[Music]
never given up
[Music]
to you
[Music]
[Music]
[Music]
[Music]
[Music]
[Applause]
[Music]
[Music]
hey excuse me
what are you doing
look you can't come here and let one of
our horses out
[Music]
come on glory back to the stable it's
too cold for it to be out
what do you want
she knows
who are you what are you doing here
she knows
you've no right letting one of our
horses out she might have caught cold
i'll tell the colonel
steve
yes
can i come
up yes
steve there's a strange man in the field
with glory where's my tea oh i forgot it
he's sitting in the field yeah so you
said but he took glory from the stable
what does he want i don't know every
time i asked him he just said she knows
what
glory knows that's what he said well
you better ask glory then ha ha
we can't have people taking our horses
and sitting in the field with them
why not oh don't be silly i'm going to
tell uncle
hey where's my tea on the wall by the
gate on the wall by the gate that's a
good place for a cup of tea
why is it there
don't tell me
she knows
[Music]
here
get this down here sluggard is a strange
man in the field with glory
get away well you won't say who he is oh
oh you asked him then of course i asked
him he just said she knows knows who
knows glory
wow
well is that all you can say oh
you could ask glory i suppose
i don't understand
i just don't understand at all
some weird stranger comes to our stables
steals a horse sits in the field talking
to it and all anybody can do is make
silly jokes about asking glory
blimey
now what
here he's early
getting worse on the arm you know i put
a crack kit ready for inspection
that little champ in the field has he
had any tea
well i think he ought to have some
but what do you do
take glory out of the stables
yes
well i'll have a cup anyway
thanks
why is no one interested i've told three
people and all i get is so there's a man
in the field now let's have a cup of tea
well what should we do about it well
find out who he is what he wants but why
look suppose his name was joe bloggs and
joe bloggs wants to be in the field with
glory what difference does knowing that
make well i mean well he shouldn't be
there should he well why not
he's not doing us any harm
he's not affecting us
i can't say it makes any difference to
us at all whether he's there or not
so what do we do just leave him there
well
if you could curb your curiosity for a
moment and stop banging things about
you could take him a cup of tea
[Music]
so
oh
come on
[Music]
wait
we haven't finished it where are you
going hang about mate it won't be a
minute
[Music]
hey
is he gone no he's at the back of the
house
i thought he got away
escaped our clutches
no fear i've been watching and don't
lose him when you follow him well me
champion tracker and i
him like sherlock holmes will he'll be
going in a minute when we bring in glory
yeah we better make it quick i'll go be
off early going out with me mates
tonight what about supper
yeah what about supper
still slugger to give it to the horses
that's all his cooking's fit for
oh well got a shift
get a roof finished
is he still there
yes
it's time we brought glory in
no neither a minute
what's wrong got to do with this nothing
come on you two are up to something
it's nothing
he's going to follow him home that's all
find out who he is
what makes you think he'll go home well
he won't stay in the field all night
will willy
perhaps he hasn't got her home
i'll go get glory
where's he going forget glory
right
sir all night i gotta go i'll be in the
morning oh no you don't need only
another 10 minutes
look mate i got blisters all over my
hands if i carry on i might never work
again never work again he says i ain't
seen your start yet
[Music]
yeah you can't follow him it'll take all
night
[Music]
he's not going anywhere
he's settling down he can't stay here
not all night
what's going on
he's not stopping here i can tell you
hey mate
fun's over time to toddle home
you death or something
time to go
now listen granddad you just move on see
you're getting on our nerves understand
so beat it
now look mate if you don't run get off
that gate
now leave him alone
i want that roof finished
oh yeah but i'm off and i it's gone six
o'clock i want it finished tonight
dora
he can't stay all night though he better
sleep in the stable glory
but i'm glad i do as you're told
and tell slugger to get him some
blankets oh you better have a lamp
you try to choke yourself
if he is it's the only useful thing he's
done all day
that old man
has he settled in slugger
how long's he going to stay
i've no idea
well he gives me the creeps
go on he wants more than that he hasn't
eaten all day
if he wants more
he shall have more here look at that
that will put some flesh on him
right who'll take it out
i will
[Music]
excuse me sir
dinner is sir
i know how to get rid of you
i'll fix you
[Music]
[Music]
daydreaming
you made me jump
looks as though we're in for a storm
yes
are you all right yes
what's his name dora my warrior
no that's the name we called him when he
came here what was it before that well
we don't know do we no
do you know where he came from he was a
stray don't you remember yes
you're very fond of warrior aren't you
yes
but he
gives you the creeps yes
that's different no it isn't
why is it different
he's human he can look after himself you
know that do you well no but
you know it's a funny thing but when
anyone hears of an animal being in need
unwanted nowhere to go
they get all hot under the collar and
write to the papers about it
but there are lonely unwanted people too
but nobody seems to care
it's not any horses that need kindness
you know
oh well i must be off
see you in the morning
i think he knows who mr she knows is
then why doesn't he tell us
perhaps he wants to keep it a secret
we've got one from him
we're not telling him about dancer we're
going to when we're ready
perhaps he'll do the same
look for instance
suppose mr she knows has had something
really awful happened to him
perhaps he doesn't want anybody to talk
about it
you mean like his wife dying something
like that
yeah
could be that glory is the last thing in
the world he cares about
now he's found her again
well i hope someone tells us soon it's
getting on my nerves not knowing who he
really is
oh we made a guess
that'll do for now
let's go do some work and dance right
come on
[Music]
oh right
look at that oh just have to give the
troops in today oh
yeah look at that
get around that little lot and he'll be
good for years
i'll take it no let me
grabs up old man come on get it
[Music]
oh
what don't you want it then
still we know what we can do with it
don't we
hey what are you doing with this dinner
watching me i'll give you
[Music]
dumplings too yeah well i didn't want to
poison them paul beggar leave him
slugger
if anybody's going to thump him it'll be
me
oh yeah
you know else i don't think anybody else
[Music]
i have none of that
they're all right
i'll be laughing at each other in a
minute let's see come on
come on
come on come on
[Music]
come on
[Music]
[Applause]
so
[Music]
[Music]
something wrong out there
stables are on fire
[Music]
get some water
[Music]
[Music]
come on
[Music]
get some water
[Music]
[Applause]
[Music]
[Applause]
[Music]
after glory
[Music]
so
[Music]
it's all right
it's not too bad in there so now it
fixed up
are you all right
let's get the horses
there you are colonel 50. that should
cover the damage and a bit more probably
i'm not complaining about the damage
it's your damn boy he's gone too far ah
calm there's no harm done no harm done i
don't know what you call harm nearly
burning down the stables a bit of
carelessness carelessness
look he might have k*lled an old man on
four horses some bit of carelessness
now look i told him hundreds of times
that he's not to start that infernal
machine in the yard
now i'm sorry striker you'll have to
take your son away
i've done everything that i can to help
that boy just as you asked me to but you
know there is a limit
that boy's trouble and i've had enough
[Music]
oh
hi
hello mate
[Music]
[Music]
what can we do
i don't know
[Music]
could try talking to the colonel again
oh what's the use
sugar's taking it badly
i reckon i miss all run more than any of
us
well i've had my say colonel there's no
budging you once you make your mind up
is there no
yeah that's old mary isn't he you know
him of course i know him he's our
miltman well he used to be yeah his wife
died last week i'm sorry to wear that
i've been away yes he comes up here to
be with his old horse
glory
polo
he can't afford to keep her
so we were right the old man did lose
somebody he loved
that's why he wanted to be with glory
yep
colonel supposing i go out and repair
these old stables over his place and fix
him up with some feed and straw and give
him a few expenses oh uncle that would
be wonderful yes
but there's a price to pay isn't there
stryker yes colonel well i mean i had
hoped that we'd uh you know no
colonel
yes
i uh
i wonder if you take a look at dancer or
what's the matter with it
nothing
what
dora
you remember how he was
half wild unrideable he's the one who
threw dora yes i remember
i'm ready dora
what are you doing
look get off that thing i told you that
no one's to ride him
[Music]
dora and i have trained him
you always say people give up too easily
no we didn't
we learned it from you
patience and firmness
shows boss and you can cure the wildest
spirit
but that's amazing
i'm not just talking about horses
colonel
[Music]
it's not just horses me kindness uncle
it's people too
you win
oh all right striker you take those two
and i'll take the wild one
[Music]
[Applause]
[Music]
is
[Music]
is
[Music]
dreams come true when you want them to
if you want them to learn it's up to you
[Music]
[Music]
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01x10 - Mr She Knows
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Originally inspired by Monica Dickens' 1963 novel Cobbler's Dream (republished in 1995 as New Arrival at Follyfoot); she later wrote four further books in conjunction with the series—Follyfoot in 1971, Dora at Follyfoot in 1972, The Horses of Follyfoot in 1975, and Stranger at Follyfoot in 1976.
Originally inspired by Monica Dickens' 1963 novel Cobbler's Dream (republished in 1995 as New Arrival at Follyfoot); she later wrote four further books in conjunction with the series—Follyfoot in 1971, Dora at Follyfoot in 1972, The Horses of Follyfoot in 1975, and Stranger at Follyfoot in 1976.