(light music)
(clinking glasses)
(ethereal music)
(clicking)
- [Narrator] The following footage
has been reviewed by a
licensed criminologist,
a licensed private investigator,
and a chief superintendent.
The evidence for review
involves three video files,
14 images, one audio
file, and four documents.
The Bowers family of
three are daughter Mia,
the father, Mark, of Scottish heritage,
and the mother, Diana Marcella
of Colombian nationality.
The following classified information
reveals the deeds for land
and real estate purchased,
crime scene investigation
photography, and audio file.
A police phone conversation
with Diana Marcella.
Evidence reference GR3000-245XN.
- [Operator] Emergency services,
what is the address of the emergency?
- [Diana] It's a lake! Please!
- [Operator] Do you require
police or ambulance services?
(Diana shouting)
- [Diana] In the village.
- [Operator] Can you hear me?
- [Diana] Please!
- [Operator] I need your name
and address of emergency.
(Diana whimpering)
- [Operator] And address of the emergency.
(Diana screaming)
(static)
(electronic beeping)
- [Narrator] 1.1, evidence compiled
to be released into public domain
at request of private distributor.
1.2, start of video evidence review.
(clicking)
- Take him.
Yeah, I'm trying to find the door.
Welcome home!
Take him.
He's cold, Mia.
Come on! Come here.
Billie.
(clicking tongue)
Hi.
- Puppy.
Daddy.
- [Mark] She's not sure, huh?
- It's Romeo.
- [Mark] She's not sure.
- Look.
It's a baby.
- It's sad.
- It's okay, baby.
- [Mark] Nope.
- Oh! Ha, ha!
It's okay.
I'm sure they're going to
have a good relationship.
I have that feeling.
- [Mark] That's, oh, oh!
- Honestly, I'm gonna teach him right now.
- [Mark] You take him.
- You take him.
- I can!
- Oh, she's pretty nervous.
Okay, carry him.
- [Mark] Oh!
- Yay!
- Is it on photo mode?
- [Diana] No, it's video,
we are making a video.
- Ah.
- [Diana] I'm making a video, bro.
- You're making a video, bro.
- [Diana] Bro.
Look at this!
Look at this!
Oh, mi mama.
Mama mi, baby aquita.
- Could you put the camera
strap around your neck, babe?
- [Diana] Uh-uh.
If Marcella fall, it's
okay, but the camera...
- If you and the camera
fall, what do you think
I'm going after first?
- [Diana] The camera, ha, ha, ha!
- Let's go around that way.
- [Diana] Oh, look at
you, handsome Captain!
- Whoa!
- [Diana] Captain Bowers.
- Do you want to go a
little bit fast that way?
- [Diana] Oh my.
No! Let me sit first.
He's driving!
- [Mark] The puppy is driving.
Oh! Ha, ha, ha!
Be careful.
- Mia is drunk, sir.
No more, no more alcohol for her.
- [Mark] That's her last beer.
- Yeah, ha, ha, ha!
- Mommy shark, do, do, do.
Mommy shark, do, do, do, do, do
Mommy shark
Do, do, do, do, do
Mommy shark
- Mommy shark.
- [Mark] Are you sure it's filming?
- Yes.
- [Mark] Okay, one, two...
(splashing)
- I'm gonna make this video
because I can see something
change on my body.
I think I'm pregnant.
I'm going to make this video.
And I hope this is positive.
And probably Mia is going to
have a little baby brother,
or baby sister.
And this is going to be one of the best
moments in my life.
Because Mark and I, we really
want to have another baby.
And company for you.
Heh, heh, heh.
So, let's do it!
I have a test in here.
Let's open it.
Just wait a moment.
Um...
Let's see what's going to happen.
I have it with me right now.
Just going to put it down.
You gonna wait a minute?
- [Mia] Mm-hm.
- Yeah?
- [Mia] Yeah!
- Yeah?
This is a very exciting moment.
I hope it's positive, really.
We really want to have this night with us.
And you're going to have
the best big sister.
(kissing)
(giggling)
- Let's go.
Let's go and check it.
Okay, you're going to touch this.
And you tell me how many
lines can you see, okay?
- Okay.
- [Diana] How many lines can you see?
I don't see yet.
How many lines can you see?
- Two.
- [Diana] Really?
Really!
Ah, yeah!
Yeah, you're going to have a
baby brother or baby sister.
(giggling)
Mommy has a baby in her tummy.
- Two.
- [Diana] Yeah?
Let's go.
Let me see, let me see.
I don't think we can see that properly.
Okay, then we can see.
Oh, ha.
Let's do something.
Let's go upstairs.
You're going to say,
"Hi, Daddy, I have a present for you."
"Close your eyes!"
Okay?
- Close your eyes!
(grunting)
- Ta-da!
(Diana giggling)
- Ta-da!
(giggling)
- [Diana] Finally!
Are you happy?
- Yeah, it's about time.
(giggling)
Wow.
- [Diana] This is a very exciting moment.
Okay, this is the first
video for our baby.
Say hi.
(chuckling)
- Hi.
(chuckling)
Mia, look, that's the baby's heart.
(heart beating)
- [Diana] Move it.
No, this one.
No, not that one.
Mia, no, that one.
- What button?
(scraping)
- [Mark] Look at all of that old...
Oh, good girl.
That was a very good one.
- I can't.
- [Mark] Yeah.
- [Diana] I'm so stupid.
I just have the cover on the camera.
I was thinking, why you can see nothing?
- [Mark] Look at that.
What is it?
Is it like an old, run down church?
- [Diana] I don't think
that we can go there.
- [Mark] Yeah, it's all blocked off.
- [Diana] We're not gonna go that.
That's too small.
- [Mark] Ha, ha!
Yeah.
(Mia giggling)
- [Mark] Oh, yeah, yeah.
You can't go that way.
(Mia giggling)
(Diana humming)
- La, la, la?
(kissing)
- [Parents] Aw!
- Look at this crazy boy.
Come on, it's crazy boy.
- [Mark] I'm just a happy, happy dog.
I'm just happy, happy, happy dog.
Don't ya know I'm just a happy.
Happy guy.
Just a happy, happy, happy dog.
Don't you know, I'm
just a happy, happy dog.
(Mia giggling)
I'm just a happy, happy, happy dog.
Don't ya know I'm just a happy, happy guy.
(chuckling)
(Diana speaking in Spanish)
- [Mark] He's really the
happiest little puppy.
He's a good boy.
Oh, he's going nuts for that smell.
Let's go, go, go.
- Let's go walking.
- [Mark] This place is
really nice, though.
We're gonna get sunburned
if we stay here too long.
- Okay.
- [Mark] Romeo.
- I got it!
- [Mark] Are you ready to go?
- Take Romeo.
- [Mark] Look at this place.
Good boy, come on.
What's wrong?
(Mia giggling)
What's Romeo doing?
Is he being funny?
(Mia giggling)
What the hell?
Romeo, come on.
- [Diana] It's cold here.
- [Mark] Huh?
- I'm cold.
What is that?
It's a big hole in that wall.
I'm sure it's something.
Lizards, babies or something.
Can you see that?
- [Mark] Oh, like a nest.
Well, there could be a room under there.
Or it's just old age.
- This part is beautiful.
This part is pretty.
- [Mark] We made it to the top.
- [Diana] There's a person there.
- [Mark] Okay, so someone's there.
We'll just leave them alone.
Listen, you get all kinds
of weird cannibals and...
- [Diana] Don't do that, don't say that.
Come on.
- [Mark] But let's go and
check everything else.
We just won't go in that little house.
- [Mia] I wanna see.
- [Diana] Shh!
- [Mark] Shh.
Look, what, what?
It's okay, just stop panicking.
You're getting me panicky.
We'll take a look around
and we'll go, okay?
- [Mia] Leap, zoom back.
We still go home.
We should go home, Mommy.
- [Diana] You wanna go home too?
- [Mia] Yeah.
- [Mark] There's bones in there.
- [Diana] Poor animal.
- [Mark] Looks like a goat or a sheep.
- [Diana] Or a dog.
Can you see that house over there?
- [Mark] Yeah, yeah.
- [Diana] The small one, you see it?
- [Mark] Yeah.
- [Diana] It's like
somebody's watching us.
We should go.
- [Mark] Let's go, we'll
go the other way, okay?
- [Diana] Do you think that person is--
- [Mark] Look, look, look.
Okay, let's go this way.
There's definitely someone
there, let's just go.
- [Diana] Okay, let's go over there.
- [Mark] What?
- [Diana] Look here.
Mia, come here!
Ah!
Be careful.
Oi, mi amor! No, no, no!
(rustling)
- [Mark] This whole f*cking
place is falling apart.
What's that noise, baby?
Wait, wait, wait.
(thudding)
- [Mia] You go in that hole, Daddy?
- [Mark] I'm gonna just lean down.
- [Diana] Be careful.
(heavy breathing)
- [Mark] Jesus!
- [Diana] What was that?
- I don't know.
I don't know.
They ripped everything apart.
- [Diana] No, baby, no.
(puppy whimpering)
- [Mark] Holy sh*t. It's a whole animal.
- [Diana] Oi!
Oi, no!
- [Mark] Oh wow, look,
there's still bits of hair on.
- [Diana] Poor little one.
I know baby, disgusting, let's go.
Come on, Romeo, come on baby.
- [Mia] Are we going to fix them?
- [Diana] Baby, no, this is very horrible.
I know!
- [Mia] The baby goat's dead.
- [Diana] I know, baby,
this is really disgusting.
(Mia speaking in Spanish)
- [Diana] I know!
No, no, no. I don't like this place.
- [Mark] Mia, stay here.
Don't move.
Let me go have a look.
- [Mia] Daddy, don't.
- [Mark] Just hold my leg, okay?
Just in case.
- [Mia] Oh, I see it!
- [Mark] I can hear something in there.
(Diana murmuring)
(Mark grunting)
- [Mark] Whew, what a stink.
- [Diana] Are you okay?
(Mark grunting)
- [Mark] I don't know what it is.
(rattling box)
- [Diana] Oh my god.
(heavy breathing)
- [Mark] Hold there.
(rattling chains)
- [Diana] That's disgusting.
Mi amor, go and play with
Romeo over there, please.
In the grass.
Don't go too far.
Aye.
Baby, that thing has a horrible energy.
Really horrible energy.
- [Mark] Look at this.
- [Diana] Mi amor, be
careful with your fingers.
Oh my god, look at the
coins and the bones.
What a horrible energy.
Mia, stay where I can see you, please!
Aye, no.
No, no, no, no.
That's a bad, bad, bad energy.
Uh-uh. No, no, no.
Let's go, mi amor.
- [Mark] It's getting cold again.
Let's go.
Oh, it's such a horrible day.
Big jump, Mia.
Big jump, you ready?
Jump down there.
Jump.
Oh, watch out.
(falling stones)
(Mia crying)
- [Mark] Jesus, f*ck! f*cking hell.
(Mia screaming)
- [Diana] Are you okay?
Are you okay, are you okay, are you okay?
- [Mark] I dropped the box.
(Diana speaking in Spanish)
(Mia screeching)
- [Diana] Are you okay?
Mi amor, are you okay?
(Mia crying)
(heavy breathing)
- [Diana] Romeo, can you see him?
- [Mark] I heard him over there.
- [Diana] Oh my god.
- [Mark] I'll get the
box and I'll get Romeo.
Go back to the car.
Go back to the car.
- [Diana] Oh my goodness,
I don't want to go back there anymore.
- [Mark] I'm never going back
there again, ever in my life.
- [Narrator] 1.3, secondary
strong box appraisal
remains pending as initial survey
revealed inconclusive data while citing
religious connotations.
1.4.
Psychological report outlines
hebephrenic schizophrenia
tendencies associated with catatonia,
a disorder that disrupts a person's
awareness of the world around them.
1.5, continuing video evidence review.
(Diana murmuring)
- This is vlog number one.
My name is Mark.
Marcella, my fiance, is 28.
Our daughter, Mia, is three.
I'm 39.
The time is 18:43.
I'm keeping a vlog because we've had
to add some security
cameras to our system.
Because strange things have
been going on inside our house.
It started a few months ago.
And it's just that feeling of,
you're sitting on the sofa
and then you feel something move
out of the corner of your eye.
And you look left and
there's nothing there.
But it makes you look twice.
It's that feeling of,
it must just be the dog.
I must have left the window open.
It's just the wind, it's just a shadow.
It's just the pipes
making a strange sound.
It is a new house that we
just bought and renovated.
Whatever it is,
it seems to be getting
more intense over time.
We're in the middle of this village.
We don't speak the local language.
Nobody speaks English, either.
We've been to the church,
but there's a massive cultural difference.
Our daughter, Mia, made some buildings
with her building blocks.
And we asked her what they were
and she said it's a village.
And then she said something strange.
She said, don't let her
take me to the village,
I don't want to go, it's dark.
Anyway, I'll keep making these vlogs.
(creaking door)
- [Diana] Our father who art in heaven.
Hallowed be thy name.
Thy kingdom come, thy will be done.
On earth as it is in heaven.
Just a little tiny prayer.
Forgive us our trespasses.
And lead us not into temptation.
And lead us not into temptation.
(ominous music)
- [Mark] Are you okay? What was that?
- [Diana] Uh... no, no, no.
Everything is okay.
Just is a music box.
(thudding)
(heavy breathing)
(buzzing static)
(Diana gasping)
(heavy breathing)
(rattling)
(heavy breathing)
(creaking)
(Diana gasping)
- [Diana] Mia!
Mia, no, don't do that.
You scared me.
- He's here.
- [Diana] Who is here?
- Be careful, Mommy.
- [Diana] Be careful with who, Mia?
(Mia giggling)
(camera whirring)
(Mia giggling)
(muffled thudding)
(whirring camera)
- Mom.
- Are you okay?
- Um.
(buzzing static)
- What are you?
I'm Mia.
Don't do that.
No.
(distant tapping)
(tapping intensifies)
(Diana sighing)
(distant tapping)
- [Diana] Baby.
Baby.
Shh, can you hear that?
Can you hear that?
(distant tapping)
- [Mark] It absolutely
looks like something
was in that window.
(tapping)
(thudding on door)
(pounding on door)
(alarm sounding)
(heavy breathing)
- [Mark] Something's not
okay in this f*cking house.
Something's not okay.
Something's not okay.
Something's not okay, amor.
(heavy breathing)
(Diana murmuring)
- [Mark] Baby, don't even look at it.
Don't, don't touch it.
Just leave it.
I'm exhausted, come on.
Let's just leave it.
Let's just sleep.
(dog whimpering)
(dog whining)
(camera whirring)
(family murmuring)
- The horns were so noisy,
she couldn't get any sleep.
Do not disturb her.
Do you want to play with that?
(distant rattling)
(distant tapping)
- [Diana] You're going to be
with me all the time, okay?
Stick with me.
(thudding)
(heavy breathing)
(Mia whimpering)
- [Mia] Look, Mommy, look!
- [Diana] Ah!
(Diana whimpering)
- I'm making a surprise for you.
- [Mark] Oh, that's really nice.
Is that for Daddy?
- Yes.
- [Mark] You've got some hair in the glue.
Let's pull it out.
Is that the house? Is that our house?
Watch out, Romeo.
- It's our house, yes.
- [Mark] Very nice.
Thank you for making that for Daddy.
- You're welcome.
- [Mark] It's very pretty.
- It's coming up.
- [Mark] Is that done?
- Yes.
- [Mark] Mia, I want to
talk to you about yesterday.
I looked on the security
camera in your room
and you looked under the bed.
And then you ran away.
What happened?
What happened?
- It's a monster.
- [Mark] A monster?
- Yes.
- [Mark] Romeo, stop it.
What did they do, Mia?
- Play with the toy.
- [Mark] You play with your toy, Romeo.
Good boy.
Mia, tell me more about the monster.
What happened?
- They want to take me in village.
- [Mark] In where?
- In village.
- [Mark] Village?
- Yes.
Romeo.
- [Mark] Have you seen the monster before?
- Yes.
- [Mark] When?
- Huh?
- [Mark] When?
- Mm, in two hours.
- [Mark] At two o'clock?
- Romeo!
- [Mark] Two in the morning?
- Yes.
- [Mark] What did they look like?
- They looked like the devil.
They have three eyes.
They have three legs.
- [Mark] Maybe some of
that's your imagination.
- Ow!
- [Mark] Sometimes when we see--
- Ouch.
- [Mark] Sometimes when
we see things in the dark,
we can't see everything
so our imagination,
it just creates an image
and we think we see
something that we don't.
But if you see it again,
it's really important,
can you come and tell Mommy and Daddy?
Just come and say, Mommy,
Daddy, I saw the monster again.
- Mommy, Daddy, I see a monster again.
- [Mark] Can you do that?
- Yes.
- [Mark] Good girl.
(gurgling static)
(distant groaning)
(gurgling static)
- I bought these things
and some protection stones
against bad energy.
I just want to try and protect
our family and our house.
The energy in the house is different.
We are different.
(Mark sighing)
What?
You start to look at me like I'm stupid!
I just... this is my way
to try to help the family!
Bring the happiness.
When we were happy, do you remember that?
(clicking)
(door shutting)
- [Mark] Come and see these.
Okay.
It's these coins,
they have the same kind of symbols.
There.
There, that one.
That one, that one has two.
From what I can see online, look.
It's the Knights of the Templar.
Look here.
- [Diana] It's the same coin.
- It's exactly the same symbol.
Same age, same style.
- [Diana] And probably a
very expensive coin, too.
- So the Knights of the Templar.
- [Diana] Things started to happen
when we took this box home.
Just please, take it back to the village.
I don't want this in the house.
(distant groaning)
(tapping)
- [Diana] Mark!
- [Mia] Daddy!
- [Diana] Mia!
(Mia shouting)
- [Diana] Mia, Mia!
(heavy breathing)
She's just sleeping.
- [Mark] What the f*ck is
going on in this f*cking house!
- [Diana] What's happening with Romeo?
- [Mark] He ran out. I just fell.
Mia, wake up, darling.
- [Diana] Are you okay?
- [Mia] Mommy, I need my toys.
- [Diana] Who's got your toy?
Mi amor, what's happening with Romeo?
- [Mark] Mia, did you have a nightmare?
- [Mia] No, Daddy.
- [Diana] Come on, sweetie.
- [Mark] Come on, Mommy's
gonna sleep with you, okay?
Ow.
- [Diana] Are you okay?
- [Mark] No.
(eerie breathing)
(camera whirring)
(camera whirring)
(thudding)
(Diana sighing)
(glassware falling)
(Diana gasping)
(heavy breathing)
(creaking door)
(heavy breathing)
(Diana whimpering)
(rattling)
(Diana shouting)
- [Diana] It's in the room!
Ah! It's in the room!
- What's going on?
- [Diana] It was here, it's here!
It was inside the room!
I was so scared!
It opened my doors.
There was something
here in the room, Mark!
It's okay, darling.
It's okay, darling, it's okay.
Yeah, Mommy's here.
It's okay, it's okay.
It's okay, darling.
Mark, there was something
here in the room.
(Diana sniffling)
It's okay, darling, it's okay.
I'm here.
It's okay, darling, I'm here.
I'm here, I'm here, it's okay.
I'm here, I'm here, I'm here.
I'm here, mi amor, I'm here.
It's okay.
I don't want that box
anymore in the house.
(Mark murmuring)
- [Diana] It's just, don't leave me alone
with that box in the house.
There's something here.
- [Mark] What was that?
- [Diana] Mark...
I don't want to be here anymore.
- [Mark] Are the cats in the house?
- [Diana] No.
- [Mark] Are both cats in?
- [Diana] No, they are outside.
- [Mark] Where's Romeo?
It's probably the dog.
It's just the dog.
- [Diana] Mark, the dog
don't go to open my door.
Please, please!
Take that box tomorrow!
I don't want the ghosts anymore.
- [Mark] You get all f*cking hyper.
Just relax, okay?
- [Diana] That something
opened the f*cking door!
- [Mark] Shh, come and sleep.
We'll talk about it tomorrow.
(whirring camera)
(rustling)
(blowing)
- [Narrator] Audio file
received containing
completed rough papyrus translation.
Bind the shackles before only
the echo of your soul survives.
(clicking)
(Diana sighing)
- [Diana] Hi, baby.
- Hi.
- [Diana] I'm sorry.
I'm sorry for having changed so much
and not being the same as before.
I know sometimes you feel lonely,
but it's something I can't control, Mia.
I know you don't understand,
but remember I love you
very, very much.
Don't forget how much Mommy loves you.
- I love you too, Mommy.
Want to see my picture?
- [Diana] Yeah, show me the picture.
- [Mia] This is Daddy.
This is Mommy and this is Mia,
this is Romeo, and this is Momo.
- [Diana] Stop, Mia!
Stop, you stop, stop
with them in the house!
Just go to your room.
She's not real!
- [Mia] She is real, I saw her!
- [Diana] She's not real, remember that.
Stay in your room and cool down!
- [Mia] You're going to die!
- [Diana] What did you say to me?
- [Mia] You're going to die!
- I don't even know what uh...
What vlog this is.
Marcella, she found
something in the fireplace.
Uh...
When I tried to take it from her,
I could sense an energy.
And it wasn't a nice energy.
It was like a representation of something.
An agony.
Marcella's aging, I'm aging.
The house sometimes feels freezing cold.
There's different parts in the
house which smell different.
Marcella's not doing very well.
She's walking around the house.
She has no idea what she did yesterday,
what she did 20 minutes ago.
She's forgetting normal things.
It's really difficult to watch.
We found an eye inside our eggs.
I felt that maybe it was just someone
playing a practical joke.
Romeo and Mia are growing up quickly.
I'm feeling quite distant
from my own family.
The air feels very thick.
And everything's feeling claustrophobic.
(camera whirring)
- Ah!
- [Mark] Are you okay?
What's going on?
Amor?
(whimpering)
- [Mia] What happened?
Mommy.
- [Mark] What happened, are you okay?
(Diana sobbing)
- Something.
- [Mark] What?
- Something grabbed my
hair and pulled me down.
- [Mark] Pulled your hair?
- Yeah.
(sobbing)
- [Mark] Where?
Okay, wait.
- Here.
- [Mark] Where were you standing?
I don't know what to say.
Where were you standing?
Here.
- I was in here.
I went to the plate down.
And something just...
Something grabbed my
hair and pulled me down.
- [Mark] I'm so sorry that happened.
Come here.
Come here, give me.
Come here, come here, come here.
- There is something is here.
Something is not good in here.
I don't like this.
I don't think I can be in here right now.
- [Mark] Come on, get out
of the kitchen, let's go.
Let's go.
(Diana whimpering)
(Diana murmuring)
- [Mark] Well.
- Can we watch a movie tonight?
I don't want to go to sleep so fast.
I mean, I don't want to go to sleep.
I have dark, dark dreams.
I can't sleep.
I'm scared of the dark.
After what's happened
today in the kitchen,
I don't want to go to sleep.
- [Mark] Yeah, that really
freaked everybody out.
But you know, everything
has an explanation.
Maybe it was just something with nerves.
I don't know.
That's a difficult one.
I'm gonna watch that tomorrow.
I'm gonna watch whatever
happened on the cameras.
- Can you please stop with these cameras?
We have that one and
another one here behind me.
That's really, it's too much right now.
Really.
- [Mark] The only way that
I can show what's happening
is by filming it.
Who's gonna believe us?
Nobody's gonna believe us.
- You don't believe me.
- [Mark] It's not that
I don't believe you.
I do believe you, but I
just like to stay rational.
Mia is watching her parents too.
So we need to stay strong for Mia.
- You don't believe me, Mark.
What's happened to me in the kitchen.
This is not rational.
This is not going to stop.
- [Mark] Let me just have a
look at the cameras tomorrow.
(clicking)
- [Narrator] Both subjects appear
to be debating their personal perspectives
on rationalization while simultaneously
projecting an externalization
of blame through distrust.
(clicking)
(whirring camera)
(crickets chirping)
(heavy breathing)
- [Mark] Mia.
- I'm cold, Daddy.
- [Mark] Ah!
(eerie groaning)
(Mark breathing heavily)
- [Mia] Daddy, she's going to take me!
- [Mark] Mia, just stay there!
Mia, no! Nobody's going to take you!
(Mia crying)
Mia, get in the bed.
Go in the bed!
- [Diana] What's wrong?
(Mia crying)
- [Diana] What's happening?
Tell me what's wrong!
- There's something downstairs!
- [Diana] Did you see her?
What did you see?
Tell me, what did you see?
- Listen, be quiet.
(whirring camera)
- [Narrator] 1.6, police report revealed
decaying walls and obscure dilapidations
within family residence.
1.7, property investigation revealed
children's drawings of obscene nature.
Pending child psychology
department review.
1.8, according to the
Journal of Neuroscience
the part of the brain
that regulates emotions
is more paired between mother and daughter
than any other generational pairing.
This bond is what can enable a mother
to feel her child's emotions.
1.9, continuing video evidence review.
- [Diana] Mark.
What are you doing?
What are you doing with
the g*n in the bed?
- Shh. It's okay, Mia is sleeping.
Don't worry.
No, I'm keeping it open.
Don't worry, it scares the
sh*t out of me as well.
I feel like a f*cking zombie.
I couldn't sleep at all last night.
- [Diana] Why do you have
the g*n on the bed, Mark?
- I found Mia outside in
the room under the stairs.
The outside room, the old room.
She was sitting there by herself.
- [Diana] Mark.
- I mean, she's okay now, but...
It felt like something was gonna happen
and there was something in there.
I didn't actually see it.
It sounded like...
People's last moments.
- [Diana] What do you mean, last moments?
What do you mean?
- It sounded like people's
last, final cries.
- [Diana] Oi, Mark, you're
starting to scare me.
- It's just, I don't know.
- [Diana] Do you know
what is the solution?
- [Mark] We need to think
about getting out of here.
- [Diana] Mm-hm.
(camera whirring)
(sliding box)
(shattering glass)
- f*ck you!
f*ck you! f*ck you!
- [Diana] Baby, are you okay?
- [Mark] She's playing with my life!
The f*cking box just moved by itself!
Like, I can't take this sh*t anymore!
She's f*cking messing with my head!
Like, I put the camera in the baby room
and Mia f*cking talking to the box!
- [Diana] You know we need to go, Mark.
- I can't... I can't
do this house anymore.
I can't!
- [Diana] We need to go.
- I can't f*cking do this.
Like, it's in this house.
(Diana hyperventilating)
- [Mark] Just relax.
Put the camera down.
Don't hurt the baby.
(jingling bells)
- [Mark] It smells.
I really don't like it in there.
- [Diana] Me too.
(rattling box)
(pouring liquid)
- [Diana] To the Father and to the Son,
to the Holy Spirit.
(crackling flames)
To the Father and to the
Son, to the Holy Spirit.
As it was in the beginning
and now and ever shall be.
(Diana murmuring)
To the Father and to the Son.
To the Holy Spirit.
As it was in the beginning,
as it is now and ever shall be.
A world without end.
Amen.
(distant scraping)
- [Diana] Mia, stop it.
- [Mia] Mommy.
- [Diana] Shh.
Mia.
(Romeo barking)
Shh.
(distant yelping)
(buzzing static)
- [Diana] What's happening?
- [Mark] I don't know, baby.
(murmuring)
- [Mark] I'll get the torch.
- [Diana] Where is Mia?
Mia was in here with us.
Where is Mia?
- [Mark] Mia?
- [Diana] Mark, Mia's not here.
No.
- [Mark] Oh my god.
- [Diana] No!
- [Mark] Oh my god!
Oh my god!
- [Diana] No, Mia!
(Diana screaming)
- [Mark] Mia, where are you?
(high pitched tone)
(Diana hyperventilating)
(Mia screaming)
- [Diana] Leave us alone!
Mia!
She's in the village.
She's in the village!
She's in the village.
Get in the car!
I'm scared, Mark!
I'm scared.
I'm sorry.
(Diana sobbing)
(car door closing)
- [Mark] She's gonna be
in one of these houses.
Mia! Mia!
Mia!
Mia!
Mia!
Mia!
What, what are you doing?
What are you doing?
(Diana sobbing)
- [Mark] I know, I know, I know.
- Don't touch me!
- [Mark] I know, I know.
Come on, let's go, now!
Now!
Now!
Get up!
Now!
I'm going alone!
(heavy breathing)
Mia!
She's f*cking missing, baby.
Our little girl is f*cking gone!
She's f*cking missing!
Now I'm gonna go this
way and you go that way.
- It's your f*cking fault!
You know that?
- [Mark] I need to find
my f*cking daughter!
I need to find my daughter!
Now! Go that way!
(heavy breathing)
Mia!
Mia!
(light strumming)
(loon calling)
(heavy breathing)
Mia!
(heavy breathing)
Mia.
(heavy breathing)
Mia.
(heavy breathing)
(Diana breathing heavily)
- [Diana] Mia!
(heavy breathing)
(cat growling)
(heavy breathing)
(thudding)
(Diana screaming)
(buzzing static)
(Diana hyperventilating)
- [Diana] Ma!
Mark!
Mark!
(Mark breathing heavily)
- [Mark] Mia!
(heavy breathing)
(grunting)
(rustling)
(Mark hyperventilating)
(creature groaning)
(g*nsh*t)
(buzzing static)
(dragging)
(Diana breathing heavily)
- [Diana] Mia.
(rhythmic scraping)
(heavy breathing)
(Diana hyperventilating)
(Diana gasping)
(thudding)
(Diana groaning)
- [Diana] Mark!
Mark!
(Diana groaning)
Mark!
(Diana screaming)
(heavy breathing)
(dragging)
(thudding)
(creature groaning)
(Diana breathing heavily)
(Diana whimpering)
(Diana murmuring)
- I'm so sorry.
I'm so sorry.
I couldn't protect you, I'm sorry.
I'm sorry.
I'm sorry, mi amor.
(sobbing)
(heavy breathing)
(high pitched tone)
(heavy breathing)
(crunching)
(Diana gasping)
(creature growling)
(Diana screaming)
- [Diana] No!
(Diana hyperventilating)
(Mia crying)
- [Diana] Oh!
(Diana hyperventilating)
(creaking doors)
- [Diana] Mia!
(Mia crying)
(Diana breathing heavily)
(bird fluttering)
(heavy breathing)
(high pitched tone)
(muffled screaming)
(eerie groaning)
(heavy breathing)
(Mark groaning)
(heavy breathing)
(heavy breathing)
(footsteps)
- [Mia] Daddy?
(thudding)
- [Mark] Mia, no!
No, no!
(creature growling)
Mia no, no!
(squelching)
(distant wailing)
- [Narrator] 2.0, the bodies
of subjects Mark and Marcella
have been identified
through human remains.
2.1, the body of Mia Bowers
has not been discovered.
2.2, all further investigations
are restricted due to
religious party intervention.
As of today's date, this
case remains unsolved.
2.3, the search for Mia
Bowers has now been contracted
to a third party consultant.
End of case review.
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Its Name Was Mormo (2024)
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