(tense ominous music)
(birds chirping)
(mumbling)
- [Mother] Shut up!
You're gonna, you're not
gonna ruin another evening.
- [Boy] I ain't goin' in that closet.
- You're gonna go in that closet.
You're not gonna say a word!
I'm not gonna tell you
again, you little brat.
You're gonna get in that closet
and you're not gonna say
another word this evening.
- I'm not gonna go there...
- Shut up, you understand?
- I'm not gonna go in that closet.
- [Boy] I ain't goin' in that closet.
- You're not gonna say
another word this evening!
Not one!
(tense music)
(faint jazzy music)
So what do you think?
Sexy enough for ya?
- What do I think?
Damn.
You look great.
- [Mother] I know.
- [Lover] Where's the kid?
- Don't worry about the kid.
Took care of that little b*stard.
Won't be bothering us again tonight.
- Just what I wanted to hear.
Come here.
- [Mother] Now we can do whatever we want.
All night long.
- [Lover] All night long.
- [Mother] No more
sneakin' around (mumbling).
- [Lover] Dark bars.
- [Mother] No more lying.
- [Lover] Roadside motels.
- [Mother] No husband.
- No wife.
(chuckling)
- Think they know yet?
- Who cares?
- Who cares?
(moaning)
- 50 miles from any telephone.
- [Mother] Keep talkin'.
- All alone in the country.
(moaning)
(faint jazzy music)
(tense music)
- [Mother] Keep talkin'.
(mumbling)
(tense music)
(cracking)
(birds chirping)
(whooping)
- [John] All right!
We made it!
We actually made it!
(yelling)
Hey, what'd you do that for?
- [Chuck] Nice view...
(laughing)
♪ Ain't nothin' but a hound dog ♪
- [Jim] Hey give me that guitar.
No playin' with my guitar.
- [John] Okay, Chuckie boy,
let's get this stuff
over here, now, come on.
Set that over there.
Aw, come on Dunberry,
get that stuff over...
- I don't want that crap.
- [John] Get over there.
- [Chuck] Here's a ball.
(mumbling)
- [John] Okay, princess,
put that stuff over there.
All right now, let's get this...
(excited mumbling)
- [Carol] Upward pass.
- [John] Yeah, I got your pass hangin'.
Okay, let's, all right...
(whooping)
This stuff's gotta stop now.
Somebody's gotta (mumbling).
Okay, I mean, that's...
- [Jim] Got some tunes right here.
- [John] Let's see now,
let's keep that stuff...
- I got my roller.
(whooping)
Okay, Jimmy, get that stuff over there.
Your cup runneth over.
Okay, what,
get that stuff over here now, come on.
Set that over there.
(faint uptempo music)
Okay, let's, all right, get my junk.
Here, catch.
(talking over each other)
Okay, let's put this rag bag
over there in the corner.
- [Chuck] Hey Jimmy, you
gotta get that sh*t, man.
(mumbling)
- [John] Look out, Jimmy,
while you're at it,
get the ice chest, okay?
- [Jimmy] Hey, all right.
- [John] Let me see your hat there, boy.
(whooping)
Okay now, here, you can have it back.
What are we gonna do with
the little twerp in the van?
Anybody got a garbage bag?
- [Carol] Yeah, really.
- [John] Okay.
- [Jim] What's this?
- [Mary] Wait, can I have one?
- Beer?
- [Mary] No, I want a soda.
- Soda?
- I'm on the wagon.
- We're here to party.
(grunting)
- [Carol] Hey, let me help ya.
- Oh that, that's okay.
(faint uptempo music)
- Hey, Chuck.
I'm gonna go around front
and check this place out.
Looks pretty shaky to me.
- [Chuck] All right man, don't get lost.
- [John] Okay.
- Come on, Joni.
Smile a little bit.
Let's have some fun.
It's what we're here for, remember?
Joni, what's wrong?
- Know what's wrong.
- Can't we just forget about it
for the next few days and have some fun?
- Chuck, spending a few days up here
isn't gonna make me feel any different.
So, we have fun.
It's not gonna change anything.
- Well, what do you want me to do?
I just want you to have a good time.
(tapping)
- You know what I want you to do.
- I know, listen, so what if
it doesn't solve anything.
Can't we just have some fun?
- Fun?
(uptempo pop music)
♪ Right next to you, right next to you ♪
♪ Right next to you, right next to you ♪
♪ Right next to you, right next to you ♪
♪ Right next to you, right next to you ♪
(screaming)
- I'll see y'all on Sunday.
And don't worry about your van.
I'll have the transmission shiftin' gears
better than a good woman
on her honeymoon night.
(chuckling)
(engine zooming)
♪ Oh what a feelin' ♪
- It always sounds like I'm
trying to avoid the subject,
but I'm really not.
I'm thinkin' about it all the time.
- [Joni] Really?
- Really, I just don't want
it to spoil our weekend.
I know being up here's
not gonna change anything,
but it'll give us some time to think.
- I don't need time to think, Chuck.
I know what I want.
- Well, I know what I want, too,
but I still need time to think.
Now, come on, promise me
you're gonna have a good time.
I mean it or I'm gonna
give you country noogies.
Come on, little sweet and low please.
Promise me, come on, come on.
- Okay, okay, I prom...
(laughing)
I promise, I promise.
- Come here, give me a hug.
Now that's my girl.
Now, do me a favor, will ya?
Get this sh*t out of here.
I gotta go get a beer.
(uptempo music)
(melancholy music)
(tense music)
(clattering)
- Licensed by the United States of America
and the government for which we stand
or something like that.
I forget how it goes.
You know, man,
I think it's time we get pretty shitfaced.
(laughing)
(whooping)
(excited chattering)
- [Joey] Let's have a
drink called (mumbling).
- [John] Hey mama.
- [Joey] Aw, you little pig.
Look at you dance.
You got all f*cked up.
(uptempo dance music)
(excited chattering)
(shrieking)
- [John] I'll make you wet.
(laughing)
Yeah, right there.
(excited chattering)
Yeah!
(growling)
Oh, get it!
Yeah, yeah.
- Yeah, try that suckers!
(excited chattering)
- Do it, do it, do it!
(cheering)
- [John] Okay, man, you're up.
Let's see what you can do.
- Yeah, come on.
Yeah!
(cheering)
(whooping)
(excited chattering)
(all talking over each other)
(cheering)
(mumbling)
(uptempo music)
(moaning)
- Yecch!
Tooey!
- [Mary] Now that's a real man.
- You want a real man?
You can ride sidesaddle on
my horsie any day, snookums.
(smooching)
- Oh, sh*t!
(uptempo music)
- Hey, come on.
Come on.
Come on.
(clattering)
- It was all planned, Chuck.
We planned it for two years
and now you say you don't
know if you want me anymore?
- Joni, I still want you.
That's not what I meant.
- Well, what do you mean?
We've been together all this time,
make plans to get married, then you say
you're not sure it's what you want.
- I'm not sure.
- Then you can't be sure you want me.
- I still want ya.
That hasn't changed.
I'm just not sure if
I want to get married.
- But you asked me, remember?
- Yeah, I know.
- What's wrong?
Is that you don't want to be with me
or you're free to fool around or what?
- Joni, I don't want anybody but you.
I'm just,
I don't know, I'm just all messed up.
- So am I.
- I'm sorry.
- I love you.
- I love you, too.
You do know that?
- Yeah.
- Then hang in there with me, will ya?
Come on.
(melancholy music)
(tense music)
(melancholy music)
(tense music)
(melancholy music)
(tense music)
(chattering)
- [Jim] And I'll bet you can't do it.
- [Mary] Don't you dare.
- Don't waste your breath, Mary.
Pigs are pigs.
(talking over each other)
- [Joni] Don't start!
- I got five bucks says you can't do it!
- I got another five.
- Chuck!
- Ow!
(talking over each other)
- Five bucks each.
- You got it.
I got it right here, man.
All right.
- You guys are sick.
(whooping)
(cheering)
(excited mumbling)
(whooping)
(screaming)
(whooping)
Don't you have anything to say about this?
- 'Course I do.
- [Jim] Well, what are
you doin' now, big jerk.
- Hey, it's like I always say,
what's a ham and cheese
without a little mustard?
(screaming)
(whooping)
(cheering)
- Son of a b*tch, little mustard?
- Okay, you like mustard.
- [Jim] Yeah, what is this?
- You like mustard.
(cheering)
(whooping)
- Hold it, hold it!
Hold it, hold it!
Everybody hold it!
Right there.
(chuckling)
- [John] You started this, you jag off.
(excited mumbling)
- I didn't mean to!
- [Jim] Hey, this is a new shirt!
- [Mary] It was a new shirt!
(whooping)
(talking over each other)
- [Joey] Look at this.
- Does everyone like my new hat?
(excited mumbling)
- [Jim] Have some Skippy.
(whooping)
(cheering)
- Stop it!
You f*cking pigs!
- [John] You got a lot of nerve.
(whooping)
(excited mumbling)
- You guys started it,
you guys can clean it up.
- You guys started it,
you guys clean it up.
We're gonna split.
Come on, girls.
- [Girls] Bye!
- This isn't in my contract.
- Get a shovel.
(yelling over each other)
- [John] Look at this sh*t.
- Hey clean it, look at this mess.
- How'd we get roped into this?
(mumbling)
- Hey man, (mumbling).
- [Jim] sh*t, you kiddin'?
All the time.
- Is that right?
- sh*t, I haven't been
doin' so good myself.
- Do you believe that Chuck?
He poured mustard all over my head.
I could have k*lled him right there.
- That's nothing.
John does things like that
and worse, all day long.
- I don't know about those guys sometimes.
- Yeah, well I do.
I think they're all crazy if you ask me.
Every last one of them.
- I guess that's what
makes 'em fun, though,
but what this says about us I don't know.
- You got that right.
- I guess being a little crazy's okay,
but John carries it a bit too far.
- Yeah, sure wish I could say Jim did.
- [Joni] What?
- Oh, I don't know.
Seems like my whole life
I've been fightin' guys off,
and now I find one that I really dig and,
oh, I don't know, I can't seem to get
to second base with him, you know?
- Wish I could say the same about John.
I could use a break.
(chuckling)
- Really?
(mumbling)
- I have been gettin'
all that I can handle.
- Eh, sure it's good.
- Yeah, right, John.
Sure looks like she can't wait for more.
- Who said Mary?
- Ooh.
- I have been gettin' mine on the side.
- Oh, we know what side you
been gettin' on, too, but uh...
- You don't have to tell everybody Joe.
We know you're a jag off.
(mumbling)
- [Carol] Well, at least you got somebody.
- True, but he never stops joking around.
Not even in bed.
- Yeah?
- Sounds like fun to me.
- Uh no, not going to bed
with a guy wearing a mask.
(chuckling)
- A mask?
Then how do you kiss him, girl?
- He doesn't wear it on his face.
(screaming)
(talking over each other)
- That one up there ain't doin' me
a whole hell of a lot of good.
I been wearing my palm down to nothin'.
(laughing)
- You got no hair on your hands, huh?
- [Jim] Eh, it's a mess.
Twinkie!
- [John] Jesus Christ.
- Man, I gotta tell you.
I was on the freeway the other night,
it was serious business...
- Yeah, sure.
- And I looked at this girl.
She came drivin' up in a Porsche.
(mumbling)
(whooping)
- Yeah, right.
- I got a woody.
No, I didn't get a woody.
(talking over each other)
- [John] American breasts?
- Breasts and everything.
I got a throbber, man.
(talking over each other)
I pulled my sandal out,
there wasn't nothin' else,
I couldn't help it, I
had it up on the seat
and I just...
(tapping)
- Listen to this guy.
(talking over each other)
- No, I'm serious.
No, it felt good, too.
- I bet you were shot
for the rest of the week.
(laughing)
(talking over each other)
- What is, what is this?
- Tell you what.
See this sh*t?
Looks like Mary in the morning.
- I had a date like this once.
- Hey, hey, I'm gonna slap you silly.
- [Joe] Oh, God.
- I know you wanna try thirds.
(whooping)
- [Chuck] What the, what the...
- Man.
I definitely love this sh*t.
You guys take care.
- Get outta town!
- Twinkie!
- I hope the water works.
- Hey, hey, hey.
Where you goin', man.
We gotta clean up our mess.
- What do you mean where am I going?
I'm gonna take a shower.
- We gotta clean up our mess.
- All right, let's go take care of it.
What are you doin'?
- [Joe] Clean up.
(faint mellow music)
(footsteps thudding)
- Well, I've had enough of this, ladies.
I'm gettin' in the shower.
- Save some hot water.
Ask.
(tense music)
(water rushing)
(music crescendos)
(screaming)
- Boo!
- [Carol] Boo?
Oh!
- I couldn't think of
anything else to say!
- [Carol] You creep!
- That's all I said!
(yelling)
I'm sorry.
- I'll get you, you b*stard!
I'll get you!
(tense music)
(mumbling)
(faint mellow music)
- Oh yes, (mumbling).
♪ Once again ♪
Mmm.
- Oh!
I'm sorry.
- That's okay.
I was just comin' to put these clothes on.
- Yeah, (mumbling).
Wait, wait.
Don't go away so fast.
Jimmy, what's the matter?
- Nothing.
Nothing's wrong.
(faint mellow music)
♪ Ah I can't see ♪
(uptempo rock music)
(laughing)
- [Joe] Easy, easy, easy.
- [Jim] Yeah.
♪ How can our love twisted say ♪
♪ Darlin' come and ♪
(screeching)
- [Joe] Hey!
- [John] What the hell you doin'?
- [Joni] Put it back on.
That was a good song.
- There'll be plenty
of time for that later.
Now, we're gonna have some real fun.
- Hey, an orgy!
- All right, that's
what we're waitin' for!
- You fool, what did you have?
- Hey, let's get started.
- [Jim] Put your shirt on.
- [John] Oh, stop.
- Quiet, quiet.
I'm talkin' about a seance.
- [Joni] Hey, that sounds neat.
- [Jim] Hey, right.
A what?
- A seance, you know.
Talkin' to ghosts and goblins.
Raisin' the dead, stuff like that.
- All right, let's do it.
- [John] That stuff's all a bunch of crap.
- [Joni] So are you,
but who's complaining?
Scared, John?
- [John] Are you nuts?
- [Chuck] Is that it, John, scared?
- What the hell is this?
Pick on John day?
- [Joe] Hey, you ain't foolin' no one.
Your face is turnin' red!
- Get outta here!
- John, I think your lip's
startin' to disappear.
(laughing)
(mumbling)
That's okay, if you're scared, we can wait
for Mary to take you upstairs and tell you
a bedtime story.
- Hey, you want to hold a
scene, go ahead, hold a scene.
- [Mary] It's a seance, stupid.
- What?
- It's a seance.
A seance.
- That's what I said.
A scene.
- Some of you have probably already heard
what I'm about to tell you.
And some of you haven't, so
I'll start at the beginning.
It happened 10 years ago this month.
Seems a woman from the valley
ran away from her husband,
she came here to meet her lover.
She brought her eight year old son.
- Not gonna tell you
again, you little brat.
- [Boy] Not goin' in that closet.
- Gonna get in that closet.
- Not gettin' in that closet.
- Shut up!
- Not goin' in that closet!
- You're not gonna ruin
another evening for me.
- Not goin' in that closet.
- You're gonna go in that closet
and you're not gonna say a word.
- [Boy] I ain't goin' in that closet.
- [Mother] Don't say
another word this evening!
(thudding)
(tense music)
- They had planned to
spend a few days up here
before moving on, starting
a new life for themselves.
(mellow jazzy music)
- So what do you think?
Sexy enough for ya?
- What do I think?
Damn.
You look great.
- [Mother] I know.
- [Lover] Where's the kid?
- Don't worry about the kid.
Took care of that little b*stard.
He won't be bothering us again tonight.
- That's just what I wanted to hear.
- [Chuck] But they never moved on.
For them, there was no new life.
- [Mother] Whatever we want.
- For them, there was no life at all.
(moaning)
They left here in bags.
They were k*lled that night.
Brutally m*rder*d, right
here in this house.
Right here in this room.
(tense music)
Their bodies were found a few days later
by a couple of hikers.
It wasn't pretty.
Make no mistake, there was
very little left of them.
Their bodies had been
crushed, pounded to a pulp.
The bones had been pounded
over and over again
by a madman with a sledgehammer
until all that was left was a bloody heap
of mangled flesh and shattered bones.
There was barely enough
of their faces left
to match some teeth with
their dental records.
They never found the boy.
Some think he just
flipped out and ran off,
maybe trying to find help in the forest.
If so, he probably died.
Police say he was probably
taken off by the k*ller.
In either case, most
believe him to be dead.
That is, except for
some people around here.
Folks in this part of the county
say he's still out there, in the night.
Just watching.
Waiting.
Waiting for his mother's k*ller to return.
Waiting to take his revenge.
The k*ller was never caught.
The prime suspect was of
course, the woman's husband.
There was no charges brought against him.
No one knows who did it.
No one.
He just might come back.
(tense music)
Tonight.
Tonight, we're gonna find out who it was.
We're gonna call upon those
spirits and find out who
or what k*lled them.
Everybody ready?
Ready.
Spirits, I call upon you.
Summon those spirits of
those k*lled in this house
so long ago and bring them on to me.
Rise, spirits.
Rise, awaken on this night of vengeance
and walk among the living.
Rise and make yourself
known to us here tonight.
I command you to rise!
(tense music)
Rise from your eternal sleep.
Rise, obey my command!
I command you to rise.
Give us a sign.
- sh*t, nothing's gonna happen.
(tense music)
(growling)
What the hell?
- They're here now.
Speak to us, spirits of the night.
Speak to us and let us know the truth
of that bloodstained night.
I command you to speak.
- [Man] How dare you command me?
- [John] Holy sh*t.
- Quiet, be quiet.
(tense music)
We wish only to learn the
truth of how you were k*lled.
- [Man] Truth?
What truth?
We were m*rder*d in cold
blood by a raving maniac.
- Who did it?
- [Man] I can reveal this to only one.
(tense music)
- [Chuck] Who?
- [Man] John.
- Me?
- [Man] Stand before me.
Stand before me now.
I want you.
- Or what?
- [Man] We want to drink your blood.
- Bullshit.
(tense music)
- I think we may have lost contact.
- [John] Yeah, well that
suits this boy just fine.
I say we put an end to
this sh*t right now.
- [Man] No!
- What the hell is that?
- [Mary] Jesus.
I vote with John.
Let's stop all this now.
(tense music)
- [Jim] Oh, it's good stuff, huh?
- [Chuck] Good?
This sh*t'll k*ll ya.
(mumbling)
(growling)
(laughing)
- If you're trying to turn
me on, it's not working.
- Yeah?
That ghost stuff really had
you going, didn't it, Tootsie?
- Me?
- Yeah, you.
- You were the one who
nearly wet your pants.
- Bull!
I was just playin' along.
- Playin' along, huh?
This guy.
- Yeah, that's right, a*s breath.
- Oh, this is white!
I've never seen anyone so scared.
Another minute of that you would have
ran down the mountain screaming for mommy.
- Hey!
(laughing)
I'm not talking to you.
Enough's enough, now, knock it off.
- Woo hoo, big bad John
shakin' in his boots.
- Stop it, Jimmy.
(whooping)
I said, I'm not gonna tell ya again,
now knock it off right now!
- Anything you say, sweet pants.
- Come on you guys, knock it off.
What the hell you doin'?
It was all a joke.
(mumbling)
It was a gag.
Me and Joey set the whole thing up.
- Yeah, well you scared
the hell out of us.
- Wasn't it fun?
- [Jim] Hey, real fun.
- I owe ya for this one, buddy.
- [Jim] I think we all in
it for this one, buddy.
- Hey, hey, come on, knock it off.
No, come on, you guys.
(mumbling)
(cheering)
Anybody got a bar of soap?
(tense music)
Three, four words, four words.
(all chattering)
Sounds like dirty ears.
- Cradle, cradle.
(talking over each other)
- [Chuck] What are you doin'?
Come on, get outta here.
What, are you nuts?
(talking over each other)
- Look at this.
- [Chuck] I think I'm gonna have to
clean his ears out, John.
Two boys, two girls and it's an old pro.
(mumbling)
- I'm real excited about it.
- [Mary] To the moon, yeah, right!
- Great.
- Oh, I got it.
- Like when?
(others mumbling)
- Let's go upstairs.
- No, not now.
- Come on.
We could just talk.
You won't have to do anything.
- Do anything?
Talk about what?
- I don't know, you and I, anything.
- We're fine, really.
- Okay.
All right.
You don't wanna go upstairs with me,
I'll just take off my top right down here
in front of everyone and embarrass you.
- Go ahead.
- Yeah?
- Yeah.
- Yeah, you don't care?
- Nah.
- Really?
Okay.
- Okay, okay.
Come on, let's go.
(laughing)
(chattering)
- [Carol] Jimmy.
(mumbling)
- Now where did he go?
- Probably cooking up
another scheme with Joey.
- Huh, if they have any sense,
they'll peek in on Jimmy and Carol.
- He doesn't have to do
that for his thrills.
I see to that.
Is that how you get yours?
- How else?
- You just wait.
- I been waitin' two years.
(tense music)
- [Carol] Why have you
been acting so funny?
- What do you mean?
I haven't been acting funny.
- [Carol] You haven't been acting funny?
- No.
- Well, all I know is I
think that you've been
treating me like I haven't even been here
for the last couple days.
Look it.
I even brought us a surprise.
(clattering)
Come on, sweetheart.
What's the matter?
- Nothin'.
Nothing's the matter.
- It's obvious something's the matter.
You're shaking like a leaf.
- Nothing's wrong.
Really.
- You never have, have you?
- Don't be silly.
Of course I have.
(tense music)
(gasping)
- [Chuck] Jesus, you
scared the hell out of me!
(mumbling)
- You scared me, too.
- What are you doin' here?
- Just bite my head off.
I was lookin' for you, what else?
- [Chuck] I'm sorry.
- Chuck, what's the matter?
What's that on your hand?
- It's blood.
- What?
- There's a lot of it on the floor.
I think it's Joey's.
- What's the joke this time, Chuck?
- This is no joke.
I came in here to find Joey
and there's a lot of blood on the floor.
- That's it?
You can do better than that.
Joey could be anywhere in this old house.
What makes you think he's not
playin' a joke on you this time?
- Joni, this is real blood.
I don't know how or why, but
I think Joey's been hurt.
- Okay, let's go tell the others.
- No, not yet.
I wanna look for him, first.
I guess I could be wrong.
I don't wanna say anything
without being sure.
- [Joni] You're really serious.
- Very.
(tense music)
(screaming)
(tense music)
(weeping)
- Chuck.
Chuck.
- Joni, what is it?
Oh, sh*t.
Listen to me, Joni.
You have to go upstairs,
get Jimmy and Carol.
Can you do that for me?
Don't tell 'em anything,
just bring 'em down here
but don't tell 'em anything.
Can you do that?
Can you?
Okay, go.
(tense music)
- [John] What's wrong, man?
- We got big trouble.
I don't know how to tell you this.
(tense music)
(screaming)
(tense music)
- Joni, Joni!
What the hell's goin' on here?
(wailing)
Man, check it out.
(screaming)
Joni, it's okay.
Joni, jeez.
Go on downstairs.
Yell if you find anything.
- You'll be the first to know.
- [Chuck] What's goin' on?
- My a*s will go flyin' through
the first window I can find.
(tense music)
Damn.
Jesus.
Jesus Christ.
(tense music)
Both dead.
- Where'd you get that?
- In the room.
Some crazy b*stard used
it to tear 'em to pieces.
And I want his a*s!
- Yeah, I know.
I want him, too, but we gotta figure out
what the hell's goin' on or calm down
and figure out what
we're gonna do about it.
- Calm down?
What the hell you talkin' about?
We got some crazy b*stard
runnin' around here
mowing our friends to pieces
and you want me to calm down?
- Look, John.
I don't know about you,
man, but I wanna come down
off this mountain alive,
not carried in a bag.
We lose our cool now, we're gone.
- He's right, John.
- I'm not talkin' to you.
Just shut it.
- You go to hell.
We're talkin' about my life, too.
- The only way any of us is
gonna get out of here alive
is to k*ll this b*stard.
We've gotta search this
house from top to bottom,
find him and tear his damn head off.
- That's stupid.
How in the hell are we going...
- I told you to shut it.
- Hold it.
Hold it right there.
This isn't gonna solve a damn thing.
- Oh, you're gonna solve it all, right?
- Just listen.
I know you want this as*h*le,
man, so do I, but how?
If we go after him
together, all he gotta do
is stay one step ahead of us, right?
- Yeah, so?
- If we split up, chances
are he's gonna get us
one at a time and even if we find him,
do you think the girls could handle that?
I mean, Joni's practically
in a state of shock
and Mary's not far from it, either.
Think about it, John, just think about it.
- Okay, I'm listening.
- Did you see anything?
Any kind of clue?
- Nothing.
- Okay, this is it.
I say we stay right here in
this room until first light.
That can't be what, maybe
three, four hours from now?
First daybreak we hike
down off this mountain
to the nearest town, what do you say?
- [Joni] No.
- What?
- [Mary] Easy, Joni.
- Joni, come on.
- [Mary] Easy.
- [Chuck] Joni, what's wrong, baby?
(weeping)
- Come on, we have to.
You have to trust me, okay?
(smacking)
Come on, come on, Joni.
- I won't stay here, no!
- Joni, Joni, Joni, Joni!
Listen to me.
Listen to me, listen to me.
We've got to stay here.
We've got to stay here, come on.
We gotta stay here, baby.
(Joni weeping)
We have to stay here.
Come on, trust me.
Okay, baby, come on.
Come on, we gotta stay here.
(weeping)
- There's something bothering me, Chuck.
- What?
- I mean, what makes a difference
if we wait 'til morning
to hike outta here?
Just because it's daybreak doesn't mean
we're gonna be safe.
- Well, at least we'll be able to see
what in the hell we're fighting.
- And you think we're
gonna be able to hike
50 miles in one day.
I mean, spend another night out there.
- At least we'll be a damn good ways
away from this place.
- Oh yeah.
Okay, I'll tell ya what.
We'll do it your way, but
if anything else happens,
we hunt this sucker down
and tear his head off.
- Damn right, we do.
(tense beat music)
(footsteps clacking)
(clattering)
- They left here in bags.
They were k*lled that
night, brutally m*rder*d
right here in this house,
right here in this room.
(tense music)
(stairs creaking)
Make no mistake, there was
very little left of them.
Their bodies had been
crushed, pounded to a pulp.
Their bones had been
pounded over and over again
by a madman with a sledgehammer,
until all that was left was a bloody heap
of mangled flesh and shattered bones.
(tense music)
They never found the boy.
Some think he just
flipped out and ran off,
maybe trying to find help in the forest.
If so, he probably died.
The police think the k*ller took the boy.
In either case, most
believe him to be dead.
- Hey, hey wait.
Hey, kid, come on kid, open the door.
(knocking)
Come on, open the door.
Hey kid.
(knocking)
Open it.
(coughing)
(tense music)
(door creaking)
(tense music)
It's the kid.
It's the g*dd*mn kid.
(tense music)
(footsteps clunking)
(groaning)
- John.
John.
(groaning)
(gasping)
John.
John.
(tense music)
b*stard!
You son of a b*tch!
Where are you?
(tense music)
John, John.
(wailing)
- Oh my God.
No!
No!
(screaming)
No!
No!
No!
No!
- [Joni] Mary, Mary!
- No!
- [Joni] Mary!
Mary, Mary!
(thudding)
Oh God!
(tense music)
- Who are you?
(mumbling)
- She took me away forever.
She was a bad mommy.
- That's not your mother.
(mumbling)
(tense music)
- Me that knife.
Ow, you little b*stard.
(tense music)
- No, Chuck, no!
(smacking)
(tense music)
- Get out of the room.
(thudding)
- [Joni] Chuck!
Chuck!
Chuck!
Chuck!
Chuck, Chuck, Chuck, Chuck, Chuck, Chuck!
(tense music)
(footsteps thudding)
(tense music)
(screaming)
(breathing heavily)
(tense music)
(screaming)
(footsteps thudding)
(tense music)
(tense music)
(whimpering)
(tense music)
(clattering)
(tense music)
- Please!
Please!
Please, no.
God.
No!
(screaming)
(tense music)
(grunting)
(tense music)
(clattering)
(footsteps crunching)
(tense music)
(tense somber music)
(eerie melancholy music)
(tense somber music)
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