01x57 - Episode 57

[bunniefuu]

Now see, this is what I--

I think you might be sensitive.

And obviously.

If you are, it's something that we have

to be aware of, definitely. And--

Well, I don't really want to talk.

I don't want to say anything more.

I mean, you know how I feel.

And that's it.

So-- - Yeah.

But I don't feel like-- - Because last time--

Because you don't want to make it a story line, by having me

have a full conversation with you.

I don't get to explain everything.

But do you remember last time you came into--

I know.

But I'll just-- I'd rather wait, to be honest

with you, than talk about it.

Last time you came in the room-- do you remember that?

But then it's artificial.

It's not artificial.

That's how I feel, and you can take it for what it was,

and that's it.

All right.

[theme music]

Good night.

Good night.

Here he is.

ANNOUNCER: Curtis returns from his night at the Emmys.

Josh!

How was it, bro?

It was off the hook!

You guys, it was so fun.

Rock and roll, man.

It was so-- I--

I don't even know what to say.

Did you talk to people?

Did you actually interact with--

No.

- You did? - You did!

Let's go sit down.

All right.

But can I get out this?

All I can say is, it is all good.

Everything's good.

You look gorgeous.

I mean, like, everything?

It's good.

You just looks spectacular.

Well-- but it's good, you guys.

OK.

Well, go and take off, then we'll

want to hear all about it.

OK.

You guys want a beer?

It's so funny--

I just get back from the red carpet

and I'm like stealing water from the limos.

Did you drink the whole bottle.

Back to regular life.

No, the others had help.

Do you guys want to look through this?

- Yeah. - Yeah.

- Yeah. - I mean, you got--

did they give you wine and everything?

Yeah.

The limo had alcohol in it.

And, oh-- - Go change.

Go change. - Wait.

I'm in [inaudible].

Now take your time, calm down a little bit, re-adjust.

I don't even know where to start.

It was cool.

You guys, first of all, we need to stay.

We-- I mean, you know what?

The easiest thing to say is like by just

being here and having the fun that we've had,

we have already won.

George hit it on the head.

We have won.

Every moment here is great.

You should savor every moment here.

And when you leave--

you leave when it's your time.

That's fate.

And when you LEAVE it's pretty damn cool, too.

And I'll tell you how cool it was.

Go un-- undress.

Yeah, yeah.

Hey.

I'm taking this thing with me.

I'm excited for him.

Oh my god.

Cool.

Yeah.

OK. Start at the beginning.

From the beginning-- slowly.

It is just so weird to be out there, even just in the limo,

driving on the freeway.

Didn't you wear a blindfolded when you went out there?

No.

Just so saw out the window in the limo.

Did they talk to you? Were they talking to you?

They were talking to me, taking an interview.

And then-- they would ask me questions,

like what's it like to be out of the "Big Brother" house?

What's it like to feel this?

What's it like to just be out for a little bit?

Blah, yadda, yadda, yadda.

And it just feels different to be out there.

I mean, I-- it sounds so hokey, but you sort of have

an appreciation for life--

to see traffic on the freeway, to see people around,

to see things just going all around you, all at once.

Not that I gave it up, but I have

not had this in a long time.

And so you're on the freeway, soaking

that in and everything like that-- drinking champagne--

All right!

Righteous, man!

Thumbs up, bro.

And the limo's driver just like you want me to kidnap

you and take you to Vegas?

You know, like, people know about our Vegas conversations.

You know we think that we're just

like not show worthy or anything,

people know that's what we would talk about.

And they know everything we talk about--

everything.

Wow.

Wow.

I like to have sex with midgets.

I want to see that talked about.

And it's so weird to like hear the limo driver like tell them,

I have a celebrity drop off.

And I'm just like, you know, looking around.

Who?

Where?

I'm like, me?

And so that's what we did.

It's like we did the celebrity drop off.

So you walk out.

I'm sort of in the tent, and people are standing around,

and like the funny thing is I'm looking at every limo

to see like who is who and who are they.

Like I don't know if I recognize her, or him, or whatever.

The big stars hadn't come out.

It's like o'clock.

But like you can hear people whispering or people

saying like, it's Curtis.

They're like, hey, Curtis.

Or like, did Curtis get banished?

And things like that. Like--

Really?

Really, dude?

So then you go down the red carpet.

And you have like--

I mean, you might have like photographers standing there.

And they'll be like, Curtis, look here!

Curtis, look here!

Curtis, take off your sun glasses!

Curtis, come here! Look to the right!

Look to the left!

Really?

And what did you do?

Did you pose for them, Curtis?

Of course!

Right on, dude.

Sucker!

I'm like, all right.

So I just stand there.

I'll do anything, you know?

It's so funny.

And in the meanwhile, what was really neat is--

and you know I should've started this off--

I totally-- this was great.

And I'm so sorry for talking about it.

I feel bad that you didn't get to do it.

No. It's great.

We want you to talk about it. - Are you kidding?

I'm really trying hard to like, at least,

give you the experience. - No, no.

We want you to. - Go, go, go, go.

All right. Back to me.

Go.

But like in the fan stadium, you

know, it's like regular people.

Like a lot of them are university kids--

USC people.

And they're like-- and they're all like, Curtis!

And doing the fight on symbol for USC,

and like yelling at me, and like they're doing that,

and people are all cheering or whatever.

So there's all that going on.

I'm just kind of waving, like I'm like a-- you know,

I love you.

But the press corps is just totally

like taking pictures here, and here, and all of that.

And then I was kind of just taken from camera mic person

to camera mic person-- like Access Hollywood, E!

Entertainment, abc.com, ET-- everything.

I just can't-- an Melissa Rivers.

It's like everything. I just--

You did Melissa Rivers?

What did she say to you?

Tell us what she said.

I did "Live with Melissa Rivers."

OK. I'm totally embarrassed.

And they're like, and who are you wearing today?

I'm like, "Big Brother" special.

Just my size.

And so I didn't get much information.

It's just so much yelling and all of that.

And people are not--

people don't know how hungry we are for specific pieces

of information.

"Survivor" is huge, though.

Like we weren't surprised. - Really?

Oh! Oh!

Oh!

I met Rudy.

You didn't!

You did?

I was rubbing elbows with Rudy.

Because like some reporters are like,

I want to interview you and Rudy.

I'm like, OK.

Rudy is exactly Rudy from "Survivor."

And his life is super nice.

But Rudy's like, oh, from the "Big Brother" cast?

I have things to tell you.

I'm like, OK.

- What did he tell you? - What did he say?

Nothing.

And then he's like, I could tell you how to win it.

And I'm like, OK.

But he didn't.

And he didn't win "Survivor" either.

So, I mean, although we'd resolved it earlier today,

like we should stay, just because I now feel much better

about the decision to stay.

And let's just do it and have fun with it.

[music playing]

You're going to make it, dude.

Oh, I don't think so, bro.

The chicken's counting on it.

I don't think so.

You got a bad vibe?

Mm, hm.

No, don't say that.

OK.

I won't say it, but I still feel it.

I'll tell you this-- if I am here Wednesday night,

I'm going to sit everybody down and change

some politics around.

Yes, I am.

You're going to be the new sheriff in town?

Yes.

I'll tell you this--

I'm going to be the governor.

People are going to like me and people are going to hate me.

Yeah?

Yeah.

I'll always like you, Ed.

Oh, chicken head.

See what happens.

Well, I've been rooting for you from the beginning.

Thanks, man.

And I hope you're here.

[music playing]

From here on out, I will be doing--

I will be playing the game as strategically

as I can to protect what is in my best interest.

And that is myself making it to the end of the game,

and, ultimately, winning.

You think that it's going to be emotionally tough for you,

at all, to have to nominate somebody that you've

stayed away from nominating?

At this point, no.

Two weeks ago, yeah.

And I actually-- to tell you the truth, I want to go up

against George, just for the--

just for the battling aspect.

Just for the whole tension.

Not really tension between us, but tension

between the viewers.

Man, just-- you know, this is presuming that I am likable.

Man, everybody might hate me.

I don't know.

But just to know that, you know, I'm

going up against George, because he's

a controversial person, man.

You see signs going by saying, George, we love you,

and then you see signs going by saying, George, we hate you,

you know what I'm saying?

And I think that's great, man.

Because, you know, where you have people who love you,

you have people who hate you.

And you can't fight that.

[music playing]

What do we got?

What's it say? - OK.

You don't want to read it.

Yeah, it's pretty mad.

You don't want to read.

Don't read it, bro.

Oh, that's real nice.

Oh, that's real nice.

By the little stimulation with the airplane

and everything else like this is we need to talk

more amongst ourselves, OK?

Rather than maybe just letting stuff sit in our minds.

This is how I feel, personally--

if there's something that's completely

false that's flying in the air, I'm not

going to acknowledge it.

And I'll tell you why-- because as soon as I do,

it's just going to become a storyline

and it's going to be out there.

And I don't want that kind of negativity,

especially if it's hurtful on an individual level.

I don't want that acknowledged.

OK.

But there seems to be something kind of weird between--

we seem to try to separate our lives from this show

and a story line.

You know, this is reality television.

Everything we do is kind of just shown.

I have a feeling that, probably, your life is being sent

out there, for the most part.

And how people are interpreting it and seeing it,

you have no control over any way.

But you do have a lot of control over the so-called storyline,

or the plot, or whatever, by just being however you are

or however you want to be.

So the thing is-- about our lives and our reality--

don't make the planes.

The storyline is-- I mean, it is our existence.

These are facts that are happening to us.

And like, yeah, we should--

if we want to have some certain rules about whether we want

to see these planes or want to talk and whatever--

but the fact of the matter is they are flying around,

we are seeing them, we cannot pretend

for a minute that they don't-- we

don't feel the impact of them.

Yeah.

So it's whether you're just going to bottle it up inside,

and not deal with it at all, and not acknowledge it,

so that it's never said aloud on television

or otherwise, and pretend it didn't exist.

Or whether you want to talk about it in ones, or twos,

or as a group, and all of that.

Just to pretend it doesn't exist seems a little strange to me.

I'm not going to acknowledge lies

that are made up about people.

I'm not going to do it.

You don't have to acknowledge--

All that creates is entertainment value

for the show.

So I understand their side of it.

But it's-- these are real people that are living in this house.

Right.

But I guess I don't understand your point.

Like, let's say, I see something outrageous about you,

am I supposed to now pretend I didn't see it and just be

like, Josh, did you read that?

That sounds outrageous.

Blah, blah, blah.

Or am I now restricted from not acknowledging

the reality of the sign?

Because, I mean, that's what's been going on, too.

It's like we see signs about one another

and we're like, that it doesn't make sense.

And so, yeah, by talking about it,

you do make it a plot point or whatever,

but it still is a reality.

Yeah.

But you have to respect each person's decision.

And for two and a half weeks, I want everyone

to have fun and enjoy each other's company,

not be worried, you know?

Exactly.

We should just be having fun here.

Totally.

Like not-- you know, we are living in a fishbowl

and we have no clue.

Anything we create in here is internal

and is complete speculation, so why even worry about that?

I just say we enjoy each other's company, have fun, and--

And who wants to focus on the outside right now anyway?

You're going to be on the outside

for the rest of your life-- - Yeah.

Totally.

You're only going to be in here for two more weeks.

Totally.

[music playing]

[whistling]

That was good.

That's awesome.

But you know what you can do?

You can send him.

Oh, you ought to.

You can put your foot on yours and just-- bam!

Especially with those big shoes.

That you were making fun of this morning?

Yes.

Well, not many people tan in them.

I don't like slippers, so I just didn't take them off

and I was like that with them.

You guys!

Curtis!

Oh, she's particular when she tans.

If we weren't watching you tan,

we wouldn't have been able to give you these tips.

Yeah. See?

Isn't it good that you don't secretly tan.

See, you should have us watch you tan more often.

You shouldn't secretly tan so much.

Yes. Secretly.

Whose turn is it?

After me, goes George.

Jorge.

Oh, no.

Oh!

Opa!

You can thank me.

Don't chode it.

Do not chode it.

Don't chode it!

What's chote mean?

Chode.

What's chode mean?

Oh, you don't want to know.

Chode.

That thing's fast.

Oh, chode.

This game is sexist.

[inaudible] Look at me!

We're walking around with sticks and ba*ls.

It's sexist!

OK.

Now whose turn?

No, I want to turn.

Listen, you cheat!

No, you be quiet.

If it comes over here, is it counted, though?

Because if it doesn't, I'll come back and Josh will come back.

Let her have it.

No, not her.

No!

We're all [muted]!

Sexist in the red room!

Sexist pig!

Sexist!

What's coming next?

Oh, [muted]!

I was just trying to be nice.

[laughing]

[music playing]

I think that there's like a fine line between making fun

of friends, as you would and I love to do, and then like being

distasteful with women on TV.

I don't think I've ever done that.

OK.

And if you think I have, then I would like to hear that.

I would never say some of things

that you say to anyone else in here.

Like I wouldn't say them to Cassandra

or to anyone else, just because, you know,

they wouldn't do that to me.

All right.

Like we were giving you a hard time with croquet,

but we were just sort of like, whatever.

We didn't think about it.

It was amazing.

Like even the second round--

like, OK, the first round, I was pushing the ball

and it was like [inaudible].

The second round, I was playing completely fairly and winning.

It was like the four guys couldn't handle that--

that there had to be something wrong with that.

Oh, do you think?

- Oh, yeah. - Oh.

Oh, yeah.

I didn't think of that.

And then I think that, you know--

I don't know if that was conscious.

I didn't even realize that.

I didn't think that was at all.

And probably the most difficult thing of all

is how to go about expressing your concern,

because, as soon as you start, all of a sudden,

every single camera is like, zoom!

And it becomes a storyline. - Like now.

And then it becomes a bigger-- yeah.

Yeah.

And so it's like when you-- when

you find time to do that and how you go about it, you know?

The thing is, you can't always be like, I don't want

to do this or do that because it will be a storyline,

and because there's cameras, because we're on TV.

I've never-- I've never done that.

And I've gone out and argued back throughout two

hours of croquet and stuff. - Right.

As you should. - And was it enjoyable?

- No. - Right.

There's just stuff I would never talk about.

Because, like, for example, if Cassandra was in the bathroom

and I had to pee, I wouldn't go outside and talk about how

I couldn't because whatever.

Just because there's absolutely no benefit to me doing that.

All it is, is everyone gets to laugh at me

and I get to feel good for two seconds

at the expense of her uncomfort.

And that's what it would create.

And do you understand how that-- that would--

Right.

OK.

OK.

But that doesn't have to do with me and women.

That has to do with me and Cassandra.

I wouldn't do that to Cassandra because it's

part of our relationship.

But you did that to me.

I mean, now I know that you're sensitive to it.

But I didn't know that before.

At all. - And like--

In fact, you have walked on me in the bathroom.

And whatever you guys are laughing at with

me tanning out there for minutes yesterday--

like I thought--

I didn't find that to be respectful,

especially since you guys wouldn't

even tell me what it was.

The platform shoes.

For minutes, it was the platform shoes?

Yes.

We weren't staring at you for minutes.

See, this what I--

I think you might be sensitive.

And, obviously, if you are, that's something we have

to be aware of, definitely.

And--

Well, I don't really want to talk.

I don't want to say anything more.

I mean, you know how I feel and that's it.

So-- - Yeah.

But I don't feel like-- because you don't want to make it

a storyline by having me have a full conversation with you,

I don't to explain everything.

But do you remember last time you came into--

I know.

But I'd rather wait, to be honest

with you, than talk about it.

Last time you came into the room-- do you remember that?

But then it's artificial.

Do you remember what happened?

It's not artificial.

That's how I feel.

And you can take it for what it is.

And that's it.

All right.

There's opinions I have on things that are differ

from yours, in terms of I have insight into how I

think things will be portrayed and you may not,

in the same way.

And that's it.

All right.

[WHISPERING] That's [inaudible]..

I have pretty just decided to act how I would

if this were a situation without cameras

and the broadcasting on television.

Right.

Just because it's just--

Well, we've all--

I think everyone here has done that.

We've relaxed.

Totally.

But still, it seems like there are certain opinions

and discussions that we don't want to engage in as much,

just because--

and I respect your decision not to,

but it's just really frustrating,

being as close as we are, and me desperately

wanting to talk about things.

Or we're talking, mid-conversation--

There's-- there's nothing that you--

I mean, I don't see anything you'd want to talk

about that I wouldn't want to.

I mean, really--

Everything around you is a so-called storyline.

Everything you do and say is a storyline, so the idea

that you might be able to limit something--

It's like, why do I even do this?

So maybe I shouldn't, but--

Because although you can control what you're giving

and all of that-- - Yeah.

I can control this.

And now I'm upset about it already,

that I've even brought it up.

You-- you don't understand how I feel,

so I understand if you don't agree.

Right.

But you have no idea, like, how I--

you know, from my perspective.

And it may seem--

you know?

But that's just how I feel.

I know, I know.

And that's just it.

All right.

This may be a good thing.

I didn't see a mic anywhere right by me.

You're good.

You think?

I'm just saying [inaudible],, but they're not that focused.

You know what?

This is so ancient.

And if I'm gone tomorrow, then this will never air,

because you cannot air stuff after someone has vanished.

They're all right there.

Yeah?

Yeah.

They're standing right there.

Right there.

I think you have a greater than %

chance that this can't be aired.

[music playing]

ANNOUNCER: In just two days, the house guests nominate

their own for banishment.

Find out who it will be Saturday, on a live edition

of "Big Brother."

[music playing]

The house guests regroup after Cassandra's banishment.

Congratulations, Curtis.

Thank you.

Dodged another b*llet.

Yeah, yeah.

We're here to stay.

It's very cool.

Oh my god.

Why do I bother to unpack?

This is fun, man.

This is a game, bro.

Is this not exciting or what?

I mean, I'm [muted] loving this, bro.

This is awesome.

You like this part?

Oh, dude, I love this [muted].

I find this part the hardest.

Really?

Dude, I mean, you know, we all know somebody

has to leave every week--

Yeah.

But it's still-- like it sucks, you know?

I'm not unpacking.

I'm just going to use this as my drawer.

I mean-- - Yeah.

I know, right?

I'm not even going to put my [muted] back up.

I figure, the day after tomorrow,

they're calling me again anyway.

All right.

What's the likelihood I'm packing again?

Very high.

Yes.

So, you know.

Extremely high.

I should have had Cassandra show me how to cut these.

I do-- I don't actually know.

OK.

- Chicken? - Yo!

Wow, man. Look at all that!

When you're done, can you slice the bread?

Sure. Chicken will gladly do it.

Thank you.

Don't worry about it.

Chicken, could you slice the bread?

You know, Cassandra called me the chicken.

Oh, we forgot to have her do the chicken dance.

Oh!

In her time here, we got Cassandra to do a lot of things

that I'm sure she never thought she would.

[music playing]

ANNOUNCER: America Online is CBS's internet partner.

You can get to the "Big Brother" website by logging

onto bigbrother.com or AOL keyword, big brother.

[music playing]

[theme music]