01x06 - Episode 6

[bunniefuu]

[suspenseful music]

[Joey] Caramel's sweet made of sugar,

sugar cane, sugar plantations in Jamaica.

So I think C.

[phone ringing]

[Controller] 200,000 pounds,

such a lot of money.

So let me ask you,

are you sure about your answer?

Are you 200,000 pounds, sure?

[phone clicks off]

[Joey] I mean, caramel is a sweet thing

that I

surely that would be mentioned in there.

I don't know, you know?

I mean there is obviously a

rum has got a lot of sugar in it, innit?

[Joey] Yeah.

[James] Do you know what? f*ck it.

I'm sorry. Let's just smell it once more.

Yeah, it's definitely got

some sort of, sugar, sweet, yeah.

It's sugar.

Hickory. No, C. Caramel and Spice.

Caramel and Spice, C.

- [James] Alright. You ready?

- Yep. Go for it mate.

[suspenseful music]

Something's gonna happen here.

We're waiting like we was last time.

Helicopter?

[engine whirring]

[James] That's moving over

- My word.

- Look, it's a Navy boat,

coast Guard boat coming out.

It's like the military, innit?

I thought that was the Rum.

Come on.

Ah, mate.

Come on.

[music intensifies and stops abruptly]

[Controller] James and Joey Bone.

I hope you enjoyed your swim

and that Jamaican rum,

the finest in all the world.

And yet, all you want to know

is whether you won the money.

You got that right, bro.

[Controller] Or is this

the end of the road for the Bone Brothers?

Well, you answered C.

Your answer is

[suspenseful music]

Come on.

- [Controller] Correct.

- [both cheer]

Get in there!

- Oh, mate.

- We just got a hundred grand each!

That is proper.

[both yelling and laughing]

[Joey] I take it all back,

it's the best drink in the world!

[Controller] I don't know

if you are good or just lucky.

Get in there, man.

[Controller] But we'll soon find out.

[laughs]

Go to the boat in front of you

where my friends

at the Jamaican Coast Guard

will take you to your next question.

[James Bond theme music tones]

[epic music]

[James Bond theme music tones]

[background festive music]

[James] Have you noticed

this building here?

[Sam] Yeah, it's the same as that one.

Maybe it's like a little market

or something like that.

[dogs barking]

How'd you ask for help in Spanish?

"Ayudas". Well, that means,

I think that's "you help."

So, they'll get the message.

Look, is that the square there,

on the right?

- [James] Oh it is.

- [Sam] Yeah.

Oh, this is the right place.

Here, here. Look.

- [James] There's the thatched roof.

- [Sam] Yeah.

- 9:00 AM.

- We're on time.

[Sam] Uh

- What else did you get in the train?

- [James] Keys.

Here you go.

Try that one.

Hm.

That one's far too big.

- No, it's too big.

- Too big.

Dad, did you try this?

Yes.

[James] It's a barber shop.

Hm.

[James] La vida continúa.

[James] The stars. They're all stars.

[suspenseful music]

Mate.

- [Same] What is that?

- [James] Like a ray g*n?

- Oh-ja!

- sh*t.

What the hell is that?

[Sam] Range, far and near.

[phone beeps]

I got a text.

"Follow the signal."

- Let's get the car.

- Follow the beeps.

[Sam] Hey, hey. A Beetle.

That's as iconic a Volkswagen

as you're going to get.

Right. Turn that on.

[beeping]

[suspenseful music]

Am I going left or straight ahead?

[beeping continues]

Left.

Go back far.

[static] [beeping gets faster]

[Sam] Well my dad,

he is a little bit more fearless than me.

I think that's just

because of his experience.

He's done crazy things with his life.

He moved to the middle of nowhere.

It was a little place

that borders northern Afghanistan.

He did it with no regard

for the future or anything.

He just, it was in the moment.

[James] When I was in my early 20s,

I got involved in some real adventures.

It was at a time when borders were closed,

there'd been civil w*r in the area.

But I find myself having to negotiate

with border guards.

I got arrested

and taken away and interrogated

because I had photographs

of me holding a Kalashnikov.

Because the guards to the flats

that I'd been living in

were bodyguards to the mayor of the city.

I've always been

a bit of a gambler taking risks.

You know, that's reflected

in the life that I live.

Let's get to this destination.

Damn hope there's a question

and get it right.

A hundred grand.

This is gonna be nerve-racking

answering this question.

Even if we

a hundred percent know the answer.

See everything we've done so far,

this question is the worth the exact same

as the past four questions combined.

- That's a good point.

- Yeah.

But to be fair, we've had to work

four times as hard to get this far.

- [Sam] Yeah.

- [James] Let's win the million. [laughs]

[beeping]

[James] Here's a concern.

- Yeah.

- Right. And I want you to really

- let this sink in, okay?

- Yeah.

Well, there's been times in my life

where I've had access to serious money

through business decisions

and through pure luck.

- Yeah.

- And

on every occasion,

I've somehow managed to lose it all.

Uh

- If I'm being honest.

- Yeah.

At the times when I have had

access to more wealth,

um, I've maybe had

an over-inflated opinion of myself.

You know, if you get

too big an opinion of yourself,

you come across as being a bit of a d*ck.

- Right.

- And

you know, losing stuff, losing that wealth

and losing access to the freedoms

the wealth affords you

shows you what is so important in life

and what really matters to you.

Because it's whatever you're left with,

that's what matters.

So what did you find

that's the most important?

The only thing that matters to me

is family.

Family?

I remember like throughout your childhood,

asking you and throughout

your older childhood asking you,

"Son, what was it like for you

when dad have to go offshore?"

And what I wanted to hear was,

"Yeah, it was fine. I got used to it."

- Mm-hm.

- There was no bother.

But every time I asked you,

you were like, "Nah, it was a bit sh*t."

Yeah.

And uh, that was tough.

You know, that was tough to hear.

Yeah, sorry.

No, you don't have to apologise.

You know, I'm just sorry that I haven't

been there for half your life.

[emotional music]

[static]

I'm getting a signal on the left, Dad.

- Yeah.

- On the Dad.

We're gonna have to go off road.

- There is no left turn.

- Yeah. Go. Just go that way. Just go,

- Sam, this is not the Range Rover.

- Just go off road. It doesn't matter.

Sam, this is rear wheel drive.

Dad, It's a hundred grand.

It's a hundred grand.

[beeping]

[Sam] Go, put some gas. [sighs]

I told you this can't go off road.

- Right.

- It's a rear wheel drive car.

The engine's in the back,

all the weight's in the back.

- Right.

- We'll have to go on foot.

You didn't have to listen to me.

[suspenseful music]

[Controller] The Amazon rainforest

is home to some of the deadliest animals

on the planet.

Around you are rare bats.

Beware their droppings can be poisonous,

but your question

for 100,000 pounds is not here.

[suspenseful music]

On the road to Balbina,

find "Bar Predadores".

We're on the road that leads to Balbina.

- No signs though.

- Nothing.

[Colin] Got no handbrake.

Got no speedometer.

Don't even know what that dial is

that should be there.

[Danny] If I'm in trouble or in need,

you know I'll contact Colin.

His family is part of my family

and my family is part of his family.

I'd go to battle with him.

Got fuel?

Got fuel, yeah we'll be all right.

[Danny] I am a nervous person,

if there's something new to do,

new challenges,

I am nervous, the butterflies will go.

Sometimes the legs will go,

sometimes the voice will go.

If I'm not in my comfort zone,

that's when I struggle.

Bar Predadores. Bar Predadores.

Yeah, we're here mate.

But what this might give me

is confidence.

I got three girls

and from this experience, I'd like to pass

onto them that anything's possible.

There's the briefcase in there.

You seen the size of the teeth

on some of these things?

[Controller] If it is hungry,

the piranha will fight over

the flesh of anything

that is set before it.

[Danny] Do you reckon

something like this?

[Colin] No, no.

- You wanna put your hand in there?

- I am going to.

- You wanna do it?

- [Colin] Um, no.

Right hold it there. Oh, sorry, mate.

We just want to push the box this way,

make a grab for it.

Get off it!

Got it?

[suspenseful music]

[beeping]

[beeping continues]

- [Colin] What is it?

- [Danny] Just looks like trees.

It's like their growing out the water,

but they're dead.

[beeping gets faster]

[Colin] That's it, hold it there.

[Danny] Want me to give it a go?

[Danny] I very much

will stand back at times

and I want that, the change.

[suspenseful music]

[music stops abruptly]

[suspenseful music]

[Colin] Yes, Dan!

Mate, well done. Well done.

[Controller] This flooded landscape

in front of you

used to be miles upon miles

of primary rainforest.

It was controversially flooded

to create a massive hydroelectric dam.

For 100,000 pounds,

what is the electrical output

of this dam measured in?

Watts.

Volts.

Joules.

What are you thinking?

What's it measured in at home?

- Lightbulb is in watts.

- Watts.

[Colin] Volts is batteries.

- I'm happy to eliminate Watts.

- Okay.

We just take that out.

So between volts and joules.

[Colin] What's Joules?

I can't think what Joules are,

what measurement it's for.

I have never heard of Joules.

[Colin] When you talk about

electrical cables powering houses,

you're talking volts, aren't you?

if you get a shock

it's X amount of volts isn't it?

- [Danny] Yeah.

- 10,000 volts kills and all that.

[Danny] Yeah.

- Go with volts?

- Mm-hm.

Okay.

[Controller] For 100,000 pounds,

you chose option B.

Your answer is

- Sorry mate.

- It's all right.

[dramatic music]

[Controller] Kamara and Josh,

welcome to Jamaica.

The next question is for 200,000 pounds.

I want you to go to the Black River.

There is a restaurant

on its banks called Sister Lou's.

[clunking]

[Kamara] Oh sh*t.

Okay, Sister Lou's.

Hey. Sister Lou?

We're here to find something.

I'm hoping you can help us.

Find what?

- [Kamara] A briefcase?

- [Josh] A briefcase, maybe?

- No.

- [Kamara] No.

[Josh] No? Okay.

Um

- Can we look around?

- No problem.

- Perfect. Thank you.

- Thank you, Sister Lou.

- You're welcome.

- Come on then, bubs.

- [Josh] What are we looking for?

- [Kamara] I don't know what.

[Josh] Maybe behind the bar.

There's nothing in there.

Nothing down here.

Maybe not that. Um

[Kamara] Search. Just look.

[indiscernible]

- [Kamara] Look in the freezer.

- [Josh] Yeah, yeah.

That stinks.

Oi!

[laughs] Look, look, look, look, look.

Look there in the camera.

- What?

- What is that?

That's the crab key.

- Crab key?

- Look, look!

Look, look, look, look.

What do you see there?

[Kamara' Oh, oh my god. You're good man.

Okay. Where is that? That's the crab key.

[Kamara] We need to find the Crab Key.

The building name.

[Josh] So we need to find a building

called Crab Key.

And then this lever yeah. Is just a

Forward and then reverse.

And then reverse. And that's on neutral?

- Yeah.

- Okay.

[Kamara] [yells]

You're not even looking at the road.

Look at the river.

[Josh] I'll put some welly into it.

Hold tight.

[Kamara] Oh my God.

Oh my God bubs. What are you doing?

[shudders]

I'm gonna scream.

Oh my god. Oh my god bubs.

[suspenseful music]

There.

[Kamara] I can see lights. Come on.

That's the bridge there.

The yellow building's there as well.

- Can you see it?

- [Kamara] Oh, yeah, I see it.

All right.

- All right, we need to

- Try and pull up into there. Slowly.

[dog barking]

[eerie music]

[Josh] All right, we got this. Come on.

What the flip?

[both] Trespassers will be eaten?

[Kamara] What is inside here?

Yeah, sh*t.

All right, let's go. Somewhere in here.

- Mind your head.

- [Kamara] Sh, sh.

Okay. Where we going?

Bruv.

I think I might need something longer.

Wait. Hold tight.

Bubs, just come.

- I just need something.

- What you need?

There's nothing there.

I'm not going anymore. I'm scared.

Maybe we got to open the gate?

No, not that one.

There's a door over there.

- [Josh] Shall we try that door? Slowly.

- [Kamara] Yeah.

[door creaks]

[crashing sound]

[door creaks open]

It was against one of them fences.

It was against one of these.

Against one of the fences.

What the f*ck?

Holy sh*t.

[Kamara] Is that real?

We are just gonna get our briefcase.

Oh, he looks angry.

Yeah. Bubs, come on. Let's go.

[Josh] Where's the briefcase?

[Kamara] I don't know,

I was just looking for it.

[Josh] Yeah.

[door creaks open]

[Josh] Slowly, slowly, slow ting.

[dog barking in distance]

- Oh my

- Are you dumb?

Ah, for flip's sake.

[suspenseful music]

[Kamara] [sighs]

[Josh] Yeah, it's alive.

I just saw it blink. [groans]

And we have to get that?

[Josh] This guy.

[Sam] I can't tell what it is, Dad.

A stick? In the ground.

Okay, it's a shovel.

[suspenseful music]

- I hope it's not a body.

- [Sam] [chuckles] [grunts]

Oh!

- I'm hitting something.

- Come on.

[sighs] Just a rock. Bugger.

Yeah, go on lad. we gotta answer

a bloody question after all this.

Okay, I found the corner.

[James] Go on, you've done it mate.

You've done it.

You gonna come and work

offshore with me for a while?

[Sam] Yeah, ‘til the million

comes into the bank account.

[laughs]

[James] Yes! [grunts]

- [Sam] Yes!

- [James] [laughs]

[James] Good lad. Well done.

[Sam] What?

[mysterious music tones]

We were supposed to get a question.

What is it?

What is it?

What is it?

[James] God knows.

[Sam] What?

I wonder what it's for.

I can't believe I dug a hole for that.

[James] That's sending out our location.

It's a location thing?

[James] Don't know what's gonna happen.

But, uh

We're just gonna have to wait.

Could be five minutes, could be all night.

It's late. It's getting cold,

so let's keep warm.

[James] Give that a wee stoke, a wee poke.

Oh, yes.

[Sam] Feeling a little tired now.

To be fair, you did dig most of that hole.

You ran along the train.

Yeah.

[Sam] I'm happy that it's me and you

doing this and not anyone else.

There's no one else I would rather

have chosen to do it with.

I just really enjoy hanging out with you.

I like it too, Dad.

- Ah! Did you see that?

- [James] Yes. Did you see that?

- [Sam] Yeah.

- [James] Oh my goodness.

[both laugh]

[James] I reckon we'll see

a few sh**ting stars tonight.

[Sam] What did you wish for?

- [James] Um

- [Sam] Don't tell me.

[James] A hundred grand!

[both laugh]

[hissing]

[Josh] Okay.

[Kamara] Yeah, it's not, is it reaching?

[Josh] Okay.

Well done. Go on.

- [Kamara] That's it.

- [Josh] God me hands shake.

[Kamara] Oh, you got it. You got it.

[Josh] No, it's chained.

[both sigh]

f*ck's sake.

[Kamara sighs]

[Josh] What's it chained to?

[Kamara] If it's chained,

then it means that there's keys.

[Josh] Yeah,

that's what I'm thinking as well.

[Kamara] Oh, there, there, there, there.

How fast are they? Can they climb stairs?

[Josh] I'm sure they can.

I'm just having heart palpitations.

No, this is a joke.

Look how much keys is on this.

I'm scared.

- [Josh] I feel sick.

- [Kamara] Yeah, I feel a bit nauseous.

[Josh] Wait, wait, wait.

Croc feed. Oh

- Oh, allow it.

- [Gags]

[Josh] Mate, it's either this

or we become their feed.

- We need to think about this.

- Uh, yeah.

We throw the chicken. They fight over it.

No, but then what if

we don't get back up in time?

I don't want to go

nowhere near to that, bro.

Listen, why don't you go down there.

Just go down there quickly and see.

- Are you sick?

- Just there.

- Go down there.

- Just there?

- Yeah.

- What are you talking about?

[Josh] Okay.

- First, let me throw the chicken.

- Yeah.

And then once they're occupied eating

- We'll both go down.

- We'll just go in slowly

and we'll sort out the lock. Yeah?

Yeah.

How long is it gonna take him to eat that?

[Josh] I don't even know,

these things yam up lions and sh*t.

[Kamara] Is he saying,

"Hurry up with the chicken?"

[Josh] Yo, he's hungry man.

[Kamara] Don't taunt him, just do it.

- [Josh] Yeah.

- [Kamara] Oh my God!

What the hell is he doing?

Come on then. Let's do it, come on.

Shh quietly, quietly.

[Kamara] Bubs, bubs, bubs,

he's looking at me.

Bubs. Bubs, he's looking at me.

[whimpers]

[Josh] Shh.

[Kamara] Bubs, bubs [whimpering]

[keys rattle]

[Josh] Try that triangle one.

- [Kamara] This one?

- [Josh] Yeah, that one.

[Kamara] No, it's not that key.

[Josh] Okay. Make sure you're eliminating.

[Kamara] It goes in,

but it's not that one.

Oh sh*t. Got it, got it.

Wait, wait, shh, shh.

It's flipping stuck

in the flipping thing.

Okay, got it. Shh.

[suspenseful music]

[Controller] In front of you are some

of the world's largest crocodiles,

the Crocodylus Acutus.

These two are the alpha males

of this community.

For 200,000 pounds,

approximately, how many teeth

does the Crocodylus Acutus have?

Okay. So here's the thing, yeah?

This is one of the largest

of its species, yeah?

Yeah.

- So obviously it's gonna be big.

- Yeah.

So on that basis,

- definitely eliminate A.

- Yeah, I think eliminate A definitely.

It's between 68 and 98.

Now

it doesn't necessarily have to have

lots of teeth for its jaw to be strong.

It's the power of the jaw motion

in it that gives strength.

[Kamara] Yeah.

[Josh] Like, across the top.

1, 2, 3, 4, 5, 6, 7, 8, 9, 10,

11, 12, 13, 14, 15, 16,

- So it's about 16, uh, both sides.

- Yeah.

[Josh] And then underneath

is the same number, roughly.

Approximately.

[Josh] Yeah. So, I actually think

- [Kamara] 32.

- [Josh] It's B.

- [Kamara] You think it's B?

- [Josh] Yeah.

[Kamara] I don't know, man.

Is it like a hundred?

Yeah, I don't know.

Honestly, I'm just guessing looking at it

and there's about 13 on that one side.

Like I could see, but then remember,

I can't see this the front bit

because his teeth are is sticking out.

They come out over his bottom lip.

- I can't see nothing, Bubs.

- But you can.

Look, his teeth they're look like this.

- [Kamara] Do you think that it could be

- [Josh] Huh?

Between 68 and 98,

there's a difference of 30.

Could he have an extra 30

on the bottom of his teeth?

- Nah.

- You think it's 68?

I'm going with B, 68.

I don't know,

but I'm based on what I'm looking at

and based on my, like

- Your gut instinct.

- Yeah, I'm going for 68,

but I don't want to go for it

unless you agree.

Alright cool. Come. Ready?

[suspenseful music]

[Controller] For 200,000 pounds,

you chose answer B.

We've got it wrong, man.

[Controller] Your answer is

[helicopter whirring]

arriving now.

- A helicopter.

- Is that a helicopter?

[Kamara] Come. Quickly.

[helicopter whirring getting louder]

[Controller] Josh and Kamara.

You are

correct.

[both cheer and laugh]

Yes! Yes!

[Kamara] What the hell? What the hell?

[Josh] Yes!

[dramatic music]

- Oh, sh*t!

- Well done, Bubs.

We did it. Flipping hell. What the hell?

[Josh laughs]

[Kamara laughs]

I swear to you. I feel like I'm buzzing.

- [sighs]

- Give me a hug.

- Yeah. Well done.

- Well done, bubs.

Well done to you too. We did it.

[phone beeps]

- Oh no.

- Text again?

Okay. Yeah. What you want now?

"Your company is formally requested

for this evening

at San Monique, Ocho Rios, Jamaica."

- What?

- Okay.

- So we need to go there.

- Yeah.

How long you think it'll take

for this to start to work?

Well

- We've been waiting all night.

- Yeah.

I don't know.

Mm-hmm.

What's that?

- That's the cavalry.

- [Sam laughs]

[Sam] What is

[Sam] Excuse me,

do you know where we're going?

Where we off to?

[James] Are we going far?

How long's the journey gonna be?

- Maybe he doesn't speak English.

- [James] Oh.

I guess we'll just find out

when we get there.

Yeah.

[dramatic music]

Look at this place.

[Sam] I wonder why it's all abandoned.

[eerie tones]

- [James] I hope it's not radioactive.

- [Sam] Yeah.

[Sam] Oh, this is weird.

- [James] This is creepy.

- [Sam] It is.

Mate, I think we're getting lunch.

[Controller] Welcome James and Sam,

I've been expecting you.

What took you so long?

This used to be a mining town,

teeming with life,

but now, as you can see, it's deserted.

But forgive me, you must be hungry.

Please, eat.

"Please, eat."

[James] Here, let me get this for you.

[chuckles]

- What is that?

- That's Bollinger.

Happy days. [laughs]

- Will we do a three, two, one?

- All right.

Three, two

- Oh! Oh yes!

- Oh beauty. [laughs]

No way.

- I'm famished.

- Mm-hm.

[Sam] This is weird.

I cannot tell if he's a friend or a foe.

[James] Keep your friends close

and your enemies closer.

[chuckles]

Shall we?

Or will we wait to answer the question?

Maybe save it for

if we get the question right.

Or wrong.

Yeah.

- [Sam] Well, I hope the question is here.

- [James] I am starving.

[Controller] Now, let's get

down to business, shall we?

I guess we have to find it then?

Oh, we'll have to go back

for that champagne later.

[inaudible]

[James] What you reckon, that way?

- Oh, dad.

- What?

- Look.

- What?

Right ahead.

Oh, yes.

- We've got another case. Awesome.

- Yeah.

[James] Please let this be the question.

- Oh, brilliant.

- Okay.

[both sigh]

[Controller] You are

in the Atacama Desert,

one of the most

hostile environments on earth.

Parts of it are devoid of all life.

NASA tests here

to replicate the conditions on Mars.

This is Viking 1,

NASA's first successful Mars landing.

For 100,000 pounds,

when did Viking 1 land on Mars?

[Sam] Oh, sh*t. [breathes deeply]

[Controller] 1969.

Okay. Okay.

- I don't know the answer.

- Neither do I.

Yeah, but I know the moon landing is,

that's 1969.

Yeah, that's right.

I would assume it's after that definitely.

So do we think it's seven years after

they got Mars?

Is there a big difference

between landing on the moon and on Mars?

Do you know what, do you know what?

Look at the video.

Look at the clothes they're wearing.

[Sam] Big thick rimmed glasses.

Elton John type of stuff.

[James sighs]

- It's gotta be 1983.

- You think it's 1983?

I know, right, okay.

I know that looks like

really clunky technology.

[Sam] Yeah.

[James] But, um, Sam, honestly, see,

before the Internet and mobile phones,

everything was clunky.

Like our telephone in 1983 went like that.

I stuck my finger

and then dialled it like that.

We didn't push buttons.

Do you remember any because

you would've been alive

- Yeah, I know.

- if it happened. Yeah.

Yeah. Okay. 1983, I was nine years old,

so I wasn't watching the news

and I wasn't interested.

It's either '76 or '83.

I'm leaning towards '83.

Can we go for it?

[suspenseful music]

[end credits music]