Welcome to our World! Where we serve you cookies to ensure you get the best viewing experience on our site.

Did you know that you can remove censorship board-wide, use our advanced search functions, be notified when new content is posted, join our memberships, set episodes to show in any order you want & more if you are logged into your account?

Register or sign in here: ucp.php?mode=register

01x02 - Death at Her Heels

Episode transcripts for the TV show, "The Hijacking of Flight 601". Aired: April 10, 2024.*
Watch/Buy Amazon



Two armed and hooded individuals hijack and threaten to blow up Flight 601 unless the Colombian government releases 50 political prisoners and pays them a hefty ransom in cash.

01x02 - Death at Her Heels

Post by bunniefuu »

SOMEWHERE OVER THE CARIBBEAN

[Marisol whimpers] My fate line

has a crack in it.

Like I said, positive thoughts

from now on until we reach Cuba.

[sighs]

Get her a drink.

[grave music playing]

My fortune teller said,

"Don't board the plane,"

but I wouldn't listen!

The minute we land in Havana,

we'll pay a visit to a healer

who can straighten up that line!

- It's cracked, not crooked.

- No, you need to chill out.

Bottoms up, you're paler than a zombie.

[Marisol exclaims]

[crying] I've never even seen the beach,

this can't be it

Shh!

[angrily] You either calm down now

or they'll m*rder all of us!

[Marisol coughing]

What are you two doing?

I'm just helping her to the bathroom

because she's extremely unwell,

but we won't be long, okay?

[Toro] Make it quick.

- [whispers] You shouldn't be in here!

- [crying] Please don't. I beg you.

[Toro] What is it now?

I just remembered

that restroom has no running water.

It's not working, so I'm taking her up to

first class because I'm worried about her.

- I mean, look at her, she's very sick.

- No, stay here.

Hold it for 30 minutes until we land.

Thirty minutes?

But it's gonna take

two hours to get to Cuba.

And two seconds for you to get m*rder*d!

Sit down, right now! Now!

I'm not sitting down

until you tell us where we're going.

I said sit the f*ck down!

[man] My friend.

I think we, as passengers,

have the right to know

what is really happening here.

- Listen to me

- [all arguing loudly]

- Shut up! Shut the f*ck up!

- [man] Am I right, or am I right?

- [all clamoring]

- [Toro] Sit down!

You're all hostages

of the Revolutionary People's Front!

- Now quiet down!

- [all muttering in disbelief]

This plane's going to Aruba,

where we'll negotiate so the government

of the oppressive minority

starts working for the oppressed majority!

We are using you all

as leverage in our negotiation.

If the president is unwilling

to provide what we're demanding,

you'll die

and be deemed martyrs of the revolution.

- [Marisol whimpers] No, no, no

- [all muttering anxiously]

[anxious muttering continues]

- Revolution or death!

- Revolution or death!

Go to your g*dd*mn seat!

Everyone, heads down and put your hands

on the seat in front of you! Let's go!

Hands where I can see them, come on!

[grave music continues]

- [softly] Okay.

- [Toro] Silence!

[Toro] Heads down! Heads down!

Head down! Everyone! Now!

[sobbing] We're all about to be k*lled!

THE HIJACKING OF FLIGHT 601

CHAPTER 2

DEATH AT HER HEELS

[hijacker on tape] Pay attention.

You have six hours to meet our demands,

or a passenger will pay with their life.

We received this message an hour ago.

Vice Minister Esguerra said the government

will act on the prisoners

only once they start releasing hostages.

And that the $200,000

should come from Aerobolívar, so I

- [door opens]

- Doctor!

How nice of you to join us!

I was just explaining that my proposal

I'm informed, Aristides, I appreciate it.

Gentlemen, what I propose is that

we muddle through this absolute f*cking

shitshow of a situation,

because the burden

rightfully belongs to Misael Pastrana.

All in favor?

Very well, I'm calling Misael

to bring him up to speed on our decision.

Now, gentlemen, if you'll excuse me,

I have a debutante ball

to attend for my daughter, Raquel.

Everybody stay seated, if you would.

Sir, the issue with your proposal

is that if the government screws up

and in five hours

a passenger gets m*rder*d,

our logo doesn't say "Pastrana,"

it says "Aerobolívar"

in a font bigger than you.

[chuckles] My proposal as director

is we negotiate

a decent ransom with the hijackers.

Before the media dub us

"Aerobolívar, the Airline of Massacres."

Take a note,

that motion needs an absolute majority!

Duly noted.

All in favor

of selling 10% of the doctor's shares

so that our powerful legal team

can negotiate a nice ransom?

Have you been

smoking turbine fumes, Pirateque?

"Powerful legal team"? Those two idiots?

- Same team that allowed a mechanic

- Engineer.

A trade unionist,

Álvaro Aristides Pirateque Usuga,

to become director.

Next time you try to steal my airline,

at least clean your hands.

I'd hate to get grease on anything.

This airline will not pay a single cent!

- [slaps table]

- I've spoken!

And I say,

"Should we leave the future of Aerobolívar

in Pastrana's hands?"

A guy whose only achievement

is committing electoral fraud?

- Or perhaps

- [Manchola] Gentlemen

The airline's future

looks a little more promising in my hands.

[Manchola] Gentlemen, I

A man whose words managed to get

all of you distinguished gentlemen

to meet in one room.

[Manchola] 601 is about to land in Aruba.

- What the hell are they doing in Aruba?

- Ever heard of the Aruban Special Forces?

- No.

- So take notes.

Go down in flames

or not go down in flames?

That is the question!

So are we all in favor

of selling 10% of his shares

so I, as Head Manager,

can lead the negotiations,

and the doctor can go to his ball tonight?

Yes.

[Wilches on radio] Attention, cabin.

Ten thousand feet. Prepare for landing.

[dark music continues]

["En dónde estás"

by Elia y Elizabeth playing]

Well done, Captain!

[hijacker] Go on, go on, do as I say!

End of the runway, keep going! Go!

["En dónde estás" continues playing]

PRINCESS BEATRIX AIRPOR

ORANJESTAD, ARUBA

Put on your handcuffs.

Put on the damn handcuffs!

- [Wilches] What if I need to pee?

- Piss yourself.

Come on, engine off.

- [suspenseful music playing]

- The curtains! Close the curtains, now!

[passengers muttering]

All curtains closed!

[suspenseful music continues]

[static on phone]

Put me in touch with El Dorado.

[Lequerica on phone] El Dorado Tower,

Aerobolívar 601, do you copy?

El Dorado Tower,

Aerobolívar 601, do you copy?

TREATMENT FOR NOSTALGIA

VOLUME II

A. A. PIRATEQUE

MANAGER

Not one bottle left in the office

per your instruction, sir.

I'd never make you

do something as stupid as that.

[Manchola] Despite your infinite wisdom,

you have no idea

how many stupid things you say

that you don't remember later on.

However, today, I'll let you have

one drink.

Thanks.

Only if you tell Chavarriaga

that what you had was a lapse,

that stupidity

is a genetic condition in your family,

that you will not lead that negotiation!

Don't speak to me like I'm an idiot.

The only thing passed down to me was joy.

I know I can do this.

I'm speaking to you like you're an idiot

because you're being absurdly idiotic!

You're destroying

your life's work in seconds!

Take a note.

First off, there's

there's a 50% possibility

I succeed in this negotiation,

and there's a 50% possibility I fail.

- Do you know what my secret is?

- What?

If I even have a 1% chance of succeeding

[blows raspberry]

I dive in headfirst.

1% is all I need.

And 1% after 1%

is how I made it into this office.

And another 1% after 1%,

we'll bind ourselves

to this office.

When Bolívar rose, he rose with

- Mancholita Sáenz.

- Mmm.

- [tapping on window]

- [Pirateque] And with our 2%,

we can remove

that snob doctor permanently.

And we can take over

this airline together.

Together?

Together.

- [glasses clink]

- [tapping on window]

We're in communication with 601.

- [expectant music playing]

- Let the show begin.

- [man] How may

- Wait!

Put the radio over there

so everyone can listen!

All right. Uh, Manchola

- Yes, sir?

- The recorder!

- Yes, one second, hang on.

- Carolina, block that area!

Orlando, bring me the maps.

The maps! One voice only, am I clear?

Eyes and ears here.

Our mission is to save our friends.

The maps! What happened with the

Place it here!

- [Manchola] Here?

- Right here. Make a little room, please.

Just one voice! Just one voice!

Come on, everyone, united. Come on.

- [Manchola] What? No, no, no

- [indistinct chatter]

- [Pirateque] Shh! Hey! Hey!

- [chatter subsides]

[radio chirps]

Aerobolívar Base to 601, do you copy?

601, do you copy?

This is Álvaro Aristides Pirateque,

Director of Aerobolívar.

Who am I speaking to?

I want to speak with someone

from Pastrana's illegitimate government.

[Pirateque] Vice Minister Esguerra

informed me

that the president will manifest himself

once you start releasing hostages.

Nobody is getting released,

much less for nothing.

Put a government representative

on the line.

Demonstrating that you are a man

of your word means more than nothing.

The president needs a definitive guarantee

that once your demands are satisfied,

you will liberate every single passenger.

You speak of a supposed man of his word?

A man who's willing to die

for his own people?

Or a man who m*rder*d 30 students

instead of acknowledging

he committed electoral fraud?

$200,000, and they're free to go.

Well, the president hasn't authorized

the treasury to pay any money,

but I have.

The airline will be paying.

But you have to trust me.

I don't even know you.

I am divorced. We, uh

We had disagreements. The usual.

Now, there's someone I'm interested in.

Yes, I'm interested, but not

Well, I'm, uh, you know, a free spirit.

Uh

Taurus, you know.

- What sign are you?

- [Manchola] Huh?

What the f*ck are you talking about?

That's bullshit.

But I assure you that,

if necessary, I can be a Cancer.

Well, Cancer's the most trustworthy sign.

Were you, uh, were you baptized?

What's your name? What should I call you?

Ulises.

Ulises, please know

that I'm here to help you.

And I'm willing to pay you,

but I need you to release a hostage.

Man, woman, anyone.

And I guarantee that,

in four hours, you will have at least

[muttering]

Fifty thousand dollars.

I don't have time for this bullshit.

g*n's pointed at the captain.

Hear me, clown?

Did you just call me a clown?

I said I want my money, clown!

Fifty thousand dollars

is no funny business.

Two hundred thousand dollars,

that's damn funny.

Stop screwing around,

put a real t*rror1st on.

You sound like a Hollywood villain.

Look here, this is not a f*cking movie.

You got four hours to pay

and for the president to show up

or I'm sh**ting a passenger!

No, no, no, this

No, this This is not a movie!

This illegitimate president

has me legitimately up against the wall!

Release who whoever the f*ck you want,

but release someone now!

[sputtering] Or this Or this

Or this f*cking negotiation is over!

[radio crackling]

The f*ck hung up.

I volunteer to be set free!

No one is being set free

until they pay us!

Uh, all due respect, sir,

there is a way to do this properly,

and it'd be to release the children and

The way to do this

is you don't speak unless spoken to.

No one's getting off this plane.

Was there a medic on the manifesto?

What for? This is a bad time

to look for a husband, Edie.

I'm looking for an emergency exit.

We must be ready to release someone

if we want to get back today.

Someone like who?

- [door opens]

- Oh no!

- Don't make me leave, please, I don't

- Take it easy.

[whimpers] Don't make me

Listen to me, I need to make it look

like you're pregnant.

- I'm not pregnant, just very scared.

- I know that.

But the government

won't allow negotiations to begin

unless someone is released.

Well, there's a family with a little girl.

Why not let them go?

The hijackers are refusing

to release anyone.

But even the most cruel person

wouldn't refuse releasing a woman

who's going into labor.

You might just save all of us.

[crying] I don't want to sound selfish,

but if I see those b*stards,

I might burst into a panic, you know?

How about this? How about this?

Don't look at them.

- Close your eyes.

- [cries] No

Take my hand,

and I'll get you out of here.

- [cries] No

- Can you tell me your name?

- Amparo.

- Amparo, I'm gonna tell you the truth.

In this moment,

I have three very hungry young kids

waiting for me

and with no one to help out.

They're all alone because their father

skipped out years ago.

They don't don't have any grandparents,

and the woman in front of you

is the only mother they have.

They don't have anybody else.

And my children,

they're all that I have too.

Okay, but you have to promise

you won't let go of my hand.

Not for a second!

Fine.

Then let's make a baby.

[sniffs] Holy f*ck.

You sh*t yourself, brother?

Jesús, where'd you get that f*cking tamal?

- Move, dude, I'm gonna sh*t my pants.

- Whoa!

- [Toro] Hey!

- Sir, please, let me go to the bathroom.

I won't be long. I'll be quick, I promise.

I am gonna sh*t my pants!

- [Toro] Okay, okay, just go. Fine.

- [wincing]

[door shakes]

- [Bárbara] You can't go in now.

- [Toro] What's going on?

This bathroom's leaking. He'll have to use

the first-class bathroom.

Sir, please. The mole is peeking its head.

Let me use the bathroom, please.

- [Bárbara] Feel free to take him yourself.

- Please.

- [Toro] All right. Go.

- Thank you.

The back toilet is out of service.

I apologize for the inconvenience.

[woman] Excuse me, girl.

First-class bathrooms

are exclusively for those of us

who paid for first-class tickets.

Yes, I apologize for that.

[sighs heavily]

[man pooping violently]

[woman] Girl?

Make sure you leave that bathroom

in pristine condition

when that young man is finished in there.

Understood?

- [laughs dryly] Of course!

- Thank you.

["Esos ojitos negros"

by Dúo Dinámico playing]

[on PA] We implore our very exclusive,

first-class cabin passengers

to remain in absolute silence

to abstain from attracting

the unwanted attention

of armed revolutionaries

who might just k*ll them

to help their cause.

Thank you.

["Esos ojitos negros" continues playing]

- Is there a doctor on board? A medic?

- A doctor?

Anyone? A medic or doctor?

- Do we have a doctor?

- [woman] Sorry.

- Medic? I need a medic or a doctor.

- [man] No.

Is there a medic on board

[Toro] This is the last time

I'm telling you to sit down!

There's a woman about to give birth.

I need a doctor. I'll talk to your boss.

He and I are equals. I won't be

bossed around, especially by a woman.

- [passengers clamoring]

- I need a doctor! Is there a doctor?

- Do you want me to k*ll you right now?

- I'm trying to save a life!

[grunts angrily] Let go of me!

Come on, show me.

[Toro] What?

- What?

- [Edilma] Amparo, they want to see you.

They won't harm you.

No one will touch you.

They'll find you a doctor

to take you to the hospital.

[dire music playing]

[Edilma] Breathe. Breathe.

[sighs]

Is anyone here a doctor?

- Do we have a doctor?

- Look, there is no doctor!

She needs a hospital!

She'll lose her baby!

[Lequerica] Me.

Me, me, I can examine her.

[Toro] Don't move.

Are you a doctor?

[nervously] No, but I did

four semesters of medical school

- [Toro] Perfect, go examine her. Go.

- Yes, yes.

[Amparo whimpering]

[cries] No!

[tense music playing]

Excuse me.

- Uh

- [whimpers] No, please don't touch me.

[Edilma] Mmm-hmm.

No, my dear, please, look, I

I don't bite, I

Think of me as a little teddy bear

who's here to assist.

Just like a teddy bear, okay?

Just, please, no touching.

Please, no touching.

[Lequerica] No, no, no. Relax, relax.

Look, I won't

- [slaps hand]

- Ow! Come on!

[angrily] She doesn't want anyone

to touch her, so don't touch her!

- [Lequerica] Okay.

- [Ulises] Get her out.

- Huh?

- Sit her somewhere else! Do it!

No! No, she looks pretty bad.

Let me speak to her.

Amparo.

Let him examine you.

[emphatically] Please.

[tense music continues]

[tense music building]

Oh my God! No, no, no!

We need to get her to a hospital

immediately, or that bun's gonna overbake!

Yes, yes, sir!

- You guys can't let that baby die.

- [Jesús] She needs to go to a hospital.

[passengers clamoring angrily]

- [Toro] That's enough.

- [angry clamoring continues]

[Toro] Hey, I said that's enough!

Be quiet!

[clamoring subsides]

Psst.

One more?

[Ulises on radio] Pirateque!

Pirateque, pick up!

[sighs]

Aerobolívar Base. Copy.

[Ulises] Pirateque!

So, who are we bringing

off the plane? Ulises?

[Edilma] Pirateque, this is Edilma Pérez.

[Pirateque] Music to my ears. How are you?

Well, I'm okay,

but there's a pregnant woman

who needs to go to a hospital

or her baby will die.

I'm dispatching an ambulance.

They'll take care of her.

Who else are they releasing?

[laughs softly]

Nobody is getting off until I say so.

And the pregnant lady?

[Ulises] The pregnant lady

raises the ransom to $400,000.

[dramatic note plays]

You can't be this cruel to a woman!

How can you do this to a baby?

Amparo must go! You can't keep her here!

Amparo can't be on this

f*cking plane any longer!

[yelps] Not for one more minute!

[Edilma hysterically] Pirateque,

you need to send help!

- [Ulises] Stay still!

- [Edilma] Ahh! No! Pirateque!

[sobbing] Pirateque

[whimpering]

[Ulises] Are you gonna let a baby die,

Pirateque?

[tense music playing]

Bring the woman out,

and I promise I'll send an aircraft

and a hundred grand.

[Ulises] Keep pissing me off

and this baby's death

will become the nightmare

of those who get in the way of our dream!

[Pirateque] Ulises, you're very eloquent.

You're a thinking man.

You ever think about

putting your mind to good use

and working instead of robbing?

[Ulises laughs] "Working."

sl*ve away wondering

how I'll pay for my next meal

while my master grows fatter and richer?

I'm hungry, Pirateque.

My partner is hungry.

Latin America is hungry!

You're a sl*ve,

in case you haven't realized that.

No, you know what I realized?

You're f*cking crazy

and belong in a nuthouse.

That's what.

[menacing music playing]

You have three hours.

Four hundred thousand dollars.

- Or you'll have a dead baby!

- No one will pay you that.

- Don't be a

- [radio clatters]

Revolution or death!

[Toro] Revolution or death!

[both yelling] Revolution or death!

[soft choral music playing]

[soft music continues]

- [crying]

- [music fades]

Do me a favor,

next time I have a brilliant idea,

as a friend,

strangle me.

I completely f*cked up in there.

What am I doing?

I shouldn't be here.

You shouldn't be here, either.

I should be with my children.

[softly] I'm a disaster. I'm a disaster.

You're not a disaster.

- Say it back.

- [breathes deeply] I'm not a disaster.

I am the worst mother.

["Concerto No. 4 in F Minor, Winter"

by Vivaldi playing]

- [indistinct chatter]

- [rousing classical music continues]

[Chavarriaga] Pirateque!

[rousing classical music continues]

- [Pirateque] Hey, Doctor, this is quite

- Who let you in here?

My unwavering optimism.

Ta-da!

Well, sir, I, uh, bring good news

and bad news.

Good news is that we've negotiated

a fair dollar amount.

And the bad news?

There's a pregnant woman on board, sir.

- [sighs]

- And she's about to push it out.

They said they'd release her,

but once we pay them. [chuckles]

Please tell me exactly what this

so-called "fair dollar amount" is.

Yes, uh, 400 grand.

[laughing heartily]

Brilliant negotiation!

You started at 200

and closed at 400!

You know, I still can't decide

if you're plain useless

or just a complete idiot!

Doctor. Doctor Alberto.

If you put this whole mess on a scale,

a pregnant woman whose baby is in danger,

$400,000 is more than a fair amount.

And, of course, in this way,

we avoid being labeled as

"Aerobabykillers,

the airline that assassinates babies."

I can hardly understand you

when your words are separated,

and then when you start compounding words,

you don't make f*cking sense!

All I want to say, doctor,

is I'd like to extend an olive branch

to Dr. Alberto Chavarriaga.

Let's make peace.

Bury the hatchet. Do what's right.

You gotta pay.

You must call the president

and start begging

so he can scare those students.

Take a note,

gravity drops things into place.

And considering the size of you,

we're gonna hear a bang

when you hit the ground.

Sir, I don't understand

how your hatred of me

is bigger than the life of a baby.

I didn't hijack a plane

or foolishly begin negotiating

with a guerrilla,

and I don't hate you.

I actually pity you.

If the victims don't concern you,

maybe you should think about your company.

Though once this gets to the media,

they'll tear apart your airline.

- [chuckles]

- What media? Aruba is a dump!

I bet they can't even afford butter!

Not butter and not

televisions, or not even wh*res.

Seriously, thank you

for your pearls of wisdom.

You're welcome, Aristides.

And put the g*dd*mn drink down!

You're not even on the guest list!

Get out!

- [phone ringing]

- [cartoons playing on TV]

[ringing continues]

Hello?

- [Pirateque] Mr. Marulanda, sir.

- You called me, sir.

I just called you "sir."

Did you hear me?

Tss, tss, tss!

Pirateque, brother, stop insisting.

I'm not gonna take you

to another damn festival.

[Pirateque laughing] You son of a b*tch.

Who said anything about a festival?

What do you want, then?

Give you the scoop of the year.

Okay, go on.

[intriguing choral music playing]

Ugh.

Ugh!

God, I'm done smelling this commoner sh*t.

It's just disgusting!

[intriguing choral music continues]

[intriguing choral music continues]

[Bárbara] Pardon.

[intriguing choral music continues]

Cold milk.

No, my darling.

Milk gives me heartburn, thank you.

To keep you cool. We're out of cold water.

Uh Ah!

Uh, all right.

- How's the girl feeling?

- She's finally falling asleep.

We ran out of water, but the milk is cold.

[groans] Sorry, lady.

Lady, please help me.

I think that tamal that we ate

before this whole thing happened was bad.

I need to take a sh*t.

[Bárbara sighs]

Come with me.

Look, man, I need to use the bathroom.

Please, sir.

Help me.

[Jesús groans]

["Concerto No. 2 in G Minor, Summer"

by Vivaldi playing]

I told you this bathroom's

for first class only.

[Jesús] Ma'am, please let me through.

This is an emergency. Please?

[Bárbara] Please, ma'am, he needs to go.

Over my cold, dead body.

Leave them alone. Let 'em cause chaos.

What do you want,

for me to take a sh*t here?

Look, lady, would you please sit down?

[woman] Make me.

Don't touch me, you filthy Black girl.

Or what, you arrogant, old b*tch?

Want to know how poor people sh*t smells?

Is that it?

You're not just poor,

you're an exhibitionist!

[all arguing loudly]

- [woman] How dare you!

- [all clamoring]

- ["Concerto No. 2, Summer" continues]

- Bárbara!

- ["Concerto No. 2, Summer" continues]

- [all arguing and clamoring]

[Toro] Partner!

- That's enough! Stop it!

- [man] You know what?

You are an ugly Black b*tch

and I'm pressing charges.

- Quiet!

- You, too, you anarchist piece of sh*t!

- [groans]

- [passenger yelps]

[Toro] Get up.

Get up!

Get on your feet!

["Concerto No. 2, Summer"

grows to a crescendo]

- [Ulises] Get up.

- ["Concerto No. 2, Summer" fades]

- [man] Gross!

- [passengers coughing]

- [Ulises] Go to the bathroom.

- [Jesús] Aw, man.

- [passengers coughing]

- [Ulises] Get in.

Back to your seats! Now!

[Edilma] You can't touch a passenger

or talk to them like that!

So, what? They can treat me

like I'm scum, then, huh?

You are a stewardess!

No matter what they say,

you smile, and that's that.

But I don't want

to continue to do that, Edie.

I'm sick of smiling.

It's exhausting to act like everything's

okay around all these m*therf*ckers.

It's all fake.

Well, then, just quit.

Go work somewhere else because there are

many jobs where smiling isn't required.

Things aren't like that where I come from.

If you want to get out,

there's only two options.

Work as a maid cleaning houses

or work the streets at night for money,

that's it.

No, that wasn't your case. You got out.

You were a hometown beauty queen,

so I would say smiling's gotten you far.

You don't know what I had to do

to be able to wear

this g*dd*mn uniform, Edie.

[voice breaking] It wasn't all smiles.

- Mmm-hmm.

- Why haven't you told me this before?

Well, there are many things

about me that you don't know.

My name isn't actually "Bárbara."

So what's your name then?

María Eugenia.

Why'd you pick "Bárbara"?

Don't know.

Same reason I put on

fake lashes every morning

or why I put chemicals in my hair.

It makes me wear this uniform every day.

Because one day

I might actually feel like smiling

not just as a way to survive.

[plane approaching]

[Toro] Partner! A plane's coming.

[plane idling]

- [g*n c*ck]

- [passengers whimper]

- Hmm?

- [inaudible]

[clears throat]

What are we waiting for?

- [man 1] Recording.

- [man 2] Rolling.

Pleasant evening, Tokyo. Morning, Bogotá.

Live on the scene, this is

Francisco "El Flaco" Marulanda.

I find myself under this Aruban sun

in the Dutch Antilles,

historically a refuge for buccaneers,

filibusters, and corsairs,

where, today, news repeats itself.

A story of violence,

a story of piracy in the skies,

because inside that aircraft,

just a few feet away from where I stand,

the souls of 51 passengers

are at the mercy

of a subversive command of the EPR.

Although the authorities and the airline

have maintained impermeable silence

worthy of a monastery

hiding the going-ons

of this serious hijacking,

fear not, disciples.

Because if the story is true,

El Flaco's got the scoop for you.

[Toro] Hey!

Attention, Canberra. Attention, Buga.

I'm seeing movement inside the aircraft.

We're going to try to get

a little bit closer.

Cut it! Cut it, dumbass!

- [man exclaims]

- [Flaco] Hugo!

We're press! We're press!

Hurry up, you idiot! Hugo!

[loudly] We're press!

Relax, we're just press! We're unarmed!

[quietly] Start filming, start filming.

It's all right!

We've come for

an "El Flaco" Marulanda exclusive.

Why have you hijacked this aircraft?

What are you demanding

from the government?

Isn't violence

the demise of all ideologies?

[Ulises] If you're so curious,

come on board.

[dark music playing]

[ladder rattling]

Bippity-boppity, bippity-boppity,

bippity-boppity, bippity-boppity.

We're transmitting live on radio

for all five continents and beyond.

In an unprecedented act of bravery,

El Flaco Marulanda

When Bolívar fell,

did Manchola fall as well?

Why would you ask such a thing?

[Flaco on radio] Yes, you, my listeners,

firsthand information

on all events as they unfold,

putting my own life at risk.

- Can't let my wife see me with you.

- What do you mean?

- I mean, you get it.

- [Flaco continues in background]

Join me as I step into the main cabin,

step into the unknown.

- [dark music continues]

- Ugh. The odor in here is unbearable.

This is what uncertainty

and fear smell like.

The very archetypal scent of agony.

The bucolic scent of demise.

- The faces.

- Help us. We need help.

- [Flaco] The faces say it all.

- Please

[Flaco] Each face, a tragedy.

Every tragedy, a story.

Each story, a tale.

And this reminds me of the tale

[camera whirring]

There it is. There it is.

That right there

is the true face of the revolution.

[Flaco] Get a little closer!

A little more! A little more!

[Ulises] Hey! Hey!

[dark music continues]

[Ulises] This curtain is a symbol

of the oppression

and segregation

the few exert over the many!

This flight has passengers who eat

and sh*t better than the rest.

In our beloved country,

ladies and gentlemen, the same happens!

This is why we have decided to take arms

and quell our hunger

while we walk the path of revolution!

Our demands are simple,

the immediate release

of the prisoners at El Socorro,

and $400,000 to fund the revolution.

Do you have a message

for the government or the airline?

Since they have not yet

taken a stance on the matter.

[Ulises] That there is

no line we won't cross.

We're willing to k*ll and be k*lled

if it takes down every f*cking curtain

like this one in Colombia.

[Ulises and Toro] Revolution or death!

Revolution or death!

"Revolution or death. No more curtains."

You heard it here.

That's their message to the world.

Now, we'd like to talk to the passengers.

The common man. The common man right here.

Sir, a message for those listening?

The only thing I'd like to say is

is that I do not wish

this forced detainment

in this agonizing heat

with this foul scent

and inhumane conditions

upon my worst enemy!

Appreciate it, Flaco.

- It's an honor to have you with us.

- My pleasure.

This isn't gonna work.

They're gonna end up k*lling us.

- No. You just have to do as I say.

- No, no, no. I can't do it.

- [groaning]

- Wait, what are you doing?

- [groaning] Making contractions!

- No, please! I'm not pretending anymore!

That's how a pregnant woman sounds.

Amparo, imagine you're in the worst pain.

- Almost like sh1tting daggers! [groans]

- Please, I beg you. I can't.

In here, modesty's not an option.

In here, there's no dignity.

In here, there is only despair.

Sir, are you here alone?

[nervously] No, we are

This here's my family.

My little girl hasn't eaten anything.

If you can, contact my mom in Cali.

- Her phone is six, one, two, one

- [Edilma] Over here!

A woman's water broke,

she's going into labor!

[Flaco] Attention, Paris.

Attention, Medellín. It seems

Amparo.

Amparo, I'll be right here with you.

I won't leave you.

- [Flaco] Move, move!

- [Marisol yelps]

[dark music playing]

- [Flaco] How are you feeling?

- Um, I can't breathe.

Someone get me out of here, please, sir.

We need to get out of here.

This woman needs to be set free.

The hijackers refuse to free

a woman in labor,

soon to be a newborn's mother,

until the government

agrees to a fair and open dialogue.

And Flaco Marulanda asks himself humbly,

"What is the government waiting for?"

What more does the airline need

to pull a mother and newborn child

out of this hellhole?

- What exactly will it take?

- [Ulises] Hey!

- What are they waiting for, a tragedy?

- Hey! Turn it off! Turn it off!

[dark music continues]

[Ulises on radio] Pirateque! Pirateque!

[radio crackling]

[Ulises] Pirateque!

Pirateque, do you copy?

[radio crackling]

[Ulises] Pirateque!

You have 18 minutes to pay $400,000

or I'm k*lling a passenger

and letting the baby die!

Are you familiar with the story

of the old lady who swallowed the fly?

[Ulises] Do you

still think this is a joke?

[Pirateque] Turns out the old lady

swallows a spider,

so the spider can prey

on the fly she swallowed.

But it doesn't work.

- So

- Eighteen minutes, Pirateque!

Eighteen minutes!

So then she

decides to swallow a big dog,

a big dog,

to prey on the spider that she swallowed.

- But it doesn't work.

- [Ulises] Is this all a joke to you?

Hang on, here comes the punchline.

So then she gets herself a wolf,

a wolf,

betting it preys

on the big dog she swallowed.

And guess what, Ulises?

The wolf swallowed her.

I don't want the wolf to swallow you.

Seventeen minutes, Pirateque!

I want the pregnant lady.

Release the kids, the women on live TV,

on Flaco's transmission.

And I promise,

I'm getting a charter

to deliver $200,000 to you.

The board and owner

of Aerobolívar authorized it.

We're paying you.

You were right. You were right.

This isn't a f*cking Hollywood movie

with a ridiculous happy ending.

We'll start k*lling people in 17 minutes

if you don't meet our demands!

On live TV?

You want all of Colombia

to see that your cause is death

and not famine?

'Cause if that's the case

Pow!

The wolf will come,

Ulises, and it'll devour you.

Do you want to die

as a stubborn freedom fighter

who swallowed a fly?

Or do you want to live on as the rebel

that spit in the government's face

and took home $200,000?

Say whatever you want,

but I'm not buying your promises

until I have the money in my hands.

I'm about to give a press conference.

We'll be telling all of Colombia

that we're paying you.

That's worth more than my promise, or not?

[tense music playing]

Tell them right now

that you'll be sending us $200,000,

a fueled-up,

small aircraft with five parachutes,

and then you've got yourself a deal.

The aircraft, the parachutes,

and everything else is at the airport,

but I need a minimum of three hours

to bring that money

straight to your hands.

Do we have a deal, Ulises?

[tense music building]

We have a deal.

But let me be clear, Pirateque.

If we release these hostages

and I don't have that money

in my hands in three hours,

we'll start dumping corpses on the tarmac.

[Toro] The corpse thing

[nervously] Are we really doing that?

Because I'm ready to k*ll.

Revolution or death.

Revolution or death, brother.

Bolívar said that all social dissonance

originated with

the two most copious sources

of public calamity

[on radio] ignorance and weakness.

Aerobolívar is the airline

that Bolívar would have hoped for.

An airline for all.

It's because of this

that we have decided to prioritize

the safety of the people

over any dissonance.

With a unanimous vote

led by Mr. Chavarriaga,

Aerobolívar has decided

to pay $200,000 to the hijackers

so our people can come back home.

And we hope that

the government pulls its weight

and honors

the legacy of our liberator, and, uh

Um

We're releasing women and children!

Nobody else! Women and children!

[all applauding and cheering]

[Manchola] Silence!

Colleagues,

may this serve as a lesson

that perseverance pays off.

- Let's give a round of applause.

- [all applauding]

["Ya se va" by Los Solitarios playing]

["Ya se va" continues playing]

First passengers to be released.

Hallelujah, Kyrie eleison,

dona nobis pacem.

[man] Honey, listen,

it's gonna be over soon.

- It's okay.

- [woman sniffling]

[man] It's okay, it's okay, it's okay.

This will be over soon.

It'll be over soon.

It will be over soon, okay?

We'll be released soon.

[woman] I'm not getting off.

I would never abandon my dear husband.

Grab the suitcase.

Okay, my love, it's time.

Come on, or you won't get off.

[Flaco] Inside the aircraft,

there is an air of happiness,

and some distress, and, naturally,

there are feelings of hatred,

anger, envy, and resentment.

- [Bárbara] Let's get you out, honey. Come.

- Yeah?

[indistinct chatter]

[man] Miss, please.

It's the most important race of our lives.

We've been training

and preparing our whole lives.

- [passengers begging]

- [man] Let us out. Please.

- [Bárbara] Come on. Come on.

- [begging continues]

[Bárbara] Sorry, I can't.

- [passengers begging]

- ["Ya se va" continues playing]

I have 426 chicks incubating below us.

I need someone to set those chicks free,

or set me free and my chicks!

[Marisol muttering]

[song continues]

- [man] Lady. Hey, lady.

- Hmm?

You can disembark.

Cali really smells like sh*t, hmm?

[woman sighs]

- ["Ya se va" continues playing]

- [safe opening]

- [Manchola] Come on!

- Hold on, hold on!

[Ulises] Go! Go!

["Ya se va" continues playing]

[Amparo] If it's a girl,

I'll name her Edilma.

[Edilma] That'd be a mistake.

- You're a warrior, Edie. Come with me.

- They're about to release the rest.

[Amparo] But you've already

done for them everything you can.

[Edilma] I can't leave my partner

and the other passengers.

[Amparo] Think about yourself, Edie.

Your children need you.

Come with us.

The president's on TV!

Turn on the damn thing!

[chuckles]

- Come on, everyone! Gather around!

- [man singing on TV]

- [man] Hey! He's starting!

- [singing continues]

[singing continues]

[Pastrana on TV] My fellow Colombians,

this morning,

the hijacking of Flight 601 of Aerobolívar

carrying 51 souls took place.

Our message

to the hijackers is unequivocal.

Colombia does not cower

to violence and terror!

There will be no negotiating

with those who insist on breaking the law!

Furthermore,

anyone who negotiates with these criminals

will be considered an accomplice!

I have requested authorization

from the Dutch government to perform

a military intervention on Flight 601.

If these criminals refuse to cooperate,

we will respond with the necessary force.

[dark music playing]

Come on.

[Edilma] Do you have a pen? Thank you.

Ask for Manchola.

Please tell her

that my children are home all alone.

Thank you.

Thank you so much.

["Vertueuse Reveus" by Tele Music playing]

[women crying]

[inaudible]

[crying] No! No! No! No! No!

["Vertueuse Reveus" continues playing]

[Flaco] And here she is,

the woman of the hour,

the real heroine of this story,

Edilma Pérez,

just a few steps away from freedom.

What makes you want to willingly

come back to hell?

Is anybody waiting for you at home?

[Flaco] Edilma, every citizen

has the same question for you.

This is live on the radio,

and listeners are awaiting your answer.

It's my responsibility

to make sure that my passengers

and my crew

safely reach their final destination.

- Thank you very much, Edilma Pérez.

- Um, thank you. Yes.

Flight attendant. By her own will,

back into the heart of darkness.

Wonder Woman or Joanna the Mad?

You decide.

[man] Wait for me!

Wait, I'm leaving with you!

[Flaco] What the hell are you doing?

["Vertueuse Reveus" continues playing]

["Vertueuse Reveus" continues playing]

- [music stops]

- [objects clatter]

[Manchola] What happened?

Back off, back off, back off.

- You're drunk!

- I'm not drunk. I don't feel well.

[radio crackles]

[Ulises] Pirateque. Pirateque, come in.

Pirateque, come in! Where's my money?

We don't [grunts]

The army is on its way.

The president was just on TV.

There'll be no negotiation.

Get on the plane and fly to Cuba.

Run before

before all hell breaks loose!

Run!

[dire music playing]

The army's coming. Did you hear the radio?

[Ulises] Shut up.

[Wilches grunts]

- Look, I will fly you wherever you want.

- Shut it, Captain!

I just don't want

to see anyone here get hurt.

- Shut up!

- [groans]

I don't need you or anybody

to make my revolution happen!

[groaning]

Captain, you okay?

- You. You started all this.

- [Edilma] No.

You're gonna choose

which passenger we m*rder first.

- [Edilma whimpering] No!

- Choose. Choose our first victim.

- Come on! This old hag?

- No! No!

- This f*cking old hag, huh?

- [Toro] Quiet!

- [Edilma] No!

- [Toro] Shut up! Shut up!

- Or this son of a b*tch?

- No!

This son of a b*tch, huh?

Or this piece of sh*t?

- [man whimpers] No.

- Choose! Choose our first victim!

- Go on, choose.

- [crying]

Choose the first victim. Come on!

- That one? This f*ck?

- [man] No!

- [Edilma] No. He has a daughter.

- [Ulises] This m*therf*cker? You take her.

- Take her to the front.

- He has a daughter! He has a daughter!

- [sobbing] No! He has a daughter.

- [man] No!

- [Toro] Start walking! Now!

- No! No, sir, please!

- [Ulises] Get up!

- No, I have a daughter.

On your feet, now!

- [man] No. I have a daughter.

- [Ulises] On your feet!

- No!

- Get up!

[sobbing] No! No! No!

[passengers] No! Don't sh**t him!

[passengers protesting]

[man] Please, sir. Please, no.

Let's go, you son of a b*tch! Let's go!

Get me Pirateque!

That m*therf*cker needs to hear this!

- Get the f*ck up!

- [man] Help me!

- [Toro] Listen, Pirateque.

- [Edilma sobbing]

[man sobbing] Do something!

I don't want to die!

Do something! Please!

- [crying] Please, don't sh**t me! Please!

- [Toro] Do you hear that?

- [man] No!

- [Ulises] Come on, m*therf*cker!

- [man] Sir, I have a daughter, please!

- [Ulises] Shut your mouth! Get in!

- [man] No!

- Get in.

- Get in!

- [man sobs] No! No!

- [Ulises] Get in! Get in!

- [man sobs] No!

Let's see if you can hear this, Pirateque!

- [dire music building]

- [static crackling]

[man whimpering] Oh no

- [g*n fires]

- [dark music playing]

- [g*n fires]

- [dark music continues]

[g*n fires]

- [music stops]

- [crickets chirping softly]

Even though it's inspired

by real facts and people,

some characters, incidents, places,

dialogues and names are fictitious.

Any similarity to reality

is for dramatic purposes.

OUR THANKS TO

EDIE AND MARÍA EUGENIA