one knows anything,
no one has seen anything
And no one remembers anything,
however, it is not as usual.
It's not that they don't want to talk
Because they want to mind their own business.
- They are afraid.
- Exactly, they are afraid to talk.
There is something wrong
underneath, it doesn't feel right.
Then you know very well what
you have to do, don't you?
- Yes, commissioner.
- I'll see you later at the police station.
[BELL TOLLING]
It arrived just this morning.
Show it to Gargiulo,
he understands.
Yes, I'm going to
the office later.
Ricciardi!
But I say, all of Naples is
talking about the Rummolo case.
From the higher-ups I get pressure,
one wants the case closed.
And what do I learn? That
you don't arrest the culprit?
Who would be the culprit?
You told me so!
Count Palmieri.
- I said "suspected."
- How?
I do not fabricate a culprit
to please the higher-ups.
Without feedback, with the higher-ups
one risks making a bad impression.
Don't you find, doctor?
Be patient and let me work.
Thank you.
Camarda?
Delinquent!
Are you all right, brigadier?
Did you put yourself in ceremony?
You shouldn't have bothered.
The trouble, for me, is coming here.
This is my stuff, it's not for you.
I missed you, too.
Since I moved, you no
longer come to visit me.
- Don't you like my new palace?
- Madonna mia, give me patience.
- I have come... - Have a seat.
- No, I have to ask you something.
- What are you doing up?
- Don't worry. - You are from home.
I'll set your house on fire,
if you don't let me talk! Oh.
So we were saying.
- They k*lled...
- Gaspare Rummolo, the blind man.
Whatever, I get it, you do the talking,
go ahead. Let me know what you know.
You should know that.
The day before the m*rder,
a man much feared by all
a real "guappo." one of the
really dangerous ones...
"A real guappo." And then
you stopped. Go ahead.
It seems that this person had
a fight with Gaspar himself.
Because of a very large sum
that he had wagered on a trio
Gaspar had given
him for certain.
The numbers didn't come out
and blood rushed to his brain.
Got it. What is the
name of this "guappo"?
Eh... He swore in front of everyone
That the blind man would pay dearly.
- What is the name of the "guappo"?
- No one will tell you.
- The name?
- They fear they will come to a bad end.
- The bad end is you, if you don't talk.
- All right. - Eh.
- I didn't tell you anything, though.
- No. - Do you give me your word?
- I give it to you. - You swear.
- I'll set you on fire To the wig if you don't speak.
Gennaro Luise.
- Oh, see? Did it take that long?
- He lives where the receipt is.
He has a lot of people at his disposal
willing to do anything for him
Because he lends money on a loan-to-value
basis, so he has a lot of it under
including Count Palmieri
you questioned the
other day with his wife.
- That too you know?
- Knowing things Is the only way to attract you here.
- What's in here?
- What do you want?
What is this thing?
E'... It's a clue to an
investigation, it's not your concern.
However, while we're at it
Look, take a look yourself.
Jesus, Joseph,
Saint Anne and Mary!
- Do you like it?
- Gross!
Was it from the blind man?
That's why they k*lled him.
- It doesn't seem to be his size.
- Never mind, let's not go into it.
Another important thing.
Do you know the trifecta that the
blind man gave to Luise, the "guappo"?
Of course you do,
why am I asking you?
You won't believe it, but I
was hoping you would come.
I came because I knew That
you missed me, modestly.
While you're settling in... I'll
have your coffee brought upstairs.
By now I already know
that you like it.
- You have a good memory.
- It's not always good.
Especially if there are things
that you don't like to remember.
Yes.
Let's do this. Hmm?
I will drink this coffee,
if you drink it with me.
We also know where he
lives this Gennaro Luise?
Yes, near the ticket office.
Whatever, let's go tomorrow
pay a visit to this gentleman.
Ah, I also know what is the trio That
the blind man gave to the "guappo."
- Did you want to play it?
- I thought about it.
The game is an ugly beast, it is
a fever. One has to be careful.
- What were these numbers?
- Twenty-one, nine and nineteen.
Do one thing, go home.
We need to rest, tomorrow
will be a busy day.
- Are you sure?
- Go, go.
All right, thank you.
- See you tomorrow.
- See you tomorrow.
[DOGS BARKING]
[ENGINE ROAR]
You could have gone into the Gambrinus
yesterday. I wouldn't have bitten you.
- I don't understand, sorry.
- You saw me And retraced your steps.
- Why would I do that?
- I don't know.
You tell me.
I didn't see you, I don't
remember even passing by.
- Lost in your thoughts.
- Yes, I have a case that engages me a lot.
Maybe among your thoughts
there is a woman?
What is in my thoughts...
is only about me, Livia.
Excuse me.
It's just that I would
like to understand.
I would like you
to open up to me.
About me you already know
everything What there is to know.
Of course...
That should be enough
for me, shouldn't it?
I should wait for another
handout Of your attention.
Will it happen sooner or later?
No, let's make it not happen.
So we both have peace of mind.
[LOCK CLICK]
[DOOR CLOSING].
[BELL]
- Thank you.
- Last night you did not eaten, this morning only coffee.
How do you hold yourselves up?
Take something with you
to fill your stomach.
[VOICES INAUDIBLE]
Huh?
What am I talking about?
- Oh, my Jesus!
- Oh, mother... - Look.
- But is this you?
- It seems to be.
It is such and such!
Who might have done
it? An admirer?
Enrica, will you answer me? Will I be able
to know who made this painting for you?
- There is a note! Let's see...
- If you please, it is addressed to me.
- Hi. - Brigadier.
- He should be here.
Let's try to get in.
- Good morning.
- Good morning.
- What do you want?
- Here we ask the questions.
Brigadier Maione and
Commissioner Ricciardi.
- What are you looking for?
- Gennaro Luise, this we are looking for.
We know he lives here.
I am sorry, but you are wrong.
Don Gennaro Luise used to
live here, but he moved house.
- Where can we find him now?
- I don't know, he didn't tell me.
I'll tell you what, I'm going to
take you to the police station now
So maybe your memory
will come back.
You may as well imprison me now
But I don't know where
Don Gennaro is, I swear.
Raphael, never mind. Thank you.
What is it?
Ma'am. Ma'am, excuse me,
one piece of information.
- Say.
- Do you happen to know where Gennaro Luise lives?
He used to live
here, then he left.
Never heard of him,
don't know who he is.
- Thank you.
- Wait, sorry.
Do you know of a person
whose name is Gennaro Luise?
Hey, where are you running to?
Why didn't you tell us
about Gennaro Luise?
- I don't understand.
- Caruso, we know that he had quarreled with Gaspar
and that he had
threatened him in public.
It is true, you are right...
But here we are
all afraid of him.
Commissioner, that's
a very dangerous guy.
You people must understand
us. We do not go against him.
Thus you allow an alleged culprit
to make himself untraceable.
Can you at least tell
us where he went?
I swear to you on everything I
hold dearest that we do not know.
If anyone knows, he will be
careful to keep his mouth shut.
- Need more? - Give me three or four tomatoes.
- As many as thirteen.
The "sciurilli" do you want them?
They are as fresh as you are.
- All right, give me some.
- Coming. Excuse me.
Stay here, don't
leave. So let's see.
Good morning, young
lady. These are special.
- I grew up in the middle of the earth.
- Where are you going?
Miss, if you leave, you
will take away the sun!
Thank you.
Really, commissioner
I have no idea Who
Gennaro Luise is.
What you tell me
is well strange.
I know for a fact that you
have contracted a debt to him.
I need to know Where I
can find this person.
- I don't know!
- Enough, Romualdo.
- The commissioner has trusted And we must reciprocate.
- Bianca.
I understand the fear
But you know where to find this guy
Who scares the hell out of everybody.
He was a few days ago at Luise's,
to pay a debt installment.
Mr. Count.
You can find him at the inn Don
Peppe's, in Salita Arenella.
- That's where he collects the credits.
- Thank you.
I thank both of you
for your sincerity.
Goodbye.
Romualdo.
("Miss, if you leave, you
will take away the sun!")
You did not look that young man in
the face when he called you back.
Do you know why? You are afraid
that then you will delude yourself.
The same does the young man
with the girl across the street.
He does not want
to delude himself.
Tonino, do you want
to go up or not?
All right. Lucky her.
[INDISTINCT HUBBUB]
Oh. Will you please take a
seat? There's an empty table.
- Actually, I'm looking for Gennaro Luise.
- "Gennaro"?
- Luise.
- Who is this Gennaro Luise?
- I know he frequents this tavern.
- You know wrongly. Who are you?
- Commissioner Ricciardi.
- Ah.
[WHISTLE]
What should I tell you?
You have been misinformed.
Here this Gennaro Luise has
never been seen. Has he?
It will mean that
I sit and wait.
If you have time
to waste, sit down.
I have as much as you
want, as much as you need.
I know you whistle for warning.
Whistle away, anyway. Until
he comes, I'm not moving.
- Ah.
- If he doesn't come, I'll come back with ten guards
And let's have a good search, what do you say?
- What shall I tell you?
- Will you do me the kindness of bringing me a coffee?
- Anytime, coming.
Ricciardi!
- Cesarano, do you know where the commissioner?
- No, I'm sorry.
Maione! Maione!
Excellency, commands.
Is it possible to know
where the commissioner is?
- He's out investigating.
- I want to know what he has to investigate.
You must arrest a culprit so
that I can tell those in charge
who by the way phones me every
hour that everything is all right.
As soon as he comes back,
I will let him know.
Ah, by the way,
when I look it up.
He must be found in
the office. Clear?
Excuse me, Excellency,
if I contradict you
But cases are not solved by being
in the office behind the desk
And then the commissioner...
doesn't have the glass ball.
- It cannot know when you are looking for it.
- He doesn't have it? - No.
Bravo. Are you
being funny with me?
- I was saying something else.
- You said too much.
You deserve a good suspension
So you're being funny at home.
- Happy?
- Yes, Excellency.
To work.
- It's not easy, you have to talk with the deputy.
- Yes.
- Excellency. (sotto
voce) He is dumb.
Commissioner, if you
would like to follow me.
I'll take you to who you know.
- Thanks for the coffees.
- Always available.
Wait here.
I was told.
That you wanted to talk to me.
- Commissioner.
- Good, we can skip the introductions.
You know who I am And I
know well who you are.
You name it, available.
- Where were you last Saturday night?
- Eh!
The night is long. If
you are more precise...
- Let's say between midnight and 2 o'clock.
- And who remembers?
I could have stayed home and slept
Or with some beautiful female.
- Take your pick.
- Someone to confirm it can be found, right?
As you say.
While we wait for someone to confirm
the alibi that you don't remember
you and I are leaving for Police Headquarters.
- What for? What have I done?
- Is it a crime not to remember what I was doing last Saturday?
- No.
m*rder is. You are suspected of
having k*lled Gaspare Rummolo.
You are mistaken,
I did not k*ll him.
You will be able to
prove it. Let's go.
Let me see how you take
me to Police Headquarters.
With this did you k*ll Gaspar?
Commissioner, no kidding,
leave now with your legs
And we end it here.
I'm not leaving
here, not even dead.
Neither did I.
Do you want to k*ll me?
That's fine with me.
You don't know what
pleasure you give me.
(in Neapolitan) Come on. What,
you don't have the courage?
You are a man, commissioner.
Or you are a fool.
Only those who know pain...
Is not afraid to die.
Come with me.
Take a seat.
Meet Mario.
Mario is my brother.
I have been a father to
him since he was little.
- He had the fire, he was never never quiet.
- What happened to him?
Two years ago I sent
him to Marseilles.
We have two fisheries in France.
Mario had to enlarge them
So he stayed away from here
And made an honest living.
Last month they sent it
back to me like this.
Sudden illness.
I had it visited.
It seems that it
could get better.
It will take time-and patience.
I have the patience...
But in the meantime
no one needs to know.
No one has to see it that way.
I will not say
anything to anyone...
However, you guys
have to explain to me.
I don't want people to
feel pity for my brother
And for me.
Everyone knows what
Mario means to me.
It's my blood.
My blood cannot become weakness.
So last Saturday were
you with your brother?
With him... And with
the nurse you see.
At night I never
leave him alone.
You have my word of honor.
I believe you... it
is strange, though.
You know well the fear
you put on everyone.
You keep so many people in your pocket
by virtue of the money they owe you
And instead of being
ashamed of that
You are ashamed
for your brother.
If I were you, I
would think about it.
(in Neapolitan)
♪ Think about it.
♪ Yes, I love you.
♪ I love you and you make me
♪ die. ♪
- Bravo. My compliments, Livia.
- Brava.
- Bravissima.
- Brava.
- Bravo.
- Outstanding.
- He sang beautifully.
- To your voice. - Yay.
- To your success.
- You are very good at it. - Thank you.
So what are you doing,
are you coming with us?
No, I've been here since
this morning, I'm going home.
See you tomorrow.
- Maione.
- Commissioner.
I was looking for you,
I have to update you.
What is this face?
- He suspended me.
- Garzo? - Eh.
Commissioner, that one is
all dumb, from head to toe.
♪ This serene air And
this sunshine is you.
♪ Don't make me lose
♪ this youth.
♪ This silver moon for you
♪ sigh again. ♪
- It's ready, mom.
- Thank you.
♪ More shines in the sky
For me a golden star. ♪
Thank you, that's enough.
♪ I live and die for
you, I die for you. ♪
Thank you.
♪ I love you, yes
♪ only to you, Mary. ♪
I don't understand.
The painting, the postcards...
You are hiding
something from me.
I don't hide anything
from you at all.
What about the mystery ticket?
- It is simply a note.
- What does it say?
- Nothing important.
- Tell me, even if it is not important.
Sometimes you exasperate me.
- Raphael, get dressed, it's Saturday.
- What should we do?
You've been hanging around
hanging around the house.
- Have you already forgotten why?
- Why?
Ah... Your brother-in-law Mariano
has an engagement tomorrow
So he and my sister are coming for lunch today.
- I had forgotten about that.
Put on the vest that he
gave you, so he's happy.
- The vest?
- Eh.
- Lucia, listen, but do you like this thing?
- In what way?
Do you like it or
don't you like it?
- It is particular.
- "Particular"?
It's a matter of taste.
This thing is rubbish.
- Also in my opinion.
- Do you see that you think like me?
That one did it to spite
me. A spite, I'm sure.
I dislike him. I sin,
but I dislike him.
I don't want to know, however,
can I tell you something?
Where is it written that every
Sunday they have to come here?
Bravo, they really placed
themselves in our house!
- Eh! - Eh!
- Eh! - Eh!
This thing...
Giulio, come here! What
a beauty, my daughter.
A German officer who
will surely make a career
Has fallen in love
with our daughter.
Manfred, his name is. Manfred!
Definitely coming here now!
He comes to ask for Enrica's hand
in marriage. He knows the address.
He sent the postcards and the
painting. Germans are precise people.
- Aren't you happy?
- Eh...
The trousseau! We have to open
the closet and let it air out.
When do we do it?
Mother, be patient.
[LOCK CLICK]
Is this true?
Yes.
I have told you about
Manfred in the letters
But I haven't told you everything, because...
- You don't know what to do.
Father, he is a good man.
He showered me with attention,
it continues to do so.
But your heart is elsewhere.
Luigi Alfredo turned cold...
detached, no longer
faces the window.
- In Ischia he did not show up?
- "In Ischia?" - I spoke to him
While you were not there.
- What do you say?
Nothing compromising.
Such a talk between men.
I trusted him, I gave him
your address in Ischia.
Yes, however, he did not come.
I didn't see it.
[JAZZ MUSIC]
So much thoughtfulness.
These are precious hands.
- They need to be treated well.
- Am I that good at petting you?
Don't get too "loose".
Madame told me that you are a doctor,
that you work in the hospital.
Then these hands do good.
I go shopping at the market.
- Is there anything you want to eat?
- No, you know what to get anyway.
Whatever.
My work, you know. My work
Is just suffering, pain.
What should I tell
you? It's this.
Don't you think, my work is
not so different from yours.
You would know how much pain,
in the men who go up here.
One thinks they come to have
fun, instead they try to forget
The pain they carry inside.
How can you tell?
Sometimes they start crying.
Then I think... that if the wives
would see them as I see them
Would feel pity
instead of hatred.
Why do you talk about hatred?
Some women hate men.
And some men hate women.
Did you not know?
Listen, Lina... why
are you calling me you?
Call me by my name, as I do.
All right, whatever you say.
- The blind man's numbers have come out.
- Really? - All three of them.
- Twenty-one, nineteen and nine.
- Then he was right!
Who knows what the
dead wanted to say.
The beautiful woman,
desire and childbirth.
No, nine is also the
separation, the farewell.
Even the beautiful
woman makes twenty-one.
[INDISTINCT HUBBUB]
Farewell.
Lucia, thank you for the lunch.
- Figure.
- Everything was exquisite as usual, wasn't it? - It was.
- What shall we do on Sunday?
- Didn't I tell you? - No.
- Next Sunday we are busy. Hi.
- I got it.
- Goodbye.
- Bye, Mariano. - Goodbye.
Hello.
Come on, go.
- Raphael! - Commissioner. - Hello.
- Sorry to bother you, it's urgent.
- But of what? I don't propose even a coffee, I'm going in.
- Thank you.
I finally understood.
I have always thought about
about the fever of the game
That Rummolo had been k*lled for that.
- But instead?
Instead, I got the fever wrong.
Rummolo was still
dressed fully dressed
even though it was late.
He was waiting for someone
even though he had asked
the count to close the gate.
Evidently, this someone who
was waiting and then arrived
Was in possession of the keys,
so it had to be one of you three.
But one thing made me realize.
"Beauty lies in the heart Of the one
who has it, not of the beholder."
That's what you told
me last time, right?
And who can consider it better
this beauty of the heart
Of those who must necessarily
see the world in his own way?
Like a blind
person, for example.
The mirror in Rummolo's
room was of no use to him.
You needed...
to settle in before
leaving his room
To mask the signs of love
you had on your face.
Mary!
You shut up, which
is also your fault.
You kept me locked inside
the house for a lifetime
As if I were a thing of yours.
What does that have to do with
it? It was a thoughtfulness.
- I did it to protect you.
- What did you have to protect me from?
From the people who mock
me Because I am ugly?
With this... With
this I k*lled Gaspar.
It's love, commissioner.
You talk about love.
Love is a fever,
it is an obsession.
Gaspar. Gaspar loved me.
He saw me as no one
else had ever seen me
even though he couldn't see.
How much he loved me! And
I knew that he loved me.
But then one day he decided
that we were no longer to meet
because he was afraid that my brother
would find out about us and send him away
since, according to him, no one
could approach me sincerely.
Gaspar feared that it would put
him in the middle of the road.
That night I went
to him as usual.
Before going down to put in
place the ticket stubs...
Without this room, which I
have courtesy of your brother
I am no one.
Of course I'm afraid
we'll see each other.
- What do you say? - Sooner or later he finds out about us.
- Gaspare, no. - No!
Those damn numbers, the
ones that didn't come out...
- What...
- They made me understand it.
- The numbers? What are you saying?
- Yes, Maria.
The beautiful woman...
desire...
And goodbye, Maria.
- No.
- We have to separate.
- No!
I can't risk it.
Twenty-one, nine and nineteen.
Twenty-one, nine and nineteen.
- What do you say?
- 21, nine and nineteen. - What do you say?
- Twenty-one, nine and nineteen.
- No, no.
So... commissioner, it was
me who didn't see us anymore.
Twenty-one, nine and nineteen.
I took the first
thing I could find
And I hit him.
Gaspare...
[MARY CRYING]
One time...
I hit him.
I cleaned the cutter
And I put it in place.
I held it in my
hands all week long.
Mary.
Now you have to come with us.
(Twenty-one, nine and nineteen.)
Twenty-one, nine and nineteen.
(Twenty-one, nine and nineteen.)
(Twenty-one, nine and nineteen.)
(Twenty-one, nine and nineteen.)
[INAUDIBLE VOICE]
Miss, I owe you an apology.
What do you have
to apologize for?
I made jokes...
On your appearance, like a fool.
- I haven't heard them.
- But I did.
A decent person, an
intelligent person
must know that the
important thing...
I mean, we understand
each other, don't we?
Thank you.
Please be seated.
Thank you for coming.
If you call me, I am very
happy and very concerned.
You know that I have a special
interest in a particular person.
I have already given you
all the information I could.
This person some time ago
had a very serious accident.
At the hospital, in addition to the
nanny, there was a tall girl with glasses
dressed simply, perhaps a
clerk or a schoolteacher.
I suddenly remembered this.
I thought she was a relative.
I now know who lives across
the street from her house.
I would like to know more.
Even jealousy...
I would like to know if there is
anyone Who keeps him away from me.
What is it about this commissioner
to occupy your mind so much?
And what don't I
have To occupy his?
- Camarda?
- Yes? - Take care of it.
By your command. This way.
You are welcome.
Camarda, what's going on?
Excellence...
Maione, your suspension
still stands out to me.
Doctor, the Rummolo
case has been solved.
We have taken into
custody the culprit
And the credit goes to Maione.
Despite being suspended from
work, he had a decisive insight.
Very good, very good.
Then I await the report
To inform... those in charge.
Excellence.
Thank you, commissioner.
♪ In the shadows goes this heart
♪ who can't sleep. ♪
- What a beautiful voice, Sarracino.
- Heh.
Especially when there are
those who need to hear it.
♪ And sings and cries
♪ "Love, love, you
make me die." ♪
Nelide?
Nelide, lunch at home.
Nelide?
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