01x05 - Episode 5

[bunniefuu]

- This year, I'm recruiting for the

National Development Training Camp.

- Phil is not your problem any more.

- If he's going away with more boys,

he is.

(LAUGHS)

That graffiti out there proves that

there are more victims. This could be

happening right now underyour watch.

Has Phil been in contact with Ollie?

- You just leave us alone.

- Ollie, you need to say something.

There could be other kids.

Ow!

- I don't want you in my life any

more. Stay the hell away from me.

- Zach.

- Did it work?

Is he gonna get arrested now?

- Did you paint that field?

Zach!

(TYRES SCREECH)

Zach!

(ORCHESTRAL STRING MUSIC)

(INDISTINCT CHATTER)

- NIX: Ooh, excuse me.

- PENNY IN DISTANCE:

Don't you walk away from me.

- Excuse me, please.

- Don't f*cking walk away from me.

Phil, answer me. Don't do this.

Look at me!

- Penny. Penny!

- What the f*ck were

you doing up there?

He was naked, you sick f*ck.

- JOY: Stop it, Penny.

You've had too much to drink.

- Mum, I know what I saw.

- Whatever you saw, it wasn't that.

- The door was open.

- Yeah.

I mean, it w it was closed, but

it wasn't shut, because I remember

opening it.

- So you opened the door. Mm.

- Yeah.

- Was the light on?

- It must have been

because

because I saw them.

Phil was lying there, and

he was touching him, and he

and he was caressing him.

- Ollie was caressing Phil?

- No, no, Phil.

Phil was caressing

Ollie.

- Did Phil see you?

- Yeah.

And he acted like it was all OK.

But he w

he was lying in bed with

a half-naked kid. How can that be OK?

- It's not.

- (EXHALES SHARPLY)

What do I do?

- I'll support you whatever

you do, Pen. But, girl, this

is gonna get really ugly.

You know that, eh?

(TUNE-YARDS' 'JAMAICAN')

- ♪ Crazy days of crumpets

in a crazy raisin rhyme.

♪ Sell it for a nickel

when you buy it for a dime.

♪ Underneath the water

is a crackle and a line.

♪ Lay upon your belly

like a stone along your spine.

♪ I see you.

♪ I see you.

♪ Oh, yes I do.

♪ I see you.

♪ I see you.

♪ Ooh, she's not Jamaican.

♪ See, I told you so.

♪ She's all white; she's not black.

♪ She doesn't have any soul.

♪ Get soul. ♪

- It never occurred to me

that Zach would know anything.

- And he never said

anything at the time?

- Nope. Not a thing. Nothing.

So I need him to make a statement

today to the police. Can you come?

- I've got a friend who's a trauma

counsellor. I'll contact her first.

- OK. What's her number?

- Taihoa.

I'll get hold of her later.

Phil will still be a paedophile this

afternoon. Let's do this properly.

- KAHU: Who's a paedo?

- Go and get dressed.

You'll be late.

Penny, wait for me

to get back to you.

Don't do anything stupid.

- No, I won't. I promise.

Thanks, Nix.

(BOTH GRUNT)

- Ow!

- Shh! Gotta be quiet.

Let's get a drink.

Wanna get a drink?

- OK.

(LAUGHS)

Guess what.

- What?

- I think I've finally got Phil.

- Really? What do you mean?

- Hey, Penny.

- Jules, I thought you

were sleeping, mate.

- Need a drink.

- Hi, Jules.

- Uh

There you go.

- Oh, you're a lifesaver.

- What about my breakfast?

Uh

- Thanks.

- Night.

- Night, Jules.

Stay low.

Low.

- STUDENT: Oi, I'm open.

Go, go!

Come on. Come on, boys.

Get it, get it.

- Chest passes. Go.

- JULES: I made the team.

- BRIDGET: Yeah, well done.

- Congratulations, bro.

- You guys wait here, OK?

Hey, Pen. Pen!

- What's up? You're back.

- Um Jules just told me

that, um, Phil selected him

for that squad thing.

He just got a message from him now.

- You're f*cking kidding.

- I didn't even know

he was trialling.

I mean, I know that he can't go, but

he is so excited. I just had no idea

that he was such a good player.

- Yeah, well, he's not.

Sorry, Bridge, but he's not.

f*cking arsehole.

- What am I gonna tell him?

- That he can't go.

- Look, don't forget dinner

on Thursday, yeah?

- OK.

- All right, bye.

OK, in you get.

(ORCHESTRAL STRING MUSIC)

(LINE RINGS)

- VOICEMAIL: Kia ora. This is Ruth

Nixon. Please leave a message.

(BEEP!)

- Nix, it's Penny. Have you managed

to get hold of your friend yet?

Call me back.

(ORCHESTRAL STRING MUSIC CONTINUES)

(DOG BARKS INSIDE)

(PHONE CAMERA CLICK)

(BARKING CONTINUES)

- Hey, I told you to leave Ollie

alone. If you keep hassling us,

I'm gonna call the cops.

- I just wanted Zach to mow my lawn.

- Mow your own lawns.

- (EXHALES)

- ON PHONE: Yo. What's up?

- Zach, it's Penny Wilding.

Can we talk?

- No.

I've said all I've got to say.

- Zach, listen, I just―

- No.

(LINE BEEPS)

- (SIGHS)

(LINE RINGS)

(SIGHS)

(LINE RINGS)

(SIGHS)

- Hey. How you doing?

- Hey, good.

- Uh, I just got your message there

about Jules not joining the camp.

- Mm.

- Wondered if we could maybe

have a chat about it. That'd be OK?

- Yeah. Yeah, yeah. Yeah, come in.

- Cheers, man.

Seriously, he is. He's the

real deal. He's got the talent.

And with the right coaching,

he could really go places.

- OK, is this about Jules' talent

or is this about sticking it to

sticking it to Penny?

- I'm not interested in

sticking it to Penny.

I didn't come here to do that.

I came here to talk about Jules.

I think it's a real shame that

my ex-wife's vendetta against me

should impact on your son.

- Come on. If you're gonna use

that word, then (SCOFFS) I want

specifics.

- There's been some pretty

vicious graffiti written

about me at the school.

They're gonna have to dig up

half the lawn to get rid of it.

- She wouldn't do that.

- And what about the Walt incident?

She took him out of daycare

without asking

permission from anyone.

She disappeared ― disappeared ―

with my grandson

for the entire day and most of

the night. Grace was beside herself.

She's now talking about bringing

a protection order against her own

mother.

- That is ridiculous.

- Mm-hm.

- It's ridiculous.

- I'm not―

I didn't tell her to do it.

- It's ridiculous,

because even if she did it―

- She's decided to do it.

- Even if she did it,

she would never hurt Walt.

- OK. OK.

I'm not here to badmouth Penny.

I came here to talk about your son.

I think this is

a great opportunity for him.

I'll leave it with you.

- OK.

OK.

- Looks a bit sick, Miss.

- I nicked them from the staffroom.

Hey, you know that essay you finally

handed in? You know you got a big fat

zero for that.

- I'm leaving school anyway.

- What are you gonna do?

- Thought I might go WWOOFing.

- Mm-hm.

- Yeah, it's this thing where you

work on an organic farm, and you―

- Yeah, yeah, yeah.

I know what WWOOFing is, Kahu.

I've got some mates in Nelson

who own an organic farm.

Do you want their number?

- Yes, please.

- You'll love them.

They work with permaculture all the

time. They grow walnuts ― all sorts

of stuff. They're great.

There.

Told your mum?

- Waiting for the right moment.

- Good luck with that.

- Thanks.

- I mean, seriously,

good luck with that.

- Hey, I heard you and Mum talking.

Have you seen this?

It's the paedo thing, right?

- Would you mind if I

borrowed your phone for a tick?

Just a quick phone call.

I won't be a minute.

- Yep.

- Thanks, Kahu.

WHISPERS: 8-8-7-7-5-4-9.

(LINE RINGS)

- Hello.

- Zach, it's Penny. Don't hang up.

Please? You need to hear this.

You could be in serious trouble.

They've got CCTV footage of you

doing the graffiti.

Zach?

- So what?

- Well, it's online.

Someone could dob you in.

It's only a matter of time.

I've got a mate who's a lawyer, OK?

She'll help you.

- WHISPERS: f*ck.

- So, why'd you do it?

- What, are you a f*cking moron?

Why do you think I did it?

- Zach, did Phil do something to you?

- No. I just knew he was a creep,

so I stayed clear.

Why do you think he took boys up

to Gibbons Beach all the time?

Huh? I was there. I know.

- The surf camp.

WHISPERS: Jesus.

- What are you doing?

Shut the f*cking door.

- Not until you tell me

what happened.

- What f*cking difference is

it gonna make? He just gets

away with it.

- It'll make a difference

if we go to the cops, Zach.

- Go to the cops?

What the f*ck are they gonna do?

What have they ever

f*cking done, Penny?

They didn't listen to you;

why would they listen to me?

- Because you are Ollie's brother.

- You know he tried to

k*ll himself after that c**t left?

He tried to f*cking k*ll himself.

- Yeah.

Yeah, I did.

- That's why I did the graffiti. OK?

What are you doing?

- Listen, just― just―

- I don't want to talk to you.

- Look

- I don't wanna talk.

- I know. I'm really sorry

about what happened with Ollie.

You know

he's taking some boys away

again soon.

Can't stop it unless I

go to the police, and I can't go to

the police unless you come withme.

It will be OK, I promise you.

- Can you meet us there?

We might need some legal advice?

- NIX ON PHONE: We need to involve

a counsellor. Oh, why couldn't you

wait?

- Cos it has to be now.

- Oh, f*cking hell, Penny.

- Please, Nix.

(SIREN WAILS IN DISTANCE)

Come on.

- So, when you came

back to the camp,

can you tell me exactly what you

saw when you entered the tent, Zach?

- Um

Scottie was

lying beside him

touching him.

- OK.

I know this is hard, Zach, but can

you describe to me how they were

positioned?

- (CLEARS THROAT)

He was, um

touching him ― touching his

rubbing his d*ck.

- How old were you?

- I don't remember.

- He would have been 18.

- No, I was younger. I was

I was still at school.

I must've been 16.

- How old was Ollie?

How old are you now?

- 24.

- And Ollie?

- 19.

- So that would make Ollie 11.

Why was he on

a secondary school trip?

- No. He was older.

He was 14.

- OK, but that would

make you 18, 19 at the time.

- Look, it f*ck' happened. OK?

- Zach, we're just trying

to get the dates right here.

- You're not listening to me.

I'm telling you it f*ck' happened.

- OK.

Do you wanna tell me why you're

volunteering this statement now?

- f*cking unbelievable.

It's f*cking unbelievable.

You wanna know how old people were,

what f*cking dates are what, why I'm

saying this,

why I'm coming forward and

telling you what happened.

f*ck. I

Because she said that

I should and that I needed to.

And cos of the graffiti.

- Sorry, what graffiti?

- The graffiti.

That― That's why she's here.

She's my lawyer.

- Yeah, look, there has

been some confusion here.

- OK, wait. (SIGHS)

Sorry, what's your connection?

- I'm Phil McKenzie's ex-wife.

- OK, we need to stop.

You shouldn't be here.

- Are you gonna charge me?

- Why don't you tell me

about the graffiti?

- Simple f*cking question.

- Why don't you tell me

about the graffiti?

- f*cking

- Zach, did you make that up?

Please stop.

- f*ck off.

- Zach, why would you do that?

- f*ck off!

- Stop.

- f*ck you. Get out of my head.

f*ck you!

- f*ck!

- How could you put him up to this?

- What he said― What he said was

the same as what I saw that night.

- Exactly!

He just repeated what you

claim you saw and broadcast to the

world. How could you be so stupid?

- What I claimed I saw?

What I claimed I saw?

Don't you believe me?

(ENGINE STARTS)

(VAN DEPARTS)

(CHUCKLES DRILY)

- Oh, and another thing ―

are you trying to help

Kahu drop out of school?

Because he is my son.

You back off.

(WASPS BUZZ)

(SOLEMN MUSIC)

- (SIGHS)

(SOLEMN MUSIC CONTINUES)

(CELL PHONE CHIMES)

(SCOFFS)

(KEYS CLATTER)

- Hey. Sorry I'm late.

I would've thought Dad

would be back by now.

- Oh, it's all good. I read Walt

a couple of stories, and he just

crashed out.

Just been sitting here

enjoying the silence.

- Yeah, I just feel bad

for taking you away from Eli.

- Can't do anything right anyway.

- All new parents feel like that.

- I just feel scared the whole time.

You know?

I feel like something awful's

gonna happen to him.

- Like what?

- I don't know, like something

bad's gonna happen to him, and I'm

not gonna be able to protect him.

- Tom.

(DOOR OPENS)

- PHIL: Hi.

- Hey.

- I thought you had squad practice.

- Yeah, well, I thought I'd

stop off at Lyall Bay fora surf.

- Well, Tom's got

his own kid to get back to.

- Oh, it's all good.

- I tried calling you,

but nobody picked up.

- Yeah, my phone's off.

Mum's being a psycho.

- She was at the station

last night with Ollie's brother.

- What was that about?

- Oh, the graffiti.

It was him, apparently.

- Zach?

Why would he do that?

- Do you even have to ask?

I mean, she's obviously put him up

to it. It's, like, exactly what she

would do.

f*ck' hate her. Honestly.

- I can find out what

he said if you want.

- Yeah. Yeah, that would be good.

Thanks, man.

- Hi.

- Hey.

Oh, hi. What are you doing here?

Sorry, that came out wrong, eh?

Hi.

- Hi.

- I was just out on the boat this

morning, so doing some packing up.

- Uh-huh.

I just need to see you.

- Yeah, me too. Um

Yeah, I wanted to see you too.

- (SIGHS)

(BOTH SIGH)

- Oh, wait.

Hey, just hold up a minute. Um

I've been thinking

I just― I can't stop thinking about

this, and I think it's making me

feel like, kind of

I feel sick. Like, I just

think this is a mistake.

Like―

- OK.

- I mean, you love Bridge

as much as I do, right?

- Yeah. Yeah, I do.

I do.

- Oh man, I'm sorry, Pen. I'm sorry.

- No, no, no, no, no, it's fine.

It's fine. It's allfine.

Do you think there's

something wrong with me?

- No.

Pen, no, I do not.

I do not think that.

- Cos the only real relationship

I've ever had is with a man who

f*ck boys.

- This is nuts.

Pen, this is nuts.

I know that you know that.

All this lying to Bridge for

some f*cking sex ― it's not us.

- Stupid f*cking sex.

- Yeah, stupid f*cking sex.

Just come over tomorrow for dinner.

- You're kidding.

- We can put this behind us,

you know, before someone gets hurt.

Like none of it happened. I mean,

just― we can― we can just go back

to how we were.

- Yeah, before anyone gets hurt.

Yeah.

- Pen. I love the sex.

- Me too. I'll bring desert.

(GENTLE PIANO MUSIC)

(BIKE CLATTERS)

(SIGHS)

- GRAHAM: Evening, Penny.

Need a hand with that?

- Ah, no, I'm OK, thanks, Graham.

- That young man dropped it off.

He lived with you for a bit when

he was a boy. Your nephew.

- Sorry?

- Your nephew.

- Uh No. No, no.

Uh, Tom, my cousin.

- He was in a police car.

I thought, 'Ooh, now she's

finally done it.' (CHUCKLES)

- Well, they haven't

got me yet, Graham.

- (CHUCKLES)

And now I've been meaning

to say about the wasps ―

I don't mind toxic sprays, but

if you object, there are plenty

of home remedies.

- Can we talk about it tomorrow?

Thanks, Graham.

- Any time.

(DOOR OPENS, SHUTS)

(SOFT MUSIC)

(MUSIC SWELLS)

- All the teachers at school are

going sugar-free at the moment.

I would lose the will to live.

Honestly, is this OK? I bought it.

- Yeah. It's good.

- I did the blueberries myself.

- It's good.

- Oh, and everyone is getting dogs

now. I think it's got something to

do with menopause.

You know, you and I could get a dog.

- No, no, no. I'm not there yet.

- No, I know, I know, I know,

but when you are, we can get one.

We could share a dog.

- Yeah, like a dog share.

- Dog share. (CHUCKLES)

- (CLEARS THROAT)

- So So, tell me ― how did Jules

cope not getting into the team?

- Oh, did Simon not tell you that

Phil came over to talk about it?

- No, no.

That's― No.

- Well, that's because I didn't―

I thought that you didn't want―

- I just thought that

he might have shared that with you.

- Mm-mm, no.

- Is everything OK with Grace?

- Why?

- Well, Phil told me that

she was thinking about getting

a protection order against you

because you took

Walt out of daycare.

- It was not like that.

- What about the graffiti?

- I had nothing to do with that.

- Hey.

- OK.

- I had nothing to do with that.

- Penny's not gonna do that.

- I know. I know. It's just that,

hypothetically, if you did

would you tell me?

- Yes.

Yes, of course.

- Would you?

- What? Do what?

- (CLEARS THROAT)

So, when I first got that,

I thought there must be a mistake,

cos we don't own a kayak.

But that―

that is definitely your truck.

- Can I see that?

- And then I look at the date, and I

realise it's the night of your mum's

funeral.

So then I'm thinking

what, you went kayaking after or?

- (CHUCKLES) No.

It's (SIGHS) It's kind of a

sort of a funny story, if you wanna

hear it.

- I would love to hear it.

- OK.

Penny, can I just tell her?

- Go ahead.

- OK, so, you know the attack on

that Burley fishing boat thing?

- What's that got to do with it?

- It was Penny!

- It was me. I did it.

And then they stole my kayak, so to

get them back, Simon helped me take

it from them.

It was chained to the fence.

- (CHUCKLES) So, what, you're some

kind of, like, secret activist now?

- (CHUCKLES)

- Why couldn't you

trust me to tell me?

- Well, I

- No, you can trust Simon.

- Yeah, but―

- Yeah, and then you

have to keep it a secret.

Why does it have to be a secret?

- No, Bridget, it wasn't a secret. It

wasn't. It was just It was just

I-I don't know.

I don't know. It was like that

It was like the plankton thing.

- What the f*ck are you talking

about?

- It's like, you know, the

I don't know. It's just like

the environmental thing.

Like, you know, you just don't―

it's not your thing.

- I don't think the environment

is the issue here.

- Listen, I'm gonna

leave you guys to it.

I think I'll head off.

(CLEARS THROAT)

See ya later.

(GENTLE PIANO MUSIC)

- Oh, f*ck!

You b*tch, you b*tch, you b*tch.

(SIGHS)

(BIKE CHAIN CLINKS)

(GRUNTS)

Start us off, Chris. Come on.

Throw to the hands.

Don't fall― You're asleep, Xavier.

Focus. That's it. That's it.

Throw to the hands.

Hands up. Hands up.

- STUDENT: Come on, boys.

- Drive it in.

Nathan! Wake up.

What's wrong with you?

(STUDENTS CHATTER)

- Hey.

- Hi.

- So, I think we're

about half an hour away.

- Yup.

- They're looking good.

- Hi.

All right, so

Jules.

Just a signature,

and I've got your contact details.

(WHISTLE TRILLS)

- We can do this, Central.

Come on. Come on. Stand up.

Where are you going? Up, up, up,up!

Drive through. Drive through.

Come on. Where's your passing?

Where's your passing?

Good work. Jules, come up.

- Yes, Jules.

- That's it. Good, Dec.

(BOTH CHATTER INDISTINCTLY)

- STUDENT: Go, go, go, go.

- SIMON: Go, Jules.

- Up the court. Come up!

Come up!

- Here they go.

- All right!

(SHOUTING)

- That was a foul, ref.

That was a foul.

Are you blind?

- Sit down.

(WHISTLE TRILLS)

- No way.

- sh**ting foul.

- No way. Oh my God.

This game is totally biased, ref.

- WOMAN: Sit down, Penny!

Get off the court.

- PHIL: Yes.

- Good shot.

(WHISTLE TRILLS)

- No. No.

- REF: Game.

- That shot― No. That's not game.

He shouldn't have made that shot.

That shouldn't have happened.

That was a bad call

right back from there.

- Go and sit down.

- You shouldn't have called that.

- Calm down.

- That was a bad―

Are you filming me?

- You're bullying the ref.

- No, I'm― Put that phone down.

- It's a public place. I've― No!

- Put it down! Give me that.

- (GRUNTS)

- He was filming me

without permission.

Can I have some support here? Please?

Really?

WHISPERS: f*ck.

f*ck.

(CICADAS CHIRP)

Bridget. Come on.

I need to talk to you.

- Jules, go to the car, buddy.

We'll meet up with you, mate.

- Just get in the car, guys.

- Oh, for f*ck's sake. Bridget.

- Penny.

- Listen.

- No.

- Look, I know you hate me.

I know you do. But I don't

understand why you would let

your son go away with Phil.

- Are you f*cking kidding me?

- Why would you do that?

- Stop it! Stop it!

- This is what he wants,

for God's sake.

- Stop it!

- Look―

- No, stop it!

I defended you. I stood up for

you for years, Penny ― for years.

- I know you did!

- I didn't listen to what anybody

said about you, and you reward me

by f*cking my husband.

You have destroyed your own family.

But I'll be f*cked if I let you do

it to mine.

- (SOBS)

- Simon.

- (SOBS)

(GENTLE PIANO MUSIC)

- Yes, wonderful. The shading in the

lower back there looks really good.

Yeah, the shadowing

you've down here is great.

Looks great.

- (SOBS SOFTLY)

- Are you OK, Penny?

- I'm so sorry. I can't

I can't do this today.

- It's not just about you now.

Now the school is in disrepute, and

I have to wear some of that on me.

- What if I apologise?

- People are calling

for you to be sacked.

Now, that's a decision

for the board, but for now,

you're being stood down.

You need help, Penny.

- Phil tell you to say that, did he?

- Penny. Listen to yourself.

- No, you listen to yourself.

Listen to yourself. You were a coward

back then. And you're being a coward

now.

(BIKE CHAIN CLATTERS)

Oh

f*ck.

(SIGHS HEAVILY)

Oh f*ck!

Goddammit!

(SHOUTS)

f*ck you!

f*ck you! (SHOUTS)

(PANTS)

(LOW, ETHEREAL MUSIC)

- Hi, Penny!

- f*ck!

Ollie. How did you get in?

- The spare key's still outside.

- You can't just walk in here and―

- What, so it's OK for you to just

walk into my house but it's not OK

for me?

- What do you want?

- You wanted to talk. Let's talk.

- OK.

- OK.

- All right.

I'll― Just go downstairs,

and I'll put something on.

- (CHUCKLES)

I'll go find myself a drink.

Don't worry. I'll try not to spew.

(THE CLEAN'S

'ANYTHING COULD HAPPEN' PLAYS)

Oh, very bougie. (CHUCKLES)

You know, I used to love coming

here, with the books and the music.

You guys were always

debating everything.

My house was like a f*cking morgue.

(CHUCKLES)

(MUSIC CONTINUES)

Do you still have parties?

- No.

No, not any more.

- Guess Phil was the sociable one.

(MUSIC CONTINUES)

(MUSIC VOLUME DECREASES)

- Hey, no, no, no. No, I love

this bit. Hey. (CHUCKLES)

- Ollie.

(MUSIC VOLUME INCREASES)

- ♪ Anything could happen.

♪ It could be right now.

♪ The choice is yours. ♪

(MUSIC STOPS)

Oh, you are such a party pooper.

- Ollie, why are you here?

What do you wanna talk about?

- How about you bullying my brother

into lying to the cops?

- I didn't bully him.

I didn't. Why would he

make up a story like that?

- Uh, because he's f*cked up, Penny.

And do you know why?

Because he was the one that found me

when I tried to k*ll myself.

And he's got this whole story going

on in his head about why I did it.

- Ollie, I'm so sorry about what you

and Zach went through. I truly am.

- No, you're not. (CHUCKLES)

All you care about is trying to

prove that you were right about

Phil.

- I know what I saw.

- What did you see? What?

- I saw him in bed with you.

- Oh my God.

He was just being a nice, kind man,

and you

you f*cking crucified him for it.

- It wasn't kindness, Ollie; it was

abuse. For God's sake, it was abuse.

And you tried to k*ll yourself

because of it.

- Oh, f*ck you. I didn't do

it because of Phil; I did it

because of you.

You're the bully.

You're the f*cking ab*ser.

You made my life hell.

Constantly hounding me to go to the

cops. I had to leave school because

of the bullying.

And then my dad left,

and my mum f*cking struggled.

How can I make you get it?

Should I try again?

And do it right this time. And―

- No.

- if I died, would you believe

me? Is that what I have to do?

- No. No. No. Stop.

- Because what else can

I f*cking say to make you stop?

Do you know why he looked after me

that night?

Because he's a good human.

Why can't you just admit it?

You were wrong.

You were wrong.

(ORCHESTRAL STRING MUSIC)

(MUSIC CONTINUES)

- I have an announcement too,

actually.

- This is not the time or the place.

- TOM: I'm so sick of this family.

You all just f*cking use me when

it suits you and piss off when it

doesn't.

- Nope.

- Please don't.

I need to say something.

When he came to see me,

he talked about suicide.

No! No, no, no, no, no!