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02x26 - If This World Were Mine: Part 2

Episode transcripts for the TV show, "New York Undercover". Aired: September 8, 1994 – February 11, 1999.*
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Detective J.C. Williams and Detective Eddie Torres, two undercover detectives in New York City's Fourth Precinct who were assigned to investigate various crimes and g*ng-related cases.

02x26 - If This World Were Mine: Part 2

Post by bunniefuu »

I feel we have a future together.

I think so too.

♪ I like to move it, move it

♪ I like to move it, move it ♪

♪ I like to move it, move it

♪ You like to move it ♪

♪ I like to move it, move it

♪ I like to move it, move it ♪

♪ I like to move it, move it

♪ You like to move it

♪ I like to move it, move it

♪ I like to move it, move it ♪

♪ I like to move it, move it

♪ You like to move it ♪

♪ I like to move it, move it

♪ I like to move it, move it ♪

♪ I like to move it, move it ♪

♪ You like to move it ♪

♪ All girls all over the world

♪ Original mad stuntman pon ya case, man ♪

♪ I love how all girls a-move them body ♪

♪ And when ya move ya body

♪ Uno move it nice and sweet and sexy, alright ♪

♪ Woman, ya cute, and you don't need no makeup ♪

♪ Original cute body, you a mek man mud up ♪

♪ Woman, ya cute, and you don't need no makeup ♪

♪ Original cute body you a mek man mud up ♪

♪ Woman, physically fit, physically fit ♪

♪ Physically, physically, physically ♪

♪ Woman, physically fit, physically fit ♪

♪ Physically, physically, physically ♪

♪ Woman, ya nice, sweet, fantastic ♪

♪ Big ship on de ocean, that a big Titanic ♪

♪ Woman, ya nice, sweet, energetic ♪

♪ Big ship on de ocean, that a big Titanic ♪

♪ Woman, ya nice, sweet, fantastic ♪

♪ Big ship on de ocean, that a big Titanic ♪

♪ Woman, ya nice, sweet, energetic ♪

♪ Big ship on de ocean, that a big Titanic, woman ♪

♪ I like to move it, move it ♪

♪ I like to move it, move it

♪ I like to move it, move it ♪

♪ Ya like to move it ♪

♪ I like to move it, move it

♪ I like to move it, move it ♪

♪ I like to move it, move it

♪ You like to move it ♪

♪ I like to move it, move it

♪ I like to move it, move it ♪

♪ I like to move it, move it

♪ You like to move it ♪

However long it takes, wherever you go

I swear on the soul of my daughter

I will find you, and I will k*ll you.

[theme music]

Hey.

Nina, what's, w-- what's up?

What?

When?

Alright, I'll be right there.

[instrumental music]

[siren wailing]

[indistinct chatter]

- Tell me I heard wrong. - You didn't.

- Maldone escaped. - What the hell happened here?

It was an organized ambush and Maldone owned

one of the correction officers.

Geez. What about the cops?

What happened to them?

Well, it looks like he k*lled four of them

and has another one hostage.

Any survivors?

Our next stop.

Officer, how you doing?

I'll live.

The correction guy set us up

and the b*stards k*lled my partner.

Can you tell us how it went down.

Two sn*pers, a, a woman with a machine g*n

in a baby carriage.

They had masks and gloves.

Hang on. Do you know him?

No, but you can bet your a*s he's got a sheet.

Eddie: What about the car?

Green van, New York plates. That's all I got.

Hey, you know this son of a b*tch Maldone?

- Yeah, I know him. - What about Manny?

Officer Ruelas? They took him.

What do you think his chances are?

[instrumental music]

Cooper: How the hell did Maldone pull this off?

They knew he was going to Rikers.

It was a well-planned attack.

Look, the Unis k*lled one of his men, a guy named Tito Espinar.

- Sheet a mile long. - We put out a citywide alarm.

Airports, train stations, bus terminals...

Eddie: You're wasting your time.

Cooper: Why?

'Cause Maldone isn't going anywhere.

Meaning?

Meaning he's got a score to settle

and I'm the one that took him down.

Oh, don't forget Lenny Lerner.

- What? His C.I.? - Yeah.

He's the one who got Ed into

Maldone's organization in the first place.

Alright, I want you two to go talk to him,

offer him protection.

See if he can tell you anything about the escape.

Moreno, why don't you look into Maldone's file.

Look for old contacts, people he might try to go to.

- Yep, I'm on it. - Look...

Maldone is like a wounded animal.

There's only one way to stop him.

Look, Torres, we need to talk.

Now, I understand that you worked hard for this bust.

You've taken risks, big ones.

I know you want to bring Maldone in.

I want you to bring him in,

but by the numbers.

[instrumental music]

- Contact Tucker. Julio: Alright.

Arrange for a passport and a plane to Colombia

and find out where they put Lucia.

Orlando, maybe she's better off where she is.

She's my daughter, so she's better off with me.

Next... is that cop Torres.

If you're thinking of going after him,

you're just asking for trouble.

I took him into my home, right?

I treated him like family.

Nobody betrays me like that, Julio, nobody.

Alright. The plane will cost you, Orlando.

Prices double when they know you're on the run.

That's not a problem, alright?

When the banks open on Monday, I'll get the cash.

Yo, my man... speaking of cash...

[speaking in foreign language]

That's Tony.

He's from Philadelphia.

Tony...

thank you very much for helping me.

That's nice, but keep your thanks.

Just give me my wages, and I'll be on my way.

You know, as you heard, I'm a, I'm a little short on cash

so you can wait until Monday

or I can sh**t you now.

I'll wait.

That's good.

You have matches, Tony?

Officer Ruelas.

Officer Ruelas, do you have children?

Two. Two boys.

I prayed for a son

then God gave me a daughter, Lucia.

She's the most important thing in the world to me.

How old are your sons?

Six... six and eight.

Don't worry.

I'm going to make you a promise.

Your sons will never have to worry about a college tuition.

You have my word.

[g*nshots]

- Boy, you better hurry up. - I'm coming.

See, that's what I get for letting you

stay up late last night.

Dad always lets me stay up for the knicks.

Oh, there's going to be an end to that.

And you believe that.

Why don't you watch where you're going?

- I was. Give me your watch. Gregory: Hey!

Your earrings and your purse.

- Now! Don't stare at me! - Sorry.

Don't point that g*n at my mother.

- What did you say? - I said don't point that g*n--

- Shut your mouth, G. - Some good advice, G.

You should listen to your mama.

Put the g*n down, we'll see whose minding who.

G, shut your mouth!

You call the cops, and I'll smoke you

but I'm going to smoke you first.

What's wrong with you?

[tires squealing]

What's up, Lenny?

J.C.: Yo, baby, where you going, man?

You guys got a lot of nerve asking me that.

I should have known better, helping the police.

Hey, what you got in here, man, rocks?

Cans of chili.

Come on, man, you know Maldone.

He's going to come looking for me.

That's what you and I got something in common.

'Cause, Maldone's going to find you before he finds me.

That's it. I'm out of here!

What are you doing? Come on.

- You're not going anywhere. - Come on, man.

You got your badge to hide behind.

Me, he's going to chop into very small pieces.

And that's why you got to help us.

I helped you once already.

Look, what it got me.

You concerned about your safety?

- I am. - We'll provide protection.

Excuse me if I laugh in your face,

but you mean, police protection?

The same police that let Maldone get away?

No, thanks. Listen, you guys let me go or I'm gonna file charges.

You were right about Maldone.

He will cut you into tiny little pieces.

So right now, we're the only chance you've got

and if I were you...

if I were you, I would take it. You hear me?

Look, I understand how you feel, Lenny,

but running away is not the answer.

It's a damn good start.

You don't even have enough money

to get to Brooklyn, my man.

Now, tell us who helped Maldone escape,

we'll buy you a plane ticket.

- Anywhere I want to go? - Anywhere you want to go.

We'll even throw in a few thousand dollars spending money.

I'll think about it.

You better do more than that.

You gotta keep a cool head, bro, or you're not gonna make it.

Don't worry about me, alright?

I don't got time to place nice.

[phone rings]

[sighs] Yeah?

Wait. Slow down, Chantal. What?

G did... No, no. You wait right there.

- I'll be there. - What happened?

Chantal and G just got mugged. I got to get home.

Go ahead, man. I'll make it back.

- Alright. I'll give you a call. - Alright.

- Are you crazy? - Why?

'Cause I don't want no guy pointing a g*n at my mother?

You don't jump bad in people's faces like that, G.

G, you could have gotten you and me k*lled.

If the b*llet's got my name on it

it's got my name on it.

Acting like a punk ain't gonna change that.

You better talk some sense into him.

Gregory: I'm not the one who mug somebody.

Why y'all trippin' like I did wrong?

You were willing to trade your life

for a watch and $18.

That's not just wrong. It is stupid.

So, you wouldn't have did anything?

No, not in that situation.

- Can I go now? - This discussion is not over.

You know, he scared the hell out of me.

That's only normal, Chantal.

But you're safe now, you hear me?

What? Is my son going to be a statistic now?

No, he is not.

Neither one of his parents will ever let that happen.

Well, I'll tell you one thing, he is his father's son...

sticking up for me like that.

- You got anything yet? - No. Still looking.

You look terrible.

I haven't been getting much sleep.

Me, neither.

[phone rings]

Fourth.

Yeah, this is Moreno.

Where?

Yeah, I'll let Torres know.

They found officer Ruelas.

- And? - Take a guess.

[instrumental music]

[indistinct radio chatter]

Eddie: Geez.

"Eduardo, having a wonderful time.

Wish you were here. Orlando."

[Nina sighs]

Hey, this is not your fault.

Yeah, well, tell that to Ruelas' family.

I will.

You okay?

Yeah.

Yeah, I'm fine.

and Manhattan North Task Force.

I need this yesterday.

Maldone's top priority, so anything we want, we've got.

Now, sooner or later he's bound to make a mistake.

How many cops are going to die before that happens?

[sighs]

Alright, look, I have to go up to the two-three

and brief Captain Silver.

I'm going to be about two hours.

I want you guys to stay on this.

- Please, think. - Alright.

Well, guys, you know, we're never gonna catch him like this.

We need to think ahead of him.

We got to anticipate his every move.

Good. How?

Well, by getting inside of his head.

If you were Maldone, what would you do?

Ed, if you were Maldone what would you do?

- I'm not him. - I know you're not him.

But if you were him, what would you do?

Come on. You got close to him.

Listen, y-- you're Maldone.

What is your next move?

I don't know. I mean, I... I plan ahead.

I, I put some money away for emergencies someplace safe.

- Like in a bank account? - No, no, no. Too open.

Then, then what? You bury it?

No. I need control.

Maybe a locker or a safe-deposit box.

Eddie: Yeah, maybe.

And I got an escape route all mapped out.

Probably the other countries where he has contacts.

Yeah, but I will not leave without my daughter

because she's the most precious thing in my life.

I'll try to contact social services

see if I can find out where they placed her.

Good, good. Look, even though it's Sunday

I'm going to check the banks see what I can find.

I keep my word.

So I will k*ll Eddie Torres.

Gracias, Hector. Yeah, man. In a minute.

Hey, Lenny, what's happening, man?

I don't know. Depends. Maybe nothing.

Have a seat, Lenny.

J.C.: What you got?

You meant what you said, right?

About the plane tickets and the money?

Because I'm thinking Italy.

Listen, you could be sipping espresso

on the Spanish steps tomorrow. What do you have?

I was talking to a guy that was talking to a guy.

There's a knee-breaker from Philadelphia

named Tony. Rent-a-goon, you know.

I hear he was at Maldone's breakout.

So, how do we find him?

They say he likes to play pool.

I got the address of the foster home

where Maldone's daughter is staying.

- Thank you. - Let me get on that.

- She knows me. - Alright. We'll cover Tony.

Lenny...

J.C.: You, come with me.

Let's go.

"Tony Rivera...

"a.k.a. Tony the stick

"a.k.a. Antoine Fuqua. [scoffs]

"Armed robbery,

"drug sales, felony as*ault...

felony as*ault..."

Impressive sheet, Tony.

I'm rehabilitated.

Just ask the parole board.

Then why did you run from us?

Like the judge said,

I got a right to fear cops.

Is that why you k*lled those cops

when you helped Maldone escape?

You can't prove anything, man.

Nobody saw my face.

Now, how do you know that?

Because... [sighs] because I wasn't there. That's why.

No. You mean because you wore a mask.

Mask?

What mask?

Get the tape.

No sense holding back. Show the man the videotape.

What... what videotape?

The one of you and your buddies

sh**ting at the cops when you helped free Maldone.

- That's what tape. - Get out of here, man.

There's no tape.

[nervous laugh]

So, who-- who made it?

We did, estupido.

All patrol cars carry video cameras now.

Or don't you watch TV, bad boy?

Pues, mira lo que tengo aqui.

Go ahead and play it for me.

We'll play it for you at your trial.

First-degree m*rder.

You can't prove anything from a tape, man.

You willing to bet your life on this? Huh?

- You better talk to a lawyer. - Or you can give us Maldone.

[sighs]

Maldone and his guys k*lled the cops.

I just, I just drove the car, man.

Where is he?!

He, um... he's waiting

for the bank to open tomorrow morning.

He's got some money stashed in a safe-deposit box.

- Which banks? - He didn't say.

After he gets his money, he's going to Columbia.

That's all I know, man.

♪ I like to move it, move it

♪ I like to move it, move it ♪

♪ I like to move it, move it

♪ You like to move it ♪

♪ I like to move it, move it

♪ I like to move it, move it ♪

♪ I like to move it, move it

♪ You like to move it ♪

♪ I like to move it, move it

♪ I like to move it, move it ♪

♪ I like to move it, move it

♪ You like to move it ♪

[siren blaring]

♪ Woman, ya cute, and you don't need no makeup ♪

♪ Original cute body, you a mek man mud up ♪

♪ Woman, ya cute, and you don't need no makeup ♪

♪ Original cute body, you a mek man mud up ♪

♪ Eyeliner, pon ya face a mek man mud up ♪

♪ Nose powder, pon ya face a mek man mud up ♪

♪ Pluck ya eyebrow, pon ya face a mek man mud up ♪

♪ Gal, ya lipstick, pon ya face a mek man mud up ♪

♪ Woman, ya nice, broad face and ya nice hip ♪

♪ Mek man flip and bust up the lip ♪

♪ Woman, ya nice and energetic

♪ Big ship on de ocean that a big Titanic, woman ♪

♪ I like to move it, move it

♪ I like to move it, move it ♪

♪ I like to move it, move it

♪ You like to move it ♪

Moreno: We found these in his safe.

He has boxes at four banks...

National West, Chase, Merchant's and Citi.

We've already faxed them Maldone's photo.

First thing tomorrow morning, we'll call them.

Okay. I'm gonna have anti-crime at all the locations.

Please tell the banks not to try to apprehend him.

We don't need any dead bank guards.

Alright. That's what we did.

We laid out the four locations in a grid.

Okay. The best place for us to be is right there.

Williams and Beaver Street.

Maldone's got his daughter.

I guess he was a step ahead of me.

Alright. You sure he won't harm her?

He'd die first.

Good. We assume she's safe.

Good news is, he's doing exactly what you predicted.

I wish I would have predicted it sooner.

At least Tony's information is good.

Maldone is still in town.

Alright. I'm going home. We've done all we can for today.

Tomorrow, we get Maldone.

Enough is enough.

Hey, Ed, you staying?

Yeah. I got to go over Maldone's file one more time.

I'm out of here. I have a date.

Say hello to Carol for me, alright?

- You cool? - Yeah. Yeah.

Alright.

[sighs heavily]

Well, it definitely looks like rain.

May be even some hail or sleet or something.

Oh, no.

- You think? - Mm-hmm.

You think we should call it?

Well, you know how I hate to miss those runs.

Uh-huh. I surely do.

[chuckles]

Well, there's always next Sunday.

But then again, on the other hand,

I'd hate to see all of that good stretching

go to waste.

Yeah, that would be a shame.

Mm. Or maybe we should go run.

Maybe we should.

You think so?

[instrumental music]

[moans]

- J.C.? - Yes?

Do you think we should do this?

Most definitely.

Do you have protection?

Uh-huh.

I'm going to need your help putting it on.

That's why I'm here.

[phone ringing]

- Torres. Lenny: Detective, it's Lenny.

Lenny, what's up?

Detective... I got a situation here.

Eddie: What's going on, Lenny?

Lenny?

Lenny?

Lenny can't come to the phone right now.

Orlando.

Orlando: Hello, Eduardo.

How are you, boriqua?

Never better.

[chuckles]

A lot of people are dying because of you.

What do you think of that?

- Why don't you just let him go? Orlando: He betrayed me.

Just like you.

You remember my promise, Eduardo?

I swore on the soul of my daughter

that I would k*ll you.

Look, what do you want, huh?

[chuckles]

What do I want, he says.

I want you to listen.

Lenny: No, please!

[g*nsh*t]

Ciao.

I-- I'm just double-checking.

That's right. Now, he may be disguised.

So if the box numbers match, you just call us.

No. We will make that decision.

No. You are not to let the guards take him!

This is a very dangerous man.

Now listen to me!

Thank you.

Thank you.

Hey, tranquilo.

[sighs]

Thank you.

It's been a while.

Too long.

You know, I know we were fighting about something,

but I can't for the life of me remember what.

[sighs] Well, I remember, Eddie,

but I don't want to fight anymore.

I just... wanna work it out.

How about with this?

As soon as Maldone is put away,

it's going to be you and me,

on a beach in Puerto Rico.

That's a date.

Hey, guys, we ready to do this?

[techno beat]

These are the four banks right here.

We're going to be right in the center of things,

no more than two minutes from each of the locations.

♪ Azucar ♪

[techno music]

♪ Azucar ♪

♪ Pasa la mano si cuentan gozando ♪

♪ Pasa la mano si cuentan gozando ♪

♪ Pasa la mano si cuentan gozando ♪

♪ Pasa la mano si cuentan gozando ♪

♪ Pasa la mano si cuentan gozando ♪

♪ Pasa la mano si cuentan gozando ♪

♪ Pasa la mano si cuentan gozando ♪

♪ Pasa la mano si cuentan gozando ♪

♪ Pasa la mano si cuentan gozando ♪

♪ Pasa la mano si cuentan gozando ♪

♪ Pasa la mano si cuentan gozando ♪♪

[g*nf*re and screaming]

[glass shatters]

[speaking in foreign language]

[g*nf*re]

[screaming]

[woman screams]

Ya Julio!

[grunts]

[g*nf*re continues]

[dramatic music]

Nobody moves!

Orlando: Nobody moves!

Anyone else fires, she dies!

I mean it, b*tch.

Nice morning, detective.

A good day to die, as they say.

It's over, Orlando.

Orlando: It's a possibility,

if you want some more blood on your hands.

Is that what you want, Torres?

Hey? Tell me, boriqua!

Why do you invent this crap, huh? You're nothing but a

greedy b*stard who only cares about himself.

I'm loyal.

You're a two-faced snake.

You betrayed me.

Then take me out.

Eddie: Come on.

- Don't do it. - You're crazy, man.

And, you're a coward.

Come on. You're going to hide behind a woman?

Ed, what the hell? Get down!

I mean, is that what you are?

A little boy looking for his mama?

Come on, man.

Take me out.

Go ahead.

It's just between you and me.

Eddie, no!

[g*nshots]

[Moreno screams]

[g*nf*re]

Come on, let's go! Let's go!

[g*nf*re continues]

[indistinct chatter]

Nina!

Check the blood gas do a diagnostic peritoneal lavage

and I want pictures, stat.

Get a chest tube kit and wake up Dr. Moskowitz

in case we need an angiogram.

Type and cross six units of whole.

Sorry, detective, you can't go in there.

- Why? - She's in very bad shape.

But we'll do everything we can.

What does that mean?

That means we won't know until we run some tests

and get her stabilized.

Thanks.

Ed, how's she doing?

Ed?

The b*llet went through the armhole in her vest.

They, uh...

they don't know.

I'm sorry, man.

- She saved my life. - What?

She saved my life.

When I made that dumbass move to take down Maldone,

she just... she just jumped in and took a b*llet.

I mean... look, if she...

No, listen, listen. Don't even think like that.

And don't blame yourself for this.

This is Maldone.

All of this. Understand me?

Now, he got away.

He disappeared into the crowd.

He's got to be trying to get out of dodge, though.

That's enough.

We got to take him down.

- We got to take him down. - We will.

[instrumental music]

Orlando: You call Kevin and tell him to hold the plane.

Julio: That doesn't make sense, Orlando.

Don't tell me what makes sense.

I want to splatter that sorry Puerto Rican's a*s

all over the street.

You'll never get him now. You'll never get her.

They'll have cops all over the place.

Maybe she's dead, anyway.

I need my revenge.

Escape...

that's your best revenge.

Calmate. You'll get him later when he thinks it's all over.

Revenge is a dish best served cold, eh, Julio?

You got your money and you got your daughter.

Let's just fly the hell out of here.

[sighing] Yeah.

I'll send Torres a postcard.

Maybe he'll get it on the day of the b*tch's funeral.

- How is she, doctor? - She's still unconscious.

We removed the b*ll*ts and did some surgical procedures.

There may be some damage to the spinal cord,

but we won't know until the swelling goes down.

Uh, what are her chances, you know, I mean...

I'd have to say... 60-40.

Well, 60 she'll make it or 60 she's...

I'm sorry.

Um...

can I go in and see her?

It's up to you.

She won't know you're there.

I think she will.

[monitor beeping]

They said you can't hear me.

I don't know if I believe that, though.

See, uh...

you know, you got everybody real worried.

J.C., Lieutenant Cooper...

But, we're all pulling for you, you know.

I don't know...

you see, all my life, you know...

people that were supposed to be there were never there for me

see, and, uh...

so, uh...

I built up these walls so that I wouldn't get hurt, but...

the thing is, um...

after a while, nobody bothers to come in.

And-- and I wanna change that, 'cause I...

you see, I want you to come in.

See, I know that-- that, uh...

half the problems that we have...

are my fault.

And, I know, I know that this...

this is-- is because of me and it's my fault,

so, look, if-- if you wanna...

If you wanna blame me, blame me.

But then you have to do me one favor...

you cannot die.

[melancholy music]

[sobbing] So, you got to fight for me.

Yeah. Do you hear me?

I know you can hear me.

So, you just gotta...

you got to fight, you know.

Just fight for me.

[indistinct chatter]

Eddie.

How's Nina?

Her folks are in with her.

Now, it's just a wait-and-see.

[sighs]

How are you holding up?

Tell you the truth I think I'm going a little crazy.

Listen, I think I got something, man.

There's a guy named Kevin Tucker,

him and Maldone got busted when they were 17.

The two of them stole a bus and went joyriding.

So other than being a couple of crazy kids, what's up?

Tucker is now a businessman.

Guess what business he runs?

Tucker helicopter charters.

What, do you think he and Maldone

hooked up after all these years?

Nothing like an old friend when you're in trouble, man.

I think it's worth checking it out.

You good to go on this?

Go ahead.

I'll stay with Nina.

Thanks.

I think I know how you felt now.

About what?

About wanting to k*ll Danny Cort

after what he did to Sandy.

Gonna be honest with you, man, I wish I never did k*ll him.

That b*stard got off the hook.

He never had to live with his conscience.

What, you think he even had one?

Well, I'm saying, at some point in life

he had to be human, right?

Maybe eventually he would have felt sorry for what he did.

I don't know if Maldone was ever human or not,

but I do know he shot Nina.

The only way to make him sorry is by taking him down.

Hey, Ed, trust me on this one.

k*lling him is not going to make it better...

No, k*lling him is going to make it even.

[suspenseful music]

[helicopter whirring]

[music builds]

[g*nf*re]

J.C., watch the girl.

Daddy! Daddy!

- Stay down! Don't move! - Daddy! Daddy!

- Daddy! Daddy, no, daddy! - Don't move, baby.

- Daddy! Orlando: Julio!

[g*nf*re continues]

Police!

- Daddy! - Don't you move!

- We got him, Ed. - I'll get him.

[helicopter whirring]

[dramatic music]

[grunts]

[both grunting]

[groans]

sh**t me.

- sh**t me. Lucia: Daddy!

- Come back here. - Daddy!

Orlando: Lucia! - Daddy!

- Ed! - Lucia!

J.C.: It's not going to make it better.

Lucia: Daddy! J.C.: Trust me on this.

- Lucia! Lucia: Daddy!

Stay here.

[intense music]

[g*nsh*t]

[g*nshots]

That's for Nina.

[siren wailing in distance]

You are under arrest Orlando Maldone.

Now turn around!

You haven't heard the last of me, Torres.

The only thing I'm going to hear next is you crying

when they give you the lethal injection.

Now shut up.

Turn around and put your hands on your head! Now!

[sirens wailing]

[grunts]

Let's go. Easy.

[indistinct chatter]

Papa's okay. Papa's okay.

[indistinct chatter]

♪ 'Cause I'll never be

♪ Untrue

♪ Oh, baby let's

♪ Let's stick together

♪ Lovin' you whether

♪ Wherever

♪ Times are good or bad

♪ Happy or sad ♪

This is almost perfect.

I just wish Ed and Nina could be here.

Beautiful music...

the sweetest woman I know--

Wait a minute, J.C.

Oh, let me finish.

What I'm saying is, um...

You know, being with you yesterday,

made me remember what it was like to be with Sandy.

- Hmm? - Hear me out.

I mean... it made me remember...

what it's like to really love somebody.

You know...

I'm going to be honest with you.

When she died,

I never thought that I would feel that way again.

- J.C., please. - Now listen.

I know things feel like they're moving fast for you,

but that's because I'm ready.

I'm ready... to get close again.

I can tell that you are...

but I don't know if I am.

Well, you didn't seem so unsure yesterday.

It was so good being with you, J.C.

But it was scary too.

Ain't nothing to be scared of.

Being close again.

I'm not over my husband.

And I thought that by being with you I could...

forget him.

But you can't, can you?

Not now.

[sighs]

Why is it that...

when I'm finally ready for a relationship

she doesn't want me?

It doesn't mean forever.

♪ Let's stay together

♪ Loving you whether

♪ Whenever

♪ Times are good or bad

♪ Happy or sad come on

♪ Come on ♪ Good or bad

♪ Happy or sad ♪ Happy or sad

♪ Oh let's stay together ♪

[instrumental music]

Eddie: We got him.

That b*stard Maldone is locked up.

So now, the only thing left is for you to get better.

So you... you just take your time, and, uh...

whenever you decide to wake up,

I'll be here.

Because I love you.

[rapid beeping]

Nina? Listen, something's wrong. - The machine is going off.

- Sir, please stand back. - Something's wrong.

You've got to get somebody in here. Help her!

- Alright, get him outta here. - Help her! Come on!

What are you waiting for?

[indistinct chatter]

- Make room. - Here we go.

Nurse: Sir, I need you to step out of the room.

[indistinct chatter]

Charging!

[indistinct chatter]

- Clear. - Clear.

[flatlining]

Nurse: Flat line, okay.

Doctor: Charge again at three to five seconds.

Nurse: Alright. Doctor: Clear.

Nurse: Charge! Clear!

[dramatic music]

["Let's Stay Together"]

♪ I'm

♪ So in love with you

♪ Oh whatever you want to do

♪ Is all right with me

♪ Yeah yeah

♪ 'Cause you make me feel

♪ So brand-new

♪ I want to spend

♪ My life with you

♪ Let me say that since baby

♪ Since we've been together

♪ Ooh loving you forever... ♪

[wolf howling]

[instrumental music]