[Ben narrating] - The secrets of time and space
are no longer a mystery to one man at Collinwood.
Barnabas Collins has known this house for almost years.
Now, he has gone back to it as it was in the year .
He has embarked on a daring and dangerous plan
to change the events
of one twenty-four hour period in history.
[clock chiming]
- Forbes!
- Where are you?
- Over here, Forbes.
- Barnabas, where are you?
- Forbes, over here.
- What are you trying to do to me?
- What are you afraid of, Forbes?
- Come out and let me see you!
Barnabas, listen to me.
Whatever happened couldn't be helped!
What - what are you doing?
What is it?
Why don't you show yourself?
Ah!
♪♪
[eerie music] ♪♪
Ugh, don't. Don't k*ll me.
Don't - please. Please, don't k*ll me.
I didn't - I didn't want your mother to die!
- You want to live, don't you? - Yes.
- Then you are going to do just exactly as I tell you to do.
Is that understood? - Yes.
- You showed more ingenuity than I gave you credit for.
This is one of the few weapons you could have k*lled me with.
- What do you - what do you want from me?
- A signed confession.
- What are you talking about? I haven't done anything.
- You gave false evidence against Victoria Winters.
And you lied when you said you saw Peter Bradford
k*ll Noah Gifford.
- No, you're wrong.
- I am not wrong and I am not going to argue with you.
Now, write that confession!
- Oh, you must be crazy.
Do you think I'd be willing to incriminate myself like that?
- I think you're selfish enough
to know what's best for you.
I think you would rather be staying in a prison
than dying in this room.
- Yes, but if you need my help that that desperately,
then you can't afford to k*ll me.
Can you?
- Oh.
- No, I don't want to die.
But then, again, I don't want to go to jail.
Certainly, we can work out some kind of a compromise.
- There is going to be no compromise.
You are going to write that confession
and you're going to sign it!
- All right. All right.
I'll make out a confession, a full confession,
and I'll - I'll sign it.
If you will do the same.
- What are you talking about?
- Oh, come now, Barnabas.
My sins look rather pale besides yours!
If everyone is going to know what I am,
then I think they ought to know what you are.
If you're not going to tell them --
- You will?
- Well, if you force me to.
- You can't if you're dead!
- Yes, but then again, you won't k*ll me.
If you want Peter and - and Vicki to live.
You see, so I have some, some weapons of my own.
I don't plan to sign anything
until I know exactly what's going to happen to me.
- I can take care of you, Forbes,
without having to resort to k*lling you.
- What does that mean?
- Apparently, you are unaware of the powers that I have.
- Powers?
- You think you can dictate to me?
You think the only choice open to me is to k*ll you?
Well, you are a pathetic fool.
- What - what are you going to do?
Barnabas, why are you staring at me like that?
No, keep away from me!
Keep away from me!
No, no. Arg!
♪♪
- Ben, come with me.
I'm going to need your help.
- Barnabas, what have you done to him?
- I had to use a little persuasion, Ben.
I didn't want to hurt him because
I wanted him to be well enough to survive in jail.
- In jail?
- Yes. The lieutenant has signed a confession.
We are going to take him into Collinsport
and turn him over to the authorities.
- Won't that be dangerous? - No.
- But he knows what you are.
- He won't tell anyone.
He is far too afraid and his willpower is gone.
Perfect! Excellent!
We are going to take you in to see the constable.
You won't forget your instructions.
- No.
No one forced me to sign that confession.
Every word of it is true.
- Good.
Now, come with us.
- Where are you taking my husband?
Where are you taking him?
♪♪
- What happened?
- Forbes is safely in jail.
They are going to release Peter Bradford later tonight.
- What about Ms. Winters?
- I'm afraid that the confession wasn't enough to help Vicki.
- But Forbes admitted that he lied at the trial.
- But the magistrate thinks that there is far too much
other incriminating evidence.
- What are we going to do now?
- I don't know.
- Mr. Barnabas, we've only got about two hours.
- I know that, Ben.
- What are you going to do?
- Stay here.
- What for?
- Never mind, just go Ben, back to Collinwood.
- You made a promise -- - Now, please do as I say.
Go back to Collinwood and wait for me.
And don't argue with me.
- All right.
I'll wait for you.
- Nathan?
Nathan?
Nathan! What's the matter with you?
- Millicent?
- You say that as though you barely recognize me.
- How did you know I was here?
- Well, I saw them taking you out of the house
and I wanted to find out what you had done.
I want to know why they put you in jail.
- Millicent!
Millicent, maybe - maybe, you can help me.
- Oh, I'm not sure I even want to stay here.
There is such a frightful draft in this place.
Have you noticed it, Nathan?
- Millicent, please,
you've got to listen to me and try, please try,
to understand what I am going to tell you.
- Yes. Yes, I will.
Although sometimes, I think that my problem
has been that I've understood you only too well.
Which makes me wonder,
why am I always willing to listen to you?
- Good evening. - Good evening.
- I was afraid your friend wasn't going to leave.
- I see.
- But now that we are alone, why don't we get acquainted?
My name's Crystal, what's yours?
- Is it necessary to give you my name?
- Well, I don't know how we can get acquainted,
if you don't.
What's the matter?
Are you afraid or just shy?
Say, haven't I met you somewhere before?
- No.
- Well, you don't have to get so angry about it.
- I'm sorry. But I'm not angry.
- Well, you do look familiar.
Do you ever go to the Eagle?
- Yes, I - I've been there before.
- Well, why don't we go there now and have a drink?
- I -- I'd rather stay out here.
- Oh, say, maybe, I made a mistake.
I thought you wanted to be with me.
- Oh, I do.
- Well, then, if you don't mind,
I'd like to go someplace where it's a little warmer.
You know what I mean?
- Can't we stay out here
where we can talk for a few minutes?
- Talk?
You are a strange one, aren't you?
Yes, you really are a strange one.
- What's the matter?
- Say, I knew I recognized you
and it has been a long time since I've seen you.
- I think you made a mistake. - No I haven't,
you are Barnabas Collins, aren't you?
- No! - Sure you are!
Oh, I used to see you all the time
down at Collins wharf
going in and out of your father's office.
- Now, listen to me.
- I knew you, but you didn't know me.
Fancy this, me meeting Mr. Barnabas Collins,
oh, wait until I tell the girls at the Eagle!
- Unfortunately, you're not going to tell anyone.
- What do you mean by that?
Why are you looking at me like that?
Oh no! Please!
No!
Oh no! Oh no!
Please, no!
[water splashes]
♪♪
- Nathan, you still haven't explained to me why you're here.
What did you do that made them put you in jail?
- Millicent, you haven't been listening.
You haven't heard one word that I've said.
- Yes I have.
But I'm not sure that what you said makes any sense.
- Now, you've just got to take my word for it.
You've just got to trust me. Please.
- I did that before, Nathan.
I trusted you.
And I was sorry.
- Now, we've got to forget the past, Millicent.
We've got to make a new start.
Do you understand?
- Yes.
Yes, I think I would like that.
- But, before we do it,
something must be done about Barnabas.
- Barnabas!
That's the part I don't understand.
Nathan, I was so sure Barnabas was dead.
- Oh, now, Millicent,
you just told me that you saw him take me
out of the house tonight.
Didn't you?
- Yes.
- Well, then, he couldn't very will be dead then,
could he?
- No. No, he can't.
But why did we all think he was?
- Because of what's happened to him.
What he has become.
- Oh!
Oh it's so - so terribly confusing.
- Millicent, listen to me.
I can't tell you why.
But Barnabas is trying to k*ll me.
You've got to help me.
- How?
- I can tell you how Barnabas can be destroyed,
but you've got to promise me
that you will do something about it.
Will you, Millicent? Please? For me?
- I will try, Nathan.
- All right.
You must go back to Collinwood.
You must find a wooden stake and a hammer.
Then you must go to the tower room during the day.
- The tower room?
- Millicent, the tower room, that's where he sleeps
during the day in a coffin.
Now, Millicent, you must take the stake
and you must drive it through his heart.
Do you understand?
- I think so. - Will you do it, Millicent?
- Nathan, I said I would try.
- Barnabas must be destroyed before it's too late!
- It's getting very chilly in here, Nathan.
I - I must go back to Collinwood now.
I'll come and see you again tomorrow.
[door opening]
- I was afraid something happened to you this time.
- I didn't think what would be like being this way again.
- What do you mean? Again?
- I had forgotten how overwhelming
this urge for blood could be
and how helpless I would be to resist it.
- Mr. Barnabas, are you feeling all right?
- No, Ben and I won't until I do what I came back to do.
- We've only got an hour to save Ms. Winters. - I know, Ben.
- How are we going to do it?
- Perhaps, we will have to use force.
- You mean help her escape from jail? - Yes.
- We'll never get away with it, Mr. Barnabas.
The jail is too well guarded.
- I will have to have a few minutes to think about it, Ben.
- There ain't no more time -- - Give me a few minutes, Ben.
I will be in my father's study.
♪♪
[eerie music] ♪♪
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663 - January 7, 1969
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The show depicted the lives, loves, trials, and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place.
The show depicted the lives, loves, trials, and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place.