22x11 - Panic on Pine Street

[bunniefuu]

[foreboding music playing]

[Zak] We're in Paso Robles,
California.

We are here to answer
a call for help

from the building's owner.

There are things inside
of his building,

his business,

that are severely impacting
the lives, the mental state,

the emotional
wellbeing of his staff.

Now this building isn't just
any ordinary building.

It is the oldest wooden
building in this entire town

Inside this
building, the activity

has gotten so bad...

that the owner himself has
had to install security cameras

in the up stair floors.

Up on this second
floor there are rooms.

And I'm told that
these are the original

bordello rooms.

This is the area
that is most feared

of this very historic building.

But one particular woman,

she had a graphic
detailed experience

with what she described
as one of the most terrifying

apparitions that
she has ever seen

in her entire life.

[foreboding music playing]

[narrator] There are
things in this world

that we will never fully
understand, understand.

We want answers.

We have worked years
to buil our credibility.

Our reputation working alongside

the most renowned
professionals in the field,

capturing ground breaking
proof of the paranormal.

- It's working.
- [male] Whoa.

I can't give you an explanation.

[foreboding music playing]

[narrator] This is our evidence,

our Ghost Adventures.

In the mid-1800's, Pine
Street was the literal

skid row of Paso Robles.

It was the Wild Wild West.

Loggers, miners, and prostit*tes

committed every
sin imaginable here.

And at the center of it all
was this historic building

at 1234 Pine Street which after

the San Simeon
earthquake of 2003 houses

the reincarnated
Pine Street saloon.

As of late, this 150-year-ol

has seen the stains
of its past reverberating

throughout this original
wooden structure.

The activity is so
relentles and disturbing

that its owner has unknowingly

assembled the most compellin

collection of amateur
security evidence ever

that we immediately dropped
everything to answer his cal

for help.

[foreboding music playing]

So Ron, we are in a very,
very old historic building.

Tell me a little bit about
the history of this place.

Well, I know there's two
dates when this building

was supposedly built.

One was 18, late '50s.

And the other one was like 1867.

It's a very, very old building.

In fact one of the
oldest in this town.

[Zak] Do you know of any,
uh, deaths that have happened?

Yeah. What I've been
told there was four.

They went back
to the early 1900s.

[Zak] Four deaths.

Yeah. One of them was
in the building in room...

One of the rooms
supposedly hung themself.

I heard somebody being shot.

[g*n c*ck]

[g*nsh*t]

And then there was another one,

the farmhand, that
was staying in a hotel

in the early days
and he got locked out.

So what he did
was he got a ladder,

um, he tried to get up
into the window and he fell

And I guess he
broke himself internally

and he laid right
there by the door.

Nobody did anything
because they thought

he was just drunk.

Well, supposedly he
just died right there.

[Zak] Okay. That's
a documented story.

That... I... I've read it, yeah.

[Zak] Okay.

The fourth one was a
person that had come down

to have an operation.

[Zak] What kind of an operation?

Uh, it was ab*rtion
from what I was told.

- [Zak] Okay.
- [Ron] I guess that person

didn't make it.

Word is that person is the
one that's not real happy

with what's going on
around here I guess.

Well, this place, I mean,
has, uh, a lot of origins

of, uh, paranormal activity.

People from around the...
Around town and even around,

um, the whole
county know about it.

[Zak] Do you believe
in the hauntings here?

Well, yeah, because
you go anywhere

there's history yes
there's ghosts here,

there's spirits here.

There's something
here, well, there's history.

I was here, I lived
here, I was upstairs

for a year and a half or two.

[Zak] What is upstairs?

I have rooms
upstairs and a storage

up there and then, uh, an attic.

[Zak] Has the activity
in your building gotten

so severe that
you have installed

a camera system upstairs?

The cameras were for security,

but because of that,

things that have
happened by chance,

I guess you could
call it, I've caught stuff

that I wouldn't
have caught before.

[Zak] Do you believe that
your building is haunted?

I just believe my
building's not asleep yet.

- [Zak] It's not asleep.
- There's things happening here

that I can't explain.

When somebody
would tell me something,

I would start looking
back with my cameras

and, I mean, I... There's
no way I can explain.

[narrator] For our
purposes we're going to treat

Ron's security camera
footag as evidence.

In the very first
clip clearly shows

the highly charged nature
of these poltergeist attacks

Uh, yes, this is the
one where the knife

is in the tray. See
how it's inside the tray?

[Zak] Yeah.

Now watch it,
it's inside the tray,

but look how like I...

- [Zak] Whoa.
- [Aaron] Whoa.

- What?
- [Zak] What the...

That's what I'm getting at.

And you see it's
inside the ledge,

it's inside the lip.

[Aaron] What?

And you see how fast it went?

[Aaron] Yeah.

That was her last day.

I had some people
from down south,

they stayed in one of the rooms.

[Aaron] Oh [bleep] look at that.

Dude, look.

The lamp shifted all
the way to the end.

- Look at that.
- [Zak] Oh, my God.

Are you kidding me, Ron?

[Aaron] And it ain't stopping.

- [Zak] Holy [bleep]
- [Aaron] I know.

[Zak] Oh, my God.

[Aaron] You got a...

Like a big time
poltergeist in there.

I don't know what I
have, but whatever it is,

you know, it doesn't...
it doesn't wanna sleep.

[Aaron] No, you got
a big time poltergeist.

And then a couple
of the things I saw that

Ron had captured in
all of his cameras here,

there were probably
three or four different

people that were so scared..

They left,

they wouldn't stay the night
they rented rooms up here.

There's no one
here rigging videos,

there's no one that savvy.

So, um, it's a known
hotspot for activity.

[Aaron] Whoa. Oh, damn.

This is a lot of
stuff, and this is only

a fraction of it.

[narrator] Over the
next several minutes,

Ron shows us a seemingly

endless collection of the most

compelling poltergeist
activity we've ever seen.

But what he shows us
next is something we can

only describe as an
act of aggression toward

a current employee.

[Zak] Tell me what
happened with that tire?

That was about a year
ago, we were shut down for,

you know, during COVID.

This tire has been
there for about three days

and it's leaning, it's
leaning up against

that cooler right there.

And I was closing up shop,
we did some renovations,

it was just me
and my little dog.

I remember walking past the tire

and I just hear this huge bang.

Okay. Now, watch, watch.

- [Zak] What the?
- [Aaron] Oh, my [bleep].

- No way.
- [Zak] Are you serious?

[Aaron] No way.

That's heavy.

[Roxie] It's
moving, it's moving.

We saw the video, there was...

There was no
explanation how that tire

broke its center of gravity.

You, just like other
people in this world,

triggered a response
by something.

[narrator] I suspect
this extreme act

of poltergeist energy

was intentionally
aimed at Roxie.

Because this incident
wasn't the only time

she was the focus
of an entity's wrath.

Did something
happen to you upstairs

that still terrifies you

as we speak?

[Roxie] Oh, absolutely.

My, uh, thoughts about

these, uh, evil entities
and demonic realms

has just totally,
totally changed.

Okay. And would you
say that it traumatized you?

Oh, yeah. Absolutely.

[narrator] Roxie now
tells us horrific details

of what she experienced
the night she needed

to sleep here after working
an extremely late shift

at the saloon.

It's, uh, actually in
room seven upstairs.

I fell asleep
exactly at 3:40, 3:44

and I would sleep
up there all the time,

I'd never had any
or felt anything weird.

And I wake up, I saw this...

Uh, I saw this woman.

She was sitting
in a little chair.

She was wearing a
gown, kind of like a...

The old like 1800 ruffles.

And then it was all buttone
down, all the way down.

And I... And I felt
this urge to move,

but I couldn't move.

So like she had
you like in paralysis.

[Roxie] Yes.

After I stared at
her for a little bit,

she turned towards me and
then I saw her whole face.

What were her eyes like?

Well, she didn't have any eyes.

It looked like a
black hole her eyes.

So she changes form.

What do you mean?

She turns into a dark
shadow like figure,

almost like you could
see the outline of the head

and maybe some shoulders.

I personally felt that
I was being watched

and I felt like I was, um...

I was gonna say being attacked.

[narrator] What
Roxie encountered fits

the description
of an entity known

as the old hag.

Yet Roxie's horrific
account begins

to shed new light
on our investigation.

With the second floor
said to once be a brothel,

I'm beginning to
suspect these countless

documented acts
of poltergeist activity

may not be the work
of multiple entities,

but that of this old hag.

[Roxie] It's moving.

[narrator] Who has a firm
gr over this saloon and is read

to strike at anyone
who encroaches

on her territory.

There's a reason why
this spirit made itself,

herself known to you.

There's something that
maybe you had or something

within you that
this spirit wanted

or was drawn to.

So I think it's very
important that you take us

up there right now.

We are gonna try
to make contact.

If at any time this
gets too uncomfortable

- let us know.
- [Roxie] Okay.

[narrator] As we
take our first steps

up to the second floor,

we're surprised by this
sudden burst of energy

[man] Well, that's weird.

Hold on a second, Zak.

[Aaron] It's getting
higher and higher.

[Roxie] Yeah.

[man] It's going back to zero.

[Aaron] It's going back to zero.

[Zak] So it was transient.

- [Aaron] Yeah.
- [man] Yeah.

[narrator] In what we
just documented appears

to be moving with us...

and is aware that Roxie

is back inside the building

Which room did you see her?

This one.

- This is seven.
- [Zak] Yeah, number...

[ominous music playing]

And she was
sitting in that chair.

[Zak] Old lady, who are you?

We heard about you.

You were sitting in this chair.

So I'm gonna take
the chair that, Roxie,

you saw this lady sitting in.

Roxie, would you
sit in the chair?

Uh, okay.

We'll be right here.

I wanna see if she
will appear to you.

I'm gonna shut
this, is that okay?

Okay.

Can you ask some questions?

- [Roxie] Okay.
- [Zak] Okay.

[Roxie shivering]

What do you want from me?

What did I do?

Are you trying to hurt me?

Oh, my [bleep] I can't move.

I'm frozen.

[narrator] Something
is happening behind

that closed door.

And Roxie's fragile
emotional state tells me

the Old Hag entity she witnessed

is affecting her again.

Roxie, are you okay?

[narrator] So it's
best we put an end

to this experiment.

You wanna come out?

Yeah.

[narrator] But it
may be too late.

Oh [bleep]

You okay?

Yeah, I'm fine. I just...

Well, I didn't feel alone.

I just don't wanna
be up here anymore.

Oh [bleep]

I don't wanna be
up here anymore.

Oh.

[narrator] Even with Roxie
now out of the building...

[Roxie] [bleep] out of here.

Oh, my God.

[narrator] I sense
that the Old Hag

is still lingering

and hunting for its next victim.

And with this level
of energy in play,

we can't abandon it.

So the guys grab
some additional gear,

while I decide to
bring in a highly

specialized piece of equipment.

[Zak] It's not very often
we got to use a K9.

[narrator] Who's no
strange to the paranormal.

[Zak] Okay, right now,
um, I don't know why

but I have Gracie here
with me on this trip.

And Gracie senses a
lot of stuff at my house,

a lot of things.

So, I wanna see if Gracie
can feel anything up here.

Do you see anything?

[narrator] And after
a preliminary sweep

of the area,

I'm shocked by
what Gracie senses.

What are you doing?

- What?
- [Aaron] What the hell?

[Zak] Can I leave?

- [Aaron] What does that mean?
- [Zak] I don't know.

[Aaron] It's the same
room the other...

What's her name was in.

[narrator] This behavior
is very atypical for Gracie

and I believe she
is trying to warn me

from stepping
further into the room

where Roxie was
attacked by the old hag.

[Aaron] Whoa.

- What's the matter?
- [Zak] That was weird.

[narrator] To see Gracie
quickly jump back tells me

there is something
inside room seven

that's not friendly.

And then what happens
next shocks us all.

[Zak] Oh, look at
her. Look at her.

- [Aaron] Look?
- [Zak] She keeps looking

at something in
this corner over here.

[Aaron] Look at the ears.
The ears tell everything.

[Zak] What do you see, Gracie?

[narrator] And with
the heightened senses

that K9s have,

could she actually
see the old hag?

[ominous music playing]

[narrator] Whatever
or whoev the entity

is that Gracie sees,
she suddenly backs out

of the room again and now
I'm concerned for her safety

[Zak] You okay?

Do you wanna get out of here?

Look, every time.

[Aaron] Daddy, leave. That's...

[Zak] Every single
time I get into this room,

she jumps into me
and grabs my hand like

trying to walk me out.

[narrator] For all the
year I've been with Gracie,

I've never seen
such fear in her eyes.

[Zak] Are you seeing anything,
so are you sensing things?

[narrator] And that tells
m whatever is nesting

on the second floor of
this saloon is truly evil

[ominous music playing]

Okay. Right now
what we're gonna do is,

we just witnessed Roxie upstairs

being extremely
affected, crying, trembling.

I just witnessed my own
dog staring into a dark corner

of a room, and that was
really disturbing for me.

Knowing Gracie and knowing
that she can sense things,

and living in an
extremely haunted house

with me years ago, I
know that she knows

when something is
there in the room...

that isn't flesh and
blood and bone.

[narrator] So because of
wha we experienced upstairs,

I want to immediately
head back up there

and continue investigating.

I am going to keep the lights on

and use a full spectrum
camera to start off.

So I wanna see if we
can capture anything

with our eyes and our
cameras, anything moving

or the old hag
manifesting in her chair.

[narrator] As I start
snapping photos,

I try to lure the spirits ou

by using direct communication.

We're here for you,
these cameras are for you.

If you appeared for
a long time to Roxie...

Whoa, whoa, feel
it right in front of me.

She was right in
front of me here.

It just got ice cold.

[man] That's front of
the camera, it's not like...

- It's right here.
- Here, here.

It's right here
now. It's right here.

[man] Yup. Oh, wow.

[Zak] Feel it,
feel it, feel it, feel.

- [man] Oh [bleep]
- Stay there.

[man] What was that?
What just went by me?

[Zak] What do you mean?

[man] Something just
went right by my eye.

[Aaron] I was watching
you, I didn't see anything.

[man] You didn't see anything?

No, I swear.

I thought it was like

a feather or something floating.

It went right here
like this, right?

Right real close to my eye.

Do you pick up your
energy and manifest yourself,

use our energy and
just move something

like we've seen you do?

[Zak] Did you take
your own life here?

Are you the one who
committed suicide?

What was it?

[Aaron] Do you pick up
your energy and manifest

and just move something
like we've seen you do?

[indistinct radio chatter]

Whoa. I just...

God, I just heard some go...

A woman say your name.

And that was like
after you shut that off,

and you were walking
I heard it go, "Zak."

You didn't hear that?

[Zak] I heard a
high pitched noise.

I swear to God I just heard
a woman say your name.

[Zak] I heard a [makes sound]

[man] I heard
something like that.

[Aaron] I heard it
clears day, dude.

[narrator] We do indeed
capture on audio what sound

like a disembodied female
voice saying my name

[Aaron] Move something
like we've seen you do?

[female speaks on recorder]

[Aaron] ...you do?

[female speaks on recorder]

Whoa.

I just heard a woman
say your name.

[Zak] Can you knock
that beer bottle off?

Can you show us how you do that?

[Aaron] Use my energy.

We're gonna be
bugging you for tonight

and tomorrow night for sure.

So you might as
well just get it out

of the way and talk to us.

[narrator] The guys
now request for me

to stay up here alone.

So I grant their
wishes and suit up

with a highly sensitive
boom microphone to see

if I can capture any audio live.

Aaron, Billy, Jay will stay
downstairs in the bar area.

[indistinct chatter]

What?

[indistinct chatter]

I'm hearing ladies talking.

[narrator] All of a sudden
I hear distinct ladies voice

inside of this room.

So I immediately
look out this window

to see if there's anyone below.

Just showing you
out this window,

there is nobody at all.

[noise]

Whoa.

[glasses breaking]

[Zak] Glasses?

Someone behind me?

[knocks]

Just heard some
knocking sounds in here

where I heard
the ladies' voices?

[narrator] As I'm hearing all of
this through my headphones,

I don't feel alone up here.

The following day,
we meet up with Billy

who has analyzed the audio

from our preliminary
night one investigation.

All right, I'm
ready to hear this.

We got a lot.

We did a bunch of
sessions up there

- with the digital network here.
- Yup.

We're just asking
questions, Aaron says...

Use my energy.

Aaron says "use my energy"...

- Uh-huh.
- And we get this whispering right after it.

[Aaron] Use my energy.

[indistinct chatter]

So, when I did the boom mic,

I was up there walking around,

and I remember hearing

what sounded like
some ladies' voices.

I just wanna see
if we captured that.

- You're alone?
- [Zak] Okay.

All right?

[indistinct chatter]

[Zak] What?

See, you even heard it.

- Yeah, I heard that.
- You heard it.

- You could hear it.
- It's very, very faint.

[indistinct chatter]

[Zak] What?

[indistinct chatter]

[Zak] What?

[narrator] And
immediately afterwards,

I receive another
unexplained female voice.

- Listen.
- [Zak] What?

[indistinct chatter]

[Zak] I'm hearing
ladies talking.

I don't know if
that's two ladies

but there's a lady talking.

[indistinct chatter]

[Zak] I'm hearing
ladies talking.

[indistinct chatter]

[Zak] I'm hearing
ladies talking.

That that sounds like
they're in the room with you.

- It does. It really does.
- Yeah, sounds like that.

- Sounds like they're with you.
- Like kinda with you.

Yeah, but the
further try to debunk it

I pulled the-the drapes open

and shot with my
phone out the window.

There is nobody at all?

[narrator] Based on the
strength of this evidence,

we further analyzed this voice

to see if we can determine
what's being said.

[indistinct chatter]

- I'm hearing...
- Why are you looking for him?

Why are you looking for her?

[indistinct chatter]

[Zak] I'm hearing...

[indistinct chatter]

[Zak] I'm hearing...

The only place that I could hear

a lady speaking that
softly and that voice...

is if she was up in
that area with me.

- [Billy] Right. Oh, right, just say it.
- As if she was in that room.

- I was not alone.
- No.

[indistinct chatter]

I'm hearing ladies talking.

Right after that.

[noise]

Whoa.

[noise]

- Yeah.
- That sounds like a bunch of glass breaking.

Yeah. And I reacted to that.

[glasses breaking]

Whoa.

[glasses breaking]

Whoa.

[glasses breaking]

And then you heard this.

[knocks]

- A knocking sound?
- Yes.

And you go.

Just heard some
knocking sounds in here?

Yeah.

[knocking]

[narrator] Considering the
high level of poltergeist activity

already documented here by Ron.

[woman] [echoes] It's moving

[narrator] It's no
surprise we're gathering

this type of audio evidence

As we're internally ecstati

from the level of
evidence we just collected.

[indistinct chatter]

[narrator] There
is also a real concer

as we don't feel like ourselves.

Interacting with
this old hag entity

was very dangerous.

And that is now having

a lasting effect on all of us.

- That's incredible...
- That...

you know, the female
voice, that's just...

- Homerun, man.
- Absolutely.

Yeah. Want to time...

- What do you want?
- [Zak] Yeah.

It doesn't get no
better than that.

And this is driving
us to go back up there

and see how much
more we can dig into this

and see whether or not
these spirits will do more.

And from what the owner
showed us of a knife flying

at one of the girls,
uh, then it can...

it can turn dangerous too.

We got to keep our guard up.

Let's start lockdown, and
let's see how more deep...

How much more
deeper we can go with us.

[Aaron] All right.

[suspense music playing]

[narrator] As we are
preparing for lockdown,

something terrifying
happens to me.

I was just sitting
at nerve center

like we're not even rolling yet.

- We're setting up.
- [Zak] We are upstairs setting up cameras still

on set at nerve center,

and I'm outside, I'm
out in the back patio.

And as I'm watching the cameras,

I don't even think the Nerf
Cameras are rolling yet.

As I'm sitting there just
watching the monitors,

I feel somebody's
head right next to me,

like right next to me

and I almost feel a
pressure on my shoulder.

It gave me the
absolute worst feeling

like there was a
guy here, a head,

and I went like this
and I had this image

of this head that
was a bald head,

just a really
creepy looking guy,

really tight face, cheekbones,

like I got all the
visuals of that.

And just him with this
menacing grin on his face.

[narrator] As I'm describing
this apparition figure that I saw

Aaron all of a sudden also
sees somebody at nerve center,

and now this is
getting really crazy.

[Aaron] There's nobody.

Dude, I just saw somebody

walk from here to the computers.

[narrator] I quickly grab
the Polterpod device

to see if whoever I saw,

and now Aaron
just saw, will speak.

Did I just see
somebody out there?

You were just over my shoulder.

Who are you?

Who was just standing by me?

Did you try to scare me?

Who's in this building?

[Aaron] Right by home
base. Go back home base.

Let's try that where
you just were.

[indistinct chatter]

[Zak] What?

What'd you say?

[indistinct chatter]

What'd you say?

Do you wanna talk to me?

- Could you see me?
- [indistinct chatter]

[Zak] What?

[narrator] We now
capture a female voic

appearing to respond to me,

but we can't make
out what she's saying.

- Could you see me?
- [indistinct chatter]

- Could you see me?
- [indistinct chatter]

[Zak] What?

Are you gonna move
something for us tonight?

[narrator] Billy now
joins Aaron and I

And as he does, we receive
a mind-blowing response.

Who did I just see
behind my shoulder?

Tell me who you are.

[man] Howdy.

Whoa, it said "howdy."

- Howdy?
- [Zak] Howdy.

- Howdy.
- He did.

Like an old cowboy.

- It did.
- [both] Howdy.

[Zak] Tell me who you are.

[man speaking]

[Zak] Tell me who you are.

[man speaking]

Whoa, it said "howdy."

Howdy.

Like an old cowboy.

- [Zak] It did.
- [both] Howdy.

[Zak] Holy [bleep]
that's who it was.

That's who it was.
I know it, I know it.

That was insane.

Because you could
hear, there's no voices.

Whoever said howdy...

I'm gonna mess with you.

- [woman] No, no.
- No, no.

- No, no, no, no?
- [Zak] No, no.

Like, no, no. Don't do that.

- That was like a female telling me.
- [Aaron] Yeah.

- Don't mess with the guy.
- Yeah.

Whoever said howdy...

I'm gonna mess with you.

- [woman speaking]
- No, no.

- [woman speaking]
- No, no.

- No, no, no, no?
- No, no.

Like, no, no. Don't do that.

- That was like a female telling me.
- [Aaron] Yeah.

- Don't mess with the guy.
- [Aaron] Yeah.

What's the man's name?

That I saw over my
shoulder outside?

What's the man's name?

- [woman] Mike.
- [Zak] Mike?

- Sounds scary.
- [Billy] Yeah.

[Zak] So it's Mike?

[Billy] Mike or Lincoln?

- [woman] Lincoln.
- [Zak] Lincoln!

- Lincoln!
- Dude, it said it twice!

[Billy] I heard it say...
I heard it say Lincoln.

- [Zak] So did I!
- [Aaron] He just repeated you.

[Zak] So did I. Then repeated!

- [Aaron] Right when you say Lincoln.
- [Billy] Yeah, that was weird.

[Aaron] She said Lincoln.

[Zak] Oh [bleep]
that's incredible.

- [Aaron] Right when you say Lincoln.
- [Billy] Yeah, that was weird.

[Aaron] She said Lincoln.

[Zak] Oh [bleep]
that's incredible.

[narrator] In the moment,
I think I hear the name Mike

- [woman] Mike?
- [Zak] Mike?

[narrator] But Billy correctly
says that the spirit responded

with the name Lincoln.

[Billy] Mike or Lincoln?

[woman] Lincoln.

[narrator] And
during this moment,

we hear another female
spiri come through

and again say the name Lincoln

as if to reconfirm

what we heard the first time

What's the man's name?

- [woman speaking]
- [Zak] Mike?

- [woman speaking]
- [Zak] Mike?

- [Aaron] Sound scary.
- [Zak] So it's Mike?

- [Billy] Mike or Lincoln.
- [woman speaking]

- [Billy] Or Lincoln.
- [woman speaking]

- [both] Lincoln!
- Dude, it said it twice!

[Zak] What is your name, ma'am?

-[indistinct
chatter] -[all] What?

[Zak] What? Vasaf?

[narrator] The same female that

we just heard correcting
us on Lincoln...

- [woman speaking]
- [narrator] Speaks again,

only we can't make out

what she is saying.

What is name, ma'am?

[indistinct chatter]

- [all] What?
- [Zak] What? Vasaf?

What is your name?

And who lives upstairs?

I just felt something, it
just touched me right here.

- [Aaron] Did you?
- Yeah.

Is there evil here?

[narrator] As I'm being
touched, a man's voice says,

"Drag him."

[man] Drag him.

What did he just say?

[man speaking]

[man speaking]

What did he just say?

He said it touched you guys
on the left side of my head.

Maybe he wants to [bleep]

[man] Because there.

[Billy] Because there what?

[Zak] Because there?

[Billy] Because there's what?

[narrator] Could this be the old

decrepit-looking cowboy

or outlaw that I saw
saying to drag me outside

or drag me to the gallows?

He said it touched you, guys.

On the left side of my head.

Maybe it wants to [bleep]

[man] Because there.

Because there.

[Billy] Because there what?

[Zak] What kind of drink
do you want from the bar?

[Billy] [bleep] was that?

- What was that?
- [Zak] What?

- [Aaron] What?
- [Billy] That growl noise behind you.

You didn't hear that?

[Zak] No, did you?

I didn't hear [bleep]

Like [makes sound]

you didn't hear that?

[Zak] No, I didn't.

As loud as could be.

- [Zak] I didn't hear it.
- [indistinct] right here.

What is going on?

[Aaron] It feels negative.

- [Zak] Well, yeah.
- Whoa.

So... Whoa, that was weird.

Something just shifted

and I felt this [indistinct]
come over me.

[Billy] I told you that
there's something wrong

right here in this walkway.

[narrator] As we are
receiving these voices,

the spirits are aware that
we are reacting to them.

The touching, the cold masses,

the energy is like a vortex

And as the voices stop,
we start moving around more

trying to locate them.

And as we do, a
spirit answers me

in an absolutely
incredible moment.

Where are you?

- Whoa.
- [man] Be right back

- Whoa.
- [Aaron] Be right back.

Oh, my God.

Be right back.

Where are you?

- Whoa.
- [man speaking]

- Whoa.
- [man speaking]

- Whoa.
- [Aaron] Be right back.

Oh, my God.

Be right back.

- Oh, my God. Hey.
- [Zak] Did you hear that?

- Did you hear that?
- [Billy] Hey, hey.

Did you... He said
be right back, dude.

- What does that mean?
- Hey, hey, hey.

- No. Where'd it go?
- [Billy] Hey, hey,

- hey come here, come here.
- [Zak] What...

- It's really cold, dude.
- Dude.

- [Billy] Come here.
- What?

- What?
- Stop.

Do you see the guy
standing right there?

- [Zak] What the [bleep]
- [Billy] Do you see

- his silhouette right there.
- [Zak] Yes.

[Aaron] Where?

- What?
- Look with your eyes.

- Look with your eyes.
- Did you see it?

[Billy] That just appeared.

[Zak] It's just a shadow
standing [indistinct]

Oh, yeah.

[narrator] We all are
seein what appears to be

a shadow of a man
standing directly behind

one of our X cameras
with our own eyes.

We can't film in that direction

because the infrared light
on the X camera is too brigh

for our night vision
camera to see anything.

So Aaron immediately
goes to check it out.

Oh, my God. Dude, what was that?

[Billy] Oh, my God.
Dude, what was that?

Dude, something just ran up.

- I'm walking, I heard...
- [footsteps]

[Billy] ...like right behind me.

[Aaron] What is
happening, you guys?

[Zak] I don't know,
but I think that

this is a lot more
haunted down here

than we thought it was.

Hey, what [bleep] does
I'll be right back means?

- I know.
- What's he gonna do?

-Get something
[bleep] -I don't...

You know what I'm saying?

- [Billy] Where is he...
- [Zak] Did you see

how clear that was, Billy?

[Billy] That was crystal clear.

[Zak] And I keep
getting touched.

[Aaron] That footsteps...

[Billy] What is
going on right now?

This is [bleep] crazy.

[Billy] Jay, are you...
Did you see anything

when the bar moved?

[Jay speaking]

That was definitely...

[Billy] Something just
tapped me [bleep] like this.

- [Zak] Oh [bleep]
- [Billy] One tap.

[Zak] That's what I'm feeling.

[Billy] One tap just
now. Move something.

[Zak] That was some of
the most incredible audio

communication
through that device

that I've ever [bleep]
heard in my life.

I'm gonna mess with you.

- [woman speaking]
- [Zak] No, no.

What's the name's name?

- [woman speaking]
- Mike?

- Sounds scary.
- So it's Mike.

- Mike or Lincoln?
- [woman speaking]

- [Zak] Lincoln!
- Lincoln!

Dude, it said it twice!

The fact that it said Lincoln...

- We've heard Lincoln.
- [Zak] I know,

but I kept getting touched

on the left side of my head.

Oh, he said he
touched you, guys.

- On the left side of my head.
- I feel nervous.

Maybe it wants [bleep].

[man] Because there...

Because there what?

[Aaron] It was right
there with us, dude.

- It was talking to us.
- [Zak] Aaron. Billy.

[Billy] Whoa, whoa. There's...

- [Zak] Do you feel that?
- [Aaron] Yeah.

It's like there's a whirlwind.

[Zak] Yeah, it just
started though.

[Aaron] Yes. It's right here.

[narrator] I quickly
grab the XLS to see

if we can capture who we
ar feeling and talking to.

Can you kind of stand
next to me again?

[Aaron] Whoa, whoa, whoa.

[Zak] Would you like to dance?

We're on the dance floor area.

[bleep]

[Billy] Here it goes. Here it goes.
Here it goes. Here it goes. Here it goes.

What the hell was that?

[Aaron] Something just
touched my shoulder

just now again.

[Zak] That was weird.

[Aaron] That's the
second [bleep] time.

[Zak] Something was
climbing down the wall

and then it jumped
on you, Aaron.

I'm not... I'm telling you,

I've not seen
anything like that.

He was climbing way up
there at the top of the wall.

[narrator] Because
of this capture,

we decide to immediately
head back to nerve center

to review the footage.

Well, we just captured
on that XLS camera,

it was... it was something
climbing on the wall

then it just stayed there,
saw Aaron and then pow,

like in the movies. Like a...
Like a monster or something?

So that's the first thing
that we've mapped

in an hour and


Something is just
over there on the wall,

now it climbed down
[bleep] now it climbed down,

now it's hanging on as
it jumped over to Aaron.

- [Aaron] Wow.
- [Zak] Did you see that?

[Aaron] It was like
waiting up on the wall

- and then went, like, went straight for you.
- [Zak] Yeah.

Dude, it's like it's trying
to stalk you or something.

- [Billy] Yeah.
- [Aaron] Yes. Like it's hunting you.

[narrator] Upon
further analysis,

we notice something else

come from the right-hand
side of the frame.

It's like a calculated attack.

[Billy] This is over here
by the bar on the right.

[Aaron] Yeah, see
it there on the right?

What is that?

What is that [bleep]?

[Billy] They're
both heading right.

[Zak] Now this is the figure,

the anomaly, whatever it I was,

climbing down the wall.

And this is it, as it
moves towards Aaron.

- [Aaron] Right.
- [Zak] And then whatever this anomaly is, as well,

- seems to be closer to me.
- [Billy] Right.

[Zak] And because of
how big and how wide

the linear part of it is.

[Jay] You see, it
looks like they're, like,

calculatingly attacking Aaron

- it seems like.
- [Zak] Yeah.

[Aaron] And we're
both mapped in, too,

- so it's like that just was crazy.
- [Zak] Yeah. Billy's over here

and Aaron's over here.

What is that?

[narrator] We continue
to run surveillance

on the first floor while
I decide to go back u

to the second floor to see

if I can get evidence
of the old hag.

I start by using
provocatio while I sing.

[Zak singing]

This what you want?

[narrator] As I continue to call
out the old hag from the couch,

our X camera rolling
in this bedroom

has its nigh vision mode
get manually switched off.

You can even hear
the button physically

getting clicked
and then my voice

continuing in the other room

[Zak] This what you want?

Me alone?

[button clicks]

[Zak] [indistinct]

[narrator] Does the old
hag not want to be seen?

[Zak] Me alone?

[button clicks]

[narrator] I now decide
to head inside the room

where Roxie saw the
old hag sitting in a chair.

And as I enter,
this light anomaly

that we believe is
not a flying insect

travels into the room with me.

Sitting in the chair where
Roxie saw the old hag.

I'm by myself upstairs.

I'm waiting.

[narrator] Back downstairs,

Aaron asks a question about me,

and then this happens.

[Aaron] Who's upstairs?

[thumps]

[bleep]

[Zak] What was that, dude?

I don't know.

[Zak] [indistinct] talked
about. What's happening?

[Aaron] What
the [bleep] is that?

It's right here.

- That was right here on the ground.
- [Zak] he's right here.

[Aaron] Right where
you're standing.

Who's upstairs?

- [thumps]
- [Aaron] [bleep]

- [thumps]
- [Aaron] [bleep]

- [Zak] What was that, dude?
- [Aaron] I don't know.

[narrator] The guys now
try to use some alcohol

as a trigger object.

Okay, right now,
so Judas did this,

this is the shot I've
poured earlier for the spirit.

I'm gonna put it over
there to see if it'd go grab it

- when all those lights go off.
- Oh, good idea.

[narrator] In the back hallw

on the other end
of the building,

this X cam captures an
unexplained dark shadow.

We debunk this as not
being caused by Billy or Aaron

because of how far away
they are from this area.

This unexplained dark
shado also appears

to move very strange.

Could this be a
spirit manifestation

of what Aaron and I
saw at nerve center

just on the other
side of the door?

[tense music playing]

[narrator] The highly
charge poltergeist activity

that's rampant throughout
the Pine Street Saloon

is really only a
window in the darker,

more malevolent energy
that' embodied by the old hag.

Her presence casts a long shadow

over this historic building

imposes a threat to anyone
unfortunate enough

to be subjected to her wrath

And until this entity
has vanished,

there's no telling
who she will harm next.

[ominous music playing]