Alien Invasion: Rise of the Phoenix (2025)

[bunniefuu]

(bright music)

(rousing inspirational music)

(dramatic inspirational music)

(dramatic music)

(logo whizzing)

(solemn music)

(solemn music continues)

- These cliffs, they

remind me of the wrinkles

on a wise old man's face,

full of stories, legends.

Epic adventures happened

here, and major battles.

A long time ago, the rock giants

arrived on Earth and they

endangered our very existence.

And just when everyone

thought it was too late,

a legendary creature

descended from the sky,

and it was so powerful

that it resonated

with the air like thunder.

(thunder rumbles)

The Thunderbird battled

the giant and defeated it.

When the battle was over,

it didn't leave.

It stayed and is

watching over us,

high up in the mountains

above the clouds,

because the rock

giant's still here,

waiting for the day

when it can rise again.

I have something I

want you to have.

It served its purpose for me.

It's a Thunderbird talisman.

I hope it will keep you safe.

(solemn music)

- [June] But Dad, you're

protecting us.

- Sweetie, I'm only

on this Earth

for a, a brief time in history.

The Thunderbird's forever.

(solemn dramatic music)

(dramatic music)

(bird screeching)

(slow bright music)

(slow dramatic music)

(dramatic music)

(car whooshing)

- Hard right, now!

(car engine rumbling)

(car tires crunching)

(soft suspenseful music)

(wind whooshing)

Cory! Come on, man, we

gotta record this.

(dramatic rock music)

Hey! Come on!

Morning.

- Morning, Mark.

(car door thuds)

Hey.

(gentle bright music)

- Cory, I want you to make sure

that you're getting close

on Alice, okay?

(Mark groaning)

(keyboard keys clacking)

(Mark grunts)

Yeah. Yeah.

(screen trilling)

All right. This (chuckles)

is Alice Wright.

Now she developed pretty

much every instrument

that you can see here.

- Problems?

- Just some last

minute logistics.

- Because if there's a problem

I need to let corporate know.

- [Alice] Susan,

everything is fine.

- Who is this guy and why

does he have a camera?

- Yeah, (chuckles) wait, um,

we're about to make

history here, Ms. Klaas,

and you don't want a, a

record of it?

But besides, he's signed

all of your NDAs.

That's right?

- Yeah, but I don't

even know why I'm here.

- Good. Because you're not here.

None of us are here.

(computer beeps)

(screen trilling)

(Mark sighs)

- [Cory] Mark, is, is

this even legal?

- Hey, new guy, she's the

one that pays our bills.

(keyboard keys clacking)

Mark, what's our window?

- Uh, oh, we lose the window

in four minutes. Okay.

- [Alice] Four minutes, okay.

- All right, today we

make history,

thanks to a coordinated

effort between our team here

on the surface of the Earth

and the PAX orbiting

space station.

Today we are about to execute

the first teleport

experiment ever attempted.

Now we're gonna start

with a small object

and then we're gonna

move to bigger objects,

and then hopefully

biological elements.

- Yeah, but we need

the transmitter

to be perfectly aligned

with PAX's orbit.

- Three minutes!

- Okay, in three minutes,

PAX's orbit

will be perfectly

aligned with us and well,

hey, you, you can't see

it, only we can see it,

but um, that's when we're

gonna make the transfer.

(computer trills)

- Here they are.

PAX, Thunderbird One here,

do you copy?

(upbeat music)

(slow dramatic music)

(computer trills)

- [Computer] Incoming

transmission from Thunderbird

One.

- [Mark] PAX, this is

Thunderbird One.

You're entering our

communication space.

Do you copy?

(computer trilling)

- [Computer]

Commander on speakers.

- [June] All

personnel at stations.

We are entering the

transverse window.

(dramatic music)

(slow dramatic music)

- [Computer] All

procedures initiated.

(slow dramatic music)

Entering in three sequences.

- Sir?

(slow dramatic music)

(computer beeps)

- [Computer] Attention,

gate opening.

(dramatic music)

(suspenseful music)

(gate creaks)

Gate open.

(keyboard keys clacking)

This is not a simulation.

Receiving the target.

- Who's monitoring the storm?

- The storm is miles away.

- We won't have time to

reposition if this storm-

- The storm is stationary.

- Storm holding steady, sir.

(air whooshing)

- They should've brought

the plasma cannons.

They're gonna need the boost

if this storm interferes.

- [Computer] Incoming

transmission.

(static hisses)

- Good morning, everyone.

- We're busy, June.

- Be nice.

- Monitors up.

- Monitors are up.

(screen trilling)

- [Computer] Countdown

to transport initiated.

(dramatic music)

- Go ahead.

- Countdown confirmed.

All system holding.

- We got a Condition Red

at the receiver.

(receiver whirring and clicking)

- [Computer] Receiver engaged.

All levels sealed.

(dramatic music)

Projector locked.

- Projectors one and two locked.

- [Computer] Five, four, three,

two, one.

Projector locked.

- [Kyle] Projector three locked.

- This is as far as we

have ever been able to get.

(dramatic music)

(static hissing)

(screen humming)

(upbeat music)

- Alice! Get out of there,

it's time.

(bright upbeat music)

(energy humming)

(screen trilling)

(bright upbeat music continues)

- [Computer] Emergency: energy

levels at security point.

- Energy levels are too

high. We need to abort.

- No!

- We can't afford a

structural damage.

- The station will hold.

Trust me.

It will hold.

- System alert.

(alarm blaring)

(static hissing)

Emergency! Emergency!

(energy humming)

(uplifting upbeat music)

(uplifting upbeat

music continues)

(uplifting upbeat

music continues)

- Check the receiver.

(suspenseful music)

- We did it!

- (gasps) Well done, everyone.

(screen whooshes)

- Transfer completed.

- Yes! (chuckles) Thank God,

we did it.

(air whooshing)

(gentle suspenseful music)

(fire crackling)

(upbeat rock music)

(upbeat rock music continues)

On top

Standing on top of the world

Everybody rocks

Hey, hey, hey

Everyone's in shock

Standing on top

On top of the world

(fire crackling)

- Thank you.

(Cory sighs)

(screen trilling)

- [Computer] Incoming

transmission.

- Dr. Wylde, congratulations.

We made history today.

- Yeah, you sent a trinket

into space. Good for you.

- Hey, Alice. Good job today.

- So what about June? Hmm?

Do we get to see her finally?

Maybe it's time to

reconnect the family.

- I just wanna talk to

Alice about tomorrow's test.

- You can talk tomorrow.

- Never put off until tomorrow

what you can do today.

So-

- See you later!

(screen trills)

(upbeat rock music)

- (scoffs) Good night.

- Were they?

- Yes, they are in space.

- Wild. Who is June?

- My big sis. Yeah.

All of this, passion for

space, Thunderbird project.

It all started from our father.

(melancholic music)

(fire crackling)

- Is he?

- Yeah. And he's up

there somewhere.

(solemn music)

(Alice sighs)

Look, I need to get back to

the lab at ground control.

I wanna look over our data.

- Can I go with you?

- Uh, (chuckles) no.

Stay here and help 'em pack.

- Okay.

(solemn music)

(Alice sniffles)

(footsteps crunching)

(Mark sighs)

(wind whooshing)

(footsteps tapping)

- Headed back to the lab?

(car door thuds)

- (scoffs) You're more nervous

trying to make a

human connection

than actually sending

people into space.

Susan, we got fire,

we got beers and the stars.

This is your chance. This

is your chance.

(wind whooshing)

(car door clicks)

(car door thuds)

- This and that'll light up. Oh,

oh.

Oh, hey look, uh, it's time.

Come here. You need to see this.

All right, (sighs) um,

now you can't

see this during the day,

because there's too much light,

but when it's dark, go ahead.

- That is freaking cool.

(air whooshing)

- She didn't wanna-

- [Computer] Danger!

(asteroids whooshing)

(asteroids crashing)

Impact. Impact!

(alarm blaring)

(ship rattling)

Impact!

(glass clattering)

Danger!

- I didn't know there was so

many sh**ting stars up there.

(cameras whirring)

- Cory. Cory, Cory, get up.

Take this. Take it, take it.

- [Cory] Okay.

(suspenseful music)

- [Mark] We've got a problem.

- Oh my God!

(asteroids crashing)

- [Mark] Help me!

- Oh my God! Mark!

- Come on.

(expl*si*n crashing)

(all panting)

Come on.

(dramatic music)

- Mark!

Mark! Come on!

- Keep going!

Keep going! Come on, Mark!

Let's go. Mark!

What the hell are you

doing? We gotta go, come on!

(asteroids whooshing)

(Mark groans)

(asteroids crashing)

(dramatic music)

(rock clattering)

(asteroids whooshing)

(asteroids crashing)

(suspenseful music)

- Ground control, do you copy?

We've just been hit with

an apparent asteroid swarm.

The station has been damaged.

We're still operational,

but I'll transmit a

damage report

as soon as all sectors

have reported in.

(screen trills)

- [Computer] Pressure

system activated.

(suspenseful music)

(alarm blaring)

50%.

80%.

Gravity restored.

(dramatic music)

(soft suspenseful music)

(door whirring and whooshing)

(June grunts)

(air whooshing)

(dramatic music)

(June panting)

(June groans)

(dramatic music)

(air continues whooshing)

(case whizzing)

(June screaming)

(air whooshing)

(June panting)

(dramatic music)

(suspenseful music)

(June screams)

(metal creaking)

(button trills)

(door whooshes)

(June gasps)

(June panting)

(dramatic music)

(screen trills)

- We have a breach at

level seven.

Please report damages.

(eerie suspenseful music)

(eerie suspenseful

music continues)

(gentle bright music)

(gentle bright music continues)

(gentle bright music continues)

- Oh. (groans)

(gentle bright music)

- Oh, damn!

This is all destroyed.

Cory, will you check to see

if the Jeep still works?

(car door thuds)

(car engine rumbling)

- We're good to go.

(gentle foreboding music)

(cases clattering)

(gentle foreboding

music continues)

- No! Oh, no, no, no!

Oh no.

(Cory groans)

(Alice exclaims)

(Mark sighs)

Did we lose any more equipment?

- Well, one of the transmitters

got trashed by the storm,

but (clears throat) we can

probably repair it here.

(sighs) I haven't been

able to make contact

to ground control since then.

- Yeah, well they probably

lost their communications too.

What about the actual send unit?

- Well, I mean, it's banged

up but it's operational.

- Okay, well, we should

probably contact PAX

and tell them what the

heck just happened here.

I mean, we're gonna have

to delay the organics test.

- Oh (chuckles) yeah.

Dr. Stewart's not gonna

be crazy about that,

but that is the least

of our worries

because the storm trashed

our link to PAX as well.

Probably the asteroid swarm

took out some of their

equipment too.

I've been outta

communication with them

since the start of the storm.

- Oh crap, okay, well,

do you think

you can make any of this work?

- Let's see.

All right, batteries are okay.

Um, the main console is

still good, so.

- Okay.

- I mean,

outside of the

communication system

and some wire DI,

I can probably fix everything,

yeah.

- Okay. Well, you know what,

these, these should work.

I mean, we'll have about, I

don't know, a 10-mile range

and ground control is

about 60 miles out.

So if I'm going full speed

there and back,

we'll be outta communication

for about two hours.

- Yeah, I can survive with that.

- Okay, great.

- Alice, you can't go

by yourself.

You don't know what you're

gonna find out there.

- Uh, I'm not gonna go alone.

Susan, you come with me.

- I may be more useful here.

- No, Cory's right.

And it's better to have

more options on your way.

Look, I-I'm good here.

You guys go.

- I insist. My financial and

technical interests are here.

- Look, I will contact

you every 10 minutes

until we're outta communication,

okay?

- Okay.

- Right,

let's do this.

- Be careful.

(suspenseful music)

(door rumbles and whooshes)

(John panting)

(door whooshes and clicks)

(suspenseful music)

(John continues panting)

(suspenseful music continues)

(static crackles)

(screen trills)

(John continues panting)

- [John] Oh!

(suspenseful music continues)

(John panting)

(keyboard key clacking)

(screen trills)

- [Elisabeth] John?

- [John] I repaired

the leak in the section

aft of the hydroponics lab,

but I need to check

in with the doc

before I do anything else.

I cut myself on one of the

damn rocks I found inside.

- Would be great if you

could get it fixed

before Stew wakes up.

He's determined to do

that test today.

- [John] If he can do

it any faster,

he's welcome to do it himself.

- John, I really appreciate

what you're doing.

Do you have any samples?

- [John] Anything else I

can do for you?

(John sighs)

(soft slow suspenseful music)

(air whooshing)

(slow suspenseful music)

- Good news, no fractures,

but not so good,

your DMX test shows bone density

is decreasing exponentially.

- I knew this was a risk.

- How's the pain?

- Comes and goes.

Don't look at me like that.

(Dr. Singh sighs)

- June, your articular cartilage

and inter vertebral disc-

- Oh, come on, Doc, stop

throwing medical jargon at me.

- All right, let's put

it like this.

If you don't take the next

shuttle back down to Earth,

you will lose all mobility.

Forget about walking. You won't

be able to turn over in bed.

- My work here isn't done.

There's still the

teleportation experiments.

I can't leave the work undone.

(solemn music)

- Reminds me.

For you. Special tele-delivery.

(solemn music continues)

Now every astronaut

develops osteoarthritis

with exposure to microgravity,

and you've been here how long?

June, you've done great

work here. Pioneering work.

You, you, you've done

the hard part.

You can rest on your laurels.

Let someone else do the job.

- It's not just ego.

(solemn music)

Daniel Habid had been

training for this job forever.

He'd be awesome.

But my condition is incurable,

and I'd be in a lot more

pain in the higher gravity.

- I'm going to add Celecoxib

into your milkshake.

- Does it come in chocolate?

- It tastes like mortadella.

(June chuckles)

(keyboard keys clacking)

(John panting)

- Dr. Singh! Ma'am.

Ma'am.

- Oh, that looks nasty.

What happened?

- [John] Something caught me.

- Right through the

Kevlar glove.

Do you think there's any

foreign debris in there?

- I don't think so.

(screen trills)

(John yells)

- Good, you still have feeling.

We'll have the analysis

back later today.

- I need to get back to work.

- No, no, no. I think you

should stay right here.

We're gonna keep an eye on you.

- Uh, John, did you happen

to collect some samples?

(suspenseful music)

- Ah, well, they just

look like rocks.

Sometime rock is just a rock,

you know?

- It just strikes me as

more than a coincidence

that minutes after a successful

teleportation experiment

we've been hit with the

worst asteroid swarm

since PAX was constructed.

It's almost as if we

woke something up.

I'll take these to Dr.

Stewart for analysis.

Thanks, Doc.

- No problem.

You might as well get

comfortable.

(John groans)

(soft suspenseful music)

(suspenseful music)

(dramatic rock music)

(upbeat rock music)

- [Alice] Mark? Mark,

do you copy?

- [Mark] Loud and clear.

- All right, we're about

nine miles away from you,

so this will probably be

our last communication.

- [Mark] Okay. Well, keep

going, we're good here.

Transmitter's almost repaired.

- [Alice] Awesome, okay, well,

hang tight and we'll be back

before you start

getting too hangry.

- [Mark] (chuckles) Okay.

Be careful out there.

(static hissing)

Over and out.

(signal trills)

- (chuckles) Over.

(dramatic rock music)

(singer vocalizing)

Turn right here.

Ground control should

be right up this road.

(dramatic rock music)

- Sorry to disappoint you,

but I don't think we're

gonna make it there.

- What do you mean?

- When we first started

the tank was full.

Now it's almost empty.

I think one of the rocks

must have hit the tank.

- Okay, well, just keep going,

and we have to hit a gas

station or something.

(dramatic rock music)

- [Computer] Sector

five operative.

Power lost in sectors

three and four.

- Okay, thank you.

(screen trilling)

(suspenseful music)

(ship rumbling and creaking)

(suspenseful music continues)

(eerie suspenseful music)

(suspenseful music)

(bed clattering)

(soft ominous music)

(screen trilling)

(car engine rumbling)

(car doors clicking)

(Cory gasps)

(car door thuds)

- Huh!

Maybe they ran to find shelter.

Weird.

- Yeah, the tank has been hit.

I could try to find

something to repair it quick,

unless you wanna find

another car.

- Let's try to find something.

I'm gonna go inside and

see if there's anyone

that can tell us what

just happened here.

- Oh, you do that.

(Cory sighs)

(bell dings)

- Hello?

Hello?

(radio clunks)

(door rattles and squeaks)

(gentle soft suspenseful music)

(door thuds)

(bottle clatters)

(slow suspenseful music)

That's.

(objects clattering)

(gentle soft suspenseful music)

- Well, that's weird.

- Oh! Welcome to my world.

- Welcome to my world!

(both chuckle)

- You're silly.

(gentle soft suspenseful music)

- Hey, isn't this your dad?

He's talking about you here.

- Yeah, but let's not read that.

- Come on.

- No, seriously.

Let's just put it back.

- Sorry, Alice, I

didn't mean to.

- It's okay. Don't

worry about it.

You know, he was

ahead of his time.

Maybe too much.

He never got enough

credibility for his theories,

so he just started to

slowly lose everything.

You know, the teaching career,

his money,

his family.

He just felt like a

failed scientist.

A failed husband, failed father.

- [Cory] I'm sorry.

- You know that day,

I don't know if it

was pure chance

or if it was planned,

but we actually ran into him

on a field trip at the

Grand Canyon.

(solemn music)

We played and we talked.

It's like magic.

It's like if time never passed,

like if we were a family again.

(rousing solemn music)

- Now, here's.

What kinda rock is this now?

Huh?

- Obsidian.

- Right. Right, you two.

Hey! Hey, hey, hey, hey,

look at this.

What is this? What is this now,

huh?

- Wehrlite.

- You knew that that

quick, huh? (chuckles)

You are the clever one,

aren't you?

Now this, this is what

I'm gonna get you on.

What is this?

What kinda rock is that?

It's not a rock.

It was wood, now it's

petrified wood.

It's from a tree that

used to grow out here

230 million years ago.

Now just because you don't

know the answer

doesn't mean you're incompetent.

There's a lot of fake

questions out there

and there's a lot of games

that don't play by the rules.

You girls are special.

There's no one else like

you in the whole universe.

Just remember that, okay?

Come on, let's go to the river.

(solemn music)

- He gave me the

Thunderbird necklace

and, and then it was time to go.

(solemn music)

- [Mom] Okay, guys, let's go.

(solemn music)

- And as I was walking

back to the car,

I realized that I left

the necklace on a rock.

- [Alice] Oh, no, the necklace!

- (groans) Fine, I'll go get it.

(solemn music)

(air whooshing)

(mysterious solemn music)

(mysterious music)

(mysterious somber music)

- After that day, like,

June doesn't even wanna

talk to me anymore.

She started focusing on

her passion for space

and (sighs) she just

kinda forgot about me.

I guess I triggered too

many memories for her.

- Come on, let's go.

Come on, come on, let's,

let's leave this place.

Come on.

- All right.

(air whooshing)

(foreboding music)

(keyboard keys clattering)

(slow suspenseful music)

(screen trilling)

- All of the samples seems

to be fragments

of one or more S-type asteroids.

Footnote: siliceous.

The individual fragments

have smooth margins,

but sharp on the edges.

This suggests they may be

part of a larger whole.

- Communication still

isn't working.

- Get John back on it.

- [Elisabeth] Doctor, are

you with John?

- No.

- Can you please check on him?

- [Dr. Singh] I'm on my way.

- Am I the only one

who understands

the urgency of the situation?

If we lose our window for

the experiment,

I will have to wait

weeks to try again.

- There is something here

you need to see.

(ominous music)

(dramatic ominous music)

(suspenseful music)

(suspenseful music continues)

If this happened as a result

of his touching the space rock

we need to be very careful,

and we have to inform

Earth to keep people away

from any that might

have fallen down there.

- John was supposed to

repair the comms array.

- You mean we're still

out of touch with Earth?

- I'm afraid so.

- I need to understand

exactly what happened.

(ominous music)

(door thuds)

(footsteps crunching)

(object clatters)

(metal clunks)

(footsteps crunching)

(foreboding music)

(Mark sighs)

(Mark gasps)

- Any contact with Alice?

- No.

- [Mark] (sighs) We need her

to recalibrate the machine

for the organics test.

- We need to reestablish

a connection with PAX.

I need to make sure those

people are still in one piece.

(Mark groans)

- There's something here.

(ominous music)

Ow! (grunts) Hm!

- Is that?

- Yeah. Yeah, I think so.

- Let me see.

- No, no, no, no.

It's, uh, it's fine, it's fine.

It's nothing bad.

Um, you know, we should, uh,

we should get back to work.

We got a lot more important

things to do here.

Any contact yet?

Maybe try again?

- [Susan] Alice? Alice,

do you copy?

Alice, do you copy?

(static crackling)

Alice?

(ominous music)

Alice?

(Mark grunting)

Anybody?

(suspenseful music)

- Cory, do you know

where I put my radio at?

I think I left it inside.

(suspenseful music)

(door creaks and thuds)

(suspenseful music continues)

(eerie suspenseful music)

(suspenseful music)

(screen trilling)

(machinery whirring)

(suspenseful music)

(screen trilling)

- [Computer] Sample collected.

(suspenseful music)

(dramatic music)

Scan complete.

(screen trilling)

(gentle suspenseful music)

- I am still

detecting a heartbeat.

- You mean John could be

alive in there?

- Do you have the

results of the DNA scans?

Could this be some sort of

scleroderma in acceleration?

- There's no data until we're

back in touch with Earth.

(suspenseful music)

- We're all by

ourselves out here.

(eerie suspenseful music)

(suspenseful music)

- Hey, other than the water,

I couldn't find

anything else useful.

- So what's this about?

- What?

- You know, the story of

the petroglyph?

- Oh, well, it's a

very old legend,

open to tons of interpretation.

The Thunderbird and

the Giant Rock.

Yeah, it's, it's

something so bizarre

that happened back in

the Bronze Age.

But all stories

suggest that a deity

sent creatures down

as punishment.

It was a near-extinction event,

which is how most people

explain the unexplained.

- (groans) What do you

mean by unexplained?

- An alien encounter.

The Phoenix Petroglyph,

it dates back approximately

12,000 years ago.

It tells a story of

an epic battle

that happened here on Earth,

and how it was saved

from an alien organism

that scattered its seeds.

(wind whooshing)

(suspenseful music)

Uh, Cory, have you noticed

these formations before?

Mark? Mark, Susan, do you copy?

(static trilling and hissing)

(dramatic music)

- Shew! That should do it.

Let's try and find some fuel.

Come on.

- Yeah, let's go.

We need to figure out

exactly what's going on here.

(suspenseful music)

(eerie suspenseful music)

(soft foreboding music)

(ominous music)

(keyboard keys clacking)

(screen trilling)

(suspenseful music)

(dramatic music)

(menhir crackling)

(suspenseful music)

(suspenseful music continues)

(foreboding music)

(menhir crackling)

(dramatic music)

(suspenseful music)

(energy booming and whooshing)

(lights clatter)

(eerie suspenseful music)

(screen trills)

- Yes, ma'am?

- I've just lost power

in my quarters.

Is it a system's wide failure?

- [Kyle] No, ma'am.

It seems to be local to

the lab section.

(dramatic music)

(screen trilling)

(eerie suspenseful music)

(dramatic music)

(suspenseful music)

(switches clicking)

(screen beeping)

- [Computer] Illumination

system compromised.

(creature gasping)

(creature squelching)

(suspenseful music)

(creature panting and creaking)

(slow suspenseful music)

(dramatic music)

(creature squelching)

(suspenseful music)

(creature creaking)

(eerie suspenseful music)

(creature huffing)

(dramatic music)

(tense suspenseful music)

(slow suspenseful music)

(energy humming)

(slow suspenseful music)

(slow suspenseful

music continues)

(suspenseful music)

(June gasps)

- Computer, seal the

infirmary sector.

- [Computer] The sensors show

life forms in the sector.

- I'm in that sector.

- [Computer] Two life

forms detected:

one human, one undefined.

- Seal the whole sector,

but allow my override

so I can leave.

(doors whizzing)

(dramatic music)

(door rumbling)

(suspenseful music)

(door clicks)

Computer, open a security

line with Dr. Stewart.

- What is it, June?

- Dr. Singh is dead.

- What? (clicks fingers)

- It looks like John k*lled him.

And it looks like John

isn't John anymore.

(keyboard keys clacking)

- I'm bringing up security

camera footage now.

That's odd.

(static hissing)

June, some of the

cameras are down.

(eerie dramatic music)

(static hissing)

(creature rumbling)

(dramatic music)

(static hissing)

(rousing suspenseful music)

(eerie suspenseful music)

(Mark grunts)

- No! Susan, don't touch,

don't touch me.

Ow! I can feel my body changing.

It's, it's something,

something from the fragment.

If this is happening to me,

it's happening to, to anyone

that touched the space rock.

(Mark grunting)

You need to find them.

You've got to find them.

(panting)

(Mark groans)

I- I can't. I can barely move.

(suspenseful music)

(Mark groaning)

(Mark gasping)

Got it, here, take that,

take that, take it to 'em.

Take it, take it, take

that to them.

Yes, grab that GPS. Go, go, go!

(dramatic music)

(Mark grunting)

(intense dramatic music)

- Looks like he went

on a rampage.

We need to contain him.

(intense dramatic

music continues)

(intense dramatic

music continues)

Where is he?

- [Elisabeth] Sector B.

- Let's seal the compartment.

Let's keep him there until we

don't know what to do with it.

I'm coming to the control room.

(tense dramatic music)

(keyboard keys clacking)

(computer beeping)

(keyboard keys

continue clacking)

(door whirring)

- I'm checking the cameras.

(keyboard keys clacking)

(static hissing)

(tense dramatic music)

It's barely moving.

Even motion sensor have

hard time detecting it.

(tense dramatic music)

(static hissing)

(computer beeping)

(rousing dramatic music)

There!

(static crackling)

(suspenseful music)

- We need the results

on that DNA.

Is there anything we

can do up here?

- Can try in Dr. Singh lab

and see what we can do.

- Good. Let's go.

- Professor, as

second in command,

I need you to come

with me first.

(tense dramatic music)

(door whooshing)

(dramatic music)

(suspenseful music)

(static hissing and crackling)

(screen trilling)

(dramatic music)

(tense dramatic music)

(dramatic staccato music)

(suspenseful music)

(Susan sighs)

(zipper rasps)

(Susan sighs)

- Why did I wear the cute boots?

(Susan sighs)

(suspenseful music continues)

(eerie suspenseful music)

(tense dramatic music)

(tense dramatic music continues)

- We are here to celebrate

Dr. Singh and Rose.

They've dedicated their life to-

(eerie suspenseful music)

(coffin rattles)

(suspenseful music)

(dramatic music)

- Are they alive?

- Open the deck. Now!

- Now look, June, we need

to study this.

- One creature in my

station is enough.

Do it.

- No!

(suspenseful music)

(coffins whooshing)

(dramatic music)

(suspenseful music)

- Hello?

Anybody? Hello?

(suspenseful music)

(radio trills)

Alice? Cory?

(static crackling)

Are you there?

(suspenseful music)

(footsteps crunching)

(footsteps tapping)

(upbeat rock music)

(horse snorts)

(upbeat rock music continues)

(horse snorts)

Let's do this.

(upbeat dramatic music)

(screen whirring)

- Is the sample corrupted?

- It's the assumption

that's corrupt.

You're assuming the

DNA is human.

- I'll run it again.

There has to be

another explanation.

- It's pretty obvious

what's happening here.

Brown's study of the

Murchison meteorite

at JPL found organic matter.

- But nothing this complex.

Nothing that could create that.

- [Dr. Stew] What does it want?

What does it need?

- How long before we

can contain him?

- What if we can't contain him?

- We have to k*ll it.

- Are you insane?

The first contact with an

alien life form in history

and you wanna k*ll it, again!

- And if it's silicon-based,

like Dr. Stewart thinks,

all bets could be off.

(dramatic music)

- Our core-based are

tipped with diamond blades.

- That might do it.

- Flame throwers.

Rock melts at 1,000

degrees Celsius.

- There are some stored

in the utility sector.

- But maybe we can trap it.

- We're about to play

a cosmic game

of rock, paper, scissors.

And I don't like our odds.

(rousing suspenseful music)

(suspenseful music)

(zipper rasps)

- Do we really have to do it?

- Time to be a hero.

(suspenseful music)

(static crackling)

(screen trilling)

(suspenseful music)

(footsteps tapping)

(ship creaking)

(Dr. Stew sighs)

(keyboard keys clacking)

(suspenseful music)

(June panting)

(screen trilling)

(tense dramatic music)

(computer beeping)

(rousing suspenseful music)

(suspenseful music)

(June panting)

(suspenseful music)

(dramatic music)

(camera whirring)

(tense dramatic music)

(tense dramatic music continues)

(static crackling)

(dramatic music)

- [June] Where is he?

- He's moving to sector one.

He's coming here!

(suspenseful music)

(static crackling)

- [June] Kyle, behind you!

(dramatic music)

(flame roaring)

(Kyle yelling)

(static crackling)

(Kyle panting)

(suspenseful music)

- The flame thrower back it off,

but I'm not sure if it's hurt.

- Wounded animals are dangerous.

- Kyle, I'm coming your way.

(suspenseful music)

(screen trilling)

(dramatic music)

(Kyle screams)

(suspenseful music)

(static crackling)

(screen beeps)

(tense dramatic music)

(creature grunting)

(screen whirs)

(tense dramatic music continues)

(creature growling)

(dramatic music)

(June yells)

(flames roaring)

(creature screaming)

(static crackling)

Okay!

I think I'm outta flames here.

(screen crackling)

- The flame made the

sensor crazy.

- Emergency! Emergency!

(alarm blaring)

(suspenseful music)

(screen trills)

- Elisabeth, he's gone.

(suspenseful music)

(button beeps)

- Access denied.

Access denied.

(alarm blaring)

- It's not working!

- I!

- Emergency!

Emergency!

- There's too many damages.

- [Computer] System

not responding.

Reboot needed.

- It's not working! June!

(slow suspenseful music)

(screen trills)

- Come on, guys,

I'm a sitting duck out here.

- [Elisabeth] Do you have

access to an oxygen mask?

(alarm blaring)

- There's a compartment

before the lab.

- [Elisabeth] I need to

reboot the whole system.

We will lose life support

during the procedure.

(alarm blaring)

(dramatic music)

- I'm on my way.

(tense dramatic music)

(alarm blaring)

(tense dramatic music)

(June panting)

(creature creaking)

(screen trills)

He's here.

(June panting)

(tense dramatic music)

(creature grunting)

(lights buzzing)

(June gasping)

(creature creaking)

(suspenseful music)

Do it! Do it now.

(rousing suspenseful music)

(alarm blaring)

(screen trills)

- [Computer] Reboot.

(machinery whirring)

(June panting)

(June gulps and pants)

(soft slow suspenseful music)

(suspenseful music)

(lights whirring)

(eerie suspenseful music)

(creature creaking

and squelching)

(creature purring)

(creature growling)

(slow eerie suspenseful music)

(creature creaking)

(eerie bright music)

(dramatic music)

(creature squelching)

(creature creaking and huffing)

(creature squelching)

(dramatic music)

(June panting)

(screen trilling)

System rebooted.

(alarm beeping)

(machinery whirring)

(air whooshing)

(lights clicking and buzzing)

(tense dramatic music)

(creature thudding and grunting)

- Open the door!

Open the f*cking door!

(button beeps)

(intense suspenseful music)

(button beeps)

(creature whines)

(suspenseful music)

(June panting)

No more reboots!

(Elisabeth gasping)

(Elisabeth exhales sharply)

(creature creaking and huffing)

(screen trilling)

(air whooshing)

(car engine rumbling)

- [Alice] Ground control.

This is one of the secret

Zosgate installations.

(car tires crunching)

(screen trilling)

- [Computer] Access denied.

Access denied.

(car door clicks)

- Come on!

(screen trilling)

- [Computer] Access denied.

- It's not working!

Okay, well, if they're

out of power,

then the emergency generators

must be giving energy

to the main building.

But (sighs) we're

gonna have to go

all the way around this

mountain to reach it.

Come on!

(screen trilling)

(ground rumbling)

- What was that?

(suspenseful music)

(slow dramatic music)

(dramatic music)

(rock groaning)

(rocks clattering)

You said it was way

around the mountain side?

- Yeah. Yeah, I did.

(dramatic music)

(car engine rumbling)

(dramatic music)

(rocks clattering)

(screen beeping)

- Are you all right?

- It spent some time going

back and forth in the hallway.

Then we lost the signal.

- Uh, any breaks in the hull?

Anyway he got sucked

out the station?

- Negative. He's here somewhere.

(screen trilling)

- Well, (sighs) time

to be a man.

(cables clatter)

(screen trilling)

(door clicks and whooshes)

(suspenseful music)

(zipper rasps)

The last track we have of

it is 50 feet on your left.

- I left the flame thrower

towards the infirmary.

Maybe we can recover it first.

(suspenseful music)

- [Dr. Stew] You're

going the opposite way.

- We're trying to get

some weapons at least.

You can come out here,

if you prefer.

(suspenseful music)

(clock ticking)

(suspenseful music continues)

(clock continues ticking)

(June and Elisabeth panting)

It's there!

(suspenseful music continues)

(air whooshing)

(suspenseful music)

(suspenseful music continues)

(steam hissing)

sh*t!

- [Dr. Stew] What?

What's going on?

(June and Elisabeth panting)

(metal creaking)

(dramatic music)

- June! sh**t, sh**t!

- I can't! This thing

is not working!

Run! Run!

Let's go!

Wait!

(dramatic music)

(intense suspenseful music)

(metal creaking)

(creature squelching)

(June panting)

(tense dramatic music)

(car door clicks)

(footsteps crunching)

(footsteps continues crunching)

(screen trilling)

(lock clicks)

- Door unlocked.

(door clicks and creaks)

(door thuds)

- Come on!

(soft suspenseful music)

(gentle suspenseful music)

(Alice sighs)

(soft suspenseful music)

(suspenseful music)

There's more of them.

(suspenseful music continues)

(dramatic music)

(torches clicking)

(suspenseful music)

Emergency generators.

We'll try to turn them on.

Hey, but be careful.

We don't know what

these things are

or how dangerous they can be.

- [Cory] You don't have

to tell me twice.

(suspenseful music)

(generators whirring)

Thank God.

This is the equipment

Mark was talking about.

Check if there are damages.

(suspenseful music)

(keyboard keys clacking)

(suspenseful music)

(keyboard keys clacking)

(screen trilling)

(dramatic music)

(creature squelching)

(creature creaking)

(dramatic music)

(suspenseful music)

(creature creaking)

(intensifying dramatic music)

(creature whooshing)

(intense dramatic music)

(tense dramatic music)

(dramatic music)

- Dear God.

- [Elisabeth] June, we

are ready for the autopsy.

- Thank you. I'll be

there shortly.

(dramatic music)

(energetic dramatic music)

(horse hooves thudding)

(energetic dramatic

music continues)

- Mother of God. What is that?

(rock rumbles)

(dramatic music)

Alice? Cory, do you copy?

(dramatic music continues)

(rock rumbling)

(dramatic music continues)

- What the hell were those?

- Just the beginning. (sighs)

(suspenseful music)

Dad knew it. He knew!

If it keeps this path, it's

heading straight to Phoenix.

(suspenseful music)

- What we did back there,

you said this was a test.

We were trying to

transport something bigger?

- We teleported a

necklace, and it took years

and a multimillion investment.

- I'm no scientist, but

w-what's the difference

between a necklace

and a big rock?

- We need to

triangulate with PAX

and the energy needed is.

(suspenseful music)

A rock!

The main part of this project

is to complete the transfer

of rebuilding the molecular map

of an object or an organism.

But in this case, we need

to do exactly the opposite.

- Sounds good to me.

- Yeah!

(slow soft suspenseful music)

(gentle dramatic music)

(suspenseful music)

(machinery whirring)

(creature squelching)

(screen trilling)

(suspenseful music)

(static hissing)

(soft gentle dramatic music)

(camera whirring)

(soft suspenseful music)

- [Elisabeth] The cause of

death appears to be hypoxia.

- [Dr. Stew] Just like

any other human being?

- Yes.

We had to reboot the

whole station

and we lost life support

for a few minutes.

- Hm, in the simulations,

we tried to project a teleported

object to an off target.

That's how we have

supposed to travel

to other planets, correct?

- We call it the jump.

- Yes, the jump.

What if we jumped that

thing into the open space?

(rousing suspenseful music)

(slow soft suspenseful music)

(keyboard keys clacking)

(screen trilling)

- [Computer] Incoming

transmission.

- PAX? PAX, this is

ground control.

- [Dr. Stew] Alice,

you're alive!

- There is a giant entity

that just destroyed

ground control.

It's heading

straight to Phoenix,

but, but we came up

with this idea.

I know it sounds crazy, but-

- [Alice and Dr. Stew] We can

teleport it into space. (sigh)

- Okay, so we have

the transmitter

but we don't have a

platform big enough.

This thing is too big.

- [Dr. Stew] Okay, Alice,

listen.

- We don't have the chip.

(sighs) We don't have

the chip. It won't work.

- Alice? Cory, do you copy?

(static crackling and hissing)

(radio trills)

- Susan?

- You will not believe

what I just saw.

- We all saw it. (chuckles)

Susan, are you with Mark?

(somber music)

- No. He, he got

infected by something.

But before letting me go,

he gave me a small device.

It looked like a chip card.

- (gasps) Susan, you just

saved the world.

(suspenseful music)

Susan, if we can hear you,

you should be in the

10-mile range.

Coming from the

transmission site, you-

- I have a GPS. I'll

send you the coordinates.

- You are a genius.

(dramatic music)

Wait, Susan, don't

move from there.

(gentle suspenseful music)

Dr. Stewart, maybe we

have a spot.

If the entity isn't

changing its course,

then it's gonna cross

Globes's path.

- [Dr. Stew] So?

- (scoffs) Stewart, it's

gonna be sitting

on the biggest plate of

copper in North America.

- [Dr. Stew] You have

your transfer platform!

- Yes!

- [Dr. Stew] We need

coordinates.

We need to calculate

the right triangulation.

- Okay. Cory, go get the

cases, put 'em on the Jeep.

(suspenseful music)

(singer humming)

(dramatic music)

(air whooshing)

(screen beeping)

- [Computer] Gravity

pressure activated.

(chair creaking)

- We can start the calibration.

(screen whirring and trilling)

(screen trilling)

(screen beeps)

June, we need to correct

the orbit by five degrees.

- Professor, this is

not a starship.

We're trying to tow the

Titanic with a raft.

- It's our only chance, June.

We need to do it and

do it right.

- We're using every drop of

fuel from the emergency shuttle.

Do you understand that?

We won't be able to go

back on Earth.

- June, there won't be

an Earth if we fail.

- Got it, Professor.

You couldn't be more clear.

- We need a 10-second

blast on 2.25 clicks.

- Executing in five,

four, three, two, one.

(engines roaring)

(gentle dramatic music)

(engines continue roaring)

(gentle dramatic

music continues)

- Go! Go!

(engines continue roaring)

(gentle dramatic

music continues)

(screen whirring)

(screen beeps)

(gentle dramatic music)

- Confirm, our orbit's

changed to 2.25.

- We're on the right path now.

(gentle dramatic music)

(soft suspenseful music)

(car engine rumbling)

- Oh my God.

Okay, keep going.

We're gonna make a

right up here.

(car engine rumbling)

Turn right.

Watch out!

(dramatic music)

(dramatic music continues)

Stop. Stop!

(car brakes squeak)

Good.

Here, take this.

I'm gonna come help you.

(dramatic music)

Okay, take this.

Hey, this is gonna work.

We just connect the monitor

with the transmitter.

Like this.

Snap. Go get the activator.

Okay, so to activate

the transport,

we basically need to align all

three corners of a triangle.

Now we need to hit the

trigger at the same time.

PAX is gonna send

you a countdown

and you need to be very focused,

okay?

What we need to do is turn on,

release, hold and then push.

Okay?

- Right.

- Okay. This is gonna work.

It's gonna work. Gonna work.

Cory, you sure you can do this?

- Release, hold and push.

Can't be that hard, right?

(gentle suspenseful music)

(car door thuds)

(eerie suspenseful music)

(radio trills)

(dramatic music)

(Alice exhales sharply)

(car engine rumbling)

(dramatic rock music)

(door thuds)

(hand tapping)

(dramatic music)

Dust in the door

We're asleep on the floor

'Cause the show doesn't

start til 10

Up all night 'cause

the company's right

And we let the bunny

sleep in here

Living the dream in

a stretch limousine

But the driver

doesn't respect

They don't know our name

But that's so gonna change

We just, just didn't

get there yet

We will be heroes

Heroes

(dramatic rock music)

- [Alice] Susan? Do you copy?

- Copy.

- Okay, don't move

from where you are and

lose the horse.

We don't want it to interfere

with the transmitter.

- Copy.

(dramatic rock music)

Taking the knocks like

the love on the rocks

And I keep coming

back for more

Can never go back

I'm a live heart attack

There's only one way

my life can go

A hero can flag me

I've got the scars

Sit me down on an

electric chair

My kids will be strong

As the journey is long

But I promise you we're

almost there

We will be heroes

- All energy converged on the

cannons in three, two, one!

(metal creaking)

(engines whirring)

- We're falling apart!

- Any trajectory change?

- Zero two.

- Still acceptable.

We're still there!

(metal creaking)

(engines whirring)

(dramatic rock music)

(car engine rumbling)

(car tires crunching)

- Susan!

(dramatic rock music)

So happy to see you. (chuckles)

Oh, gosh.

You drive.

(dramatic rock music)

(dramatic rock music continues)

(wind whooshing)

- Is ground control ready?

- Ground control's gone.

Nobody's left.

- Who's managing?

- Cory!

- What?

(gentle dramatic music)

(screen trilling)

(gentle dramatic music)

(dramatic rock music)

We will be heroes

Heroes

(dramatic rock music continues)

(dramatic rock music continues)

(machinery whirring)

(dramatic rock music continues)

We will be heroes

Heroes

Heroes

- Now!

(dramatic rock music continues)

(machinery whirring)

(rock groaning)

(light whizzing)

(rocks clattering)

(dramatic rock music continues)

We will be heroes

- That's it!

(machinery whirring)

(light buzzing)

(dramatic music)

(light trilling and buzzing)

(dramatic music)

(rock groaning)

Heroes

(dramatic rock music)

- Come on, come on.

I ask for just this

one last thing.

Please.

- Do it!

(alarm blaring)

(dramatic rock music)

(light whooshing)

Heroes

(light whooshing)

(dramatic rock music continues)

Heroes

(dramatic music)

(screen trilling)

(slow dramatic music)

(machinery whirring)

- [June] Did it work?

- Of course it worked.

(gentle dramatic music)

(June gasps)

(car engine rumbling)

(gentle dramatic music)

- This is, uh, this is

where I left him.

This is where we were.

Cory, do you copy?

(gentle dramatic music)

(Alice laughing)

Cory.

(gentle dramatic music)

- [Dad] You're special.

There's no one else like

you in the whole universe.

Remember that, okay?

The Thunderbird's forever.

(gentle dramatic music)

(upbeat rock music)

I'm standing up on

a mountain

Looking through the smoke

Been climbing up and

down the gutter

I was hungry and broke

They're screaming

louder than the thunder

And they pray to the sky

Like nothing's

gonna stop them

As they fly on by

(upbeat rock music continues)

Everyone's in shock

Standing on top

On top of the world

Everybody rocks

Standing on top

On top of the world

It's a spin and grind

To get enough for the week

And meet the people

That can only do the

stuff that screams

Now take to the circus

their rhythm and blues

Everyone's in shock

Everyone's in shock

Standing on top

Standing on top

Everybody rocks

Hey, hey, hey

Everyone's in shock

Standing on top

On top of the world

Everybody rocks

Standing on top

On top of the world

(dramatic rock music)

(singer laughing)

Yeah

Who's ready now

Listen, got this

I got your math lesson

Right here

(dramatic rock music)

Everyone's in shock

They tell me not to rock

(dramatic rock music continues)

(dramatic rock music continues)

Everyone's in shock

Standing on top

On top of the world

Everybody rocks

Standing on top

On top of the world

Everyone's in shock

Everyone

Standing on top

Standing on

Everybody rocks

Everybody

Standing on top

Standing on top of the world

(dramatic rock music continues)

(dramatic rock music continues)

(rousing inspirational music)

(dramatic inspirational music)

(dramatic music)

(logo whizzing)