NARRATOR: Strange symbols
found on opposite sides of the Earth.
DAVID CHILDRESS: What a
mandala is doing in remote
desert of Peru is very
interesting.
NARRATOR: Binary code
appearing in crop formations.
ANDREW COLLINS: Can we see it
as a reply?
Indeed, it was.
NARRATOR: And geographical
alignments that defy explanation.
GIORGIO TSOUKALOS: These
settlements that are 5,000 years
old, how are they all lined up?
NARRATOR: Is it possible that
throughout the world there are
messages concealed within ancient
texts, symbols and structures?
And if so, might they have been
left for us to uncover by
extraterrestrial beings?
KATHLEEN McGOWAN COPPENS:
These messages were left to us a
long, long time ago so that we
could remember who we are.
NARRATOR: Millions of people
around the world believe we have
been visited in the past by
extraterrestrial beings.
What if it were true?
Did ancient aliens really help
to shape our history?
And if so, might we find the
proof in alien messages?
NARRATOR: Arecibo Observatory.
Puerto Rico.
November 16, 1974.
Early pioneers of SETI the
Search for Extraterrestrial
Intelligence aim the world's
largest radio telescope at a
cluster of stars 25,000
light-years away to send a
transmission out into the cosmos.
The coded signal consists of
binary digits zeros and ones
that form a message designed to
notify other potentially advanced
beings of our existence.
SETH SHOSTAK: This message
into space, it was encoded in
what's called binary code,
cause it's the simplest around.
Listen, we're trying to send a
message to the aliens, and
because you don't know anything
about them, you have to make
this as obvious as possible.
Now, here's the message over
here that was actually sent in
1974, and it starts off with
teaching the ABC's to the aliens.
Well, not ABC's, the 1-2-3's.
Because right up here are the numbers
from one to ten, but in binary.
And anybody who has
thought about binary should be
able to figure that out,
including the aliens.
Right underneath that is... this
funny thing here has the numbers
one, six, seven and so forth.
Those are the atomic numbers of
the elements that make up our
bodies hydrogen, carbon,
nitrogen, oxygen and phosphorus.
NARRATOR: The coded message also
contained information about our DNA...
the figure of a human...
a graphic of the solar system...
and a graphic of a radio
telescope.
For decades, SETI scientists
wondered if their cosmic message
would ever be received, or answered.
Then, nearly 27 years later,
there appeared to be a response.
Hampshire, England.
August 2001.
Next to the Chilbolton Radio Observatory,
two crop formations appeared in a field.
Both are unlike any other ever
found.
WILLIAM HENRY: They were both
pixilated, meaning that when
you're on the ground, you
couldn't perceive what the
crop circle was, but once from
the air you could readily
identify the pattern.
COLLINS: One of the crop
formations that appeared at
Chilbolton in 2001 was a face,
but the other one was far, far
more interesting, because it
greatly resembled the message
that had been sent in 1974.
There were very, very subtle
differences between the two.
They looked identical, but when
you actually looked at them, the
differences gave a key that
seemed to be, uh, almost like
an answer.
HUGH NEWMAN: One of them was
the fact that the human being
that we sent out, when it came
back, it had what appeared to
look like some kind of grey alien
with a large head and a small body.
It also had a different system
of planets, which is suggesting
it's a different solar system.
And it also had a different DNA
sequence as well.
And so just these three things
really caught my attention,
because either it was a
brilliant hoax or it was
actually a message that came
back and was a response to that
original SETI message way back
in the 1970s.
COLLINS: And all of these
suggested to the crop circle
community, and the media, that
we really had received a reply
to the Arecibo message of 1974.
Can we see it as a reply?
Yes, indeed, it was.
But actually who created it, and their
exact purpose, will remain a mystery.
NARRATOR: Some think the
reply may have been to tell us
that we're on the right track,
communicating in the universal
language of the cosmos binary code.
A German mathematician,
Gottfried Leibniz, is credited
with defining binary code in the
17th century.
In turn, Leibniz is said to have
credited his inspiration to the
5,000-year-old Chinese text of
I Ching, an ancient oracle code
used to communicate divine
guidance.
DOMINIC STEAVU-BALINT: The
I Ching is a kind of cryptic
oracular inscription that you're
supposed to decipher, and it was
heavily used in divination in
early China.
The numerical symbols, or
values, are actually tied to a
semi-mythical figure by the name
of Fu Xi...
who is perhaps the earliest
legendary ruler of China.
TSOUKALOS: The history, or
origin, of the I Ching is very
interesting because it is said
that this knowledge was imparted
on Fu Xi by an otherworldly
being.
NARRATOR: According to ancient
Chinese myth, Fu Xi lived around 3000 B.C.
He and his sister were the sole
survivors of a great flood, and
together they repopulated the Earth.
COLLINS: And it was said that
one day he was on the Yellow
River, um, and a water dragon
appeared to him, and that on
the back of this water dragon was
revealed to him the eight trigrams.
NARRATOR: These eight trigrams
are the foundation of the I Ching.
They are made up of a series of
broken and unbroken lines, a
distinct binary code.
CHILDRESS: Fu Xi was given
the information of the I Ching,
what was essentially a binary
code.
It's basically proven that this
kind of mathematical binary code
is what is going to drive all
computers in the future.
And this is something that
extraterrestrials on other
planets and other galaxies must
also be using.
TSOUKALOS: Some have surmised
that the idea for the binary
code was gleaned from the
I Ching.
It's a very curious thing.
Especially the idea that the
basics of the I Ching was
imparted by another type of
being.
NARRATOR: Could the I Ching
have been an attempt by
extraterrestrials to set up a
common communication language
with mankind?
Might this also support the
notion that the crop circles in
Chilbolton are an actual alien
response to the signal that SETI
sent out into the cosmos in
1974?
And have extraterrestrials been
leaving messages here on Earth
for us to discover for thousands
of years, as ancient astronaut
theorists contend?
Perhaps further clues can be
found by examining other
mysterious symbols that have
been discovered carved into
rock all over the world.
NARRATOR: Washington, D.C.,
May 2014.
NASA researchers, in conjunction
with SETI scientists, publish a
manual enlisting archaeologists
and anthropologists in the
search for evidence of
extraterrestrial communication.
The 330-page document,
entitled "Archaeology,
Anthropology and
Interstellar Communication,"
details means and methods,
beyond binary code and radio
signals, that scientists should
consider as potential
communication from
extraterrestrials.
Singled out in the document are
rock art and carvings, including
the Neolithic petroglyphs of
Northumberland, England.
Although the document does not
directly attribute the art to
extraterrestrials, it does
propose the possibility that it
could be tied to otherworldly
communication.
CHILDRESS: There are
petroglyphs and other rock art
that are actually quite similar
all over the Earth.
We have to wonder if there's not
some parallel that's going on.
TSOUKALOS: I think that we
have to start looking at these
symbols and ask, how did it
originate and from where?
NARRATOR: Roswell, New
Mexico.
September 4, 2004.
(bird screeching)
While tracking deer in the
desert, just 11 miles from the
famous Roswell crash site,
Robert Ridge came across an
object sticking out of the
sand a small,
triangular-shaped rock that is
completely uniform in color and
has a circular design on top of
it that isn't etched into the
rock, but actually protrudes
from it.
ROBERT RIDGE: Thought it was really
cool when I first picked it up.
Um, then got it to the truck,
brushed it off, and then I was,
like, you know, in awe.
You know, I was, like, pinching
myself.
What is this?
I thought it was very unique and
very special right off the
get-go, and I still do.
NARRATOR: The Roswell Rock,
as it has come to be known,
measures roughly one-and-a-half
inches thick by two inches wide.
Meticulously etched out of the
face of the triangular stone are
circles, and crescents.
Robert Ridge is convinced that
this symbol is meant to convey a
message, and after studying the
rock, he discovered an uncanny
correlation between the symbols
and the magnetism of the stone.
RIDGE: We found the rock has
magnetic properties.
A friend of mine kept hounding
me about it, and he finally
brought a magnet of his own, and
said, "Here, do this."
So, we did, and we found out
that it has, uh...
It's pretty cool.
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Find out @ saveanilluminati.com
NARRATOR: But with all the
strange qualities that the
Roswell Rock possesses,
what researchers find most
fascinating is that the design
protruding from its surface has
also been found in England,
nearly 5,000 miles away.
DAVID WILCOCK: The pattern of
the sun and moon inside the
circle that we see on the rock
is precisely the same as what we
see in a crop circle formation
dating to 1996 in southern England.
NARRATOR: The crop circle
appeared eight years before
Robert Ridge discovered the
Roswell Rock, a fact that has
led some to suggest the rock is
simply a manmade copy.
RIDGE: One of my best friends
said it looks like a hippie
made it and threw it out in the
desert.
So I wanted to examine it.
We did a 3-D CAT scan of the
rock, and that's how we found
out it hasn't been painted.
This hasn't been stuck to the
top of the rock.
It's not an appliqué.
It's part of the rock.
It doesn't have a magnet inside.
NARRATOR: Ancient astronaut
theorists also contend that if
someone had made the rock as a
hoax, it's unlikely they would
have left it half-buried in the middle of
the desert where it may never be found.
But what has truly convinced
Robert, and many others, that
the rock is not a manmade
fabrication is a comparison
that was done under a microscope
between the Roswell Rock and a
sandblasted replica.
RIDGE: We started looking at
it under magnification.
It blew me away.
And I was like, wow!
What is this?
It's proven to be everything I
thought it was so far.
In my opinion.
NARRATOR: One of the first
researchers to investigate the
connection between the Roswell
Rock and the crop circle in
England was investigative
journalist Linda Moulton Howe.
She is convinced that within the
design is a message.
LINDA MOULTON HOWE: If we are
dealing with advanced
intelligences and you assume
that throughout the universe,
all solar systems, all galaxies,
there have to be some, we'll
call them baselines.
Moons, suns and skies would be
the common denominator.
Something is trying to teach us
humans about astronomy.
The moon and the sun and the
tracking of the symbols, this is
reflecting past, present and
future.
And that comes back to, what is
on that rock?
Well, some people would say that
that is a date.
NARRATOR: A date?
But why?
Could there be a message encoded
in the design on the Roswell
Rock that reveals some
significant turning point that
lies ahead for mankind?
WILCOCK: It could be that the
extraterrestrials responsible for
making crop circles which is...
I-I believe that's what's
happening actually generated
this rock, created this near the
Roswell crash so as to get us
asking the right questions.
A little bread crumb here and a
little bread crumb there, and
we're being brought closer and
closer to the truth.
NARRATOR: Is it possible that
the design that appears on
the Roswell Rock and in the
crop formation in England is
actually an attempt by extraterrestrials
to communicate with humankind?
Might this message be trying to
tell us something about our
future, and possibly even
reveal the date on which these
alien visitors plan to return?
Perhaps further clues can be
found by examining the geometry
of one of the world's most
mysterious sites.
NARRATOR: Nazca.
The Ica region of Peru.
High in this arid desert,
there is a series of precise
geoglyphic formations that have
mystified people since their
modern discovery in the 1920s.
They are called the Nazca Lines.
These geoglyphs appear in many
shapes and sizes.
Some are figures of animals.
Others are plants.
And a few even appear to be depicting
humans or human-like beings.
And all of them were made on a
scale to be seen from above.
TSOUKALOS: The only true
way with which you can
appreciate the entire
scope is from the sky.
And so the stories behind them
as well, to this day, are
maintained very clearly.
It's not meant to be seen from
the ground, only by the gods,
and the gods dwell up in the
skies.
NARRATOR: But for some
ancient astronaut theorists,
even more fascinating is what
lies 100 miles to the north on
the Cajamarquilla plain.
Here, thousands of holes of
varying dimensions and depths
have been dug into a mountain
range in a pattern that runs
north and south for almost two
miles.
This mysterious formation has
baffled archeologists for
decades, and like the Nazca
Lines, the holes can only be
appreciated in their entirety
from high above the ground.
TSOUKALOS: In the mountains
of Peru, we have what's commonly
referred to as the Band of
Holes.
It is one of the coolest places
in relation to the ancient
astronaut theory, because who in
their right mind would go ahead
and dig all these holes?
For what?
ROBERT SCHOCH: They're an incredible
mystery, a very long-lived mystery.
Some people think it looks like
some kind of machine was running
over the territory.
Some people think it was some kind
of systematic mining operation.
Some people say it was just
pothunters, you know, looting,
looking for burials.
None of the explanations make
good sense.
NARRATOR: While the Band of
Holes continues to defy
explanation, some ancient
astronaut theorists believe it
may represent a type of message.
A message that can also be found
at another site 6,000 miles away.
The northwest coast of France.
Here, just south of Brittany, lie
the legendary Carnac stones.
An arrangement of over 3,000
megalithic rocks that stretch
for more than two miles across
the countryside.
NEWMAN: The megaliths of Carnac
in Brittany are just amazing.
Some of them stand about 30 or
40 feet tall.
There are multiple avenues of
stones going right over hills.
And no one's really worked out
exactly what their purpose is.
NARRATOR: Like the
Band of Holes in Peru,
the Carnac stones continue
to defy explanation.
But ancient astronaut theorists
suggest that the clue to
understanding both mysterious
sites might be found by
comparing them side by side.
The Band of Holes runs for
approximately two miles.
So do the Carnac stones.
The width of the Band
of Holes measures eight
holes across, occasionally
deviating by one or two holes.
This too is the case with
the Carnac stones.
And when viewed from high above, the
layout of the two sites is eerily similar.
CHILDRESS: It would
appear, in my mind,
that there's some
connection that's between
Carnac, France and Peru, and a
special code put there for us to
find at-at a future time when we
could understand these codes.
NARRATOR: Some ancient astronaut
theorists have even gone
so far as to suggest that the
Band of Holes may have once
held some sort of standing
totems, similar to what is
believed to have existed at
Stonehenge.
And that those totems may have
disappeared because they were
disappeared because they were
made of wood.
WILCOCK: There are a series
of post-holes that were found
all around Stonehenge, in which you
can stick sticks in the holes.
But they degraded over time and
it gradually crumbled away, and
perhaps the same thing happened in the
Nazca Plain in Peru with these holes.
NARRATOR: Could there really
be a connection between the
Carnac stones in France and
the Band of Holes in Peru, as
ancient astronaut theorists
suggest?
And if so, is it meant to convey
a message?
WILCOCK: If you look at the stones at
Carnac, you see curious alignments.
And these alignments actually
duplicate the Pythagorean triangle.
But this appears to have
happened as much as 3,000 years
before Pythagoras allegedly
invented the Pythagorean triangle.
What you're seeing is remarkable
mathematical symbolism and
encoding messages that seem to
suggest somebody wanted us to
know it was built with technology
far in excess of what we have now.
ERICH VON DANIKEN: Some
thousands of years in the past,
the extraterrestrials who visited
our planet left a proof behind.
They knew that in the far future the
humans will see these stone patterns.
They will realize that this is
high geometry.
And sooner or later, the
questions comes up, have we
maybe been visited by beings
from outer space?
NARRATOR: Is it possible that
these two ancient sites are both
conveying a message left behind
by extraterrestrials?
And was it their intention that it would
one day be deciphered by mankind?
Ancient astronaut theorists say
yes, and claim that further
evidence can be found with
another alien message, one that
is encoded in the Bible.
NARRATOR: London, England. 1971.
After years of studying ancient
philosophical teachings relating
to the Egyptian mystery schools,
author John Michell unearths
evidence of an ancient code.
A numerical and geometric code
seemingly embedded not only in
the sacred structures of ancient
Egypt, but also in the Hebrew
world, and in the plans for the
heavenly city of New Jerusalem.
McGOWAN: John Michell was a
scholar, he was a mystic, he was
a genius and a very, very
prolific author.
He had an incredible understanding
of Earth geometry and geography.
But what John Michell is most famous
for is the New Jerusalem diagram.
NARRATOR: By carefully
examining the physical
description of New Jerusalem in Revelation
21, Michell uncovered a sacred design.
At the core of Michell's diagram
is the squaring of the circle,
and the division of the circle into
equal sectors a Zodiac wheel.
And the positioning of 12 gates
to the heavenly city three on
each side of the square, representing
the 12 tribes of Israel.
CHILDRESS: This is also a
geometric figure, and John
Michell claimed that this would
be, uh, how the New Jerusalem
was to be built in the future.
And that all this was encoded in
Revelations in a mathematical
geometric way.
NARRATOR: In his book The
Dimensions of Paradise, Michell
proposed that this sacred geometry
represented the order of the universe.
Ancient astronaut theorists
suggest that this exact same
geometrical concept can be found halfway
around the world in Nazca, Peru.
Here in the desert, among the
many plant and animal glyphs,
is a geometric design that
looks much different from
the rest of the Nazca lines.
It is called the Sun-Star and
Cross.
CHILDRESS: The Nazca Sun-Star
glyph is one of the most
interesting glyphs to be seen
at Nazca.
And, in fact, because it's in a
remote area, the Palpa Valley,
it's not actually seen by many
tourists.
But it is by far, uh, the
strangest and most
mathematically precise of all of
the-the diagrams at Nazca.
NARRATOR: The Sun-Star and
Cross glyph is a precisely
formed star polygon made of two
squares surrounding a perfect
circle, all sharing the same
center and diameter.
Inside the grid are wheels within
wheels and squares within squares.
The design mirrors not only New
Jerusalem's sacred geometry, but
also offers up yet another
connection.
CHILDRESS: When you
look at it, it's very
obviously what is
called a "mandala."
Or a "yantra" in ancient India
or Tibet.
What a mandala, yantra glyph is
doing in remote desert of Peru
is very interesting.
TSOUKALOS: It's a very sacred
symbol.
It's this idea of being connected
with the realm of the gods.
And then we have to once again
ask ourselves, well, what was
the realm of the gods?
It's very interesting to note
that, seen from the sky, it is
very similar, not identical but
very similar to, for example,
the layout of the temples at
Borobudur.
NARRATOR: The Buddhist
temple of Borobudur lies over
11,000 miles west of Nazca in
Indonesia, and is laid out with
a series of precise circles within
a platform of perfect squares.
TSOUKALOS: One has to wonder
if somehow all these sites are
the ancient astronaut theory
excels in, that people in our
ancient past were not isolated.
They had contact with each
other.
In the end, there is an
extraterrestrial connection.
COLLINS: Is this something that
was taught by the ancients from
one culture to the rest and
they incorporated these divine
cities, these New Jerusalems?
Or is this something that may
have been given to us by some
divine intelligence?
NARRATOR: Is it possible that
the New Jerusalem design, the
Sun-Star and Cross of Nazca, the
Temple of Borobudur, and other
geometric structures around the
world are encoded with similar
mathematic and geometric
principles?
And if so, are they part of an
alien message that is meant not
only to inform us of our
celestial origins, but to guide
us towards a reconnection?
Perhaps a key to understanding
the relevance of this sacred
code can be found by examining
the astrological alignments of
mysterious sites
throughout the world.
NARRATOR: Isolated in
the Pacific Ocean, more
than 2,000 miles off
the coast of Chile,
lies one of the most mysterious
places on Earth Easter Island.
This tiny landmass is home to
nearly 900 monolithic stone
statues carved out of volcanic
rock.
2,564 miles to the
East, isolated 7,000
feet above sea level,
are the ruins of a
mysterious lost city of the
Inca, called Macchu Pichu.
And 10,742 miles away, on the
opposite side of the world,
lies Mohenjo-daro, a site where
ancient astronaut theorists
believe a nuclear expl*si*n may
have occurred in the distant past.
Curiously, as discovered by
researcher Jim Alison, these three
sites fall in a straight line
around the center of the Earth.
And with just a minor margin of
error, it also runs through a
number of other mysterious
ancient sites.
McGOWAN: We have the
Giza plateau,
we have Nazca, we have
Angkor Wat in Cambodia.
All of these extraordinarily
important, powerful, sacred
places were all built in a
straight line.
Now, this cannot be an
accident.
This cannot be a coincidence.
NARRATOR: The line also
encompasses the ancient Sumerian
city of Ur; the ruins of Petra,
Jordan; and Persepolis, the
capital city of ancient Persia.
TSOUKALOS: There are all
these different sites that seem
to line up, even if it's a
minute degree of deviation, it's
never a massive distance from
that line.
NARRATOR: How is it that
so many important ancient
sites across the globe
all follow this line?
What could possibly
explain this coincidence?
TSOUKALOS: This is bizarre
because only a people capable of
flight, or at least being able
to look at maps, would be able
to do such a thing.
Could it be because some of
those points were in fact
places where our ancestors made
contact with extraterrestrials?
McGOWAN: There has to be
something important in the
location and the geography, in
the geometry that indicated to
our ancestors that this is
sacred ground, that this is a
powerful place to put these
sacred sites.
NARRATOR: Ancient astronaut
theorists say evidence of
extraterrestrial intervention
can also be found by looking at
how early humans aligned their most
important sites with the stars.
At the Giza Plateau in Egypt,
the layout of the three Great
Pyramids aligns perfectly
with the belt stars of the
constellation Orion.
ROBERT BAUVAL: Orion's Belt
is made up of two bright stars
and a third dimmer star, which
is offset a bit to the left.
It's exactly what you see on the
ground two large pyramids in
alignment with a third pyramid
offset.
It looks like they wanted to build
stars on the ground, if you like.
NARRATOR: Also aligned with
these stars are the ancient city
of Teotihuacán in Central
Mexico...
the Hopi villages in the
American Southwest...
and the Thornborough Henges, a
Neolithic landscape complex in
Northern England.
Could it be merely coincidence
that so many ancient cultures
throughout the world, that
presumably had no contact with
each other, all built their most important
sites by using celestial alignments?
WILCOCK: Look, this is not
something that can be explained
away as a coincidence.
It's time for us to responsibly
take a look at what we're really
seeing and understand that there
is a worldwide, intelligent,
highly mathematically precise
plan behind these designs.
CHILDRESS: The idea that even
ancient buildings' alignments
are encoded with information and
that where they sit on the
planet is also part of an
intricate code is a
fascinating idea, and one that we're
just beginning to understand.
NARRATOR: Could it be that
the curious location and
alignments of ancient sacred
sites were actually meant to
serve as a form of
communication?
And might the purpose have been
to leave behind a hidden message
for future generations to discover?
Ancient astronaut theorists
say yes, and suggest that
otherworldly messages can be
found not only hidden throughout
the globe, but even within the
human body.
NARRATOR: The University
of Cambridge, England.
March 1953.
American biologist James Watson
and English physicist Francis
Crick discover the
three-dimensional double-helix
shape of DNA.
This scientific breakthrough is
a giant leap forward in
unraveling the mystery of
mankind's origins.
But our genetic code proves to
be so complex that Francis Crick
proposes it did not develop by
chance, and also that it is not
of this Earth.
CHILDRESS: Sir Francis Crick
said that the human genome
is-is not something that could
have occurred randomly, and that
therefore, we were somehow
programmed specifically by
extraterrestrials, it would seem,
many thousands of years ago.
HENRY: The message is, is that
our DNA didn't come from Earth.
In fact, their research suggests
that our DNA is billions of
years old, and that we were in
fact seeded from the stars.
WILCOCK: The DNA molecule
itself is the equivalent of the
entire Encyclopedia Britannica
being dropped out of a
helicopter, chopped up into
individual words and then as the
words fall out of the helicopter
like confetti, that they all
arrange into the correct order
that they were in.
That's the madness that is
required to even speculate that
DNA could have evolved randomly
on Earth.
NARRATOR: Is it possible that
DNA is an intelligently designed code?
And if so, might there be even
more information imbedded
within our genetic makeup than
scientists have yet to find?
ANTONIS ROKAS: As an
information molecule, I think
DNA is much more attractive
than radio signals and so on.
It lives longer, it has the
ability to self-replicate, and
it has an astronomically tiny
error rate.
And so these three properties
make DNA a unique storage device.
So, if you want to store a
secret or a stamp of the maker,
DNA would be your choice.
NARRATOR: Could it be
that there are messages
actually imprinted right
in our genetic makeup?
Ancient astronaut theorists say
yes, and contend that part of
that message may be contained
within the universal
structure of DNA, which consists
of a series of three molecule
combinations known as codons
or triplets.
They say that it is much
more than coincidence that
three is also the number of
stars in Orion's belt...
the number of pyramids on the Giza Plateau
that line up with those stars...
and the basic geometry behind
the pyramid shape itself.
WILCOCK: We have a very
fascinating connection to data
points saying the same thing.
Number three is where you
begin building geometry.
The DNA molecule has an
underlying geometry to it.
Geometry is intrinsic to the
design of the universe, and that
the number three builds the
triangle, the triangle being
the building block of all other
geometry.
Maybe we'll learn some very
interesting things once we can
correctly decipher the message.
NARRATOR: Are there alien
messages all around us, hidden
within elaborate designs,
embedded in geographical
alignments, carved in rock,
etched into the landscape,
and even encoded in our DNA?
And if so, might there be some
significance to the fact that we
are just now beginning to
discover these messages?
REVEREND MICHAEL CARTER: In the
Book of Daniel, there's a chapter
that tells Daniel to seal up the
prophecies of the Hebrew scriptures.
And it will be opened again in
the days when human beings are
running to and fro and knowledge
will increase.
Well, we could argue that we're
living in those days that Daniel
was writing about.
McGOWAN: So much of what we
know about ancient culture,
ancient architecture, ancient
technology is encoded.
There are codes in literature.
We see in the New Jerusalem
diagram that there is encoding,
again in geometry, in the
architecture.
These codes were left to us a
long, long time ago so that we
could find our way, so that we
could remember who we are.
CHILDRESS: Is it some kind of
message for us from the past
that we're to decode when we
have reached a higher state of
civilization and knowledge that
we can figure all this out?
It would seem that we are only
just now reaching a point of
knowledge and technology that we
can understand these codes
and find the hidden meaning
that's there.
NARRATOR: Is it possible that
the answers to mankind's
greatest questions
where did we come from,
why are we here,
and where are we headed
are actually all around us,
hidden in alien messages,
waiting to be deciphered?
Perhaps the key to decoding it
all lies in an ancient script,
our own DNA, or something we
have yet to discover.
And once we crack the code, we
will find that the answers to
these questions are far more
profound than we ever imagined.
09x12 - The Alien Agenda
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Explores the pseudoscientific hypothesis of ancient astronauts in a non-critical, documentary format.
Explores the pseudoscientific hypothesis of ancient astronauts in a non-critical, documentary format.