01x01 - Mengejar Angka Sepuluh

[bunniefuu]

Excuse me! Coming through!

-Hey, watch it!

-Coming through!

-Excuse me!

-Watch where you're going!

Excuse me, Sir!

You know how it feels, don't you?

You should've been doing

something more meaningful.

Well, you know

you feel like taking a dump,

but you just can't get it out.

Movies can change the world.

Well, at least, my world.

Hey!

Hey!

-Hey!

-What the hell?

No way! I'm Lala, your junior.

I booked this dolly first,

for my class' film sh**t.

Why are you taking it?

So what? You're only doing your sh**t

for Mr. Yandy!

-It's not important!

-No! The dolly's mine!

Hey, Teletubby, can you just shut up?

We're taking this! We're making a movie

to be sent to Saskara!

No way! It's mine!

-Ouch!

-Just leave her!

Go, go!

Let's go! Hurry up!

Hey!

La, why are you still here?

Let's sh**t!

The guys are waiting for you!

Excuse me, Ma'am.

Sir.

There she is, my producer.

Guys! Let's go. Let's sh**t some movie.

What time is it now?

How do you turn this thing on?

You can't even turn the lighting on.

How do you want to enter Saskara?

My gosh!

You should've listened more in class.

-Art, art!

-Yeah?

Change this glass vase

with the plastic one.

The choreography won't

even go near the table.

The talent even said they'd be careful.

-Just do what I say. Okay?

-Okay, right.

-Swap the vase with the plastic one.

-La?

Where's the dolly?

The dolly

Hey, buddy,

let me borrow this for a while.

Can anyone help push me around?

What are you doing?

Just push me, to the right.

One, two, three.

Good.

Cut!

There you go!

See?

We can use this, right?

-To substitute the dolly?

-It's a bit shaky, but

somehow you can feel the emotion more.

It is shaky, but it's okay, right?

-Nice, eh?

-Nice.

Alright. Let's do this.

Slowly, to the left, let's try it.

This is what cinema looks like!

Nice!

Let's go!

As an aspiring producer,

I always hone my judgment

by assessing the situation,

assessing other people.

Do it faster.

That's right. One more time.

Okay, good.

La!

My judgmental nature

does not apply to Jessica.

She's a talented writer.

But sometimes her insecurities

cloud her potential.

-My producer!

-Jess!

-So, how are you doing?

-Fine.

I'm just watching the guys working.

That's good.

I just can't wait for our first project

together as writer and producer.

You've put it on your lock screen already!

Of course! Just take a look.

It's cool, isn't it?

That's nice.

The concept's okay.

So is the wardrobe.

What do you think, Rey?

That's Reyhan.

The manic, pixie, dream boy.

Just like Rangga from AADC.

He's my most genius senior.

He's a teacher's assistant,

an ace director on campus,

and the son of Jagad Dewantoro,

an Indonesian movie maestro.

He's also one of the founders of

Akar Semesta,

the role model

production house on campus.

What are you looking at?

What are you talking about?

I'm looking at Mr. Yandy.

Okay, Sir! Nice!

You're silly!

Jess, let's go!

We're going to start the take!

They're calling me.

Catch you later, here, okay?

-Alright, good luck!

-Bye, thank you!

Slate 27, scene 3, shot 1, take 1.

-Camera.

-Roll.

Take.

And action!

Cut! Okay!

Guys. That was good.

Just push, okay?

Do that again later, alright?

Alright, reset!

-La, wait up!

-Hurry up, Jess!

Why are walking so fast?

I still have to take care of the payment.

Help me open the door.

I'll close the door.

-La.

-Just wake him up.

-Me?

-Or should I?

No. Don't. I'll do it.

Jun.

What is it, Jess?

Jun.

Let me.

-Halo? Jun.

-What is it?

We need the place for the Cinebox.

Wake up!

The Cinebox is still

another five minutes, right?

It is, but you're taking up some space.

No, no, what Lala meant was,

we're just asking you, please.

Jun, we really need the room. Please.

And we're really in a hurry.

Do you want this?

When we were sh**ting,

we had some surplus.

Thanks.

Dang! No manners

and acting so cool like Dilan!

But Dilan is handsome and romantic.

Brain 0, beauty 0, behavior 0!

Zero points all around!

Just forget it.

Why do you have to go

through all of this each semester?

Jess.

What do you think?

Try to blur the font a little bit.

So it'll look close enough.

Okay.

Whatever it takes,

our film has to be in Saskara, Jess.

La.

I actually want the script

to be well-written first,

before we start to sh**t.

So, you don't want to get into Saskara?

It's not like that.

What I mean is

let's just get on with it

if the script is done.

I just don't want to force it.

Because, the story that I'm writing

right now is important to me.

I'll be right over there.

You're home quite late, La.

Yeah, as usual.

"Busmac" assignment.

Business management accounting.

No wonder you got home so late.

But, it's okay.

When you graduate

big companies will surely

recruit you immediately.

My friend's child goes there.

Got recruited in the big four,

right after graduation.

The salary is great.

We have to be tough, La.

So that we don't have to depend on anyone.

Have you paid your semester tuition?

I already transferred the money

this afternoon.

Yes, I have paid it.

Campuses these days are raising

their tuition by ridiculous amounts.

Payment slip.

Okay.

-La.

-Yeah?

What's in the other envelope?

Just a campus event flyer.

Don't forget, you have lunch

with your father tomorrow.

-Sure.

-Have a good night rest.

-Waiter.

-Yes, Miss?

Please wrap these to go.

Alright.

-Please wait a moment.

-Sure. Thanks.

Here you go.

-Thank you.

-You're welcome.

They knew the singer was coming.

-Your love embraces me in

-Stop it! I'm embarrassed, Dad!

Why should you be ashamed?

I wrote this song!

-But, I'm embarrassed!

-Why should you be?

-You're always late!

-Sorry.

A customer lost track of time

playing music in my studio.

If I left the studio,

someone would steal my studio!

Yeah.

How's your mom?

Well, nothing new.

And how's school?

I'm sick and tired of lying to mom.

Well, I've offered you help

with talking to your mom,

to tell her that you're

not happy studying management.

You're happier studying film.

But you told me not to.

So, there's nothing I can do about it.

You know what kind of person she is.

She needs proof, Dad.

If I do exactly what you just said,

she would just tell me to go back

to studying management!

Do you remember the film festival

that I told you about?

Yeah. What was it? Sas

Saskara.

Sure, I remember.

My friend and I

are planning to make a short film.

Okay.

If my short film gets accepted

to the Saskara Festival

I promise I will be honest with mom.

I will tell her that

I'm really serious about studying film.

Well, alright.

But, just try not to

be all serious about it.

Try to enjoy it.

Just don't be too uptight about it!

If you're too serious,

you'll turn into a panda.

Just look at your eyes.

You'll have black eyes

and turn into vampire.

Dad, stop it!

I should be going.

What are you talking about?

I haven't even order anything!

There you go!

I already wrapped it for you.

I was only

We were just talking for a little while.

You got here late.

Now I'm late, and I've got to go.

No! I don't want to!

Bye!

GRAN'S WOVEN GOODS

Guys.

For the film analysis assignment,

pick one movie

and analyze the use of semiotics

in that movie.

To be submitted next week.

Yes, Sir.

By the way,

do you know that Saskara

is opened for submissions this year?

Yes, Sir!

It just so happens

I've been appointed as one of

the committee board members

for the Saskara Film Festival this year.

So hurry up and register

your project for Saskara.

If there are UCN representatives

whose films make it into Saskara,

it will benefit your future career a lot.

For example,

your very own teacher's assistant.

Reyhan!

Hi.

I'm Lala, sorry to bother you.

I want to volunteer to help

your latest project.

Would you accept me onto your project?

So far Gepeng and I have been

recruiting people from our own class.

But I'm a fast learner.

You can see it yourself,

what I'm like in class.

Sorry, I have to go.

I have to prepare your screening.

Is there anyone here that

wants to ask some questions

about the movie Cangkem?

Please.

Okay, the person in green.

I was going to ask about

the production process of Cangkem,

but because Gepeng is not here right now

Sorry, unfortunately Gepeng

is not available today.

It's okay, let's just ask

Reyhan Dewantoro

and Ute, our power couple.

Reyhan, what will your next project be,

and will it also be featuring Ute?

If you will, Mr. Director.

I can't say much yet

about the future project.

But, surely, it will be

very personal to me.

Okay.

We're really looking forward to it.

Hopefully it will also

be featured in Saskara.

Are you happy with the answer?

So, who's next?

La, what are you doing?

Looks like it's coming

from our own organizing committee.

Go ahead, La.

Thank you. Check.

Hello, Reyhan and all of his team.

Congrats on your movie, Cangkem,

it's a very cool movie.

I have one question,

especially for Reyhan.

What I noticed,

from the production team to creative team

is that they all seem to

consist of male crews.

Is there no opportunity

for female crew members?

Well, we didn't do it on purpose.

It just so happens

that the team on Cangkem

always makes movies with me.

Regardless of gender,

whether male or female,

if you as an individual

can prove yourself to me,

Gepeng, or any other team member,

that you have the skills

then, why not?

Thank you.

My god, you were so girl-bossy!

My heart was pounding!

No way, Rey.

There's no way we can build

the set from scratch.

Peng, you know that

the set is an important part

of our narrative in Larung.

Yes, I know that.

But try to see it

from a budgeting point of view.

It's just impossible.

The best way is if we sh**t

in an Omah Sopo.

Then we could just dress it up

to suit your vision.

There's nothing wrong with you

being an idealist.

But just don't forget

to be realistic, Rey.

I'm so tired of his stubbornness.

Hi, Gepeng!

Hello. I'm Lala.

Lala, the producer from the junior class?

Yes. What does it matter if I'm a junior?

Oh, nothing.

I want to give you something.

What's that?

My CV. Maybe you could take a look at it.

I want to express my interest

in helping out on the production team

for your latest project with Reyhan.

So you're the one Rey said

asked about female crew.

Yes, that was me.

Nice, I like your style.

Actually, I do need some help

to handle Rey's bad mood.

Do you have some time tomorrow

to discuss it with me and Reyhan?

Sure.

Okay, I'll send you our deck project,

so can review it.

The project is called "Larung."

But, try to keep confidential.

Sure, will do.

Tomorrow, just tell me what you think,

and tell us what

you can offer for us on Larung.

Alright.

Okay.

-I'll take these.

-Alright.

-Thank you.

-You're welcome.

Thank you, thank you.

Jess.

-What do you want to say?

-What do you want to talk about?

Crosstalk.

You go first.

Okay.

I'm sorry I haven't told you about this.

So, I submitted a proposal

to take part in the production

of Reyhan and Gepeng's latest film.

But don't worry,

if they accept my proposal

I will still be the producer

for our movie.

What do you think?

It's okay, of course.

You have my full support.

Besides, if you are involved

in Reyhan and Gepeng's film

you have more of a chance

to be accepted in Saskara,

and to prove to your mother

that you are serious about filmmaking.

You are the best, Jess!

What are you going to talk about?

I was about to show you the synopsis

for our Saskara film.

Really? What's it about?

Family drama, La.

Family drama again, Jess?

I think that theme is less interesting

to submit to Saskara this year.

What if we talk about

a more promising issue?

For example

gender.

Or maybe social inequality.

I see.

Okay.

I'll try to find another idea.

Chin up. You got this.

Okay, so what can you improve?

I think we can extend the budget

by submitting a better offer

for equipment rental.

On my last sh**t,

I got 70 percent off regular rental.

And also, the potential location.

What's wrong with the potential location?

Look wise, it's close enough.

But in my opinion,

the look of an Omah Sopo is too modern.

If we tone it down,

it won't be believable.

If we build the set from scratch,

it's not cost effective.

It takes a lot of time and money.

What is your suggestion?

I've done my research on Airbnb,

and I found this.

Rumah Tajoe.

This house is inhabited,

but it's right as a sh**ting location.

I think that an inhabited house

has more soul and texture

compare to a set built from scratch,

and the rental price is good.

Not bad, La.

Why?

Why are you so interested

in joining our team?

Because I like your film.

I want you to make the best film

according to your vision.

And I

I want to prove myself to someone.

Lala!

Hi.

I've talked to Gepeng,

and we were impressed

with what you had to offer to us.

You can join the production of Larung.

What do you say?

-Are you serious?

-Of course.

But, before you get your position,

I have one task for you.

We haven't found an art director yet.

So I need you to find an art director.

Can you do that?

-Yes, I can.

-Okay, see you.

ART DIRECTOR CANDIDATES

ART DIRECTOR CANDIDATES

Hey, Teletubby. Give me back my shoes.

Your shoes? I've dumped them in the bin.

You rascal!

-I haven't finished talking.

-What's this?

You took the dolly that I booked,

now you touch me without permission.

What do you want?

TO BE CONTINUED

What's going on?