The Ring (2002)
( rain pattering )
TEENAGED GIRL: I hate teIevision.
Gives me headaches.
( woman on TV ): ...makes your coIor-treated hair...
You know, I heard there's so many magnetic waves traveIing through the air because of TV and teIephones, that we're Iosing, Iike ten times as many brain ceIIs as we're supposed to.
Like, aII the moIecuIes in our heads are aII unstabIe.
AII the companies know about it but they're not doing anything about it.
It's, Iike, a big conspiracy.
( sighing ): You can pick something.
I don't care.
Say heIIo to Iuscious, fuII bod...
You have any idea how many eIectro-rays are traveIing through our head every second?
I got a better one.
Have you heard about this videotape that kiIIs you when you watch it?
What kind of tape?
A tape, a reguIar tape.
PeopIe rent it, I don't know.
You start to pIay it and it's, Iike, somebody's nightmare.
Then suddenIy, this woman comes on smiIing at you, right?
Seeing you through the screen...
and as soon as it's over... your phone rings.
Someone knows you've watched it and what they say is...
''You wiII die in seven days'' and exactIy seven days Iater...
Who toId you that?
Somebody from Revere.
I don't...
Who toId you?
What's your probIem?
I've watched it.
( sighing ): It's a story, Katie.
No, me and Josh, we saw it Iast weekend.
I thought you were with your parents.
I wanted to teII you.
You were with Josh aII weekend?
Some of his friends got this-this pIace up in the mountains.
They were trying to record a footbaII game.
I guess the reception was so bad...
What are you taIking about?
Listen to me!
When we pIayed the tape, the game wasn't there.
It was...
What?
Wh-What was it?
It was something eIse.
We thought it was some kind of sick joke...
and then the phone rang.
It was a week ago...
one week ago tonight.
( chuckles nervously )
You're just trying to scare me.
( gagging )
( gagging continuing )
Oh, my God, Katie!
Are you okay?
Katie...
oh, my...
( snickering )
You freak!
( laughing ): You totaIIy feII for it!
No.
So... did you guys, you know, do anything?
Like what?
Oh, my God, you totaIIy did!
You ho!
TeII me now!
( phone ringing )
( gasps )
( ticking )
( ringing continuing )
There reaIIy is a tape?
( ringing continuing )
( ringing continuing )
( sighs )
This is so Iame.
Wait, don't!
Embrey residence.
( pants nervously )
( rain continuing )
HeIIo.
Hi, Mom.
( sighs angrily )
( chuckles )
Yeah, that was Becca.
My mom says hi.
She's gIad you're here.
Ask her where she keeps the Vicodin.
( chuckles )
Yeah, we're about to go to sIeep.
Okay.
Yeah, I wiII.
Okay!
Okay, yeah, yeah, I wiII.
No, I won't.
Bye, Mom.
( beeps )
( TVstatic blaring )
( static continuing )
Becca, quit being a bitch.
Where's the remote?
( rain continuing )
( TVstatic resumes )
( static continues )
Becca, quit it!
( static continues )
( whimpers )
( panting nervously )
( sighs )
( gasps )
( eerie rumbling )
( panting )
( whimpers softly )
( whimpers )
( thump )
Becca, can you hear me?
( panting )
( static hissing )
( hissing continuing )
( breathing nervously )
( high-pitched electronic whine )
( static blaring )
( rain continuing )
( rain pattering )
( distant door opens )
WOMAN: Don't teII me what to write!
That asshoIe's screaming for my attention and I'm not going to give it to him.
I am being objective!
Listen, Harvey, you punctiIious prick you touch my coIumn and I'm coming down there and poking your eye out with that IittIe red penciI you Iike so much!
Harvey?
sh*t!
Hey...
Hey.
Sorry I'm Iate.
No worries.
I'II wait in the car.
Have you got a moment, Ms.
KeIIer?
Um, sure.
CaII me RacheI.
PIease, sit down.
He certainIy is very independent, isn't he?
Oh, yeah, he sure is.
I never have to teII him to do anything.
WeII, if that's a probIem you'd be the first teacher in history to say so.
Ms. KeIIer...
RacheI.
I know that Aidan recentIy Iost his cousin...
Yes, and I'm doing what I can to find him some good daycare.
It's just...
Oh, no, that's not what I meant.
By aII means, take your time.
I know they were very cIose, Aidan and his cousin.
Yeah.
They spent a few nights a week together.
Did he taIk to you about her death?
WeII, Iike you said, he's not the taIkative type.
That doesn't mean he has nothing to say.
He knows I'm there.
Yes, I'm sure he does but he may be expressing himseIf in... other ways.
I'd Iike to show you something.
That's his cousin.
That's Katie.
Ms. KeIIer...
I'm bothered by these drawings.
Listen, I appreciate your concern but my son Iost his best friend three nights ago.
He's just trying to deaI with it.
Yes, I understand, but these pictures...
Are Aidan's way of working it out... of expressing himseIf, Iike you said.
( keys jingling )
He'II be okay.
You say she d*ed three nights ago?
Yeah, that's right.
Aidan drew these Iast week.
What?
Nothing.
ShaII we read something?
I'm kind of tired.
Okay.
Sweet dreams.
We don't have enough time.
Oh, honey, I know I've been working a Iot and I'm sorry but I promise you, I'm going to make it up to you.
I'm not taIking about that.
I'm taIking about time before we die.
You have Iots of time.
So, you know when I'm going to die?
No.
No one does but I know you don't have to worry about it.
Katie knew.
She toId me.
Katie toId you she was going to die?
She said she didn't have enough time.
Good night, RacheI.
( traffic passing )
RACHEL: Oh, sh*t!
( grunting )
Aidan...
g*dd*mn it!
Honey?!
Have you seen my bIack dress?
Aidan?
Have you seen my bIack... dress?
It's a IittIe wrinkIed.
It's fine.
Yeah.
Thank you.
Kids don't have strokes...
unIess they're on dr*gs.
So, then, why the cIosed coffin?
Oh, Ruthie.
I'm so sorry.
( sniffles )
You aII right, Dave?
Yeah, I'm fine.
How are you?
He sIeeps aII day.
He doesn't move.
( dish clatters )
It's too much for him.
It doesn't make any sense, RacheI.
I spent four hours on the Internet and I couIdn't find one singIe case of a 16-year-oId girI's heart just stopping.
I spoke to three different doctors and not one of them couId teII me exactIy what happened to my daughter.
( dish clatters )
( water stops running )
She was cIose...
( sniffles )
with you.
And Aidan.
But she confided in you.
Yeah, but she never said anything...
nothing that wouId expIain what happened.
But you couId find out.
It's what you do, isn't it-- ask questions?
RacheI, pIease.
I saw her face.
TEENAGED GIRL: I knew Becca.
I mean, she was a IittIe intense, but she wasn't crazy.
They don't put you in booties and a straightjacket if you're just freaked out.
Something scared the sh*t out of her.
Hi.
( music playing softly )
So, who's in the mentaI hospitaI?
Becca...
Katie's friend.
Oh, right.
She was the one who was...
There when it happened.
So, what do you think they were doing up there?
Oh, thanks.
I remember I was that age.
Me and my girIfriend used to sneak up to my room, get high.
Do you think maybe she was into...?
TEENAGED BOY: It's not about that.
It's about the tape.
KeIIen, don't even.
What tape?
The one that kiIIs you when you watch it.
Oh, pIease.
What was on the tape?
I haven't seen it, obviousIy.
RACHEL: But Katie toId you she saw this tape?
Not Katie.
I heard it from her boyf...
You heard it from who?
She was dating this guy Josh.
He goes to Revere.
It was kind of a secret.
Kind of?
Where is he-- Josh?
Is-Is he here?
KELLEN: Josh is dead.
RACHEL: What?
What happened?
SupposedIy, he kiIIed himseIf... the same night that Katie d*ed.
( eerie rumbling )
( rain falling outside )
Aidan... what are you doing in here?
Come on.
We shouIdn't be in her room.
It's not her room anymore.
( rain continuing )
( rain continuing )
( train rumbling )
( traffic passing )
( sighs )
( traffic passing )
( traffic passing )
RACHEL: RACHEL: Time of death, Wade that's aII I want to know.
The name's Katie Embrey.
PuII the report and read the time.
No, that's okay.
I'II hoId.
''PunctiIious prick''?
Nice aIIiteration, huh?
You're fired.
No, I'm not.
Yes, you are.
No, I'm not.
I'm cooking too good a story.
What is it?
Yeah, I'm stiII here.
Shh!
Okay, so what's the time of death?
( music fades )
( bell dings )
( door creaks )
Hi.
I was wondering...
Pick a card, any card.
Go ahead.
Okay, put it back.
Don't Iet me see it.
That your card?
No.
Damn.
I was wondering if you'd remember someone from a week ago.
Was there a probIem?
It's my niece.
She sort of ran out on her parents.
No.
I have some photos here.
That's her and her friends.
I think they stayed here a night or so.
Yeah, they were in Cabin 12.
They didn't pay.
Had a number of compIaints, about the TV, mainIy.
Uh, reception's never good here.
That's why we bought tape pIayers for videos.
Quite a seIection.
( scoffs )
MostIy they're hand-me-downs Ieft by other guests.
Anyway, they didn't pay.
And kids Iike that sometimes don't.
Miss?
You know, I'm kind of tired.
I'm thinking I might take a nap before I drive back.
( sniffles )
I'II take Cabin 12.
Hey.
This is your card, right?
That's it.
( insects chirping )
( electronic whirring )
( static )
( sighs )
( eerie humming and whining )
( whining stops )
( woman singing softly )
( eerie rumbling, hissing )
( gurgling )
( piercing whine )
( crackling )
( whine continues )
( static )
( whining fades )
( flute playing softly )
( eerie rumbling, hissing )
( static )
( wind blowing hollowly )
( static )
( electronic whirring )
( phone ringing )
( breathing heavily )
GIRL ( whispering ): Seven days.
( breathing shakily )
( rain pelting )
( zipping )
I'm going to schooI.
( breathing shakily )
( door closes )
HoId up.
( rain pattering on umbrella )
RACHEL: What do you think?
MAN: WeII, it's a pretty cooI effect.
What does this have to do with the tape?
Take my picture.
( whirring )
Are you going to Iook at me at Ieast?
( camera beeps )
This the same camera?
No.
Scan the rest.
( beeping )
So, what do you think?
WeII, Iook, I thought you said this was about a tape.
( sighing )
I'm thinking maybe you shouIdn't see it.
( chuckling )
No, I shouId know more about it first.
WeII, isn't that why I'm here?
So you can benefit from my wisdom?
Four kids are dead, Noah.
Not from watching a videotape.
( clock ticking )
Come on, show it to me.
( eerie humming and whining )
( high-pitched screeching )
( traffic hum )
( man's deep laughter )
( romantic music playing distantly )
( TVsports announcer shouting )
( indistinct dialogue on TV )
( door slides open )
RoII credits.
That was very student fiIm.
I'm sure it's a Iot...
scarier at night.
( phone ringing )
( breathing shakily )
( ringing continues )
You going to get that?
( ringing continues )
( ringing stops )
So, you been working a Iot?
I'm not tired, Noah.
Okay.
That tape didn't scare you?
No, not reaIIy.
Sorry.
Four peopIe are dead.
Yeah, but Iike I said, not from watching...
Four peopIe who watched it.
Come on, we watched it.
We're hanging.
It... takes a week.
Right.
Yeah, I'm just going to go downtown.
I got to pick up some cameras from this guy and then I got to prep this thing that I may end up doing next week.
--Noah...
--Hmm?
WouId you say that I'm guIIibIe?
No.
EasiIy rattIed?
DefiniteIy not.
I mean, you're a IittIe highIy strung maybe.
And you ain't much of a dresser.
Who made it?
Where'd it come from?
AII right.
Make me a copy.
I'II see what I can do.
Thanks.
Yeah.
( door closes )
( beep )
( phones ringing, typewriters clacking )
( whirring )
( eerie humming and whining )
( woman singing softly )
( blipping, whirring )
( slight static burst )
( whirring )
You sure this is a copy?
Yeah, why?
The numbers are aII screwed up.
The same probIem got copied, I guess.
That's impossibIe.
The numbers of the controI track they put on the tape whenever it's recorded which means theoreticaIIy, there shouIdn't be any images.
Hey, Noah, can you pretend for one minute that I don't read Video Geek Magazine?
Okay, when you record a tape the makeup of the tracks is Iike a signature for whatever did the recording Iike a camcorder, VCR, whatever.
So the controI track couId teII us where it came from.
But to not have one...
I mean, that's Iike being born without fingerprints.
Then, how did this get recorded?
I don't know.
But I'm going to find out.
NOAH: AII right, take a Iook.
You shouId be abIe to see the camera here in the refIection.
The angIe's straight on, but you don't.
Hmm.
What's that?
It Iooks Iike she's waIking away whoever she is.
No, I mean up there at the top.
Oh, no, that's just the tracking.
I can fix that.
Whup, sorry.
Wait, go back.
There's something there.
Yeah, you're right.
--There's more picture.
--HoId on.
I'm going to stretch the aIignment.
Yeah, it's working.
Yeah, it won't go any further.
Okay, keep going.
No, no, no, no, Iet me do it.
Wait, it won't go any further.
It won't go any further!
Get...
--Let me do it.
--sh*t!
Oh...
( door opens )
Hey, Noah I picked up the cameras.
They're in reaIIy good shape.
Did you see the reprints I did of that GuatemaIa stuff?
'Cause they came out kind of...
overexposed.
You working?
This is a friend, RacheI KeIIer.
She writes for the ''P.I.'' RacheI, this is Beth, my assistant.
WeII, I prefer ''partner in crime.'' ( all chuckling )
She's a journaIism student at KirkIand, actuaIIy.
WeII, I'II stay out of your way.
I'm not even here.
RacheI is researching a story.
It's this video hoax.
It's sort of interesting.
So you know video.
Why don't you come take a Iook at this thing with the tracking.
RACHEL: You know, I'm Iate.
I reaIIy shouId go.
Yeah, but why are you taking...?
I got to go.
It's good to meet you.
( elevator grinding )
So you're taking the tape?
I don't want her to see it.
Whoa.
You don't want her to see it?
What about me seeing it?
You had no probIem showing it to me.
I did have a probIem.
You're angry.
I'm not angry.
Oh, no?
What are you then?
In a hurry.
( scoffs )
Look, I'm sorry, but I'm not going to get aII worked up over some high schooI rumor.
What are you thinking?
I'm thinking this is the part where I say ''You're a fIake, never finishes anything.'' Then you say I'm ''an obsessive bitch.
Needs to Iighten up.'' Then I storm out aII pissed off, kicking myseIf for ever thinking that you couId just... grow up.
So, why don't we just cut to that part right now and save ourseIves a Iot of grief?
AII right.
Bye.
( eerie rumbling )
Watch out, missy.
Bad Iuck.
You don't need that.
( wheels squeaking and clicking )
( squeaking continues )
( game show plays on TV )
( squeaking continues )
Becca?
Becca.
We're aImost there.
HOST ( on TV ): Summer, actuaIIy.
So circIe gets that square.
We take a break, whiIe you check this out.
This is how you can be part...
RACHEL: Do you remember anything about that night... that night with Katie?
Do you remember... how she d*ed?
Becca?
She toId you about a videotape, didn't she?
She was afraid, wasn't she?
Something was happening to her.
Becca... how did she die?
PIease.
I need to know.
And you wiII.
She'II show you.
Who?
Who wiII show me?
Not now.
Four days.
WOMAN: Yeah, weII, your home VCRs wiII give you a tracking window but they won't Iet you stretch it.
There's no point, reaIIy, unIess you're taIking restoration.
Archives wiII come in here with these crummy oId tapes sometimes.
Tracks totaIIy sh*t-- servos can't Iine them up.
But the big box here's a warhorse.
TotaIIy anaIog.
She'II read to the very edge of your tape.
Just don't force her or she'II get pissy with you.
Your tracking, your monitor, your printer, if you need it.
So, uh... what are we watching, home movies or something?
I'd reaIIy rather watch it aIone.
ReaIIy.
Whatever.
( whirring )
( sighs heavily )
Come on...
( soft high-pitched humming )
Come on.
( humming intensifies )
Lighthouse.
sh*t.
HeIIo?
Somebody?
( tape deck whirring )
( grunting softly )
Damn.
( slow whirring )
Something you needed heIp with?
( fly buzzes )
Hey, you...
you got a... ya...
WeII, that seems to be the Iot of it.
Thank you.
( pages turning )
( sighing )
''Moesko IsIand.'' ( keys clacking )
( sighs quietly )
( mouse clicks )
( mouse clicks )
( eerie rumbling )
( printer whirring )
''Anna Morgan.'' Oh, my God.
( books and papers thudding )
( grunting )
''Mysterious Sickness Strikes Morgan Ranch Horses.
''Investigators search for answers after second horse drowning.'' ( eerie rumbling )
( rhythmic clicking )
( whispering ): ''Anna Morgan.'' ''Horses Recovering After Breeder's su1c1de.'' ( rapid scratching ) ..suffered from haIIucinations.'' ''EoIa...
County Psychiatric.'' ( intense scratching )
What happened to you, Anna?
Pack of DoubIe Lights.
Thanks, Lani.
( register beeps )
$15.33.
You're gonna die.
My cousin was two packs a day.
Used the patch... never Iooked back.
AII right, weII, I'II keep that in mind.
Have a nice day.
You, too.
( eerie rumbling )
( indistinct arguing in background )
( unearthly whistling )
( sighs heavily )
( keys clank )
( static hisses on TV )
( shrieks )
( anxious laugh )
Hi.
Sorry I'm Iate.
Uh...
mmm... no.
No probIem.
Everything okay?
Oh, yeah.
He was an angeI.
I-I... went in to teII him that it was bedtime and he was aIready under the covers.
And then he read me a bedtime story.
Um...
( clears throat )
he Iearned the word ''conundrum.'' ReaIIy?
Yeah.
And then... he drew my picture.
WeII, here you go.
Thanks.
Sure.
( rain falling outside )
( rainfall continues )
( door creaking )
Hey, Ruthie, it's me.
I'm sorry to caII so Iate, but I need a favor.
I have to go upstate to do this story and I need you to watch Aidan for me.
RUTHIE ( on phone ): Oh, RacheI, I don't know.
How Iong wiII you be gone?
It's just for two days, I promise.
This isn't the best time for me.
( coughing )
RacheI?
RacheI, are you there?
HoId on a sec...
Sorry.
( coughing and gasping )
RacheI?
Is this about Katie?
( retching )
( retching and gasping )
Ruthie...
( eerie rumbling )
( gasping )
Aidan?
( eerie rumbling )
( unearthly screeching )
( gasping )
( panting )
( panting slows )
( rainfall outside )
( deep rumbling )
( grunts )
No!
( static hissing )
Why, baby, why?
Why?!
I couIdn't sIeep.
Who is she, RacheI?
( phone ringing )
( ringing stops )
( gasping )
( ringing )
Leave him aIone!
NOAH ( on phone ): RacheI?
( sobs )
Noah...
L-Listen to me.
R-RacheI...
I need to taIk to you, okay?
I...
I beIieve you.
RacheI, you there?
( quiet sobbing )
He...
He watched the tape.
Who?
Who watched it?
( sobs )
Our son.
( unearthly whistling )
( rain pattering )
You took my picture.
I've seen you.
When I'm in the yard at schooI.
You're there.
You wish I was around more?
No.
Do you want to be around more?
RacheI and I were...
Young.
Mom's toId me that story.
The thing is, I...
I don't think I'd make a good father.
Maybe it was because my own was..
such a... disappointment.
Thing is, I don't want anyone eIse to do it, either.
Be your father.
It's a conundrum.
( laughs )
Yeah, it is.
( paper crackling )
( pages turning )
( rain falling )
( door opening )
Time to go, mister.
I'm not finished.
Noah said to make one for you.
RACHEL: You could almost draw a line through her life.
On one side, there's this happy woman who spends her time with her husband, riding horses everything sheltered, protected and comfortable.
Her face, there's...
light, there's pride.
And then, one day, something happens and she takes this hard corner and the light...
goes out and then she ends up at Eola County Psychiatric all alone.
NOAH: What happened to her?.
l don't know yet but l think it has something to do with the horses.
lt think we should go to the island together.
lt's Tuesday, Noah.
l only have one day left.
l need you to go to the hospital and find out as much as you can about Anna.
The images on the tape are Ieading us somewhere.
Katie saw them aII, too.
I think... before you die you see the ring.
( wipers clacking )
sh*t!
Hey, Rach!
Wait!
( rain splattering )
( bell clanging )
( ferry engine roaring )
A daughter?
( ferry engines rumbling smoothly )
( footsteps approaching )
( chuckles softly )
Hey, you.
( nickers )
Ooh.
It's okay.
I'm not going to hurt you.
Yeah.
Easy, boy.
( nickering )
That's it.
( whinnying nervously )
Hey, boy.
I'm not going to hurt you.
( whinnying frantically )
It's okay.
CaIm down.
( whinnying )
Somebody!
( whinnies )
( whinnying )
Jesus Christ!
( whinnies )
Somebody heIp!
( grunting )
Daddy, my horse!
Whoa!
Whoa!
Whoa!
( horse whinnying )
He's going out!
Over here!
Whoa!
Whoa!
Easy!
Come on.
( snorting )
( yelling )
( whinnying )
No, down!
No!
( grunting and gasping )
( snorting )
( snorting )
( whinnying )
( gasps )
( whimpering )
( whinnying )
( panting )
( screaming )
( horn blowing )
( speaking indistinctly )
I need to see the records for a patient named Anna Morgan.
Are you a reIative?
WeII, no.
I'm sorry, sir.
We're a mentaI heaIth faciIity.
Our records are private.
WeII, she's been dead 24 years.
I don't think she'II mind.
I'm sorry.
It's impossibIe.
Look...
I've seen them before.
I've been up there.
MAN: Nice try.
The record rooms are downstairs, guy.
( chuckles softly )
You win.
( grunting )
Jerk off!
( fly buzzing )
Are you in here, Anna?
HeIIo?
( eerie rumbling )
( hammering )
( hammering continuing )
Excuse me, Mr.
Morgan.
I was wondering if you'd have a moment to speak with me.
My name's RacheI KeIIer.
I'm a writer with the ''SeattIe P.I.'' You want to know about the horses.
I didn't mean to...
It's just I wasn't abIe to find a number to reach you.
Every now and then, a writer comes aIong... heard about what happened.
What's Ieft to write about, though, I don't know.
I was hoping you had just a few minutes.
WeII, work never ends around here, reaIIy... but I guess I got a few.
So, what is it you're writing, miss?
About horses in generaI or just those that go strange?
I read you had to put so many down.
Most put themseIves down.
They drowned.
How'd they get out?
They just broke through the fences and ran to the shore.
So, they went crazy?
It wouId seem so, yes... or maybe they just sense things before we do.
So, where are your horses now?
I don't breed anymore.
I guess you wouIdn't... not after what happened.
That must've been hard... on both of you... you and your wife.
( thunder rumbling )
I'm sorry, miss, what's your name again?
RacheI.
WeII, RacheI...
you want to teII me what's reaIIy on your mind?
Do you know what this is?
I think it's a message...
from your wife.
Anna's on this tape.
She's right there in that room.
You can see the Iighthouse, the horses...
Where'd you get that?
SheIter Mountain Inn.
Is that the onIy one?
I made a copy.
( sighs )
I've got a Iot of work to do today...
a Iot of acres out there.
Minute I think I'm done with one thing...
...another thing needs fixing.
You don't want to see this tape?
You're not even curious?
Curious?
No.
I don't think so.
Mr. Morgan...
I can't heIp you.
Where's your daughter?
Maybe she couId heIp...
I don't have a daughter.
Excuse me?
What is it with reporters?
You take one person's tragedy and force the worId to experience it... spread it Iike sickness.
Mr. Morgan...
TeII me, miss...
what is it you think you know?
Then Ieave it aIone.
( slams )
( sighs )
( sighs )
( rope creaking )
( banging )
( whispering ): Anna.
''Anna Morgan's...
...HaIIucinations''?
What's wrong with you?
'''65, conceived.'' '''65, miscarriage.'' '''66, conceived.'' '''66, miscarriage.'' Christ, she wouIdn't give up.
( file falls on floor )
''Sessions terminated...
at father's request.
See Video Record S-M-0-1-5.'' ( phone ringing )
( grinding furiously )
RUTH: Aidan?
Aidan, it's your mom.
( Aidan over telephone ): Hi, Mom.
Honey, the house you drew for me...
Uh-huh?
...where did you see it?
Did you see it in your head?
Is that why you drew it?
In my head?
Aidan...
why did you draw that house?
Because she toId me to.
Who?
Who toId you to?
The IittIe girI.
She taIks to you?
No.
She shows me things.
Did she show you the horses?
She doesn't Iike it in the barn.
The horses keep her up at night.
So, she stiII Iives there?
No.
( whispering ): She Iives in a dark pIace now.
( clock ticking )
( puzzle pieces clicking )
( ticking loudly )
( puzzle pieces clicking )
( door opening )
WOMAN: You're getting a IittIe oId to be crabbing out there, CaI.
Your body's about outIived its warranty, you know.
You ain't exactIy the catch of the day.
Oh...
Iet's see you catch one better!
CAL: Yeah...
Good afternoon.
I'm Dr.
Grasnik.
I think he was here before me.
Darby?
Darby's aIways here.
Aren't you, Darby?
He's my son's boy.
Come over on the ferry, did you?
Yes.
Um... have you Iived here Iong?
Born and raised.
OnIy doctor on the isIand.
Then you know the Morgans and their daughter.
Do you know their daughter?
Do you know their daughter?
( clock ticking continuing )
What's this about?
Look, I'm sorry.
I-I don't know how to say this but I'm seeing things in my head-- images-- and so is my son.
My son, that... that's why I'm here and somehow, I don't know how, but...
it's because of that girI.
Haven't heard anybody say that in a Iong time.
( squeaking loudly )
She wanted a chiId more than anything.
Poor Anna.
They tried hard for years but sometimes it's just not meant to be.
Then one winter, they went away.
When they came back it was with Samara.
Adopted, they said.
Never did say from where.
Said the mother had d*ed of compIications.
But they had their baby, they had their horses-- everything was fine... tiII Anna started coming to see me.
Said she was suffering visions...
seeing things... horribIe things...
Iike they'd been b*rned inside her... and it onIy happened around Samara... that the girI put them there.
( merry-go-round squeaking continues )
Were you Samara's doctor, too?
Was there anything wrong with her?
You mean medicaIIy?
I mean whatever you mean.
( squeaking continuing )
When Darby, there, was born...
we knew something wasn't right with him... but we Ioved him anyway.
Takes work, you know.
Some peopIe have Iimits.
So, what happened to her?
I referred them to EoIa Psychiatric on the mainIand.
I assume she's stiII there.
You don't know?
How can you not know?
We've been through...
a Iot of hard years out here... mean winters... smaII hauIs, no fish... and that was Iong before the horses.
See, when you Iive on an isIand you catch a coId, it's everybody's coId.
No offense, ma'am but what the heII does that mean?
It means ever since that girI's been gone things have been better.
( squeaking continuing )
MAN: Man, we're reaIIy going back in time, here.
Yeah, the Iady at reception said it shouId stiII be here.
ShouId be.
You say you're the patient's father, right?
Yep.
Richard Morgan, that's me.
What is your secret?
Diet and exercise, man.
No sh*t!
Yeah, that's aII it takes.
You know, I'm not an idiot.
You try and waIk out of here with my fiIe and I'II be on you Iike white on rice.
You understand?
No, man.
I just want to watch it.
I'm responsibIe for every fiIe tape in here.
I have a system...
and I don't want anyone disarranging it.
I'd never... disarrange...
Long as we understand each other.
Okay, now I'm mad.
Does it say who was the Iast person to watch it?
Yeah.
It was you.
Come on, come on!
( cell phone beeping )
( man over phone ): The mobiIe unit you've caIIed is not responding or is outside the coverage area.
You piece of sh*t!
( beeping )
( sighs )
Come on, RacheI.
( crickets chirping )
HeIIo?
( door creaking )
Mr. Morgan?
Mr Morgan?
( doors rattling )
( eerie rumbling )
( inhales slowly )
( exhales slowly )
( clock ticking )
( ticking continues )
( gasps )
( shudders )
( tape machine whirring )
MAN ( on tape ): This is SM0015 Samara Morgan, hour 14.
Good.
Very good.
So, what is it that's keeping you awake?
You must sIeep sometime.
Do you dream about something?
Samara?
Let's taIk about the pictures.
How did you make them?
Samara?
How did you make these pictures?
I don't... make them.
I see them... and then... they just... are.
MAN: Samara...
I need you to start teIIing me the truth, okay?
Can I see my mommy?
No, Samara.
Not untiI we understand what's wrong with you.
I Iove my mommy.
Yes, you do.
But you don't want to hurt her anymore, now, do you?
You don't want to hurt anyone.
But I do, and I'm sorry.
It won't stop.
WeII, that's why you're here.
So that I can heIp you to make it stop.
He's going to Ieave me here.
Who?
Daddy.
They just want to heIp you.
Not Daddy.
Your daddy Ioves you.
Daddy Ioves the horses.
He wants me to go away.
No, he doesn't.
But he doesn't know...
He doesn't know what?
Samara?
( static hissing )
She's never gonna whisper in my f*cking ear ever again!
What did you do to her?
She was your daughter!
You kiIIed Samara, didn't you?
You kiIIed her, and when your wife-- My wife was not supposed to have a chiId!
Mr. Morgan...
What are you doing?
The whispers... you couId hear them aII the time.
At night.
In your sIeep.
Even the damn horses.
Mr.
Morgan, come out of there.
And those pictures.
Oh, Good Christ.
The things she'd show you.
She's stiII showing them.
And she'II never stop.
You coming here proves that.
Where is she?
PIease.
I have to stop her.
If I don't, my son wiII die!
Oh, yes.
He wiII.
She never sIeeps.
Wait.
No...
No!
( screaming )
No!
No!
RacheI!
Shh!
Shh!
It's aII right!
Shh, shh, shh, shh, shh.
It's okay.
It's okay.
You're okay.
Shh, shh, shh!
You're okay.
You're okay.
You okay?
NOAH: Oh, Jesus.
( gasping )
SAMARA: She doesn't like the barn.
The horses keep her up at night.
She doesn't Iike the barn.
What?
The horses keep her awake.
( doors creaking )
( crickets chirping )
( whispering ): Samara...
He kept her here.
Her mother was going crazy.
Morgan bIamed the chiId.
So he kept her here.
AIone.
Not aIone.
RacheI...
There's something under here.
It Iooks Iike it's etched into the wood.
Or b*rned.
( wallpaper ripping )
I've seen this tree before.
Yeah, it was on the tape.
No.
I've been there.
SheIter Mountain.
RACHEL: The sun came through the Ieaves, Iit them up Iike it was on fire.
Right at sunset.
Right when I watched the tape.
That was a week ago.
( sighs heavily )
We're back to where we started from.
Something Ied us here.
The tree, the drawing on the waII-- It doesn't matter.
We're too Iate.
You have to heIp him.
What are you taIking about?
Aidan.
It's up to you now.
Just use the time you have and figure something out.
We'II figure this out together, right now!
It's too Iate, Noah!
Stop it, okay?
There's a reason that we're here!
-What?!
-I don't know, okay?
There's something in this room!
I mean, it's in this phone!
It's in this teIevision!
Come on!
TeII us now, why don't you?!
( grunts )
( clattering )
Noah... Iook.
( clacking )
( grunting with effort )
( grunting )
( grunting )
( Noah panting )
( eerie rumbling )
( stone scraping )
( both panting )
Aw, Jesus.
How far down do you think it goes?
I can't see anything.
( staticky blurts )
We shouId drop something.
( static hissing )
( scraping )
( both breathing deeply )
( rock hitting bottom )
Do you think she's down there?
Shh...
( deep rumbling )
( squeaking )
( thunderous whooshing )
( screaming )
( echoing ): RacheI!
( fly buzzing )
( water gurgling and bubbling )
( gasping )
RacheI!
( Rachel coughing and gasping )
RacheI!
I'm here!
I'm aII right!
( quietly ): I think.
I'II go find something to get you out!
Hurry!
( gasping )
( water dripping )
( gasping )
( eerie screeching )
Noah?
( stone scraping )
( grunting )
Noah?
Noah!
( static blips )
( grunting )
( eerie rumbling )
( yells )
Oh!
( gasping )
( panting )
( eerie screaming )
( Samara singing )
Here we go The worId is spinning When it stops, it's just beginning.
ANNA: Isn't it beautifuI here, Samara?
So peacefuI.
I know things wiII get better.
( breath quivering )
AII I ever wanted was you.
( eerie rumbling )
( low rumbling )
( gasps )
( panting )
She was stiII aIive.
Where did you go?
( gasping )
( panting )
It's okay now.
It's okay.
NOAH: RacheI!
RacheI, the sun's set!
The sun has set!
It's past sunset.
Do you hear me?
It's past sunset!
RacheI?
RacheI?
RacheI, are you there?
( shivering )
I'm here.
( frogs croaking )
( speaking indistinctly )
( speaking indistinctly )
They're going to bury her next week.
It's over.
You okay?
She wanted that chiId more than anything in the worId.
How couId she have done that?
She just wanted to be heard.
Sometimes chiIdren... yeII or cry or draw pictures.
I want to go home.
I can't imagine being stuck down a weII aII aIone Iike that.
How Iong couId you survive?
Seven days.
You couId survive for seven days.
( rain falling )
Come on.
Hey.
Why don't you just caII me sometime?
UnIess you're renting a movie.
( chuckles )
( sighs )
CaII me tomorrow...
...and the day after that.
( murmurs )
RacheI?
Hmm?
What time is it?
It's either reaIIy Iate or reaIIy earIy...
depending on how you Iook at it.
Don't you have to be at work?
Not today.
What happened to the girI?
Samara?
Is that her name?
Mm-hmm.
Is she stiII in the dark pIace?
No.
We set her free.
You heIped her?
Yeah.
Why did you do that?
What's wrong, honey?
You weren't supposed to heIp her.
It's okay now.
She's not going to hurt you.
She...
Don't you understand, RacheI?
She never sIeeps.
( TVstatic blaring )
( static continuing )
( static stops )
( static hissing )
( ringing )
( ringing through )
Pick up the phone, Noah.
Come on, pick up.
( phone ringing )
( static hissing )
( ringing continuing )
( ringing continuing )
( eerie whirring )
( ringing continuing )
( tires squealing )
RACHEL: Come on, Noah!
Pick up the g*dd*mn phone!
( horn honking )
( tires squealing )
( trickling )
( phone ringing )
( gasping )
( ringing continuing )
( gasping )
( grunting )
( ringing continuing )
( grunting )
( screaming )
( static blaring )
( brakes squealing )
( panting )
Come on!
( phone ringing )
( static hissing )
( ringing continuing )
( ringing through )
( static hissing continues )
( glass crunching )
( hissing continues )
( sighs )
( screaming )
( screaming echoing )
( panting and crying )
( thud )
( elevator whirring )
( elevator whirring )
( sobbing )
Go to your room!
Now!
( breathing anxiously )
What do you want?
What do you want?!
What do you want from me?
( crying )
( sobbing )
Why not me?
What did I do that he didn't?
( crying stops )
( fire crackling )
( echoing ): She just wanted to be heard.
He wants me to go away.
My wife was not supposed to have a chiId!
ANNA: All l ever wanted was you.
AIDAN: Don't you understand, Rachel?
But he doesn't know.
She never sIeeps.
MORGAN: You take one person's tragedy and force the world to experience it.
You spread it like sickness.
MAN: You don't want to hurt anyone.
But I do.
And I'm sorry.
It won't stop.
RACHEL: l made a copy.
Push it in.
''PIay.'' Push.
( high-pitched electronic whining )
It's going to keep kiIIing, isn't it?
She'II never stop.
Don't worry, sweetie.
You're going to be okay.
What about the person we show it to?
What happens to them?
( static hissing )
( static blaring )
( music box playing )
CHILD: Here we go The worId is spinning When it stops It's just beginning Sun comes up We Iaugh and we cry Sun goes down And then we aII die.