You want Zac. So call him.
- KAREN: Previously on Sistas.
- Are you hurt?
- I'm just following your lead.
- I'm not gonna stop asking,
so you might as well just come once.
- Robin, what do you think is gonna happen at this dinner?
- Who is this? - QUE: It's Que,
would you go with me to turn myself in?
- What are you doing in here?
- I was just coming to see you.
- So, you think he's listening?
- What else was he doing in our office?
- I'm showing the house. - Why?
- What's up, Zac?
- What's he doing here?
- Hello, Zachary.
- Um, do you two know each other?
- Yes. - No.
- Well, a little bit. - Not at all.
- Okay, not at all.
But, I think I know a lot about him.
- He don't know sh*t about me.
- You would be surprised, my friend.
- I'm not your friend.
- Yeah, we friends.
- Okay, so small world.
- It really is. - Too small.
What do you want?
- I just want to take a look at the house.
- Why this house?
- It's real estate, it's for sale.
I thought I'd put in a backup offer.
- When did you come here? - Excuse me?
- When did he come here?
- He called me today, but I'm not sure when he came by.
- My offer still stands, right?
- Yes, it does. - Okay, so we good, right?
- Yes, a backup offer is customary.
- Why? - In case something goes wrong.
- Something like what?
- Let me explain it to him.
See, your credit may not be enough for the loan.
- It don't matter. - You may not qualify.
- I'll just put down the .
- Oh, it's like that? - Yeah, it's like that, -----.
- Wow. - Wow, ----- ? Yeah.
- Interesting.
- Mm-hmm. You got something you want to say?
- I just, the language in front of the lady,
I'm sorry, ma'am. I'm sorry about that.
- You got something you want to say, you should say it.
- Oh, I have no problem saying what I need to say--
- Then talk! - Is everything okay?
- HAYDEN: Yes. - ZAC: No.
What do you want?
- I just want to figure out how it is that you got
from Chain Breakers to here overnight.
- It don't matter, 'cause I did.
- Um, Zachary? - ZAC: Mm-hmm?
- You know what?
Could you actually just give us one minute?
- Sure.
- Yeah, that might be best.
- HAYDEN: Thank you.
- FEMALE SINGER: ♪ My girls hold me down
♪ When them boys mess around
♪ My love life is a headache
♪ We're going out tonight
♪ 'Cause I'm looking for love
- What's your game?
- I don't have a game.
- Tell me, what do you want?
- I want to know, how'd you do this?
- It's none of your ------- business.
- Oh, but you made it my business.
- How, ----- ?
- When you was messing around with Fatima.
- I'm not messing around with Fatima.
- Oh, you not? Oh. - Mm-mmm, mm-mmm.
I'm blowing her back out. - Oh, I see.
- Every day. She can't get enough of it.
- Huh. Okay. - Mm-hmm.
She never did that to you?
Soon as I come in the house, up against the wall,
she never do that to you? - I see, interesting.
- Mm-hmm. - So...
- What? - You gonna tell me
how you got the money, or what?
- It's none of your ------- business.
- But it is my business.
- You know what? You do what you gotta do.
- I know it's ill*gal.
- You know what else is ill*gal, Hayden?
Me taking your ------- box head and putting it through
one of these planks. - I see.
- That's ill*gal.
- You know, I would actually love to see that.
- You would, huh? - I would.
- You'd love to see me do that?
- I would love that.
- Yeah, and then I get locked up?
- Uh-huh. - Yeah, that's not gonna happen,
'cause you not ------- worth it.
- I see.
- But let me make this clear, alright?
This house is mine. Just like Fatima is mine.
And the more you ---- around with me,
the more I'm gonna ---- around with Fatima,
do I make myself clear?
- I see. - Yes, you can't ---- with me,
I'm a real a*s -----, and you cannot intimidate me.
So cut the bullshit before sh*t goes left.
- I feel like it already has.
- Hayden, it really hasn't gone left--
- Okay. - Okay?
'Cause I worked my whole life to get to this point.
And if you think a box head ----- like you
is gonna stop me from getting to where I got to go,
you dead wrong-- - I see.
- Alright? And if you think you can come at me,
and I'm not gonna come at you
with the same level of pain, you dead wrong.
So you gonna stop ------- with me,
and you gonna stop ------- with Fatima, alright?
Or I'm gonna have to see you, -----.
- Oh, you're gonna see me? - I'ma see you.
Trust me, I'ma see you -----.
- I look forward to that.
- Renee!
- Yes?
Let me squeeze through you guys.
- He's gonna be leaving,
he won't be making an offer on this house.
- Okay. - Yeah.
Leave, -----.
- I'ma see you, Zac. It was nice meeting you.
[Hayden laughs as he exits]
- Renee, he calls you, you call me, you understand me?
- Yes. I'm sorry, I thought he was legit.
- No, don't be sorry, he's not legit.
He ain't nobody. - Okay.
You still want to-- - No, I'm good. It's mine.
- RENEE: Okay. - I'll be back when it's done.
You want to look around? No more backup offers, right?
- Right. - Right, thank you.
- Alright. - Mm-hmm.
- [door closes]
- SABRINA: I don't care. Make it happen.
- MAURICE: What the devil?
- JACOBI: Hi. - For me?
- For Sabrina.
- Maurice can have them.
- Come on, please?
- No. I don't want them. Maurice, you can take them.
- Sabrina, can I talk to you?
- MAURICE: Hm.
You accuse this girl of sexual harassment and now--
- And I told her I'm sorry. - Get the hell out of here.
- Sabrina, please, can we talk?
- She don't have nothing to say to you.
- Please?
- Maurice, I'll...
- Girl, I'm sticking up for you and you go...
The ---- must be good, huh? - Stop!
- Oh, it is good. He must have hit that spot.
- Sabrina.
Can we please talk, in private?
- I don't trust you, so no, I can't.
- Okay.
- Talk right here, Juju.
- You really want me to do this right here?
Alright, look, I told Sabrina, I get mad,
and when I get mad, I just do stupid sh*t.
Sabrina, can we please? I'm sorry.
Just me and you, in private? Please?
- Just give me a second. - Don't do it.
- Just give me a second.
- Be strong, girl.
- Just watch me from over there.
- Count your days, h*.
- Look, damn, I don't know what it is,
but I really like you, Sabrina,
and I know you're a good girl.
- I'm not a girl.
- You're right, I'm sorry. Woman.
I know I blew it, alright?
But when I got fired, I got mad.
And I'm sorry, but I would never do anything like that.
- How am I supposed to know that?
It at least crossed your mind.
- I don't know.
You know, all this sh*t is stupid.
- Yeah, I know.
- Sabrina, I meant nothing by it, I promise you.
- I hope not.
- You know I always say we're both adults, right?
Now listen, I knew exactly what I was doing, alright?
You did absolutely nothing wrong.
- I know I didn't.
- So, please?
- Jacobi, I'm sorry, I can't. You really hurt me.
- Alright.
Look, can you at least take these?
Please, Sabrina.
You know, I could really use this job.
- Jacobi, I'm sorry, I can't.
I'm sorry. - JACOBI: Okay, I get it,
I get it, I understand.
But um, long shot,
can we at least go to dinner?
Like a real date?
- Have a nice day.
- I said it was a long shot, right?
Look, if you ever change your mind,
you know where to find me.
Again, I'm so sorry.
See you later, hopefully.
And I'm sorry, Maurice.
- Bye, Jeanine.
Jaquanda. Geronimo. - JACOBI: Okay, Maurice.
- Whatever.
- JACOBI: Bye, Sabrina.
- Girl, with them cheap-a*s flowers from the store.
Gimme the flowers.
♪ Here comes the bride
- ♪
- Hey, what are you doing here?
- Thank you for getting me in, here's a pass, yup.
- Mm-hmm. Uh...
- Where's he at?
- I told you, he's leaving, he's gone.
- What?
- He's gone.
- He left? - Yeah.
- You sure? - Yeah.
- Okay. Um... call him.
- Hearing, are you hearing me?
- Just call him. - He left when...
Karen, what's going on? Have you had a brain--
- I need to talk to him, Danni.
- I know you didn't come all the way down here
just to talk to Zac.
I'm telling you he left, and I told you--
- I did.
- Okay, I'll call him, but we're going to see
a neurologist after this, okay?
- What?
- DANNI: Damn, why are you answering the phone like that?
- What is it?
- Zac, are you okay? - ZAC: Yes.
- Okay, fine. Uh, where are you?
- ZAC: Why? What do you want, Danni?
- Are you at the airport?
- ZAC: Why? Why do you want to know?
- Yeah, okay, well, where are you?
- Is Karen with you?
- DANNI: Yeah. She wants to talk to you.
- I don't want to talk to her!
- Gimme the phone. - DANNI: Zac? Okay.
- ZAC: I don't care! That's not my problem, Danni!
- Why not? - ZAC: Damn.
What is it, Karen?
- KAREN: You blocked my number.
- I unblocked you.
- Okay, wel you ain't returning my calls, so same thing.
- What do you want to talk about, Karen?
- No, in person.
- Karen, you gotta understand this, okay?
I love you, I do, right? But this is over,
like you gotta get over this.
- We've had three years, the least you could do is see me.
- ZAC: Why? Why do I got to see you?
- So you can tell me it's over.
Tell me you don't love me, tell me to leave you alone.
- I thought I made that clear.
- Not when you not angry and upset.
Tell me when you fine. Tell me when we normal.
- Karen, you gotta get over this.
- I need that, Zac. I do.
- Why?
- So I can move on. - ZAC: You know what? Okay.
Okay, okay.
- So you'll come to my house and tell me those words?
- Hell no. No.
I'm not coming to your house.
- Okay, you want to meet at the salon?
- Absolutely not.
- Where do you want to meet?
- You know what? Meet me at Danni's.
- Okay. Uh, Danni, can we meet at your house tonight?
Yes, Danni's house at :.
- ZAC: Fine, can you put Danni on the phone please?
- Hello? - ZAC: Yo, on my mother,
I'm gonna k*ll you for this.
- Okay, that's great.
- ZAC: And your a*s better be in that room,
'cause I'm not gonna be in a room by myself with her,
you understand me? - DANNI: Mm-hmm, bye.
- Bye.
- Girl... - Thank you.
- Mm-hmm. What's going on?
- Look, I just, I need him to tell me it's over,
and then I can just leave this alone, okay?
- But why are you going through this much trouble?
- Danni, you know me.
sh*t, you know us.
And it ain't over until we both say, and hear, it's over.
Leave me alone, move on.
- I know, but...
- Look, I'm sorry, I just, I need closure.
- I feel like he said that, though.
- He didn't. Not when he ain't angry with me Danni, he didn't.
- Okay, okay.
- Thank you.
- Yeah, you're welcome.
- See you tonight?
- Yeah, I'm sorry, girl. It's rough sh*t.
- Ain't nothing to be sorry about.
Just need to close this chapter of my life, that's all.
- I get that. See you later.
- Bye.
- Oh, it's bad. She's nice.
- ♪
- And he called me, girl. - Oh, he did not.
- MAURICE: Child, yes he did.
- And you talked to him?
- Yeah. I was trying to figure out where he was at.
- So he didn't, he didn't, he didn't tell you?
- Child, no. He too smart for that.
- Yeah, yeah I know.
- Mm-hmm.
- That's crazy that he would call you.
- Child, I know.
Especially with the police after him.
- Yeah. Yeah, yeah, I know. - Mm-hmm.
Why you looking at me like that?
- What? Huh?
- You looking at me like that for a reason, what is it?
- It's 'cause I know you, Maurice.
- You don't know sh*t! - Yes, I do know you.
I know that if the ---- was that good,
you might go try to get some more.
- He put a g*n to my head.
- He is not the first man to do that.
- You're right, there was that one time.
- You see?
- Do you think I'm stupid?
- Girl, just hear me.
Don't be surprised if he shows up again, okay?
- Well, if he shows up, I'll put him in handcuffs.
- I knew it, I knew it, I knew it.
- Until the police gets here to retrieve him.
- And what are you gonna be doing
while you're waiting for the police, Maurice?
- Exactly, b*tch, okay?
- I can't. I am done.
- Okay, well if you're done, go home.
- I am. I'm going.
- Bye. - Bye.
You coming to the club?
- Hm. Got some new heels I need to break in.
- Alright, well, I will see you there. Bye.
- Bye.
- CHRIS: Hi, Calvin. - CALVIN: Hey, what's up?
- CHRIS: Bye, Calvin.
- [door closes]
- Hey.
- You're here early. - Yeah, so are you.
- I work at a bank. I get off early.
- Right, right.
So, have you talked to Sabrina?
- We work together. Yes.
- Okay, I got it.
And pray tell, what did she say?
- Oh lord, today. - What?
- You two high school b*tches
are really gonna get on my nerves.
- What did she say, Maurice? - Look, she's just jealous.
- CALVIN: Jealous of what?
She acts like she doesn't want to be with me.
- Well she does, she's just um...
a little confused about you wanting a vibrator up your a*s.
- Maurice, okay, I get it.
- Y'all be blowing my high.
- Just tell me what the girl said, please.
- Look, do this,
order some food, go and get it,
take it to her house, oh, and some wine,
go to her house and talk to her.
- You know what? That's not a bad idea.
- I'm knowing. And before you leave,
go on in the kitchen and whip the doll up a meal.
- Well "the doll," needs to learn to cook by herself.
- That's some sh*t.
- I'm out. - You're closeted.
Well if you have any leftovers, don't forget about me!
- CALVIN: Yeah, alright.
- [door closes]
- h*.
- Hey. - ZAC: Hey.
- Um, let me call you on my cell phone.
- ZAC: Yeah.
- Hey.
- ZAC: Um, yeah, uh, I wanted to talk to you about something.
- FATIMA: What's wrong?
- Actually, it's two things, but um--
- Tell me.
- ZAC: Forget it. You at work, right?
No, you at work, I don't want to upset you.
- Zac, what is it?
- I'ma tell you when you get home,
I'll see you when you get home. - FATIMA: Is everything okay?
- Yeah, everything, everything is cool with me and you,
everything is cool, so.
- What?
- ZAC: Nothing, just hurry up and come home,
I'll talk to you when you come home.
- Zac, you obviously want to tell me,
so just tell me now.
- Alright look, I really just, I gotta tell you
that Karen's been hounding me.
- Okay.
- And she wants to meet with me tonight.
- What does she want to meet about?
- ZAC: She said closure. - Closure?
- Yeah, she talking about some,
in order for her to move on, I gotta tell her to her face
that I don't want to be with her,
and some other bullshit, I don't know.
- So what you going to do?
- Well, I told her I was going to meet with her.
- Okay.
- Look, I'm just going to meet with her
and tell her that it's over, point blank, period.
- Alright, Zac. - Don't do that.
- Don't do what? - ZAC: Come on, talk to me.
Say something. - Zac, I'm at work.
- Okay, I get that, I get that, Fatima,
but you gotta trust me.
- Trust you? Weren't you just in her salon ------- her?
- ZAC: That was a little bit different than this.
- How so?
- At that point when that happened,
I wasn't even committed to you yet.
- Have you?
- Yes, it's me and you, you know that,
come on, don't do that.
- Well, I just...
- Listen, you don't gotta worry, okay?
She told me she wanted to meet at her house,
I told her I'ma meet her at Danni's.
- Danni's? - Yeah.
I'ma go straight there, I'ma talk to her,
and I'ma come right back home to you.
- Okay.
- ZAC: I'ma meet her at o'clock,
I'ma be to you by :.
- Only minutes?
- Yes. Because I need you to understand
that nothing's gonna happen, and nothing went down.
- Well, that ain't gonna be enough time.
- ZAC: Why you say that?
- Zac, I'm a woman,
and I don't think Karen wants closure, she wants you.
- I don't care, I already told you, like, that's done.
- I think this is good.
- ZAC: What? What you mean?
- 'Cause this is going to show you if you're over her or not.
- Okay. Alright.
- Look, I gotta go.
- No, no, no, no, no, don't do that, talk to me.
- FATIMA: I'll talk to you when I get home.
So ------- sick of this sh*t.
- ♪
- Hi. - Hey, Andi girl.
- Hi. Um... where's Karen?
- I don't know.
- Well, did she work today?
- Yes. And then she said she had to run an errand.
- Oh.
- Did she know you were coming?
- No. - PAM: Oh.
You want me to call her?
- Yes. - Oh, okay.
Ooh! For me? - Uh, for a Karen Mott.
Of course. You can just set them right--
- FLORIST: Sign for that? - Sure.
- Hi.
- Hi.
- FLORIST: Thanks.
- Wow, those are beautiful.
- Yeah. - ANDI: Roses.
- Don't you want to know who they from?
- I'm sure she'll tell me, Pam.
- The card is right there.
- It's not my card.
- Girl, go on and read that card.
- No. And neither should you.
- I don't have to. They're from Aaron.
- How do you know that?
- 'Cause he's the only one that does that.
- I see.
- He nice, but do you like him?
- From what I gather, he's okay.
- Yeah, I don't know.
- What don't you know?
- Girl, that woman k*lled herself right there.
- Oh.
Is... right there? - Yes. I was here.
- I'm sorry about that.
- Girl, that b*tch came in here and pulled out a g*n,
honey I was about to be-- - Protect Karen?
- Oh no, hell no.
I was about to be out that damn door.
- You're such a great friend, Pam.
- Girl, somebody got to live
to tell Benjamin Crump what happened.
- Benjamin Crump?
- The lawyer that represents every black person?
- Oh, well Pam, I'm glad that you were okay
in that situation. - Thank you, girl.
But anyway, don't you think it's crazy
that he would send flowers to the very place
that his wife died?
- That is peculiar, now that you mention it.
- Well, he all into her and whatnot.
- Is he? - Yes, he really wants her.
I think he gonna ask her to marry him.
- What makes you think that, Pam?
- Hell, do you see these flowers?
They come every single week.
sh*t, if it was me, I'd just ask him to run me the money.
She knows she need it.
- That's good to know, Pam.
Thanks for all the information you shared with me
that I didn't ask for.
- So why didn't you call her, then?
- 'Cause she think I'm mad at her.
- What did you do?
These came for you.
- Okay.
- Thanks, Pam. Can we talk?
Where have you been?
- Why?
- Come on Karen, I'm here to apologize.
- Oh. Okay.
- Karen, I am just trying to be fair.
- By not telling your best friend?
- I would want you to do the same thing.
- I doubt that.
But all I asked is if they were together.
- I don't know.
- But you do know if he's staying with her.
- Karen...
- And you do know that he's into her.
- What I think is that you should move on.
- So they are together?
- That's not what I said.
- Okay, well, I'ma see him tonight, so...
- Are you?
- Yeah. I'ma go talk to him, and if he's with her,
he can tell me that himself.
- I don't think that's a good idea.
- I'll talk to the both of them, together.
- Why, Karen?
- I have a great man who wants to marry me
and here I am screwing it all up by saying Zac's name
when I'm with him. - Oh, sh*t.
- Yeah. This has to stop.
I mean, I need a clean break.
I can't even think straight until we talk.
- Karen...
- I'm just gonna talk to him.
- Why do you need that? - I'ma talk to him,
and he will tell me it's over, and then I can move on.
- Okay.
- Are you saying you know something?
- I'm saying what I said.
- What is that?
- Why do you need that from him?
- Because, Andi, I need closure,
and as my friend, you should know that about me.
- As your friend, I don't think it's a good idea
for you to meet with him, at all.
If it's what you need, I support you.
- Why would you be against it?
Are they seeing each other?
- Honestly, Karen, I don't know.
- Okay. - ANDI: Look, I love you,
and I'm sorry, but I am sick of being put
in the middle of this, okay?
- Okay, friend.
- "Friend." I know what that means.
- Right.
- I need to go talk to Carrie.
But could you call me after you see him?
Please?
Karen?
- What exactly for am I gonna call you?
You not in the middle of it, so...
- Call me. I mean it.
- ♪
- ♪
- Hey.
- Hey, uh, how was work?
- It was good. You still at work?
- Yeah, I'm just leaving. - SABRINA: Okay.
- So uh, everything was fine at work after yesterday?
- Yeah, everything was okay.
- How's Maurice?
- Hm, I'm glad that you asked.
- I mean, I don't really care.
- Danni, you're lying. And he's fine.
- Okay, that's good.
- Mm-hmm. He's back to his old self.
- That's really good.
Karen just showed up at my job today.
- What?
- Yeah, she must see Zac. Has to see Zac.
- Oh, lord.
- Yeah, and then they're gonna meet at my place
at : tonight, so there's that.
- Your house?
Why, they can't be alone?
- Oh yeah, apparently without -------, so...
- Right, yeah. Yeah. I get it.
- Wait, what do you get? Hm?
- I mean, they are kind of extremely passionate
around each other, I don't know if you feel that energy
when they're around, it's a lot.
- Alright, so? Why they gotta have it at my house?
- Are you gonna be there?
- Yeah, it's my house. You should come, you know?
Make it a party, right? Mm-hmm.
- Hm, me? No. No, no, no.
I've had enough drama for the day.
- Oh, what happened with you?
- SABRINA: What happened?
Um, that guy, the new guy, Jacobi, at my job,
yeah, he's what happened.
Come to find out, Jacobi's not even his real name.
Not first, not last.
So, I talked to my boss, India,
and apparently she said this is something that he does a lot.
- What? - Yeah.
He's claiming that people have harassed him before.
Apparently this guy gets really mad
and he says all kinds of weird, crazy stuff.
So I'm done with that man. Completely over it.
- What? That's crazy.
- SABRINA: Yeah girl, you heard me.
So I'm glad I dodged a b*llet.
- Wow? Wow is right, tell me about it.
- Sounds unbelievable.
- Yeah, it kind of sounds like it's made up,
like a movie or TV show.
- Right, so you should come to my place, we'd hash it out,
talk about it, see what we can figure out, right? Mm-hmm?
- No, girl, I'm done for the night, seriously.
- Alright, well that's okay, friend. Sista.
- I'm just saying.
And then the whole situation with Calvin, too.
- [knock on Sabrina's door] - Who's that?
- I don't know.
- You gonna find out?
- Who is it? - CALVIN: It's Calvin.
- Girl, he didn't call.
- No, no, no, no, no, I'll call you back, I'll call you back.
- Mm-mm, you want to keep me on the line, you know?
He might strangle you with a feather boa,
stab you with a really sharp dildo,
leave bruises all over your body, your momma looking at you,
that's terrible.
- Bye, Danni.
- Hey. - Hi.
- I brought dinner and wine.
- Maurice? - What?
- Did he tell you that I was home?
- Yeah, you know your boy kinda tells me everything.
- Well, you should've called.
- I didn't want to give you a chance to say no.
- What if I had company?
- Guess that was just a chance I was willing to take.
- Come in. - Thank you.
- So, what else is new?
- You want to know about Peggy?
- I think I do, yes.
- There's nothing to tell, really.
I mean, Peggy and I have been hooking up for years.
- But you just left me.
- Look, Sabrina, we'll talk about it, I promise.
- No. We need to talk about it now.
- Alright, well, can we at least get a drink, please?
- I'm not thirsty.
- Alright. Peggy's a lot like me, you know?
Free spirit. She doesn't judge me in the bedroom,
and I don't judge her. We just go for it.
- She's different than me?
- Sabrina...
- No, what does she do that I can't do?
- Sabrina...let's just, let's just have a drink.
- No, we need to talk about this.
- Alright, it's just familiar.
- Familiar...
- Yeah, that's all.
- Well, I didn't like it.
- No? Just like I didn't like it
with you and that boy, Jacqueline,
or whatever his name is.
- Okay, well,
I'm talking about you right now.
And her. Her. What makes her so special?
- Okay, okay, okay Sabrina.
Let's just open this wine, and I promise you,
I will tell you everything. I promise.
- Okay, fine.
- Thank you.
- But no getting drunk.
- I won't get drunk.
- I'm still mad. - I know.
- Can you get the glasses? - Yeah. Top shelf, right?
- So, what did she say when you said that?
- That you were jealous.
- Yeah, she has this isolation thing she likes to do.
She wants to get you alone.
- You think?
- Gary, you are a beautiful man,
any woman would be lucky to have you.
She needs to know that.
- I mean, I have put her through a lot.
- And there you go, blaming yourself.
- I mean, I was married. - Mm-hmm, and she knew that.
And any woman that goes after a married man
knows what she's doing.
- She's, she's a really good person.
- Good people can make bad decisions.
- Yeah, yeah. - ANGELA: Mm-hmm.
Shouldn't she be here by now?
- Yeah, um, yeah, let me call her.
- Okay, ooh you know, as soon as you tell her that I'm here
for a counseling session, she's not gonna be happy.
- I mean, this is the only way, right?
- Yes, but in my better judgment, it's best--
- We're not gonna make it without your help.
And we need you. - Okay, fine.
- Hey. - ANDI: Hi.
- Uh, where are you?
- ANDI: I'm in the car. I'm on my way, though.
- Okay, how long you going to be?
- ANDI: About .
- Okay, I'll see you when you get here.
- ANDI: Okay.
- Alright, bye.
Alright, she's minutes out.
- Okay.
Well, that gives us enough time to try another experiment.
- Okay.
- Great.
Now, Gary, you have a lot of guilt
because you were married, okay?
Now I want you to just kind of relax, close your eyes.
- Okay. Close my eyes. Yeah, I mean,
I do have a lot of guilt. - Mm-hmm.
And what do you usually do with that guilt?
- I just, I usually just keep it inside.
- Okay. Now, if I were
to touch you like this,
does that make you feel guilty?
- No, there's nothing to feel guilty about.
- Okay.
And how about if I were...
- KAREN: Next on Sistas...
- FATIMA: I'm playing him.
Zac ain't sh*t, and I be filling his head up
like he the man, broke a*s.
- Want to go upstairs? - I'm still deciding.
- We went on one date and he just started acting crazy.
- What were you thinking about?
- I was thinking that I miss you.
- She does all of that in bed?
- How does that make you feel?
- Look me in my eyes and tell me that you don't love me.
And you don't want to be with me no more.
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