Welcome to our World! Where we serve you cookies to ensure you get the best viewing experience on our site.

Did you know that you can remove censorship board-wide, use our advanced search functions, be notified when new content is posted, join our memberships, set episodes to show in any order you want & more if you are logged into your account?

Register or sign in here: ucp.php?mode=register

Arcade (1993)

Sci-Fi Movie collection.
(Space, Time-travel, Futuristic, Aliens, Dystopian, Tech noir, Utopian, Parallel Universe, etc.)

Moderators: Maskath3, sidolanters, GabrielAlejo2341

Watch on Amazon   Sci-Fi Merch   Collectables

Space, Time-travel, Futuristic, Aliens, Sci-Fi movie collection.

Arcade (1993)

Post by bunniefuu »

[LOGO MUSIC]

[EERIE MUSIC]

I never believed in heaven.

But I learned to believe in

hell when Mom sent me there.

[SCREAMING]

Just when you think I'm

here, the moment's gone.

Either everything's in the

past or it's in the future.

There is no now.

So where are you then?

I'm in the past.

[BELL RINGING]

We don't have to stop now.

Oh, no, that's OK.

I've got a class

coming up anyway.

I've got to study.

I must tell you, I'm a little

concerned about you, Alex.

Your grades have fallen.

That's going to limit your

options in terms of college.

It's been almost a year

now since your mother--

k*lled herself?

Yes.

And now your father--

Is a basket case.

You know that.

You've talked to him.

He might as well be dead too.

Alex, would you like to

come back again next week?

Look, Dr. Weaver, I don't

even know why I came down here.

I can't get her out of

my head, and there's

nothing that you can say

that's going to change that.

It's all my fault. I

didn't try hard enough.

I must have let her down.

Hey, Alex.

Fine, I'll show you.

I'll definitely show you.

How did it go?

She thinks I'm sublimating.

- What the hell does that mean?

- I'm sorry.

It means she's screwed up.

f*cked up, that's

what they said I was.

You are f*cked up.

Yeah, but only

because I want to be.

Come on, you guys,

cut it out, all right?

Please?

Look, those

counselors don't know

what they're talking about.

They're full of sh*t.

You don't fit the perfect

mold of a student, they freak.

I know, Greg.

All right, so why don't you

tell me you're all right then.

I'm all right.

Good.

Because I'd freak

if you weren't.

Watch this.

Take off your glasses.

Greg.

Come on, just take them off.

Give me one of those

smiles I love so much.

OK.

Will you hold this?

Yeah.

Let me see.

All right, well,

the key is you gotta

move the emulsion around

while it's still warm,

but it should come out.

There.

Hey, cool.

Right on.

Safekeeping, all right, buddy.

Oh, you guys going to

Donny's after school?

Um, I don't know.

Check it out.

It's the new

Vertigo Tronics game.

It's interactive.

The graphics are unbelievable.

Yeah?

They were handing these out

at Dante's, test marketing

it or something.

They're going to have

a demonstration today.

So how about it?

I'm game.

Greg?

Um, all right, we'll go,

we'll stop by Dante's Inferno,

and then we'll get

some dinner after.

Keep on driving?

Yeah.

Disappear forever?

Wanna go?

[MUSIC PLAYING]

Hey, Mr. Finster!

Stilts, god damn it,

I've got my eye on you.

Games like Arcade

go beyond interaction.

I'm telling you,

man, virtual reality

is the wave of the future.

Hey, Alex.

Sorry, man, I didn't

see you there.

Stilts.

I thought I told you

to stay out of here?

Well, I'm just,

you know, checking

out the preview for Arcade.

Check it out.

It's going to be in there.

It's supposed to be real cool.

If it's so cool, then how

come they're previewing it

in this sh*t h*le?

Maybe if you

weren't such a d*ck,

you'd see how cool

this place really is.

Give me a break, man. they got

f*cking Space Invaders in here.

That shits for ret*rds.

So what are you saying?

I'm like Ret*rded.

Is that what you're implying?

- No.

Cool.

Now that I'm

standing here, I'm

noticing you're an

ugly little f*ck,

and you're making me sick.

Stilts, cut it out, man.

He'll kick your a*s.

Hey, hey, hey.

You stay out of

my face too, man.

Back off.

I said, back off.

You're gonna go after this guy?

Shut up.

Come on, now, Mr. Finster.

Everything's all right.

Everything's OK.

No, it's not.

What's the matter with you?

Look at the size at him.

Shut up.

It's funny, huh?

You think it's funny?

You're a sh*t and I

want you out of here.

Yeah?

Well, you place sucks, man.

Who gives a f*ck

about Arcade anyway?

Try saying that to my face.

Oh, pretty scary.

Out of the way, kids.

Out of the way.

Mr. Finster, how are you?

You look rested.

Come on, kids, I got something

to show you in the other room.

It'll blow a hole

in your shorts.

Out of the way here, kids.

Out of the way.

OK, kids, come on in here.

Don't be frightened.

Don't be shy.

Come on in.

This is Arcade.

We think it's going

to be a big seller.

But do you know what?

You're the guys

that make it happen.

You're the market share

that we're all tearing

each other apart to get at.

It's your opinion that's

going to make us or break us.

So how about you?

You want to give it a try?

Oh, no, no.

It wouldn't be much

of a challenge.

See Alex always loses.

Never ending design

problems, that's what I heard.

So aside from the package,

what makes Arcade so different?

Now there's a man

after my own heart.

Straight to the point.

What makes Arcade different?

Is the way it reacts.

It responds like a human does.

Each time you play it,

it changes its strategy.

It learns.

It adapts, and it's all

done in virtual reality.

It's so real you'll

actually think

that you're in the game board.

That's impossible.

You think so?

Why don't you give it a go?

Show him what's up, Nick.

The cyber gloves are key to

the game's response mechanism.

You'll be able to pick things

up inside the world, tools,

weapons, and they'll

actually feel as

if they're in your own hands.

The goggles, they

heighten the experience.

When we said reality

will never be the same,

we weren't kidding.

What's this button?

Escape?

Yeah, well, that's in case

things get a little intense.

It's kind of like

an eject button.

Things can get a little

squirrely, you know.

Nick won't need it.

Oh, yeah?

You're good, huh?

The best.

So what's the scenario?

Am I trying to save a princess?

Fighting zombies?

k*lling mutants?

Well, it changes.

There are seven levels.

Each one is a different

layer of the Arcade universe.

The concept is you enter

the video world itself.

The virtual world, and you make

your way across the game board

to Arcade's brain.

It's soul.

OK, so let me

ask you something.

If I die, is it a virtual

death or a real one?

Like, do I go to

a virtual heaven?

Can my parents collect

virtual insurance benefits?

Funny guy.

Anyway, how do I start?

My treat.

Here.

Do something useful.

OK.

Enjoy.

Stand back.

I am the future.

I am Arcade.

If you want to play games,

you picked the wrong machine.

What's your name?

Nick.

Nick, kiss reality goodbye.

What's it doing?

It's memorizing his features.

Nick?

Be careful, Nick.

If you spend too much

time on one level,

I'll send out the screamer,

then there's no escape.

What the hell?

You gotta try this thing.

If you really want to.

Will you hold my keys?

Thank you.

So you had a good time?

See if you're tougher

than your friend here.

Enjoy.

Kids, why don't you come out

with me in the other room?

I got an offer that you're not

going to be able to refuse.

I've got a bunch of

Arcades, home versions,

and they're free.

- All right.

- Cool.

- Yeah.

- Come on, let's get Greg one.

- OK.

Greg, kiss reality goodbye.

Come on, kids, come on.

Come on, come on.

Now, Arcade is going to be

released in a month or so.

We need a little fine

tuning, and that's

where you kids luck out.

This is my world, and

you're part of my game.

Here's some home

versions of Arcade

that I'm going to give you.

As long as you fill out these

marketing questionnaires

and bring them back.

[GROANING]

[EVIL LAUGHTER]

[SCREAMING]

Welcome, Greg.

Greg?

Stacey?

Stacey, where's Greg?

How should I know, Alex?

Micheal, stick-- stick

a cigarette in my exhaust,

Micheal.

- Hey, Alex.

Has anyone seen Greg?

- He's probably outside.

- No.

Yeah, if he gets

really bored--

Then he goes outside.

So let's go.

Let's go.

After you and you.

And ladies first.

You still love

me, don't ya, Alex?

[HONKING]

- Come on.

So where is he?

I guess he took off.

You have his keys, right?

And he said you were

going to have dinner,

so just go home and wait.

Nick, why would he

leave without telling me?

Maybe he's up to

surprise or something.

I don't know, Alex.

I have to go.

OK.

Sorry.

I'm sure he'll call you later.

Bye.

Bye, guys.

Bye, Alex.

Dad?

Dad?

Did Greg call?

No.

You should go to bed, Dad.

Yeah.

Hello, Alex.

What?

I saw you watching me.

I heard your mind.

It wants to play, just

like your boyfriend did.

Where's Greg?

In here.

He lost the game

and I won his soul.

Let's see if you'll be

more of a challenge, hum?

Join us.

No matter which

corridor you choose,

Alex, they'll all lead to your

doom, because you always fail.

Time's wasting.

Choose a corridor.

I'm coming for you.

[GROWLING]

[SCREAMING]

You failed again, Alex.

You've let me down.

Are you ready to play again?

Greg's counting on you.

Oh, giving up so soon, Alex?

Then why don't you

check your clock.

After all, time flies

when you're having fun.

MRS. HODGSTEN: Hello?

Mrs. Hodgsten?

MRS. HODGSTEN: Yes.

Is Greg there?

MRS. HODGSTEN: No, Alex,

he hasn't come home yet.

All right, can you have him

call me when he gets home?

MRS. HODGSTEN: I will.

I'm sorry to wake you.

MRS. HODGSTEN: It's OK.

ARCADE: He's never coming home.

[DIALING]

Nick?

NICK: Hey, Alex.

What's up?

I just called Greg.

[EVIL LAUGH]

He hasn't come home yet.

NICK: Alex, he's your boyfriend.

You keep track of him.

You there?

He's right here, b*tch.

I have to talk to you.

NICK: Uh, we are talking.

No, in person.

Now.

NICK: It's 12:30.

I'm coming over.

NICK: Oh, for Christ's sakes.

You can't just

turn me off, Alex.

I'm everywhere now.

WOMAN'S VOICE: Alex?

Just don't think about it.

Nick?

Nick?

Nick?

That's amazing.

It must be some kind

of a screensaver.

ALEX: What do you see?

NICK: I can't take

my eyes off it.

I think it's a fractal, but

it's beating like a heart.

Like it's alive somehow.

This game is brilliant.

I mean, look at it.

It's like a DNA

molecule or something.

Something weird is happening.

What do you mean by weird?

Greg never came home, Nick.

I mean, a few hours is one

thing, but this is different.

Something's happened to him.

Can you turn off

the game, please?

- I'm right in the middle of it.

- Just turned it off.

- Happy?

- No.

OK, look, I know you're

not going to believe

me, but just listen anyway, OK?

I think the game

is alive somehow.

Just listen.

Now, I hooked it up earlier this

evening, and it said my name.

Just as I plugged it in,

Nick, it said my name.

How could it know that?

NICK: Alex.

And then I asked

it where Greg was.

And it said in here.

Alex, I think you're

freaking out here.

Greg is gone, and

maybe he's in trouble,

but it's not Arcade

that's doing it.

It is.

How?

Alex, it's a machine.

Machines don't think.

They're not alive.

It's a good program,

a brilliant program,

and it was designed to

act as if it were alive,

but it's not alive.

OK, so how did it

know my name then?

Maybe you just imagined it.

You're always imagining things.

For Christ's sake,

Alex, you're paranoid.

Everything scares you.

You're just like my father.

OK, I've been having

some problems lately.

Been spaced out sometimes,

but I did not imagine this.

I did not imagine this, Nick.

Sh.

I do have parents, you know?

- There.

Look.

It turned itself back on.

No, it didn't.

It's just a faulty

relay or something.

It happens.

It's alive, Nick.

It's listening to us.

Shut up.

Enough.

I'm sorry.

Just call the others?

I'll try Stilts.

He's got insomnia.

[BUSY SIGNAL]

ARCADE: It's busy.

OK, Laurie, then.

[BUSY SIGNAL]

It's busy too.

Alex, she's probably

just talking to Stilts.

Try Benz.

[BUSY SIGNAL]

It's busy too.

All of them?

It's 1 o'clock.

Go home, get some

sleep, and we'll figure

things out in the morning.

It's not this weird.

Everything will

make sense tomorrow.

Hey, things always get weird

this late at night, right?

- I'm not crazy, you know.

- I know.

Just don't play

the game again, OK?

Please?

So, hey, man, how did

your date go last night?

Oh, dude, well, OK, I

took that girl Laura out.

Laura, yeah, the

one with the big uh--

Yeah, you know, I grab

them, and squeezed them.

Oh, you grabbed them

and you went whoop.

She punched me in the head.

Did you put your

face in them like that?

She kicked me

in the ba*ls, man.

Hi, Alex.

So where is everyone?

Sick.

Everyone's sick, huh?

Damn it.

It's a quarter after.

We always meet here

at a quarter after.

Take it easy.

Chill out.

What's her problem?

Did you play

Arcade last night?

No, actually, as I

was just telling Nick.

My TV was busted and my

dad was watching his TV,

some news some other bullshit.

You want to hear

something else, Nick?

I called them all

again this morning.

All of their phones

are out of order.

So I made up a list of everyone

that was at Dante's yesterday,

including DeLoache and

all those other jerks,

and all of their phones

are out of order.

Well, it sounds like

it's obviously a plot

to take over the world, Nick.

Do you want to get that

straight jacket or should I?

Alex, what do

you want me to do?

We should find out

what's happened to them.

No way.

Nick, if they're fine, great.

Let's just make sure.

Come on, Nick.

OK, but if things

are cool, Alex,

I don't want to hear

anything more about this.

Life's too short,

you know what I mean?

Hey, are you guys cutting?

Let me go with you.

Just stay here, Stilts.

And don't watch any TV.

Oh, OK, I'll hold

down the fort, Nick.

No one will get by me.

Just do what she says, Stilts.

And if we're not back by say--

Oh, don't worry, I'll

call out the National Guard

and like this police

patrol or something.

Listen, Alex, I just want

to ask you one more thing.

Is it like supernatural

evil that you're fighting,

or is it like space aliens,

like pod people and stuff?

Because there is a

difference, you know?

I mean, one you need

garlic and silver--

Stilts.

Look at me.

Am I laughing?

Just do what she says,

and don't watch any TV.

OK.

That's cool.

Wait here.

No way.

[DOORBELL RINGING]

- Laurie?

Let's go around back.

- sh*t.

She's here.

Laurie?

Laurie?

Laurie!

Nick, what are we going to do?

Laurie?

Laurie?

Jesus, Alex, calm down.

- Laurie?

[ELECTRONIC ZAPPING SOUND]

What the f*ck?

Laurie, wake up.

Wake up.

I am awake.

Don't you see them?

See what, Laurie?

The angels.

The angels.

I am the future.

I am Arcade.

What's your name?

We have to turn

it off, Laurie.

I'm going to turn it off.

No.

Get out of my house!

You don't care about me.

You don't care about me.

Alex, don't leave me here.

ARCADE: You could

leave Greg here, Nick,

and have Alex all to yourself.

Change the channel.

ARCADE: Alex, if you won't

play the game by my rules,

then I'll play in your world.

Nothing's happening.

Laurie?

[EVIL LAUGHTER]

Nick, what's happening?

I don't know.

Alex, move.

Alex.

ARCADE: Poor baby.

NICK: Is she breathing?

Then let's just go.

We can't.

You're right, Alex.

We'll call 911.

Alex, look around.

We broke in, we

smashed the TV, no one

is going to believe

what's happened here.

I believe you now.

I don't know what the f*ck

is happened, but it did.

Let's just get the

hell out of here.

I'm taking Laurie then.

[WHOOSHING SOUND]

Nick?

Let's get the

hell out of here.

What are you gonna do, Nick?

I don't know.

Vertigo Tronics.

What?

Well, they made Arcade.

Look, it's still

a game, isn't it?

Somebody had to program

it in the first place.

So what do you mean?

Learn the rules?

Beat it at it's own game.

You realize that to do this we

have to actually play the game?

Yeah.

OK, let's get going.

It's along drive.

Hi, may I help you?

We'd like to see

Mr. Difford, please?

Huh.

I see, and do you

have an appointment?

No, but we've been

driving a long way--

Oh, I'm sorry, but if you

don't have an appointment,

I won't be able to help you.

If you'd like, you can

leave your name and number,

and I'll have Mr. Difford call--

Look, pal, if Difford's

not out here in one minute,

I'm calling the news

and informing them

that your f*cking game

is whispering in our ears

and telling us to

commit suicide.

I'm talking public relations

nightmare here, pal.

Virgin sacrifices,

Satanism, the whole bit.

One moment, please.

RACHEL: Yes?

Rachel, would

you be kind enough

to tell Mr. Difford

that we have a situation

in the lobby which requires

his immediate attention?

Difford, heard the rumors.

They're going to axe some people

if Arcade doesn't penetrate.

How's your quote this month?

I have business.

Well, then I guess you got

nothing to worry about, do ya?

See you in the morning?

(WHISPERING) as*h*le.

[PHONE RINGING]

Hello?

RACHEL: Frank,

there are some kids

causing trouble in reception.

They say they're having

problems with Arcade.

OK, I'll be right

there in a minute.

RACHEL: He's on his way.

Mr. Difford will

be right with you.

Have a seat, please.

Virgin sacrifices?

Gets them every time.

So what's up?

It's about the home

version of Arcade.

What about it?

It's hurting people.

What are you talking

about, it's hurting people?

I'm not joking, Mr. Difford.

There's something

wrong with Arcade.

Come into my office.

So what's the problem?

The game is alive.

What Alex is trying

to say is that the game

seems like it's alive.

See, we're not getting

very far into the levels.

We were kind of

wondering if maybe you

had some tricks or something?

I mean, you don't want us kids

running around school saying

your game's too hard, do ya?

No.

No.

Don't want that.

I mean, that's it?

You-- you just want

to learn some tricks?

I'll tell you what.

Would you like to

meet the programmer?

That'd be great.

He's probably in

the lab right now.

Come on, let's go down.

I'll show you.

[KNOCKING]

No.

God.

sh*t.

Albert?

What?

Having a bad day?

Listen, I've got a

couple of kids here.

They want to know about Arcade.

I thought you might give

them some of your secrets.

Secrets?

Your tricks.

They want to beat their friends.

Come on, kids.

I leave you in

very capable hands.

Thanks, Mr. Difford.

ALBERT: Yeah, thanks

a lot, Difford.

Well, uh, secrets

and tricks, huh?

What do you want?

We're having some

problems with Arcade.

No, sh*t.

Well, who isn't?

What do you mean?

Well, I mean,

it's a tough game.

It's hard to pin

that b*stard down.

He keeps on changing the rules.

Um, we were

thinking maybe you had

like some programmers

tricks or something.

Like some surprises

and stuff that you

had worked into the game?

You know, every game's

got surprises, even Arcade.

Uh, well, OK.

Come here.

I'll show you the

schematics and lay out

the entire virtual

gameboard for you.

Now, pay attention.

Now, that's the virtual world.

The virtual world

consists of seven levels.

Now, each level has an exit,

a doorway out of that world.

Now, the doorways aren't

always what they seem,

but at least the schematic

will show us where they are.

So in each world

you have to find

the doorway to the next

level, and with it a key.

Six in all.

ALEX: How do you beat the game?

Right.

The keys.

The keys are the key.

See, they unlock Arcade's heart.

From there, you can

escape Arcade's brain back

to our reality.

Only problem is nobody's

been able to quite do it yet.

Well, anyway, where were we?

Oh, right, right,

the schematics.

The doorways.

Here.

Now, the fabled doorways.

There.

You've only got so

much time to find them.

If you're too late,

the Screamer comes.

Right.

How do you stop the Screamer?

Oh, you can't.

You can only escape.

If he gets you, you're dead.

It's like, um, time catching

up with you, you know?

Fate.

Each level you

have progressively

less time to complete until--

and if you can't find

the doorway, bam.

If you're lucky enough to

cross the sea of darkness

and collect your fourth

key, you get a free life.

Without a free life,

there's no margin of error

and it gets harder.

The next half of the game takes

place inside Arcade's brain.

Oh, urban scenario, lots

of concrete and steel, ugly

and mean.

The Screamer comes

even faster here.

NICK: What aren't

you telling us?

All right, all I can

tell you is that it

involves a donor, all right?

Look, he was brain dead already,

so it's not like, you know,

anything unethical happened.

We only used a few

100,000 brain cells.

It's not a big deal.

No.

That's just it.

It's alive in there.

It's the one changing the rules.

It was supposed to be the

ultimate challenge, you know?

People driving themselves

crazy trying to beat it,

sitting in front of

the television for days

frying their brains.

I mean, that's the

whole point, isn't it?

Keeping glued to the tube.

You want my best advice?

Don't play this game.

Stay clear of it, period.

I'd like to, but I'm afraid

that's not an option anymore.

Alex, come on.

Whoa, whoa, wait a minute.

What do you mean?

I mean, I've heard

enough, thanks.

Alex, let's go.

- Wait.

Wait.

If you're going to play

the game again, here.

You might as well

take the schematics.

Just remember, it's

only a program.

It's not really alive.

If things get too

intense, you can

always push the Escape button

and you're out of the game.

What if the Escape

button doesn't work?

Come on, Nick.

Let's go.

Then we'll have us a

pretty big glitch, don't we?

So where do you want

to play the game, Nick?

Nick?

Um, I was thinking about that.

And I don't know, maybe we just

shouldn't play the game at all.

Just keep on driving.

I wish we could.

Arcade's a virus, so it

seems to me the place to hit

it is where the virus started.

You know, like the

point of origin.

[THUNDER]

[WHISPERING SOUND]

Just don't listen to it.

Wait here.

I'll go check it out.

Nothing.

Is it plugged in?

I don't get it.

It wants us to play.

It's been taunting us.

You have to put in money.

Alex, you don't

need to put money in.

This game can run on its own.

- Yes, you do.

Don't you see?

It's what it wants.

We have to play by its rules.

Two players, Nick.

NICK: Alex, you're not coming.

Yes, I am.

No, you're not.

Alex, I'm good at these games.

I play them all the time.

You never play.

You'd just get

nailed in an instant.

And what am I supposed to do

if something happens to you?

Go in by myself?

No.

if you're smart, you'll

just run like hell.

Nick, I've

already lost my mom.

My father doesn't

care if I live or die.

If I lose Greg too,

I have nothing.

I'm going.

- You don't get it, do you?

- What?

I don't want anything

to happen to you.

I care about you, Alex.

It's tough being

a hero, isn't it?

Here goes nothing.

Nick, Alex, all of

your friends are here.

We know what you are.

A harmless monster.

I'm nothing compared to

the pain of your world.

You should know that, Alex.

f*ck you.

Our parents destroyed us.

Your mother turned you

into a hollow human shell.

Mine changed me into a

monster inside this machine.

Hold on.

And now, I need young

souls to keep me warm.

Now, kiss reality

goodbye forever.

Are you OK?

sh*t, the schematics.

Nick, right here.

Good thinking, Alex.

OK, I'll watch off for the

Screamer and the spikes.

See if your schematics tell

us anything about where

the first key is located.

OK.

There, that corridor.

I think it leads to

the second level.

Now remember, once

we got all the keys,

we can unlock Arcade's

heart and find his soul.

And, Alex, no matter what

happens, don't worry about me.

Keep moving forward.

- We're all getting out, Nick.

- Then let's go.

There.

It's a doorway.

We've got to try it.

First key, Nick.

This goes outside.

You sure it's Level 2?

There's only one

way to find out.

NICK: Alex?

Alex?

Don't look at the

fractal for so long.

Keep moving forward.

Holy sh*t.

This is for real.

Come on, Nick, we've got

to find the next Doorway

Alex, keep going.

I'll be right there.

Alex!

Help!

Help me!

Over here.

Help!

Alex!

- Benz!

Benz, hang on, OK?

I'm coming!

Just hold on.

I'm on my way.

Don't let go.

Just hold on, Benz.

Be right there.

Benz, just hold on.

BENZ: Alex, I'm sinking.

I'm on my way.

Alex, help.

I have the key.

Come on, Benz, hold on.

The key.

Grab my hand.

Grab it!

Grab onto my hand, Benz.

Benz!

Benz!

Alex?

Baby?

Mom?

[ROARING SOUND]

My God.

Nick, look out!

Nick, don't look at the fractal.

The Screamer is coming.

Nick!

Nick.

Oh my God.

Nick?

Kiddo?

Thank God.

What happened?

I invaded the

system and manually

activated the escape program.

See, I knew something

was wrong with Arcade.

That's why I'm here.

I mean, I needed

to see it myself.

But I'm seeing it, but

I don't believe it.

I mean, you know, a

program can't come--

Where's Alex?

Oh, great.

Nick, Nick.

Get her out of there.

I can't.

Arcade fried my interface.

He realized what I was up to.

- Do something.

You f*cked it up.

Now get her out of there.

There's nothing I can do.

She's on her own, Nick.

She has to play the

game through to its end.

Laurie.

Stilts.

You may ask one

of us a question.

One tells the truth,

the other lies.

Who you ask remains

your discretion,

but if the answer's wrong,

the questioner dies.

The city of Truth

is the place you seek.

Either boatman will

take you there,

but the other city

is dark and bleak.

This is the teller of

lies domain, beware.

I am the liar.

Where shall I take you?

I am the truth teller.

Where should I take you?

What did he do to you?

- Is that your question?

- No.

Wait.

No, that's not it.

OK, I want the city of Truth,

so I want the truth teller,

but which one's which?

You have no time.

What is your question?

I'm thinking.

You have no time.

OK.

What did he say?

The riddle involves a paradox.

Liar, did you come from the

city on the left or the city

on the right?

I came from the

city on the left.

But you always lie, so you

didn't come from the city

on the left, which means

the city on the left

is the city of truth.

Too late.

You're taking me to

the city on the left.

What happened to you.

I lost, Alex.

I won't.

Please, lady, help me.

I can't swim.

Grab my hand.

Help me.

[THUMP]

The city of Truth is at hand.

You made it pretty

far into the levels.

You must be pretty good.

I don't want to play anymore.

But you're going to

have to hang on me.

I don't want to stay here.

I want to go home.

I know, so do I.

There's a monster here.

We have to k*ll him

before we can leave.

I know it's scary, but

I'm not going to let

anything happen to you, OK?

Then we'll go home?

Then we'll go home.

Stay close to me.

Dark riders.

If they touch us, we're dead.

They're getting closer.

The last key.

All right, Arcade, I've made it.

Where are you?

Damn it, where are you?

Right here, b*tch.

Jesus Christ, Albert,

the kid's Arcade.

Do something, you as*h*le.

All right, all right.

What do you think I'm doing?

Congratulations, Alex.

You've almost made it

to the final level.

You're Arcade?

You're the donor?

The donor was a little boy.

His mommy hit him until

he went to sleep forever.

But Vertigo Tronics stole

his pain, and I was born.

Now no one can play

with me anymore.

Find my soul in your

hell and die with it.

Mom?

Hi, honey.

Feeling better?

How you doing?

Hm?

Oh, you're still

feeling feverish.

Why don't you run upstairs,

then crawl back into bed,

and I'll make you

a nice breakfast.

Oh, baby, what's wrong?

Huh?

I had the worst nightmare.

Oh.

It was awful, Mom.

There was this game, and

it was taking everyone.

It took Greg and Nick and y--

now everything is

all right, isn't it?

I mean, if you had a problem or

something, you would tell me,

wouldn't you?

You'd try and let me help you?

Of course, I would.

Everything's fine.

Come here.

Big hug.

I'm glad.

I dreamt you were dead.

- Sweetheart, I am dead.

- What?

I said, I am dead.

Watch.

Mom.

Mom.

Oh, don't worry, baby.

Don't worry, it's not

so bad being dead.

You'll see.

Alex, Alex, you never believed

in an afterlife, but it's real.

There is a heaven, and I'm

going to take you there.

I'll take you with me so

you never have to worry

about letting me down again.

I didn't let you down.

ARCADE: My game's

over, Alex, and you

failed for the last time.

You've let everyone down.

Oh, but don't worry, I

can bring your soul back

and we can play again and

again and again and again.

[EVIL LAUGHTER]

ARCADE: And again.

What's happening to me?

No!

I play by my rules.

But guess what, as*h*le?

You forgot my free life.

Alex?

Alex, you did it.

- Greg.

Alex?

Nick, how'd you make it?

I had a little help.

Congratulations, Alex.

Great job.

Poor baby.

Hey, we going to send

these things in or what?

No, I'm serious.

I liked it.

I want the portable.

How'd you do it, Alex?

Huh?

How'd you do it?

It's a long story.

You're telling me.

I just thought of something.

You guys, if we all

came out of the game,

what if Arcade did too?

No.

No, Alex, you won.

I mean, you played

by Arcade's rules.

Of course.

You're right.

Forget I said anything.

OK, so start at the beginning.

Give her a chance, will ya?

Hey, I am giving her a chance.

Get off my back.

Let's start from the beginning.

NICK: Goodnight, Alex.

ALEX: I'll see

you guys tomorrow.

[WHISPERING SOUND]

ARCADE: You can't just

turn me off, Alex.

I'm everywhere now.

ALEX: All right,

Arcade, I've made it.

Damn it, where are you?

Right here, b*tch.

Kiss reality goodbye.

[EVIL LAUGHTER]

[MUSIC PLAYING]