[Maggie narrating] - Tonight, someone may die near Collinwood--
a death sudden, unexpected, and violent.
At this moment, a decision made by one man
will trigger the inevitable march toward destruction.
♪♪
[dog howling]
[thinking] - At last, the darkness has come.
Good-bye, Maggie Evans.
I might have loved you. I might have spared you.
But now, you must die!
[howling continues]
♪♪
♪♪
[eerie music] ♪♪
- Well, Dr. Hoffman. - Where are you going?
- Out. - That's not much of an answer.
- I was about to go out for a walk,
if that's any concern of yours.
What are you doing here? - I must speak to you.
- Can't it wait? - No, it can't. It's important.
- Very well, then. Come in.
Well, what is it that's so urgent?
- I know what you plan to do. - Plan to do?
- I know you plan to k*ll Maggie Evans tonight.
- k*ll her?
- You were starting to do it
when I came in just now and stopped you.
- Was I?
- Oh, please don't bother to deny it.
- I see you've been talking to my trusted servant Willie.
- Perhaps.
- Perhaps you should realize
that Willie is a highly unreliable young man.
- Are you saying he lied to me? That you didn't tell him
that you were going to k*ll Maggie Evans tonight?
- I'm sure he thought I did. - What does that mean?
- Well, it means that Willie has been very nervous lately
and tends to exaggerate anything I say.
- Well, what did you say to him?
- I said that as far as Maggie is concerned,
uh, I will do whatever is necessary.
- What do you mean by that?
- I simply mean that if her memory should return,
why, of course I would have to k*ll her.
- Well, it's not necessary.
Her memory of what happened to her in this house
is gone forever-- I saw to that.
- So you told me, and I believe you.
- Then, you no longer plan to k*ll Maggie.
- You've convinced me that it is no longer necessary.
- You trust me that much? - I trust you implicitly.
- Do you know something, Barnabas?
I don't believe you. - Don't you?
- No, you're lying to me.
Nothing I've said has made any impression on you.
You still intend to k*ll Maggie Evans.
- Well, if that's true, then nothing you can say
will stop me.
- Apparently not.
- You will simply accept her death as regrettable
but necessary and continue as usual.
- Apparently, I will.
- Well, that's very wise of you.
- Before you attempt to k*ll Maggie,
there's one thing you should know, however.
- That being?
- If you k*ll Maggie Evans, you'll be revealed
for what you are, and destroyed.
- You mean, I'll be captured. - No.
I know you're capable of k*lling Maggie without being captured.
- Then, what do you mean?
- I've done something-- something you don't know about.
- What?
- Recently, I gave a letter to a trusted friend.
That letter is to be turned over to the authorities
in the event of my death or the death of Maggie Evans.
That letter contains a full and detailed account
of who and what you are.
♪♪
- You did that?
- Yes.
So, you see, if you k*ll Maggie,
you'll be condemning yourself to destruction.
- Why haven't you told me this before?
- Oh, I didn't think it was necessary.
- Even when I tried to k*ll you?
- Oh, I knew you wouldn't,
and I was afraid that if I told you,
you might attempt to find the letter and destroy it.
- I could force you now to tell me where it is.
- Oh, but you wouldn't.
And if you k*lled me, that letter would be
turned over to the authorities immediately.
- Congratulations, Doctor.
Once again, you seem to have the upper hand.
- I'm glad you realize that.
- Of course, you might be bluffing.
There might not be a letter.
- Oh, but, then, on the other hand, there might be.
I don't think I'd take that risk if I were you.
Think it over, Barnabas.
I'm sure you'll decide that the wisest course of action
is to leave Maggie alone.
♪♪
[door opens, closes]
- [whimpers]
Papa!
[door opens]
Pa! - Maggie, what is it?
- I...
- What-- what's wrong? Did you see something?
Did you hear something? - No, but...
- What is it?
- I had the oddest sensation.
- Sensation?
- I felt it once before-- before, when I disappeared.
- Well, what was it?
- Eyes-- terrible eyes watching me.
Terrible, terrible eyes looking at me,
piercing through me.
♪♪
- Do you see anything? - No, nothing.
- [sighing] Maybe it's my imagination.
- [chuckling] Well...
you're on edge, darling.
Your imagination's been working overtime.
- I guess it is.
- You've got to remember
that we're not gonna let anything happen to you.
The backyard is just swarming with armed policemen,
all carefully hidden, all there to protect you.
- I know.
- Now, try to get some sleep, darling.
- I wish you hadn't given me those pills.
I'm afraid to go to sleep. - Ah, now, now, now, now.
Don't be afraid.
Just keep telling yourself you're safe.
- Safe.
♪♪
[door closing]
[footsteps]
- Willie?
- What happened?
- Everything's under control. - What do you mean?
- He's not going to k*ll Maggie Evans.
I managed to talk him out of it.
- Talk him out of it? - That's right.
- I don't think it's possible to talk him out of it.
He doesn't believe anything you say.
He doesn't think he'll be exposed
and he doesn't think he'll be captured.
- Oh, I told him something quite different.
- What?
- I told him that there's a letter in existence,
a letter that's to be turned over to the authorities
in the event of Maggie Evans' death.
That letter tells exactly who and what Barnabas Collins is.
- Is that true? Is there a letter?
- No.
- There isn't? You lied to him?
- Yep.
- Well, Barnabas will know you lied.
He'll never believe you.
- He does believe me.
- What, he said so?
- He intimated as much.
- Barnabas is hard to fool.
He knows when people are lying to him.
- Oh, he suspects I may be lying to him,
but he isn't sure, and as long as he isn't sure,
he won't risk exposure and destruction.
- And you really think he'll leave Maggie alone?
- I'm certain of it.
- But he knows her memory might come back.
What's he gonna do about that?
- Nothing.
- He's gotta do something.
- Yes, he has to trust me
and believe that her memory will never return.
- He doesn't believe you and he doesn't trust you.
He told me so.
- Well, after tonight, he will.
That letter is more of a threat to him
than Maggie's memory.
- If he believes there is a letter.
- He does.
- Well, how can you be sure?
- Oh, I saw his expression as I left him.
He was frightened.
- Scared? Barnabas?
- Definitely.
- Oh, no. Barnabas doesn't scare easy.
- Well, he's frightened now, and as long as he is,
Maggie Evans is completely safe.
♪♪
[thinking] - Was she lying to me?
Is there a letter?
Would she expose me to save Maggie Evans?
No, I don't believe she would.
But she might want me to be destroyed
in the event of her own death,
so, possibly, she did write such a letter.
But wait a moment.
The night I brought her to this house,
I threatened to k*ll her.
She had to say anything to save her life.
She said she wasn't afraid of me, but she was.
If there were a letter,
she would have told me about it then.
She was lying, I know!
Too bad, Dr. Hoffman.
You weren't clever enough.
Maggie Evans must die tonight,
and no power on this earth can prevent it.
♪♪
[flute playing "London Bridge"]
♪♪
Sarah!
Sarah!
I know you're nearby.
Where are you?
Where are you, Sarah?
Sarah!
♪♪
[door opens] - Maggie?
- Hey, don't-- don't wake her up if she's asleep, now.
- I'm not asleep. [laughing]
- Hi, sweetheart. - Hi.
- How are you feeling? - Okay.
- Listen, I brought the doll.
- Did Pop tell you she was here-- Sarah?
- Yeah, he told me.
- She told me that I had to have this doll.
It sounded like a warning of some kind.
- Well, you have it now.
- I wonder what she was warning me about.
- I don't know.
- Maybe she knows who the kidnapper is,
knows that he wants to k*ll me.
- Nobody is gonna touch a hair on your head, darling.
- Nobody is gonna get near this house.
The place is a real booby-trap.
I got within yards of the door,
and a policeman popped up from nowhere
and challenged me with a r*fle.
- [laughs] Yeah. He would have fired too,
if I hadn't told him that Joe was coming.
- I had a pretty tough time convincing him who I was.
- [laughs] Did you?
- I finally had to get Sam to come out and identify me.
- So, see, darling? You're safe.
You're completely safe. - That's right.
- I wonder why I'm supposed to have this doll.
I wonder what it means.
- Well, do you feel better now that you have it?
- Much better. - Good.
- Listen, Maggie, I'm planning to spend
the rest of the night here, so Sam and I
will be right outside the door, just in case you need us.
- Joe, maybe we'd better go
and let her have a little sleep, huh?
- No, don't go. - Hmm?
Now, darling, I told you there's nothing to be afraid of.
- I'm not afraid, but...
- What is it, darling?
- Do you sense it?
- Sense what?
- There's a feeling.
It's all around me. It's a feeling of warmth.
- Uh, I don't feel anything.
Do you, Joe? - No, I don't.
- I do. It's warm.
Warm. It's all around me.
- It's just that you're slipping off to sleep, darling.
Don't fight it.
- It's so warm. Warm...
- Oh, you sleep, Maggie.
- It's warm.
I'm not afraid. I'm not afraid.
♪♪
[door closes]
[wind whistling]
[thinking] - Dr. Hoffman is wrong.
I know that she didn't fool Barnabas.
Nobody can fool him.
He just let her think she fooled him
so she'd leave him alone.
Now, he's gonna k*ll Maggie Evans tonight,
the same as he k*lled Jason.
Well, at least Jason deserved it. She doesn't!
Now, who will be next? David probably. Then Devlin.
Then anybody who gets too close to him.
And all I can do is stand by and watch as long as I live!
I'll live with death, people dying, and worse.
I can't let it go on! I've got to do something!
I got to warn Maggie Evans,
tell her to get out of town as fast as she can.
That's right. I could do that. I've got to do that!
Oh, what's the use of kidding myself?
I won't. I can't.
If I did, Barnabas would know.
He'd k*ll me or worse.
So, I have to stand by and let her die.
All of them... one by one...
all of them die!
Hey, there's nothing I can do.
Nothing at all! Nothing!
♪♪
- Well, everything seems quiet.
- Yeah. Listen, Sam, I've been thinking.
- What about?
- Well, about Maggie.
I think we ought to get her out of town.
- Yeah, well, I have got some relatives up in Canada.
I've been thinking I ought to send her up there for awhile
and keep her safe 'til this maniac,
whoever he is, is captured.
- I think you ought to send her there tomorrow.
- Tomorrow? So soon?
- The sooner-- the sooner she gets out of Collinsport,
the safer she's gonna be.
- I'm afraid I have to agree with you.
Maggie's gonna kick up a fuss,
but, well, I'll see that she leaves tomorrow.
- And-- and listen, another thing--
I don't think we ought to tell anybody where she is.
Nobody should know but us. Just-- just in case.
- You're right. You're right, well keep it a secret.
Actually, I've been putting it off
'cause I know how much I'll miss her,
but I know it's the right thing to do.
- I'll miss her too, but it-- it'll be a relief
just to know she's safe.
- Yes. Yes, yes, it will.
- And now, if we can just get through this night
without anything happening to her...
[bell tolling]
- Heh! There's not much of it left. It's :.
- It's gonna be a long night, though, just the same.
- Come on, let's go in the house
and I'll make us a pot of coffee.
- Good idea.
[ticking]
[wind whistling] [crickets chirping]
[rustling]
- Did you hear something?
- Yeah.
- Look! Over there! There's a man moving in the shadows.
[g*n c*ck]
Be quiet. Don't make a sound.
Let's see if he goes near the house.
[creaking]
♪♪
[g*nsh*t]
- Aah!
- Halt! Don't move! - Pop! Pop!
- Halt! Halt or I'll sh**t! - Pop!
[g*nf*re]
- Maggie! - Maggie!
- Maggie, what's happened? - Pop, he was here!
- Did you see him? - No!
But I thought he was in the--
- It's all right, now, darling.
- Pop! Oh! - It's all right.
- No! - Don't be frightened, now.
- Oh! - It's safe now, Mr. Evans.
- Did you get him? - Oh, we sure did.
- Is he dead?
- Well, if he isn't, it's a miracle.
He's got about five b*ll*ts in his back.
- Oh! - Now, now, now.
- Oh! Oh! [sobbing]
♪♪
[eerie music] ♪♪
[announcer] - "Dark Shadows" is a Dan Curtis Production.
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322 - September 19, 1967
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The show depicted the lives, loves, trials, and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place.
The show depicted the lives, loves, trials, and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place.